From 05e3c70f16eee7719c21da3e700d3e5526e95542 Mon Sep 17 00:00:00 2001 From: liushuyu Date: Thu, 16 Feb 2017 22:44:36 -0700 Subject: [PATCH] i18n: Progressive merge back --- data/locale/ar.ts | 9950 ++++++++++++++++++++++++++++++++++++++++++ data/locale/ca.ts | 5325 ++++++++++++---------- data/locale/cs.ts | 6014 ++++++++++++++----------- data/locale/de.ts | 2920 ++++++++----- data/locale/en.ts | 113 +- data/locale/es.ts | 108 +- data/locale/fr.ts | 104 +- data/locale/gl.ts | 3923 ++++++++++------- data/locale/hu_HU.ts | 9948 +++++++++++++++++++++++++++++++++++++++++ data/locale/it.ts | 110 +- data/locale/ja.ts | 4558 ++++++++++--------- data/locale/ko.ts | 5391 +++++++++++++---------- data/locale/nl.ts | 5836 ++++++++++++++----------- data/locale/pl.ts | 4141 ++++++++++-------- data/locale/pt.ts | 7721 +++++++++++++++++--------------- data/locale/ru.ts | 5160 ++++++---------------- data/locale/sl.ts | 9948 +++++++++++++++++++++++++++++++++++++++++ data/locale/sr.ts | 4157 ++++-------------- data/locale/sv.ts | 5448 +++++++++++++---------- data/locale/uk.ts | 329 +- data/locale/zh_CN.ts | 5498 +++++++---------------- data/locale/zh_TW.ts | 4931 ++++++--------------- 22 files changed, 64168 insertions(+), 37465 deletions(-) create mode 100644 data/locale/ar.ts create mode 100644 data/locale/hu_HU.ts create mode 100644 data/locale/sl.ts diff --git a/data/locale/ar.ts b/data/locale/ar.ts new file mode 100644 index 00000000000..e618e2877be --- /dev/null +++ b/data/locale/ar.ts @@ -0,0 +1,9950 @@ + + + AboutDialog + + About LMMS + حول إل إم إم إس + + + Version %1 (%2/%3, Qt %4, %5) + إصدار %1 (%2/%3, Qt %4, %5) + + + About + حول + + + LMMS - easy music production for everyone + إل إم إم إس - إنتاج موسيقى سهل للجميع + + + Authors + المؤلفون + + + Translation + الترجمة + + + Current language not translated (or native English). + +If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! + اللغة الحالية غير مترجمة (أو الإنجليزية) + +إذا كنت مهتما بترجمة إل إم إم إس للغة أخرى أو ترغب ترغب بتحسين ترجمة لغة موجودة مسبقا، أنت بك لكي تساعدنا! ببساطة تواصل مع المصين! + + + License + الرخصة + + + LMMS + إل إم إم إس + + + Involved + المشاركون + + + Contributors ordered by number of commits: + + + + Copyright © %1 + حقوق النشر © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + + + + AmplifierControlDialog + + VOL + صوت + + + Volume: + مستوى الصوت: + + + PAN + + + + Panning: + + + + LEFT + يسار + + + Left gain: + + + + RIGHT + يمين + + + Right gain: + + + + + AmplifierControls + + Volume + + + + Panning + + + + Left gain + + + + Right gain + + + + + AudioAlsaSetupWidget + + DEVICE + جهاز + + + CHANNELS + قنوات + + + + AudioFileProcessorView + + Open other sample + افتح عينة أخرى + + + Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. + + + + Reverse sample + + + + If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. + + + + Amplify: + + + + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + + + + Startpoint: + + + + Endpoint: + + + + Continue sample playback across notes + + + + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) + + + + Disable loop + عدم تكرار + + + This button disables looping. The sample plays only once from start to end. + + + + Enable loop + + + + This button enables forwards-looping. The sample loops between the end point and the loop point. + + + + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. + + + + With this knob you can set the point where AudioFileProcessor should begin playing your sample. + + + + With this knob you can set the point where AudioFileProcessor should stop playing your sample. + + + + Loopback point: + + + + With this knob you can set the point where the loop starts. + + + + + AudioFileProcessorWaveView + + Sample length: + + + + + AudioJack + + JACK client restarted + + + + LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. + + + + JACK server down + + + + The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. + + + + CLIENT-NAME + + + + CHANNELS + قنوات + + + + AudioOss::setupWidget + + DEVICE + جهاز + + + CHANNELS + قنوات + + + + AudioPortAudio::setupWidget + + BACKEND + + + + DEVICE + جهاز + + + + AudioPulseAudio::setupWidget + + DEVICE + جهاز + + + CHANNELS + قنوات + + + + AudioSdl::setupWidget + + DEVICE + جهاز + + + + AudioSndio::setupWidget + + DEVICE + جهاز + + + CHANNELS + قنوات + + + + AudioSoundIo::setupWidget + + BACKEND + + + + DEVICE + جهاز + + + + AutomatableModel + + &Reset (%1%2) + + + + &Copy value (%1%2) + + + + &Paste value (%1%2) + + + + Edit song-global automation + + + + Connected to %1 + + + + Connected to controller + + + + Edit connection... + + + + Remove connection + + + + Connect to controller... + + + + Remove song-global automation + + + + Remove all linked controls + + + + + AutomationEditor + + Please open an automation pattern with the context menu of a control! + + + + Values copied + + + + All selected values were copied to the clipboard. + + + + + AutomationEditorWindow + + Play/pause current pattern (Space) + + + + Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. + + + + Stop playing of current pattern (Space) + + + + Click here if you want to stop playing of the current pattern. + + + + Draw mode (Shift+D) + + + + Erase mode (Shift+E) + + + + Flip vertically + + + + Flip horizontally + + + + Click here and the pattern will be inverted.The points are flipped in the y direction. + + + + Click here and the pattern will be reversed. The points are flipped in the x direction. + + + + Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. + + + + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. + + + + Discrete progression + + + + Linear progression + + + + Cubic Hermite progression + + + + Tension value for spline + + + + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. + + + + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. + + + + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. + + + + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. + + + + Cut selected values (%1+X) + + + + Copy selected values (%1+C) + + + + Paste values from clipboard (%1+V) + + + + Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the values from the clipboard will be pasted at the first visible measure. + + + + Tension: + + + + Automation Editor - no pattern + + + + Automation Editor - %1 + + + + Edit actions + + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls + + + + Model is already connected to this pattern. + + + + + AutomationPattern + + Drag a control while pressing <%1> + + + + + AutomationPatternView + + double-click to open this pattern in automation editor + + + + Open in Automation editor + + + + Clear + + + + Reset name + + + + Change name + + + + %1 Connections + + + + Disconnect "%1" + + + + Set/clear record + + + + Flip Vertically (Visible) + + + + Flip Horizontally (Visible) + + + + Model is already connected to this pattern. + + + + + AutomationTrack + + Automation track + + + + + BBEditor + + Beat+Bassline Editor + + + + Play/pause current beat/bassline (Space) + + + + Stop playback of current beat/bassline (Space) + + + + Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. + + + + Click here to stop playing of current beat/bassline. + + + + Add beat/bassline + + + + Add automation-track + + + + Remove steps + + + + Add steps + + + + Beat selector + + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + + + + + BBTCOView + + Open in Beat+Bassline-Editor + + + + Reset name + + + + Change name + + + + Change color + + + + Reset color to default + + + + + BBTrack + + Beat/Bassline %1 + + + + Clone of %1 + + + + + BassBoosterControlDialog + + FREQ + + + + Frequency: + + + + GAIN + + + + Gain: + + + + RATIO + + + + Ratio: + + + + + BassBoosterControls + + Frequency + + + + Gain + + + + Ratio + + + + + BitcrushControlDialog + + IN + + + + OUT + + + + GAIN + + + + Input Gain: + + + + NOIS + + + + Input Noise: + + + + Output Gain: + + + + CLIP + + + + Output Clip: + + + + Rate + + + + Rate Enabled + + + + Enable samplerate-crushing + + + + Depth + + + + Depth Enabled + + + + Enable bitdepth-crushing + + + + Sample rate: + + + + STD + + + + Stereo difference: + + + + Levels + + + + Levels: + + + + + CaptionMenu + + &Help + + + + Help (not available) + + + + + CarlaInstrumentView + + Show GUI + + + + Click here to show or hide the graphical user interface (GUI) of Carla. + + + + + Controller + + Controller %1 + + + + + ControllerConnectionDialog + + Connection Settings + + + + MIDI CONTROLLER + + + + Input channel + + + + CHANNEL + + + + Input controller + + + + CONTROLLER + + + + Auto Detect + + + + MIDI-devices to receive MIDI-events from + + + + USER CONTROLLER + + + + MAPPING FUNCTION + + + + OK + حسناً + + + Cancel + + + + LMMS + إل إم إم إس + + + Cycle Detected. + + + + + ControllerRackView + + Controller Rack + + + + Add + + + + Confirm Delete + + + + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + + + + + ControllerView + + Controls + + + + Controllers are able to automate the value of a knob, slider, and other controls. + + + + Rename controller + + + + Enter the new name for this controller + + + + &Remove this controller + + + + Re&name this controller + + + + LFO + + + + + CrossoverEQControlDialog + + Band 1/2 Crossover: + + + + Band 2/3 Crossover: + + + + Band 3/4 Crossover: + + + + Band 1 Gain: + + + + Band 2 Gain: + + + + Band 3 Gain: + + + + Band 4 Gain: + + + + Band 1 Mute + + + + Mute Band 1 + + + + Band 2 Mute + + + + Mute Band 2 + + + + Band 3 Mute + + + + Mute Band 3 + + + + Band 4 Mute + + + + Mute Band 4 + + + + + DelayControls + + Delay Samples + + + + Feedback + + + + Lfo Frequency + + + + Lfo Amount + + + + Output gain + + + + + DelayControlsDialog + + Lfo Amt + + + + Delay Time + + + + Feedback Amount + + + + Lfo + + + + Out Gain + + + + Gain + + + + DELAY + + + + FDBK + + + + RATE + + + + AMNT + + + + + DualFilterControlDialog + + Filter 1 enabled + + + + Filter 2 enabled + + + + Click to enable/disable Filter 1 + + + + Click to enable/disable Filter 2 + + + + FREQ + + + + Cutoff frequency + + + + RESO + + + + Resonance + + + + GAIN + + + + Gain + + + + MIX + + + + Mix + + + + + DualFilterControls + + Filter 1 enabled + + + + Filter 1 type + + + + Cutoff 1 frequency + + + + Q/Resonance 1 + + + + Gain 1 + + + + Mix + + + + Filter 2 enabled + + + + Filter 2 type + + + + Cutoff 2 frequency + + + + Q/Resonance 2 + + + + Gain 2 + + + + LowPass + + + + HiPass + + + + BandPass csg + + + + BandPass czpg + + + + Notch + + + + Allpass + + + + Moog + + + + 2x LowPass + + + + RC LowPass 12dB + + + + RC BandPass 12dB + + + + RC HighPass 12dB + + + + RC LowPass 24dB + + + + RC BandPass 24dB + + + + RC HighPass 24dB + + + + Vocal Formant Filter + + + + 2x Moog + + + + SV LowPass + + + + SV BandPass + + + + SV HighPass + + + + SV Notch + + + + Fast Formant + + + + Tripole + + + + + Editor + + Play (Space) + + + + Stop (Space) + + + + Record + + + + Record while playing + + + + Transport controls + + + + + Effect + + Effect enabled + + + + Wet/Dry mix + + + + Gate + + + + Decay + + + + + EffectChain + + Effects enabled + + + + + EffectRackView + + EFFECTS CHAIN + + + + Add effect + + + + + EffectSelectDialog + + Add effect + + + + Name + + + + Type + + + + Description + + + + Author + + + + + EffectView + + Toggles the effect on or off. + + + + On/Off + + + + W/D + + + + Wet Level: + + + + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. + + + + DECAY + + + + Time: + + + + The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. + + + + GATE + + + + Gate: + + + + The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. + + + + Controls + + + + Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. + +The On/Off switch allows you to bypass a given plugin at any point in time. + +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. + +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. + +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. + +The Controls button opens a dialog for editing the effect's parameters. + +Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. + + + + Move &up + + + + Move &down + + + + &Remove this plugin + + + + + EnvelopeAndLfoParameters + + Predelay + + + + Attack + + + + Hold + + + + Decay + + + + Sustain + + + + Release + + + + Modulation + + + + LFO Predelay + + + + LFO Attack + + + + LFO speed + + + + LFO Modulation + + + + LFO Wave Shape + + + + Freq x 100 + + + + Modulate Env-Amount + + + + + EnvelopeAndLfoView + + DEL + + + + Predelay: + + + + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. + + + + ATT + + + + Attack: + + + + Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. + + + + HOLD + + + + Hold: + + + + Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. + + + + DEC + + + + Decay: + + + + Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. + + + + SUST + + + + Sustain: + + + + Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. + + + + REL + + + + Release: + + + + Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. + + + + AMT + + + + Modulation amount: + + + + Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. + + + + LFO predelay: + + + + Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. + + + + LFO- attack: + + + + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. + + + + SPD + + + + LFO speed: + + + + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. + + + + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. + + + + Click here for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave for current. + + + + Click here for a square-wave. + + + + Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. + + + + FREQ x 100 + + + + Click here if the frequency of this LFO should be multiplied by 100. + + + + multiply LFO-frequency by 100 + + + + MODULATE ENV-AMOUNT + + + + Click here to make the envelope-amount controlled by this LFO. + + + + control envelope-amount by this LFO + + + + ms/LFO: + + + + Hint + + + + Drag a sample from somewhere and drop it in this window. + + + + Click here for random wave. + + + + + EqControls + + Input gain + + + + Output gain + + + + Low shelf gain + + + + Peak 1 gain + + + + Peak 2 gain + + + + Peak 3 gain + + + + Peak 4 gain + + + + High Shelf gain + + + + HP res + + + + Low Shelf res + + + + Peak 1 BW + + + + Peak 2 BW + + + + Peak 3 BW + + + + Peak 4 BW + + + + High Shelf res + + + + LP res + + + + HP freq + + + + Low Shelf freq + + + + Peak 1 freq + + + + Peak 2 freq + + + + Peak 3 freq + + + + Peak 4 freq + + + + High shelf freq + + + + LP freq + + + + HP active + + + + Low shelf active + + + + Peak 1 active + + + + Peak 2 active + + + + Peak 3 active + + + + Peak 4 active + + + + High shelf active + + + + LP active + + + + LP 12 + + + + LP 24 + + + + LP 48 + + + + HP 12 + + + + HP 24 + + + + HP 48 + + + + low pass type + + + + high pass type + + + + Analyse IN + + + + Analyse OUT + + + + + EqControlsDialog + + HP + + + + Low Shelf + + + + Peak 1 + + + + Peak 2 + + + + Peak 3 + + + + Peak 4 + + + + High Shelf + + + + LP + + + + In Gain + + + + Gain + + + + Out Gain + + + + Bandwidth: + + + + Resonance : + + + + Frequency: + + + + lp grp + + + + hp grp + + + + Octave + + + + + EqHandle + + Reso: + + + + BW: + + + + Freq: + + + + + ExportProjectDialog + + Export project + + + + Output + + + + File format: + + + + Samplerate: + + + + 44100 Hz + + + + 48000 Hz + + + + 88200 Hz + + + + 96000 Hz + + + + 192000 Hz + + + + Bitrate: + + + + 64 KBit/s + + + + 128 KBit/s + + + + 160 KBit/s + + + + 192 KBit/s + + + + 256 KBit/s + + + + 320 KBit/s + + + + Depth: + + + + 16 Bit Integer + + + + 32 Bit Float + + + + Please note that not all of the parameters above apply for all file formats. + + + + Quality settings + + + + Interpolation: + + + + Zero Order Hold + + + + Sinc Fastest + + + + Sinc Medium (recommended) + + + + Sinc Best (very slow!) + + + + Oversampling (use with care!): + + + + 1x (None) + + + + 2x + + + + 4x + + + + 8x + + + + Start + + + + Cancel + + + + Export as loop (remove end silence) + + + + Export between loop markers + + + + Could not open file + + + + Export project to %1 + + + + Error + + + + Error while determining file-encoder device. Please try to choose a different output format. + + + + Rendering: %1% + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + + + + Fader + + Please enter a new value between %1 and %2: + + + + + FileBrowser + + Browser + + + + + FileBrowserTreeWidget + + Send to active instrument-track + + + + Open in new instrument-track/B+B Editor + + + + Loading sample + + + + Please wait, loading sample for preview... + + + + --- Factory files --- + + + + Open in new instrument-track/Song Editor + + + + Error + + + + does not appear to be a valid + + + + file + + + + + FlangerControls + + Delay Samples + + + + Lfo Frequency + + + + Seconds + + + + Regen + + + + Noise + + + + Invert + + + + + FlangerControlsDialog + + Delay Time: + + + + Feedback Amount: + + + + White Noise Amount: + + + + DELAY + + + + RATE + + + + Rate: + + + + AMNT + + + + Amount: + + + + FDBK + + + + NOISE + + + + Invert + + + + + FxLine + + Channel send amount + + + + The FX channel receives input from one or more instrument tracks. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + +In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. + +You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. + + + + + Move &left + + + + Move &right + + + + Rename &channel + + + + R&emove channel + + + + Remove &unused channels + + + + + FxMixer + + Master + + + + FX %1 + + + + + FxMixerView + + FX-Mixer + + + + FX Fader %1 + + + + Mute + + + + Mute this FX channel + + + + Solo + + + + Solo FX channel + + + + + FxRoute + + Amount to send from channel %1 to channel %2 + + + + + GigInstrument + + Bank + + + + Patch + + + + Gain + + + + + GigInstrumentView + + Open other GIG file + + + + Click here to open another GIG file + + + + Choose the patch + + + + Click here to change which patch of the GIG file to use + + + + Change which instrument of the GIG file is being played + + + + Which GIG file is currently being used + + + + Which patch of the GIG file is currently being used + + + + Gain + + + + Factor to multiply samples by + + + + Open GIG file + + + + GIG Files (*.gig) + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + + + + Preparing song editor + + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + + + + Preparing automation editor + + + + + InstrumentFunctionArpeggio + + Arpeggio + + + + Arpeggio type + + + + Arpeggio range + + + + Arpeggio time + + + + Arpeggio gate + + + + Arpeggio direction + + + + Arpeggio mode + + + + Up + + + + Down + + + + Up and down + + + + Random + + + + Free + + + + Sort + + + + Sync + + + + Down and up + + + + Skip rate + + + + Miss rate + + + + Cycle steps + + + + + InstrumentFunctionArpeggioView + + ARPEGGIO + + + + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. + + + + RANGE + + + + Arpeggio range: + + + + octave(s) + + + + Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. + + + + TIME + + + + Arpeggio time: + + + + ms + + + + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. + + + + GATE + + + + Arpeggio gate: + + + + % + + + + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. + + + + Chord: + + + + Direction: + + + + Mode: + + + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + + InstrumentFunctionNoteStacking + + octave + + + + Major + + + + Majb5 + + + + minor + + + + minb5 + + + + sus2 + + + + sus4 + + + + aug + + + + augsus4 + + + + tri + + + + 6 + + + + 6sus4 + + + + 6add9 + + + + m6 + + + + m6add9 + + + + 7 + + + + 7sus4 + + + + 7#5 + + + + 7b5 + + + + 7#9 + + + + 7b9 + + + + 7#5#9 + + + + 7#5b9 + + + + 7b5b9 + + + + 7add11 + + + + 7add13 + + + + 7#11 + + + + Maj7 + + + + Maj7b5 + + + + Maj7#5 + + + + Maj7#11 + + + + Maj7add13 + + + + m7 + + + + m7b5 + + + + m7b9 + + + + m7add11 + + + + m7add13 + + + + m-Maj7 + + + + m-Maj7add11 + + + + m-Maj7add13 + + + + 9 + + + + 9sus4 + + + + add9 + + + + 9#5 + + + + 9b5 + + + + 9#11 + + + + 9b13 + + + + Maj9 + + + + Maj9sus4 + + + + Maj9#5 + + + + Maj9#11 + + + + m9 + + + + madd9 + + + + m9b5 + + + + m9-Maj7 + + + + 11 + + + + 11b9 + + + + Maj11 + + + + m11 + + + + m-Maj11 + + + + 13 + + + + 13#9 + + + + 13b9 + + + + 13b5b9 + + + + Maj13 + + + + m13 + + + + m-Maj13 + + + + Harmonic minor + + + + Melodic minor + + + + Whole tone + + + + Diminished + + + + Major pentatonic + + + + Minor pentatonic + + + + Jap in sen + + + + Major bebop + + + + Dominant bebop + + + + Blues + + + + Arabic + + + + Enigmatic + + + + Neopolitan + + + + Neopolitan minor + + + + Hungarian minor + + + + Dorian + + + + Phrygolydian + + + + Lydian + + + + Mixolydian + + + + Aeolian + + + + Locrian + + + + Chords + + + + Chord type + + + + Chord range + + + + Minor + + + + Chromatic + + + + Half-Whole Diminished + + + + 5 + + + + Phrygian dominant + + + + Persian + + + + + InstrumentFunctionNoteStackingView + + RANGE + + + + Chord range: + + + + octave(s) + + + + Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. + + + + STACKING + + + + Chord: + + + + + InstrumentMidiIOView + + ENABLE MIDI INPUT + + + + CHANNEL + + + + VELOCITY + + + + ENABLE MIDI OUTPUT + + + + PROGRAM + + + + MIDI devices to receive MIDI events from + + + + MIDI devices to send MIDI events to + + + + NOTE + + + + CUSTOM BASE VELOCITY + + + + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity + + + + BASE VELOCITY + + + + + InstrumentMiscView + + MASTER PITCH + + + + Enables the use of Master Pitch + + + + + InstrumentSoundShaping + + VOLUME + + + + Volume + + + + CUTOFF + + + + Cutoff frequency + + + + RESO + + + + Resonance + + + + Envelopes/LFOs + + + + Filter type + + + + Q/Resonance + + + + LowPass + + + + HiPass + + + + BandPass csg + + + + BandPass czpg + + + + Notch + + + + Allpass + + + + Moog + + + + 2x LowPass + + + + RC LowPass 12dB + + + + RC BandPass 12dB + + + + RC HighPass 12dB + + + + RC LowPass 24dB + + + + RC BandPass 24dB + + + + RC HighPass 24dB + + + + Vocal Formant Filter + + + + 2x Moog + + + + SV LowPass + + + + SV BandPass + + + + SV HighPass + + + + SV Notch + + + + Fast Formant + + + + Tripole + + + + + InstrumentSoundShapingView + + TARGET + + + + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + + + + FILTER + + + + Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. + + + + Hz + + + + Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... + + + + RESO + + + + Resonance: + + + + Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. + + + + FREQ + + + + cutoff frequency: + + + + Envelopes, LFOs and filters are not supported by the current instrument. + + + + + InstrumentTrack + + unnamed_track + + + + Volume + + + + Panning + + + + Pitch + + + + FX channel + + + + Default preset + + + + With this knob you can set the volume of the opened channel. + + + + Base note + + + + Pitch range + + + + Master Pitch + + + + + InstrumentTrackView + + Volume + + + + Volume: + مستوى الصوت: + + + VOL + صوت + + + Panning + + + + Panning: + + + + PAN + + + + MIDI + + + + Input + + + + Output + + + + FX %1: %2 + + + + + InstrumentTrackWindow + + GENERAL SETTINGS + + + + Instrument volume + + + + Volume: + مستوى الصوت: + + + VOL + صوت + + + Panning + + + + Panning: + + + + PAN + + + + Pitch + + + + Pitch: + + + + cents + + + + PITCH + + + + FX channel + + + + ENV/LFO + + + + FUNC + + + + FX + + + + MIDI + + + + Save preset + + + + XML preset file (*.xpf) + + + + PLUGIN + + + + Pitch range (semitones) + + + + RANGE + + + + Save current instrument track settings in a preset file + + + + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. + + + + MISC + + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + + + + + Knob + + Set linear + + + + Set logarithmic + + + + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + + + + Please enter a new value between %1 and %2: + + + + + LadspaControl + + Link channels + + + + + LadspaControlDialog + + Link Channels + + + + Channel + + + + + LadspaControlView + + Link channels + + + + Value: + + + + Sorry, no help available. + + + + + LadspaEffect + + Unknown LADSPA plugin %1 requested. + + + + + LcdSpinBox + + Please enter a new value between %1 and %2: + + + + + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + + + + + LfoController + + LFO Controller + + + + Base value + + + + Oscillator speed + + + + Oscillator amount + + + + Oscillator phase + + + + Oscillator waveform + + + + Frequency Multiplier + + + + + LfoControllerDialog + + LFO + + + + LFO Controller + + + + BASE + + + + Base amount: + + + + todo + + + + SPD + + + + LFO-speed: + + + + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. + + + + Modulation amount: + + + + Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. + + + + PHS + + + + Phase offset: + + + + degrees + + + + With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. + + + + Click here for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave. + + + + Click here for a square-wave. + + + + Click here for an exponential wave. + + + + Click here for white-noise. + + + + Click here for a user-defined shape. +Double click to pick a file. + + + + Click here for a moog saw-wave. + + + + AMNT + + + + + LmmsCore + + Generating wavetables + + + + Initializing data structures + + + + Opening audio and midi devices + + + + Launching mixer threads + + + + + MainWindow + + Could not save config-file + + + + Could not save configuration file %1. You're probably not permitted to write to this file. +Please make sure you have write-access to the file and try again. + + + + &New + + + + &Open... + + + + &Save + + + + Save &As... + + + + Import... + + + + E&xport... + + + + &Quit + + + + &Edit + + + + Settings + + + + &Tools + + + + &Help + + + + Help + + + + What's this? + + + + About + حول + + + Create new project + + + + Create new project from template + + + + Open existing project + + + + Recently opened projects + + + + Save current project + + + + Export current project + + + + Song Editor + + + + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. + + + + Beat+Bassline Editor + + + + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + + + + Piano Roll + + + + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + + + + Automation Editor + + + + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + + + + FX Mixer + + + + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + + + + Project Notes + + + + Click here to show or hide the project notes window. In this window you can put down your project notes. + + + + Controller Rack + + + + Untitled + + + + LMMS %1 + + + + Project not saved + + + + The current project was modified since last saving. Do you want to save it now? + + + + Help not available + + + + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. + + + + LMMS (*.mmp *.mmpz) + + + + Version %1 + + + + Configuration file + + + + Error while parsing configuration file at line %1:%2: %3 + + + + Volumes + + + + Undo + + + + Redo + + + + My Projects + + + + My Samples + + + + My Presets + + + + My Home + + + + My Computer + + + + &File + + + + &Recently Opened Projects + + + + Save as New &Version + + + + E&xport Tracks... + + + + Online Help + + + + What's This? + + + + Open Project + + + + Save Project + + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + + + + Preparing file browsers + + + + Root directory + + + + Loading background artwork + + + + New from template + + + + Save as default template + + + + &View + + + + Toggle metronome + + + + Show/hide Song-Editor + + + + Show/hide Beat+Bassline Editor + + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + + + + + MeterDialog + + Meter Numerator + + + + Meter Denominator + + + + TIME SIG + + + + + MeterModel + + Numerator + + + + Denominator + + + + + MidiController + + MIDI Controller + + + + unnamed_midi_controller + + + + + MidiImport + + Setup incomplete + + + + You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. + + + + You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. + + + + Track + + + + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + + + + + MidiPort + + Input channel + + + + Output channel + + + + Input controller + + + + Output controller + + + + Fixed input velocity + + + + Fixed output velocity + + + + Output MIDI program + + + + Receive MIDI-events + + + + Send MIDI-events + + + + Fixed output note + + + + Base velocity + + + + + MidiSetupWidget + + DEVICE + جهاز + + + + MonstroInstrument + + Osc 1 Volume + + + + Osc 1 Panning + + + + Osc 1 Coarse detune + + + + Osc 1 Fine detune left + + + + Osc 1 Fine detune right + + + + Osc 1 Stereo phase offset + + + + Osc 1 Pulse width + + + + Osc 1 Sync send on rise + + + + Osc 1 Sync send on fall + + + + Osc 2 Volume + + + + Osc 2 Panning + + + + Osc 2 Coarse detune + + + + Osc 2 Fine detune left + + + + Osc 2 Fine detune right + + + + Osc 2 Stereo phase offset + + + + Osc 2 Waveform + + + + Osc 2 Sync Hard + + + + Osc 2 Sync Reverse + + + + Osc 3 Volume + + + + Osc 3 Panning + + + + Osc 3 Coarse detune + + + + Osc 3 Stereo phase offset + + + + Osc 3 Sub-oscillator mix + + + + Osc 3 Waveform 1 + + + + Osc 3 Waveform 2 + + + + Osc 3 Sync Hard + + + + Osc 3 Sync Reverse + + + + LFO 1 Waveform + + + + LFO 1 Attack + + + + LFO 1 Rate + + + + LFO 1 Phase + + + + LFO 2 Waveform + + + + LFO 2 Attack + + + + LFO 2 Rate + + + + LFO 2 Phase + + + + Env 1 Pre-delay + + + + Env 1 Attack + + + + Env 1 Hold + + + + Env 1 Decay + + + + Env 1 Sustain + + + + Env 1 Release + + + + Env 1 Slope + + + + Env 2 Pre-delay + + + + Env 2 Attack + + + + Env 2 Hold + + + + Env 2 Decay + + + + Env 2 Sustain + + + + Env 2 Release + + + + Env 2 Slope + + + + Osc2-3 modulation + + + + Selected view + + + + Vol1-Env1 + + + + Vol1-Env2 + + + + Vol1-LFO1 + + + + Vol1-LFO2 + + + + Vol2-Env1 + + + + Vol2-Env2 + + + + Vol2-LFO1 + + + + Vol2-LFO2 + + + + Vol3-Env1 + + + + Vol3-Env2 + + + + Vol3-LFO1 + + + + Vol3-LFO2 + + + + Phs1-Env1 + + + + Phs1-Env2 + + + + Phs1-LFO1 + + + + Phs1-LFO2 + + + + Phs2-Env1 + + + + Phs2-Env2 + + + + Phs2-LFO1 + + + + Phs2-LFO2 + + + + Phs3-Env1 + + + + Phs3-Env2 + + + + Phs3-LFO1 + + + + Phs3-LFO2 + + + + Pit1-Env1 + + + + Pit1-Env2 + + + + Pit1-LFO1 + + + + Pit1-LFO2 + + + + Pit2-Env1 + + + + Pit2-Env2 + + + + Pit2-LFO1 + + + + Pit2-LFO2 + + + + Pit3-Env1 + + + + Pit3-Env2 + + + + Pit3-LFO1 + + + + Pit3-LFO2 + + + + PW1-Env1 + + + + PW1-Env2 + + + + PW1-LFO1 + + + + PW1-LFO2 + + + + Sub3-Env1 + + + + Sub3-Env2 + + + + Sub3-LFO1 + + + + Sub3-LFO2 + + + + Sine wave + + + + Bandlimited Triangle wave + + + + Bandlimited Saw wave + + + + Bandlimited Ramp wave + + + + Bandlimited Square wave + + + + Bandlimited Moog saw wave + + + + Soft square wave + + + + Absolute sine wave + + + + Exponential wave + + + + White noise + + + + Digital Triangle wave + + + + Digital Saw wave + + + + Digital Ramp wave + + + + Digital Square wave + + + + Digital Moog saw wave + + + + Triangle wave + + + + Saw wave + + + + Ramp wave + + + + Square wave + + + + Moog saw wave + + + + Abs. sine wave + + + + Random + + + + Random smooth + + + + + MonstroView + + Operators view + + + + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. + +Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. + + + + Matrix view + + + + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. + +The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. + +Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. + + + + Mix Osc2 with Osc3 + + + + Modulate amplitude of Osc3 with Osc2 + + + + Modulate frequency of Osc3 with Osc2 + + + + Modulate phase of Osc3 with Osc2 + + + + The CRS knob changes the tuning of oscillator 1 in semitone steps. + + + + The CRS knob changes the tuning of oscillator 2 in semitone steps. + + + + The CRS knob changes the tuning of oscillator 3 in semitone steps. + + + + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. + + + + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. + + + + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. + + + + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + + + + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + + + + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. + + + + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. + + + + Choose waveform for oscillator 2. + + + + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + + + + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + + + + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +Mix mode means no modulation: the outputs of the oscillators are simply mixed together. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + + + + Select the waveform for LFO 1. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + + + + Select the waveform for LFO 2. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + + + + Attack causes the LFO to come on gradually from the start of the note. + + + + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. + + + + PHS controls the phase offset of the LFO. + + + + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. + + + + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. + + + + HOLD controls how long the envelope stays at peak after the attack phase. + + + + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. + + + + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. + + + + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. + + + + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. + + + + Volume + + + + Panning + + + + Coarse detune + + + + semitones + + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + + + + Rate + + + + Phase + + + + Pre-delay + + + + Hold + + + + Decay + + + + Sustain + + + + Release + + + + Slope + + + + Modulation amount + + + + + MultitapEchoControlDialog + + Length + + + + Step length: + + + + Dry + + + + Dry Gain: + + + + Stages + + + + Lowpass stages: + + + + Swap inputs + + + + Swap left and right input channel for reflections + + + + + NesInstrument + + Channel 1 Coarse detune + + + + Channel 1 Volume + + + + Channel 1 Envelope length + + + + Channel 1 Duty cycle + + + + Channel 1 Sweep amount + + + + Channel 1 Sweep rate + + + + Channel 2 Coarse detune + + + + Channel 2 Volume + + + + Channel 2 Envelope length + + + + Channel 2 Duty cycle + + + + Channel 2 Sweep amount + + + + Channel 2 Sweep rate + + + + Channel 3 Coarse detune + + + + Channel 3 Volume + + + + Channel 4 Volume + + + + Channel 4 Envelope length + + + + Channel 4 Noise frequency + + + + Channel 4 Noise frequency sweep + + + + Master volume + + + + Vibrato + + + + + NesInstrumentView + + Volume + + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + + + + Vibrato + + + + + OscillatorObject + + Osc %1 volume + + + + Osc %1 panning + + + + Osc %1 coarse detuning + + + + Osc %1 fine detuning left + + + + Osc %1 fine detuning right + + + + Osc %1 phase-offset + + + + Osc %1 stereo phase-detuning + + + + Osc %1 wave shape + + + + Modulation type %1 + + + + Osc %1 waveform + + + + Osc %1 harmonic + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + + + + Name + + + + OK + حسناً + + + Cancel + + + + + PatmanView + + Open other patch + + + + Click here to open another patch-file. Loop and Tune settings are not reset. + + + + Loop + + + + Loop mode + + + + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. + + + + Tune + + + + Tune mode + + + + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. + + + + No file selected + + + + Open patch file + + + + Patch-Files (*.pat) + + + + + PatternView + + Open in piano-roll + + + + Clear all notes + + + + Reset name + + + + Change name + + + + Add steps + + + + Remove steps + + + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + + + + PeakController + + Peak Controller + + + + Peak Controller Bug + + + + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. + + + + + PeakControllerDialog + + PEAK + + + + LFO Controller + + + + + PeakControllerEffectControlDialog + + BASE + + + + Base amount: + + + + Modulation amount: + + + + Attack: + + + + Release: + + + + AMNT + + + + MULT + + + + Amount Multiplicator: + + + + ATCK + + + + DCAY + + + + Treshold: + + + + TRSH + + + + + PeakControllerEffectControls + + Base value + + + + Modulation amount + + + + Mute output + + + + Attack + + + + Release + + + + Abs Value + + + + Amount Multiplicator + + + + Treshold + + + + + PianoRoll + + Please open a pattern by double-clicking on it! + + + + Last note + + + + Note lock + + + + Note Velocity + + + + Note Panning + + + + Mark/unmark current semitone + + + + Mark current scale + + + + Mark current chord + + + + Unmark all + + + + No scale + + + + No chord + + + + Velocity: %1% + + + + Panning: %1% left + + + + Panning: %1% right + + + + Panning: center + + + + Please enter a new value between %1 and %2: + + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + + + + + PianoRollWindow + + Play/pause current pattern (Space) + + + + Record notes from MIDI-device/channel-piano + + + + Record notes from MIDI-device/channel-piano while playing song or BB track + + + + Stop playing of current pattern (Space) + + + + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. + + + + Click here to stop playback of current pattern. + + + + Draw mode (Shift+D) + + + + Erase mode (Shift+E) + + + + Select mode (Shift+S) + + + + Detune mode (Shift+T) + + + + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. + + + + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. + + + + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. + + + + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. + + + + Cut selected notes (%1+X) + + + + Copy selected notes (%1+C) + + + + Paste notes from clipboard (%1+V) + + + + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the notes from the clipboard will be pasted at the first visible measure. + + + + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. + + + + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. + + + + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited + + + + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! + + + + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. + + + + Edit actions + + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + + + + Piano-Roll - no pattern + + + + Quantize + + + + + PianoView + + Base note + + + + + Plugin + + Plugin not found + + + + The plugin "%1" wasn't found or could not be loaded! +Reason: "%2" + + + + Error while loading plugin + + + + Failed to load plugin "%1"! + + + + + PluginBrowser + + Instrument browser + + + + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + + + + + ProjectNotes + + Project notes + + + + Put down your project notes here. + + + + Edit Actions + + + + &Undo + + + + %1+Z + + + + &Redo + + + + %1+Y + + + + &Copy + + + + %1+C + + + + Cu&t + + + + %1+X + + + + &Paste + + + + %1+V + + + + Format Actions + + + + &Bold + + + + %1+B + + + + &Italic + + + + %1+I + + + + &Underline + + + + %1+U + + + + &Left + + + + %1+L + + + + C&enter + + + + %1+E + + + + &Right + + + + %1+R + + + + &Justify + + + + %1+J + + + + &Color... + + + + + ProjectRenderer + + WAV-File (*.wav) + + + + Compressed OGG-File (*.ogg) + + + + + QWidget + + Name: + + + + Maker: + + + + Copyright: + + + + Requires Real Time: + + + + Yes + + + + No + + + + Real Time Capable: + + + + In Place Broken: + + + + Channels In: + + + + Channels Out: + + + + File: + + + + File: %1 + + + + + RenameDialog + + Rename... + + + + + SampleBuffer + + Open audio file + + + + Wave-Files (*.wav) + + + + OGG-Files (*.ogg) + + + + DrumSynth-Files (*.ds) + + + + FLAC-Files (*.flac) + + + + SPEEX-Files (*.spx) + + + + VOC-Files (*.voc) + + + + AIFF-Files (*.aif *.aiff) + + + + AU-Files (*.au) + + + + RAW-Files (*.raw) + + + + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + + + + + SampleTCOView + + double-click to select sample + + + + Delete (middle mousebutton) + + + + Cut + + + + Copy + + + + Paste + + + + Mute/unmute (<%1> + middle click) + + + + + SampleTrack + + Sample track + + + + Volume + + + + Panning + + + + + SampleTrackView + + Track volume + + + + Channel volume: + + + + VOL + صوت + + + Panning + + + + Panning: + + + + PAN + + + + + SetupDialog + + Setup LMMS + + + + General settings + + + + BUFFER SIZE + + + + Reset to default-value + + + + MISC + + + + Enable tooltips + + + + Show restart warning after changing settings + + + + Display volume as dBFS + + + + Compress project files per default + + + + One instrument track window mode + + + + HQ-mode for output audio-device + + + + Compact track buttons + + + + Sync VST plugins to host playback + + + + Enable note labels in piano roll + + + + Enable waveform display by default + + + + Keep effects running even without input + + + + Create backup file when saving a project + + + + LANGUAGE + + + + Paths + + + + LMMS working directory + + + + VST-plugin directory + + + + Background artwork + + + + STK rawwave directory + + + + Default Soundfont File + + + + Performance settings + + + + UI effects vs. performance + + + + Smooth scroll in Song Editor + + + + Show playback cursor in AudioFileProcessor + + + + Audio settings + + + + AUDIO INTERFACE + + + + MIDI settings + + + + MIDI INTERFACE + + + + OK + حسناً + + + Cancel + + + + Restart LMMS + + + + Please note that most changes won't take effect until you restart LMMS! + + + + Frames: %1 +Latency: %2 ms + + + + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. + + + + Choose LMMS working directory + + + + Choose your VST-plugin directory + + + + Choose artwork-theme directory + + + + Choose LADSPA plugin directory + + + + Choose STK rawwave directory + + + + Choose default SoundFont + + + + Choose background artwork + + + + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. + + + + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + + + + + Song + + Tempo + + + + Master volume + + + + Master pitch + + + + Project saved + + + + The project %1 is now saved. + + + + Project NOT saved. + + + + The project %1 was not saved! + + + + Import file + + + + MIDI sequences + + + + Hydrogen projects + + + + All file types + + + + Empty project + + + + This project is empty so exporting makes no sense. Please put some items into Song Editor first! + + + + Select directory for writing exported tracks... + + + + untitled + + + + Select file for project-export... + + + + The following errors occured while loading: + + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + + + + + SongEditor + + Could not open file + + + + Could not write file + + + + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. + + + + Error in file + + + + The file %1 seems to contain errors and therefore can't be loaded. + + + + Tempo + + + + TEMPO/BPM + + + + tempo of song + + + + The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). + + + + High quality mode + + + + Master volume + + + + master volume + + + + Master pitch + + + + master pitch + + + + Value: %1% + + + + Value: %1 semitones + + + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + + + + + SongEditorWindow + + Song-Editor + + + + Play song (Space) + + + + Record samples from Audio-device + + + + Record samples from Audio-device while playing song or BB track + + + + Stop song (Space) + + + + Add beat/bassline + + + + Add sample-track + + + + Add automation-track + + + + Draw mode + + + + Edit mode (select and move) + + + + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. + + + + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + + + + Track actions + + + + Edit actions + + + + Timeline controls + + + + Zoom controls + + + + + SpectrumAnalyzerControlDialog + + Linear spectrum + + + + Linear Y axis + + + + + SpectrumAnalyzerControls + + Linear spectrum + + + + Linear Y axis + + + + Channel mode + + + + + SubWindow + + Close + + + + Maximize + + + + Restore + + + + + TabWidget + + Settings for %1 + + + + + TempoSyncKnob + + Tempo Sync + + + + No Sync + + + + Eight beats + + + + Whole note + + + + Half note + + + + Quarter note + + + + 8th note + + + + 16th note + + + + 32nd note + + + + Custom... + + + + Custom + + + + Synced to Eight Beats + + + + Synced to Whole Note + + + + Synced to Half Note + + + + Synced to Quarter Note + + + + Synced to 8th Note + + + + Synced to 16th Note + + + + Synced to 32nd Note + + + + + TimeDisplayWidget + + click to change time units + + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + + + + + TimeLineWidget + + Enable/disable auto-scrolling + + + + Enable/disable loop-points + + + + After stopping go back to begin + + + + After stopping go back to position at which playing was started + + + + After stopping keep position + + + + Hint + + + + Press <%1> to disable magnetic loop points. + + + + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. + + + + + Track + + Mute + + + + Solo + + + + + TrackContainer + + Couldn't import file + + + + Couldn't find a filter for importing file %1. +You should convert this file into a format supported by LMMS using another software. + + + + Couldn't open file + + + + Couldn't open file %1 for reading. +Please make sure you have read-permission to the file and the directory containing the file and try again! + + + + Loading project... + + + + Cancel + + + + Please wait... + + + + Importing MIDI-file... + + + + + TrackContentObject + + Mute + + + + + TrackContentObjectView + + Current position + + + + Hint + + + + Press <%1> and drag to make a copy. + + + + Current length + + + + Press <%1> for free resizing. + + + + %1:%2 (%3:%4 to %5:%6) + + + + Delete (middle mousebutton) + + + + Cut + + + + Copy + + + + Paste + + + + Mute/unmute (<%1> + middle click) + + + + + TrackOperationsWidget + + Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. + + + + Actions for this track + + + + Mute + + + + Solo + + + + Mute this track + + + + Clone this track + + + + Remove this track + + + + Clear this track + + + + FX %1: %2 + + + + Turn all recording on + + + + Turn all recording off + + + + Assign to new FX Channel + + + + + TripleOscillatorView + + Use phase modulation for modulating oscillator 1 with oscillator 2 + + + + Use amplitude modulation for modulating oscillator 1 with oscillator 2 + + + + Mix output of oscillator 1 & 2 + + + + Synchronize oscillator 1 with oscillator 2 + + + + Use frequency modulation for modulating oscillator 1 with oscillator 2 + + + + Use phase modulation for modulating oscillator 2 with oscillator 3 + + + + Use amplitude modulation for modulating oscillator 2 with oscillator 3 + + + + Mix output of oscillator 2 & 3 + + + + Synchronize oscillator 2 with oscillator 3 + + + + Use frequency modulation for modulating oscillator 2 with oscillator 3 + + + + Osc %1 volume: + + + + With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. + + + + Osc %1 panning: + + + + With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. + + + + Osc %1 coarse detuning: + + + + semitones + + + + With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. + + + + Osc %1 fine detuning left: + + + + cents + + + + With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + + + + Osc %1 fine detuning right: + + + + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + + + + Osc %1 phase-offset: + + + + degrees + + + + With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. + + + + Osc %1 stereo phase-detuning: + + + + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. + + + + Use a sine-wave for current oscillator. + + + + Use a triangle-wave for current oscillator. + + + + Use a saw-wave for current oscillator. + + + + Use a square-wave for current oscillator. + + + + Use a moog-like saw-wave for current oscillator. + + + + Use an exponential wave for current oscillator. + + + + Use white-noise for current oscillator. + + + + Use a user-defined waveform for current oscillator. + + + + + VersionedSaveDialog + + Increment version number + + + + Decrement version number + + + + already exists. Do you want to replace it? + + + + + VestigeInstrumentView + + Open other VST-plugin + + + + Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. + + + + Show/hide GUI + + + + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + + + + Turn off all notes + + + + Open VST-plugin + + + + DLL-files (*.dll) + + + + EXE-files (*.exe) + + + + No VST-plugin loaded + + + + Control VST-plugin from LMMS host + + + + Click here, if you want to control VST-plugin from host. + + + + Open VST-plugin preset + + + + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + + + + Previous (-) + + + + Click here, if you want to switch to another VST-plugin preset program. + + + + Save preset + + + + Click here, if you want to save current VST-plugin preset program. + + + + Next (+) + + + + Click here to select presets that are currently loaded in VST. + + + + Preset + + + + by + + + + - VST plugin control + + + + + VisualizationWidget + + click to enable/disable visualization of master-output + + + + Click to enable + + + + + VstEffectControlDialog + + Show/hide + + + + Control VST-plugin from LMMS host + + + + Click here, if you want to control VST-plugin from host. + + + + Open VST-plugin preset + + + + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + + + + Previous (-) + + + + Click here, if you want to switch to another VST-plugin preset program. + + + + Next (+) + + + + Click here to select presets that are currently loaded in VST. + + + + Save preset + + + + Click here, if you want to save current VST-plugin preset program. + + + + Effect by: + + + + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> + + + + + VstPlugin + + Loading plugin + + + + Open Preset + + + + Vst Plugin Preset (*.fxp *.fxb) + + + + : default + + + + " + + + + ' + + + + Save Preset + + + + .fxp + + + + .FXP + + + + .FXB + + + + .fxb + + + + Please wait while loading VST plugin... + + + + The VST plugin %1 could not be loaded. + + + + + WatsynInstrument + + Volume A1 + + + + Volume A2 + + + + Volume B1 + + + + Volume B2 + + + + Panning A1 + + + + Panning A2 + + + + Panning B1 + + + + Panning B2 + + + + Freq. multiplier A1 + + + + Freq. multiplier A2 + + + + Freq. multiplier B1 + + + + Freq. multiplier B2 + + + + Left detune A1 + + + + Left detune A2 + + + + Left detune B1 + + + + Left detune B2 + + + + Right detune A1 + + + + Right detune A2 + + + + Right detune B1 + + + + Right detune B2 + + + + A-B Mix + + + + A-B Mix envelope amount + + + + A-B Mix envelope attack + + + + A-B Mix envelope hold + + + + A-B Mix envelope decay + + + + A1-B2 Crosstalk + + + + A2-A1 modulation + + + + B2-B1 modulation + + + + Selected graph + + + + + WatsynView + + Select oscillator A1 + + + + Select oscillator A2 + + + + Select oscillator B1 + + + + Select oscillator B2 + + + + Mix output of A2 to A1 + + + + Modulate amplitude of A1 with output of A2 + + + + Ring-modulate A1 and A2 + + + + Modulate phase of A1 with output of A2 + + + + Mix output of B2 to B1 + + + + Modulate amplitude of B1 with output of B2 + + + + Ring-modulate B1 and B2 + + + + Modulate phase of B1 with output of B2 + + + + Draw your own waveform here by dragging your mouse on this graph. + + + + Load waveform + + + + Click to load a waveform from a sample file + + + + Phase left + + + + Click to shift phase by -15 degrees + + + + Phase right + + + + Click to shift phase by +15 degrees + + + + Normalize + + + + Click to normalize + + + + Invert + + + + Click to invert + + + + Smooth + + + + Click to smooth + + + + Sine wave + + + + Click for sine wave + + + + Triangle wave + + + + Click for triangle wave + + + + Click for saw wave + + + + Square wave + + + + Click for square wave + + + + Volume + + + + Panning + + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + + + + + ZynAddSubFxInstrument + + Portamento + + + + Filter Frequency + + + + Filter Resonance + + + + Bandwidth + + + + FM Gain + + + + Resonance Center Frequency + + + + Resonance Bandwidth + + + + Forward MIDI Control Change Events + + + + + ZynAddSubFxView + + Show GUI + + + + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + + + + Portamento: + + + + PORT + + + + Filter Frequency: + + + + FREQ + + + + Filter Resonance: + + + + RES + + + + Bandwidth: + + + + BW + + + + FM Gain: + + + + FM GAIN + + + + Resonance center frequency: + + + + RES CF + + + + Resonance bandwidth: + + + + RES BW + + + + Forward MIDI Control Changes + + + + + audioFileProcessor + + Amplify + + + + Start of sample + + + + End of sample + + + + Reverse sample + + + + Stutter + + + + Loopback point + + + + Loop mode + + + + Interpolation mode + + + + None + + + + Linear + + + + Sinc + + + + Sample not found: %1 + + + + + bitInvader + + Samplelength + + + + + bitInvaderView + + Sample Length + + + + Sine wave + + + + Triangle wave + + + + Saw wave + + + + Square wave + + + + White noise wave + + + + User defined wave + + + + Smooth + + + + Click here to smooth waveform. + + + + Interpolation + + + + Normalize + + + + Draw your own waveform here by dragging your mouse on this graph. + + + + Click for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave. + + + + Click here for a square-wave. + + + + Click here for white-noise. + + + + Click here for a user-defined shape. + + + + + dynProcControlDialog + + INPUT + + + + Input gain: + + + + OUTPUT + + + + Output gain: + + + + ATTACK + + + + Peak attack time: + + + + RELEASE + + + + Peak release time: + + + + Reset waveform + + + + Click here to reset the wavegraph back to default + + + + Smooth waveform + + + + Click here to apply smoothing to wavegraph + + + + Increase wavegraph amplitude by 1dB + + + + Click here to increase wavegraph amplitude by 1dB + + + + Decrease wavegraph amplitude by 1dB + + + + Click here to decrease wavegraph amplitude by 1dB + + + + Stereomode Maximum + + + + Process based on the maximum of both stereo channels + + + + Stereomode Average + + + + Process based on the average of both stereo channels + + + + Stereomode Unlinked + + + + Process each stereo channel independently + + + + + dynProcControls + + Input gain + + + + Output gain + + + + Attack time + + + + Release time + + + + Stereo mode + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + + + + + graphModel + + Graph + + + + + kickerInstrument + + Start frequency + + + + End frequency + + + + Gain + + + + Length + + + + Distortion Start + + + + Distortion End + + + + Envelope Slope + + + + Noise + + + + Click + + + + Frequency Slope + + + + Start from note + + + + End to note + + + + + kickerInstrumentView + + Start frequency: + + + + End frequency: + + + + Gain: + + + + Frequency Slope: + + + + Envelope Length: + + + + Envelope Slope: + + + + Click: + + + + Noise: + + + + Distortion Start: + + + + Distortion End: + + + + + ladspaBrowserView + + Available Effects + + + + Unavailable Effects + + + + Instruments + + + + Analysis Tools + + + + Don't know + + + + This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. + +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. + +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. + +Instruments are plugins for which only output channels were identified. + +Analysis Tools are plugins for which only input channels were identified. + +Don't Knows are plugins for which no input or output channels were identified. + +Double clicking any of the plugins will bring up information on the ports. + + + + Type: + + + + + ladspaDescription + + Plugins + + + + Description + + + + + ladspaPortDialog + + Ports + + + + Name + + + + Rate + + + + Direction + + + + Type + + + + Min < Default < Max + + + + Logarithmic + + + + SR Dependent + + + + Audio + + + + Control + + + + Input + + + + Output + + + + Toggled + + + + Integer + + + + Float + + + + Yes + + + + + lb302Synth + + VCF Cutoff Frequency + + + + VCF Resonance + + + + VCF Envelope Mod + + + + VCF Envelope Decay + + + + Distortion + + + + Waveform + + + + Slide Decay + + + + Slide + + + + Accent + + + + Dead + + + + 24dB/oct Filter + + + + + lb302SynthView + + Cutoff Freq: + + + + Resonance: + + + + Env Mod: + + + + Decay: + + + + 303-es-que, 24dB/octave, 3 pole filter + + + + Slide Decay: + + + + DIST: + + + + Saw wave + + + + Click here for a saw-wave. + + + + Triangle wave + + + + Click here for a triangle-wave. + + + + Square wave + + + + Click here for a square-wave. + + + + Rounded square wave + + + + Click here for a square-wave with a rounded end. + + + + Moog wave + + + + Click here for a moog-like wave. + + + + Sine wave + + + + Click for a sine-wave. + + + + White noise wave + + + + Click here for an exponential wave. + + + + Click here for white-noise. + + + + Bandlimited saw wave + + + + Click here for bandlimited saw wave. + + + + Bandlimited square wave + + + + Click here for bandlimited square wave. + + + + Bandlimited triangle wave + + + + Click here for bandlimited triangle wave. + + + + Bandlimited moog saw wave + + + + Click here for bandlimited moog saw wave. + + + + + malletsInstrument + + Hardness + + + + Position + + + + Vibrato Gain + + + + Vibrato Freq + + + + Stick Mix + + + + Modulator + + + + Crossfade + + + + LFO Speed + + + + LFO Depth + + + + ADSR + + + + Pressure + + + + Motion + + + + Speed + + + + Bowed + + + + Spread + + + + Marimba + + + + Vibraphone + + + + Agogo + + + + Wood1 + + + + Reso + + + + Wood2 + + + + Beats + + + + Two Fixed + + + + Clump + + + + Tubular Bells + + + + Uniform Bar + + + + Tuned Bar + + + + Glass + + + + Tibetan Bowl + + + + + malletsInstrumentView + + Instrument + + + + Spread + + + + Spread: + + + + Hardness + + + + Hardness: + + + + Position + + + + Position: + + + + Vib Gain + + + + Vib Gain: + + + + Vib Freq + + + + Vib Freq: + + + + Stick Mix + + + + Stick Mix: + + + + Modulator + + + + Modulator: + + + + Crossfade + + + + Crossfade: + + + + LFO Speed + + + + LFO Speed: + + + + LFO Depth + + + + LFO Depth: + + + + ADSR + + + + ADSR: + + + + Pressure + + + + Pressure: + + + + Speed + + + + Speed: + + + + Missing files + + + + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + + + + + manageVSTEffectView + + - VST parameter control + + + + VST Sync + + + + Click here if you want to synchronize all parameters with VST plugin. + + + + Automated + + + + Click here if you want to display automated parameters only. + + + + Close + + + + Close VST effect knob-controller window. + + + + + manageVestigeInstrumentView + + - VST plugin control + + + + VST Sync + + + + Click here if you want to synchronize all parameters with VST plugin. + + + + Automated + + + + Click here if you want to display automated parameters only. + + + + Close + + + + Close VST plugin knob-controller window. + + + + + opl2instrument + + Patch + + + + Op 1 Attack + + + + Op 1 Decay + + + + Op 1 Sustain + + + + Op 1 Release + + + + Op 1 Level + + + + Op 1 Level Scaling + + + + Op 1 Frequency Multiple + + + + Op 1 Feedback + + + + Op 1 Key Scaling Rate + + + + Op 1 Percussive Envelope + + + + Op 1 Tremolo + + + + Op 1 Vibrato + + + + Op 1 Waveform + + + + Op 2 Attack + + + + Op 2 Decay + + + + Op 2 Sustain + + + + Op 2 Release + + + + Op 2 Level + + + + Op 2 Level Scaling + + + + Op 2 Frequency Multiple + + + + Op 2 Key Scaling Rate + + + + Op 2 Percussive Envelope + + + + Op 2 Tremolo + + + + Op 2 Vibrato + + + + Op 2 Waveform + + + + FM + + + + Vibrato Depth + + + + Tremolo Depth + + + + + opl2instrumentView + + Attack + + + + Decay + + + + Release + + + + Frequency multiplier + + + + + organicInstrument + + Distortion + + + + Volume + + + + + organicInstrumentView + + Distortion: + + + + Volume: + مستوى الصوت: + + + Randomise + + + + Osc %1 waveform: + + + + Osc %1 volume: + + + + Osc %1 panning: + + + + cents + + + + The distortion knob adds distortion to the output of the instrument. + + + + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. + + + + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. + + + + Osc %1 stereo detuning + + + + Osc %1 harmonic: + + + + + papuInstrument + + Sweep time + + + + Sweep direction + + + + Sweep RtShift amount + + + + Wave Pattern Duty + + + + Channel 1 volume + + + + Volume sweep direction + + + + Length of each step in sweep + + + + Channel 2 volume + + + + Channel 3 volume + + + + Channel 4 volume + + + + Right Output level + + + + Left Output level + + + + Channel 1 to SO2 (Left) + + + + Channel 2 to SO2 (Left) + + + + Channel 3 to SO2 (Left) + + + + Channel 4 to SO2 (Left) + + + + Channel 1 to SO1 (Right) + + + + Channel 2 to SO1 (Right) + + + + Channel 3 to SO1 (Right) + + + + Channel 4 to SO1 (Right) + + + + Treble + + + + Bass + + + + Shift Register width + + + + + papuInstrumentView + + Sweep Time: + + + + Sweep Time + + + + Sweep RtShift amount: + + + + Sweep RtShift amount + + + + Wave pattern duty: + + + + Wave Pattern Duty + + + + Square Channel 1 Volume: + + + + Length of each step in sweep: + + + + Length of each step in sweep + + + + Wave pattern duty + + + + Square Channel 2 Volume: + + + + Square Channel 2 Volume + + + + Wave Channel Volume: + + + + Wave Channel Volume + + + + Noise Channel Volume: + + + + Noise Channel Volume + + + + SO1 Volume (Right): + + + + SO1 Volume (Right) + + + + SO2 Volume (Left): + + + + SO2 Volume (Left) + + + + Treble: + + + + Treble + + + + Bass: + + + + Bass + + + + Sweep Direction + + + + Volume Sweep Direction + + + + Shift Register Width + + + + Channel1 to SO1 (Right) + + + + Channel2 to SO1 (Right) + + + + Channel3 to SO1 (Right) + + + + Channel4 to SO1 (Right) + + + + Channel1 to SO2 (Left) + + + + Channel2 to SO2 (Left) + + + + Channel3 to SO2 (Left) + + + + Channel4 to SO2 (Left) + + + + Wave Pattern + + + + The amount of increase or decrease in frequency + + + + The rate at which increase or decrease in frequency occurs + + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + + + + Square Channel 1 Volume + + + + The delay between step change + + + + Draw the wave here + + + + + patchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + + + + Name + + + + OK + حسناً + + + Cancel + + + + + pluginBrowser + + no description + + + + Incomplete monophonic imitation tb303 + + + + Plugin for freely manipulating stereo output + + + + Plugin for controlling knobs with sound peaks + + + + Plugin for enhancing stereo separation of a stereo input file + + + + List installed LADSPA plugins + + + + GUS-compatible patch instrument + + + + Additive Synthesizer for organ-like sounds + + + + Tuneful things to bang on + + + + VST-host for using VST(i)-plugins within LMMS + + + + Vibrating string modeler + + + + plugin for using arbitrary LADSPA-effects inside LMMS. + + + + Filter for importing MIDI-files into LMMS + + + + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. + + + + Player for SoundFont files + + + + Emulation of GameBoy (TM) APU + + + + Customizable wavetable synthesizer + + + + Embedded ZynAddSubFX + + + + 2-operator FM Synth + + + + Filter for importing Hydrogen files into LMMS + + + + LMMS port of sfxr + + + + Monstrous 3-oscillator synth with modulation matrix + + + + Three powerful oscillators you can modulate in several ways + + + + A native amplifier plugin + + + + Carla Rack Instrument + + + + 4-oscillator modulatable wavetable synth + + + + plugin for waveshaping + + + + Boost your bass the fast and simple way + + + + Versatile drum synthesizer + + + + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track + + + + plugin for processing dynamics in a flexible way + + + + Carla Patchbay Instrument + + + + plugin for using arbitrary VST effects inside LMMS. + + + + Graphical spectrum analyzer plugin + + + + A NES-like synthesizer + + + + A native delay plugin + + + + Player for GIG files + + + + A multitap echo delay plugin + + + + A native flanger plugin + + + + An oversampling bitcrusher + + + + A native eq plugin + + + + A 4-band Crossover Equalizer + + + + A Dual filter plugin + + + + Filter for exporting MIDI-files from LMMS + + + + + sf2Instrument + + Bank + + + + Patch + + + + Gain + + + + Reverb + + + + Reverb Roomsize + + + + Reverb Damping + + + + Reverb Width + + + + Reverb Level + + + + Chorus + + + + Chorus Lines + + + + Chorus Level + + + + Chorus Speed + + + + Chorus Depth + + + + A soundfont %1 could not be loaded. + + + + + sf2InstrumentView + + Open other SoundFont file + + + + Click here to open another SF2 file + + + + Choose the patch + + + + Gain + + + + Apply reverb (if supported) + + + + This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. + + + + Reverb Roomsize: + + + + Reverb Damping: + + + + Reverb Width: + + + + Reverb Level: + + + + Apply chorus (if supported) + + + + This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. + + + + Chorus Lines: + + + + Chorus Level: + + + + Chorus Speed: + + + + Chorus Depth: + + + + Open SoundFont file + + + + SoundFont2 Files (*.sf2) + + + + + sfxrInstrument + + Wave Form + + + + + sidInstrument + + Cutoff + + + + Resonance + + + + Filter type + + + + Voice 3 off + + + + Volume + + + + Chip model + + + + + sidInstrumentView + + Volume: + مستوى الصوت: + + + Resonance: + + + + Cutoff frequency: + + + + High-Pass filter + + + + Band-Pass filter + + + + Low-Pass filter + + + + Voice3 Off + + + + MOS6581 SID + + + + MOS8580 SID + + + + Attack: + + + + Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. + + + + Decay: + + + + Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. + + + + Sustain: + + + + Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. + + + + Release: + + + + The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. + + + + Pulse Width: + + + + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. + + + + Coarse: + + + + The Coarse detuning allows to detune Voice %1 one octave up or down. + + + + Pulse Wave + + + + Triangle Wave + + + + SawTooth + + + + Noise + + + + Sync + + + + Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. + + + + Ring-Mod + + + + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. + + + + Filtered + + + + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. + + + + Test + + + + Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. + + + + + stereoEnhancerControlDialog + + WIDE + + + + Width: + + + + + stereoEnhancerControls + + Width + + + + + stereoMatrixControlDialog + + Left to Left Vol: + + + + Left to Right Vol: + + + + Right to Left Vol: + + + + Right to Right Vol: + + + + + stereoMatrixControls + + Left to Left + + + + Left to Right + + + + Right to Left + + + + Right to Right + + + + + vestigeInstrument + + Loading plugin + + + + Please wait while loading VST-plugin... + + + + + vibed + + String %1 volume + + + + String %1 stiffness + + + + Pick %1 position + + + + Pickup %1 position + + + + Pan %1 + + + + Detune %1 + + + + Fuzziness %1 + + + + Length %1 + + + + Impulse %1 + + + + Octave %1 + + + + + vibedView + + Volume: + مستوى الصوت: + + + The 'V' knob sets the volume of the selected string. + + + + String stiffness: + + + + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. + + + + Pick position: + + + + The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. + + + + Pickup position: + + + + The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. + + + + Pan: + + + + The Pan knob determines the location of the selected string in the stereo field. + + + + Detune: + + + + The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. + + + + Fuzziness: + + + + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. + + + + Length: + + + + The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. + + + + Impulse or initial state + + + + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. + + + + Octave + + + + The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. + + + + Impulse Editor + + + + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + +The waveform can also be drawn in the graph. + +The 'S' button will smooth the waveform. + +The 'N' button will normalize the waveform. + + + + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + +The graph allows you to control the initial state or impulse used to set the string in motion. + +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. + +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. + +The 'Length' knob controls the length of the string. + +The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. + + + + Enable waveform + + + + Click here to enable/disable waveform. + + + + String + + + + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + + + + Sine wave + + + + Triangle wave + + + + Saw wave + + + + Square wave + + + + White noise wave + + + + User defined wave + + + + Smooth + + + + Click here to smooth waveform. + + + + Normalize + + + + Click here to normalize waveform. + + + + Use a sine-wave for current oscillator. + + + + Use a triangle-wave for current oscillator. + + + + Use a saw-wave for current oscillator. + + + + Use a square-wave for current oscillator. + + + + Use white-noise for current oscillator. + + + + Use a user-defined waveform for current oscillator. + + + + + voiceObject + + Voice %1 pulse width + + + + Voice %1 attack + + + + Voice %1 decay + + + + Voice %1 sustain + + + + Voice %1 release + + + + Voice %1 coarse detuning + + + + Voice %1 wave shape + + + + Voice %1 sync + + + + Voice %1 ring modulate + + + + Voice %1 filtered + + + + Voice %1 test + + + + + waveShaperControlDialog + + INPUT + + + + Input gain: + + + + OUTPUT + + + + Output gain: + + + + Reset waveform + + + + Click here to reset the wavegraph back to default + + + + Smooth waveform + + + + Click here to apply smoothing to wavegraph + + + + Increase graph amplitude by 1dB + + + + Click here to increase wavegraph amplitude by 1dB + + + + Decrease graph amplitude by 1dB + + + + Click here to decrease wavegraph amplitude by 1dB + + + + Clip input + + + + Clip input signal to 0dB + + + + + waveShaperControls + + Input gain + + + + Output gain + + + + \ No newline at end of file diff --git a/data/locale/ca.ts b/data/locale/ca.ts index 0bdc647b700..8432a73e73b 100644 --- a/data/locale/ca.ts +++ b/data/locale/ca.ts @@ -1,4236 +1,4639 @@ - - - + AboutDialog About LMMS - + Version %1 (%2/%3, Qt %4, %5) - + About - Quant a + LMMS - easy music production for everyone - + Authors - + Translation - + Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! - + License - + - Copyright (c) 2004-2014, LMMS developers - + LMMS + - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - + Involved + - LMMS - + Contributors ordered by number of commits: + - Involved - + Copyright © %1 + - Contributors ordered by number of commits: - + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog VOL - VOL + Volume: - Volum: + Volum: PAN - PAN + Panning: - Panorama: + LEFT - + Left gain: - + RIGHT - + Right gain: - + AmplifierControls Volume - Volum + Volum Panning - Panorama + Left gain - + Right gain - + - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE - DISPOSITIU + CHANNELS - CANALS + AudioFileProcessorView Open other sample - Obre altra mostra + Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - + Reverse sample - Inverteix mostra + Inverteix mostra If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - Si actives aquest botó, la mostra sencera serà invertida. Això és útil per a efectes interessants, p.e. un xoc invertit. + Amplify: - Amplificar: + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - + Startpoint: - Punt inicial: + Endpoint: - Punt final: + Continue sample playback across notes - + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - + Disable loop - + This button disables looping. The sample plays only once from start to end. - + Enable loop - + This button enables forwards-looping. The sample loops between the end point and the loop point. - + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + Loopback point: - + With this knob you can set the point where the loop starts. - + AudioFileProcessorWaveView Sample length: - + AudioJack JACK client restarted - + LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. - + JACK server down - + The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - + CLIENT-NAME - NOM-CLIENT + CHANNELS - CANALS + AudioOss::setupWidget DEVICE - DISPOSITIU + CHANNELS - CANALS + AudioPortAudio::setupWidget BACKEND - + DEVICE - DISPOSITIU + AudioPulseAudio::setupWidget DEVICE - DISPOSITIU + CHANNELS - CANALS + AudioSdl::setupWidget DEVICE - DISPOSITIU + + + + + AudioSndio::setupWidget + + DEVICE + + + + CHANNELS + + + + + AudioSoundIo::setupWidget + + BACKEND + + + + DEVICE + AutomatableModel &Reset (%1%2) - &Restaura (%1%2) + &Copy value (%1%2) - &Copia valor (%1%2) + &Paste value (%1%2) - &Enganxa valor (%1%2) + Edit song-global automation - Edita automatització global + Connected to %1 - Connectat a %1 + Connected to controller - Connectat a controlador + Edit connection... - Edita connexió... + Remove connection - Elimina connexió + Connect to controller... - Connecta a controlador... + Remove song-global automation - + Remove all linked controls - + AutomationEditor Please open an automation pattern with the context menu of a control! - Per favor, obre un patró d'automatització amb el menú contextual d'un control! + Values copied - Valors copiats + All selected values were copied to the clipboard. - Tots els valors seleccionats s'han copiat al portapapers. + AutomationEditorWindow Play/pause current pattern (Space) - Reprodueix/pausa el patró actual (Espai) + Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - + Stop playing of current pattern (Space) - Atura la reproducció del patró actual (Espai) + Click here if you want to stop playing of the current pattern. - + Draw mode (Shift+D) - Mode dibuixar (Maj+D) + Erase mode (Shift+E) - Mode esborrar (Maj+E) + Flip vertically - + Flip horizontally - + Click here and the pattern will be inverted.The points are flipped in the y direction. - + Click here and the pattern will be reversed. The points are flipped in the x direction. - + Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - + Discrete progression - + Linear progression - + Cubic Hermite progression - + Tension value for spline - + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - + Cut selected values (%1+X) - Talla els valors seleccionats (%1+X) + Copy selected values (%1+C) - Copia els valors seleccionats (%1+C) + Paste values from clipboard (%1+V) - + Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the values from the clipboard will be pasted at the first visible measure. - + Tension: - + Automation Editor - no pattern - Editor d'Automatització - sense patró + Automation Editor - %1 - Editor d'Automatització - %1 + + + + Edit actions + + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls + + + + Model is already connected to this pattern. + AutomationPattern Drag a control while pressing <%1> - - - - Model is already connected to this pattern. - + AutomationPatternView double-click to open this pattern in automation editor - pica dos cops per a obrir aquest patró a l'editor d'automatització + Open in Automation editor - Obre a l'Editor d'automatització + Clear - Buida + Reset name - Restaura nom + Restaura nom Change name - Canvia nom + Canvia nom %1 Connections - + Disconnect "%1" - Desconnecta "%1" + Set/clear record - + Flip Vertically (Visible) - + Flip Horizontally (Visible) - + + + + Model is already connected to this pattern. + AutomationTrack Automation track - + BBEditor Beat+Bassline Editor - Editor de Ritme Base + Play/pause current beat/bassline (Space) - Reprodueix/pausa el ritme base actual (Espai) + Stop playback of current beat/bassline (Space) - + Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - + Click here to stop playing of current beat/bassline. - + Add beat/bassline - + Add automation-track - Afegeix pista d'automatització + Remove steps - Elimina passos + Elimina passos Add steps - Afegeix passos + Afegeix passos + + + Beat selector + + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + BBTCOView Open in Beat+Bassline-Editor - Obre a l'Editor de Ritme Base + Reset name - Restaura nom + Restaura nom Change name - Canvia nom + Canvia nom Change color - Canvia color + Reset color to default - + BBTrack Beat/Bassline %1 - Ritme base %1 + Clone of %1 - + BassBoosterControlDialog FREQ - FREQ + Frequency: - Freqüència: + GAIN - GUANY + Gain: - Guany: + Guany: RATIO - PROPORCIÓ + Ratio: - Proporció: + BassBoosterControls Frequency - Freqüència + Gain - Guany + Guany Ratio - Proporció + BitcrushControlDialog IN - + OUT - + GAIN - GUANY + Input Gain: - + NOIS - + Input Noise: - + Output Gain: - + CLIP - + Output Clip: - + Rate - Taxa + Taxa Rate Enabled - + Enable samplerate-crushing - + Depth - + Depth Enabled - + Enable bitdepth-crushing - + Sample rate: - + STD - + Stereo difference: - + Levels - + Levels: - + CaptionMenu &Help - &Ajuda + Help (not available) - + CarlaInstrumentView Show GUI - + Click here to show or hide the graphical user interface (GUI) of Carla. - + Controller Controller %1 - Controlador %1 + ControllerConnectionDialog Connection Settings - Configuració de Connexió + MIDI CONTROLLER - CONTROLADOR MIDI + Input channel - Canal d'entrada + CHANNEL - CANAL + Input controller - Controlador d'entrada + CONTROLLER - CONTROLADOR + Auto Detect - Detecta automàticament + MIDI-devices to receive MIDI-events from - Dispositius MIDI des d'on rebre esdeveniments MIDI + USER CONTROLLER - CONTROLADOR D'USUARI + MAPPING FUNCTION - FUNCIÓ DE MAPATGE + OK - D'acord + Cancel - Cancel·la + LMMS - + Cycle Detected. - + ControllerRackView Controller Rack - Prestatge de Controladors + Add - Afegeix + Confirm Delete - + - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + ControllerView Controls - Controls + Controllers are able to automate the value of a knob, slider, and other controls. - + Rename controller - Canvia el nom del controlador + Enter the new name for this controller - Introdueix el nou nom per a aquest controlador + - &Remove this plugin - &Treu aquest connector + &Remove this controller + + + + Re&name this controller + + + + LFO + CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 2 Gain: - + Band 3 Gain: - + Band 4 Gain: - + Band 1 Mute - + Mute Band 1 - + Band 2 Mute - + Mute Band 2 - + Band 3 Mute - + Mute Band 3 - + Band 4 Mute - + Mute Band 4 - + DelayControls Delay Samples - + Feedback - + Lfo Frequency - + Lfo Amount - + + + + Output gain + DelayControlsDialog - Delay - + Lfo Amt + Delay Time - + - Regen - + Feedback Amount + - Feedback Amount - + Lfo + - Rate - Taxa + Out Gain + - Lfo - + Gain + Guany - Lfo Amt - + DELAY + + + + FDBK + + + + RATE + - - - DetuningHelper - Note detuning - + AMNT + DualFilterControlDialog Filter 1 enabled - + Filter 2 enabled - + Click to enable/disable Filter 1 - + Click to enable/disable Filter 2 - + + + + FREQ + + + + Cutoff frequency + + + + RESO + + + + Resonance + + + + GAIN + + + + Gain + Guany + + + MIX + + + + Mix + DualFilterControls Filter 1 enabled - + Filter 1 type - + Cutoff 1 frequency - + Q/Resonance 1 - + Gain 1 - + Mix - + Filter 2 enabled - + Filter 2 type - + Cutoff 2 frequency - + Q/Resonance 2 - + Gain 2 - + LowPass - Passa-Baixa + HiPass - Passa-Alta + BandPass csg - Passa-Banda csg + BandPass czpg - Passa-Banda czpg + Notch - Osca + Allpass - Passa-Tot + Moog - Moog + 2x LowPass - 2x Passa-Baixa + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - + Editor Play (Space) - + Stop (Space) - + Record - + Record while playing - + + + + Transport controls + Effect Effect enabled - Efecte habilitat + Wet/Dry mix - Mescla Moll/Sec + Gate - Porta + Decay - Decaïment + EffectChain Effects enabled - + EffectRackView EFFECTS CHAIN - CADENA D'EFECTES + Add effect - + EffectSelectDialog Add effect - + + + + Name + Nom + + + Type + Tipus + + + Description + Descripció - Plugin description - + Author + EffectView Toggles the effect on or off. - Encén o apaga l'efecte. + On/Off - Encès/Apagat + W/D - M/S + Wet Level: - Nivell de Moll: + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - + DECAY - DECAÏMENT + Time: - Temps: + The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - + GATE - PORTA + Gate: - Porta: + The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - La roda Porta controla el nivell de senyal que és considerat 'silenci' mentre es decideix quan aturar de processar senyals. + Controls - Controls + Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. - + Move &up - Mou a&munt + Move &down - Mou a&vall + &Remove this plugin - &Treu aquest connector + EnvelopeAndLfoParameters Predelay - + Attack - + Hold - + Decay - Decaïment + Sustain - + Release - + Modulation - + LFO Predelay - + LFO Attack - + LFO speed - + LFO Modulation - + LFO Wave Shape - + Freq x 100 - Freq x 100 + Modulate Env-Amount - Modula Amplitud + EnvelopeAndLfoView DEL - RET + Predelay: - Preretard: + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - Usa aquesta roda per a ajustar el preretard de l'envoltant actual. Quan més gran aquest valor, major el temps abans de començar l'envoltant en sí. + ATT - ATAC + Attack: - Atac: + Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - Usa aquesta roda per a ajustar el temps d'atac de l'envoltant actual. Quan més gran aquest valor, més temps necessita l'envoltant per a augmentar cap al nivell d'atac. Escull un valor petit per a instruments com el piano i un valor gran per a corda. + HOLD - MANT + Hold: - Manteniment: + Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - Usa aquesta roda per a ajustar el temps de manteniment de l'envoltant actual. Quan més gran aquest valor, més temps manté l'envoltant el nivell d'atac abans de començar a reduir cap al nivell de sosteniment. + DEC - DEC + Decay: - Decaïment: + Decaïment: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - Usa aquesta roda per a ajustar el temps de decaïment de l'envoltant actual. Quan més gran aquest valor, més temps necessita l'envoltant per a reduir des del nivell d'atac fins al de sosteniment. Escull un valor petit per a instruments com el piano. + SUST - SOST + Sustain: - Sosteniment: + Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - Usa aquesta roda per a ajustar el nivell de sosteniment de l'envoltant actual. Quan més gran aquest valor, a major nivell roman l'envoltant abans de disminuir cap a zero. + REL - ALL + Release: - Alliberament: + Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - Usa aquesta roda per a ajustar el temps d'alliberament de l'envoltant actual. Quan més gran aquest valor, més temps necessita l'envoltant per a disminuir des del nivell de sosteniment a zero. Escull un valor gran per a instruments suaus com els de corda. + AMT - QUA + Modulation amount: - Quantitat de modulació: + Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - Usa aquesta roda per a ajustar la quantitat de modulació de l'envoltant actual. Quan més gran aquest valor, més influirà l'envoltant la magnitud corresponent (p.e. volum o freqüència de tall). + LFO predelay: - + Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - Usa aquesta roda per a ajustar el temps de preretard de l'OBF actual. Quan més gran aquest valor, major el temps abans que l'OBF comenci a oscil·lar. + LFO- attack: - + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - Usa aquesta roda per a ajustar el temps d'atac de l'OBF actual. Quan més gran aquest valor, més temps necessita l'OBF per a augmentar la seva amplitud al màxim. + SPD - VEL + LFO speed: - + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - Usa aquesta roda per a ajustar la velocitat de l'OBF actual. Quan més gran aquest valor, més ràpid oscil·la l'OBF i més ràpid serà l'efecte. + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - Usa aquesta roda per a ajustar la quantitat de modulació de l'OBF actual. Quan més gran aquest valor, més influirà l'OBF la magnitud seleccionada (p.e. volum o freqüència de tall). + Click here for a sine-wave. - + Click here for a triangle-wave. - + Click here for a saw-wave for current. - + Click here for a square-wave. - + Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - + FREQ x 100 - FREQ x 100 + Click here if the frequency of this LFO should be multiplied by 100. - + multiply LFO-frequency by 100 - + MODULATE ENV-AMOUNT - MODULA AMPLITUD + Click here to make the envelope-amount controlled by this LFO. - Pica aquí per a que aquest OBF controli l'amplitud. + control envelope-amount by this LFO - amplitud controlada per aquest OBF + ms/LFO: - ms/OBF: + Hint - Consell + Drag a sample from somewhere and drop it in this window. - Arrossega una mostra d'on sigui i amolla-la en aquesta finestra. + Click here for random wave. - + EqControls Input gain - + Output gain - + Low shelf gain - + Peak 1 gain - + Peak 2 gain - + Peak 3 gain - + Peak 4 gain - + High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP 12 - + LP 24 - + LP 48 - + HP 12 - + HP 24 - + HP 48 - + low pass type - + high pass type - + + + + Analyse IN + + + + Analyse OUT + EqControlsDialog HP - + Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + In Gain - + Gain - Guany + Guany Out Gain - + Bandwidth: - + Resonance : - + Frequency: - Freqüència: + - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + + + + EqHandle - lp grp - + Reso: + - hp grp - + BW: + - - - EqParameterWidget - Hz - + Freq: + ExportProjectDialog Export project - + Output - Sortida + Sortida File format: - + Samplerate: - + 44100 Hz - + 48000 Hz - + 88200 Hz - + 96000 Hz - + 192000 Hz - + Bitrate: - + 64 KBit/s - + 128 KBit/s - + 160 KBit/s - + 192 KBit/s - + 256 KBit/s - + 320 KBit/s - + Depth: - + 16 Bit Integer - + 32 Bit Float - + Please note that not all of the parameters above apply for all file formats. - + Quality settings - + Interpolation: - + Zero Order Hold - + Sinc Fastest - + Sinc Medium (recommended) - + Sinc Best (very slow!) - + Oversampling (use with care!): - + 1x (None) - + 2x - + 4x - + 8x - + Start - + Cancel - Cancel·la + Export as loop (remove end silence) - + Export between loop markers - + Could not open file - No es pot obrir el fitxer - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - No es pot obrir el fitxer %1 per a escriure. -Per favor, assegura't que tens permís d'escriptura per al fitxer i el directori que el conté i torna-ho a provar! + No es pot obrir el fitxer Export project to %1 - Exporta projecte a %1 + Error - Error + Error while determining file-encoder device. Please try to choose a different output format. - Error determinant el dispositiu de codificació de fitxer. Per favor, prova amb un format de sortida diferent. + Rendering: %1% - Representant: %1% + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - Per favor, introdueix un nou valor entre %1 i %2: + FileBrowser Browser - + FileBrowserTreeWidget Send to active instrument-track - - - - Open in new instrument-track/Song-Editor - + Open in new instrument-track/B+B Editor - + Loading sample - + Please wait, loading sample for preview... - + --- Factory files --- - + + + + Open in new instrument-track/Song Editor + + + + Error + + + + does not appear to be a valid + + + + file + FlangerControls Delay Samples - + Lfo Frequency - + Seconds - + Regen - + Noise - + Invert - + FlangerControlsDialog - Delay - + Delay Time: + - Delay Time: - + Feedback Amount: + + + + White Noise Amount: + - Lfo Hz - + DELAY + - Lfo: - + RATE + - Amt - + Rate: + - Amt: - + AMNT + - Regen - + Amount: + - Feedback Amount: - + FDBK + - Noise - + NOISE + - White Noise Amount: - + Invert + FxLine Channel send amount - + The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left - + Move &right - + Rename &channel - + R&emove channel - + Remove &unused channels - + FxMixer Master - Mestre + FX %1 - FX %1 + FxMixerView - - Rename FX channel - Canvia el nom del canal FX - - - Enter the new name for this FX channel - Introdueix el nou nom per a aquest canal FX - FX-Mixer - Mesclador FX + FX Fader %1 - + Mute - Apaga + Mute this FX channel - + Solo - Solo + Solo FX channel - + FxRoute Amount to send from channel %1 to channel %2 - + GigInstrument Bank - Banc + Banc Patch - Pedaç + Pedaç Gain - Guany + Guany GigInstrumentView Open other GIG file - + Click here to open another GIG file - + Choose the patch - Escull el pedaç + Escull el pedaç Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Which GIG file is currently being used - + Which patch of the GIG file is currently being used - + Gain - Guany + Guany Factor to multiply samples by - + Open GIG file - + GIG Files (*.gig) - + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + + + + Preparing song editor + + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + + + + Preparing automation editor + InstrumentFunctionArpeggio Arpeggio - + Arpeggio type - Tipus d'arpegi + Arpeggio range - Rang d'arpegi + Arpeggio time - Temps d'arpegi + Arpeggio gate - Porta d'arpegi + Arpeggio direction - Direcció d'arpegi + Arpeggio mode - Mode d'arpegi + Up - + Down - + Up and down - + Random - + Free - Lliure + Sort - Ordena + Sync - Sinc + Down and up - + + + + Skip rate + + + + Miss rate + + + + Cycle steps + InstrumentFunctionArpeggioView ARPEGGIO - ARPEGI + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - + RANGE - RANG + Arpeggio range: - Rang d'arpegi: + octave(s) - octava(es) + Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - + TIME - TEMPS + Arpeggio time: - Temps d'arpegi: + ms - ms + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - Usa aquesta roda per a ajustar el temps d'arpegi en mil·lisegons. El temps d'arpegi especifica la durada de cada nota de l'arpegi. + GATE - PORTA + Arpeggio gate: - Porta d'arpegi: + % - % + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - + Chord: - + Direction: - Direcció: + Mode: - Mode: + + + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + InstrumentFunctionNoteStacking octave - octava + Major - Major + Majb5 - Major♭5 + minor - menor + minb5 - menor♭5 + sus2 - sus2 + sus4 - sus4 + aug - aug + augsus4 - augsus4 + tri - tri + 6 - 6 + 6sus4 - 6sus4 + 6add9 - 6add9 + m6 - m6 + m6add9 - m6més9 + 7 - 7 + 7sus4 - 7sus4 + 7#5 - 7♯5 + 7b5 - 7♭5 + 7#9 - 7♯9 + 7b9 - 7♭9 + 7#5#9 - 7♯5♯9 + 7#5b9 - 7♯5♭9 + 7b5b9 - 7♭5♭9 + 7add11 - 7més11 + 7add13 - 7més13 + 7#11 - 7♯11 + Maj7 - Maj7 + Maj7b5 - Maj7♭5 + Maj7#5 - Maj7♯5 + Maj7#11 - Maj7♯11 + Maj7add13 - Maj7més13 + m7 - m7 + m7b5 - m7♭5 + m7b9 - m7♭9 + m7add11 - m7més11 + m7add13 - m7més13 + m-Maj7 - m-Maj7 + m-Maj7add11 - m-Maj7més11 + m-Maj7add13 - m-Maj7més13 + 9 - 9 + 9sus4 - 9sus4 + add9 - més9 + 9#5 - 9♯5 + 9b5 - 9♭5 + 9#11 - 9♯11 + 9b13 - 9♭13 + Maj9 - Maj9 + Maj9sus4 - Maj9sus4 + Maj9#5 - Maj9♯5 + Maj9#11 - Maj9♯11 + m9 - m9 + madd9 - mmés9 + m9b5 - m9♭5 + m9-Maj7 - m9-Maj7 + 11 - 11 + 11b9 - 11♭9 + Maj11 - Maj11 + m11 - m11 + m-Maj11 - m-Maj11 + 13 - 13 + 13#9 - 13♯9 + 13b9 - 13♭9 + 13b5b9 - 13♭5♭9 + Maj13 - Maj13 + m13 - m13 + m-Maj13 - m-Maj13 + Harmonic minor - Harmònic menor + Melodic minor - Melòdic menor + Whole tone - To sencer + Diminished - Disminuït + Major pentatonic - Pentatònic major + Minor pentatonic - Pentatònic menor + Jap in sen - Jap in sen + Major bebop - Bebop major + Dominant bebop - Bebop dominant + Blues - Blues + Arabic - Aràbic + Enigmatic - Enigmàtic + Neopolitan - Neopolità + Neopolitan minor - Neopolità menor + Hungarian minor - Hongarès menor + Dorian - Dòric + Phrygolydian - Frigolidi + Lydian - Lidi + Mixolydian - Mixolidi + Aeolian - Eoli + Locrian - Locri + Chords - + Chord type - Tipus d'acord + Chord range - Rang d'acord + Minor - + Chromatic - + Half-Whole Diminished - + 5 - + + + + Phrygian dominant + + + + Persian + InstrumentFunctionNoteStackingView RANGE - RANG + Chord range: - Rang d'acord: + octave(s) - octava(es) + Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. - + STACKING - + Chord: - + InstrumentMidiIOView ENABLE MIDI INPUT - + CHANNEL - CANAL + VELOCITY - + ENABLE MIDI OUTPUT - + PROGRAM - + MIDI devices to receive MIDI events from - + MIDI devices to send MIDI events to - + NOTE - + CUSTOM BASE VELOCITY - + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + BASE VELOCITY - + InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + InstrumentSoundShaping VOLUME - VOLUM + Volume - Volum + Volum CUTOFF - FREQ TALL + Cutoff frequency - + RESO - + Resonance - + Envelopes/LFOs - + Filter type - Tipus de filtre + Q/Resonance - Q/Ressonància + LowPass - Passa-Baixa + HiPass - Passa-Alta + BandPass csg - Passa-Banda csg + BandPass czpg - Passa-Banda czpg + Notch - Osca + Allpass - Passa-Tot + Moog - Moog + 2x LowPass - 2x Passa-Baixa + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - + InstrumentSoundShapingView TARGET - OBJECTIU + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - + FILTER - FILTRE + Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - Aquí pots seleccionar el filtre integrat que vols usar per a aquesta pista d'instrument. Els filtres són molt importants per a canviar les característiques d'un so. + Hz - Hz + Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - + RESO - + Resonance: - Ressonància: + Ressonància: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - + FREQ - FREQ + cutoff frequency: - + Envelopes, LFOs and filters are not supported by the current instrument. - + InstrumentTrack unnamed_track - pista_sense_nom + Volume - Volum + Volum Panning - Panorama + Pitch - To + FX channel - Canal FX + Default preset - + With this knob you can set the volume of the opened channel. - Amb aquesta roda pots ajustar el volum del canal obert. + Base note - Nota base + Pitch range - + Master Pitch - + InstrumentTrackView Volume - Volum + Volum Volume: - Volum: + Volum: VOL - VOL + Panning - Panorama + Panning: - Panorama: + PAN - PAN + MIDI - MIDI + Input - Entrada + Entrada Output - Sortida + Sortida + + + FX %1: %2 + InstrumentTrackWindow GENERAL SETTINGS - CONFIGURACIÓ GENERAL + Instrument volume - Volum d'instrument + Volume: - Volum: + Volum: VOL - VOL + Panning - Panorama + Panning: - Panorama: + PAN - PAN + Pitch - To + Pitch: - To: + cents - cents + cents PITCH - TO + FX channel - Canal FX + ENV/LFO - ENV/OBF + FUNC - FUNC + FX - FX + MIDI - MIDI + Save preset - + XML preset file (*.xpf) - + PLUGIN - CONN + Pitch range (semitones) - + RANGE - RANG + Save current instrument track settings in a preset file - + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + MISC - MISC + + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + Knob Set linear - + Set logarithmic - + - Please enter a new value between -96.0 dBV and 6.0 dBV: - Per favor, introdueix un nou valor entre -96,0 dBV i 6,0 dBV: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between %1 and %2: - Per favor, introdueix un nou valor entre %1 i %2: + LadspaControl Link channels - Enllaça canals + LadspaControlDialog Link Channels - Enllaça Canals + Channel - Canal + LadspaControlView Link channels - Enllaça canals + Value: - Valor: + Sorry, no help available. - Ajuda no disponible. + LadspaEffect Unknown LADSPA plugin %1 requested. - + LcdSpinBox Please enter a new value between %1 and %2: - Per favor, introdueix un nou valor entre %1 i %2: + - LfoController + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + + + + + LfoController LFO Controller - Controlador OBF + Base value - Valor base + Oscillator speed - Velocitat d'oscil·lador + Oscillator amount - Amplitud d'oscil·lador + Oscillator phase - Fase d'oscil·lador + Oscillator waveform - Forma d'ona d'oscil·lador + Frequency Multiplier - Multiplicador de Freqüència + LfoControllerDialog LFO - OBF + LFO Controller - Controlador OBF + BASE - BASE + Base amount: - Amplitud base: + todo - todo + SPD - VEL + LFO-speed: - Velocitat OBF: + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - Usa aquesta roda per a ajustar la velocitat de l'OBF. Quan més gran aquest valor, més ràpid oscil·la l'OBF i més ràpid serà l'efecte. - - - AMT - QUA + Modulation amount: - Quantitat de modulació: + Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - + PHS - FAS + Phase offset: - Desfasament: + degrees - graus + With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Click here for a sine-wave. - + Click here for a triangle-wave. - + Click here for a saw-wave. - + Click here for a square-wave. - + Click here for an exponential wave. - + Click here for white-noise. - + Click here for a user-defined shape. Double click to pick a file. - + Click here for a moog saw-wave. - + + + + AMNT + - MainWindow + LmmsCore - Working directory - + Generating wavetables + - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - + Initializing data structures + + + + Opening audio and midi devices + + + + Launching mixer threads + + + + MainWindow Could not save config-file - No s'ha pogut desar el fitxer de configuració + - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. - No s'ha pogut desar el fitxer de configuració %1. -Per favor, comprova que tens permís d'escriptura per a aquest fitxer i torna-ho a provar. + &New - &Nou + &Open... - &Obre... + &Save - &Desa + Save &As... - &Anomena i desa... + Import... - Importa... + E&xport... - E&xporta... + &Quit - &Surt + &Edit - &Edita + Settings - Configuració + &Tools - E&ines + &Help - &Ajuda + Help - Ajuda + What's this? - Què és això? + About - Quant a + Create new project - Crea nou projecte + Create new project from template - Crea nou projecte des de plantilla + Open existing project - Obre projecte existent + Recently opened projects - Projecte obert recentment + Save current project - Desa projecte actual + Export current project - Exporta projecte actual + Song Editor - Mostra/amaga Editor de Cançó + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - + Beat+Bassline Editor - Mostra/amaga Editor de Ritme Base + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - + Piano Roll - Mostra/amaga Rotlle de Piano + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - + Automation Editor - Mostra/amaga Editor d'Automatització + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - + FX Mixer - Mostra/amaga Mesclador FX + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - + Project Notes - Mostra/amaga les notes del projecte + Click here to show or hide the project notes window. In this window you can put down your project notes. - + Controller Rack - + Untitled - Sense títol + LMMS %1 - LMMS %1 + Project not saved - Projecte no desat + The current project was modified since last saving. Do you want to save it now? - El projecte actual ha estat modificat des del darrer desament. Vols desar-lo ara? + Help not available - Ajuda no disponible + - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. - Actualment no hi ha ajuda disponible a LMMS. -Per favor, visita http://lmms.sf.net/wiki per a documentació sobre LMMS. + LMMS (*.mmp *.mmpz) - + Version %1 - + Configuration file - + Error while parsing configuration file at line %1:%2: %3 - + Volumes - + Undo - + Redo - - - - LMMS Project (*.mmpz *.mmp);;LMMS Project Template (*.mpt) - - - - LMMS Project - - - - LMMS Project Template - + My Projects - + My Samples - + My Presets - + My Home - + My Computer - - - - Root Directory - + &File - + &Recently Opened Projects - + Save as New &Version - + E&xport Tracks... - + Online Help - + What's This? - + Open Project - + Save Project - + + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + + + + Preparing file browsers + + + + Root directory + + + + Loading background artwork + + + + New from template + + + + Save as default template + + + + &View + + + + Toggle metronome + + + + Show/hide Song-Editor + + + + Show/hide Beat+Bassline Editor + + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + MeterDialog Meter Numerator - Numerador de Mesurador + Meter Denominator - Denominador de Mesurador + TIME SIG - COMPÀS + MeterModel Numerator - + Denominator - - - - - MidiAlsaRaw::setupWidget - - DEVICE - DISPOSITIU - - - - MidiAlsaSeq - - DEVICE - DISPOSITIU + MidiController MIDI Controller - + unnamed_midi_controller - controlador_midi_sense_nom + MidiImport Setup incomplete - + You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. - + You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - + + + + Track + - MidiOss::setupWidget + MidiJack - DEVICE - DISPOSITIU + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + MidiPort Input channel - Canal d'entrada + Output channel - Canal de sortida + Input controller - Controlador d'entrada + Output controller - Controlador de sortida + Fixed input velocity - + Fixed output velocity - + Output MIDI program - + Receive MIDI-events - Rep esdeveniments MIDI + Send MIDI-events - Envia esdeveniments MIDI + Fixed output note - + Base velocity - + + + + + MidiSetupWidget + + DEVICE + MonstroInstrument Osc 1 Volume - + Osc 1 Panning - + Osc 1 Coarse detune - + Osc 1 Fine detune left - + Osc 1 Fine detune right - + Osc 1 Stereo phase offset - + Osc 1 Pulse width - + Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 Panning - + Osc 2 Coarse detune - + Osc 2 Fine detune left - + Osc 2 Fine detune right - + Osc 2 Stereo phase offset - + Osc 2 Waveform - + Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 Panning - + Osc 3 Coarse detune - + Osc 3 Stereo phase offset - + Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 Waveform 2 - + Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 Attack - + LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 Attack - + LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Selected view - + Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO2 - + Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO2 - + Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO2 - + Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - Ona sinusoïdal + Ona sinusoïdal Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + White noise - + Digital Triangle wave - + Digital Saw wave - + Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave - Ona triangular + Ona triangular Saw wave - Ona de serra + Ona de serra Ramp wave - + Square wave - Ona quadrada + Ona quadrada Moog saw wave - + Abs. sine wave - + Random - + Random smooth - + MonstroView Operators view - + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4238,375 +4641,627 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Modulate amplitude of Osc3 with Osc2 - + Modulate frequency of Osc3 with Osc2 - + Modulate phase of Osc3 with Osc2 - + The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + + + + Volume + Volum + + + Panning + + + + Coarse detune + + + + semitones + + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + + + + Rate + Taxa + + + Phase + + + + Pre-delay + + + + Hold + + + + Decay + + + + Sustain + + + + Release + + + + Slope + + + + Modulation amount + MultitapEchoControlDialog Length - + Step length: - + Dry - + Dry Gain: - + Stages - + Lowpass stages: - + Swap inputs - + Swap left and right input channel for reflections - + NesInstrument Channel 1 Coarse detune - + Channel 1 Volume - + Channel 1 Envelope length - + Channel 1 Duty cycle - + Channel 1 Sweep amount - + Channel 1 Sweep rate - + Channel 2 Coarse detune - + Channel 2 Volume - + Channel 2 Envelope length - + Channel 2 Duty cycle - + Channel 2 Sweep amount - + Channel 2 Sweep rate - + Channel 3 Coarse detune - + Channel 3 Volume - + Channel 4 Volume - + Channel 4 Envelope length - + Channel 4 Noise frequency - + Channel 4 Noise frequency sweep - + Master volume - Volum mestre + + + + Vibrato + Vibrat + + + + NesInstrumentView + + Volume + Volum + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + Vibrato - Vibrat + Vibrat OscillatorObject Osc %1 volume - Volum d'osc %1 + Osc %1 panning - Panorama d'osc %1 + Osc %1 coarse detuning - Desafinament gruixut d'osc %1 + Osc %1 fine detuning left - Desafinament fi esquerre d'osc %1 + Osc %1 fine detuning right - Desafinament fi dret d'osc %1 + Osc %1 phase-offset - Desfasament d'osc %1 + Osc %1 stereo phase-detuning - Desfasament estèreo d'osc %1 + Osc %1 wave shape - Forma d'ona d'osc %1 + Modulation type %1 - Tipus de modulació %1 + Osc %1 waveform - Forma d'ona d'osc %1 + Osc %1 harmonic - + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + Banc + + + Program selector + + + + Patch + Pedaç + + + Name + Nom + + + OK + + + + Cancel + PatmanView Open other patch - Obre altre pedaç + Click here to open another patch-file. Loop and Tune settings are not reset. - Pica aquí per a obrir un altre fitxer pedaç. La configuració de Bucle i Afina no es reinicia. + Loop - Bucle + Loop mode - Mode Bucle + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - Aquí pots canviar el mode Bucle. Si és actiu, PatMan farà servir la informació de bucle disponible al fitxer. + Tune - Afina + Tune mode - Mode Afina + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - Aquí pots canviar el mode Afina. Si és actiu, PatMan afinarà la mostra a la freqüència de la nota. + No file selected - Cap fitxer seleccionat + Open patch file - Obre fitxer pedaç + Patch-Files (*.pat) - Fitxers Pedaç (*.pat) + PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - pica dos cops per a obrir aquest patró al rotlle de piano -usa la roda del ratolí per a ajustar el volum d'un pas - Open in piano-roll Obre al rotlle de piano @@ -4631,567 +5286,526 @@ usa la roda del ratolí per a ajustar el volum d'un pas Remove steps Elimina passos + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + PeakController Peak Controller - + Peak Controller Bug - + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + PeakControllerDialog PEAK - PIC + LFO Controller - Controlador OBF + PeakControllerEffectControlDialog BASE - BASE + Base amount: - Amplitud base: + Modulation amount: - Quantitat de modulació: + Attack: - Atac: + Release: - Alliberament: + AMNT - + MULT - + Amount Multiplicator: - + ATCK - + DCAY - + - TRES - + Treshold: + - Treshold: - + TRSH + PeakControllerEffectControls Base value - Valor base + Modulation amount - Quantitat de modulació + Mute output - Apaga la sortida + Attack - + Release - + Abs Value - + Amount Multiplicator - + Treshold - + PianoRoll - - Piano-Roll - no pattern - Rotlle de Piano - sense patró - Please open a pattern by double-clicking on it! Per favor, obre un patró picant-lo dos cops! - - Piano-Roll - %1 - Rotlle de Piano - %1 - Last note Darrera nota Note lock - + Note Velocity - + Note Panning - + Mark/unmark current semitone - + Mark current scale - + Mark current chord - + Unmark all - + No scale - + No chord - + Velocity: %1% - + Panning: %1% left - + Panning: %1% right - + Panning: center - + Please enter a new value between %1 and %2: - Per favor, introdueix un nou valor entre %1 i %2: + + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + PianoRollWindow Play/pause current pattern (Space) - Reprodueix/pausa el patró actual (Espai) + Record notes from MIDI-device/channel-piano - Enregistra notes des d'un dispositiu MIDI o piano de canal + Record notes from MIDI-device/channel-piano while playing song or BB track - Enregistra notes des d'un dispositiu MIDI o piano de canal mentre es reprodueix la cançó o pista RB + Stop playing of current pattern (Space) - Atura la reproducció del patró actual (Espai) + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - + Click here to stop playback of current pattern. - + Draw mode (Shift+D) - Mode dibuixar (Maj+D) + Erase mode (Shift+E) - Mode esborrar (Maj+E) + Select mode (Shift+S) - Mode seleccionar (Maj+S) + Detune mode (Shift+T) - + - Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - + - Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - + Cut selected notes (%1+X) - Talla les notes seleccionades (%1+X) + Copy selected notes (%1+C) - Copia les notes seleccionades (%1+C) + Paste notes from clipboard (%1+V) - Enganxa notes des del portapapers (%1+V) + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the notes from the clipboard will be pasted at the first visible measure. - + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + Rotlle de Piano - %1 + + + Piano-Roll - no pattern + Rotlle de Piano - sense patró + + + Quantize + PianoView Base note - Nota base + Plugin Plugin not found - Connector no trobat + - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" - + Error while loading plugin - Error en carregar el connector + Failed to load plugin "%1"! - - - - LMMS plugin %1 does not have a plugin descriptor named %2! - + PluginBrowser - - Instrument plugins - Connectors d'instrument - Instrument browser - + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + ProjectNotes Project notes - Notes del projecte + Put down your project notes here. - Escriu aquí les teves notes del projecte. + Edit Actions - Accions d'Editar + &Undo - &Desfés + %1+Z - %1+Z + &Redo - &Refés + %1+Y - %1+Y + &Copy - &Copia + %1+C - %1+C + Cu&t - &Talla + %1+X - %1+X + &Paste - &Enganxa + %1+V - %1+V + Format Actions - Accions de Format + &Bold - &Negreta + %1+B - %1+B + &Italic - Curs&iva + %1+I - %1+I + &Underline - &Subratllat + %1+U - %1+U + &Left - &Esquerra + %1+L - %1+L + C&enter - Cen&tre + %1+E - %1+E + &Right - &Dreta + %1+R - %1+R + &Justify - &Justifica + %1+J - %1+J + &Color... - &Color... + ProjectRenderer WAV-File (*.wav) - Fitxer WAV (*.wav) + Compressed OGG-File (*.ogg) - Fitxer OGG Comprimit (*.ogg) - - - - QObject - - C - Note name - - - - Db - Note name - - - - C# - Note name - - - - D - Note name - - - - Eb - Note name - - - - D# - Note name - - - - E - Note name - - - - Fb - Note name - - - - Gb - Note name - - - - F# - Note name - - - - G - Note name - - - - Ab - Note name - - - - G# - Note name - - - - A - Note name - - - - Bb - Note name - - - - A# - Note name - - - - B - Note name - + @@ -5242,422 +5856,470 @@ Reason: "%2" File: %1 - + RenameDialog Rename... - Canvia el nom... + SampleBuffer Open audio file - Obre fitxer d'àudio + Wave-Files (*.wav) - Fitxers WAV (*.wav) + OGG-Files (*.ogg) - Fitxers OGG (*.ogg) + DrumSynth-Files (*.ds) - Fitxers DrumSynth (*.ds) + FLAC-Files (*.flac) - Fitxers FLAC (*.flac) + SPEEX-Files (*.spx) - Fitxers SPEEX (*.spx) + VOC-Files (*.voc) - Fitxers VOC (*.voc) + AIFF-Files (*.aif *.aiff) - Fitxers AIFF (*.aif *.aiff) + AU-Files (*.au) - Fitxers AU (*.au) + RAW-Files (*.raw) - Fitxers RAW (*.raw) + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + SampleTCOView double-click to select sample - pica dos cops per a seleccionar la mostra + Delete (middle mousebutton) - Esborra (botó del mig del ratolí) + Cut - Talla + Copy - Copia + Paste - Enganxa + Mute/unmute (<%1> + middle click) - Apaga/encén (<%1> + clic del mig) - - - Set/clear record - + SampleTrack Sample track - Pista de mostra + Volume - Volum + Volum Panning - Panorama + SampleTrackView Track volume - Volum de pista + Channel volume: - Volum de canal: + VOL - VOL + Panning - Panorama + Panning: - Panorama: + PAN - PAN + SetupDialog Setup LMMS - Configuració de LMMS + General settings - Configuració general + BUFFER SIZE - MIDA DE MEMÒRIA INTERMÈDIA + Reset to default-value - Restaura al valor per defecte + MISC - MISC + Enable tooltips - Activa els avisos d'eina + Show restart warning after changing settings - Mostra l'avís de reinici després de canviar la configuració + - Display volume as dBV - Mostra el volum en dBV + Display volume as dBFS + Compress project files per default - Comprimeix per defecte els fitxers de projecte + One instrument track window mode - + HQ-mode for output audio-device - Mode AQ per al dispositiu de sortida d'àudio + Compact track buttons - + Sync VST plugins to host playback - + Enable note labels in piano roll - + Enable waveform display by default - + Keep effects running even without input - + Create backup file when saving a project - + LANGUAGE - + Paths - + LMMS working directory - Directori de treball de LMMS + VST-plugin directory - Directori de connectors VST - - - Artwork directory - Directori de material gràfic + Background artwork - - - - FL Studio installation directory - Directori d'instal·lació de FL Studio - - - LADSPA plugin paths - + STK rawwave directory - Directori d'ones crues STK + Default Soundfont File - + Performance settings - Configuració de rendiment + UI effects vs. performance - Efectes UI vs. rendiment + Smooth scroll in Song Editor - - - - Enable auto save feature - + Show playback cursor in AudioFileProcessor - + Audio settings - Configuració d'àudio + AUDIO INTERFACE - INTERFÍCIE D'ÀUDIO + MIDI settings - Configuració MIDI + MIDI INTERFACE - INTERFÍCIE MIDI + OK - D'acord + Cancel - Cancel·la + Restart LMMS - Reinicia LMMS + Please note that most changes won't take effect until you restart LMMS! - Per favor, tingues en compte que la majoria de canvis no s'aplicaran fins que reiniciïs LMMS! + Frames: %1 Latency: %2 ms - Marcs: %1 -Latència: %2 ms + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - Aquí pots configurar la mida de la memòria intermèdia interna usada per LMMS. Els valors més petits donen menor latència però també poden causar so inservible o baix rendiment, especialment a ordinadors antics o sistemes amb un nucli sense temps real. + Choose LMMS working directory - Escull el directori de treball de LMMS + Choose your VST-plugin directory - Escull el teu directori de connectors VST + Choose artwork-theme directory - Escull el directori de material gràfic - - - Choose FL Studio installation directory - Escull el directori d'instal·lació de FL Studio + Choose LADSPA plugin directory - Escull un directori de connectors LADSPA + Choose STK rawwave directory - Escull el directori d'ones crues STK + Choose default SoundFont - + Choose background artwork - + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Aquí pots seleccionar la teva interfície d'àudio preferida. Depenent de la configuració del teu sistema durant el temps de compilació, pots escollir entre ALSA, JACK, OSS i altres. Abaix pots veure una caixa amb controls per a configurar la interfície d'àudio seleccionada. + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Aquí pots seleccionar la teva interfície MIDI preferida. Depenent de la configuració del teu sistema durant el temps de compilació, pots escollir entre ALSA, OSS i més. Abaix pots veure una caixa amb controls per a configurar la interfície MIDI seleccionada. + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - Tempo + Master volume - Volum mestre + Master pitch - To mestre + Project saved - Projecte desat + The project %1 is now saved. - El projecte %1 està desat. + Project NOT saved. - Projecte NO desat. + The project %1 was not saved! - El projecte %1 no està desat! + Import file - Importa fitxer + MIDI sequences - - - - FL Studio projects - + Hydrogen projects - + All file types - + Empty project - + This project is empty so exporting makes no sense. Please put some items into Song Editor first! - + Select directory for writing exported tracks... - + untitled - sense títol + Select file for project-export... - Selecciona fitxer per a exportar projecte... + The following errors occured while loading: - + + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + @@ -5673,1141 +6335,1262 @@ Latència: %2 ms Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. - + Error in file - + The file %1 seems to contain errors and therefore can't be loaded. - + Tempo - Tempo + TEMPO/BPM - TEMPO/BPM + tempo of song - tempo de cançó + The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - + High quality mode - Mode alta qualitat + Master volume - Volum mestre + master volume - volum mestre + Master pitch - To mestre + master pitch - to mestre + Value: %1% - Valor: %1% + Value: %1 semitones - Valor: %1 semitons + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - Editor de Cançó + Play song (Space) - Reprodueix cançó (Espai) + Record samples from Audio-device - + Record samples from Audio-device while playing song or BB track - + Stop song (Space) - Atura cançó (Espai) + Add beat/bassline - + Add sample-track - Afegeix pista de mostra + Add automation-track - Afegeix pista d'automatització + Draw mode - Mode dibuixar + Edit mode (select and move) - Mode editar (selecciona i mou) + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Pica aquí si vols reproduir la cançó sencera. La reproducció començarà al marcador de posició de cançó (verd). També pots moure'l mentre es reprodueix. + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Pica aquí si vols aturar la reproducció de la cançó. El marcador de posició de cançó serà col·locat a l'inici de la cançó. + + + + Track actions + + + + Edit actions + + + + Timeline controls + + + + Zoom controls + SpectrumAnalyzerControlDialog Linear spectrum - Espectre lineal + Linear Y axis - Eix Y lineal + SpectrumAnalyzerControls Linear spectrum - Espectre lineal + Linear Y axis - Eix Y lineal + Channel mode - Mode del canal + + + + + SubWindow + + Close + + + + Maximize + + + + Restore + TabWidget Settings for %1 - + TempoSyncKnob Tempo Sync - Sinc Tempo + No Sync - Sense Sinc + Eight beats - Vuit batecs + Whole note - Nota sencera + Half note - Mitja nota + Quarter note - Quart de nota + 8th note - 8è de nota + 16th note - 16è de nota + 32nd note - 32è de nota + Custom... - Personalitzat... + Custom - Personalitzat + Synced to Eight Beats - Sincronitzat a Vuit Batecs + Synced to Whole Note - Sincronitzat a Nota Sencera + Synced to Half Note - Sincronitzat a Mitja Nota + Synced to Quarter Note - Sincronitzat a Quart de Nota + Synced to 8th Note - Sincronitzat a 8è de Nota + Synced to 16th Note - Sincronitzat a 16è de Nota + Synced to 32nd Note - Sincronitzat a 32è de Nota + TimeDisplayWidget click to change time units - + + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + TimeLineWidget Enable/disable auto-scrolling - Activa/desactiva autodesplaçament + Enable/disable loop-points - Activa/desactiva punts de bucle + After stopping go back to begin - Després d'aturar torna al començament + After stopping go back to position at which playing was started - Després d'aturar torna a la posició on va començar la reproducció + After stopping keep position - Després d'aturar manté la posició + Hint - Consell + Press <%1> to disable magnetic loop points. - + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + Track Mute - + Solo - Solo + TrackContainer Couldn't import file - No es pot importar el fitxer + - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. - No es pot trobar un filtre per a importar el fitxer %1. -Hauries de convertir aquest fitxer a un format suportat per LMMS utilitzant altre programari. + Couldn't open file - No es pot obrir el fitxer + - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! - No es pot llegir el fitxer %1. -Per favor, assegura't que tens permís de lectura per al fitxer i el directori que el conté i torna-ho a provar! + Loading project... - Carregant projecte... + Cancel - Cancel·la + Please wait... - Per favor, espera... + Importing MIDI-file... - Important fitxer MIDI... - - - Importing FLP-file... - Important fitxer FLP... + TrackContentObject - Muted - + Mute + TrackContentObjectView Current position - Posició actual + Hint - Consell + Press <%1> and drag to make a copy. - Pitja <%1> i arrossega per a fer una còpia. + Current length - Longitud actual + Press <%1> for free resizing. - Pitja <%1> per a redimensionar lliurement. + %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 a %5:%6) + Delete (middle mousebutton) - Esborra (botó del mig del ratolí) + Cut - Talla + Copy - Copia + Paste - Enganxa + Mute/unmute (<%1> + middle click) - Apaga/encén (<%1> + clic del mig) + TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Pitja <%1> quan piquis el control de moviment per a iniciar una nova acció d'arrossegar i amollar. + Actions for this track - Accions per a aquesta pista + Mute - Apaga + Solo - Solo + Mute this track - Apaga aquesta pista + Clone this track - Clona aquesta pista + Remove this track - Elimina aquesta pista + Clear this track - + FX %1: %2 - + Turn all recording on - + Turn all recording off - + + + + Assign to new FX Channel + TripleOscillatorView Use phase modulation for modulating oscillator 1 with oscillator 2 - + Use amplitude modulation for modulating oscillator 1 with oscillator 2 - + Mix output of oscillator 1 & 2 - + Synchronize oscillator 1 with oscillator 2 - + Use frequency modulation for modulating oscillator 1 with oscillator 2 - + Use phase modulation for modulating oscillator 2 with oscillator 3 - + Use amplitude modulation for modulating oscillator 2 with oscillator 3 - + Mix output of oscillator 2 & 3 - + Synchronize oscillator 2 with oscillator 3 - + Use frequency modulation for modulating oscillator 2 with oscillator 3 - + Osc %1 volume: - Volum d'osc %1: + Volum d'osc %1: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - Amb aquesta roda pots ajustar el volum de l'oscil·lador %1. Quan poses un valor de 0 l'oscil·lador s'apaga. Altrament, pots sentir l'oscil·lador tan alt com l'ajustis aquí. + Osc %1 panning: - Panorama d'osc %1: + Panorama d'osc %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - Amb aquesta roda pots ajustar el panorama de l'oscil·lador %1. Un valor de -100 significa 100% a l'esquerra i un valor de 100 mou la sortida de l'oscil·lador a la dreta. + Osc %1 coarse detuning: - Desafinament gruixut d'osc %1: + semitones - semitons + With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - Amb aquesta roda pots ajustar el desafinament gruixut de l'oscil·lador %1. Pots desafinar l'oscil·lador 24 semitons (1 octavaes) cap a dalt i a baix. Això és útil per a crear sons amb un acord. + Osc %1 fine detuning left: - Desafinament fi esquerre d'osc %1: + cents - cents + cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Amb aquesta roda pots ajustar el desafinament fi de l'oscil·lador %1 per al canal esquerre. El desafinament fi està graduat entre -100 cents i +100 cents. Això és útil per a crear sons "gruixuts". + Osc %1 fine detuning right: - Desafinament fi dret d'osc %1: + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Amb aquesta roda pots ajustar el desafinament fi de l'oscil·lador %1 per al canal dret. El desafinament fi està graduat entre -100 cents i +100 cents. Això és útil per a crear sons "gruixuts". + Osc %1 phase-offset: - Desfasament d'osc %1: + degrees - graus + With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Amb aquesta roda pots ajustar el desfasament de l'oscil·lador %1. Això significa que pots moure el punt d'una oscil·lació on l'oscil·lador comença a oscil·lar. Per exemple, si tens una ona sinusoïdal amb un desfasament de 180 graus, l'ona anirà primer cap a baix. És el mateix amb una ona quadrada. + Osc %1 stereo phase-detuning: - Desfasament estèreo d'osc %1: + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - + Use a sine-wave for current oscillator. - + Use a triangle-wave for current oscillator. - + Use a saw-wave for current oscillator. - + Use a square-wave for current oscillator. - + Use a moog-like saw-wave for current oscillator. - + Use an exponential wave for current oscillator. - + Use white-noise for current oscillator. - + Use a user-defined waveform for current oscillator. - + VersionedSaveDialog Increment version number - + Decrement version number - + + + + already exists. Do you want to replace it? + VestigeInstrumentView Open other VST-plugin - Obre altre connector VST + Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - Pica aquí si vols obrir un altre connector VST. Després de picar aquest botó, apareix un diàleg d'obrir fitxers i pots seleccionar el teu fitxer. + Show/hide GUI - + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - Pica aquí per a mostrar o amagar la interfície gràfica d'usuari (GUI) del connector VST. + Turn off all notes - Apaga totes les notes + Open VST-plugin - Obre connector VST + DLL-files (*.dll) - Fitxers DLL (*.dll) + EXE-files (*.exe) - Fitxers EXE (*.exe) + No VST-plugin loaded - Cap connector VST carregat + Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Save preset - + Click here, if you want to save current VST-plugin preset program. - + Next (+) - + Click here to select presets that are currently loaded in VST. - + Preset - + by - + - VST plugin control - + VisualizationWidget click to enable/disable visualization of master-output - pica per a activar/desactivar la visualització de la sortida mestra + Click to enable - + VstEffectControlDialog Show/hide - + Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Next (+) - + Click here to select presets that are currently loaded in VST. - + Save preset - + Click here, if you want to save current VST-plugin preset program. - + Effect by: - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + VstPlugin Loading plugin - Carregant connector + Carregant connector Open Preset - + Vst Plugin Preset (*.fxp *.fxb) - + : default - + " - + ' - + Save Preset - + .fxp - + .FXP - + .FXB - + .fxb - + Please wait while loading VST plugin... - + The VST plugin %1 could not be loaded. - + WatsynInstrument Volume A1 - + Volume A2 - + Volume B1 - + Volume B2 - + Panning A1 - + Panning A2 - + Panning B1 - + Panning B2 - + Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph - + WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. - + Load waveform - + Click to load a waveform from a sample file - + Phase left - + Click to shift phase by -15 degrees - + Phase right - + Click to shift phase by +15 degrees - + Normalize - Normalitza + Normalitza Click to normalize - + Invert - + Click to invert - + Smooth - Suavitza + Suavitza Click to smooth - + Sine wave - Ona sinusoïdal + Ona sinusoïdal Click for sine wave - + Triangle wave - Ona triangular + Ona triangular Click for triangle wave - + Click for saw wave - + Square wave - Ona quadrada + Ona quadrada + + + Click for square wave + + + + Volume + Volum + + + Panning + + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + - Click for square wave - + Crosstalk + ZynAddSubFxInstrument Portamento - + Filter Frequency - + Filter Resonance - + Bandwidth - + FM Gain - + Resonance Center Frequency - + Resonance Bandwidth - + Forward MIDI Control Change Events - + ZynAddSubFxView Show GUI - + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - + Portamento: - + PORT - + Filter Frequency: - + FREQ - FREQ + Filter Resonance: - + RES - RES + Bandwidth: - + BW - + FM Gain: - + FM GAIN - + Resonance center frequency: - + RES CF - + Resonance bandwidth: - + RES BW - + Forward MIDI Control Changes - + @@ -6830,35 +7613,35 @@ Per favor, assegura't que tens permís de lectura per al fitxer i el direct Stutter - + Loopback point - + Loop mode - Mode Bucle + Interpolation mode - + None - + Linear - + Sinc - + Sample not found: %1 - + @@ -6916,152 +7699,163 @@ Per favor, assegura't que tens permís de lectura per al fitxer i el direct Draw your own waveform here by dragging your mouse on this graph. - + Click for a sine-wave. - + Click here for a triangle-wave. - + Click here for a saw-wave. - + Click here for a square-wave. - + Click here for white-noise. - + Click here for a user-defined shape. - + dynProcControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + ATTACK - + Peak attack time: - + RELEASE - + Peak release time: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Stereomode Maximum - + Process based on the maximum of both stereo channels - + Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + dynProcControls Input gain - + Output gain - + Attack time - + Release time - + Stereo mode - + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + graphModel Graph - + @@ -7080,39 +7874,39 @@ Per favor, assegura't que tens permís de lectura per al fitxer i el direct Length - + Distortion Start - + Distortion End - + Envelope Slope - + Noise - + Click - + Frequency Slope - + Start from note - + End to note - + @@ -7131,31 +7925,31 @@ Per favor, assegura't que tens permís de lectura per al fitxer i el direct Frequency Slope: - + Envelope Length: - + Envelope Slope: - + Click: - + Noise: - + Distortion Start: - + Distortion End: - + @@ -7183,15 +7977,15 @@ Per favor, assegura't que tens permís de lectura per al fitxer i el direct This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Aquest diàleg mostra informació de tots els connectors LADSPA que LMMS ha pogut trobar. Els connectors estan dividits en cinc categories basades en la interpretació dels tipus i noms dels ports. @@ -7226,6 +8020,10 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports. ladspaPortDialog + + Ports + Ports + Name Nom @@ -7286,10 +8084,6 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports.Yes Sí - - Ports - Ports - lb302Synth @@ -7310,28 +8104,28 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports.Decaïment Envoltant VCF - Slide - Lliscament - - - Accent - Accent + Distortion + Distorsió - Dead - Mort + Waveform + Forma d'ona Slide Decay Decaïment de Lliscament - Distortion - Distorsió + Slide + Lliscament - Waveform - Forma d'ona + Accent + Accent + + + Dead + Mort 24dB/oct Filter @@ -7370,205 +8164,95 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports. Saw wave - Ona de serra + Ona de serra Click here for a saw-wave. - + Triangle wave - Ona triangular + Ona triangular Click here for a triangle-wave. - + Square wave - Ona quadrada + Ona quadrada Click here for a square-wave. - + Rounded square wave - + Click here for a square-wave with a rounded end. - + Moog wave - + Click here for a moog-like wave. - + Sine wave - Ona sinusoïdal + Ona sinusoïdal Click for a sine-wave. - + White noise wave - Ona de soroll blanc + Ona de soroll blanc Click here for an exponential wave. - + Click here for white-noise. - + Bandlimited saw wave - + Click here for bandlimited saw wave. - + Bandlimited square wave - + Click here for bandlimited square wave. - + Bandlimited triangle wave - + Click here for bandlimited triangle wave. - + Bandlimited moog saw wave - + Click here for bandlimited moog saw wave. - - - - - lb303Synth - - VCF Cutoff Frequency - Freqüència de Tall VCF - - - VCF Resonance - Ressonància VCF - - - VCF Envelope Mod - Mod Envoltant VCF - - - VCF Envelope Decay - Decaïment Envoltant VCF - - - Distortion - Distorsió - - - Waveform - Forma d'ona - - - Slide Decay - Decaïment de Lliscament - - - Slide - Lliscament - - - Accent - Accent - - - Dead - Mort - - - 24dB/oct Filter - Filtre 24dB/oct - - - - lb303SynthView - - Cutoff Freq: - Freq Tall: - - - CUT - TALL - - - Resonance: - Ressonància: - - - RES - RES - - - Env Mod: - Mod Env: - - - ENV MOD - MOD ENV - - - Decay: - Decaïment: - - - DEC - DEC - - - 303-es-que, 24dB/octave, 3 pole filter - 303-es-que, 24dB/octava, filtre 3 pols - - - Slide Decay: - Decaïment de Lliscament: - - - SLIDE - LLISCA - - - DIST: - DIST: - - - DIST - DIST - - - WAVE: - ONA: - - - WAVE - ONA + @@ -7689,14 +8373,6 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports.Tibetan Bowl Bol Tibetà - - Missing files - Fitxers absents - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - La instal·lació de Stk sembla estar incompleta. Assegura't de que el paquet complet Stk està instal·lat! - malletsInstrumentView @@ -7792,10 +8468,6 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports.ADSR: ADSR: - - Bowed - Doblegat - Pressure Pressió @@ -7804,14 +8476,6 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports.Pressure: Pressió: - - Motion - Moviment - - - Motion: - Moviment: - Speed Velocitat @@ -7821,193 +8485,212 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports.Velocitat: - Vibrato - Vibrat + Missing files + - Vibrato: - Vibrat: + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView - VST parameter control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST effect knob-controller window. - + manageVestigeInstrumentView - VST plugin control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST plugin knob-controller window. - + opl2instrument Patch - Pedaç + Pedaç Op 1 Attack - + Op 1 Decay - + Op 1 Sustain - + Op 1 Release - + Op 1 Level - + Op 1 Level Scaling - + Op 1 Frequency Multiple - + Op 1 Feedback - + Op 1 Key Scaling Rate - + Op 1 Percussive Envelope - + Op 1 Tremolo - + Op 1 Vibrato - + Op 1 Waveform - + Op 2 Attack - + Op 2 Decay - + Op 2 Sustain - + Op 2 Release - + Op 2 Level - + Op 2 Level Scaling - + Op 2 Frequency Multiple - + Op 2 Key Scaling Rate - + Op 2 Percussive Envelope - + Op 2 Tremolo - + Op 2 Vibrato - + Op 2 Waveform - + FM - + Vibrato Depth - + Tremolo Depth - + + + + + opl2instrumentView + + Attack + + + + Decay + + + + Release + + + + Frequency multiplier + @@ -8053,328 +8736,343 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports. The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + papuInstrument Sweep time - + Sweep direction - + Sweep RtShift amount - + Wave Pattern Duty - + Channel 1 volume - + Volume sweep direction - + Length of each step in sweep - + Channel 2 volume - + Channel 3 volume - + Channel 4 volume - + Right Output level - + Left Output level - + Channel 1 to SO2 (Left) - + Channel 2 to SO2 (Left) - + Channel 3 to SO2 (Left) - + Channel 4 to SO2 (Left) - + Channel 1 to SO1 (Right) - + Channel 2 to SO1 (Right) - + Channel 3 to SO1 (Right) - + Channel 4 to SO1 (Right) - + Treble - + Bass - + Shift Register width - + papuInstrumentView Sweep Time: - + Sweep Time - + Sweep RtShift amount: - + Sweep RtShift amount - + Wave pattern duty: - + Wave Pattern Duty - + Square Channel 1 Volume: - + Length of each step in sweep: - + Length of each step in sweep - + Wave pattern duty - + Square Channel 2 Volume: - + Square Channel 2 Volume - + Wave Channel Volume: - + Wave Channel Volume - + Noise Channel Volume: - + Noise Channel Volume - + SO1 Volume (Right): - + SO1 Volume (Right) - + SO2 Volume (Left): - + SO2 Volume (Left) - + Treble: - + Treble - + Bass: - + Bass - + Sweep Direction - + Volume Sweep Direction - + Shift Register Width - + Channel1 to SO1 (Right) - + Channel2 to SO1 (Right) - + Channel3 to SO1 (Right) - + Channel4 to SO1 (Right) - + Channel1 to SO2 (Left) - + Channel2 to SO2 (Left) - + Channel3 to SO2 (Left) - + Channel4 to SO2 (Left) - + Wave Pattern - + The amount of increase or decrease in frequency - + The rate at which increase or decrease in frequency occurs - + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - + Square Channel 1 Volume - + The delay between step change - + Draw the wave here - + - pluginBrowser + patchesDialog - no description - sense descripció + Qsynth: Channel Preset + - Vibrating string modeler - Modelador de corda vibrant + Bank selector + - Filter for importing MIDI-files into LMMS - Filtre per a importar fitxers MIDI a LMMS + Bank + Banc - VST-host for using VST(i)-plugins within LMMS - servidor VST per a usar connectors VST(i) amb LMMS + Program selector + - Filter for importing FL Studio projects into LMMS - Filtre per a importar projectes FL Studio a LMMS + Patch + Pedaç - Additive Synthesizer for organ-like sounds - Sintetitzador Additiu per a sons com d'orgue + Name + Nom - Tuneful things to bang on - Coses melòdiques per a fer soroll + OK + - plugin for using arbitrary LADSPA-effects inside LMMS. - connector per a usar efectes LADSPA arbitraris a LMMS. + Cancel + + + + pluginBrowser - GUS-compatible patch instrument - Instrument de pedaç compatible GUS + no description + sense descripció + + + Incomplete monophonic imitation tb303 + Imitació monofònica incompleta tb303 + + + Plugin for freely manipulating stereo output + Connector per a manipular lliurement la sortida estèreo + + + Plugin for controlling knobs with sound peaks + Connector per a controlar rodes amb pics de so Plugin for enhancing stereo separation of a stereo input file @@ -8385,184 +9083,157 @@ Fent doble clic a qualsevol connector mostrarà informació sobre els ports.Llista connectors LADSPA instal·lats - Incomplete monophonic imitation tb303 - Imitació monofònica incompleta tb303 + GUS-compatible patch instrument + Instrument de pedaç compatible GUS - Plugin for freely manipulating stereo output - Connector per a manipular lliurement la sortida estèreo + Additive Synthesizer for organ-like sounds + Sintetitzador Additiu per a sons com d'orgue - Plugin for controlling knobs with sound peaks - Connector per a controlar rodes amb pics de so + Tuneful things to bang on + Coses melòdiques per a fer soroll + + + VST-host for using VST(i)-plugins within LMMS + servidor VST per a usar connectors VST(i) amb LMMS + + + Vibrating string modeler + Modelador de corda vibrant + + + plugin for using arbitrary LADSPA-effects inside LMMS. + connector per a usar efectes LADSPA arbitraris a LMMS. + + + Filter for importing MIDI-files into LMMS + Filtre per a importar fitxers MIDI a LMMS Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. - + Player for SoundFont files - + Emulation of GameBoy (TM) APU - + Customizable wavetable synthesizer - + Embedded ZynAddSubFX - + 2-operator FM Synth - + Filter for importing Hydrogen files into LMMS - + LMMS port of sfxr - + Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - + A native amplifier plugin - + Carla Rack Instrument - + 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + + + + A native delay plugin + Player for GIG files - + A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - + - Dummy (no MIDI support) - + A Dual filter plugin + - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - - - - Dummy (no sound output) - - - - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - - - - WinMM MIDI - - - - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + @@ -8621,7 +9292,7 @@ This chip was used in the Commodore 64 computer. A soundfont %1 could not be loaded. - + @@ -8696,176 +9367,176 @@ This chip was used in the Commodore 64 computer. SoundFont2 Files (*.sf2) - + sfxrInstrument Wave Form - + sidInstrument Cutoff - + Resonance - + Filter type - Tipus de filtre + Voice 3 off - + Volume - Volum + Volum Chip model - + sidInstrumentView Volume: - Volum: + Volum: Resonance: - Ressonància: + Ressonància: Cutoff frequency: - + High-Pass filter - + Band-Pass filter - + Low-Pass filter - + Voice3 Off - + MOS6581 SID - + MOS8580 SID - + Attack: - Atac: + Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - + Decay: - Decaïment: + Decaïment: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - + Sustain: - Sosteniment: + Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - + Release: - Alliberament: + The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - + Pulse Width: - + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - + Coarse: - + The Coarse detuning allows to detune Voice %1 one octave up or down. - + Pulse Wave - + Triangle Wave - + SawTooth - + Noise - + Sync - Sinc + Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - + Ring-Mod - + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - + Filtered - + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - + Test - + Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - + @@ -9065,11 +9736,11 @@ This chip was used in the Commodore 64 computer. Editor d'Impuls - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. L'editor de forma d'ona dóna control sobre l'estat inicial o impuls que s'utilitza per a iniciar la corda vibrant. Els botons de la dreta del gràfic inicialitzaran la forma d'ona al tipus seleccionat. El botó '?' carregarà la forma d'ona des d'un fitxer; només es carregaran les primeres 128 mostres. @@ -9081,15 +9752,15 @@ El botó 'S' suavitzarà la forma d'ona. El botó 'N' normalitzarà la forma d'ona. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modela fins a nou cordes vibrants independents. El selector 'String' et permet escollir quina corda s'està editant. El selector 'Imp' escull si el gràfic representa un impuls o l'estat inicial de la corda. El selector 'Octave' escull a quin harmònic la corda ha de vibrar. @@ -9162,144 +9833,144 @@ El LED a la cantonada dreta baixa de l'editor de forma d'ona determina Use a sine-wave for current oscillator. - + Use a triangle-wave for current oscillator. - + Use a saw-wave for current oscillator. - + Use a square-wave for current oscillator. - + Use white-noise for current oscillator. - + Use a user-defined waveform for current oscillator. - + voiceObject Voice %1 pulse width - + Voice %1 attack - + Voice %1 decay - + Voice %1 sustain - + Voice %1 release - + Voice %1 coarse detuning - + Voice %1 wave shape - + Voice %1 sync - + Voice %1 ring modulate - + Voice %1 filtered - + Voice %1 test - + waveShaperControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase graph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease graph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Clip input - + Clip input signal to 0dB - + waveShaperControls Input gain - + Output gain - + - + \ No newline at end of file diff --git a/data/locale/cs.ts b/data/locale/cs.ts index 488bd866a3e..ebaee2c0024 100644 --- a/data/locale/cs.ts +++ b/data/locale/cs.ts @@ -1,4236 +1,4644 @@ - - - + AboutDialog About LMMS - O LMMS + O LMMS Version %1 (%2/%3, Qt %4, %5) - Verze %1 (%2/%3, Qt %4, %5) + Verze %1 (%2/%3, Qt %4, %5) About - O LMMS + O LMMS LMMS - easy music production for everyone - LMMS - jednoduchá hudební produkce pro každého + LMMS – snadné vytváření hudby pro každého Authors - Autoři + Autoři Translation - Překlad + Překlad Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! - + Aktuální jazyk není přeložen (nebo se jedná o angličtinu). + +Máte-li zájem o překlad LMMS do jiného jazyka, nebo chcete-li vylepšit existující překlad, Vaše pomoc bude vítána! Stačí jen kontaktovat vývojáře! License - Licence + Licence - Copyright (c) 2004-2014, LMMS developers - Copyright (c) 2004-2014, vývojáři + LMMS + LMMS - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> + Involved + Spolupracovníci - LMMS - LMMS + Contributors ordered by number of commits: + Přispěvovatelé řazeni podle počtu příspěvků - Involved - + Copyright © %1 + Copyright © %1 - Contributors ordered by number of commits: - + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog VOL - VOL + HLA Volume: - Hlasitost: + Hlasitost: PAN - + PAN Panning: - + Panoráma: LEFT - + LEVÝ Left gain: - + Zesílení vlevo: RIGHT - + PRAVÝ Right gain: - + Zesílení vpravo: AmplifierControls Volume - Hlasitost + Hlasitost Panning - + Panoráma Left gain - + Zesílení vlevo Right gain - + Zesílení vpravo - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE - ZAŘÍZENÍ + ZAŘÍZENÍ CHANNELS - KANÁLY + KANÁLY AudioFileProcessorView Open other sample - Otevřít jiný sampl + Otevřít jiný sampl Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - Kliknutím sem můžete otevřít jiný audio soubor. Ukáže se dialog, pomocí kterého si soubor můžete vybrat. Nastavení jako režim smyčkování, počáteční a koncové body, hodnota zesílení apod. zůstanou stejná, takže to nemusí znít jako původní sampl. + Kliknutím sem můžete otevřít jiný audio soubor. Zobrazí se dialog, pomocí kterého si soubor můžete vybrat. Nastavení smyčky, počátečního a koncového bodu, zesílení apod. zůstanou nezměněná, takže to nemusí znít jako původní sampl. Reverse sample - Přehrávat pozpátku + Přehrávat pozpátku If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - Zapnete-li toto tlačítko, celý sampl bude přehráván pozpátku. Tato volba je užitečná pro zajímavé efekty jako např. pozpátku přehraná srážka. + Zapnete-li toto tlačítko, celý sampl bude přehráván pozpátku. Tato volba je užitečná pro zajímavé efekty jako např. pozpátku přehraná srážka. Amplify: - Zesílení: + Zesílení: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - Tímto ovladačem můžete nastavit poměr zesílení. Pokud nastavíte hodnotu 100%, sampl se nezmění. Jinak se zesílí nebo ztiší (soubor samplu se tím vůbec nezmění!) + Tímto otočným ovladačem můžete nastavit poměr zesílení. Pokud nastavíte hodnotu 100%, sampl se nezmění. Jinak se zesílí nebo ztiší (váš stávající soubor samplu tím nebude nijak ovlivněn!) Startpoint: - Počáteční bod: + Počáteční bod: Endpoint: - Koncový bod: + Koncový bod: Continue sample playback across notes - Přehrávat sampl napříč tóny + Přehrávat sampl napříč tóny Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - Povolení této možnosti způsobí, že se sampl bude přehrávat přes různé tóny - pokud změníte ladění (pitch), nebo když tón skončí před koncem samplu, tak bude další přehrávaný tón pokračovat kde přestal. Pro obnovení přehrávání na začátek samplu, vložte tón do spodní části kláves (< 20 Hz) + Povolení této možnosti způsobí, že se sampl bude přehrávat přes různé tóny – když změníte výšku tónu nebo když tón skončí před koncem samplu, bude další přehrávaný tón pokračovat tam, kde přestal. Pro obnovení přehrávání od začátku samplu vložte tón do spodní části kláves (< 20 Hz) Disable loop - + Vypnout smyčku This button disables looping. The sample plays only once from start to end. - + Toto tlačítko vypne smyčku. Sampl bude přehrán jen jednou od začátku do konce. Enable loop - + Zapnout smyčku This button enables forwards-looping. The sample loops between the end point and the loop point. - + Toto tlačítko zapne smyčku směrem dopředu. Vzorek se bude vracet z koncového bodu na začátek. This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + Toto tlačítko zapne smyčku typu ping-pong. Vzorek bude přehráván dopředu a zpět mezi koncovým bodem a začátkem smyčky. With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + Tímto otočným ovladačem můžete nastavit bod, od kterého bude AudioFileProcessor přehrávat váš sampl. With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + Tímto otočným ovladačem můžete nastavit bod, ve kterém AudioFileProcessor zastaví přehrávání vašeho samplu. Loopback point: - + Začátek smyčky: With this knob you can set the point where the loop starts. - + Tímto otočným ovladačem můžete nastavit bod, kterým začíná smyčka. AudioFileProcessorWaveView Sample length: - Délka samplu: + Délka samplu: AudioJack JACK client restarted - + Klient JACK je restartován LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. - + JACK server down - + The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - + CLIENT-NAME - JMÉNO-KLIENTA + JMÉNO-KLIENTA CHANNELS - KANÁLY + KANÁLY AudioOss::setupWidget DEVICE - ZAŘÍZENÍ + ZAŘÍZENÍ CHANNELS - KANÁLY + KANÁLY AudioPortAudio::setupWidget BACKEND - + BACKEND DEVICE - ZAŘÍZENÍ + ZAŘÍZENÍ AudioPulseAudio::setupWidget DEVICE - ZAŘÍZENÍ + ZAŘÍZENÍ CHANNELS - KANÁLY + KANÁLY AudioSdl::setupWidget DEVICE - ZAŘÍZENÍ + ZAŘÍZENÍ + + + + AudioSndio::setupWidget + + DEVICE + ZAŘÍZENÍ + + + CHANNELS + KANÁLY + + + + AudioSoundIo::setupWidget + + BACKEND + BACKEND + + + DEVICE + ZAŘÍZENÍ AutomatableModel &Reset (%1%2) - &Resetovat (%1%2) + &Resetovat hodnoty (%1%2) &Copy value (%1%2) - &Kopírovat hodnoty (%1%2) + &Kopírovat hodnoty (%1%2) &Paste value (%1%2) - &Vložit hodnoty (%1%2) + &Vložit hodnoty (%1%2) Edit song-global automation - Editovat automatizaci pro celý song + Editovat automatizaci pro celou skladbu Connected to %1 - Připojeno k %1 + Připojeno k %1 Connected to controller - Připojeno ke kontroléru + Připojeno ke kontroléru Edit connection... - Editovat připojení... + Editovat připojení... Remove connection - Odebrat připojení + Odebrat připojení Connect to controller... - Připojit ke kontroléru... + Připojit ke kontroléru... Remove song-global automation - Odebrat obecnou automatizaci + Odebrat obecnou automatizaci Remove all linked controls - Odebrat všechny propjené ovladače + Odebrat všechny propojené ovládací prvky AutomationEditor Please open an automation pattern with the context menu of a control! - Otevřete prosím automatizační pattern pomocí kontextového menu ovládání! + Otevřete prosím automatizační pattern pomocí kontextového menu ovládání! Values copied - Hodnoty zkopírovány + Hodnoty zkopírovány All selected values were copied to the clipboard. - Všechny označené hodnoty byly zkopírovány do schránky. + Všechny označené hodnoty byly zkopírovány do schránky. AutomationEditorWindow Play/pause current pattern (Space) - Přehrát nebo pozastavit přehrávání aktuálního patternu (mezerník) + Přehrát nebo pozastavit přehrávání aktuálního patternu (mezerník) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - Klikněte zde, pokud chcete přehrát aktuální pattern. To je šikovné při editaci, neboť pattern je automaticky přehráván ve smyčce. + Klikněte zde, pokud chcete přehrát aktuální pattern. To je šikovné při editaci, neboť pattern je automaticky přehráván ve smyčce. Stop playing of current pattern (Space) - Zastavit přehrávání aktuálního patternu (mezerník) + Zastavit přehrávání aktuálního patternu (mezerník) Click here if you want to stop playing of the current pattern. - Klikněte zde, pokud chcete zastavit přehrávání aktuálního patternu. + Klikněte zde, pokud chcete zastavit přehrávání aktuálního patternu. Draw mode (Shift+D) - Režim kreslení (Shift+D) + Režim kreslení (Shift+D) Erase mode (Shift+E) - Režim mazání (Shift+E) + Režim mazání (Shift+E) Flip vertically - + Převrátit vertikálně Flip horizontally - + Převrátit horizontálně Click here and the pattern will be inverted.The points are flipped in the y direction. - + Klikněte sem, pokud chcete převrátit pattern. Body budou převráceny v ose y. Click here and the pattern will be reversed. The points are flipped in the x direction. - + Klikněte sem, pokud chcete převrátit pattern. Body budou převráceny v ose x. Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - Klikněte zde, pokud chcete aktivovat režim kreslení. V tomto výchozím a nejčastěji užívaném režimu lze přidávat a přesunovat jednotlivé hodnoty. Pro aktivaci můžete využít též klávesové zkratky Shift+D. + Klikněte sem, pokud chcete aktivovat režim kreslení. V tomto výchozím a nejčastěji užívaném režimu lze přidávat a přesunovat jednotlivé hodnoty. Pro aktivaci můžete využít též klávesové zkratky Shift+D. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - Klikněte zde, pokud chcete aktivovat režim mazání. V tomto režimu lze mazat jednotlivé hodnoty. Pro aktivaci můžete využít též klávesové zkratky Shift+E. + Klikněte sem, pokud chcete aktivovat režim mazání. V tomto režimu lze mazat jednotlivé hodnoty. Pro aktivaci můžete využít též klávesové zkratky Shift+E. Discrete progression - Oddělený vývoj + Terasovitý průběh Linear progression - Lineární vývoj + Lineární průběh Cubic Hermite progression - Cubic Hermite vývoj + Křivkovitý průběh Tension value for spline - Hodnota napětí pro spline + Hodnota napětí pro křivku A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Vyšší hodnota napětí vytvoří hladší křivku, ale více se vzdálí od zadaných hodnot. Nižší hodnota napětí upřednostní výchozí sklon křivky v každém kontrolním bodě. Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - Kliknutím sem vyberete oddělený vývoj pro tento automatizační pattern. Hodnota připojeného objektu zůstane konstantní mezi ovládacími body a okamžitě nastavena na novou hodnotu když se dosáhne každého ovládacího bodu. + Kliknutím sem vyberete terasovitý vývoj pro tento automatizační pattern. Hodnota připojeného objektu zůstane konstantní mezi ovládacími body a okamžitě nastavena na novou hodnotu, když se dosáhne dalšího ovládacího bodu. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - Kliknutím sem vyberete lineární vývoj pro tento automatizační pattern. Hodnota připojeného objektu se změní ve stabilní frekvenci mezi ovládacími body, aby postupně došlo k dosažení dalšího kontrolního bodu. + Kliknutím sem vyberete lineární vývoj pro tento automatizační pattern. Hodnota připojeného objektu se změní ve stabilní frekvenci mezi ovládacími body, aby postupně došlo k dosažení dalšího kontrolního bodu. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - Kliknutím sem vyberte cubic hermite vývoj pro tento automatizační pattern. Hodnota připojeného objektu se změní po plynulé křivce a lehce přejde do vrchních a spodních bodů. + Kliknutím sem vyberte cubic hermite vývoj pro tento automatizační pattern. Hodnota připojeného objektu se změní po plynulé křivce a lehce přejde do vrchních a spodních bodů. Cut selected values (%1+X) - Vyjmout označené hodnoty (%1+X) + Vyjmout označené hodnoty (%1+X) Copy selected values (%1+C) - Kopírovat označené hodnoty (%1+C) + Kopírovat označené hodnoty (%1+C) Paste values from clipboard (%1+V) - + Vložit hodnoty ze schránky (%1+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klikněte zde, pokud chcete označené hodnoty vyjmout a uložit do schránky. Vložit je pak můžete kdekoliv v libovolném patternu pomocí tlačítka Vložit. + Klikněte zde, pokud chcete označené hodnoty vyjmout a uložit do schránky. Vložit je pak můžete kdekoliv v libovolném patternu pomocí tlačítka Vložit. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klikněte zde, pokud chcete označené hodnoty zkopírovat do schránky. Vložit je pak můžete kdekoliv v libovolného patternu pomocí tlačítka Vložit. + Klikněte zde, pokud chcete označené hodnoty zkopírovat do schránky. Vložit je pak můžete kdekoliv v libovolného patternu pomocí tlačítka Vložit. Click here and the values from the clipboard will be pasted at the first visible measure. - Kliknete-li zde, budou hodnoty ze schránky vloženy do prvního viditelného taktu. + Kliknete-li zde, budou hodnoty ze schránky vloženy do prvního viditelného taktu. Tension: - Napětí: + Napětí: Automation Editor - no pattern - Automatizační editor - žádný pattern + Automatizační editor - žádný pattern Automation Editor - %1 - Automatizační editor - %1 + Automatizační editor - %1 + + + Edit actions + Upravit akce + + + Interpolation controls + Ovládání interpolace + + + Timeline controls + Ovládání časové osy + + + Zoom controls + Ovládání zvětšení + + + Quantization controls + Ovládání kvantizace + + + Model is already connected to this pattern. + Model je již k tomuto paternu připojen AutomationPattern Drag a control while pressing <%1> - Ovladač táhni při stisknutém <%1> - - - Model is already connected to this pattern. - + Ovládací prvek táhni při stisknutém <%1> AutomationPatternView double-click to open this pattern in automation editor - dvojklikem otevřít tento pattern v automatizačním editoru + dvojklikem otevřít tento pattern v automatizačním editoru Open in Automation editor - Otevřít v automatizačním editoru + Otevřít v automatizačním editoru Clear - Vyčistit + Vyčistit Reset name - Resetovat jméno + Resetovat jméno Change name - Změnit jméno + Změnit jméno %1 Connections - %1 Připojení + %1 Připojení Disconnect "%1" - Odpojit "%1" + Odpojit "%1" Set/clear record - Nastav/vyčisti záznam + Nastav/vyčisti záznam Flip Vertically (Visible) - + Převrátit vertikálně (viditelně) Flip Horizontally (Visible) - + Převrátit horizontálně (viditelně) + + + Model is already connected to this pattern. + Model je již k tomuto paternu připojen. AutomationTrack Automation track - Automatizační stopa + Automatizační stopa BBEditor Beat+Bassline Editor - Beat+Baseline Editor + Editor bicích a basů Play/pause current beat/bassline (Space) - Přehrát nebo pozastavit přehrávání (mezerník) + Přehrát/pozastavit přehrávání aktuálního patternu bicích/basů (mezerník) Stop playback of current beat/bassline (Space) - Zastavit přehrávání aktuální beat/bassline (mezerník) + Zastavit přehrávání aktuálního patternu bicích/basů (mezerník) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - Klikněte zde, pokud chcete přehrát aktuální beat/baseline. Beat/baseline je automaticky přehráván ve smyčce. + Klikněte sem, pokud chcete přehrát aktuální pattern bicích/basů. Bicí/basy jsou automaticky přehrávány ve smyčce. Click here to stop playing of current beat/bassline. - Klikněte zde, pokud chcete zastavit přehrávání aktuální beat/bassline. + Klikněte sem, pokud chcete zastavit přehrávání aktuálního patternu bicích/basů. Add beat/bassline - + Přidat bicí/basy Add automation-track - Přidat automatizační stopu + Přidat automatizační stopu Remove steps - Odstranit kroky + Odstranit kroky Add steps - Přidat kroky + Přidat kroky + + + Beat selector + Výběr rytmu + + + Track and step actions + Akce stopy a kroku + + + Clone Steps + Klonovat kroky + + + Add sample-track + Přidat automatizační stopu BBTCOView Open in Beat+Bassline-Editor - Otevřít v Beat+Bassline editoru + Otevřít v editoru bicích a basů Reset name - Resetovat jméno + Resetovat jméno Change name - Změnit jméno + Změnit jméno Change color - Změnit barvu + Změnit barvu Reset color to default - + REsetovat barvy do základních BBTrack Beat/Bassline %1 - Beat/Bassline %1 + Bicí a basy %1 Clone of %1 - + Klon z %1 BassBoosterControlDialog FREQ - + FREKV Frequency: - Frekvence: + Frekvence: GAIN - + ZISK Gain: - Zisk: + Zisk: RATIO - POMĚR + POMĚR Ratio: - Poměr: + Poměr: BassBoosterControls Frequency - Frekvence + Frekvence Gain - Zisk + Zisk Ratio - Poměr + Poměr BitcrushControlDialog IN - + IN OUT - + OUT GAIN - + ZISK Input Gain: - + NOIS - + ŠUM Input Noise: - + Vstup šumu: Output Gain: - + CLIP - + Output Clip: - + Rate - Rychlost + Rychlost Rate Enabled - + Enable samplerate-crushing - + Depth - + Depth Enabled - + Enable bitdepth-crushing - + Sample rate: - + STD - + Stereo difference: - + Levels - + Úrovně Levels: - + Úrovně: CaptionMenu &Help - + &Nápověda Help (not available) - + Help (nedostupný) CarlaInstrumentView Show GUI - + Ukázar grafické rozhraní Click here to show or hide the graphical user interface (GUI) of Carla. - + Controller Controller %1 - Kontrolér %1 + Kontrolér %1 ControllerConnectionDialog Connection Settings - Nastavení připojení + Nastavení připojení MIDI CONTROLLER - MIDI KONTROLÉR + MIDI KONTROLÉR Input channel - Vstupní kanál + Vstupní kanál CHANNEL - KANÁL + KANÁL Input controller - Vstupní kontrolér + Vstupní kontrolér CONTROLLER - KONTROLÉR + KONTROLÉR Auto Detect - Autodetekce + Autodetekce MIDI-devices to receive MIDI-events from - MIDI-zařízení k přijmu MIDI-události + MIDI-zařízení k přijmu MIDI-události USER CONTROLLER - UŽIVATELSKÝ KONTROLÉR + UŽIVATELSKÝ KONTROLÉR MAPPING FUNCTION - MAPOVACÍ FUNKCE + MAPOVACÍ FUNKCE OK - OK + OK Cancel - Zrušit + Zrušit LMMS - LMMS + LMMS Cycle Detected. - Detekován cyklus. + Detekován cyklus. ControllerRackView Controller Rack - Kontroléry + Kontroléry Add - Přidat + Přidat Confirm Delete - Potvrdit Smazání + Potvrdit smazání - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - Opravdu smazat? Tento kontrolér má jedno nebo více existujících připojení. Tento krok nelze vrátit zpět. + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + ControllerView Controls - Ovladače + Ovládací prvky Controllers are able to automate the value of a knob, slider, and other controls. - Kontroléry jsou schopny automatizovat nastavení ovladačů, šoupátek a dalších řídicích prvků. + Kontroléry jsou schopny automatizovat nastavení otočných ovladačů, táhel a dalších řídicích prvků. Rename controller - Přejmenovat kontrolér + Přejmenovat kontrolér Enter the new name for this controller - Vložte nové jméno pro tento kontrolér + Vložte nové jméno pro tento kontrolér - &Remove this plugin - &Odstranit tento plugin + &Remove this controller + + + + Re&name this controller + + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 2 Gain: - + Band 3 Gain: - + Band 4 Gain: - + Band 1 Mute - + Mute Band 1 - + Band 2 Mute - + Mute Band 2 - + Band 3 Mute - + Mute Band 3 - + Band 4 Mute - + Mute Band 4 - + DelayControls Delay Samples - + Vzorky zpoždění Feedback - + Lfo Frequency - + Lfo Amount - + + + + Output gain + Zisk výstupu DelayControlsDialog - Delay - + Lfo Amt + Delay Time - + Délka zpoždění - Regen - + Feedback Amount + - Feedback Amount - + Lfo + - Rate - Rychlost + Out Gain + - Lfo - + Gain + Zisk - Lfo Amt - + DELAY + DELAY + + + FDBK + ZP. VAZBA + + + RATE + POMĚR - - - DetuningHelper - Note detuning - + AMNT + MNOŽ DualFilterControlDialog Filter 1 enabled - + Filtr 1 zapnutý Filter 2 enabled - + Click to enable/disable Filter 1 - + Click to enable/disable Filter 2 - + + + + FREQ + FREKV + + + Cutoff frequency + Frekvence seříznutí + + + RESO + REZON + + + Resonance + Rezonance + + + GAIN + ZISK + + + Gain + Zisk + + + MIX + + + + Mix + DualFilterControls Filter 1 enabled - + Filtr 1 zapnutý Filter 1 type - + Filtr 1 typ Cutoff 1 frequency - + Q/Resonance 1 - + Gain 1 - + Mix - + Filter 2 enabled - + Filter 2 type - + Cutoff 2 frequency - + Q/Resonance 2 - + Gain 2 - + LowPass - + HiPass - + BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + 2x LowPass - + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - + Editor Play (Space) - + Stop (Space) - + Record - + Nahrávat Record while playing - + Nahrávat při přehrávání + + + Transport controls + Řízení přenosu Effect Effect enabled - Efekt aktivován + Efekt aktivován Wet/Dry mix - Wet/Dry mix + Wet/Dry mix Gate - Brána + Brána Decay - Doznívání + Doznívání EffectChain Effects enabled - Efekty aktivovány + Efekty aktivovány EffectRackView EFFECTS CHAIN - ŘETĚZ EFEKTŮ + ŘETĚZ EFEKTŮ Add effect - Přidat efekt + Přidat efekt EffectSelectDialog Add effect - Přidat efekt + Přidat efekt + + + Name + Název + + + Type + Typ + + + Description + Popis - Plugin description - Popis pluginu + Author + Autor EffectView Toggles the effect on or off. - Zapnout nebo vypnout efekty. + Zapnout nebo vypnout efekty. On/Off - Zap/Vyp + Zap/Vyp W/D - + W/D Wet Level: - Wet Hodnota: + Wet Hodnota: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - Wet/Dry ovladač nastavuje poměr mezi vstupním signálem a signálem efektu, který formuje výstup. + Wet/Dry otočný ovladač nastavuje poměr mezi vstupním signálem a signálem efektu, který formuje výstup. DECAY - DOZNÍVÁNÍ + DOZNÍ Time: - Čas: + Čas: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - Ovladač Doznívání ovládá, kolik bufferů ticha musí projít před tím, než plugin přestane zpracovávat. Menší hodnoty zredukují využití CPU, ale můžou způsobit uříznutí ozvěn. + Otočný ovladač Doznívání ovládá, kolik bufferů ticha musí projít před tím, než plugin přestane zpracovávat. Menší hodnoty zredukují využití CPU, ale můžou způsobit uříznutí ozvěn. GATE - BRÁNA + BRÁNA Gate: - Brána: + Brána: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - Tlačítko Brána určuje sílu signálu který je považován za ticho při rozhodování kdy skončit se zpracováním signálů. + Otočný ovladač Brána určuje sílu signálu, který je považován za 'ticho' při rozhodování, kdy skončit se zpracováním signálů. Controls - Ovladače + Ovladače Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. - + Move &up - Posunout &nahoru + Posunout &nahoru Move &down - Posunout &dolu + Posunout &dolu &Remove this plugin - &Odstranit tento plugin + &Odstranit tento plugin EnvelopeAndLfoParameters Predelay - + Attack - + Nástup Hold - + Decay - Doznívání + Dozněv Sustain - + Release - + Uvolnění Modulation - + Modulace LFO Predelay - + LFO Attack - + LFO speed - + LFO Modulation - + LFO Wave Shape - + Freq x 100 - Frek x 100 + Frekvence x 100 Modulate Env-Amount - + Úroveň modulace EnvelopeAndLfoView DEL - + Predelay: - + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - + ATT - + Attack: - + Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - + HOLD - + HOLD Hold: - + Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - + DEC - + DEC Decay: - Doznívání: + Doznívání: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - + SUST - SUST + SUST Sustain: - Sustain: + Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - + REL - + REL Release: - + Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - + AMT - + Modulation amount: - + Hloubka modulace: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - + LFO predelay: - + Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - + LFO- attack: - + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - + SPD - + LFO speed: - + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - + Click here for a sine-wave. - Klikněte zde pro sinusovou vlnu. + Klikněte zde pro sinusovou vlnu. Click here for a triangle-wave. - Klikněte zde pro trianglovou vlnu. + Klikněte zde pro trojúhelníkovou vlnu. Click here for a saw-wave for current. - Klikněte zde pro pilovitou vlnu. + Klikněte zde pro pilovitou vlnu. Click here for a square-wave. - Klikněte zde pro pravoúhlou vlnu. + Klikněte zde pro pravoúhlou vlnu. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - + FREQ x 100 - FREK x 100 + FREKVENCE x 100 Click here if the frequency of this LFO should be multiplied by 100. - + multiply LFO-frequency by 100 - + MODULATE ENV-AMOUNT - + Click here to make the envelope-amount controlled by this LFO. - + control envelope-amount by this LFO - + ms/LFO: - + Hint - Rada + Rada Drag a sample from somewhere and drop it in this window. - Sampl odněkud přetáhněte a pusťte jej v tomto okně. + Sampl odněkud přetáhněte a pusťte jej v tomto okně. Click here for random wave. - + Klikněte zde pro náhodnou vlnu. EqControls Input gain - + Zisk vstupu Output gain - + Zisk výstupu Low shelf gain - + Peak 1 gain - + Peak 2 gain - + Peak 3 gain - + Peak 4 gain - + High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP 12 - + LP 24 - + LP 48 - + HP 12 - + HP 24 - + HP 48 - + low pass type - + high pass type - + + + + Analyse IN + + + + Analyse OUT + EqControlsDialog HP - + Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + In Gain - + Gain - Zisk + Zisk Out Gain - + Bandwidth: - + Šířka pásma: Resonance : - + Rezonance: Frequency: - Frekvence: + Frekvence: - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + Oktáva + + + EqHandle - lp grp - + Reso: + Rezon: - hp grp - + BW: + - - - EqParameterWidget - Hz - + Freq: + Frekv: ExportProjectDialog Export project - + Exportovat projekt Output - Výstup + Výstup File format: - + Formát souboru: Samplerate: - + Vzorkovací frekvence: 44100 Hz - + 44100 Hz 48000 Hz - + 48000 Hz 88200 Hz - + 88200 Hz 96000 Hz - + 96000 Hz 192000 Hz - + 192000 Hz Bitrate: - + Bitrate: 64 KBit/s - + 64 KBit/s 128 KBit/s - + 128 KBit/s 160 KBit/s - + 160 KBit/s 192 KBit/s - + 192 KBit/s 256 KBit/s - + 256 KBit/s 320 KBit/s - + 320 KBit/s Depth: - + Hloubka: 16 Bit Integer - + 16 Bit Integer 32 Bit Float - + 32 Bit Float Please note that not all of the parameters above apply for all file formats. - + Quality settings - + Nastavení kvality Interpolation: - + Interpolace: Zero Order Hold - + Sinc Fastest - + Sinc Medium (recommended) - + Sinc Best (very slow!) - + Oversampling (use with care!): - + Převzorkování (používejte opatrně!) 1x (None) - + 2x - + 2x 4x - + 4x 8x - + 8x Start - + Cancel - Zrušit + Zrušit Export as loop (remove end silence) - + Export do smyčky (odstranění ticha na konci) Export between loop markers - + Export obsahu smyčky Could not open file - Nemohu otevřít soubor - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Nemohu uložit soubor %1 pro zápis. -Přesvědčte se prosím, že máte právo zápisu do tohoto souboru a příslušného adresáře a zkuste to znovu! + Nemohu otevřít soubor Export project to %1 - Exportovat projekt do %1 + Exportovat projekt do %1 Error - Chyba + Chyba Error while determining file-encoder device. Please try to choose a different output format. - Chyba při určení souboru zařízení enkodéru. Zkuste prosím vybrat jiný výstupní formát. + Chyba při určení souboru zařízení enkodéru. Zkuste prosím vybrat jiný výstupní formát. Rendering: %1% - Renderuji: %1% + Renderuji: %1% + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - Vložte prosím novou hodnotu mezi %1 a %2: + Vložte prosím novou hodnotu mezi %1 a %2: FileBrowser Browser - + Prohlížeč FileBrowserTreeWidget Send to active instrument-track - - - - Open in new instrument-track/Song-Editor - + Poslat do aktivní stopy nástroje Open in new instrument-track/B+B Editor - + Loading sample - + Načítám sampl Please wait, loading sample for preview... - + Počkejte prosím, načítám sampl pro náhled... --- Factory files --- - + + + + Open in new instrument-track/Song Editor + + + + Error + Chyba + + + does not appear to be a valid + nevypadá, že je platný + + + file + soubor FlangerControls Delay Samples - + Vzorky zpoždění Lfo Frequency - + Seconds - + Sekund Regen - + Noise - + Šum Invert - + FlangerControlsDialog - Delay - + Delay Time: + Délka zpoždění: - Delay Time: - + Feedback Amount: + Velikost zpětné vazby: - Lfo Hz - + White Noise Amount: + Množství bílého šumu: - Lfo: - + DELAY + DELAY - Amt - + RATE + POMĚR - Amt: - + Rate: + Poměr: - Regen - + AMNT + MNOŽ - Feedback Amount: - + Amount: + Množství: - Noise - + FDBK + ZP. VAZBA - White Noise Amount: - + NOISE + ŠUM + + + Invert + FxLine Channel send amount - + The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left - + Přesun do&leva Move &right - + Přesun dop&rava Rename &channel - + R&emove channel - + Remove &unused channels - + FxMixer Master - + FX %1 - FX %1 + FxMixerView - - Rename FX channel - Přejmenovat FX kanál - - - Enter the new name for this FX channel - Vložte nové jméno pro tento FX kanál - FX-Mixer - FX-Mixer + FX mixážní panel FX Fader %1 - + Mute - Ztlumit + Ztlumit Mute this FX channel - Ztlumit tento FX kanál + Ztlumit tento FX kanál Solo - Sólo + Sólo Solo FX channel - + Sólovat FX kanál FxRoute Amount to send from channel %1 to channel %2 - + GigInstrument Bank - + Banka Patch - + Patch Gain - Zisk + Zisk GigInstrumentView Open other GIG file - + Otevřít jiný GIG soubor Click here to open another GIG file - + Klikněte sem pro otevření jiného GIG souboru Choose the patch - + Vybrat patch Click here to change which patch of the GIG file to use - + Klikněte sem pro změnu patche GIG souboru Change which instrument of the GIG file is being played - + Změnit přehrávaný nástroj GIG souboru Which GIG file is currently being used - + Který GIG soubor je právě používán Which patch of the GIG file is currently being used - + Který patch GIG souboru je právě používán Gain - Zisk + Zisk Factor to multiply samples by - + Open GIG file - + Otevřít GIG soubor GIG Files (*.gig) - + GIG soubory (*.gig) + + + + GuiApplication + + Working directory + Pracovní adresář + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + Pracovní adresář LMMS %1 neexistuje. Chcete jej nyní vytvořit? Změnu adresáře mžete provést později v nabídce Úpravy -> Nastavení. + + + Preparing UI + Připravuji AI + + + Preparing song editor + Připravuji editor skladby + + + Preparing mixer + Připravuji mixážní panel + + + Preparing controller rack + Připravuji panel kontrolérů + + + Preparing project notes + Připravuji poznámky k projektu + + + Preparing beat/bassline editor + Připravuji editor bicích a basů + + + Preparing piano roll + Připravuji piano roll + + + Preparing automation editor + Připravuji editor automatizací InstrumentFunctionArpeggio Arpeggio - Arpeggio + Arpeggio Arpeggio type - Typ arpeggia + Typ arpeggia Arpeggio range - Rozsah arpeggia + Rozsah arpeggia Arpeggio time - Čas arpeggia + Trvání arpeggia Arpeggio gate - Brána arpeggia + Brána arpeggia Arpeggio direction - Arpeggio směr + Směr arpeggia Arpeggio mode - Režim arpeggia + Styl arpeggia Up - Nahoru + Nahoru Down - Dolu + Dolů Up and down - Nahoru a dolů + Nahoru a dolů Random - Náhodně + Náhodné Free - Volný + Volné Sort - Tříděný + Tříděné Sync - Synchronizovaný + Synchronizované Down and up - + Dolů a nahoru + + + Skip rate + + + + Miss rate + + + + Cycle steps + InstrumentFunctionArpeggioView ARPEGGIO - ARPEGGIO + ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - Arpeggio je způsob hraní (zejména na drnkací nástroje), které činí hudbu mnohem živější. Struny těchto nástrojů (např. harfy) jsou rozechvěny jako v akordech. Jediným rozdílem je, že se tak stane sekvenčně, takže tóny nejsou zahrány ve stejnou dobu. Typickým arpeggiem jsou durové a mollové trojzvuky, ale možných dalších akordů, které si můžete vybrat, je spousta. + Arpeggio je způsob hraní (zejména na drnkací nástroje), které činí hudbu mnohem živější. Struny těchto nástrojů (např. harfy) jsou rozechvěny jako v akordech. Jediným rozdílem je, že se tak stane sekvenčně, takže tóny nejsou zahrány ve stejnou dobu. Typickým arpeggiem jsou durové a mollové trojzvuky, ale možných dalších akordů, které si můžete vybrat, je spousta. RANGE - ROZSAH + ROZSAH Arpeggio range: - Rozsah arpeggia: + Rozsah arpeggia: octave(s) - oktáva(y) + oktáva(y) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - Tento ovladač užívejte pro nastavení rozsahu arpeggia v oktávách. Vybrané arpeggio bude zahráno ve zvoleném počtu oktáv. + Tento otočný ovladač použijte pro nastavení rozsahu arpeggia v oktávách. Vybrané arpeggio bude zahráno ve zvoleném počtu oktáv. TIME - ČAS + TRVÁNÍ Arpeggio time: - Čas arpeggia: + Trvání arpeggia: ms - ms + ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - + Použijte tento otočný ovladač pro nastavení trvání arpeggia v milisekundách. Trvání arpeggia udává, jak dlouho bude každý tón arpeggia přehráván. GATE - BRÁNA + BRÁNA Arpeggio gate: - Brána arpeggia: + Brána arpeggia: % - % + % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - Tento ovladač užívejte pro nastavení brány arpeggia. Brána arpeggia určuje procento celého arpeggio-tónu, který má být zahrán. Pomocí brány arpeggia můžete udělat bezva arpeggio staccato. + Tento otočný ovladač použijte pro nastavení brány arpeggia. Brána arpeggia určuje procento délky jednotlivých arpeggiových tónů, které budou zahrány. Pomocí brány arpeggia můžete udělat skvělé staccatové arpeggio. Chord: - + Akord: Direction: - Směr: + Směr: Mode: - Režim: + Styl: + + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + nota(y) + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + InstrumentFunctionNoteStacking octave - oktáva + oktáva Major - + dur Majb5 - + Maj5b minor - + moll minb5 - + m5b sus2 - + sus2 sus4 - + sus4 aug - + aug augsus4 - + aug sus4 tri - + tri 6 - + 6 6sus4 - + 6 sus4 6add9 - + 6 add9 m6 - + m6 m6add9 - + m6 add9 7 - + 7 7sus4 - + 7 sus4 7#5 - + 7/5# 7b5 - + 7/5b 7#9 - + 7/9# 7b9 - + 7/9b 7#5#9 - + 7/5#/9# 7#5b9 - + 7/5#/9b 7b5b9 - + 7/5b/9b 7add11 - + 7 add11 7add13 - + 7 add13 7#11 - + 7/11# Maj7 - + Maj7 Maj7b5 - + Maj7/5b Maj7#5 - + Maj7/5# Maj7#11 - + Maj7/11# Maj7add13 - + Maj7 add13 m7 - + m7 m7b5 - + m7/5b m7b9 - + m7/9b m7add11 - + m7 add11 m7add13 - + m7 add13 m-Maj7 - + m-Maj7 m-Maj7add11 - + m-Maj7 add11 m-Maj7add13 - + m-Maj7 add13 9 - + 9 9sus4 - + 9 sus4 add9 - + add9 9#5 - + 9/5# 9b5 - + 9/5b 9#11 - + 9/11# 9b13 - + 9/13b Maj9 - + Maj9 Maj9sus4 - + Maj9 sus4 Maj9#5 - + Maj9/5# Maj9#11 - + Maj9/11# m9 - + m9 madd9 - + m add9 m9b5 - + m9/5b m9-Maj7 - + m9-Maj7 11 - + 11 11b9 - + 11/9b Maj11 - + Maj11 m11 - + m11 m-Maj11 - + m-Maj11 13 - + 13 13#9 - + 13/9# 13b9 - + 13/9b 13b5b9 - + 13/9b/5b Maj13 - + Maj13 m13 - + m13 m-Maj13 - + m-Maj13 Harmonic minor - Harmonický moll + mollová harmonická Melodic minor - Melodický moll + mollová melodická Whole tone - Celá nota + celotónová stupnice Diminished - Snížený + zmenšená Major pentatonic - Durová pentatonika + durová pentatonika Minor pentatonic - Mollová pentatonika + mollová pentatonika Jap in sen - + japonská (in sen) Major bebop - Durový bebop + durová bebopová Dominant bebop - + dominantní bebopová Blues - Blues + bluesová Arabic - + arabská Enigmatic - + enigmatická Neopolitan - + neapolská Neopolitan minor - + mollová neapolská Hungarian minor - + mollová maďarská Dorian - + dórská Phrygolydian - + frygická Lydian - + lydická Mixolydian - + mixolydická Aeolian - + aiolská Locrian - + lokrická Chords - + Akordy Chord type - Typ akordu + Typ akordu Chord range - Rozsah akordu + Rozsah akordu Minor - + moll Chromatic - + chromatická Half-Whole Diminished - + zmenšená (půltón – celý tón) 5 - + 5 + + + Phrygian dominant + + + + Persian + perská InstrumentFunctionNoteStackingView RANGE - ROZSAH + ROZSAH Chord range: - Rozsah akordu: + Rozsah akordu: octave(s) - oktáva(y) + oktáva(y) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. - Tento ovladač užívejte pro nastavení rozsahu akordů v oktávách. Vybraný akord bude zahrán ve zvoleném počtu oktáv. + Tento otočný ovladač použijte pro nastavení rozsahu akordů v oktávách. Vybraný akord bude zahrán ve zvoleném počtu oktáv. STACKING - + VRSTVENÍ Chord: - + Akord: InstrumentMidiIOView ENABLE MIDI INPUT - POVOLIT MIDI VSTUP + POVOLIT MIDI VSTUP CHANNEL - KANÁL + KANÁL VELOCITY - + DYNAM ENABLE MIDI OUTPUT - POVOLIT MIDI VÝSTUP + POVOLIT MIDI VÝSTUP PROGRAM - + MIDI devices to receive MIDI events from - + MIDI zařízení pro přijímání MIDI událostí MIDI devices to send MIDI events to - + MIDI zařízení pro odesílání MIDI událostí NOTE - + NOTA CUSTOM BASE VELOCITY - + VLASTNÍ VÝCHOZÍ DYNAMIKA Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + Udává výchozí úroveň dynamiky pro MIDI nástroje při 100 % dynamiky tónu BASE VELOCITY - + VÝCHOZÍ DYNAMIKA InstrumentMiscView MASTER PITCH - + HLAVNÍ LADĚNÍ Enables the use of Master Pitch - + Umožní použití hlavního ladění InstrumentSoundShaping VOLUME - HLASITOST + HLASITOST Volume - Hlasitost + Hlasitost CUTOFF - SEŘÍZNUTÍ + SEŘÍZNUTÍ Cutoff frequency - Frekvence seříznutí + Frekvence seříznutí RESO - REZO + REZONANCE Resonance - Rezonance + Rezonance Envelopes/LFOs - + Filter type - Typ filtru + Typ filtru Q/Resonance - + LowPass - + HiPass - + BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + 2x LowPass - + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - + InstrumentSoundShapingView TARGET - CÍL + CÍL: These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - + FILTER - FILTR + FILTR Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - Zde si můžete vybrat z vestavěných filtrů, které chcete použít pro tuto stopu nástroje. Filtry jsou velmi důležité pro změnu charakteristiky zvuku. + Zde si můžete vybrat z vestavěných filtrů, které chcete použít pro tuto stopu nástroje. Filtry jsou velmi důležité pro změnu charakteristiky zvuku. Hz - Hz + Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - + RESO - REZO + REZON Resonance: - Rezonance: + Rezonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - + FREQ - + FREKV cutoff frequency: - + frekvence seříznutí: Envelopes, LFOs and filters are not supported by the current instrument. - + InstrumentTrack unnamed_track - nepojmenovaná_stopa + nepojmenovaná_stopa Volume - Hlasitost + Hlasitost Panning - + Panoráma Pitch - + Ladění FX channel - FX kanál + FX kanál Default preset - Výchozí nastavení + Výchozí předvolba With this knob you can set the volume of the opened channel. - Tímto ovladačem můžete nastavit hlasitost otevřeného kanálu. + Tímto otočným ovladačem můžete nastavit hlasitost otevřeného kanálu. Base note - Základní nota + Základní nota Pitch range - + Master Pitch - + Hlavní ladění InstrumentTrackView Volume - Hlasitost + Hlasitost Volume: - Hlasitost: + Hlasitost: VOL - VOL + HLA Panning - + Panoráma Panning: - + Panoráma: PAN - + PAN MIDI - MIDI + MIDI Input - Vstup + Vstup Output - Výstup + Výstup + + + FX %1: %2 + FX %1: %2 InstrumentTrackWindow GENERAL SETTINGS - HLAVNÍ NASTAVENÍ + HLAVNÍ NASTAVENÍ Instrument volume - Hlasitost nástroje + Hlasitost nástroje Volume: - Hlasitost: + Hlasitost: VOL - VOL + HLA Panning - + Panoráma Panning: - + Panoráma: PAN - + PAN Pitch - + Ladění Pitch: - + Ladění: cents - + centů PITCH - + LADĚNÍ FX channel - FX kanál + FX kanál ENV/LFO - + ENV/LFO FUNC - + FUNKCE FX - FX + FX MIDI - MIDI + MIDI Save preset - Uložit předvolbu + Uložit předvolbu XML preset file (*.xpf) - XML soubor předvoleb (*.xpf) + XML soubor předvoleb (*.xpf) PLUGIN - PLUGIN + PLUGIN Pitch range (semitones) - + Rozsah výšky (v půltónech) RANGE - ROZSAH + ROZSAH Save current instrument track settings in a preset file - + Uložit aktuální nastavení nástrojové stopy do souboru předvoleb Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + Klikněte sem, chcete-li uložit aktuální nastavení nástrojové stopy do souboru předvoleb. Později můžete nahrát tuto předvolbu dvojitým kliknutím na prohlížeč předvoleb. MISC - + RŮZNÉ + + + Use these controls to view and edit the next/previous track in the song editor. + Použije tyto ovládací prvky pro zobrazení a editaci další/předchozí stopy v editoru skladby + + + SAVE + ULOŽIT Knob Set linear - + Lineární zobrazení Set logarithmic - + Logaritmické zobrazení - Please enter a new value between -96.0 dBV and 6.0 dBV: - Vložte prosím novou hodnotu mezi -96.0 dBV a 6.0 dBV: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Zadejte prosím novou hodnotu mezi -96.0 dBFS a 6.0 dBFS: Please enter a new value between %1 and %2: - Vložte prosím novou hodnotu mezi %1 a %2: + Vložte prosím novou hodnotu mezi %1 a %2: LadspaControl Link channels - Spojit kanály + Propojit kanály LadspaControlDialog Link Channels - Spojit s kanály + Propojit kanály Channel - Kanál + Kanál LadspaControlView Link channels - Spojit kanály + Propojit kanály Value: - Hodnota: + Hodnota: Sorry, no help available. - Promiňte, nápověda není k dispozici. + Promiňte, nápověda není k dispozici. LadspaEffect Unknown LADSPA plugin %1 requested. - + LcdSpinBox Please enter a new value between %1 and %2: - Vložte prosím novou hodnotu mezi %1 a %2: + Vložte prosím novou hodnotu mezi %1 a %2: - LfoController + LeftRightNav - LFO Controller - + Previous + Předchozí + + + Next + Další + + + Previous (%1) + Předchozí (%1) + + + Next (%1) + Další (%1) + + + + LfoController + + LFO Controller + Ovladač LFO Base value - Základní hodnota + Základní hodnota Oscillator speed - Rychlost oscilátoru + Rychlost oscilátoru Oscillator amount - Míra oscilátoru + Míra oscilátoru Oscillator phase - Fáze oscilátoru + Fáze oscilátoru Oscillator waveform - Vlna oscilátoru + Vlna oscilátoru Frequency Multiplier - Frekvenční multiplikátor + Frekvenční multiplikátor LfoControllerDialog LFO - + LFO LFO Controller - + Ovladač LFO BASE - + Base amount: - Základní míra: + Základní míra: todo - + SPD - + LFO-speed: - + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - - - - AMT - + Modulation amount: - + Hloubka modulace: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - + PHS - + Phase offset: - + degrees - stupně + stupně With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Click here for a sine-wave. - Klikněte zde pro sinusovou vlnu. + Klikněte sem pro sinusovou vlnu. Click here for a triangle-wave. - Klikněte zde pro trianglovou vlnu. + Klikněte sem pro trojúhelníkovou vlnu. Click here for a saw-wave. - Klikněte zde pro pilovitou vlnu. + Klikněte sem pro pilovitou vlnu. Click here for a square-wave. - Klikněte zde pro pravoúhlou vlnu. + Klikněte sem pro pravoúhlou vlnu. Click here for an exponential wave. - Klikněte zde pro exponenciální vlnu. + Klikněte sem pro exponenciální vlnu. Click here for white-noise. - + Klikněte sem pro bílý šum. Click here for a user-defined shape. Double click to pick a file. - + Klikněte sem pro uživatelem definovaný tvar. +Dvojklik pro výběr souboru. Click here for a moog saw-wave. - + + + + AMNT + MNOŽ - MainWindow + LmmsCore - Working directory - Pracovní adresář + Generating wavetables + Generuji vlny - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - Pracovní adresář LMMS %1 neexistuje. Chcete jej nyní vytvořit? Tento adresář můžete změnit později přes Upravit > Nastavení. + Initializing data structures + Inicializuji datové struktury + + + Opening audio and midi devices + Spouštím zvuková a MIDI zařízení + + + Launching mixer threads + Spouštím vlákna mixážního panelu + + + MainWindow Could not save config-file - Nemohu uložit konfigurační soubor + Nemohu uložit konfigurační soubor - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. - Nemohu uložit konfigurační soubor %1. Pravděpodobně nemáte právo k zápisu do tohoto souboru. + Nemohu uložit konfigurační soubor %1. Pravděpodobně nemáte právo k zápisu do tohoto souboru. Ujistěte se prosím, že máte k souboru právo zápisu a zkuste to znovu. &New - &Nový + &Nový &Open... - &Otevřít... + &Otevřít... &Save - &Uložit + &Uložit Save &As... - Uložit &jako... + Uložit &jako... Import... - Importovat... + Importovat... E&xport... - E&xportovat... + E&xportovat... &Quit - &Ukončit + &Ukončit &Edit - Úp&ravy + Úpr&avy Settings - Nastavení + Nastavení &Tools - Nás&troje + &Nástroje &Help - + &Nápověda Help - Nápověda + Nápověda What's this? - Co je to? + Co je to? About - O LMMS + O LMMS Create new project - Vytvořit nový projekt + Vytvořit nový projekt Create new project from template - Vytvořit nový projekt ze šablony + Vytvořit nový projekt ze šablony Open existing project - Otevřít existující projekt + Otevřít existující projekt Recently opened projects - Naposledy otevřené projekty + Naposledy otevřené projekty Save current project - Uložit aktuální projekt + Uložit aktuální projekt Export current project - Exportovat aktuální projekt + Exportovat aktuální projekt Song Editor - Ukaž/schovej Editor skladby + Editor skladby By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - Zmačknutím tohoto knoflíku zobrazíte nebo schováte Editor skladby. S jeho pomocí můžete editovat playlist skladby a specifikovat, kdy a která stopa má být přehrána. Můžete také vložit a přesunovat samply (např. rapové) přímo do playlistu. + Zmačknutím tohoto tlačítka zobrazíte nebo schováte Editor skladby. S jeho pomocí můžete editovat playlist skladby a specifikovat, kdy a která stopa má být přehrána. Můžete také vložit a přesunovat samply (např. rapové) přímo do playlistu. Beat+Bassline Editor - Ukaž/schovej Beat+Bassline editor + Editor bicích a basů By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - Zmačknutím tohoto knoflíku zobrazíte nebo schováte Beat+Bassline editor. Beat+Bassline editor je nezbytný pro tvorbu beatů a pro otevírání, přidávání a odebírání kanálů. Dále pro vyjmutí, kopírování a vložení beatů, Beat+Bassline patternů a dalších podobných věcí. + Stisknutím tohoto tlačítka zobrazíte nebo skryjete editor bicích a basů. Tento editor je nezbytný pro tvorbu beatů, otevírání, přidávání či odebírání kanálů a dále pro vyjímání, kopírování a vkládání beatů, bicích/basových patternů apod. Piano Roll - Ukaž/schovej Piano-Roll + Piano Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - Klikněte zde, pokud chcete ukázat nebo schovat Piano-Roll. S pomocí Piano-Roll můžete jednoduchým způsobem editovat melodie. + Klikněte sem, pokud chcete ukázat nebo schovat Piano-Roll. S pomocí Piano Roll můžete jednoduchým způsobem editovat melodie. Automation Editor - Ukaž/schovej Automatizační editor + Automatizační editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - Klikněte zde, pokud chcete ukázat nebo schovat Automatizační editor. S pomocí Automatizačního editoru můžete jednoduchým způsobem editovat dynamické hodnoty. + Klikněte sem, pokud chcete ukázat nebo schovat Automatizační editor. S pomocí Automatizačního editoru můžete jednoduchým způsobem editovat dynamické hodnoty. FX Mixer - Ukaž/schovej FX Mixer + FX mixážní panel Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - Klikněte zde, pokud chcete ukázat nebo schovat FX Mixer. FX Mixer je velmi mocný nástroj pro správu efektů ve vaší skladbě. Efekty můžete vkládat do různých efektových kanálů. + Klikněte sem, pokud chcete ukázat nebo skrýt FX mixážní panel. FX mixážní panel je velmi silný nástroj pro správu efektů ve vaší skladbě. Efekty můžete vkládat do různých efektových kanálů. Project Notes - Ukaž/schovej poznámky k projektu + Poznámky k projektu Click here to show or hide the project notes window. In this window you can put down your project notes. - Klikněte zde, pokud chcete ukázat nebo schovat okno pro poznámky. V tomto okně lze vkládat vaše poznámky k projektu. + Klikněte sem, pokud chcete ukázat nebo schovat okno pro poznámky. V tomto okně lze vkládat vaše poznámky k projektu. Controller Rack - Ukaž/schovej kontrolér rack + Panel kontrolérů Untitled - Nepojmenovaný + Nepojmenovaný LMMS %1 - LMMS %1 + LMMS %1 Project not saved - Projekt není uložen + Projekt není uložen The current project was modified since last saving. Do you want to save it now? - Aktuální projekt byl od posledního uložení změněn. Chcete jej nyní uložit? + Aktuální projekt byl od posledního uložení změněn. Chcete jej nyní uložit? Help not available - Nápověda není dostupná + Nápověda není dostupná - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. - V současnosti není v LMMS nápověda dostupná. + V současnosti není v LMMS nápověda dostupná. Navštivte prosím stránku s dokumentací k LMMS na adrese http://lmms.sf.net/wiki. LMMS (*.mmp *.mmpz) - + LMMS (*.mmp *.mmpz) Version %1 - + Verze %1 Configuration file - + Soubor nastavení Error while parsing configuration file at line %1:%2: %3 - + Volumes - + Undo - + Zpět Redo - - - - LMMS Project (*.mmpz *.mmp);;LMMS Project Template (*.mpt) - - - - LMMS Project - - - - LMMS Project Template - + Znovu My Projects - + Moje projekty My Samples - + Moje samply My Presets - + Moje předvolby My Home - + Domů My Computer - - - - Root Directory - + Můj počítač &File - + &Soubor &Recently Opened Projects - + &Naposledy otevřené projekty Save as New &Version - + Uložit jako novou &verzi E&xport Tracks... - + E&xportovat stopy... Online Help - + Nápověda online What's This? - + Co je to? Open Project - + Otevřít projekt Save Project - + Uložit projekt + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + Připravuji prohlížeč pluginů + + + Preparing file browsers + Připravuji prohlížeč souborů + + + Root directory + Kořenový adresář + + + Loading background artwork + Načítám grafiku prostředí + + + New from template + Nový z šablony + + + Save as default template + Uložit jako výchozí šablonu + + + &View + &Zobrazení + + + Toggle metronome + + + + Show/hide Song-Editor + Zobrazit/skrýt editor skladby + + + Show/hide Beat+Bassline Editor + Zobrazit/skrýt editor bicích a basů + + + Show/hide Piano-Roll + Zobrazit/skrýt piano-roll + + + Show/hide Automation Editor + Zobrazit/skrýt editor automatizace + + + Show/hide FX Mixer + Zobrazit/skrýt FX mixážní panel + + + Show/hide project notes + Zobrazit/skrýt poznámky k projektu + + + Show/hide controller rack + Zobrazit/skrýt panel ovladačů + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + Obnovený projekt není uložen + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + Hlasitost jako dBFS + + + Smooth scroll + Plynulé posouvání + + + Enable note labels in piano roll + Povolit názvy tónů v piano rollu + + + Save project template + MeterDialog Meter Numerator - + Meter Denominator - + TIME SIG - + METRUM MeterModel Numerator - + Denominator - - - - - MidiAlsaRaw::setupWidget - - DEVICE - ZAŘÍZENÍ - - - - MidiAlsaSeq - - DEVICE - ZAŘÍZENÍ + MidiController MIDI Controller - MIDI kontrolér + MIDI kontrolér unnamed_midi_controller - nepojmenovaný_midi_kontrolér + nepojmenovaný_midi_kontrolér MidiImport Setup incomplete - + Nastavení není dokončeno You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. - + Nemáte nastaven výchozí soundfont v dialogovém okně (Edit-> Nastavení). Z tohoto důvodu nebude po importu MIDI souboru přehráván žádný zvuk. Stáhněte si nějaký General MIDI soundfont, zadejte jej v dialogovém okně nastavení a zkuste to znovu. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - + + + + Track + Stopa - MidiOss::setupWidget + MidiJack - DEVICE - ZAŘÍZENÍ + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + MidiPort Input channel - Vstupní kanál + Vstupní kanál Output channel - Výstupní kanál + Výstupní kanál Input controller - Vstupní kontrolér + Vstupní kontrolér Output controller - Výstupní kontrolér + Výstupní kontrolér Fixed input velocity - Pevná vstupní rychlost + Pevná vstupní dynamika Fixed output velocity - Pevná výstupní rychlost + Pevná výstupní dynamika Output MIDI program - Výstupní MIDI program + Výstupní MIDI program Receive MIDI-events - Přijímat MIDI-události + Přijímat MIDI události Send MIDI-events - Posílat MIDI-události + Posílat MIDI události Fixed output note - + Pevná výstupní nota Base velocity - + Výchozí dynamika + + + + MidiSetupWidget + + DEVICE + ZAŘÍZENÍ MonstroInstrument Osc 1 Volume - + Osc 1 hlasitost Osc 1 Panning - + Panoráma Osc 1 Osc 1 Coarse detune - + Osc 1 hrubé rozladění Osc 1 Fine detune left - + Osc 1 jemné rozladění vlevo Osc 1 Fine detune right - + Osc 1 jemné rozladění vpravo Osc 1 Stereo phase offset - + Osc 1 posun stereo fáze Osc 1 Pulse width - + Osc 1 délka pulzu Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 hlasitost Osc 2 Panning - + Panoráma Osc 2 Osc 2 Coarse detune - + Osc 2 hrubé rozladění Osc 2 Fine detune left - + Osc 2 jemné rozladění vlevo Osc 2 Fine detune right - + Osc 2 jemné rozladění vpravo Osc 2 Stereo phase offset - + Osc 2 posun stereo fáze Osc 2 Waveform - + Osc 2 vlna Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 hlasitost Osc 3 Panning - + Panoráma Osc 3 Osc 3 Coarse detune - + Osc 3 hrubé rozladění Osc 3 Stereo phase offset - + Osc 3 posun stereo fáze Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 vlna 1 Osc 3 Waveform 2 - + Osc 3 vlna 2 Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 Attack - + LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 Attack - + LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Osc 2–3 modulace Selected view - + Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO2 - + Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO2 - + Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO2 - + Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - Sinusová vlna + Sinusová vlna Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + White noise - + Bílý šum Digital Triangle wave - + Digitální trojúhelníková vlna Digital Saw wave - + Digitální pilovitá vlna Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave - Trianglová vlna + Trojúhelníková vlna Saw wave - Pilovitá vlna + Pilovitá vlna Ramp wave - + Square wave - Pravoúhlá (square) vlna + Pravoúhlá (square) vlna Moog saw wave - + Abs. sine wave - + Random - Náhodně + Náhodně Random smooth - + MonstroView Operators view - + Pohled operátora The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + Maticový pohled The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4238,961 +4646,1172 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Modulate amplitude of Osc3 with Osc2 - + Modulate frequency of Osc3 with Osc2 - + Modulate phase of Osc3 with Osc2 - + The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + + + + Volume + Hlasitost + + + Panning + Panoráma + + + Coarse detune + Hrubé rozladění + + + semitones + půltónů + + + Finetune left + Jemné rozladění vlevo + + + cents + centů + + + Finetune right + Jemné rozladění vpravo + + + Stereo phase offset + Posun stereo fáze + + + deg + + + + Pulse width + Délka pulzu + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + Nástup + + + Rate + Rychlost + + + Phase + Fáze + + + Pre-delay + + + + Hold + + + + Decay + Doznívání + + + Sustain + + + + Release + Uvolnění + + + Slope + Stoupání + + + Modulation amount + Hloubka modulace MultitapEchoControlDialog Length - + Délka Step length: - + Délka kroku: Dry - + Dry Gain: - + Stages - + Lowpass stages: - + Swap inputs - + Přepnout vstupy Swap left and right input channel for reflections - + Přepnout levý a pravý vstupní kanál pro odrazy NesInstrument Channel 1 Coarse detune - + Kanál 1 hrubé rozladění Channel 1 Volume - + Kanál 1 hlasitost Channel 1 Envelope length - + Kanál 1 délka obálky Channel 1 Duty cycle - + Kanál 1 pracovní cyklus Channel 1 Sweep amount - + Channel 1 Sweep rate - + Channel 2 Coarse detune - + Kanál 2 hrubé rozladění Channel 2 Volume - + Kanál 2 hlasitost Channel 2 Envelope length - + Kanál 2 délka obálky Channel 2 Duty cycle - + Kanál 2 pracovní cyklus Channel 2 Sweep amount - + Channel 2 Sweep rate - + Channel 3 Coarse detune - + Kanál 3 hrubé rozladění Channel 3 Volume - + Kanál 3 hlasitost Channel 4 Volume - + Kanál 4 hlasitost Channel 4 Envelope length - + Kanál 4 délka obálky Channel 4 Noise frequency - + Kanál 4 frekvence šumu Channel 4 Noise frequency sweep - + Master volume - Hlavní hlasitost + Hlavní hlasitost Vibrato - Vibráto + Vibráto - OscillatorObject - - Osc %1 volume - Osc %1 hlasitost - + NesInstrumentView - Osc %1 panning - Osc %1 panorama + Volume + Hlasitost - Osc %1 coarse detuning - + Coarse detune + Hrubé rozladění - Osc %1 fine detuning left - Osc %1 jemné rozladění vlevo + Envelope length + Délka obálky - Osc %1 fine detuning right - + Enable channel 1 + Zapnout kanál 1 - Osc %1 phase-offset - + Enable envelope 1 + Zapnout obálku 1 - Osc %1 stereo phase-detuning - + Enable envelope 1 loop + - Osc %1 wave shape - Osc %1 forma vlny + Enable sweep 1 + - Modulation type %1 - + Sweep amount + - Osc %1 waveform - Osc %1 vlna + Sweep rate + - Osc %1 harmonic - + 12.5% Duty cycle + - - - PatmanView - Open other patch - Otevřít jiný patch + 25% Duty cycle + - Click here to open another patch-file. Loop and Tune settings are not reset. - Klikněte zde, pokud chcete otevřít další patch-soubor. Nastavení smyčky a režimu ladění budou zachována. + 50% Duty cycle + - Loop - Smyčka + 75% Duty cycle + - Loop mode - Režim smyčky + Enable channel 2 + Zapnout kanál 2 - Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - Zde můžete zapnout režim smyčky, Jestliže je režim aktivní PatMan použije dostupné informace o smyčcem ze souboru. + Enable envelope 2 + Zapnout obálku 2 - Tune - Ladit + Enable envelope 2 loop + - Tune mode - Režim ladění + Enable sweep 2 + - Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - Zde můžete zapnout režim smyčky, Jestliže je režim aktivní PatMan naladí sampl tak, aby frekvence odpovídala tónu. + Enable channel 3 + Zapnout kanál 3 - No file selected - Žádný soubor není vybrán + Noise Frequency + Frekvence šumu - Open patch file - Otevřít patch soubor + Frequency sweep + - Patch-Files (*.pat) - Patch-Soubory (*.pat) + Enable channel 4 + Zapnout kanál 4 - - - PatternView - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - dvojitým kliknutím otevřete tento pattern v piano-roll -k nastavení zesílení kroku použijte kolečko myši + Enable envelope 4 + Zapnout obálku 4 - Open in piano-roll - Otevřít v piano-roll + Enable envelope 4 loop + - Clear all notes - Vyčistit všechny noty + Quantize noise frequency when using note frequency + - Reset name - Resetovat jméno + Use note frequency for noise + - Change name - Změnit jméno + Noise mode + Typ šumu - Add steps - Přidat kroky + Master Volume + Hlavní hlasitost - Remove steps - Odstranit kroky + Vibrato + Vibráto - PeakController + OscillatorObject - Peak Controller - + Osc %1 volume + Osc %1 hlasitost - Peak Controller Bug - + Osc %1 panning + Panoráma Osc %1 - Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + Osc %1 coarse detuning + Osc %1 hrubé rozladění - - - PeakControllerDialog - PEAK - + Osc %1 fine detuning left + Osc %1 jemné rozladění vlevo + + + Osc %1 fine detuning right + Osc %1 jemné rozladění vpravo + + + Osc %1 phase-offset + Osc %1 posun fáze + + + Osc %1 stereo phase-detuning + Osc %1 rozladění stereo fáze + + + Osc %1 wave shape + Osc %1 forma vlny + + + Modulation type %1 + + + + Osc %1 waveform + Osc %1 vlna + + + Osc %1 harmonic + + + + + PatchesDialog + + Qsynth: Channel Preset + Qsynth: Předvolba kanálu + + + Bank selector + Výběr banky + + + Bank + Banka + + + Program selector + Výběr programu + + + Patch + Patch + + + Name + Název + + + OK + OK + + + Cancel + Zrušit + + + + PatmanView + + Open other patch + Otevřít jiný patch + + + Click here to open another patch-file. Loop and Tune settings are not reset. + Klikněte sem, pokud chcete otevřít další patch-soubor. Nastavení smyčky a režimu ladění budou zachována. + + + Loop + Smyčka + + + Loop mode + Režim smyčky + + + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. + + + + Tune + Ladění + + + Tune mode + Režim ladění + + + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. + + + + No file selected + + + + Open patch file + + + + Patch-Files (*.pat) + + + + + PatternView + + Open in piano-roll + Otevřít v piano-roll + + + Clear all notes + Vymazat všechny noty + + + Reset name + Resetovat jméno + + + Change name + Změnit jméno + + + Add steps + Přidat kroky + + + Remove steps + Odstranit kroky + + + use mouse wheel to set velocity of a step + použijte kolečko myši pro nastavení dynamiky kroku + + + double-click to open in Piano Roll + + + + Clone Steps + Klonovat kroky + + + + PeakController + + Peak Controller + + + + Peak Controller Bug + + + + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. + + + + + PeakControllerDialog + + PEAK + LFO Controller - + Ovladač LFO PeakControllerEffectControlDialog BASE - + Base amount: - Základní míra: + Základní míra: Modulation amount: - + Hloubka modulace: Attack: - + Release: - + Release: AMNT - + MNOŽ MULT - + Amount Multiplicator: - + ATCK - + DCAY - + - TRES - + Treshold: + - Treshold: - + TRSH + PeakControllerEffectControls Base value - Základní hodnota + Základní hodnota Modulation amount - Stupeň (amount) modulace + Hloubka modulace Mute output - + Attack - + Nástup Release - + Uvolnění Abs Value - + Amount Multiplicator - + Treshold - + PianoRoll - - Last note - Trvání noty - - - Piano-Roll - no pattern - Piano-Roll - žádný pattern - - - Piano-Roll - %1 - Piano-Roll - %1 - Please open a pattern by double-clicking on it! Otevřete prosím pattern jeho dvojitým poklepáním! + + Last note + Podle poslední noty + Note lock - Zámek noty + Zamknout notu Note Velocity - + Dynamika noty Note Panning - + Panoráma noty Mark/unmark current semitone - + Zvýraznit/skrýt zvolený tón Mark current scale - + Zvýraznit zvolenou stupnici Mark current chord - + Zvýraznit zvolený akord Unmark all - + Skrýt vše No scale - + Žádná stupnice No chord - + Žádný akord Velocity: %1% - + Dynamika: %1% Panning: %1% left - + Panoráma: %1% vlevo Panning: %1% right - + Panoráma: %1% vpravo Panning: center - + Panoráma: %1% střed Please enter a new value between %1 and %2: - Vložte prosím novou hodnotu mezi %1 a %2: + Vložte prosím novou hodnotu mezi %1 a %2: + + + Mark/unmark all corresponding octave semitones + Zvýraznit/skrýt zvolený tón ve všech oktávách + + + Select all notes on this key + Vybrat všechny noty zvolené výšky PianoRollWindow Play/pause current pattern (Space) - Přehrát nebo pozastavit přehrávání aktuálního patternu (mezerník) + Přehrát nebo pozastavit přehrávání aktuálního patternu (mezerník) Record notes from MIDI-device/channel-piano - Nahrávat noty z MIDI-zařízení/piano kanálu + Nahrávat z MIDI zařízení nebo z virtuální klávesnice Record notes from MIDI-device/channel-piano while playing song or BB track - Nahrávat tóny z MIDI zařízení / kanálu piána při přehrávání skladby nebo BB stopy + Nahrávat z MIDI zařízení nebo z virtuální klávesnice při přehrávání skladby nebo BB stopy Stop playing of current pattern (Space) - Zastavit přehrávání aktuálního patternu (mezerník) + Zastavit přehrávání aktuálního patternu (mezerník) Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - Klikněte zde, pokud chcete přehrát aktuální pattern. To je šikovné při editaci. Pattern je automaticky přehráván ve smyčce. + Klikněte sem, pokud chcete přehrát aktuální pattern. To je užitečné při editaci. Pattern je automaticky přehráván ve smyčce. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - Klikněte zde pokud chcete nahrávat z MIDI zařízení nebo virtuálního testovacího piána příslušného kanálového okna do aktuálního patternu. Při nahrávání zaznamenáte všechny zahrané noty do tohoto patternu, následně si je můžete přehrát nebo upravit. + Klikněte sem, pokud chcete nahrávat z MIDI zařízení nebo z virtuální klávesnice příslušného kanálového okna do aktuálního patternu. Při nahrávání se zaznamenají všechny zahrané noty do tohoto patternu, a následně je můžete přehrát nebo upravit. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - Klikněte zde pokud chcete nahrávat z MIDI zařízení nebo virtuálního testovacího piána příslušného kanálového okna do aktuálního patternu. Při nahrávání zaznamenáte všechny zahrané noty do tohoto patternu a na pozadí uslyšíte skladbu nebo BB stopu. + Klikněte sem, pokud chcete nahrávat z MIDI zařízení nebo z virtuální klávesnice příslušného kanálového okna do aktuálního patternu. Při nahrávání se zaznamenají všechny zahrané noty do tohoto patternu a na pozadí uslyšíte skladbu nebo BB stopu. Click here to stop playback of current pattern. - Klikněte zde, pokud chcete zastavit přehrávání aktuálního patternu. + Klikněte sem, pokud chcete zastavit přehrávání aktuálního patternu. Draw mode (Shift+D) - Režim kreslení (Shift+D) + Režim kreslení (Shift+D) Erase mode (Shift+E) - Režim mazání (Shift+E) + Režim mazání (Shift+E) Select mode (Shift+S) - Režim výběru (Shift+S) + Režim výběru (Shift+S) Detune mode (Shift+T) - + Režim úpravy ladění (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - + Cut selected notes (%1+X) - Vyjmout označené noty (%1+X) + Vyjmout označené noty (%1+X) Copy selected notes (%1+C) - Kopírovat označené noty (%1+C) + Kopírovat označené noty (%1+C) Paste notes from clipboard (%1+V) - Vložit noty ze schránky (%1+V) + Vložit noty ze schránky (%1+V) Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klikněte zde pokud chcete označené noty vyjmout a uložit do schránky. Vložit je pak můžete kdekoliv v libovolném patternu pomocí tlačítka Vložit. + Klikněte sem, pokud chcete označené noty vyjmout a uložit do schránky. Vložit je pak můžete kdekoliv v libovolném patternu pomocí tlačítka Vložit. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klikněte zde pokud chcete označené noty zkopírovat do schránky. Vložit je pak můžete kdekoliv v libovolného patternu pomocí tlačítka Vložit. + Klikněte sem, pokud chcete označené noty zkopírovat do schránky. Vložit je pak můžete kdekoliv v libovolného patternu pomocí tlačítka Vložit. Click here and the notes from the clipboard will be pasted at the first visible measure. - Kliknete-li zde, budou noty ze schránky vloženy do prvního viditelného taktu. + Kliknete-li sem, budou noty ze schránky vloženy do prvního viditelného taktu. This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + Upravit akce + + + Copy paste controls + + + + Timeline controls + Ovládání časové osy + + + Zoom and note controls + + + + Piano-Roll - %1 + + + + Piano-Roll - no pattern + + + + Quantize + PianoView Base note - Základní nota + Základní nota Plugin Plugin not found - Plugin nenalezen + Plugin nenalezen - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" - Plugin "%1" nebyl nalezen nebo nemůže být načten! + Plugin "%1" nebyl nalezen nebo nemůže být načten! Důvod: "%2" Error while loading plugin - Při načítání pluginu došlo k chybě + Při načítání pluginu došlo k chybě Failed to load plugin "%1"! - Načtení pluginu "%1" selhalo! - - - LMMS plugin %1 does not have a plugin descriptor named %2! - + Načtení pluginu "%1" selhalo! PluginBrowser - - Instrument plugins - Pluginy nástrojů - Instrument browser - Prohlížeč nástrojů + Prohlížeč nástrojů Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - Nástroj přetáhněte buď do Editoru skladby, Beat+Bassline Editoru nebo do existující nástrojové stopy. + Nástroj přetáhněte do editoru skladby, editoru bicích a basů nebo do existující nástrojové stopy. + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + Plugin nebyl nalezen. + + + LMMS plugin %1 does not have a plugin descriptor named %2! + ProjectNotes Project notes - Poznámky k projektu + Poznámky k projektu Put down your project notes here. - Do tohoto okna můžete vkládat Vaše poznámky k projektu. + Do tohoto okna můžete vkládat Vaše poznámky k projektu. Edit Actions - Editace + &Undo - &Zpět + &Zpět %1+Z - %1+Z + %1+Z &Redo - &Znovu + &Znovu %1+Y - %1+Z + %1+Z &Copy - &Kopírovat + &Kopírovat %1+C - %1+C + %1+C Cu&t - &Vyjmout + &Vyjmout %1+X - %1+X + %1+X &Paste - V&ložit + V&ložit %1+V - %1+V + %1+V Format Actions - Formátování + Formátování &Bold - &Tučné + &Tučné %1+B - %1+B + %1+B &Italic - &Kurzíva + &Kurzíva %1+I - %1+I + %1+I &Underline - &Podtržené + &Podtržené %1+U - %1+U + %1+U &Left - Zarovnat &vlevo + &Vlevo %1+L - %1+L + %1+L C&enter - Zarovnat &na střed + &Na střed %1+E - %1+E + %1+E &Right - Zarovnat v&pravo + V&pravo %1+R - %1+R + %1+R &Justify - Zarovnat &do bloku + &Do bloku %1+J - %1+R + %1+J &Color... - &Barva... + &Barva... ProjectRenderer WAV-File (*.wav) - WAV soubor (*.wav) + WAV soubor (*.wav) Compressed OGG-File (*.ogg) - Komprimovaný soubor OGG (*.ogg) - - - - QObject - - C - Note name - - - - Db - Note name - - - - C# - Note name - - - - D - Note name - - - - Eb - Note name - - - - D# - Note name - - - - E - Note name - - - - Fb - Note name - - - - Gb - Note name - - - - F# - Note name - - - - G - Note name - - - - Ab - Note name - - - - G# - Note name - - - - A - Note name - - - - Bb - Note name - - - - A# - Note name - - - - B - Note name - + Komprimovaný soubor OGG (*.ogg) @@ -5201,10 +5820,6 @@ Důvod: "%2" Name: Název: - - File: - Soubor: - Maker: Tvůrce: @@ -5229,6 +5844,10 @@ Důvod: "%2" Real Time Capable: Real time schopnost: + + In Place Broken: + + Channels In: Kanály vstup: @@ -5238,427 +5857,476 @@ Důvod: "%2" Kanály výstup: - In Place Broken: - + File: + Soubor: File: %1 - + RenameDialog Rename... - Přejmenovat... + Přejmenovat... SampleBuffer Open audio file - Otevřít audio soubor + Otevřít audio soubor Wave-Files (*.wav) - Wav soubory (*.wav) + Wav soubory (*.wav) OGG-Files (*.ogg) - OGG soubory (*.ogg) + OGG soubory (*.ogg) DrumSynth-Files (*.ds) - DrumSynth soubory (*.ds) + DrumSynth soubory (*.ds) FLAC-Files (*.flac) - FLAC soubory (*.flac) + FLAC soubory (*.flac) SPEEX-Files (*.spx) - SPEEX soubory (*.spx) + SPEEX soubory (*.spx) VOC-Files (*.voc) - VOC soubory (*.voc) + VOC soubory (*.voc) AIFF-Files (*.aif *.aiff) - AIFF soubory (*.aif *.aiff) + AU-Files (*.au) - AU soubory (*.au) + AU soubory (*.au) RAW-Files (*.raw) - RAW soubory (*.raw) + RAW soubory (*.raw) All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + Všechny audio soubory (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) SampleTCOView double-click to select sample - dvojitým kliknutím vyberte sampl + dvojitým kliknutím vyberte sampl Delete (middle mousebutton) - Smazat (prostřední tlačítko myši) + Smazat (prostřední tlačítko myši) Cut - Vyjmout + Vyjmout Copy - Kopírovat + Kopírovat Paste - Vložit + Vložit Mute/unmute (<%1> + middle click) - Ztlumit/neztlumit (<%1> + prostřední klik) - - - Set/clear record - Nastav/vyčisti záznam + Ztlumit/neztlumit (<%1> + prostřední klik) SampleTrack Sample track - Stopa samplů + Stopa samplů Volume - Hlasitost + Hlasitost Panning - + Panoráma SampleTrackView Track volume - Hlasitost stopy + Hlasitost stopy Channel volume: - Hlasitost kanálu: + Hlasitost kanálu: VOL - VOL + HLA Panning - + Panoráma Panning: - + Panoráma: PAN - + PAN SetupDialog Setup LMMS - Nastavit LMMS + Nastavení LMMS General settings - Hlavní nastavení + Hlavní nastavení BUFFER SIZE - VELIKOST VYR. PAMĚTI + VELIKOST VYR. PAMĚTI Reset to default-value - Nastavit výchozí hodnoty + Nastavit výchozí hodnoty MISC - + RŮZNÉ Enable tooltips - Aktivovat nástrojové tipy + Zapnout bublinovou nápovědu Show restart warning after changing settings - Vyzvat k restartu po změně nastavení + Zobrazit výzvu k restartu po změně nastavení - Display volume as dBV - Zobrazovat hlasitost jako dBV + Display volume as dBFS + Zobrazit hlasitost jako dBFS Compress project files per default - Komprimovat soubory s projekty + Komprimovat soubory s projekty One instrument track window mode - Režim jedné stopy pro nástroje + Režim jedné stopy pro nástroje HQ-mode for output audio-device - HQ režim pro výstup audio zařízení + HQ režim pro výstup audio zařízení Compact track buttons - Malá tlačítka u stop + Malá tlačítka u stop Sync VST plugins to host playback - Synchronizace VST pluginů s hostujícím přehráváním + Synchronizace VST pluginů s hostujícím přehráváním Enable note labels in piano roll - Povolit názvy tónů v piano rollu + Povolit názvy tónů v piano rollu Enable waveform display by default - Povolit zobrazení waveformu ve výchozím nastavení + Povolit zobrazení vlny ve výchozím nastavení Keep effects running even without input - + Nechat efekty spuštěné i bez vstupu Create backup file when saving a project - + Při ukládání projektu vytvořit záložní soubor LANGUAGE - + Jazyk Paths - Cesty + Cesty LMMS working directory - Pracovní adresář pro LMMS + Pracovní adresář LMMS VST-plugin directory - Adresář pro VST pluginy - - - Artwork directory - Adresář pro témata + Adresář pro VST pluginy Background artwork - Obrázek na pozadí - - - FL Studio installation directory - Instalační adresář FL Studia - - - LADSPA plugin paths - Cesty k LADSPA pluginům + Obrázek na pozadí STK rawwave directory - Adresář pro STK rawwave + Adresář pro STK rawwave Default Soundfont File - Výchozí Soundfont soubor + Výchozí Soundfont soubor Performance settings - Nastavení výkonu + Nastavení výkonu UI effects vs. performance - Efekty uživatelského rozhraní vs. výkon + Efekty uživatelského rozhraní vs. výkon Smooth scroll in Song Editor - Plynulé posouvání v Song Editoru - - - Enable auto save feature - Povolit automatické ukládání + Plynulé posouvání v Song Editoru Show playback cursor in AudioFileProcessor - Zobrazit přehrávací kurzor v AudioFileProcessoru + Zobrazit přehrávací kurzor v AudioFileProcessoru Audio settings - Audio nastavení + Audio nastavení AUDIO INTERFACE - AUDIO ROZHRANÍ + AUDIO ROZHRANÍ MIDI settings - MIDI nastavení + MIDI nastavení MIDI INTERFACE - MIDI ROZHRANÍ + MIDI ROZHRANÍ OK - OK + OK Cancel - Zrušit + Zrušit Restart LMMS - Restartovat LMMS + Restartovat LMMS Please note that most changes won't take effect until you restart LMMS! - Mnohé změny nastavení se projeví až po restartu LMMS! + Mnohé změny nastavení se projeví až po restartu LMMS! Frames: %1 Latency: %2 ms - Rámce: %1 + Rámce: %1 Zpoždění %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - Zde můžete nastavit interní velikost vyrovnávací paměti, která je užívána LMMS. Nízké hodnoty vedou k menšímu zpoždění, ale také způsobují nepoužitelný zvuk nebo špatný výkon, zejména na starých počítačích či systémech s jádrem nepodporujícím real time. + Zde můžete nastavit interní velikost vyrovnávací paměti, která je užívána LMMS. Nízké hodnoty vedou k menšímu zpoždění, ale také způsobují nepoužitelný zvuk nebo špatný výkon, zejména na starých počítačích či systémech s jádrem nepodporujícím real time. Choose LMMS working directory - Vyberte pro LMMS pracovní adresář + Vyberte pracovní adresář LMMS Choose your VST-plugin directory - Vyberte adresář pro VST pluginy + Vyberte adresář pro VST pluginy Choose artwork-theme directory - Vyberte adresář s tématy - - - Choose FL Studio installation directory - Vyberte instalační adresář FL Studia + Vyberte adresář s tématy Choose LADSPA plugin directory - Vyberte adresář pro LADSPA pluginy + Vyberte adresář pro LADSPA pluginy Choose STK rawwave directory - Vyberte adresář pro STK rawwave + Vyberte adresář pro STK rawwave Choose default SoundFont - Vyberte výchozí SoundFont + Vyberte výchozí SoundFont Choose background artwork - Vyberte obrázek na pozadí + Vyberte obrázek na pozadí Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Zde vyberte preferované audio rozhraní. V závislosti na konfiguraci Vašeho systému při kompilaci můžete volit mezi ALSA, JACK, OSS a dalšími. Níže vidíte políčko, které nabízí možnost nastavení vybraného audio rozhraní. + Zde vyberte preferované audio rozhraní. V závislosti na konfiguraci Vašeho systému při kompilaci můžete volit mezi ALSA, JACK, OSS a dalšími. Níže vidíte políčko, které nabízí možnost nastavení vybraného audio rozhraní. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Zde vyberte preferované MIDI rozhraní. V závislosti na konfiguraci Vašeho systému při kompilaci můžete volit mezi ALSA OSS a dalšími. Níže vidíte políčko, které nabízí možnost nastavení vybraného MIDI rozhraní. + Zde vyberte preferované MIDI rozhraní. V závislosti na konfiguraci Vašeho systému při kompilaci můžete volit mezi ALSA OSS a dalšími. Níže vidíte políčko, které nabízí možnost nastavení vybraného MIDI rozhraní. - - - Song - Tempo - Tempo + Reopen last project on start + Po spuštění otevřít poslední projekt - Master volume - Hlavní hlasitost + Directories + Adresáře - Master pitch - Hlavní ladění (pitch) + Themes directory + Adresář pro témata - Project saved - Projekt uložen + GIG directory + Adresář pro GIG - The project %1 is now saved. - Projekt %1 je nyní uložen. + SF2 directory + Adresář pro SF2 - Project NOT saved. - Projekt NENÍ uložen. + LADSPA plugin directories + Adresář pro LADSPA pluginy - The project %1 was not saved! - Projekt %1 nebyl uložen! + Auto save + Automatické ukládání - Import file - Importovat soubor + Choose your GIG directory + Vyberte svůj adresář pro GIG soubory - MIDI sequences - MIDI sekvence + Choose your SF2 directory + Vyberte svůj adresář pro SF2 soubory - FL Studio projects - FL Studio projekt + minutes + minut - Hydrogen projects - + minute + minuta - All file types - + Enable auto-save + - Empty project - Prázdný projekt + Allow auto-save while playing + - This project is empty so exporting makes no sense. Please put some items into Song Editor first! - Tento projekt je prázdný, jeho exportování nemá smysl. Nejdříve prosím vložte nějaké položky do Editoru skladby! + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + + + + + Song + + Tempo + Tempo + + + Master volume + Hlavní hlasitost + + + Master pitch + Hlavní ladění + + + Project saved + Projekt uložen + + + The project %1 is now saved. + Projekt %1 je nyní uložen. + + + Project NOT saved. + Projekt NENÍ uložen. + + + The project %1 was not saved! + Projekt %1 nebyl uložen! + + + Import file + Importovat soubor + + + MIDI sequences + MIDI sekvence + + + Hydrogen projects + Projekty Hydrogen + + + All file types + Všechny typy souborů + + + Empty project + Prázdný projekt + + + This project is empty so exporting makes no sense. Please put some items into Song Editor first! + Tento projekt je prázdný, jeho exportování nemá smysl. Nejdříve prosím vložte nějaké položky do Editoru skladby! Select directory for writing exported tracks... - + Vyberte adresář pro zápis exportovaných stop... untitled - nepojmenovaný + nepojmenovaný Select file for project-export... - Zvolte soubor pro export projektu... + The following errors occured while loading: - + Během načítání se vyskytly tyto chyby: + + + MIDI File (*.mid) + MIDI soubor (*.mid) + + + LMMS Error report + + + + Save project + @@ -5674,1150 +6342,1269 @@ Zpoždění %2 ms Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. - Nelze otevřít soubor %1. Pravděpodobně nemáte oprávnění číst tento soubor. - Ujistěte se prosím, že mát oprávnění alespoň číst tento soubor a zkuste to znovu. + Nelze otevřít soubor %1. Pravděpodobně nemáte oprávnění číst tento soubor. + Ujistěte se prosím, že máte oprávnění alespoň číst tento soubor a zkuste to znovu. Error in file - Chyba v souboru + Chyba v souboru The file %1 seems to contain errors and therefore can't be loaded. - Soubor %1 nejspíše obsahuje chyby a nemohl být načten. + Soubor %1 pravděpodobně obsahuje chyby, a proto nemohl být načten. Tempo - Tempo + Tempo TEMPO/BPM - TEMPO/BPM + TEMPO/BPM tempo of song - tempo skladby + tempo skladby The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - Tempo skladby je uvedeno v úderech za minutu (BPS). Chcete-li změnit tempo skladby, změňte tuto hodnotu. Každý takt má čtyři beaty, takže tempo v BPS specifikuje kolik taktů / 4 bude za minutu přehráno (nebo kolik taktů bude přehráno ve čtyřech minutách). + Tempo skladby je uvedeno v úderech za minutu (BPM). Chcete-li změnit tempo skladby, změňte tuto hodnotu. Každý takt má čtyři doby (beats), takže tempo v BPM specifikuje kolik taktů / 4 bude za minutu přehráno (nebo kolik taktů bude přehráno ve čtyřech minutách). High quality mode - Režim vysoké kvality + Režim vysoké kvality Master volume - Hlavní hlasitost + Hlavní hlasitost master volume - hlavní hlasitost + hlavní hlasitost Master pitch - Hlavní ladění (pitch) + Hlavní ladění master pitch - hlavní ladění + hlavní ladění Value: %1% - Hodnota: %1% + Hodnota: %1% Value: %1 semitones - Hodnota: %1 půltónů + Hodnota: %1 půltónů Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - Nelze zapisovat do souboru %1. Pravděpodobně nemáte oprávnění zapisovat do tohoto souboru. Ujistěte se prosím, že máte oprávnění zapisovat do tohoto souboru a zkuse to znovu. + Nelze zapisovat do souboru %1. Pravděpodobně nemáte oprávnění zapisovat do tohoto souboru. Ujistěte se prosím, že máte oprávnění zapisovat do tohoto souboru a zkuse to znovu. + + + template + šablona + + + project + projekt + + + Version difference + + + + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - Editor skladby + Editor skladby Play song (Space) - Přehrát skladbu (mezerník) + Přehrát skladbu (mezerník) Record samples from Audio-device - Nahrát samply z audio zařízení + Nahrát samply z audio zařízení Record samples from Audio-device while playing song or BB track - Nahrát samply z audio zařízení při přehrávání skladby nebo BB stopy + Nahrát samply z audio zařízení při přehrávání skladby nebo BB stopy Stop song (Space) - Zastavit přehrávání skladby (mezerník) + Zastavit přehrávání (mezerník) Add beat/bassline - + Přidat bicí/basy Add sample-track - Přidat stopu samplů + Přidat stopu samplů Add automation-track - Přidat automatizační stopu + Přidat automatizační stopu Draw mode - Režim kreslení + Režim kreslení Edit mode (select and move) - Režim editace (označit a přesunout) + Režim úprav (označit a přesunout) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Klikněte zde, pokud chcete přehrát celou skladbu. Přehrávání začne v místě kde se nalézá zelený označovač pozice se kterým lze též při přehrávání pohybovat. + Klikněte sem, pokud chcete přehrát celou skladbu. Přehrávání začne v místě kde se nalézá zelený označovač pozice, se kterým lze též při přehrávání pohybovat. Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Klikněte zde, pokud chcete zastavit přehrávání skladby. Označovač pozice bude odeslán na začátek skladby. + Klikněte sem, pokud chcete zastavit přehrávání skladby. Označovač pozice bude nastaven na začátek skladby. + + + Track actions + + + + Edit actions + Upravit akce + + + Timeline controls + Ovládání časové osy + + + Zoom controls + Ovládání zvětšení SpectrumAnalyzerControlDialog Linear spectrum - Lineární spektrum + Lineární spektrum Linear Y axis - Lineární osa Y + Lineární osa Y SpectrumAnalyzerControls Linear spectrum - Lineární spektrum + Lineární spektrum Linear Y axis - Lineární osa Y + Lineární osa Y Channel mode - Režim kanálu + Režim kanálu + + + + SubWindow + + Close + Zavřít + + + Maximize + Maximalizovat + + + Restore + Obnovit TabWidget Settings for %1 - + TempoSyncKnob Tempo Sync - Synchronizace tempa + Synchronizace tempa No Sync - Nesynchronizovaný + Nesynchronizovat Eight beats - Osm beatů + Osm dob Whole note - Celá nota + Celá nota Half note - Půlová nota + Půlová nota Quarter note - Čtvrťová nota + Čtvrťová nota 8th note - Osminová nota + Osminová nota 16th note - Šestnáctinová nota + Šestnáctinová nota 32nd note - Dvaatřicetinová nota + Dvaatřicetinová nota Custom... - Vlastní... + Vlastní... Custom - Vlastní + Vlastní Synced to Eight Beats - Synchro k osmi beatům + Synchronizováno k osmi dobám Synced to Whole Note - Synchro k celé notě + Synchronizováno k celé notě Synced to Half Note - Synchro k půlové notě + Synchronizováno k půlové notě Synced to Quarter Note - Synchro ke čtvrťové notě + Synchronizováno ke čtvrťové notě Synced to 8th Note - Synchro k osminové notě + Synchronizováno k osminové notě Synced to 16th Note - Synchro k šestnáctinové notě + Synchronizováno k šestnáctinové notě Synced to 32nd Note - Synchro k dvaatřicetinové notě + Synchronizováno k dvaatřicetinové notě TimeDisplayWidget click to change time units - kliknutí změní časové jednotky + kliknutí změní časové jednotky + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + DOBA + + + TICK + TimeLineWidget Enable/disable auto-scrolling - Povolit/zakázat automatický posun + Povolit/zakázat automatický posun Enable/disable loop-points - Povolit/zakázat body pro přehrávání ve smyčce + Povolit/zakázat body přehrávání ve smyčce After stopping go back to begin - Po skončení jdi zpět na začátek + Po skončení přetočit zpět na začátek After stopping go back to position at which playing was started - Po skončení jdi zpět na pozici ze které přehrávání začalo + Po skončení přetočit zpět na pozici, ze které přehrávání začalo After stopping keep position - Po skončení udržuj pozici + Po skončení zachovat pozici Hint - Rada + Rada Press <%1> to disable magnetic loop points. - + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + Track Mute - Ztlumený + Ztlumit Solo - Sólo + Sólo TrackContainer Couldn't import file - Nemohu importovat soubor + Nemohu importovat soubor - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. - Nemohu najít filtr pro import souboru %1. -Měli byste tento soubor zkonvertovat do formátu podporovaného LMMS pomocí jiného software. + Nemohu najít filtr pro import souboru %1. +Měli byste tento soubor převést do formátu podporovaného LMMS pomocí jiného software. Couldn't open file - Nemohu otevřít soubor + Nemohu otevřít soubor - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! - Nemohu otevřít soubor %1 pro čtení. + Nemohu otevřít soubor %1 pro čtení. Přesvědčte se prosím, že máte právo ke čtení tohoto souboru a příslušného adresáře a zkuste to znovu! Loading project... - Načítám projekt... + Načítám projekt... Cancel - Zrušit + Zrušit Please wait... - Prosím čekejte... + Prosím čekejte... Importing MIDI-file... - Importuji MIDI soubor... - - - Importing FLP-file... - Importuji FLP soubor... + Importuji MIDI soubor... TrackContentObject - Muted - Ztlumený + Mute + Ztlumit TrackContentObjectView Current position - Aktuální pozice + Aktuální pozice Hint - Rada + Rada Press <%1> and drag to make a copy. - K vytvoření kopie stiskněte <%1> a táhněte myší. + K vytvoření kopie stiskněte <%1> a táhněte myší. Current length - Aktuální délka + Aktuální délka Press <%1> for free resizing. - Stiskněte <%1> pro volné měnění velikosti. + Stiskněte <%1> pro volnou změnu velikosti. %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 do %5:%6) + %1:%2 (%3:%4 do %5:%6) Delete (middle mousebutton) - Smazat (prostřední tlačítko myši) + Smazat (prostřední tlačítko myši) Cut - Vyjmout + Vyjmout Copy - Kopírovat + Kopírovat Paste - Vložit + Vložit Mute/unmute (<%1> + middle click) - Ztlumit/neztlumit (<%1> + prostřední klik) + Ztlumit/odtlumit (<%1> + prostřední tlačítko myši) TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - + Actions for this track - Akce pro tuto stopu + Akce pro tuto stopu Mute - Ztlumit + Ztlumit Solo - Sólo + Sólo Mute this track - Ztlumit tuto stopu + Ztlumit tuto stopu Clone this track - Klonovat tuto stopu + Klonovat tuto stopu Remove this track - Odstranit tuto stopu + Odstranit tuto stopu Clear this track - + Klonovat tuto stopu FX %1: %2 - + FX %1: %2 Turn all recording on - + Turn all recording off - + Zastavit veškeré nahrávání + + + Assign to new FX Channel + TripleOscillatorView Use phase modulation for modulating oscillator 1 with oscillator 2 - + Use amplitude modulation for modulating oscillator 1 with oscillator 2 - + Mix output of oscillator 1 & 2 - + Synchronize oscillator 1 with oscillator 2 - + Use frequency modulation for modulating oscillator 1 with oscillator 2 - + Use phase modulation for modulating oscillator 2 with oscillator 3 - + Use amplitude modulation for modulating oscillator 2 with oscillator 3 - + Mix output of oscillator 2 & 3 - + Synchronize oscillator 2 with oscillator 3 - + Use frequency modulation for modulating oscillator 2 with oscillator 3 - + Osc %1 volume: - Osc %1 hlasitost: + Osc %1 hlasitost: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - + Tímto otočným ovladačem můžete nastavit hlasitost oscilátoru %1. Když nastavíte hodnotu 0, oscilátor bude vypnutý. Jinak uslyšíte oscilátor tak hlasitě, jak si ho zde nastavíte. Osc %1 panning: - Osc %1 panorama: + Panoráma Osc %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - + Tímto otočným ovladačem můžete nastavit panoráma oscilátoru %1. Hodnota -100 znamená maximálně doleva, zatímco hodnota 100 přesouvá výstup oscilátoru doprava. Osc %1 coarse detuning: - + semitones - + půltónů With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - + Osc %1 fine detuning left: - Osc %1 jemné rozladění vlevo: + Osc %1 jemné rozladění vlevo: cents - + centů With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 fine detuning right: - + Osc %1 jemné rozladění vpravo: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 phase-offset: - + Osc %1 posun fáze: degrees - stupně + stupně With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Osc %1 stereo phase-detuning: - + Osc %1 rozladění stereo fáze: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - + Use a sine-wave for current oscillator. - + Použít sinusovou vlnu pro aktuální oscilátor. Use a triangle-wave for current oscillator. - + Použít trojúhelníkovou vlnu pro aktuální oscilátor. Use a saw-wave for current oscillator. - + Klikněte sem pro pilovitou vlnu. Use a square-wave for current oscillator. - + Klikněte sem pro pilovitou vlnu. Use a moog-like saw-wave for current oscillator. - + Use an exponential wave for current oscillator. - + Use white-noise for current oscillator. - + Použít bílý šum pro aktuální oscilátor. Use a user-defined waveform for current oscillator. - + Použít vlastní vlnu pro aktuální oscilátor. VersionedSaveDialog Increment version number - + Decrement version number - + + + + already exists. Do you want to replace it? + VestigeInstrumentView Open other VST-plugin - Otevřít ostatní VST pluginy + Otevřít jiný VST plugin Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - Klikněte zde, pokud chcete otevřít ostatní VST pluginy. Po kliknutí na toto tlačítko se objeví okno ve kterém můžete soubor vybrat. + Klikněte sem, pokud chcete otevřít jiný VST plugin. Po kliknutí na toto tlačítko se objeví okno, ve kterém můžete soubor vybrat. Show/hide GUI - + Zobrazit/skrýt grafické rozhraní Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - Klikněte zde pro zobrazení nebo skrytí grafického rozhraní (GUI) pro vaše VST pluginy. + Klikněte sem pro zobrazení nebo skrytí grafického rozhraní (GUI) pro vaše VST pluginy. Turn off all notes - + Vypnout všechny noty Open VST-plugin - Otevřít VST plugin + Otevřít jiný VST plugin DLL-files (*.dll) - DLL soubory (*.dll) + DLL soubory (*.dll) EXE-files (*.exe) - EXE soubory (*.exe) + EXE soubory (*.exe) No VST-plugin loaded - Žádný VST plugin nebyl načten + Není načten VST plugin Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Otevřít předvolbu VST pluginu Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Klikněte sem, chcete-li otevřít jinou *.fxp, *.fxb předvolbu VST pluginu. Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Klikněte sem, chcete-li přepnout na jiný přednastavený VST program. Save preset - Uložit předvolbu + Uložit předvolbu Click here, if you want to save current VST-plugin preset program. - + Klikněte sem, chcete-li uložit aktuální předvolbu programu VST pluginu. Next (+) - + Další (+) Click here to select presets that are currently loaded in VST. - + Klikněte sem, chcete-li vybrat předvolby, které jsou aktuálně nahrány ve VST. Preset - + Předvolba by - + - VST plugin control - + VisualizationWidget click to enable/disable visualization of master-output - Kliknutí zapíná/vypíná vizualizaci hlavního výstupu + klikněte pro zapnutí/vypnutí vizualizace hlavního výstupu Click to enable - + Klikněte pro zapnutí VstEffectControlDialog Show/hide - + Ukázat/skrýt Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Otevřít předvolbu VST pluginu Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Klikněte sem, chcete-li otevřít jinou *.fxp, *.fxb předvolbu VST pluginu. Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Klikněte sem, chcete-li přepnout na jiný přednastavený VST program. Next (+) - + Další (+) Click here to select presets that are currently loaded in VST. - + Klikněte sem, chcete-li vybrat předvolbu, která je aktuálně nahraná ve VST. Save preset - Uložit předvolbu + Uložit předvolbu Click here, if you want to save current VST-plugin preset program. - + Klikněte sem, chcete-li uložit aktuální předvolbu programu VST pluginu. Effect by: - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + VstPlugin Loading plugin - Načítám plugin + Načítám plugin Open Preset - + Otevřít předvolbu Vst Plugin Preset (*.fxp *.fxb) - + Předvolba VST pluginu (*.fxp *.fxb) : default - + " - + ' - + Save Preset - + Uložit předvolbu .fxp - + .fxp .FXP - + .FXP .FXB - + .FXB .fxb - + .fxb Please wait while loading VST plugin... - + Počkejte prosím, než se načte VST plugin... The VST plugin %1 could not be loaded. - + VST plugin %1 nelze načíst. WatsynInstrument Volume A1 - + Hlasitost A1 Volume A2 - + Hlasitost A2 Volume B1 - + Hlasitost B1 Volume B2 - + Hlasitost B2 Panning A1 - + Panoráma A1 Panning A2 - + Panoráma A2 Panning B1 - + Panoráma B1 Panning B2 - + Panoráma B2 Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph - + WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. - + Kreslení vlastní křivky tahem myši na tomto grafu. Load waveform - + Načíst vlnu Click to load a waveform from a sample file - + Klikněte pro načtení vlny ze souboru samplů. Phase left - + Click to shift phase by -15 degrees - + Phase right - + Click to shift phase by +15 degrees - + Normalize - Normalizovat + Normalizovat Click to normalize - + Invert - + Click to invert - + Smooth - Uhladit + Uhladit Click to smooth - + Klikněte pro vyhlazení Sine wave - Sinusová vlna + Sinusová vlna Click for sine wave - + Klikněte pro sinusovou vlnu Triangle wave - Trianglová vlna + Trojúhelníková vlna Click for triangle wave - + Klikněte pro trojúhelníkovou vlnu Click for saw wave - + Klikněte pro pilovitou vlnu Square wave - Pravoúhlá (square) vlna + Pravoúhlá vlna Click for square wave - + Klikněte pro pravoúhlou vlnu + + + Volume + Hlasitost + + + Panning + Panoráma + + + Freq. multiplier + Frekv. multiplikátor + + + Left detune + + + + cents + centů + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + ZynAddSubFxInstrument Portamento - + Filter Frequency - + Filter Resonance - + Bandwidth - + Šířka pásma FM Gain - + Resonance Center Frequency - + Resonance Bandwidth - + Pásmo rezonance Forward MIDI Control Change Events - + ZynAddSubFxView Show GUI - + Ukázar grafické rozhraní Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - + Portamento: - + PORT - + Filter Frequency: - + Frekvence filtru: FREQ - + FREKV Filter Resonance: - + Rezonance filtru: RES - + Bandwidth: - + Šířka pásma: BW - + FM Gain: - + FM GAIN - + Resonance center frequency: - + RES CF - + Resonance bandwidth: - + Šířka pásma rezonance: RES BW - + Forward MIDI Control Changes - + audioFileProcessor - - Reverse sample - Přehrávat pozpátku - Amplify Zesílení @@ -6830,37 +7617,41 @@ Přesvědčte se prosím, že máte právo ke čtení tohoto souboru a příslu End of sample Konec samplu + + Reverse sample + Přehrávat pozpátku + Stutter - + Loopback point - + Loop mode - Režim smyčky + Režim smyčky Interpolation mode - + Režim interpolace None - + Žádný Linear - + Lineární Sinc - + Sinusový Sample not found: %1 - + @@ -6882,7 +7673,7 @@ Přesvědčte se prosím, že máte právo ke čtení tohoto souboru a příslu Triangle wave - Trianglová vlna + Trojúhelníková vlna Saw wave @@ -6918,145 +7709,156 @@ Přesvědčte se prosím, že máte právo ke čtení tohoto souboru a příslu Draw your own waveform here by dragging your mouse on this graph. - + Kreslení vlastní křivky tahem myši na tomto grafu. Click for a sine-wave. - + Klikněte sem pro sinusovou vlnu. Click here for a triangle-wave. - Klikněte zde pro trianglovou vlnu. + Klikněte sem pro trojúhelníkovou vlnu. Click here for a saw-wave. - Klikněte zde pro pilovitou vlnu. + Klikněte sem pro pilovitou vlnu. Click here for a square-wave. - Klikněte zde pro pravoúhlou vlnu. + Klikněte sem pro pravoúhlou vlnu. Click here for white-noise. - + Klikněte sem pro bílý šum. Click here for a user-defined shape. - Klikněte zde pro uživatelem definovaný tvar. + Klikněte sem pro uživatelem definovaný tvar. dynProcControlDialog INPUT - + VSTUP Input gain: - + Zisk vstupu: OUTPUT - + VÝSTUP Output gain: - + Zisk výstupu: ATTACK - + Peak attack time: - + RELEASE - + Peak release time: - + Reset waveform - + Obnovit vlnu Click here to reset the wavegraph back to default - + Smooth waveform - + Vyhlazená vlna Click here to apply smoothing to wavegraph - + Klikněte zde pro použití vyhlazení vlny grafu Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Zde klikněte pro zvýšení amplitudy vlny o 1dB Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Zde klikněte pro snížení amplitudy vlny o 1dB Stereomode Maximum - + Process based on the maximum of both stereo channels - + Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + dynProcControls Input gain - + Zisk vstupu Output gain - + Zisk výstupu Attack time - + Release time - + Stereo mode - + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + Nový FX kanál @@ -7070,94 +7872,94 @@ Přesvědčte se prosím, že máte právo ke čtení tohoto souboru a příslu kickerInstrument Start frequency - Počáteční frekvence + Počáteční frekvence End frequency - Konečná frekvence + Konečná frekvence Gain - Zisk + Zisk Length - + Délka Distortion Start - + Začátek zkreslení Distortion End - + Konec zkreslení Envelope Slope - + Noise - + Šum Click - + Klik Frequency Slope - + Start from note - + End to note - + kickerInstrumentView Start frequency: - Počáteční frekvence: + Počáteční frekvence: End frequency: - Konečná frekvence: + Konečná frekvence: Gain: - Zisk: + Zisk: Frequency Slope: - + Envelope Length: - + Délka obálky: Envelope Slope: - + Click: - + Klik: Noise: - + Šum: Distortion Start: - + Začátek zkreslení: Distortion End: - + Konec zkreslení: @@ -7185,19 +7987,20 @@ Přesvědčte se prosím, že máte právo ke čtení tohoto souboru a příslu This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. - Toto dialogové okno zobrazuje informace o všech LADSPA pluginech, které bylo LMMS schopno nalézt. Zásuvné moduly jsou rozděleny do pěti kategorií podle portů a názvů. (new line) -(new line) + Toto dialogové okno zobrazuje informace o všech LADSPA pluginech, které bylo LMMS schopno nalézt. Zásuvné moduly jsou rozděleny do pěti kategorií podle portů a názvů. + + K dispozici jsou ty efekty, které mohou být použity v LMMS. Aby v LMMS bylo možné užít efektu, musí se o efekt skutečně jednat, to znamená, že musí mít oba vstupní a výstupní kanály. LMMS identifikuje vstupní kanál jako audio podle 'in' v názvu. Výstupní kanály jsou identifikovány pole označení písmeny 'out'. Kromě toho efekt musí mít stejný počet vstupů a výstupů a být real time kompatibilní. Nedostupné efekty jsou ty, které byly identifikovány jako efekty, ale buď nemají stejný počet vstupních a výstupních kanálů nebo nejsou real time kompatibilní. @@ -7256,6 +8059,10 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech.Logarithmic Logaritmický + + SR Dependent + + Audio Audio @@ -7276,21 +8083,17 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech.Toggled Zapnuto - - Yes - Ano - - - SR Dependent - - Integer - + Float - + + + + Yes + Ano @@ -7304,12 +8107,12 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech.VCF rezonance - Slide - Klouzání + VCF Envelope Mod + - Accent - Důraz + VCF Envelope Decay + Distortion @@ -7320,24 +8123,24 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech.Vlna - VCF Envelope Mod - + Slide Decay + - VCF Envelope Decay - + Slide + Klouzání - Slide Decay - + Accent + Důraz Dead - + 24dB/oct Filter - + @@ -7352,23 +8155,23 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Env Mod: - + Decay: - Doznívání: + Doznívání: 303-es-que, 24dB/octave, 3 pole filter - + Slide Decay: - + DIST: - + Saw wave @@ -7380,11 +8183,11 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Triangle wave - Trianglová vlna + Trojúhelníková vlna Click here for a triangle-wave. - Klikněte zde pro trianglovou vlnu. + Klikněte zde pro trojúhelníkovou vlnu. Square wave @@ -7396,19 +8199,19 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Rounded square wave - + Oblá pravoúhlá vlna Click here for a square-wave with a rounded end. - + Klikněte sem pro pravoúhlou vlnu s oblým zakončením. Moog wave - + Click here for a moog-like wave. - + Sine wave @@ -7416,7 +8219,7 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Click for a sine-wave. - + Klikněte sem pro sinusovou vlnu. White noise wave @@ -7428,276 +8231,158 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Click here for white-noise. - + Klikněte sem pro bílý šum. Bandlimited saw wave - + Pásmově omezená pilovitá vlna Click here for bandlimited saw wave. - + Klikněte sem pro pásmově omezenou pilovitou vlnu. Bandlimited square wave - + Click here for bandlimited square wave. - + Bandlimited triangle wave - + Click here for bandlimited triangle wave. - + Bandlimited moog saw wave - + Click here for bandlimited moog saw wave. - + - lb303Synth + malletsInstrument - VCF Cutoff Frequency - VCF frekvence vypnutí + Hardness + Tvrdost - VCF Resonance - VCF rezonance + Position + Pozice - Distortion - Zkreslení + Vibrato Gain + Zisk vibráta - Waveform - Vlna + Vibrato Freq + Frekvence vibráta - Slide - Klouzání + Stick Mix + - Accent - Důraz + Modulator + Modulátor - VCF Envelope Mod - + Crossfade + Prolínání (crossfade) - VCF Envelope Decay - + LFO Speed + LFO Rychlost - Slide Decay - + LFO Depth + LFO Hloubka - Dead - + ADSR + ADSR - 24dB/oct Filter - + Pressure + Tlak - - - lb303SynthView - Cutoff Freq: - Frek. vypnutí: + Motion + Pohyb - CUT - CUT + Speed + Rychlost - Resonance: - Rezonance: + Bowed + - RES - + Spread + Rozsah - Env Mod: - + Marimba + Marimba - ENV MOD - + Vibraphone + Vibrafon - Decay: - Doznívání: + Agogo + Agogo - DEC - + Wood1 + - 303-es-que, 24dB/octave, 3 pole filter - + Reso + Rezon - Slide Decay: - + Wood2 + - SLIDE - + Beats + Beats - DIST: - + Two Fixed + - DIST - + Clump + - WAVE: - + Tubular Bells + Trubicové zvony - WAVE - + Uniform Bar + - - - malletsInstrument - Hardness - Tvrdost + Tuned Bar + - Position - Pozice - - - Vibrato Gain - Zisk vibráta - - - Vibrato Freq - Frekvence vibráta - - - Modulator - Modulátor - - - Crossfade - Prolínání (crossfade) - - - LFO Speed - LFO Rychlost - - - LFO Depth - LFO Hloubka - - - Pressure - Tlak - - - Motion - Pohyb - - - Speed - Rychlost - - - Spread - Rozsah - - - Marimba - Marimba - - - Vibraphone - Vibrafon - - - Missing files - Chybějící soubory - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - Zda se, že Vaše Stk instalace není kompletní. Přesvědčte se, ze STK balíček je plně nainstalován! - - - Stick Mix - - - - ADSR - - - - Bowed - - - - Agogo - - - - Wood1 - - - - Reso - - - - Wood2 - - - - Beats - - - - Two Fixed - - - - Clump - - - - Tubular Bells - - - - Uniform Bar - - - - Tuned Bar - - - - Glass - + Glass + Tibetan Bowl - + Tibetská mísa @@ -7740,11 +8425,19 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Vib Freq - Vib frek + Vib frekv Vib Freq: - Vib frek: + Vib frekv: + + + Stick Mix + + + + Stick Mix: + Modulator @@ -7779,20 +8472,20 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech.LFO Hloubka: - Pressure - Tlak + ADSR + ADSR - Pressure: - Tlak: + ADSR: + ADSR: - Motion - Pohyb + Pressure + Tlak - Motion: - Pohyb: + Pressure: + Tlak: Speed @@ -7803,213 +8496,212 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech.Rychlost: - Vibrato - Vibráto - - - Vibrato: - Vibráto: - - - Stick Mix - - - - Stick Mix: - - - - ADSR - - - - ADSR: - + Missing files + Chybějící soubory - Bowed - + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView - VST parameter control - + VST Sync - + VST synch Click here if you want to synchronize all parameters with VST plugin. - + Klikněte sem, chcete-li synchronizovat všechny parametry s VST pluginem. Automated - + Click here if you want to display automated parameters only. - + Klikněte sem, pokud chcete pouze zobrazit automatizační parametry. Close - + Zavřít Close VST effect knob-controller window. - + Zavřít okno otočných ovladačů VST efektu. manageVestigeInstrumentView - VST plugin control - + VST Sync - + VST synch Click here if you want to synchronize all parameters with VST plugin. - + Klikněte sem, chcete-li synchronizovat všechny parametry s VST pluginem. Automated - + Click here if you want to display automated parameters only. - + Klikněte sem, pokud chcete pouze zobrazit automatizační parametry. Close - + Zavřít Close VST plugin knob-controller window. - + Zavřít okno otočných ovladačů VST pluginu. opl2instrument Patch - + Patch Op 1 Attack - + Op 1 Decay - + Op 1 Sustain - + Op 1 Release - + Op 1 Level - + Op 1 Level Scaling - + Op 1 Frequency Multiple - + Op 1 Feedback - + Op 1 Key Scaling Rate - + Op 1 Percussive Envelope - + Op 1 Tremolo - + Op 1 Vibrato - + Op 1 Waveform - + Op 2 Attack - + Op 2 Decay - + Op 2 Sustain - + Op 2 Release - + Op 2 Level - + Op 2 Level Scaling - + Op 2 Frequency Multiple - + Op 2 Key Scaling Rate - + Op 2 Percussive Envelope - + Op 2 Tremolo - + Op 2 Vibrato - + Op 2 Waveform - + FM - + FM Vibrato Depth - + Hloubka vibráta Tremolo Depth - + Hloubka tremola + + + + opl2instrumentView + + Attack + Nástup + + + Decay + Doznívání + + + Release + Uvolnění + + + Frequency multiplier + @@ -8047,1245 +8739,1249 @@ Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Osc %1 panning: - Osc %1 panorama: + Panoráma Osc %1: cents - + centů The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + papuInstrument Sweep time - + Sweep direction - + Sweep RtShift amount - + Wave Pattern Duty - + Channel 1 volume - + Kanál 1 hlasitost Volume sweep direction - + Length of each step in sweep - + Channel 2 volume - + Kanál 2 hlasitost Channel 3 volume - + Kanál 3 hlasitost Channel 4 volume - - - - Shift Register width - + Kanál 4 hlasitost Right Output level - + Left Output level - + Channel 1 to SO2 (Left) - + Channel 2 to SO2 (Left) - + Channel 3 to SO2 (Left) - + Channel 4 to SO2 (Left) - + Channel 1 to SO1 (Right) - + Channel 2 to SO1 (Right) - + Channel 3 to SO1 (Right) - + Channel 4 to SO1 (Right) - + Treble - + Výšky Bass - + Basy + + + Shift Register width + papuInstrumentView Sweep Time: - + Sweep Time - - - - The amount of increase or decrease in frequency - + Sweep RtShift amount: - + Sweep RtShift amount - - - - The rate at which increase or decrease in frequency occurs - + Wave pattern duty: - + Wave Pattern Duty - - - - The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - + Square Channel 1 Volume: - - - - Square Channel 1 Volume - + Length of each step in sweep: - + Length of each step in sweep - - - - The delay between step change - + Wave pattern duty - + Square Channel 2 Volume: - + Square Channel 2 Volume - + Wave Channel Volume: - + Wave Channel Volume - + Noise Channel Volume: - + Noise Channel Volume - + SO1 Volume (Right): - + SO1 Volume (Right) - + SO2 Volume (Left): - + SO2 Volume (Left) - + Treble: - + Výšky: Treble - + Výšky Bass: - + Basy: Bass - + Basy Sweep Direction - + Volume Sweep Direction - + Shift Register Width - + Channel1 to SO1 (Right) - + Channel2 to SO1 (Right) - + Channel3 to SO1 (Right) - + Channel4 to SO1 (Right) - + Channel1 to SO2 (Left) - + Channel2 to SO2 (Left) - + Channel3 to SO2 (Left) - + Channel4 to SO2 (Left) - + Wave Pattern - + + + + The amount of increase or decrease in frequency + + + + The rate at which increase or decrease in frequency occurs + + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + + + + Square Channel 1 Volume + + + + The delay between step change + Draw the wave here - + - pluginBrowser + patchesDialog - no description - bez popisu + Qsynth: Channel Preset + Qsynth: Předvolba kanálu - Filter for importing MIDI-files into LMMS - Filtr pro import MIDI souborů do LMMS + Bank selector + Výběr banky - GUS-compatible patch instrument - GUS kompatibilní patch instrument + Bank + Banka - Additive Synthesizer for organ-like sounds - Aditivní syntezátor pro zvuky podobné varhanám + Program selector + Výběr programu - Plugin for enhancing stereo separation of a stereo input file - Plugin pro zvýšení stereo separace vstupních stereo souborů + Patch + Patch - Vibrating string modeler - Vibrační modelátor strun + Name + Název - List installed LADSPA plugins - Seznam instalovaných LADSPA pluginů + OK + OK - plugin for using arbitrary LADSPA-effects inside LMMS. - plugin pro užití libovolných LADSPA efektů uvnitř LMMS. + Cancel + Zrušit + + + pluginBrowser - VST-host for using VST(i)-plugins within LMMS - VST host pro užití VST(i) pluginů v LMMS + no description + bez popisu Incomplete monophonic imitation tb303 Nekompletní monofonní imitace tb303 - Filter for importing FL Studio projects into LMMS - Filtr určený k import projektů z FL Studia do LMMS + Plugin for freely manipulating stereo output + + + + Plugin for controlling knobs with sound peaks + + + + Plugin for enhancing stereo separation of a stereo input file + Plugin pro zlepšení stereo separace vstupních stereo souborů + + + List installed LADSPA plugins + Seznam nainstalovaných LADSPA pluginů + + + GUS-compatible patch instrument + GUS kompatibilní patch instrument + + + Additive Synthesizer for organ-like sounds + Aditivní syntezátor pro zvuky podobné varhanám Tuneful things to bang on Libozvučná klepátka - Plugin for freely manipulating stereo output - + VST-host for using VST(i)-plugins within LMMS + VST host pro užití VST(i) pluginů v LMMS - Plugin for controlling knobs with sound peaks - + Vibrating string modeler + Vibrační modelátor strun - Emulation of the MOS6581 and MOS8580 SID. -This chip was used in the Commodore 64 computer. - + plugin for using arbitrary LADSPA-effects inside LMMS. + plugin pro užití libovolných LADSPA efektů uvnitř LMMS. - Customizable wavetable synthesizer - + Filter for importing MIDI-files into LMMS + Filtr pro import MIDI souborů do LMMS + + + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. + Player for SoundFont files - + Emulation of GameBoy (TM) APU - + + + + Customizable wavetable synthesizer + Embedded ZynAddSubFX - + 2-operator FM Synth - + Filter for importing Hydrogen files into LMMS - + LMMS port of sfxr - + Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - + A native amplifier plugin - + Carla Rack Instrument - + 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + + + + A native delay plugin + Player for GIG files - + A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - + - Dummy (no sound output) - + A Dual filter plugin + - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - - - - WinMM MIDI - - - - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + sf2Instrument - - Gain - Zisk - Bank - + Banka Patch - + Patch + + + Gain + Zisk Reverb - + Dozvuk Reverb Roomsize - + Reverb Damping - + Reverb Width - + Reverb Level - + Chorus - + Chorus Chorus Lines - + Chorus Level - + Chorus Speed - + Chorus Depth - + Hloubka chorusu A soundfont %1 could not be loaded. - + Soundfont %1 nelze načíst. sf2InstrumentView - - Gain - Zisk - Open other SoundFont file - + Otevřít jiný SoundFont soubor Click here to open another SF2 file - + Choose the patch - + Vybrat patch + + + Gain + Zisk Apply reverb (if supported) - + Použít dozvuk (je-li podporován) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. - + Reverb Roomsize: - + Reverb Damping: - + Reverb Width: - + Reverb Level: - + Apply chorus (if supported) - + This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. - + Chorus Lines: - + Chorus Level: - + Chorus Speed: - + Chorus Depth: - + Open SoundFont file - + Otevřít SoundFont soubor SoundFont2 Files (*.sf2) - + sfxrInstrument Wave Form - + sidInstrument - Filter type - Typ filtru + Cutoff + - Volume - Hlasitost + Resonance + Rezonance - Cutoff - + Filter type + Typ filtru - Resonance - Rezonance + Voice 3 off + - Voice 3 off - + Volume + Hlasitost Chip model - + sidInstrumentView Volume: - Hlasitost: + Hlasitost: Resonance: - Rezonance: - - - Sustain: - Sustain: - - - Sync - Synchronizovaný + Rezonance: Cutoff frequency: - + Frekvence seříznutí: High-Pass filter - + Band-Pass filter - + Low-Pass filter - + Voice3 Off - + MOS6581 SID - + MOS8580 SID - + Attack: - + Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - + Decay: - Doznívání: + Doznívání: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - + + + + Sustain: + Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - + Release: - + Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - + Pulse Width: - + Délka pulzu: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - + Coarse: - + The Coarse detuning allows to detune Voice %1 one octave up or down. - + Pulse Wave - + Pulzní vlna Triangle Wave - + Trojúhelníková vlna SawTooth - + Noise - + Šum + + + Sync + Synch Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - + Ring-Mod - + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - + Filtered - + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - + Test - + Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - + stereoEnhancerControlDialog - Width: - Šířka: + WIDE + - WIDE - + Width: + Šířka: stereoEnhancerControls Width - Šířka + Šířka stereoMatrixControlDialog Left to Left Vol: - + Left to Right Vol: - + Right to Left Vol: - + Right to Right Vol: - + stereoMatrixControls Left to Left - + Left to Right - + Right to Left - + Right to Right - + vestigeInstrument Loading plugin - Načítám plugin + Načítám plugin Please wait while loading VST-plugin... - Prosím čekejte dokud se nenačte VST plugin... + Počkejte prosím, než se načte VST plugin... vibed String %1 volume - + Hlasitost struny %1 String %1 stiffness - + Tvrdost struny %1 Pick %1 position - + Pickup %1 position - + Pan %1 - + Pan %1 Detune %1 - + Fuzziness %1 - + Roztřepení %1 Length %1 - + Impulse %1 - + Octave %1 - + vibedView Volume: - Hlasitost: + Hlasitost: The 'V' knob sets the volume of the selected string. - Ovladač 'V' nastavuje hlasitost vybrané struny. + Otočný ovladač 'V' nastavuje hlasitost vybrané struny. + + + String stiffness: + Tvrdost struny: + + + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. + Otočný ovladač 'S' nastavuje tvrdost vybrané struny. Tvrdost struny ovlivňuje délku doznívání struny. Čím nižší hodnota, tím déle bude struna znít. Pick position: - Pozice drnknutí: + Pozice: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - Ovladač 'P' nastavuje pozici na které bude na vybranou strunu drnknuto. Nižší nastavení znamená úhoz blíže ke kobylce. + Otočný ovladač 'P' nastavuje pozici, ze které bude se na vybrané struně drnkne. Nižší nastavení znamená drnknutí blíže ke kobylce. Pickup position: - Pozice snímače: + Pozice: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - Ovladač 'PU' nastavuje pozici snímače pro vybranou strunu. Nižší nastavení znamená snímač blíže u kobylky. + Otočný ovladač 'PU' nastavuje pozici snímače pro vybranou strunu. Nižší nastavení znamená snímač blíže u kobylky. Pan: - Pan: + Pan: The Pan knob determines the location of the selected string in the stereo field. - Pan ovladač určuje pozici vybrané struny ve stereo prostoru. + Otočný ovladač 'Pan' určuje pozici vybrané struny ve stereo prostoru. Detune: - Rozladit: + Rozladění: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - Ovladač Rozladění mění ladění vybrané struny. Hodnoty nižší než nula způsobí plochý zvuk, hodnoty vyšší než nula způsobí ostřejší zvuk. + Otočný ovladač 'Detune' mění ladění vybrané struny. Hodnoty nižší než nula způsobí plochý zvuk, hodnoty vyšší než nula způsobí ostřejší zvuk. + + + Fuzziness: + Roztřepení: + + + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. + Otočný ovladač 'Slap' přidává ke zvuku vybrané struny jemné roztřepení, které je nejvíce patrné při náběhu tónu, ačkoliv lze také použít pro vytvoření více 'kovového' zvuku struny. Length: - Délka: + Délka: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - Ovladač Délka nastavuje délku vybrané struny. Delší struny budou znít déle a jasněji, také však spořádají více CPU cyklů. + Otočný ovladač 'Lenght' nastavuje délku vybrané struny. Delší struny budou znít déle a jasněji, nicméně však spotřebují více CPU cyklů. + + + Impulse or initial state + Impulz nebo výchozí stav + + + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. + Přepínač 'IMP' určuje, zda vlna v grafu bude považována za impulz přenášený na strunu drnknutím nebo za počáteční stav struny. Octave - Oktáva + Oktáva + + + The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. + Volič 'Octave' se používá k výběru harmonického tónu, na kterém bude struna znít. Například '-2' znamená, že struna bude znít dvě oktávy pod základním tónem, 'F' znamená, že zní základní tón, a '6' znamená, že struna bude znít šest oktáv nad základním tónem. + + + Impulse Editor + Editor impulzu + + + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + +The waveform can also be drawn in the graph. + +The 'S' button will smooth the waveform. + +The 'N' button will normalize the waveform. + Editor vlny poskytuje kontrolu nad výchozím stavem nebo impulzem, který je použit k rozvibrování struny. Tlačítka na pravé straně grafu inicializují vlnový průběh vybraného typu. Tlačítko "?" načte vlnu ze souboru – bude načteno pouze prvních 128 vzorků. + +Vlna může být také nakreslena v grafu. + +Tlačítko "S" vyhladí vlnu. + +Tlačítko 'N' normalizuje vlnu. + + + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + +The graph allows you to control the initial state or impulse used to set the string in motion. + +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. + +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. + +The 'Length' knob controls the length of the string. + +The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. + Vibed simuluje až devět nezávisle vibrujících strun. Volič 'String' vám umožní vybrat, kterou strunu budete upravovat. Pomocí voliče 'Imp' vyberete, jestli graf představuje impulz nebo výchozí stav struny. Voličem 'Octave' vyberete, na kterém harmonickém tónu má struna vibrovat. + +Graf vám umožňuje řízení výchozího stavu nebo impulzu použitého pro nastavení pohybu struny. + +Otočný ovladač 'V' řídí hlasitost. Ovladač 'S' nastavuje tvrdost struny. Ovladač 'P' určuje pozici drnknutí. Ovladač 'PU' nastavuje pozici snímače. + +'Pan' a 'Detune' snad není třeba vysvětlovat. Ovladač 'Slap' přidá ke zvuku struny jemné rozostření. + +Ovladač 'Lenght' určuje délku struny. + +LED v pravém dolním rohu editoru vlny určuje, jestli bude struna v aktuálním nástroji aktivní. Enable waveform - Zapnout vlnu + Zapnout vlnu Click here to enable/disable waveform. - Pro zapnutí/vypnutí vlny klikněte zde. + Klikněte sem pro zapnutí/vypnutí vlny. String - Struna + Struna The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - Volič strun se užívá k výběru struny, které bude upravována. Nástroj Vibed může obsahovat maximálně devět nezávisle vibrujících strun. LED v pravém dolním rohu editoru tvaru vlny indikuje zda je vybraná struna aktivní. + Volič strun se užívá k výběru struny, které bude upravována. Nástroj Vibed může obsahovat maximálně devět nezávisle vibrujících strun. LED v pravém dolním rohu editoru tvaru vlny indikuje, zda je vybraná struna aktivní. Sine wave - Sinusová vlna + Sinusová vlna Triangle wave - Trianglová vlna + Trojúhelníková vlna Saw wave - Pilovitá vlna + Pilovitá vlna Square wave - Pravoúhlá (square) vlna + Pravoúhlá (square) vlna White noise wave - Bílý šum + Bílý šum User defined wave - Vlna definovaná uživatelem + Vlna definovaná uživatelem Smooth - Uhladit + Vyhladit Click here to smooth waveform. - Pro uhlazení vlny klikněte zde. + Klikněte sem pro vyhlazení vlny. Normalize - Normalizovat + Normalizovat Click here to normalize waveform. - Pro normalizaci vlny klikněte zde. - - - String stiffness: - - - - The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - - - - Fuzziness: - - - - The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - - - - Impulse or initial state - - - - The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - - - - The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - - - - Impulse Editor - - - - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. - -The waveform can also be drawn in the graph. - -The 'S' button will smooth the waveform. - -The 'N' button will normalize the waveform. - - - - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. - -The graph allows you to control the initial state or impulse used to set the string in motion. - -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. - -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. - -The 'Length' knob controls the length of the string. - -The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. - + Klikněte sem pro normalizaci vlny. Use a sine-wave for current oscillator. - + Použít sinusovou vlnu pro aktuální oscilátor. Use a triangle-wave for current oscillator. - + Použít trojúhelníkovou vlnu pro aktuální oscilátor. Use a saw-wave for current oscillator. - + Klikněte sem pro pilovitou vlnu. Use a square-wave for current oscillator. - + Klikněte sem pro pilovitou vlnu. Use white-noise for current oscillator. - + Použít bílý šum pro aktuální oscilátor. Use a user-defined waveform for current oscillator. - + Použít vlastní vlnu pro aktuální oscilátor. voiceObject Voice %1 pulse width - + Voice %1 attack - + Voice %1 decay - + Voice %1 sustain - + Voice %1 release - + Voice %1 coarse detuning - + Voice %1 wave shape - + Voice %1 sync - + Voice %1 ring modulate - + Voice %1 filtered - + Voice %1 test - + waveShaperControlDialog INPUT - + VSTUP Input gain: - + Zisk vstupu: OUTPUT - + VÝSTUP Output gain: - + Zisk výstupu: Reset waveform - + Obnovit vlnu Click here to reset the wavegraph back to default - + Smooth waveform - + Vyhlazená vlna Click here to apply smoothing to wavegraph - + Klikněte zde pro použití vyhlazení vlny grafu Increase graph amplitude by 1dB - + Zvýši amplitudu grafu o 1dB Click here to increase wavegraph amplitude by 1dB - + Zde klikněte pro zvýšení amplitudy vlny o 1dB Decrease graph amplitude by 1dB - + Snížit amplitudu grafu o 1dB Click here to decrease wavegraph amplitude by 1dB - + Zde klikněte pro snížení amplitudy vlny o 1dB Clip input - + Vstup klipu Clip input signal to 0dB - + Vstupní úroveň klipu 0dB waveShaperControls Input gain - + Zisk vstupu Output gain - + Zisk výstupu - + \ No newline at end of file diff --git a/data/locale/de.ts b/data/locale/de.ts index d0ed6b3ab64..ccc4e44385c 100644 --- a/data/locale/de.ts +++ b/data/locale/de.ts @@ -1,6 +1,4 @@ - - - + AboutDialog @@ -39,18 +37,10 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder License Lizenz - - Copyright (c) 2004-2014, LMMS developers - Copyright (c) 2004-2014, LMMS-Entwickler - LMMS LMMS - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - Involved Beteiligt @@ -59,6 +49,14 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Contributors ordered by number of commits: Mitwirkende sortiert nach der Anzahl an Einreichungen: + + Copyright © %1 + Copyright © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + AmplifierControlDialog @@ -115,7 +113,7 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE GERÄT @@ -278,6 +276,28 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder GERÄT + + AudioSndio::setupWidget + + DEVICE + GERÄT + + + CHANNELS + KANÄLE + + + + AudioSoundIo::setupWidget + + BACKEND + BACKEND + + + DEVICE + GERÄT + + AutomatableModel @@ -344,119 +364,143 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder AutomationEditorWindow Play/pause current pattern (Space) - Aktuellen Pattern abspielen/pausieren (Leertaste) + Aktuelles Pattern abspielen/pausieren (Leertaste) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - Klicken Sie hier, wenn Sie den aktuellen Pattern spielen wollen. Das ist nützlich beim Bearbeiten. Der Pattern wird automatisch wiederholt, wenn das Ende erreicht ist. + Klicken Sie hier, wenn Sie das aktuelle Pattern spielen wollen. Das ist nützlich beim Bearbeiten. Das Pattern wird automatisch wiederholt, wenn das Ende erreicht ist. Stop playing of current pattern (Space) - Abspielen des aktuellen Patterns stoppen (Leertaste) + Abspielen des aktuellen Patterns stoppen (Leertaste) Click here if you want to stop playing of the current pattern. - Klicken Sie hier, wenn Sie das Abspielen des aktuellen Patterns stoppen wollen. + Klicken Sie hier, wenn Sie das Abspielen des aktuellen Patterns stoppen wollen. Draw mode (Shift+D) - Zeichnenmodus (Umschalt+D) + Zeichnenmodus (Umschalt+D) Erase mode (Shift+E) - Radiermodus (Umschalt+E) + Radiermodus (Umschalt+E) Flip vertically - + Vertikal spiegeln Flip horizontally - + Horizontal spiegeln Click here and the pattern will be inverted.The points are flipped in the y direction. - + Klicke hier und das Pattern wird invertiert. Die Punkte werden in Y Richtung umgekehrt. Click here and the pattern will be reversed. The points are flipped in the x direction. - + Klicke hier und das Pattern wird umgekehrt. Die Punkte werden in X Richtung umgekehrt. Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - Klicken Sie hier, um den Zeichnenmodus zu aktivieren. In diesem Modus können Sie einzelne Werte hinzufügen und verschieben. Das ist der Standard-Modus, der meistens benutzt wird. Sie können auch »Umschalt+D« auf Ihrer Tastatur drücken, um in diesen Modus zu gelangen. + Klicken Sie hier, um den Zeichnenmodus zu aktivieren. In diesem Modus können Sie einzelne Werte hinzufügen und verschieben. Das ist der Standard-Modus, der meistens benutzt wird. Sie können auch »Umschalt+D« auf Ihrer Tastatur drücken, um in diesen Modus zu gelangen. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - Klicken Sie hier, um den Radiermodus zu aktivieren. In diesem Modus können Sie einzelne Werte löschen. Sie können auch »Umschalt+E« auf Ihrer Tastatur drücken, um diesen Modus zu aktivieren. + Klicken Sie hier, um den Radiermodus zu aktivieren. In diesem Modus können Sie einzelne Werte löschen. Sie können auch »Umschalt+E« auf Ihrer Tastatur drücken, um diesen Modus zu aktivieren. Discrete progression - Diskretes Fortschreiten + Diskretes Fortschreiten Linear progression - Lineares Fortschreiten + Lineares Fortschreiten Cubic Hermite progression - Kubisches, hermetisches Fortschrieten + Kubisches, hermetisches Fortschreiten Tension value for spline - Spannungswert für Spline + Spannungswert für Spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Ein höherer Spannungswert erzeugt villeicht eine glattere Kurve aber schießt teilweise über. Ein niederer Spannungswert wird die Kurve über jeden Kontrollpunkt legen. Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - Klicken Sie hier, um diskretes Fortschreiten als Automationsmuster auszuwählen. Der Wert des verbundenen Objekts bleibt konstant zwischen den Kontrollpunkten und wird sofort auf den neuen Wert gesetzt, wenn ein Kontrollpunkt erreicht wird. + Klicken Sie hier, um diskretes Fortschreiten als Automationsmuster auszuwählen. Der Wert des verbundenen Objekts bleibt konstant zwischen den Kontrollpunkten und wird sofort auf den neuen Wert gesetzt, wenn ein Kontrollpunkt erreicht wird. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - Klicken Sie hier, um lineares Fortschreiten als Automationsmuster auszuwählen. Der Wert des verbundenen Objekts wird über die Zeit kontinuierlich zwischen Kontrollpunkten auf den korrekten Wert am jeweiligen Kontrollpunkt geändert, ohne plötzliche Änderungen. + Klicken Sie hier, um lineares Fortschreiten als Automationsmuster auszuwählen. Der Wert des verbundenen Objekts wird über die Zeit kontinuierlich zwischen Kontrollpunkten auf den korrekten Wert am jeweiligen Kontrollpunkt geändert, ohne plötzliche Änderungen. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - Klicken Sie hier, um kubisches, hermetisches Fortschreiten als Automationsmuster auszuwählen. Der Wert des verbundenen Objekts wird in einer nahtlosen Kurve geändert und in Spitzen und Täler übergehen. + Klicken Sie hier, um kubisches, hermetisches Fortschreiten als Automationsmuster auszuwählen. Der Wert des verbundenen Objekts wird in einer nahtlosen Kurve geändert und in Spitzen und Täler übergehen. Cut selected values (%1+X) - Ausgewählte Werte ausschneiden (Strg+X) + Ausgewählte Werte ausschneiden (%1+X) Copy selected values (%1+C) - Ausgewählte Werte kopieren (Strg+C) + Ausgewählte Werte ausschneiden (%1+X) Paste values from clipboard (%1+V) - + Werte aus Zwischenablage einfügen (%1+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klicken Sie hier, um die markierten Werte auszuschneiden und in die Zwischenablage zu kopieren. Sie können diese dann überall, auch in einem anderen Pattern, wieder einfügen, indem Sie auf den Einfügen-Knopf klicken. + Klicken Sie hier, um die markierten Werte auszuschneiden und in die Zwischenablage zu kopieren. Sie können diese dann überall, auch in einem anderen Pattern, wieder einfügen, indem Sie auf den Einfügen-Knopf klicken. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klicken Sie hier, um die markierten Werte in die Zwischenablage zu kopieren. Sie können diese dann überall, auch in einem anderen Pattern, wieder einfügen, indem Sie auf den Einfügen-Knopf klicken. + Klicken Sie hier, um die markierten Werte in die Zwischenablage zu kopieren. Sie können diese dann überall, auch in einem anderen Pattern, wieder einfügen, indem Sie auf den Einfügen-Knopf klicken. Click here and the values from the clipboard will be pasted at the first visible measure. - Klicken Sie hier, um die Werte in der Zwischenablage im ersten sichtbaren Takt einzufügen. + Klicken Sie hier, um die Werte in der Zwischenablage im ersten sichtbaren Takt einzufügen. Tension: - Spannung: + Spannung: Automation Editor - no pattern - Automation-Editor - Kein Pattern + Automation-Editor - Kein Pattern Automation Editor - %1 - Automation-Editor - %1 + Automation-Editor - %1 + + + Edit actions + Aktionen bearbeiten + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + Zoom Regler + + + Quantization controls + + + + Model is already connected to this pattern. + Model ist bereits mit diesem Pattern verbunden. @@ -465,10 +509,6 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Drag a control while pressing <%1> Ein Steuerelement mit <Strg> hier her ziehen - - Model is already connected to this pattern. - Modell ist bereits mit diesem Pattern verbunden. - AutomationPatternView @@ -506,11 +546,15 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Flip Vertically (Visible) - + Vertikal spiegeln (Sichtbar) Flip Horizontally (Visible) - + Horizontal spiegeln (Sichtbar) + + + Model is already connected to this pattern. + Model ist bereits mit diesem Pattern verbunden. @@ -524,73 +568,89 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder BBEditor Beat+Bassline Editor - Beat+Bassline Editor + Zeige/verstecke Beat+Bassline Editor Play/pause current beat/bassline (Space) - Aktuellen Beat/Bassline abspielen/pausieren (Leertaste) + Aktuellen Beat/Bassline abspielen/pausieren (Leertaste) Stop playback of current beat/bassline (Space) - Abspielen des aktuellen Beats/Bassline stoppen (Leertaste) + Abspielen des aktuellen Beats/Bassline stoppen (Leertaste) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - Klicken Sie hier, um den aktuelle Beat/Bassline abzuspielen. Der Beat/Bassline wird am Ende automatisch wiederholt. + Klicken Sie hier, um den aktuelle Beat/Bassline abzuspielen. Der Beat/Bassline wird am Ende automatisch wiederholt. Click here to stop playing of current beat/bassline. - Klicken Sie hier, um das Abspielen des aktuellen Beats/Bassline zu stoppen (Leertaste). + Klicken Sie hier, um das Abspielen des aktuellen Beats/Bassline zu stoppen. Add beat/bassline - Beat/Bassline hinzufügen + Beat/Bassline hinzufügen Add automation-track - Automation-Spur hinzufügen + Automation-Spur hinzufügen Remove steps - Schritte entfernen + Schritte entfernen Add steps - Schritte hinzufügen + Schritte hinzufügen + + + Beat selector + + + + Track and step actions + + + + Clone Steps + Schritte Klonen + + + Add sample-track + BBTCOView Open in Beat+Bassline-Editor - Im Beat+Bassline-Editor öffnen + Im Beat+Bassline-Editor öffnen Reset name - Name zurücksetzen + Name zurücksetzen Change name - Name ändern + Name ändern Change color - Farbe ändern + Farbe ändern Reset color to default - Farbe auf Standard zurücksetzen + Farbe auf Standard zurücksetzen BBTrack Beat/Bassline %1 - Beat/Bassline %1 + Beat/Bassline %1 Clone of %1 - Klon von %1 + Klon von %1 @@ -639,94 +699,94 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder BitcrushControlDialog IN - + IN OUT - + OUT GAIN - GAIN + GAIN Input Gain: - + Eingangsverstärkung: NOIS - + NOIS Input Noise: - + Eingangsrauschen: Output Gain: - + Ausgabeverstärkung: CLIP - + CLIP Output Clip: - + Rate - Rate + Rate Rate Enabled - + Enable samplerate-crushing - + Depth - + Tiefe Depth Enabled - + Tiefe eingeschalten Enable bitdepth-crushing - + Sample rate: - + Sample Rate: STD - + STD Stereo difference: - + Stereo Unterschied: Levels - + Stärke Levels: - + Stärke: CaptionMenu &Help - &Hilfe + &Hilfe Help (not available) - Hilfe (nicht verfügbar) + Hilfe (nicht verfügbar) @@ -821,8 +881,8 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Löschen bestätigen - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - Löschen bestätigen? Es bestehen Verbindungen, die an diesen Controller angeschlossen sind. Es gibt keine Möglichkeit dies rückgängig zu machen. + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + @@ -844,71 +904,79 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Geben Sie einen neuen Namen für diesen Controller ein - &Remove this plugin - Plugin entfe&rnen + &Remove this controller + &Diesen Controller entfernen + + + Re&name this controller + + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 1 Gain: Band 2 Gain: - + Band 2 Gain: Band 3 Gain: - + Band 3 Gain: Band 4 Gain: - + Band 4 Gain: Band 1 Mute - + Band 1 Mute Mute Band 1 - + Mute Band 1 Band 2 Mute - + Band 2 Mute Mute Band 2 - + Mute Band 2 Band 3 Mute - + Band 3 Mute Mute Band 3 - + Mute Band 3 Band 4 Mute - + Band 4 Mute Mute Band 4 - + Mute Band 4 @@ -929,43 +997,52 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Lfo Amount LFO-Stärke + + Output gain + Ausgabeverstärkung + DelayControlsDialog - Delay - Verzögerung + Lfo Amt + LFO-Stärke Delay Time Verzögerungszeit - - Regen - - Feedback Amount Rückkopplungsstärke - - Rate - Rate - Lfo LFO - Lfo Amt - LFO-Stärke + Out Gain + + + + Gain + Verstärkung - - - DetuningHelper - Note detuning - Noten-Verstimmung + DELAY + VERZÖGERUNG + + + FDBK + FDBK + + + RATE + RATE + + + AMNT + AMNT @@ -986,6 +1063,38 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Click to enable/disable Filter 2 Klicken Sie, um Filter 2 zu aktivieren/deaktivieren + + FREQ + FREQ + + + Cutoff frequency + Kennfrequenz + + + RESO + RESO + + + Resonance + Resonanz + + + GAIN + GAIN + + + Gain + Verstärkung + + + MIX + MIX + + + Mix + Mischung + DualFilterControls @@ -1095,57 +1204,54 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder 2x Moog - + 2x Moog SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - NICHT GEFUNDEN + Editor Play (Space) - + Abspielen (Leertaste) Stop (Space) - + Stoppen (Leertaste) Record - + Aufnahme Record while playing - + + + + Transport controls + @@ -1192,8 +1298,20 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder Effekt hinzufügen - Plugin description - Pluginbeschreibung + Name + Name + + + Type + Typ + + + Description + Beschreibung + + + Author + Verfasser @@ -1251,13 +1369,13 @@ Wenn Sie daran interessiert sind LMMS in eine andere Sprache zu übersetzen oder The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Effektplugins funktionieren als eine Aneinanderreihung von Effekten, wo das Signal von oben nach unter verarbeitet wird. @@ -1529,249 +1647,257 @@ Ein Recktsklick öffnet ein Kontextmenü, in dem Sie die Reihenfolge der Effekte EqControls Input gain - Eingangsverstärkung + Eingangsverstärkung Output gain - Ausgabeverstärkung + Ausgabeverstärkung Low shelf gain - + Peak 1 gain - + Peak 1 gain Peak 2 gain - + Peak 2 gain Peak 3 gain - + Peak 3 gain Peak 4 gain - + Peak 4 gain High Shelf gain - + HP res - + HP res Low Shelf res - + Peak 1 BW - + Peak 1 BW Peak 2 BW - + Peak 2 BW Peak 3 BW - + Peak 3 BW Peak 4 BW - + Peak 4 BW High Shelf res - + LP res - + LP res HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 1 Aktiv Peak 2 active - + Peak 2 Aktive Peak 3 active - + Peak 3 Aktive Peak 4 active - + Peak 4 Aktive High shelf active - + LP active - + LP aktiv LP 12 - + LP 12 LP 24 - + LP 24 LP 48 - + LP 48 HP 12 - + HP 12 HP 24 - + HP 24 HP 48 - + HP 48 low pass type - + Tiefpass Art high pass type - + Hochpass Art + + + Analyse IN + Analyse IN + + + Analyse OUT + Analyse OUT EqControlsDialog HP - + HP Low Shelf - + Peak 1 - + Peak 1 Peak 2 - + Peak 2 Peak 3 - + Peak 3 Peak 4 - + Peak 4 High Shelf - + LP - + LP In Gain - + Gain - + Verstärkung Out Gain - + Bandwidth: - + Bandbreite: Resonance : - + Resonanz: Frequency: - Frequenz: + Frequenz: - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + Octave + + + EqHandle - lp grp - + Reso: + Reso: - hp grp - + BW: + - - - EqParameterWidget - Hz - + Freq: + Freq: @@ -1914,40 +2040,39 @@ Ein Recktsklick öffnet ein Kontextmenü, in dem Sie die Reihenfolge der Effekte Export between loop markers - + Export zwischen den Loop markierungen Could not open file - Konnte Datei nicht öffnen - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Die Datei %1 konnte nicht zum Schreiben geöffnet werden. -Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei und das Verzeichnis, das diese Datei enthält, besitzen und versuchen es erneut! + Konnte Datei nicht öffnen Export project to %1 - Projekt nach %1 exportieren + Projekt nach %1 exportieren Error - Fehler + Fehler Error while determining file-encoder device. Please try to choose a different output format. - Fehler beim Bestimmen des Datei-Enkoder-Geräts. Bitte wählen Sie ein anderes Ausgabeformat. + Fehler beim Bestimmen des Datei-Enkoder-Geräts. Bitte wählen Sie ein anderes Ausgabeformat. Rendering: %1% - Rendere: %1% + Rendere: %1% + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: + Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: @@ -1963,10 +2088,6 @@ Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei und das Verzeic Send to active instrument-track An aktive Instrumentspur senden - - Open in new instrument-track/Song-Editor - In neuer Instrumentspur im Song-Editor öffnen - Open in new instrument-track/B+B Editor In neuer Instrumentspur im B+B-Editor öffnen @@ -1983,75 +2104,95 @@ Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei und das Verzeic --- Factory files --- --- Mitgelieferte Dateien --- + + Open in new instrument-track/Song Editor + + + + Error + Fehler + + + does not appear to be a valid + + + + file + Datei + FlangerControls Delay Samples - Samples verzögern + Samples verzögern Lfo Frequency - LFO-Frequenz + LFO-Frequenz Seconds - + Sekunde Regen - + Noise - Rauschen + Rauschen Invert - Invertieren + Invertieren FlangerControlsDialog - Delay - Verzögerung + Delay Time: + Verzögerungszeit: - Delay Time: - + Feedback Amount: + Rückkopplungsstärke: - Lfo Hz - + White Noise Amount: + Weißes Rauschen Stärke: - Lfo: - + DELAY + VERZÖGERUNG - Amt - + RATE + RATE - Amt: - + Rate: + Rate: - Regen - + AMNT + AMNT - Feedback Amount: - + Amount: + Menge: - Noise - Rauschen + FDBK + FDBK - White Noise Amount: - + NOISE + NOISE + + + Invert + Invertieren @@ -2062,7 +2203,7 @@ Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei und das Verzeic The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. @@ -2094,7 +2235,7 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Remove &unused channels - + Entferne &unbenutzte Kanäle @@ -2110,14 +2251,6 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch FxMixerView - - Rename FX channel - FX-Kanal umbenennen - - - Enter the new name for this FX channel - Bitte einen neuen Namen für den FX-Kanal eingeben - FX-Mixer FX-Mixer @@ -2136,11 +2269,11 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Solo - Solo + Solo Solo FX channel - + @@ -2154,62 +2287,105 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch GigInstrument Bank - Bank + Bank Patch - Patch + Patch Gain - + Verstärkung GigInstrumentView Open other GIG file - + Click here to open another GIG file - + Choose the patch - Patch wählen + Patch wählen Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Which GIG file is currently being used - + Which patch of the GIG file is currently being used - + Gain - + Verstärkung Factor to multiply samples by - + Open GIG file - + GIG Files (*.gig) - + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + + + + Preparing song editor + + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + + + + Preparing automation editor + @@ -2274,6 +2450,18 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Down and up Hoch und runter + + Skip rate + + + + Miss rate + + + + Cycle steps + + InstrumentFunctionArpeggioView @@ -2345,23 +2533,63 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Mode: Modus: - - - InstrumentFunctionNoteStacking - octave - Oktave + SKIP + SKIP - Major - Dur + Skip rate: + - Majb5 - Durb5 + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + - minor + MISS + MISS + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + CYCLE + + + Cycle notes: + + + + note(s) + Notizen + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + + InstrumentFunctionNoteStacking + + octave + Oktave + + + Major + Dur + + + Majb5 + Durb5 + + + minor moll @@ -2728,6 +2956,14 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch 5 5 + + Phrygian dominant + + + + Persian + Persisch + InstrumentFunctionNoteStackingView @@ -2807,11 +3043,11 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + @@ -2914,31 +3150,31 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch 2x Moog - + 2x Moog SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - + @@ -3032,7 +3268,7 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Master Pitch - + @@ -3073,6 +3309,10 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Output Ausgang + + FX %1: %2 + FX %1: %2 + InstrumentTrackWindow @@ -3170,26 +3410,34 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch MISC - VERSCHIEDENES + VERSCHIEDENES + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + SPEICHERN Knob Set linear - Linear einstellen + Linear einstellen Set logarithmic - Logarithmisch einstellen + Logarithmisch einstellen - Please enter a new value between -96.0 dBV and 6.0 dBV: - Bitte geben Sie einen Wert zwischen -96.0 dBV und 6.0 dBV ein: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Bitte geben Sie einen neuen Wert zwischen -96.0 dBFS und 6.0 dBFS: ein: Please enter a new value between %1 and %2: - Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: + Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: @@ -3239,6 +3487,25 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: + + LeftRightNav + + Previous + Vorheriges + + + Next + Nächstes + + + Previous (%1) + Vorheriges (%1) + + + Next (%1) + Nächstes (%1) + + LfoController @@ -3304,10 +3571,6 @@ Sie können FX Kanäle im Kontextmenü entfernen und verschieben, welches durch Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Benutzen Sie diesen Regler, um die Geschwindigkeit des LFOs einzustellen. Je größer der Wert, desto schneller schwingt der LFO und desto schneller ist der entsprechende Effekt. - - AMT - AMT - Modulation amount: Modulationsintensität: @@ -3366,23 +3629,38 @@ Doppelklicken Sie, um eine Datei auszuwählen. Click here for a moog saw-wave. Klick für eine Moog-Sägezahnwelle. + + AMNT + AMNT + - MainWindow + LmmsCore - Working directory - Arbeitsverzeichnis + Generating wavetables + - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - Das LMMS-Arbeitsverzeichnis %1 existiert nicht. Soll es jetzt erstellt werden? Sie können das Verzeichnis später über Bearbeiten -> Einstellungen ändern. + Initializing data structures + + + + Opening audio and midi devices + + + + Launching mixer threads + + + + MainWindow Could not save config-file Konnte Konfigurationsdatei nicht speichern - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Konnte die Konfigurationsdatei %1 nicht speichern. Sie haben möglicherweise keine Schreibrechte auf diese Datei. Bitte überprüfen Sie Ihre Rechte und versuchen es erneut. @@ -3540,19 +3818,11 @@ Bitte überprüfen Sie Ihre Rechte und versuchen es erneut. Hilfe nicht verfügbar - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Derzeit ist in LMMS keine Hilfe verfügbar. Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS. - - Configuration file - Konfigurationsdatei - - - Error while parsing configuration file at line %1:%2: %3 - Fehler beim Parsen der Konfigurationsdatei in Zeile %1:%2: %3 - LMMS (*.mmp *.mmpz) LMMS (*.mmp *.mmpz) @@ -3562,84 +3832,216 @@ Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS.Version %1 - Undo - Rückgängig - - - Redo - Wiederholen + Configuration file + Konfigurationsdatei - LMMS Project (*.mmpz *.mmp);;LMMS Project Template (*.mpt) - LMMS Projekt (*.mmpz *.mmp);;LMMS Projektvorlage (*.mpt) + Error while parsing configuration file at line %1:%2: %3 + Fehler beim Parsen der Konfigurationsdatei in Zeile %1:%2: %3 - LMMS Project - LMMS Projekt + Volumes + Volumes - LMMS Project Template - LMMS Projektvorlage + Undo + Rückgängig - Volumes - Volumes + Redo + Wiederholen My Projects - + Meine Projekte My Samples - + Meine Samples My Presets - + Meine Presets My Home - + Mein Home My Computer - - - - Root Directory - + Mein Computer &File - + &Datei &Recently Opened Projects - + &Zuletzt geöffnete Projekte Save as New &Version - + Speichern als neue &Version E&xport Tracks... - + E&xport Tracks... Online Help - + Online Hilfe What's This? - + Was ist das? Open Project - + Projekt öffnen Save Project - + Projekt speichern + + + Project recovery + Project wiederherstellen + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + Wiederherstellen + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + Ignorieren + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + Verwerfen + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + Plugin Browser vorbereiten + + + Preparing file browsers + Dateimanger vorbereiten + + + Root directory + Grundverzeichniss + + + Loading background artwork + + + + New from template + Neu von Vorlage + + + Save as default template + Speichere als Standard Vorlage + + + &View + &Ansicht + + + Toggle metronome + Metronom umschalten + + + Show/hide Song-Editor + Zeige/Verstecke Song-Editor + + + Show/hide Beat+Bassline Editor + Zeige/Verstecke Beat+Basslinien Editor + + + Show/hide Piano-Roll + Zeige/Verstecke Keyboard + + + Show/hide Automation Editor + Zeige/Verstecke Automations Editor + + + Show/hide FX Mixer + Zeige/Verstecke FX Mixer + + + Show/hide project notes + Zeige/Verstecke Projekt Notizen + + + Show/hide controller rack + Zeige/Verstecke Kontroller Rack + + + Recover session. Please save your work! + Session Wiederherstellung. Bitte speichere Deine Arbeit! + + + Automatic backup disabled. Remember to save your work! + Automatisches Backup nicht aktiviert. Vergiss nicht Deine Arbeit zu speichern. + + + Recovered project not saved + Wiederhergestelltes Projekt nicht gespeichert + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + LMMS Projekt + + + LMMS Project Template + LMMS Projektvorlage + + + Overwrite default template? + Standard Vorlage überschreiben? + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + Notenbeschriftung in Piano-Roll aktivieren + + + Save project template + @@ -3668,20 +4070,6 @@ Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS.Nenner - - MidiAlsaRaw::setupWidget - - DEVICE - GERÄT - - - - MidiAlsaSeq - - DEVICE - GERÄT - - MidiController @@ -3707,12 +4095,22 @@ Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS.You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. Sie haben LMMS ohne das SoundFont2-Player-Plugin gebaut. Dieses Plugin wird normalerweise benutzt, um Standardklänge bei importierten MIDI-Dateien einzurichten. Aus diesem Grund werden Sie nach dem Import der MIDI-Datei nichts hören. + + Track + + - MidiOss::setupWidget + MidiJack - DEVICE - GERÄT + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK-Server nicht erreichbar + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + @@ -3762,6 +4160,13 @@ Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS.Grundlautstärke + + MidiSetupWidget + + DEVICE + GERÄT + + MonstroInstrument @@ -4054,7 +4459,7 @@ Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS. Phs3-Env2 - + Phs3-LFO1 @@ -4243,26 +4648,6 @@ Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS.Operators view Operator-Ansicht - - Matrix view - Matrix-Ansicht - - - Mix Osc2 with Osc3 - Oszillator 2 mit Oszillator 3 Mischen - - - Modulate amplitude of Osc3 with Osc2 - Amplitude von Oszillator 3 mit Oszillator 2 modulieren - - - Modulate frequency of Osc3 with Osc2 - Frequenz von Oszillator 3 mit Oszillator 2 modulieren - - - Modulate phase of Osc3 with Osc2 - Phase von Oszillator 3 mit Oszillator 2 modulieren - The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. @@ -4271,6 +4656,10 @@ Knobs and other widgets in the Operators view have their own what's this -t Regler und andere Dinge in der Operator-Ansicht haben ihren eigenen »Was ist das?« Texte, sodass Sie auf diese Weise spezifischere Hilfe für diese bekommen können. + + Matrix view + Matrix-Ansicht + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4283,6 +4672,22 @@ Die Ansicht ist in Modulationsziele, gruppiert nach dem Zieloszillator, eingetei Jedes Modulationsziel hat 4 Regler, einen für jeden Modulator. Standardmäßig sind alle Regler bei 0, was keine Modulation bedeutet. Wenn der Regler auf 1 gestellt wird, wird das Modulationsziel vom Modulator so viel wie möglich beeinflusst. Wenn er auf -1 gestellt wird, passiert das gleiche, aber die Modulation ist invertiert. + + Mix Osc2 with Osc3 + Oszillator 2 mit Oszillator 3 Mischen + + + Modulate amplitude of Osc3 with Osc2 + Amplitude von Oszillator 3 mit Oszillator 2 modulieren + + + Modulate frequency of Osc3 with Osc2 + Frequenz von Oszillator 3 mit Oszillator 2 modulieren + + + Modulate phase of Osc3 with Osc2 + Phase von Oszillator 3 mit Oszillator 2 modulieren + The CRS knob changes the tuning of oscillator 1 in semitone steps. Der CRS Regler ändert die Stimmung des Oszillators 1 in Halbtonschritten. @@ -4423,47 +4828,155 @@ PM bedeutet Phasen-Modulation: Die Phase von Oszillator 3 wird durch Oszillator The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. Der Neigung-Regler kontrolliert die Kurve oder Form der Hüllkurve. Ein Wert von 0 erzeugt einen direkten Anstieg und Abfall. Negative Werte erzeugen Kurven, die langsam starten, schnell die Spitze erreichen und wieder langsam abfallen. Positive Werte erzeugen Kurven, die schnell starten und enden und länger in der Nähe der Spitze bleiben. - - - MultitapEchoControlDialog - Length - Länge + Volume + Lautstärke - Step length: - + Panning + Balance - Dry - + Coarse detune + - Dry Gain: - + semitones + - Stages - + Finetune left + - Lowpass stages: - + cents + - Swap inputs - + Finetune right + - Swap left and right input channel for reflections - + Stereo phase offset + - - - NesInstrument - Channel 1 Coarse detune - Kanal 1 Grob-Verstimmung + deg + deg + + + Pulse width + Pulsbreite + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + Anschwellzeit (attack) + + + Rate + Rate + + + Phase + + + + Pre-delay + + + + Hold + Haltezeit (hold) + + + Decay + Abfallzeit + + + Sustain + Haltepegel (sustain) + + + Release + Ausklingzeit (release) + + + Slope + + + + Modulation amount + Modulationsintensität + + + + MultitapEchoControlDialog + + Length + Länge + + + Step length: + + + + Dry + + + + Dry Gain: + + + + Stages + + + + Lowpass stages: + + + + Swap inputs + + + + Swap left and right input channel for reflections + + + + + NesInstrument + + Channel 1 Coarse detune + Kanal 1 Grob-Verstimmung Channel 1 Volume @@ -4542,6 +5055,121 @@ PM bedeutet Phasen-Modulation: Die Phase von Oszillator 3 wird durch Oszillator Vibrato + + NesInstrumentView + + Volume + Lautstärke + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + 12.5% Tastverhältnis + + + 25% Duty cycle + 25% Tastverhältnis + + + 50% Duty cycle + 50% Tastverhältnis + + + 75% Duty cycle + 75% Tastverhältnis + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + Rausch Modus + + + Master Volume + Master-Lautstärke + + + Vibrato + Vibrato + + OscillatorObject @@ -4589,6 +5217,41 @@ PM bedeutet Phasen-Modulation: Die Phase von Oszillator 3 wird durch Oszillator Oszillator %1 Harmonie + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + Bank + + + Program selector + Programmwähler + + + Patch + Patch + + + Name + Name + + + OK + OK + + + Cancel + Abbrechen + + PatmanView @@ -4638,12 +5301,6 @@ PM bedeutet Phasen-Modulation: Die Phase von Oszillator 3 wird durch Oszillator PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - Doppelklick, um dieses Pattern im Piano-Roll zu öffnen -Lautstärke eines Schritts kann mit dem Mausrad geändert werden - Open in piano-roll Im Piano-Roll öffnen @@ -4668,6 +5325,18 @@ Lautstärke eines Schritts kann mit dem Mausrad geändert werden Remove steps Schritte entfernen + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + Schritte Klonen + PeakController @@ -4738,12 +5407,12 @@ Lautstärke eines Schritts kann mit dem Mausrad geändert werden DCAY - TRES - + Treshold: + Schwellwert: - Treshold: - + TRSH + @@ -4778,19 +5447,11 @@ Lautstärke eines Schritts kann mit dem Mausrad geändert werden Treshold - + Schwellwert PianoRoll - - Piano-Roll - %1 - Piano-Roll - %1 - - - Piano-Roll - no pattern - Piano-Roll - Kein Pattern - Please open a pattern by double-clicking on it! Bitte öffnen Sie einen Pattern, indem Sie ihn doppelklicken! @@ -4855,116 +5516,152 @@ Lautstärke eines Schritts kann mit dem Mausrad geändert werden Please enter a new value between %1 and %2: Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + + PianoRollWindow Play/pause current pattern (Space) - Aktuellen Pattern abspielen/pausieren (Leertaste) + Aktuelles Pattern abspielen/pausieren (Leertaste) Record notes from MIDI-device/channel-piano - Noten von MIDI-Gerät/Kanal-Klavier aufnehmen + Zeichnet Noten von einem MIDI-Gerät/Kanal Piano auf Record notes from MIDI-device/channel-piano while playing song or BB track - Noten vom MIDI-Gerät/Kanal-Klavier aufnehmen während der Song oder BB-Track abgespielt wird + Stop playing of current pattern (Space) - Abspielen des aktuellen Patterns stoppen (Leertaste) + Abspielen des aktuellen Patterns stoppen (Leertaste) Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - Klicken Sie hier, um den aktuellen Pattern abzuspielen. Das ist nützlich beim Bearbeiten. Der Pattern wird automatisch wiederholt, wenn sein Ende erreicht ist. + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - Klicken Sie hier, um Noten von einem MIDI-Gerät oder dem virtuellen Test-Klavier des zugehörigen Kanal-Fensters in den aktuellen Pattern aufzunehmen. Beim Aufnehmen werden alle Noten, die Sie spielen, in diesen Pattern geschrieben und hinterher können Sie diese abspielen und bearbeiten. + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - Klicken Sie hier, um Noten von einem MIDI-Gerät oder dem virtuellen Test-Klavier des zugehörigen Kanal-Fensters in den aktuellen Pattern aufzunehmen. Beim Aufnehmen werden alle Noten, die Sie spielen, in diesen Pattern geschrieben und Sie werden den Song oder die BB-Spur im Hintergrund hören. + Click here to stop playback of current pattern. - Klicken Sie hier, um die Wiedergabe des aktuellen Patterns zu stoppen. + Klicken Sie hier, um die Wiedergabe des aktuellen Patterns zu stoppen. Draw mode (Shift+D) - Zeichnenmodus (Umschalt+D) + Zeichnenmodus (Umschalt+D) Erase mode (Shift+E) - Radiermodus (Umschalt+E) + Radiermodus (Umschalt+E) Select mode (Shift+S) - Auswahl-Modus (Umschalt+S) + Auswahl-Modus (Umschalt+S) Detune mode (Shift+T) - Verstimmungsmodus (Shift+T) + Verstimmungsmodus (Umschalt+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - Klicken Sie hier, um den Zeichnenmodus zu aktivieren. In diesem Modus können Sie Noten hinzufügen, in der Länge ändern und verschieben. Das ist der Standardmodus, der meistens benutzt wird. Sie können auch »Umschalt+D« auf Ihrer Tastatur drücken, um in diesen Modus zu gelangen. Halten Sie in diesem Modus Strg gedrückt, um vorübergehend in den Auswahlmodus zu wechslen. + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - Klicken Sie hier, um den Radiermodus zu aktivieren. In diesem Modus können Sie einzelne Noten löschen. Sie können auch »Umschalt+E« auf Ihrer Tastatur drücken, um diesen Modus zu aktivieren. + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - Klicken Sie hier, um den Auswahlmodus zu aktivieren. In diesem Modus können Sie einzelne Noten auswählen. Alternativ können Sie auch Strg im Zeichnenmodus gedrückt halten, um vorrübergehend den Auswahlmodus zu benutzen. + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - Klicken Sie hier und der Verstimmungmodus wird aktivert. In diesem Modus können Sie auf eine Note klicken, um die Automations-Verstimmung zu öffnen. Sie können diese benutzen, um von einer Note in eine andere zu rutschen. Sie können auch »Umschalt+T« auf Ihrer Tastatur drücken, um diesen Modus zu aktivieren. + Cut selected notes (%1+X) - Ausgewählte Noten ausschneiden (Strg+X) + Ausgewählte Noten ausschneiden (%1+X) Copy selected notes (%1+C) - Ausgewählte Noten kopieren (Strg+C) + Ausgewählte Noten kopieren (%1+C) Paste notes from clipboard (%1+V) - Noten aus Zwischenablage einfügen (Strg+V) + Noten aus Zwischenablage einfügen (%1+V) Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klicken Sie hier, um die markierten Noten in die Zwischenablage auszuschneiden. Sie können sie überall in einem beliebigen Pattern wieder einfügen, indem Sie auf den Einfügen-Knopf klicken. + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Klicken Sie hier, um die markierten Noten in die Zwischenablage zu kopieren. Sie können sie überall in einem beliebigen Pattern wieder einfügen, indem Sie auf den Einfügen-Knopf klicken. + Click here and the notes from the clipboard will be pasted at the first visible measure. - Klicken Sie hier, um die Noten aus der Zwischenablage im ersten sichtbaren Takt einzufügen. + Klicken Sie hier, um die Noten aus der Zwischenablage im ersten sichtbaren Takt einzufügen. This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - Dies kontrolliert die Vergrößerung einer Axe. Es kann hilfreich für bestimmte Aufgaben sein, eine Vergrößerung auszuwählen. Für normales Bearbeiten, sollte die Vergrößerung an Ihre kleinsten Noten angepasst sein. + Dies kontrolliert die Vergrößerung einer Axe. Es kann hilfreich für bestimmte Aufgaben sein, eine Vergrößerung auszuwählen. Für normales Bearbeiten, sollte die Vergrößerung an Ihre kleinsten Noten angepasst sein. The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - Das »Q« steht für Quantisierung und kontrolliert die Rastergröße an denen Noten und Kontrollpunkte einrasten. Mit kleineren Quantisierungswerten können Sie kleinere Noten im Piano Roll und exaktere Kontrollpunkte im Automation-Editor eintragen. + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - Dies lässt Sie die Länge von neuen Noten auswählen. »Letzte Note« bedeutet, dass LMMS die Länge der Note benutz, die Sie als letzes bearbeitet haben. + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - Diese Funktion ist direkt mit dem Kontextmenü auf dem virtuellen Keyboard, links im Piano Roll, verbunden. Nachdem Sie die Tonleiter ausgewählt haben, die Sie im Aufklapp-Menü haben möchten, können Sie auf eine gewünschte Taste auf dem virtuellen Keyboard einen Rechtsklick machen und »Aktuelle Tonleiter markieren« auswählen. LMMS markiert dann alle Noten, die zu dieser Tonleiter und Taste gehören, die Sie ausgewählt haben! + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - Lässt Sie einen Akkord auswählen, den LMMS dann eintragen oder markieren kann. Sie können die am häufigsten benutzten Akkorde in diesem Aufklapp-Menü finden. Nachdem Sie einen Akkord ausgewählt haben, klicken Sie irgendwo hin, um den Akkord dort zu platzieren oder machen Sie einen Rechtsklick auf dem virtuellen Keyboard, um das Kontextmenü zu öffnen und den Akkord zu makieren. Um Noten wieder einzeln einzutragen, müssen Sie »Kein Akkord« in diesem Aufklapp-Menü auswählen. + + + + Edit actions + Aktionen bearbeiten + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + + + + Piano-Roll - no pattern + + + + Quantize + @@ -4981,7 +5678,7 @@ Lautstärke eines Schritts kann mit dem Mausrad geändert werden Plugin nicht gefunden - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Das Plugin »%1« konnte nicht gefunden oder geladen werden! Grund: »%2« @@ -4994,17 +5691,9 @@ Grund: »%2« Failed to load plugin "%1"! Das Plugin »%1« konnte nicht geladen werden! - - LMMS plugin %1 does not have a plugin descriptor named %2! - LMMS Plugin %1 hat keinen Plugin-Deskriptor namens %2! - PluginBrowser - - Instrument plugins - Instrument-Plugins - Instrument browser Instrument-Browser @@ -5013,124 +5702,139 @@ Grund: »%2« Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Ziehen Sie ein Instrument entweder in den Song-Editor, den Beat+Bassline-Editor oder in eine existierende Instrumentspur. + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + Plugin nicht gefunden + + + LMMS plugin %1 does not have a plugin descriptor named %2! + + ProjectNotes Project notes - Projekt-Notizen + Projekt-Notizen Put down your project notes here. - Schreiben Sie hier Ihre Projekt-Notizen auf. + Schreiben Sie hier Ihre Projekt-Notizen auf. Edit Actions - Bearbeiten + &Undo - &Rückgängig + &Rückgängig %1+Z - Strg+Z + %1+Z &Redo - Wiede&rholen + &Wiederholen %1+Y - Strg+Y + %1+Y &Copy - &Kopieren + &Kopieren %1+C - Strg+C + %1+C Cu&t - A&usschneiden + Schnei&de %1+X - Strg+X + %1+X &Paste - &Einfügen + &Einfügen %1+V - Strg+V + %1+V Format Actions - Formatierung + &Bold - &Fett + &Fett %1+B - Strg+F + %1+B &Italic - &Kursiv + &Kursiv %1+I - Strg+K + %1+l &Underline - &Unterstrichen + &Unterstrichen %1+U - Strg+U + %1+U &Left - &Links + &Links %1+L - Strg+L + %1+L C&enter - Z&entriert + Z&entrum %1+E - Strg+Z + %1+E &Right - &Rechts + &Rechts %1+R - Strg+R + %1+R &Justify - &Blocksatz + %1+J - Strg+J + %1+J &Color... - &Farbe... + &Farbe... @@ -5144,94 +5848,6 @@ Grund: »%2« Komprimierte OGG-Datei (*.ogg) - - QObject - - C - Note name - C - - - Db - Note name - Db - - - C# - Note name - C# - - - D - Note name - D - - - Eb - Note name - Eb - - - D# - Note name - D# - - - E - Note name - E - - - Fb - Note name - Fb - - - Gb - Note name - Gb - - - F# - Note name - F# - - - G - Note name - G - - - Ab - Note name - Ab - - - G# - Note name - G# - - - A - Note name - A - - - Bb - Note name - B - - - A# - Note name - A# - - - B - Note name - H - - QWidget @@ -5287,7 +5903,7 @@ Grund: »%2« RenameDialog Rename... - Umbenennen... + Umbenennen... @@ -5363,10 +5979,6 @@ Grund: »%2« Mute/unmute (<%1> + middle click) Stumm/Laut schalten (<Strg> + Mittelklick) - - Set/clear record - Aufnahme setzen/löschen - SampleTrack @@ -5380,7 +5992,7 @@ Grund: »%2« Panning - Balance + Balance @@ -5399,303 +6011,356 @@ Grund: »%2« Panning - Balance + Balance Panning: - Balance: + Balance: PAN - PAN + PAN SetupDialog Setup LMMS - Einrichtung von LMMS + Einrichtung von LMMS General settings - Allgemeine Einstellungen + Allgemeine Einstellungen BUFFER SIZE - PUFFERGRÖSSE + PUFFERGRÖSSE Reset to default-value - Auf Standardwert zurücksetzen + Auf Standardwert zurücksetzen MISC - VERSCHIEDENES + VERSCHIEDENES Enable tooltips - Tooltips aktivieren + Tooltips aktivieren Show restart warning after changing settings - Meldung nach Schließen dieses Dialogs zeigen + - Display volume as dBV - Lautstärke in dBV anzeigen + Display volume as dBFS + Compress project files per default - Projektdateien standardmäßig komprimieren + Projektfiles One instrument track window mode - Instrumente im Ein-Fenster-Modus + HQ-mode for output audio-device - HQ-Modus für Ausgabe-Audiogerät + Compact track buttons - Kompakte Spur-Knöpfe + Sync VST plugins to host playback - VST Plugins mit der Host-Wiedergabe synchronisieren + Enable note labels in piano roll - Notenbeschriftung in Piano-Roll aktivieren + Notenbeschriftung in Piano-Roll aktivieren Enable waveform display by default - Wellenform standardmäßig anzeigen + Keep effects running even without input - + Create backup file when saving a project - + LANGUAGE - + SPRACHE Paths - Pfade + Pfade LMMS working directory - LMMS-Arbeitsverzeichnis + LMMS-Arbeitsverzeichnis VST-plugin directory - VST-Plugin-Verzeichnis - - - Artwork directory - Artwork-Verzeichnis + VST-Plugin-Verzeichnis Background artwork - Hintergrundbild - - - FL Studio installation directory - FL Studio Installationsverzeichnis - - - LADSPA plugin paths - LADSPA-Pluginpfade + STK rawwave directory - STK RawWave-Verzeichnis + STK RawWave-Verzeichnis Default Soundfont File - Standard SoundFont-Datei + Performance settings - Performance-Einstellungen + Performance-Einstellungen UI effects vs. performance - UI-Effekte vs. Performance + UI-Effekte vs. Performance Smooth scroll in Song Editor - Weiches Scrollen im Song-Editor - - - Enable auto save feature - Automatisches Speichern aktivieren + Show playback cursor in AudioFileProcessor - Wiedergabe-Courser im AudioFileProcessor anzeigen + Audio settings - Audio-Einstellungen + Audio-Einstellungen AUDIO INTERFACE - AUDIO-SCHNITTSTELLE + AUDIO-SCHNITTSTELLE MIDI settings - MIDI-Einstellungen + MIDI-Einstellungen MIDI INTERFACE - MIDI-SCHNITTSTELLE + MIDI-SCHNITTSTELLE OK - OK + OK Cancel - Abbrechen + Abbrechen Restart LMMS - LMMS neustarten + LMMS neustarten Please note that most changes won't take effect until you restart LMMS! - Bitte beachten Sie, dass die meisten Änderungen erst wirksam werden, nachdem Sie LMMS neugestartet haben! + Frames: %1 Latency: %2 ms - Frames: %1 + Frames: %1 Latenz: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - Hier können Sie die interne Puffergröße einstellen, die von LMMS genutzt wird. Kleinere Werte machen sich in einer geringeren Latenz bemerkbar, können aber auch zu unbrauchbarem Sound oder schlechter Performance führen, vor allem auf älteren Computern oder Systemen mit einem Nicht-Echtzeit-Kernel. + Choose LMMS working directory - LMMS-Arbeitsverzeichnis wählen + LMMS-Arbeitsverzeichnis wählen Choose your VST-plugin directory - Wählen Sie Ihre VST-Plugin-Verzeichnis + Wählen Sie Ihre VST-Plugin-Verzeichnis Choose artwork-theme directory - Artwork-Verzeichnis wählen - - - Choose FL Studio installation directory - FL Studio Installationsverzeichnis wählen + Artwork-Verzeichnis wählen Choose LADSPA plugin directory - Wählen Sie Ihr LADSPA-Plugin-Verzeichnis + Wählen Sie Ihr LADSPA-Plugin-Verzeichnis Choose STK rawwave directory - Wählen Sie Ihr STK-RawWave-Verzeichnis + Wählen Sie Ihr STK-RawWave-Verzeichnis Choose default SoundFont - Standard-Soundfont wählen + Standard-Soundfont wählen Choose background artwork - Hintergrundbild wählen + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Hier können Sie Ihre bevorzugte Audio-Schnittstelle auswählen. Abhängig von der Konfiguration Ihres Systems während der Compilierung können Sie zwischen ALSA, JACK, OSS und mehr wählen. Unterhalb sehen Sie eine Box, welche Kontrollelemente anbietet, um die gewählte Audio-Schnittstelle einzurichten. + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Hier können Sie Ihre bevorzugte MIDI-Schnittstelle auswählen. Abhängig von der Konfiguration Ihres Systems während der Compilierung können Sie zwischen ALSA, OSS und mehr wählen. Unterhalb sehen Sie eine Box, welche Kontrollelemente anbietet, um die gewählte MIDI-Schnittstelle einzurichten. + + + + Reopen last project on start + Zuletzt geöffnetes Projekt automatisch öffnen + + + Directories + Verzeichnisse + + + Themes directory + Themen Verzeichniss + + + GIG directory + GIG Verzeichniss + + + SF2 directory + SF2 Verzeichniss + + + LADSPA plugin directories + LADSPA Plugin Verzeichniss + + + Auto save + Automatisch Speichern + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - Tempo + Tempo Master volume - Master-Lautstärke + Master-Lautstärke Master pitch - Master-Tonhöhe + Master-Tonhöhe Project saved - Projekt gespeichert + Projekt gespeichert The project %1 is now saved. - Das Projekt %1 ist nun gespeichert. + Das Projekt %1 ist nun gespeichert. Project NOT saved. - Projekt NICHT gespeichert. + Projekt NICHT gespeichert. The project %1 was not saved! - Das Projekt %1 wurde nicht gespeichert! + Das Projekt %1 wurde nicht gespeichert! Import file - Datei importieren + MIDI sequences - MIDI-Dateien - - - FL Studio projects - FL Studio Projekte + Hydrogen projects - Hydrogen-Projekte + All file types - Alle Dateitypen + Empty project - Leeres Projekt + This project is empty so exporting makes no sense. Please put some items into Song Editor first! - DIeses Projekt ist leer, weshalb das Exportieren keinen Sinn macht. Bitte erstellen Sie erst ein paar Einträge im Song-Editor! + Select directory for writing exported tracks... - Wählen Sie einen Ordner zum schreiben der exportierten Spuren aus… + untitled - unbenannt + Unbenannt Select file for project-export... - Datei für Projekt-Export wählen... + Datei für Projekt-Export wählen... The following errors occured while loading: - + Die folgenden Fehler traten während dem laden auf: + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + @@ -5769,56 +6434,88 @@ Latenz: %2 ms Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. Konnte %1 nicht zum Schreiben öffnen. Sie sind wahrscheinlich nicht dazu berechtigt in diese Datei zu schreiben. Bitte stellen Sie sicher, dass Sie Schreibrechte für diese Datei haben und versuchen Sie es erneut. + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + + SongEditorWindow Song-Editor - Song-Editor + Play song (Space) - Song abspielen (Leertaste) + Record samples from Audio-device - Samples vom Audiogerät aufnehmen + Record samples from Audio-device while playing song or BB track - Samples vom Audiogerät während der Wiedergabe des Songs oder BB-Tracks aufnehmen + Stop song (Space) - Abspielen des Songs stoppen (Leertaste) + Add beat/bassline - Beat/Bassline hinzufügen + Beat/Bassline hinzufügen Add sample-track - Sample-Spur hinzufügen + Add automation-track - Automation-Spur hinzufügen + Automation-Spur hinzufügen Draw mode - Zeichenmodus + Zeichenmodus Edit mode (select and move) - Editier-Modus (auswählen und verschieben) + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Klicken Sie hier, wenn Sie Ihren ganzen Song abspielen wollen. Das Abspielen wird am Song-Positions-Marker (grün) gestartet. Sie können diesen auch während des Abspielens verschieben. + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Klicken Sie hier, wenn Sie das Abspielen des Songs stoppen wollen. Der Song-Positions-Marker wird automatisch auf den Song-Anfang zurückgesetzt. + + + + Track actions + + + + Edit actions + Aktionen bearbeiten + + + Timeline controls + + + + Zoom controls + Zoom Regler @@ -5847,11 +6544,26 @@ Latenz: %2 ms Kanalmodus + + SubWindow + + Close + + + + Maximize + + + + Restore + + + TabWidget Settings for %1 - Einstellungen für %1 + Einstellungen für %1 @@ -5935,51 +6647,75 @@ Latenz: %2 ms click to change time units Klicken Sie hier, um die Zeiteinheit zu ändern + + MIN + MIN + + + SEC + SEC + + + MSEC + MSEC + + + BAR + BAR + + + BEAT + BEAT + + + TICK + TICK + TimeLineWidget Enable/disable auto-scrolling - Automatisches Scrollen aktivieren/deaktivieren + Automatisches Scrollen aktivieren/deaktivieren Enable/disable loop-points - Loop-Punkte aktivieren/deaktivieren + After stopping go back to begin - Nach Stop zum Anfang zurückkehren + After stopping go back to position at which playing was started - Nach Stop zur Position zurückkehren, an der es los ging + After stopping keep position - Nach Stop Position beibehalten + Hint - Tipp + Tipp Press <%1> to disable magnetic loop points. - Drücken Sie <Strg>, um magnetische Loop-Punkte zu deaktivieren. + Drücken Sie <%1>, um magnetische Loop-Punkte zu deaktivieren. Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - Halten Sie <Umschalt>, um den Anfangs-Loop-Punkt zu verschieben; Drücken Sie <Strg>, um magnetische Loop-Punkte zu deaktivieren. + Halten Sie <Umschalt>, um den Anfangs-Loop-Punkt zu verschieben; Drücken Sie <%1>, um magnetische Loop-Punkte zu deaktivieren. Track Mute - Stumm + Stumm Solo - Solo + Solo @@ -5989,7 +6725,7 @@ Latenz: %2 ms Datei konnte nicht importiert werden - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Es konnte kein Filter gefunden werden, um die Datei %1 zu importieren. Sie sollten diese Datei mit Hilfe anderer Software in ein von LMMS unterstützes Format umwandeln. @@ -5999,7 +6735,7 @@ Sie sollten diese Datei mit Hilfe anderer Software in ein von LMMS unterstützes Datei konnte nicht geöffnet werden - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Datei %1 konnte nicht zum Lesen geöffnet werden. Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeichnis besitzen und probieren es erneut! @@ -6020,110 +6756,110 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Importing MIDI-file... Importiere MIDI-Datei… - - Importing FLP-file... - Importiere FLP-Datei… - TrackContentObject - Muted - Stumm + Mute + Stumm TrackContentObjectView Current position - Aktuelle Position + Aktuelle Position Hint - Tipp + Tipp Press <%1> and drag to make a copy. - <Strg> drücken und ziehen, um eine Kopie zu erstellen. + <%1> drücken und ziehen, um eine Kopie zu erstellen. Current length - Aktuelle Länge + Aktuelle Länge Press <%1> for free resizing. - Drücken Sie <Strg> für freie Größenänderung. + Drücken Sie <%1> für freie Größenänderung. %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 bis %5:%6) + Delete (middle mousebutton) - Löschen (mittlere Maustaste) + Löschen (mittlere Maustaste) Cut - Ausschneiden + Ausschneiden Copy - Kopieren + Kopieren Paste - Einfügen + Einfügen Mute/unmute (<%1> + middle click) - Stumm/Laut schalten (<Strg> + Mittelklick) + Stumm/Laut schalten (<Strg> + Mittelklick) TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Drücken Sie <Strg> während des Klicks auf den Verschiebe-Griff, um eine neue Klicken und Ziehen-Aktion zu beginnen. + Drücken Sie <%1> während des Klicks auf den Verschiebe-Griff, um eine neue Klicken und Ziehen-Aktion zu beginnen. Actions for this track - Aktionen für diese Spur + Aktionen für diese Spur Mute - Stumm + Stumm Solo - Solo + Solo Mute this track - Diese Spur stummschalten + Diese Spur stummschalten Clone this track - Diese Spur klonen + Diese Spur klonen Remove this track - Diese Spur entfernen + Diese Spur entfernen Clear this track - Diese Spur leeren + Diese Spur leeren FX %1: %2 - + FX %1: %2 Turn all recording on - Alle Aufnahmen einschalten + Alle Aufnahmen einschalten Turn all recording off - Alle Aufnahmen ausschalten + Alle Aufnahmen ausschalten + + + Assign to new FX Channel + @@ -6279,6 +7015,10 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Decrement version number Versionsnummer vermindern + + already exists. Do you want to replace it? + + VestigeInstrumentView @@ -6338,10 +7078,18 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Previous (-) Vorheriges (-) + + Click here, if you want to switch to another VST-plugin preset program. + Klicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln. + Save preset Preset speichern + + Click here, if you want to save current VST-plugin preset program. + Klicken Sie hier, um das aktuelle VST-Plugin-Presetprogramm zu speichern. + Next (+) Nächstes (+) @@ -6354,14 +7102,6 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Preset Preset - - Click here, if you want to switch to another VST-plugin preset program. - Klicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln. - - - Click here, if you want to save current VST-plugin preset program. - Klicken Sie hier, um das aktuelle VST-Plugin-Presetprogramm zu speichern. - by von @@ -6375,15 +7115,19 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich VisualizationWidget click to enable/disable visualization of master-output - klicken, um Visualisierung des Masterausgangs an-/auszuschalten + Click to enable - Klick zur Aktivierung + VstEffectControlDialog + + Show/hide + Anzeigen/ausblenden + Control VST-plugin from LMMS host VST-Plugin von LMMS fernsteuern @@ -6404,6 +7148,10 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Previous (-) Vorheriges (-) + + Click here, if you want to switch to another VST-plugin preset program. + Klicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln. + Next (+) Nächstes (+) @@ -6416,18 +7164,10 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Save preset Preset speichern - - Click here, if you want to switch to another VST-plugin preset program. - Klicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln. - Click here, if you want to save current VST-plugin preset program. Klicken Sie hier, um das aktuelle VST-Plugin-Presetprogramm zu speichern. - - Show/hide - Anzeigen/ausblenden - Effect by: Effekt von: @@ -6489,7 +7229,7 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich The VST plugin %1 could not be loaded. - + @@ -6741,6 +7481,54 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Click for square wave Klicken für Rechteckwelle + + Volume + Lautstärke + + + Panning + Balance + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + A-B Mischung + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + + ZynAddSubFxInstrument @@ -6896,7 +7684,7 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Sample not found: %1 - + Sample nicht gefunden: %1 @@ -7095,6 +7883,17 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich Stereomodus + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + + + graphModel @@ -7221,15 +8020,15 @@ Bitte stellen Sie sicher, dass Sie Leserechte auf diese Datei sowie das Verzeich This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Dieser Dialog zeigt Informationen zu allen LADSPA Plugins an, dieLMMS gefunden hat. Die Plugins werden in fünf Kategorien eingeteilt, basierend auf der Interpretation der Porttypen und Namen. @@ -7264,6 +8063,10 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. ladspaPortDialog + + Ports + Ports + Name Name @@ -7324,10 +8127,6 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Yes Ja - - Ports - Ports - lb302Synth @@ -7348,28 +8147,28 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.VCF-Hüllkurvenabfallzeit - Slide - Slide - - - Accent - Betonung + Distortion + Verzerrung - Dead - Stumpf + Waveform + Wellenform Slide Decay Slide-Abfallzeit - Distortion - Verzerrung + Slide + Slide - Waveform - Wellenform + Accent + Betonung + + + Dead + Stumpf 24dB/oct Filter @@ -7396,7 +8195,7 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. 303-es-que, 24dB/octave, 3 pole filter - + Slide Decay: @@ -7500,117 +8299,67 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. - lb303Synth - - VCF Cutoff Frequency - VCF-Kennfrequenz - - - VCF Resonance - VCF-Resonanz - - - VCF Envelope Mod - VCF-Hüllkurvenintensität - - - VCF Envelope Decay - VCF-Hüllkurvenabfallzeit - - - Distortion - Verzerrung - - - Waveform - Wellenform - - - Slide Decay - Slide-Abfallzeit - - - Slide - Slide - - - Accent - Betonung - - - Dead - Stumpf - - - 24dB/oct Filter - 24db/Okt Filter - - - - lb303SynthView + malletsInstrument - Cutoff Freq: - Kennfrequenz: + Hardness + Härte - CUT - FREQ + Position + Position - Resonance: - Resonanz: + Vibrato Gain + Vibrato Gain - RES - RES + Vibrato Freq + Vibrato-Freq - Env Mod: - Hüllkurven-Modulation: + Stick Mix + Stick Mix - ENV MOD - ENV-MOD + Modulator + Modulator - Decay: - Abfallzeit (decay): + Crossfade + Crossfade - DEC - DEC + LFO Speed + LFO-Geschwindigkeit - 303-es-que, 24dB/octave, 3 pole filter - + LFO Depth + LFO-Tiefe - Slide Decay: - Slide-Abfallzeit: + ADSR + ADSR - SLIDE - SLIDE + Pressure + Druck - DIST: - DIST: + Motion + Bewegung - DIST - DIST + Speed + Geschwindigkeit - WAVE: - Wellenform: + Bowed + Gestrichen - WAVE - WELLE + Spread + Weite - - - malletsInstrument Marimba Marimba @@ -7667,74 +8416,6 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Tibetan Bowl Tibetanische Schüssel - - Hardness - Härte - - - Position - Position - - - Vibrato Gain - Vibrato Gain - - - Vibrato Freq - Vibrato-Freq - - - Stick Mix - Stick Mix - - - Modulator - Modulator - - - Crossfade - Crossfade - - - LFO Speed - LFO-Geschwindigkeit - - - LFO Depth - LFO-Tiefe - - - ADSR - ADSR - - - Pressure - Druck - - - Motion - Bewegung - - - Speed - Geschwindigkeit - - - Bowed - Gestrichen - - - Spread - Weite - - - Missing files - Fehlende Dateien - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - Ihre Stk-Installation scheint unvollständig zu sein. Bitte stellen Sie sicher, dass das volle Stk-Paket installiert ist! - malletsInstrumentView @@ -7830,10 +8511,6 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.ADSR: ADSR: - - Bowed - Gestrichen - Pressure Druck @@ -7842,14 +8519,6 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Pressure: Druck: - - Motion - Bewegung - - - Motion: - Bewegung: - Speed Geschwindigkeit @@ -7859,27 +8528,27 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Geschwindigkeit: - Vibrato - Vibrato + Missing files + - Vibrato: - Vibrato: + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView - VST Sync - VST-Sync + - VST parameter control + - VST Parameter Controller - Click here if you want to synchronize all parameters with VST plugin. - Klicken Sie hier, um alle Parameter mit dem VST-Plugin zu synchronisieren. + VST Sync + VST-Sync - - VST parameter control - - VST Parameter Controller + Click here if you want to synchronize all parameters with VST plugin. + Klicken Sie hier, um alle Parameter mit dem VST-Plugin zu synchronisieren. Automated @@ -7900,6 +8569,10 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. manageVestigeInstrumentView + + - VST plugin control + - VST Plugin Controller + VST Sync VST-Sync @@ -7908,10 +8581,6 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Click here if you want to synchronize all parameters with VST plugin. Klicken Sie hier, um alle Parameter mit dem VST-Plugin zu synchronisieren. - - - VST plugin control - - VST Plugin Controller - Automated Automatisiert @@ -7973,7 +8642,7 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. Op 1 Percussive Envelope - + Op 1 Tremolo @@ -8021,7 +8690,7 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. Op 2 Percussive Envelope - + Op 2 Tremolo @@ -8048,6 +8717,25 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Tremolo-Tiefe + + opl2instrumentView + + Attack + Anschwellzeit (attack) + + + Decay + Abfallzeit + + + Release + Ausklingzeit (release) + + + Frequency multiplier + + + organicInstrument @@ -8062,8 +8750,12 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. organicInstrumentView - Osc %1 volume: - Oszillator %1 Lautstärke: + Distortion: + Verzerrung: + + + Volume: + Lautstärke: Randomise @@ -8073,6 +8765,10 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Osc %1 waveform: Oszillator %1 Wellenform: + + Osc %1 volume: + Oszillator %1 Lautstärke: + Osc %1 panning: Oszillator %1 Balance: @@ -8081,14 +8777,6 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.cents Cent - - Distortion: - Verzerrung: - - - Volume: - Lautstärke: - The distortion knob adds distortion to the output of the instrument. Der Verzerrungsregler fügt Verzerrung zur Ausgabe des Instruments hinzu. @@ -8122,11 +8810,11 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. Sweep RtShift amount - + Wave Pattern Duty - + Channel 1 volume @@ -8217,19 +8905,19 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. Sweep RtShift amount: - + Sweep RtShift amount - + Wave pattern duty: - + Wave Pattern Duty - + Square Channel 1 Volume: @@ -8245,7 +8933,7 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. Wave pattern duty - + Square Channel 2 Volume: @@ -8377,46 +9065,57 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an. - pluginBrowser + patchesDialog - VST-host for using VST(i)-plugins within LMMS - VST-Host zum Benutzen von VST(i)-Plugins innerhalb von LMMS + Qsynth: Channel Preset + - no description - keine Beschreibung + Bank selector + - Additive Synthesizer for organ-like sounds - Additiver Synthesizer für orgelähnliche Klänge + Bank + Bank - Vibrating string modeler - Modellierung schwingender Saiten + Program selector + Programmwähler - Filter for importing MIDI-files into LMMS - Filter, um MIDI-Dateien in LMMS zu importieren + Patch + Patch - Filter for importing FL Studio projects into LMMS - Filter für Import von FL Studio Projekten in LMMS + Name + Name - Tuneful things to bang on - Gegenstände, die nach etwas klingen, wenn man drauf rumkloppt + OK + OK - plugin for using arbitrary LADSPA-effects inside LMMS. - Plugin, um beliebige LADSPA-Effekte in LMMS nutzen zu können. + Cancel + Abbrechen + + + + pluginBrowser + + no description + keine Beschreibung Incomplete monophonic imitation tb303 Unvollständiger monophonischer TB303-Klon - GUS-compatible patch instrument - GUS-kompatibles Patch-Instrument + Plugin for freely manipulating stereo output + Plugin zur freien Manipulation der Stereoausgabe + + + Plugin for controlling knobs with sound peaks + Plugin zur Kontrolle von Knöpfen mit Hilfe von Klangspitzen Plugin for enhancing stereo separation of a stereo input file @@ -8427,12 +9126,32 @@ Doppelklicken auf eines der Plugins zeigt Informaitonen über die Ports an.Installierte LADSPA-Plugins auflisten - Plugin for freely manipulating stereo output - Plugin zur freien Manipulation der Stereoausgabe + GUS-compatible patch instrument + GUS-kompatibles Patch-Instrument - Plugin for controlling knobs with sound peaks - Plugin zur Kontrolle von Knöpfen mit Hilfe von Klangspitzen + Additive Synthesizer for organ-like sounds + Additiver Synthesizer für orgelähnliche Klänge + + + Tuneful things to bang on + Gegenstände, die nach etwas klingen, wenn man drauf rumkloppt + + + VST-host for using VST(i)-plugins within LMMS + VST-Host zum Benutzen von VST(i)-Plugins innerhalb von LMMS + + + Vibrating string modeler + Modellierung schwingender Saiten + + + plugin for using arbitrary LADSPA-effects inside LMMS. + Plugin, um beliebige LADSPA-Effekte in LMMS nutzen zu können. + + + Filter for importing MIDI-files into LMMS + Filter, um MIDI-Dateien in LMMS zu importieren Emulation of the MOS6581 and MOS8580 SID. @@ -8469,24 +9188,20 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. LMMS-Portierung von sfxr - plugin for processing dynamics in a flexible way - Ein Plugin, um Dynamik auf Flexible Weise zu verarbeiten - - - A native amplifier plugin - Ein natives Verstärker-Plugin + Monstrous 3-oscillator synth with modulation matrix + Monströser 3-Oszillator Synth mit Modulationsmatrix - Graphical spectrum analyzer plugin - Graphisches Spektrumanalyzer Plugin + Three powerful oscillators you can modulate in several ways + Drei mächtige Oszillatoren, die Sie auf mehrere Weisen modulieren können - A NES-like synthesizer - Ein NES ähnlicher Synthesizer + A native amplifier plugin + Ein natives Verstärker-Plugin - Boost your bass the fast and simple way - Verstärken Sie Ihren Bass auf schnellen und einfachen Wege + Carla Rack Instrument + Carla Rack Instrument 4-oscillator modulatable wavetable synth @@ -8497,12 +9212,8 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. Plugin für Wellenformen - Monstrous 3-oscillator synth with modulation matrix - Monströser 3-Oszillator Synth mit Modulationsmatrix - - - plugin for using arbitrary VST effects inside LMMS. - Plugin um beliebige VST-Effekte in LMMS zu benutzen. + Boost your bass the fast and simple way + Verstärken Sie Ihren Bass auf schnellen und einfachen Wege Versatile drum synthesizer @@ -8513,95 +9224,60 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. Einfacher Sampler mit verschiedenen Einstellungen zum Benutzen von Samples (z.B. Trommeln) in einer Instrumentenspur - Three powerful oscillators you can modulate in several ways - Drei mächtige Oszillatoren, die Sie auf mehrere Weisen modulieren können - - - Carla Rack Instrument - Carla Rack Instrument + plugin for processing dynamics in a flexible way + Ein Plugin, um Dynamik auf Flexible Weise zu verarbeiten Carla Patchbay Instrument Carla Patchbay Instrument + + plugin for using arbitrary VST effects inside LMMS. + Plugin um beliebige VST-Effekte in LMMS zu benutzen. + + + Graphical spectrum analyzer plugin + Graphisches Spektrumanalyzer Plugin + + + A NES-like synthesizer + Ein NES ähnlicher Synthesizer + A native delay plugin Ein natives Verzögerung-Plugin Player for GIG files - + A multitap echo delay plugin - + A native flanger plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - OSS (Open Sound System) - OSS (Open Sound System) - - - SDL (Simple DirectMedia Layer) - SDL (Simple DirectMedia Layer) - - - ALSA-Sequencer (Advanced Linux Sound Architecture) - ALSA-Sequencer (Advanced Linux Sound Architecture) - - - JACK (JACK Audio Connection Kit) - JACK (JACK Audio Connection Kit) - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - PulseAudio - PulseAudio (Schlechte Latenz!) + Ein 4-Band Crossover Equalizer - Dummy (no sound output) - Dummy (Keine Soundausgabe) + A Dual filter plugin + Ein doppel Fliter Plugin - Dummy (no MIDI support) - Dummy (Keine MIDI-Unterstützung) - - - WinMM MIDI - WinMM MIDI - - - OSS Raw-MIDI (Open Sound System) - OSS Raw-MIDI (Open Sound System) - - - ALSA (Advanced Linux Sound Architecture) - ALSA (Advanced Linux Sound Architecture) - - - PortAudio - PortAudio + Filter for exporting MIDI-files from LMMS + @@ -8660,7 +9336,7 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. A soundfont %1 could not be loaded. - + @@ -8677,10 +9353,6 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. Choose the patch Patch wählen - - Open SoundFont file - SoundFont-Datei öffnen - Gain Gain @@ -8733,6 +9405,10 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. Chorus Depth: Chorus/Tiefe: + + Open SoundFont file + SoundFont-Datei öffnen + SoundFont2 Files (*.sf2) SoundFont2-Dateien (*.sf2) @@ -8814,26 +9490,50 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. Attack: Anschwellzeit (attack): + + Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. + Anschwellzeit gibt an, wie schnell die Ausgabe von Stimme %1 von Null zur Spitzenamplitude anschwellt. + Decay: Abfallzeit (decay): + + Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. + Abfallzeit gibt an, wie schnell die Ausgabe von der Spitzenamplitude bis zum ausgewählten Dauerpegel fällt. + Sustain: Dauerpegel (sustain): + + Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. + Die Ausgabe von Stimme %1 wird solange bei dem ausgewählten Dauerpegel verbleiben, wie die Note gehalten wird. + Release: Ausklingzeit (release): + + The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. + Die Ausgabe von Stimme %1 wird vom Dauerpegel mit der ausgewählten Ausklingzeit auf Null abfallen. + Pulse Width: Pulsweite: + + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. + Die Pulsweitenauflösung ermöglicht es die Weite gleitend, ohne erkennbare Schritte zu ändern. Die Puls-Wellenform von Oszillator %1 muss ausgewählt werden, um eine hörbaren Effekt zu haben. + Coarse: Grob: + + The Coarse detuning allows to detune Voice %1 one octave up or down. + Die Grob-Verstimmung ermöglicht es die Stimme %1 um eine Oktave nach oben oder unten zu verstimmen. + Pulse Wave Puls-Signal @@ -8854,46 +9554,22 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. Sync Synchron - - Ring-Mod - Ringmodulation - - - Filtered - Gefiltert - - - Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - Anschwellzeit gibt an, wie schnell die Ausgabe von Stimme %1 von Null zur Spitzenamplitude anschwellt. - - - Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - Abfallzeit gibt an, wie schnell die Ausgabe von der Spitzenamplitude bis zum ausgewählten Dauerpegel fällt. - - - Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - Die Ausgabe von Stimme %1 wird solange bei dem ausgewählten Dauerpegel verbleiben, wie die Note gehalten wird. - - - The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - Die Ausgabe von Stimme %1 wird vom Dauerpegel mit der ausgewählten Ausklingzeit auf Null abfallen. - - - The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - Die Pulsweitenauflösung ermöglicht es die Weite gleitend, ohne erkennbare Schritte zu ändern. Die Puls-Wellenform von Oszillator %1 muss ausgewählt werden, um eine hörbaren Effekt zu haben. - - - The Coarse detuning allows to detune Voice %1 one octave up or down. - Die Grob-Verstimmung ermöglicht es die Stimme %1 um eine Oktave nach oben oder unten zu verstimmen. - Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Sync synchronisiert die Grundfrequenz von Oszillator %1 mit der Grundfrequenz von Oszillator %2, was einen »Hard Sync« Effekt hervorruft. + + Ring-Mod + Ringmodulation + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Ringmodus ersetzt die Dreieck-Wellenfrom-Ausgabe von Oszillator %1 mit einer ringmodulierten Kombination der Oszillatoren %1 und %2. + + Filtered + Gefiltert + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Wenn gefilter an ist, wird Stimme %1 durch den Filter verarbeitet. Wenn gefiltert aus ist, wird Stimme %1 direckt an die Ausgabe weitergeleitet und der Filter hat keine Auswirkung darauf. @@ -9104,11 +9780,11 @@ Dieser Chip wurde in Commodore 64 Computern genutzt. Impuls-Editor - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Der Wellenform-Editor ermöglicht die Kontrolle über die Grundstellung oder den Impuls, der genutzt wird, um die Saite zum Schwingen zu bringen. Die Knöpfe rechts des Graphes initialisieren die Wellenform mit dem gewünschten Typ. Der »?«-Knopf lässt Sie eine Wellenform aus einer Datei laden - allerdings werden nur die ersten 128 Samples geladen. @@ -9120,15 +9796,15 @@ Der »S«-Knopf glättet die Wellenform. Der »N«-Knopf normalisiert die Wellenform. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modelliert bis zu 9 unabhängige schwingende Saiten. Der Saiten-Wähler ermöglicht die Wahl der gerade aktiven Saite. Der »Imp«-Knopf bestimmt, ob der Graph einen Impuls oder die Grundstellung der Saite repräsentiert. Der Oktaven-Wähler gibt den Oktavenversatz der Saite gegenüber dem Grundton an. @@ -9341,4 +10017,4 @@ Die LED rechts unterhalb der Wellenform gibt an, ob die Saite aktiviert ist.Ausgabeverstärkung - + \ No newline at end of file diff --git a/data/locale/en.ts b/data/locale/en.ts index c44efd6806a..ffe72e13043 100644 --- a/data/locale/en.ts +++ b/data/locale/en.ts @@ -42,19 +42,19 @@ If you're interested in translating LMMS in another language or want to imp - Involved + <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - Contributors ordered by number of commits: + Involved - Copyright © %1 + Contributors ordered by number of commits: - <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + Copyright © %1 @@ -1005,43 +1005,39 @@ If you're interested in translating LMMS in another language or want to imp DelayControlsDialog - Lfo Amt - - - - Delay Time + Delay - Feedback Amount + Lfo Amt - Lfo + Delay Time - Out Gain + Regen - Gain + Feedback Amount - DELAY + Rate - FDBK + Lfo - RATE + Out Gain - AMNT + Gain @@ -1872,6 +1868,18 @@ Right clicking will bring up a context menu where you can change the order in wh Octave + + Frequency + + + + Resonance + + + + Bandwidth + + EqHandle @@ -2034,6 +2042,11 @@ Right clicking will bring up a context menu where you can change the order in wh Could not open file + + Could not open file %1 for writing. +Please make sure you have write-permission to the file and the directory containing the file and try again! + + Export project to %1 @@ -2050,11 +2063,6 @@ Right clicking will bring up a context menu where you can change the order in wh Rendering: %1% - - Could not open file %1 for writing. -Please make sure you have write permission to the file and the directory containing the file and try again! - - Fader @@ -3414,7 +3422,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri - Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between -96.0 dBV and 6.0 dBV: @@ -3938,6 +3946,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Save as default template + + Export &MIDI... + + &View @@ -4007,7 +4019,7 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. - Volume as dBFS + Volume as dBV @@ -4018,10 +4030,6 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Enable note labels in piano roll - - Save project template - - MeterDialog @@ -4079,19 +4087,6 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. - - MidiJack - - JACK server down - When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) - - - - The JACK server seems to be shuted down. - When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) - - - MidiPort @@ -5657,15 +5652,15 @@ Reason: "%2" PluginBrowser - Instrument browser + Instrument plugins - Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. + Instrument browser - Instrument Plugins + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. @@ -6015,7 +6010,7 @@ Reason: "%2" - Display volume as dBFS + Display volume as dBV @@ -6094,6 +6089,10 @@ Reason: "%2" Smooth scroll in Song Editor + + Enable auto save feature + + Show playback cursor in AudioFileProcessor @@ -6220,24 +6219,12 @@ Latency: %2 ms - Enable auto-save - - - - Allow auto-save while playing - - - - Disabled - - - - Auto-save interval: %1 + Auto save interval: %1 %2 Set the time between automatic backup to %1. -Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. +Remember to also save your project manually. @@ -6319,10 +6306,6 @@ Remember to also save your project manually. You can choose to disable saving wh LMMS Error report - - Save project - - SongEditor @@ -6974,10 +6957,6 @@ Please make sure you have read-permission to the file and the directory containi Decrement version number - - already exists. Do you want to replace it? - - VestigeInstrumentView diff --git a/data/locale/es.ts b/data/locale/es.ts index c68e537dee6..9f27f262de6 100644 --- a/data/locale/es.ts +++ b/data/locale/es.ts @@ -42,10 +42,6 @@ Si te interesa traducir LMMS a otros idiomas o mejorar las traducciones existent LMMS LMMS - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - Involved Han contribuído @@ -58,6 +54,10 @@ Si te interesa traducir LMMS a otros idiomas o mejorar las traducciones existent Copyright © %1 Copyright © %1 + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + AmplifierControlDialog @@ -1005,10 +1005,6 @@ Si te interesa traducir LMMS a otros idiomas o mejorar las traducciones existent DelayControlsDialog - - Delay - Retraso - Lfo Amt Lfo cant @@ -1017,18 +1013,10 @@ Si te interesa traducir LMMS a otros idiomas o mejorar las traducciones existent Delay Time Tiempo de retraso - - Regen - Intensidad - Feedback Amount Cantidad de realimentacion - - Rate - Tasa (rate) - Lfo Lfo @@ -1041,6 +1029,22 @@ Si te interesa traducir LMMS a otros idiomas o mejorar las traducciones existent Gain Ganancia + + DELAY + RETRASO + + + FDBK + RETRO + + + RATE + TASA + + + AMNT + CANT + DualFilterControlDialog @@ -1881,18 +1885,6 @@ Haciendo click derecho accederás a un menú contextual en el que podrás cambia Octave Octava - - Frequency - Frecuencia - - - Resonance - Resonancia - - - Bandwidth - AnchoDeBanda - EqHandle @@ -2055,12 +2047,6 @@ Haciendo click derecho accederás a un menú contextual en el que podrás cambia Could not open file No se puede abrir el archivo - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - El archivo %1 no puede abrirse para escritura. -¡Asegúrate de tener permisos de escritura tanto del archivo como del directorio que lo contiene e inténtalo nuevamente! - Export project to %1 Exportar proyecto a %1 @@ -2077,6 +2063,11 @@ Please make sure you have write-permission to the file and the directory contain Rendering: %1% Renderizando: %1% + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + Fader @@ -3968,10 +3959,6 @@ Por favor visita http://lmms.sf.net/wiki para obtener documentación acerca de L Save as default template Guardar como plantilla por defecto - - Export &MIDI... - Exportar &MIDI... - &View &Ver @@ -4052,6 +4039,10 @@ Por favor visita http://lmms.sf.net/wiki para obtener documentación acerca de L Enable note labels in piano roll Nombres de notas en piano roll + + Save project template + + MeterDialog @@ -5703,10 +5694,6 @@ Razón: "%2" PluginBrowser - - Instrument plugins - Instrumentos - Instrument browser Explorador de Instrumentos @@ -5715,6 +5702,10 @@ Razón: "%2" Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Arrastra un instrumento al Editor de Canción, al Editor de Ritmo+Bajo o sobre una pista de instrumento existente. + + Instrument Plugins + + PluginFactory @@ -6141,10 +6132,6 @@ Razón: "%2" Smooth scroll in Song Editor Avance suave en Editor de Canción - - Enable auto save feature - Habilitar Auto-Guardado - Show playback cursor in AudioFileProcessor Mostrar cursor de reproducción en el AudioFileProcessor @@ -6272,14 +6259,25 @@ Latencia: %2 ms minuto - Auto save interval: %1 %2 - Guardar automáticamente cada: %1 %2 + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + Set the time between automatic backup to %1. -Remember to also save your project manually. - Define el tiempo entre auto-guardados en %1. -Recuerda también guardar tu proyecto manualmente. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + @@ -6360,6 +6358,10 @@ Recuerda también guardar tu proyecto manualmente. LMMS Error report Reporte de errores LMMS + + Save project + + SongEditor @@ -7014,6 +7016,10 @@ Please make sure you have read-permission to the file and the directory containi Decrement version number Disminuír el número de versión + + already exists. Do you want to replace it? + + VestigeInstrumentView diff --git a/data/locale/fr.ts b/data/locale/fr.ts index a40ea12af66..5f808bee7d1 100644 --- a/data/locale/fr.ts +++ b/data/locale/fr.ts @@ -41,10 +41,6 @@ Si vous êtes intéressé par la traduction de LMMS dans une nouvelle langue ou LMMS LMMS - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - Involved Personnes impliquées @@ -57,6 +53,10 @@ Si vous êtes intéressé par la traduction de LMMS dans une nouvelle langue ou Copyright © %1 Copyright © %1 + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + AmplifierControlDialog @@ -1004,10 +1004,6 @@ Si vous êtes intéressé par la traduction de LMMS dans une nouvelle langue ou DelayControlsDialog - - Delay - Délai - Lfo Amt Niveau LFO @@ -1016,18 +1012,10 @@ Si vous êtes intéressé par la traduction de LMMS dans une nouvelle langue ou Delay Time Durée du délai - - Regen - Régén - Feedback Amount Niveau de réaction - - Rate - Taux - Lfo LFO @@ -1040,6 +1028,22 @@ Si vous êtes intéressé par la traduction de LMMS dans une nouvelle langue ou Gain Gain + + DELAY + DE RETARD + + + FDBK + FDBK + + + RATE + TAUX + + + AMNT + AMNT + DualFilterControlDialog @@ -1880,18 +1884,6 @@ Un clic-droit fera apparaître un menu contextuel où vous pourrez changer l&apo Octave Octave - - Frequency - Fréquence - - - Resonance - Résonance - - - Bandwidth - Bande passante - EqHandle @@ -2054,12 +2046,6 @@ Un clic-droit fera apparaître un menu contextuel où vous pourrez changer l&apo Could not open file Le fichier n'a pas pu être ouvert - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Le fichier %1 ne peut pas être ouvert pour son écriture. -Veuillez vérifier que vous avez les droits d'accès en écriture à ce fichier et au répertoire qui le contient et réessayez ! - Export project to %1 Exporter le projet vers %1 @@ -2076,6 +2062,11 @@ Veuillez vérifier que vous avez les droits d'accès en écriture à ce fic Rendering: %1% Encodage : %1% + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + Fader @@ -4047,6 +4038,10 @@ Veuillez visiter http://lmms.sf.net/wiki pour la documentation de LMMS.Enable note labels in piano roll Activer les étiquettes de note dans le piano virtuel + + Save project template + + MeterDialog @@ -5698,10 +5693,6 @@ Raison : "%2" PluginBrowser - - Instrument plugins - Greffons d'instrument - Instrument browser Navigateur d'instruments @@ -5710,6 +5701,10 @@ Raison : "%2" Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Glissez un instrument dans l'éditeur de morceau, dans l'éditeur de rythme et de ligne de basse, ou dans une piste d'instrument existante. + + Instrument Plugins + + PluginFactory @@ -6136,10 +6131,6 @@ Raison : "%2" Smooth scroll in Song Editor Déplacement fluide dans l'éditeur de morceau - - Enable auto save feature - Activer la fonction de sauvegarde automatique - Show playback cursor in AudioFileProcessor Afficher le curseur de lecture dans AudioFileProcessor @@ -6267,14 +6258,25 @@ Latence : %2 ms minute - Auto save interval: %1 %2 - Intervalle de sauvegarde automatique : %1 %2 + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + Set the time between automatic backup to %1. -Remember to also save your project manually. - Régler le temps entre deux sauvegarde automatique à %1. -Rappelez-vous de sauvegarder également votre projet manuellement. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + @@ -6355,6 +6357,10 @@ Rappelez-vous de sauvegarder également votre projet manuellement. LMMS Error report Rapport d'erreur LMMS + + Save project + + SongEditor @@ -7009,6 +7015,10 @@ Veuillez vérifier que vous avez les droits en lecture pour ce fichier et le ré Decrement version number Décrémenter le numéro de version + + already exists. Do you want to replace it? + + VestigeInstrumentView diff --git a/data/locale/gl.ts b/data/locale/gl.ts index 9ee1f1d4cf7..0956b91731c 100644 --- a/data/locale/gl.ts +++ b/data/locale/gl.ts @@ -1,6 +1,4 @@ - - - + AboutDialog @@ -40,82 +38,82 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións Licenza - Copyright (c) 2004-2014, LMMS developers - Copyright (c) 2004-2009, os desenvolvedores do LMMS {2004-2013,?} {2004-2014,?} + LMMS + LMMS - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - + Involved + - LMMS - LMMS + Contributors ordered by number of commits: + - Involved - + Copyright © %1 + - Contributors ordered by number of commits: - + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog VOL - VOL + VOL Volume: - Volume: + Volume: PAN - PAN + PAN Panning: - Panorámica: + Panorámica: LEFT - + Left gain: - + RIGHT - + Right gain: - + AmplifierControls Volume - Volume + Volume Panning - Panorámica + Panorámica Left gain - + Right gain - + - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE DISPOSITIVO @@ -161,54 +159,54 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións Continue sample playback across notes - + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - + Disable loop - + This button disables looping. The sample plays only once from start to end. - + Enable loop - + This button enables forwards-looping. The sample loops between the end point and the loop point. - + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + Loopback point: - + With this knob you can set the point where the loop starts. - + AudioFileProcessorWaveView Sample length: - + @@ -231,11 +229,11 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións CLIENT-NAME - CLINTE-NOME + CHANNELS - CANLES + CANLES @@ -278,6 +276,28 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións DISPOSITIVO + + AudioSndio::setupWidget + + DEVICE + DISPOSITIVO + + + CHANNELS + CANLES + + + + AudioSoundIo::setupWidget + + BACKEND + INFRAESTRUTURA + + + DEVICE + DISPOSITIVO + + AutomatableModel @@ -318,11 +338,11 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións Remove song-global automation - + Remove all linked controls - + @@ -344,400 +364,440 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións AutomationEditorWindow Play/pause current pattern (Space) - Reproducir/Deter o padrón actual (Espazo) + Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - Prema aquí se desexa reproducir este padrón. Isto é útil mentres se edita. O padrón repítese en bucle automaticamente ao chegar ao final. + Stop playing of current pattern (Space) - Parar a execución do padrón actual (Espazo) + Click here if you want to stop playing of the current pattern. - Prema aquí se desexa parar a reprodución deste padrón. + Draw mode (Shift+D) - Modo de debuxo (Maiúsculas+D) + Erase mode (Shift+E) - Modo de borrado (Maiúsculas+E) + Flip vertically - + Flip horizontally - + Click here and the pattern will be inverted.The points are flipped in the y direction. - + Click here and the pattern will be reversed. The points are flipped in the x direction. - + Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - Prema aquí e o activarase o modo de debuxo. Neste modo pode engadir e mover valores individuais. Este é o modo por omisión que se emprega a maior parte do tempo. Tamén pode premer «Maiúsculas+D» no teclado para activar este modo. + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - Prema aquí e activarase o modo de borrado. Neste modo pódense borrar valores individuais. Tamén pode premer «Maiúsculas+E» no teclado para activar este modo. + Discrete progression - + Linear progression - + Cubic Hermite progression - + Tension value for spline - + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - + Cut selected values (%1+X) - Recortar os valores escollidos (%1+X) + Copy selected values (%1+C) - Copiar os valores escollidos (%1+C) + Paste values from clipboard (%1+V) - + Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Prema aquí e os valores escollidos recórtanse e van para o porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. + Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Prema aquí e os valores escollidos cópianse no porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. + Click here and the values from the clipboard will be pasted at the first visible measure. - Prema aquí e os valores do porta-retallos apegaranse no primeiro compás visíbel. + Tension: - + Automation Editor - no pattern - Editor de automatización - non hai ningún padrón + Automation Editor - %1 - Editor de automatización - %1 + + + + Edit actions + + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls + + + + Model is already connected to this pattern. + AutomationPattern Drag a control while pressing <%1> - Arrastre un control mentres ten <%1> premido - - - Model is already connected to this pattern. - + AutomationPatternView double-click to open this pattern in automation editor - faga duplo clic para abrir este padrón no editor de automatización + Open in Automation editor - Abrir o editor de automatización + Clear - Limpar + Reset name - Restaurar o nome + Restaurar o nome Change name - Mudar o nome + Mudar o nome %1 Connections - %1 conexións + Disconnect "%1" - Desconectar «%1» + Set/clear record - Indicar/Limpar a gravación + Flip Vertically (Visible) - + Flip Horizontally (Visible) - + + + + Model is already connected to this pattern. + AutomationTrack Automation track - Pista de automatización + BBEditor Beat+Bassline Editor - Editor de ritmos e liña do baixo + Mostrar/Agochar o Editor de ritmos e liña do baixo Play/pause current beat/bassline (Space) - Reproducir/Deter o ritmo/a liña do baixo actual (Espazo) + Stop playback of current beat/bassline (Space) - Parar a reprodución do ritmo/da liña do baixo actual (Espazo) + Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - Prema aquí para reproducir o ritmo/liña do baixo actual. O ritmo/liña do baixo repítese en bucle automaticamente ao chegar ao final. + Click here to stop playing of current beat/bassline. - Prema aquí para parar a reprodución do ritmo/liña do baixo actual. + Add beat/bassline - Engadir un ritmo/liña do baixo + Add automation-track - + Remove steps - Eliminar pasos + Eliminar pasos Add steps - Engadir pasos + Engadir pasos + + + Beat selector + + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + BBTCOView Open in Beat+Bassline-Editor - Abrir no editor de ritmos e liña do baixo + Reset name - Restaurar o nome + Restaurar o nome Change name - Mudar o nome + Mudar o nome Change color - Mudar a cor + Reset color to default - + BBTrack Beat/Bassline %1 - Ritmo/Liña do baixo %1 + Clone of %1 - + BassBoosterControlDialog FREQ - FREQ + Frequency: - Frecuencia: + GAIN - GAIN + Gain: - Ganancia: + Ganancia: RATIO - TAXA + Ratio: - Taxa: + BassBoosterControls Frequency - Frecuencia + Gain - Ganancia + Ganancia Ratio - Taxa + BitcrushControlDialog IN - + OUT - + GAIN - GAIN + Input Gain: - + NOIS - + Input Noise: - + Output Gain: - + CLIP - + Output Clip: - + Rate - Taxa + Taxa Rate Enabled - + Enable samplerate-crushing - + Depth - + Depth Enabled - + Enable bitdepth-crushing - + Sample rate: - + STD - + Stereo difference: - + Levels - + Levels: - + CaptionMenu &Help - &Axuda + &Axuda Help (not available) - + CarlaInstrumentView Show GUI - Mostrar a interface gráfica + Mostrar a interface gráfica Click here to show or hide the graphical user interface (GUI) of Carla. - + @@ -818,11 +878,11 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións Confirm Delete - + - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + @@ -844,308 +904,354 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións Introduza o novo nome deste controlador - &Remove this plugin - Elimina&r este engadido + &Remove this controller + + + + Re&name this controller + + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 2 Gain: - + Band 3 Gain: - + Band 4 Gain: - + Band 1 Mute - + Mute Band 1 - + Band 2 Mute - + Mute Band 2 - + Band 3 Mute - + Mute Band 3 - + Band 4 Mute - + Mute Band 4 - + DelayControls Delay Samples - + Feedback - + Lfo Frequency - + Lfo Amount - + + + + Output gain + DelayControlsDialog - Delay - + Lfo Amt + Delay Time - + - Regen - + Feedback Amount + - Feedback Amount - + Lfo + - Rate - Taxa + Out Gain + - Lfo - + Gain + Ganancia - Lfo Amt - + DELAY + + + + FDBK + - - - DetuningHelper - Note detuning - + RATE + + + + AMNT + DualFilterControlDialog Filter 1 enabled - + Filter 2 enabled - + Click to enable/disable Filter 1 - + Click to enable/disable Filter 2 - + + + + FREQ + + + + Cutoff frequency + Frecuencia de corte + + + RESO + RESO + + + Resonance + Resonancia + + + GAIN + + + + Gain + Ganancia + + + MIX + + + + Mix + DualFilterControls Filter 1 enabled - + Filter 1 type - + Cutoff 1 frequency - + Q/Resonance 1 - + Gain 1 - + Mix - + Filter 2 enabled - + Filter 2 type - + Cutoff 2 frequency - + Q/Resonance 2 - + Gain 2 - + LowPass - Pasa-baixas + Pasa-baixas HiPass - Pasa-altas + Pasa-altas BandPass csg - Pasa-faixa csg + Pasa-faixa csg BandPass czpg - Pasa-faixa czpg + Pasa-faixa czpg Notch - Entalle + Entalle Allpass - Pasa-todo + Pasa-todo Moog - Moog + Moog 2x LowPass - 2x Pasa-baixas + 2x Pasa-baixas RC LowPass 12dB - RC pasa-baixa 12dB + RC pasa-baixa 12dB RC BandPass 12dB - RC pasa-faixa 12dB + RC pasa-faixa 12dB RC HighPass 12dB - RC pasa-alta 12dB + RC pasa-alta 12dB RC LowPass 24dB - RC pasa-baixa 24dB + RC pasa-baixa 24dB RC BandPass 24dB - RC pasa-faixa 24dB + RC pasa-faixa 24dB RC HighPass 24dB - RC pasa-alta 24dB + RC pasa-alta 24dB Vocal Formant Filter - Filtro de formante vocal + Filtro de formante vocal 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - + Editor Play (Space) - + Stop (Space) - + Record - + Record while playing - + + + + Transport controls + @@ -1192,8 +1298,20 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións Engadir un efecto - Plugin description - Descrición do engadido + Name + Nome + + + Type + Tipo + + + Description + Descrición + + + Author + @@ -1251,13 +1369,13 @@ Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Os engadidos de efectos funcionan como unha serie encadeada de efectos na que o sinal se procesa desde arriba para abaixo. @@ -1410,7 +1528,7 @@ Ao premer co botón dereito aparece un menú de contexto no que se pode cambiar REL - + Release: @@ -1510,7 +1628,7 @@ Ao premer co botón dereito aparece un menú de contexto no que se pode cambiar ms/LFO: - + Hint @@ -1522,256 +1640,264 @@ Ao premer co botón dereito aparece un menú de contexto no que se pode cambiar Click here for random wave. - + EqControls Input gain - + Output gain - + Low shelf gain - + Peak 1 gain - + Peak 2 gain - + Peak 3 gain - + Peak 4 gain - + High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP 12 - + LP 24 - + LP 48 - + HP 12 - + HP 24 - + HP 48 - + low pass type - + high pass type - + + + + Analyse IN + + + + Analyse OUT + EqControlsDialog HP - + Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + In Gain - + Gain - Ganancia + Ganancia Out Gain - + Bandwidth: - + Resonance : - + Frequency: - Frecuencia: + - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + + + + EqHandle - lp grp - + Reso: + - hp grp - + BW: + - - - EqParameterWidget - Hz - + Freq: + @@ -1910,185 +2036,200 @@ Ao premer co botón dereito aparece un menú de contexto no que se pode cambiar Export as loop (remove end silence) - + Export between loop markers - + Could not open file - Non foi posíbel abrir o ficheiro - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Non foi posíbel abrir o ficheiro %1 para escribir nel. -Asegúrese de ter permisos sobre o ficheiro e o directorio que o contén e tente de novo! + Non foi posíbel abrir o ficheiro Export project to %1 - Exportar o proxecto a %1 + Error - Erro + Error while determining file-encoder device. Please try to choose a different output format. - Produciuse un erro ao determinar o dispositivo codificador do ficheiro. Tente escollendo un formato de saída diferente. + Rendering: %1% - A renderizar: %1% + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - Introduza un valor novo entre %1 e %2: + FileBrowser Browser - + FileBrowserTreeWidget Send to active instrument-track - - - - Open in new instrument-track/Song-Editor - + Open in new instrument-track/B+B Editor - + Loading sample - + Please wait, loading sample for preview... - + --- Factory files --- - + + + + Open in new instrument-track/Song Editor + + + + Error + + + + does not appear to be a valid + + + + file + FlangerControls Delay Samples - + Lfo Frequency - + Seconds - + Regen - + Noise - Ruído + Ruído Invert - + FlangerControlsDialog - Delay - + Delay Time: + - Delay Time: - + Feedback Amount: + - Lfo Hz - + White Noise Amount: + - Lfo: - + DELAY + - Amt - + RATE + - Amt: - + Rate: + - Regen - + AMNT + - Feedback Amount: - + Amount: + - Noise - Ruído + FDBK + - White Noise Amount: - + NOISE + + + + Invert + FxLine Channel send amount - + The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left - + Move &right - + Rename &channel - + R&emove channel - + Remove &unused channels - + @@ -2104,250 +2245,337 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixerView - - Rename FX channel - Mudar o nome desta canle de efectos especiais - - - Enter the new name for this FX channel - Introduza o novo nome para esta canle de efectos especiais - FX-Mixer Mesturador de efectos especiais FX Fader %1 - Fader de efectos %1 + Mute - Silenciar + Mute this FX channel - Silenciar esta canle de efectos especiais + Solo - Solo + Solo FX channel - + FxRoute Amount to send from channel %1 to channel %2 - + GigInstrument Bank - Banco + Banco Patch - Parche + Parche Gain - Ganancia + Ganancia GigInstrumentView Open other GIG file - + Click here to open another GIG file - + Choose the patch - Escoller o parche + Escoller o parche Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Which GIG file is currently being used - + Which patch of the GIG file is currently being used - + Gain - Ganancia + Ganancia Factor to multiply samples by - + Open GIG file - + GIG Files (*.gig) - + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + + + + Preparing song editor + + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + + + + Preparing automation editor + InstrumentFunctionArpeggio Arpeggio - Arpexo + Arpeggio type - Tipo de arpexo + Arpeggio range - Intervalo do arpexo + Arpeggio time - Tempo do arpexo + Arpeggio gate - Porta do arpexo + Arpeggio direction - Dirección do arpexo + Arpeggio mode - Modo do arpexo + Up - Arriba + Down - Abaixo + Up and down - Arriba e abaixo + Random - Aleatorio + Free - Libre + Sort - Ordenar + Sync - Sincronizar + Sincronizar Down and up - + + + + Skip rate + + + + Miss rate + + + + Cycle steps + InstrumentFunctionArpeggioView ARPEGGIO - ARPEXO + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - Un arpexo é unha técnica de tocar instrumentos (especialmente de corda), que fai que a música sexa máis viva. As cordas deses instrumentos (harpas, por exemplo), púlsanse como acordes. A única diferenza é que se fai de maneira secuencial, polo que as notas non se tocan todas ao mesmo tempo. Os arpexos típicos son tríadas maiores ou menores, aínda que existen moitos outros acordes posíbeis que se poden escoller. + RANGE - INTERVALO + INTERVALO Arpeggio range: - Tesitura do arpexo: + octave(s) - oitava(s) + oitava(s) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - Empregue este botón para indicar a tesitura do arpexo en oitavas. O arpexo escollido reproducirase dentro do número de oitavas indicado. + TIME - Tempo + Arpeggio time: - Tempo do arpexo: + ms - ms + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - + GATE - PORTA + PORTA Arpeggio gate: - Porta do arpexo: + % - % + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - + Chord: - + Direction: - Dirección: + Mode: - Modo: + - - - InstrumentFunctionNoteStacking - octave - oitava + SKIP + - Major + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + + InstrumentFunctionNoteStacking + + octave + oitava + + + Major Maior @@ -2516,7 +2744,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri 9#5 - + 9b5 @@ -2524,7 +2752,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri 9#11 - + 9b13 @@ -2532,19 +2760,19 @@ You can remove and move FX channels in the context menu, which is accessed by ri Maj9 - + Maj9sus4 - + Maj9#5 - + Maj9#11 - + m9 @@ -2552,19 +2780,19 @@ You can remove and move FX channels in the context menu, which is accessed by ri madd9 - + m9b5 - + m9-Maj7 - + 11 - + 11b9 @@ -2572,7 +2800,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Maj11 - + m11 @@ -2580,15 +2808,15 @@ You can remove and move FX channels in the context menu, which is accessed by ri m-Maj11 - + 13 - + 13#9 - + 13b9 @@ -2600,7 +2828,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Maj13 - + m13 @@ -2608,7 +2836,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri m-Maj13 - + Harmonic minor @@ -2636,7 +2864,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Jap in sen - + Major bebop @@ -2708,19 +2936,27 @@ You can remove and move FX channels in the context menu, which is accessed by ri Minor - + Chromatic - + Half-Whole Diminished - + 5 - 5 + + + + Phrygian dominant + + + + Persian + @@ -2743,11 +2979,11 @@ You can remove and move FX channels in the context menu, which is accessed by ri STACKING - + Chord: - + @@ -2782,30 +3018,30 @@ You can remove and move FX channels in the context menu, which is accessed by ri NOTE - + CUSTOM BASE VELOCITY - + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + BASE VELOCITY - + InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + @@ -2908,31 +3144,31 @@ You can remove and move FX channels in the context menu, which is accessed by ri 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - + @@ -2975,15 +3211,15 @@ You can remove and move FX channels in the context menu, which is accessed by ri FREQ - FREQ + cutoff frequency: - + Envelopes, LFOs and filters are not supported by the current instrument. - + @@ -3014,19 +3250,19 @@ You can remove and move FX channels in the context menu, which is accessed by ri With this knob you can set the volume of the opened channel. - Con este botón pódese indicar o volume da canle aberta. + Base note - Nota base + Nota base Pitch range - + Master Pitch - + @@ -3067,6 +3303,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri Output Saída + + FX %1: %2 + + InstrumentTrackWindow @@ -3148,42 +3388,50 @@ You can remove and move FX channels in the context menu, which is accessed by ri Pitch range (semitones) - + RANGE - INTERVALO + INTERVALO Save current instrument track settings in a preset file - + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + MISC - DIVERSOS + + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + Knob Set linear - + Set logarithmic - + - Please enter a new value between -96.0 dBV and 6.0 dBV: - Introduza un valor novo entre -96,0 dBV e 6,0 dBV: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between %1 and %2: - Introduza un valor novo entre %1 e %2: + @@ -3230,7 +3478,26 @@ You can remove and move FX channels in the context menu, which is accessed by ri LcdSpinBox Please enter a new value between %1 and %2: - Introduza un valor novo entre %1 e %2: + + + + + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + @@ -3298,10 +3565,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Empregue este botón para indicar a velocidade do oscilador de frecuencia baixa (LFO). Canto maior sexa este valor, máis rápido oscila o LFO e máis rápido resulta o efecto. - - AMT - - Modulation amount: Cantidade de modulación: @@ -3353,29 +3616,44 @@ You can remove and move FX channels in the context menu, which is accessed by ri Click here for a user-defined shape. Double click to pick a file. - + Click here for a moog saw-wave. - + + + + AMNT + - MainWindow + LmmsCore - Working directory - Directorio de traballo + Generating wavetables + - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - O directorio de traballo do LMMS %1 non existe. Desexa crealo agora? Pode cambiar o directorio máis tarde indo a Editar -> Configuración. + Initializing data structures + + + + Opening audio and midi devices + + + Launching mixer threads + + + + + MainWindow Could not save config-file Non foi posíbel gravar o ficheiro de configuración - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Non foi posíbel gravar o ficheiro de configuración %1. Probabelmente non se lle permita escribir neste ficheiro. Asegúrese de dispor de acceso para escribir neste ficheiro e ténteo de novo. @@ -3532,102 +3810,230 @@ Please make sure you have write-access to the file and try again. Non hai axuda dispoñíbel - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. De momento non hai axuda dispoñíbel no LMMS. Visitehttp://lmms.sf.net/wiki para documentación sobre o LMMS. - Configuration file - + LMMS (*.mmp *.mmpz) + - Error while parsing configuration file at line %1:%2: %3 - + Version %1 + - LMMS (*.mmp *.mmpz) - + Configuration file + - Version %1 - + Error while parsing configuration file at line %1:%2: %3 + Volumes - + Undo - + Redo - - - - LMMS Project - - - - LMMS Project Template - + My Projects - + My Samples - + My Presets - + My Home - + My Computer - - - - Root Directory - + &File - + &Recently Opened Projects - + Save as New &Version - + E&xport Tracks... - + Online Help - + What's This? - + Open Project - + Save Project - + + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + + + + Preparing file browsers + + + + Root directory + + + + Loading background artwork + + + + New from template + + + + Save as default template + + + + &View + + + + Toggle metronome + + + + Show/hide Song-Editor + + + + Show/hide Beat+Bassline Editor + + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + @@ -3656,20 +4062,6 @@ Visitehttp://lmms.sf.net/wiki para documentación sobre o LMMS. Denominador - - MidiAlsaRaw::setupWidget - - DEVICE - DISPOSITIVO - - - - MidiAlsaSeq - - DEVICE - DISPOSITIVO - - MidiController @@ -3695,12 +4087,22 @@ Visitehttp://lmms.sf.net/wiki para documentación sobre o LMMS. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. O LMMS non foi compilado para que admitise un reprodutor de SoundFont2, que se utiliza para engadir un son por omisión aos ficheiros de MIDI. En consecuencia, non se ha de reproducir ningún son unha vez importado este ficheiro de MIDI. + + Track + + - MidiOss::setupWidget + MidiJack - DEVICE - DISPOSITIVO + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + O servidor de JACK non está a funcionar + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + @@ -3743,503 +4145,510 @@ Visitehttp://lmms.sf.net/wiki para documentación sobre o LMMS. Fixed output note - + Base velocity - + + + + + MidiSetupWidget + + DEVICE + DISPOSITIVO MonstroInstrument Osc 1 Volume - + Osc 1 Panning - + Osc 1 Coarse detune - + Osc 1 Fine detune left - + Osc 1 Fine detune right - + Osc 1 Stereo phase offset - + Osc 1 Pulse width - + Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 Panning - + Osc 2 Coarse detune - + Osc 2 Fine detune left - + Osc 2 Fine detune right - + Osc 2 Stereo phase offset - + Osc 2 Waveform - + Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 Panning - + Osc 3 Coarse detune - + Osc 3 Stereo phase offset - + Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 Waveform 2 - + Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 Attack - + LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 Attack - + LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Selected view - + Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO2 - + Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO2 - + Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO2 - + Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - Onda senoidal + Onda senoidal Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + White noise - + Digital Triangle wave - + Digital Saw wave - + Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave - Onda triangular + Onda triangular Saw wave - Onda de dente de serra + Onda de dente de serra Ramp wave - + Square wave - Onda cadrada + Onda cadrada Moog saw wave - + Abs. sine wave - + Random - Aleatorio + Random smooth - + MonstroView Operators view - + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4247,279 +4656,502 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Modulate amplitude of Osc3 with Osc2 - + Modulate frequency of Osc3 with Osc2 - + Modulate phase of Osc3 with Osc2 - + The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + + + + Volume + Volume + + + Panning + Panorámica + + + Coarse detune + + + + semitones + + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + Ataque + + + Rate + Taxa + + + Phase + + + + Pre-delay + + + + Hold + Retención + + + Decay + Decaemento + + + Sustain + Sustentación + + + Release + Relaxamento + + + Slope + + + + Modulation amount + Cantidade de modulación MultitapEchoControlDialog Length - + Step length: - + Dry - + Dry Gain: - + Stages - + Lowpass stages: - + Swap inputs - + Swap left and right input channel for reflections - + NesInstrument Channel 1 Coarse detune - + Channel 1 Volume - + Channel 1 Envelope length - + Channel 1 Duty cycle - + Channel 1 Sweep amount - + Channel 1 Sweep rate - + Channel 2 Coarse detune - + Channel 2 Volume - + Channel 2 Envelope length - + Channel 2 Duty cycle - + Channel 2 Sweep amount - + Channel 2 Sweep rate - + Channel 3 Coarse detune - + Channel 3 Volume - + Channel 4 Volume - + Channel 4 Envelope length - + Channel 4 Noise frequency - + Channel 4 Noise frequency sweep - + Master volume - Volume global + Vibrato - Vibrato + Vibrato - OscillatorObject + NesInstrumentView - Osc %1 volume - Volume do oscilador %1 - + Volume + Volume + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + + + + Vibrato + Vibrato + + + + OscillatorObject + + Osc %1 volume + Volume do oscilador %1 + Osc %1 panning Panorámica do oscilador %1 @@ -4558,7 +5190,42 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator Osc %1 harmonic - + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + Banco + + + Program selector + + + + Patch + Parche + + + Name + Nome + + + OK + Aceptar + + + Cancel + Cancelar @@ -4610,12 +5277,6 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - faga duplo clic para abrir este padrón na pianola -empregue a roda do rato para modificar o volume un paso - Open in piano-roll Abrir na pianola @@ -4640,6 +5301,18 @@ empregue a roda do rato para modificar o volume un paso Remove steps Eliminar pasos + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + PeakController @@ -4649,11 +5322,11 @@ empregue a roda do rato para modificar o volume un paso Peak Controller Bug - + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + @@ -4691,31 +5364,31 @@ empregue a roda do rato para modificar o volume un paso AMNT - + MULT - + Amount Multiplicator: - + ATCK - + DCAY - + - TRES - + Treshold: + - Treshold: - + TRSH + @@ -4728,6 +5401,10 @@ empregue a roda do rato para modificar o volume un paso Modulation amount Cantidade de modulación + + Mute output + Silenciar a saída + Attack Ataque @@ -4736,33 +5413,21 @@ empregue a roda do rato para modificar o volume un paso Release Relaxamento - - Mute output - Silenciar a saída - Abs Value - + Amount Multiplicator - + Treshold - + PianoRoll - - Piano-Roll - no pattern - Pianola - non hai ningún padrón - - - Piano-Roll - %1 - Pianola - %1 - Please open a pattern by double-clicking on it! Abra un padrón facendo duplo clic nel! @@ -4785,158 +5450,194 @@ empregue a roda do rato para modificar o volume un paso Mark/unmark current semitone - + Mark current scale - + Mark current chord - + Unmark all - + No scale - + No chord - + Velocity: %1% - + Panning: %1% left - + Panning: %1% right - + Panning: center - + Please enter a new value between %1 and %2: - Introduza un valor novo entre %1 e %2: + + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + PianoRollWindow Play/pause current pattern (Space) - Reproducir/Deter o padrón actual (Espazo) + Record notes from MIDI-device/channel-piano - Gravar notas dun dispositivo MIDI/piano de canle + Record notes from MIDI-device/channel-piano while playing song or BB track - Gravar notas dun dispositivo MIDI/piano de canle mentres se reproduce a canción ou pista de ritmos/liña do baixo + Stop playing of current pattern (Space) - Parar a execución do padrón actual (Espazo) + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - Prema aquí para reproducir este padrón. Isto é útil mentres se edita. O padrón repítese en bucle automaticamente ao chegar ao final. + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - Prema aquí para gravar notas desde un dispositivo MIDI ou desde o piano de proba virtual da xanela da canle correspondente no padrón actual. As notas tocadas ao gravar escríbense neste padrón e despois pódense editar. + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - Prema aquí para gravar notas desde un dispositivo MIDI ou desde o piano de proba virtual da xanela da canle correspondente no padrón actual. As notas tocadas ao gravar escríbense neste padrón e escóitase a canción ou pista de ritmos/liña do baixo no fondo. + Click here to stop playback of current pattern. - Prema aquí para parar a reprodución deste padrón. + Draw mode (Shift+D) - Modo de debuxo (Maiúsculas+D) + Erase mode (Shift+E) - Modo de borrado (Maiúsculas+E) + Select mode (Shift+S) - Modo de selección (Maiúscula+S) + Detune mode (Shift+T) - Modo de desafinación (Maiúsculas+T) + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - Prema aquí e o activarase o modo de debuxo. Neste modo pode engadir e mover valores individuais. Este é o modo por omisión que se emprega a maior parte do tempo. Tamén pode premer «Maiúsculas+D» no teclado para activar este modo. Neste modo, manteña %1 para ir temporalmente ao modo de selección. + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - Prema aquí e activarase o modo de borrado. Neste modo pódense borrar valores individuais. Tamén pode premer «Maiúsculas+E» no teclado para activar este modo. + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - Prema aquí e activarase o modo de borrado. Neste modo pódense borrar valores individuais. Como alternativa pode premer %1 no modo de debuxo para empregar temporalmente o modo de selección. + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - Prema aquí e actívase o modo de desafinación.Neste modo pódese premer unhanota para abrir a súa desafinación de automatización. Pódese empregar isto para escorregar entre as notas. Tamén se pode premer «Maiúsculas+T» no teclado para activar este mdo. + Cut selected notes (%1+X) - Recortar as notas escollidas (%1+X) + Copy selected notes (%1+C) - Copiar as notas escollidas (%1+C) + Paste notes from clipboard (%1+V) - Apegar as notas do porta-retallos (%1+V) + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Prema aquí e os valores escollidos recórtanse e van para o porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Prema aquí e os valores escollidos cópianse no porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. + Click here and the notes from the clipboard will be pasted at the first visible measure. - Prema aquí e os valores do porta-retallos apegaranse no primeiro compás visíbel. + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + + + + Piano-Roll - no pattern + + + + Quantize + @@ -4953,7 +5654,7 @@ empregue a roda do rato para modificar o volume un paso Non se atopou o engadido - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Non se atopou o engadido «%1» ou non foi posíbel cargalo! Razón: «%2» @@ -4966,143 +5667,150 @@ Razón: «%2» Failed to load plugin "%1"! Fallou a carga do engadido «%1»! - - LMMS plugin %1 does not have a plugin descriptor named %2! - - PluginBrowser - - Instrument plugins - Engadidos de instrumento - Instrument browser - Navegador de instrumentos + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - Arrastre un instrumento para o Editor de cancións, o Editor de ritmos+liña do baixo ou para unha pista de instrumento existente. + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + ProjectNotes Project notes - Notas do proxecto + Put down your project notes here. - Anote aquí as súas notas sobre o proxecto. + Edit Actions - Editar as accións + &Undo - Desfa&cer + %1+Z - %1+Z + &Redo - &Refacer + %1+Y - %1+Y + &Copy - &Copiar + %1+C - %1+C + Cu&t - Cor&tar + %1+X - %1+X + &Paste - A&pegar + %1+V - %1+V + Format Actions - Accións de formato + &Bold - &Negrita + %1+B - %1+B + &Italic - Cursi&va + %1+I - %1+I + &Underline - S&ubliñado + %1+U - %1+U + &Left - &Esquerda + %1+L - %1+L + C&enter - C&entro + %1+E - %1+E + &Right - De&reita + %1+R - %1+R + &Justify - &Xustificar + %1+J - %1+J + &Color... - &Cor... + @@ -5116,94 +5824,6 @@ Razón: «%2» Ficheiro OGG comprimido (*.ogg) - - QObject - - C - Note name - - - - Db - Note name - - - - C# - Note name - - - - D - Note name - - - - Eb - Note name - - - - D# - Note name - - - - E - Note name - - - - Fb - Note name - - - - Gb - Note name - - - - F# - Note name - - - - G - Note name - - - - Ab - Note name - - - - G# - Note name - - - - A - Note name - - - - Bb - Note name - - - - A# - Note name - - - - B - Note name - - - QWidget @@ -5252,422 +5872,470 @@ Razón: «%2» File: %1 - + RenameDialog Rename... - Mudar o nome... + SampleBuffer Open audio file - Abrir un ficheiro de son + Wave-Files (*.wav) - Ficheiros wave (*.wav) + OGG-Files (*.ogg) - Ficheiros OGG (*.ogg) + DrumSynth-Files (*.ds) - Ficheiros do DrumSynth (*.ds) + FLAC-Files (*.flac) - Ficheiros FLAC (*.flac) + SPEEX-Files (*.spx) - Ficheiros SPEEX (*.spx) + VOC-Files (*.voc) - Ficheiros VOC (*.voc) + AIFF-Files (*.aif *.aiff) - Ficheiros AIFF (*.aif *.aiff) + AU-Files (*.au) - Ficheiros AU (*.au) + RAW-Files (*.raw) - Ficheiros RAW (*.raw) + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + SampleTCOView double-click to select sample - faga duplo clic para escoller unha mostra + Delete (middle mousebutton) - Eliminar (botón do medio do rato) + Cut - Recortar + Copy - Copiar + Paste - Apegar + Mute/unmute (<%1> + middle click) - Silenciar/Darlle volume (<%1> + botón central do rato) - - - Set/clear record - Indicar/Limpar a gravación + SampleTrack Sample track - Pista de mostras + Volume - Volume + Volume Panning - Panorámica + Panorámica SampleTrackView Track volume - Volume da pista + Channel volume: - Volume da canle: + VOL - VOL + VOL Panning - Panorámica + Panorámica Panning: - Panorámica: + Panorámica: PAN - PAN + PAN SetupDialog Setup LMMS - Configuración do LMMS + General settings - Configuración xeral + BUFFER SIZE - TAMAÑO DO BÚFER + Reset to default-value - Restaurar o valor por omisión + MISC - DIVERSOS + Enable tooltips - Activar as axudiñas + Show restart warning after changing settings - Mostrar o aviso sobre o reinicio despois de cambiar a configuración + - Display volume as dBV - Mostrar o volume como dBV + Display volume as dBFS + Compress project files per default - Comprimir os ficheiros dos proxectos por omisión + One instrument track window mode - + HQ-mode for output audio-device - Modo de calidade alta para o dispositivo de son de saída + Compact track buttons - + Sync VST plugins to host playback - + Enable note labels in piano roll - + Enable waveform display by default - + Keep effects running even without input - + Create backup file when saving a project - + LANGUAGE - + Paths - Rutas + LMMS working directory - Directorio de traballo do LMMS + VST-plugin directory - Directorio dos engadidos de VST - - - Artwork directory - Directorio do material gráfico + Background artwork - Gráficos do fondo - - - FL Studio installation directory - Directorio de instalación do FL Studio - - - LADSPA plugin paths - Rutas aos engadidos de LADSPA + STK rawwave directory - Directorio de ondas cruas de STK + Default Soundfont File - Ficheiro Soundfont por omisión + Performance settings - Configuración do desempeño + UI effects vs. performance - Efectos da interface fronte a desempeño + Smooth scroll in Song Editor - - - - Enable auto save feature - + Show playback cursor in AudioFileProcessor - + Audio settings - Configuración do son + AUDIO INTERFACE - INTERFACE DO SON + MIDI settings - Configuración do MIDI + MIDI INTERFACE - INTERFACE MIDI + OK - Aceptar + Aceptar Cancel - Cancelar + Cancelar Restart LMMS - Reiniciar o LMMS + Please note that most changes won't take effect until you restart LMMS! - Teña en conta que a maioría dos cambios non serán efectivos até que se reinicie o LMMS! + Frames: %1 Latency: %2 ms - Cadencia: %1 -Latencia: %2 ms + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - Aquí pódese configurar o tamaño do búfer interno empregado polo LMMS. Valores máis pequenos resultan nunha latencia menor mais poden tamén causar son non usábel ou desempeño inadecuado, especialmente en computadores vellos ou en sistemas cun kernel que non sexa de tempo real. + Choose LMMS working directory - Escoller o directorio de traballo do LMMS + Choose your VST-plugin directory - Escoller o directorio dos engadidos de VST + Choose artwork-theme directory - Escoller o directorio do material gráfico - - - Choose FL Studio installation directory - Escoller o directorio de instalación do FL Studio + Choose LADSPA plugin directory - Escoller o directorio dos engadidos de LADSPA + Choose STK rawwave directory - Escoller o directorio de ondas cruas de STK + Choose default SoundFont - Escoller a SoundFont por omisión + Choose background artwork - Escoller os gráficos do fondo + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Aquí pódese escoller a interface de son preferida. Dependendo da configuración do sistema durante a compilación pódese escoller entre ALSA, JACK, OSS e máis. Embaixo vese unha caixa que oferece controles para configurar a interface de son escollida. + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Aquí pódese escoller a interface de MIDI preferida. Dependendo da configuración do sistema durante a compilación pódese escoller entre ALSA, OSS e máis. Embaixo vese unha caixa que oferece controles para configurar a interface de MIDI escollida. + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - Tempo + Master volume - Volume global + Master pitch - Altura global + Project saved - Proxecto gravado + The project %1 is now saved. - O proxecto %1 xa está gravado. + Project NOT saved. - O proxecto NON está gravado. + The project %1 was not saved! - O proxecto %1 no nestá gravado! + Import file - Importar un ficheiro + MIDI sequences - Secuencias de MIDI - - - FL Studio projects - Proxectos de FL Studio + Hydrogen projects - + All file types - Todos os tipos de ficheiro + Empty project - Proxecto baleiro + This project is empty so exporting makes no sense. Please put some items into Song Editor first! - Este proxecto está baleiro, polo que exportalo non ten xeito. Poña algo primeiro no Editor de cancións! + Select directory for writing exported tracks... - + untitled - sen título + Select file for project-export... - Escolla o ficheiro para a exportación do proxecto... + The following errors occured while loading: - + + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + @@ -5695,135 +6363,182 @@ Latencia: %2 ms Tempo - Tempo + TEMPO/BPM - TEMPO/BPM + tempo of song - tempo da canción + The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - O tempo dunha canción indícase en pulsos por minuto (BPM). Para cambiar o tempo da canción hai que cambiar este valor. Cada compás ten catro pulsos, polo que o tempo en BPM indica cantos compases / 4 hai que tocar nun minuto (ou cantos compases habería que tocar en catro minutos). + High quality mode - Modo de alta calidade + Master volume - Volume global + master volume - volume global + Master pitch - Altura global + master pitch - altura global + Value: %1% - Valor: %1% + Value: %1 semitones - Valor: %1 semitóns + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - Editor de cancións + Play song (Space) - Reproducir unha canción (Espazo) + Record samples from Audio-device - Gravar mostras dun dispositivo de son + Record samples from Audio-device while playing song or BB track - Gravar mostras dun dispositivo de son mentres se reproduce a canción ou pista de ritmos/liña do baixo + Stop song (Space) - Parar a canción (Espazo) + Add beat/bassline - Engadir un ritmo/liña do baixo + Add sample-track - Engadir unha pista de mostra + Add automation-track - + Draw mode - Modo de debuxo + Edit mode (select and move) - Modo de edición (escoller e mover) + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Prema aquí se desexa reproducir a canción enteira. A reprodución comeza no marcador de posición da canción (verde). Tamén se pode mover durante a reprodución. + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Prema aquí se desexa parar a reprodución da canción. O marcador de posición da canción irá para o principio da canción. + + + + Track actions + + + + Edit actions + + + + Timeline controls + + + + Zoom controls + SpectrumAnalyzerControlDialog Linear spectrum - Espectro linear + Linear Y axis - Eixo linear Y + SpectrumAnalyzerControls Linear spectrum - Espectro linear + Linear Y axis - Eixo linear Y + Channel mode - Modo da canle + + + + + SubWindow + + Close + + + + Maximize + + + + Restore + TabWidget Settings for %1 - + @@ -5897,205 +6612,227 @@ Latencia: %2 ms Sincronizado á semicorchea - Synced to 32nd Note - Sincronizado á fusa + Synced to 32nd Note + Sincronizado á fusa + + + + TimeDisplayWidget + + click to change time units + + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + - - - TimeDisplayWidget - click to change time units - + TICK + TimeLineWidget Enable/disable auto-scrolling - Activar/Desactivar o desprazamento automático + Enable/disable loop-points - Activar/Desactivar os puntos de bucle + After stopping go back to begin - Despois de parar voltar ao principio + After stopping go back to position at which playing was started - Despois de parar voltar á posición na que se iniciou a reprodución + After stopping keep position - Despois de parar manter a posición + Hint - Suxestión + Suxestión Press <%1> to disable magnetic loop points. - + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + Track Mute - Silenciado + Solo - Solo + TrackContainer Couldn't import file - Non foi posíbel importar o ficheiro + - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. - Non foi posíbel atopar un filtro para importar o ficheiro %1. -Debería converter este ficheiro a un formato que o LMMS recoñeza usando outro software. + Couldn't open file - Non foi posíbel abrir o ficheiro + - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! - Non foi posíbel abrir o ficheiro %1 para lelo. -Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o contén e tente de novo! + Loading project... - A cargar o proxecto... + Cancel - Cancelar + Cancelar Please wait... - Agarde un anaco... + Importing MIDI-file... - A importar un ficheiro MIDI... - - - Importing FLP-file... - A importar un ficheiro FLP... + TrackContentObject - Muted - Silenciado + Mute + TrackContentObjectView Current position - Posición actual + Hint - Suxestión + Suxestión Press <%1> and drag to make a copy. - Prema <%1> e arrastre para facer unha copia. + Current length - Duración actual + Press <%1> for free resizing. - Prema <%1> para modificar o tamaño libremente + %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 a %5:%6) + Delete (middle mousebutton) - Eliminar (botón do medio do rato) + Cut - Recortar + Copy - Copiar + Paste - Apegar + Mute/unmute (<%1> + middle click) - Silenciar/Darlle volume (<%1> + botón central do rato) + TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Prema <%1> mentres ten a asa de mover premida para iniciar unha acción de arrastrar e soltar. + Actions for this track - Accións para esta pista + Mute - Silenciar + Solo - Solo + Mute this track - Silenciar esta pista + Clone this track - Clonar esta pista + Remove this track - Eliminar esta pista + Clear this track - + FX %1: %2 - + Turn all recording on - + Turn all recording off - + + + + Assign to new FX Channel + @@ -6245,11 +6982,15 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont VersionedSaveDialog Increment version number - + Decrement version number - + + + + already exists. Do you want to replace it? + @@ -6292,121 +7033,121 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Save preset - Gardar as predefinicións + Gardar as predefinicións Click here, if you want to save current VST-plugin preset program. - + Next (+) - + Click here to select presets that are currently loaded in VST. - + Preset - Predefinición + by - + - VST plugin control - + VisualizationWidget click to enable/disable visualization of master-output - Prema para des/activar a visualización da saída global + Click to enable - Prema para activar + VstEffectControlDialog Show/hide - + Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Next (+) - + Click here to select presets that are currently loaded in VST. - + Save preset - Gardar as predefinicións + Gardar as predefinicións Click here, if you want to save current VST-plugin preset program. - + Effect by: - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + @@ -6417,336 +7158,384 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont Open Preset - + Vst Plugin Preset (*.fxp *.fxb) - + : default - + " - + ' - + Save Preset - + .fxp - + .FXP - + .FXB - + .fxb - + Please wait while loading VST plugin... - + The VST plugin %1 could not be loaded. - + WatsynInstrument Volume A1 - + Volume A2 - + Volume B1 - + Volume B2 - + Panning A1 - + Panning A2 - + Panning B1 - + Panning B2 - + Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph - + WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. - Debuxe aquí a súa propia forma de onda arrastrando o rato polo gráfico. + Debuxe aquí a súa propia forma de onda arrastrando o rato polo gráfico. Load waveform - + Click to load a waveform from a sample file - + Phase left - + Click to shift phase by -15 degrees - + Phase right - + Click to shift phase by +15 degrees - + Normalize - Normalizar + Normalizar Click to normalize - + Invert - + Click to invert - + Smooth - Suave + Suave Click to smooth - + Sine wave - Onda senoidal + Onda senoidal Click for sine wave - + Triangle wave - Onda triangular + Onda triangular Click for triangle wave - + Click for saw wave - + Square wave - Onda cadrada + Onda cadrada Click for square wave - + + + + Volume + Volume + + + Panning + Panorámica + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + ZynAddSubFxInstrument Portamento - + Filter Frequency - + Filter Resonance - + Bandwidth - + FM Gain - + Resonance Center Frequency - + Resonance Bandwidth - + Forward MIDI Control Change Events - + @@ -6761,63 +7550,63 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont Portamento: - + PORT - + Filter Frequency: - + FREQ - FREQ + Filter Resonance: - + RES - RES + Bandwidth: - + BW - + FM Gain: - + FM GAIN - + Resonance center frequency: - + RES CF - + Resonance bandwidth: - + RES BW - + Forward MIDI Control Changes - + @@ -6840,42 +7629,42 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont Stutter - + Loopback point - + Loop mode - Modo de bucle + Modo de bucle Interpolation mode - + None - + Linear - + Sinc - + Sample not found: %1 - + bitInvader Samplelength - + @@ -6957,114 +7746,125 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont dynProcControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + ATTACK - + Peak attack time: - + RELEASE - + Peak release time: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Stereomode Maximum - + Process based on the maximum of both stereo channels - + Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + dynProcControls Input gain - + Output gain - + Attack time - + Release time - + Stereo mode - + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + @@ -7090,39 +7890,39 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont Length - + Distortion Start - + Distortion End - + Envelope Slope - + Noise - Ruído + Ruído Click - + Frequency Slope - + Start from note - + End to note - + @@ -7141,31 +7941,31 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont Frequency Slope: - + Envelope Length: - + Envelope Slope: - + Click: - + Noise: - + Distortion Start: - + Distortion End: - + @@ -7193,15 +7993,15 @@ Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o cont This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Este diálogo mostra información sobre todos os engadidos de LADSPA que o LMMS deu localizado. Os engadidos divídense en cinco categorías baseándose nunha interpretación dos tipos e nomes dos portos. @@ -7440,145 +8240,35 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por Bandlimited saw wave - + Click here for bandlimited saw wave. - + Bandlimited square wave - + Click here for bandlimited square wave. - + Bandlimited triangle wave - + Click here for bandlimited triangle wave. - + Bandlimited moog saw wave - + Click here for bandlimited moog saw wave. - - - - - lb303Synth - - VCF Cutoff Frequency - Frecuencia de corte do VCF - - - VCF Resonance - Resonancia do VCF - - - VCF Envelope Mod - Modo de envolvente do VCF - - - VCF Envelope Decay - Decaemento da envolvente do VCF - - - Distortion - Distorsión - - - Waveform - Forma da onda - - - Slide Decay - Decamento ao escorregar - - - Slide - Escorregar - - - Accent - Acento - - - Dead - Morte - - - 24dB/oct Filter - Filtro de 24dB/oitava - - - - lb303SynthView - - Cutoff Freq: - Frec. de corte: - - - CUT - CORTE - - - Resonance: - Resonancia: - - - RES - RES - - - Env Mod: - Mod env: - - - ENV MOD - MOD ENV - - - Decay: - Decaemento: - - - DEC - DEC - - - 303-es-que, 24dB/octave, 3 pole filter - Filtro tipo 303, 24dB/oitava, 3 polos - - - Slide Decay: - Decamento ao escorregar: - - - SLIDE - Escorregar - - - DIST: - DIST: - - - DIST - DIST - - - WAVE: - ONDA: - - - WAVE - ONDA + @@ -7661,7 +8351,7 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por Reso - + Wood2 @@ -7699,14 +8389,6 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por Tibetan Bowl Cunca tibetana - - Missing files - Faltan ficheiros - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - A instalación de Stk semella estar incompleta. Asegúrese de que o paquete Stk completo está instalado! - malletsInstrumentView @@ -7802,10 +8484,6 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por ADSR: ADSR: - - Bowed - Con arco - Pressure Presión @@ -7814,14 +8492,6 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por Pressure: Presión: - - Motion - Movemento - - - Motion: - Movemento: - Speed Velocidade @@ -7831,193 +8501,212 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por Velocidade: - Vibrato - Vibrato + Missing files + - Vibrato: - Vibrato: + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView - VST parameter control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST effect knob-controller window. - + manageVestigeInstrumentView - VST plugin control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST plugin knob-controller window. - + opl2instrument Patch - Parche + Parche Op 1 Attack - + Op 1 Decay - + Op 1 Sustain - + Op 1 Release - + Op 1 Level - + Op 1 Level Scaling - + Op 1 Frequency Multiple - + Op 1 Feedback - + Op 1 Key Scaling Rate - + Op 1 Percussive Envelope - + Op 1 Tremolo - + Op 1 Vibrato - + Op 1 Waveform - + Op 2 Attack - + Op 2 Decay - + Op 2 Sustain - + Op 2 Release - + Op 2 Level - + Op 2 Level Scaling - + Op 2 Frequency Multiple - + Op 2 Key Scaling Rate - + Op 2 Percussive Envelope - + Op 2 Tremolo - + Op 2 Vibrato - + Op 2 Waveform - + FM - + Vibrato Depth - + Tremolo Depth - + + + + + opl2instrumentView + + Attack + Ataque + + + Decay + Decaemento + + + Release + Relaxamento + + + Frequency multiplier + @@ -8063,23 +8752,23 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + @@ -8348,6 +9037,41 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por Debuxe a onda aquí + + patchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + Banco + + + Program selector + + + + Patch + Parche + + + Name + Nome + + + OK + Aceptar + + + Cancel + Cancelar + + pluginBrowser @@ -8374,10 +9098,6 @@ Facendo duplo clic sobre calquera dos engadidos mostra información sobre os por List installed LADSPA plugins Enumerar os engadidos de LADSPA instalados - - Filter for importing FL Studio projects into LMMS - Filtro para importar proxectos do FL Studio ao LMMS - GUS-compatible patch instrument Instrumento de parcheo compatíbel con GUS @@ -8429,151 +9149,108 @@ Este chip empregábase no computador Commodore 64. ZynAddSubFX incorporado - Filter for importing Hydrogen files into LMMS - + 2-operator FM Synth + - 2-operator FM Synth - + Filter for importing Hydrogen files into LMMS + LMMS port of sfxr - + Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - + A native amplifier plugin - + Carla Rack Instrument - + 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + + + + A native delay plugin + Player for GIG files - + A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - - - - Dummy (no sound output) - - - - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - + - WinMM MIDI - + A Dual filter plugin + - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + @@ -8632,7 +9309,7 @@ Este chip empregábase no computador Commodore 64. A soundfont %1 could not be loaded. - + @@ -8714,7 +9391,7 @@ Este chip empregábase no computador Commodore 64. sfxrInstrument Wave Form - + @@ -9076,11 +9753,11 @@ Este chip empregábase no computador Commodore 64. Editor de impulsos - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. O editor de formas de onda permite controlar o estado inicial ou impulso usado para facer que a corda comece a vibrar. Os botóns que hai á dereita da gráfica inicializan a forma de onda no tipo escollido. O botón «?» carga unha forma de onda desde un ficheiro - só se cargan as primeiras 128 mostras. @@ -9092,15 +9769,15 @@ O botón «S» suaviza a forma de onda. O botón «N» normaliza a forma de onda. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modela até nove cordas vibrando independentemente. O selector «Corda» permite escoller a corda que se desexe editar. O selector «Imp» escolle se o gráfico representa un impulso ou o estado inicial da corda. O selector «Oitava» escolle o harmónico co que debería vibrar a corda. @@ -9247,70 +9924,70 @@ O LED do recanto inferior dereito do editor da forma da onda determina se a cord waveShaperControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase graph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease graph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Clip input - + Clip input signal to 0dB - + waveShaperControls Input gain - + Output gain - + - + \ No newline at end of file diff --git a/data/locale/hu_HU.ts b/data/locale/hu_HU.ts new file mode 100644 index 00000000000..6bde2330809 --- /dev/null +++ b/data/locale/hu_HU.ts @@ -0,0 +1,9948 @@ + + + AboutDialog + + About LMMS + + + + Version %1 (%2/%3, Qt %4, %5) + + + + About + Névjegy + + + LMMS - easy music production for everyone + LMMS - egyszerű zenekészítés mindenkinek + + + Authors + + + + Translation + Fordítás + + + Current language not translated (or native English). + +If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! + + + + License + Licenc + + + LMMS + LMMS + + + Involved + + + + Contributors ordered by number of commits: + Közreműködők a commitok száma szerint rendezve: + + + Copyright © %1 + Copyright © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + + + + AmplifierControlDialog + + VOL + + + + Volume: + Hangerő: + + + PAN + + + + Panning: + + + + LEFT + BAL + + + Left gain: + Bal oldali erősítés: + + + RIGHT + JOBB + + + Right gain: + Jobb oldali erősítés: + + + + AmplifierControls + + Volume + Hangerő + + + Panning + + + + Left gain + Bal oldali erősítés + + + Right gain + Jobb oldali erősítés + + + + AudioAlsaSetupWidget + + DEVICE + ESZKÖZ + + + CHANNELS + CSATORNÁK + + + + AudioFileProcessorView + + Open other sample + Másik minta megnyitása + + + Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. + + + + Reverse sample + + + + If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. + + + + Amplify: + + + + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + + + + Startpoint: + + + + Endpoint: + + + + Continue sample playback across notes + + + + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) + + + + Disable loop + + + + This button disables looping. The sample plays only once from start to end. + + + + Enable loop + + + + This button enables forwards-looping. The sample loops between the end point and the loop point. + + + + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. + + + + With this knob you can set the point where AudioFileProcessor should begin playing your sample. + + + + With this knob you can set the point where AudioFileProcessor should stop playing your sample. + + + + Loopback point: + + + + With this knob you can set the point where the loop starts. + + + + + AudioFileProcessorWaveView + + Sample length: + + + + + AudioJack + + JACK client restarted + + + + LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. + + + + JACK server down + + + + The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. + + + + CLIENT-NAME + KLIENS-NÉV + + + CHANNELS + CSATORNÁK + + + + AudioOss::setupWidget + + DEVICE + ESZKÖZ + + + CHANNELS + CSATORNÁK + + + + AudioPortAudio::setupWidget + + BACKEND + + + + DEVICE + ESZKÖZ + + + + AudioPulseAudio::setupWidget + + DEVICE + ESZKÖZ + + + CHANNELS + CSATORNÁK + + + + AudioSdl::setupWidget + + DEVICE + ESZKÖZ + + + + AudioSndio::setupWidget + + DEVICE + ESZKÖZ + + + CHANNELS + CSATORNÁK + + + + AudioSoundIo::setupWidget + + BACKEND + + + + DEVICE + ESZKÖZ + + + + AutomatableModel + + &Reset (%1%2) + + + + &Copy value (%1%2) + + + + &Paste value (%1%2) + + + + Edit song-global automation + + + + Connected to %1 + Csatlakozva ehhez: %1 + + + Connected to controller + Csatlakozva a vezérlőhöz + + + Edit connection... + Kapcsolat szerkesztése... + + + Remove connection + Kapcsolat eltávolítása + + + Connect to controller... + Csatlakozás a vezérlőhöz... + + + Remove song-global automation + + + + Remove all linked controls + + + + + AutomationEditor + + Please open an automation pattern with the context menu of a control! + + + + Values copied + + + + All selected values were copied to the clipboard. + + + + + AutomationEditorWindow + + Play/pause current pattern (Space) + + + + Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. + + + + Stop playing of current pattern (Space) + + + + Click here if you want to stop playing of the current pattern. + + + + Draw mode (Shift+D) + + + + Erase mode (Shift+E) + + + + Flip vertically + + + + Flip horizontally + + + + Click here and the pattern will be inverted.The points are flipped in the y direction. + + + + Click here and the pattern will be reversed. The points are flipped in the x direction. + + + + Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. + + + + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. + + + + Discrete progression + + + + Linear progression + + + + Cubic Hermite progression + + + + Tension value for spline + + + + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. + + + + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. + + + + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. + + + + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. + + + + Cut selected values (%1+X) + + + + Copy selected values (%1+C) + + + + Paste values from clipboard (%1+V) + + + + Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the values from the clipboard will be pasted at the first visible measure. + + + + Tension: + + + + Automation Editor - no pattern + + + + Automation Editor - %1 + + + + Edit actions + + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls + + + + Model is already connected to this pattern. + + + + + AutomationPattern + + Drag a control while pressing <%1> + + + + + AutomationPatternView + + double-click to open this pattern in automation editor + + + + Open in Automation editor + + + + Clear + + + + Reset name + + + + Change name + + + + %1 Connections + + + + Disconnect "%1" + + + + Set/clear record + + + + Flip Vertically (Visible) + + + + Flip Horizontally (Visible) + + + + Model is already connected to this pattern. + + + + + AutomationTrack + + Automation track + + + + + BBEditor + + Beat+Bassline Editor + + + + Play/pause current beat/bassline (Space) + + + + Stop playback of current beat/bassline (Space) + + + + Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. + + + + Click here to stop playing of current beat/bassline. + + + + Add beat/bassline + + + + Add automation-track + + + + Remove steps + + + + Add steps + + + + Beat selector + + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + + + + + BBTCOView + + Open in Beat+Bassline-Editor + + + + Reset name + + + + Change name + + + + Change color + + + + Reset color to default + + + + + BBTrack + + Beat/Bassline %1 + + + + Clone of %1 + + + + + BassBoosterControlDialog + + FREQ + + + + Frequency: + Frekvencia: + + + GAIN + ERŐSÍTÉS + + + Gain: + Erősítés: + + + RATIO + + + + Ratio: + Arány: + + + + BassBoosterControls + + Frequency + Frekvencia + + + Gain + Erősítés + + + Ratio + Arány + + + + BitcrushControlDialog + + IN + BE + + + OUT + KI + + + GAIN + ERŐSÍTÉS + + + Input Gain: + Bemeneti erősítés: + + + NOIS + + + + Input Noise: + Bemeneti zaj: + + + Output Gain: + Kimeneti erősítés: + + + CLIP + + + + Output Clip: + + + + Rate + + + + Rate Enabled + + + + Enable samplerate-crushing + + + + Depth + + + + Depth Enabled + + + + Enable bitdepth-crushing + + + + Sample rate: + + + + STD + + + + Stereo difference: + + + + Levels + + + + Levels: + + + + + CaptionMenu + + &Help + &Súgó + + + Help (not available) + + + + + CarlaInstrumentView + + Show GUI + + + + Click here to show or hide the graphical user interface (GUI) of Carla. + + + + + Controller + + Controller %1 + + + + + ControllerConnectionDialog + + Connection Settings + + + + MIDI CONTROLLER + + + + Input channel + + + + CHANNEL + + + + Input controller + + + + CONTROLLER + + + + Auto Detect + + + + MIDI-devices to receive MIDI-events from + + + + USER CONTROLLER + + + + MAPPING FUNCTION + + + + OK + OK + + + Cancel + Mégse + + + LMMS + LMMS + + + Cycle Detected. + + + + + ControllerRackView + + Controller Rack + + + + Add + + + + Confirm Delete + + + + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + + + + + ControllerView + + Controls + + + + Controllers are able to automate the value of a knob, slider, and other controls. + + + + Rename controller + + + + Enter the new name for this controller + + + + &Remove this controller + + + + Re&name this controller + + + + LFO + + + + + CrossoverEQControlDialog + + Band 1/2 Crossover: + + + + Band 2/3 Crossover: + + + + Band 3/4 Crossover: + + + + Band 1 Gain: + + + + Band 2 Gain: + + + + Band 3 Gain: + + + + Band 4 Gain: + + + + Band 1 Mute + + + + Mute Band 1 + + + + Band 2 Mute + + + + Mute Band 2 + + + + Band 3 Mute + + + + Mute Band 3 + + + + Band 4 Mute + + + + Mute Band 4 + + + + + DelayControls + + Delay Samples + + + + Feedback + + + + Lfo Frequency + + + + Lfo Amount + + + + Output gain + Kimeneti erősítés + + + + DelayControlsDialog + + Lfo Amt + + + + Delay Time + + + + Feedback Amount + + + + Lfo + + + + Out Gain + + + + Gain + Erősítés + + + DELAY + + + + FDBK + + + + RATE + + + + AMNT + + + + + DualFilterControlDialog + + Filter 1 enabled + + + + Filter 2 enabled + + + + Click to enable/disable Filter 1 + + + + Click to enable/disable Filter 2 + + + + FREQ + + + + Cutoff frequency + + + + RESO + + + + Resonance + + + + GAIN + ERŐSÍTÉS + + + Gain + Erősítés + + + MIX + + + + Mix + + + + + DualFilterControls + + Filter 1 enabled + + + + Filter 1 type + + + + Cutoff 1 frequency + + + + Q/Resonance 1 + + + + Gain 1 + + + + Mix + + + + Filter 2 enabled + + + + Filter 2 type + + + + Cutoff 2 frequency + + + + Q/Resonance 2 + + + + Gain 2 + + + + LowPass + + + + HiPass + + + + BandPass csg + + + + BandPass czpg + + + + Notch + + + + Allpass + + + + Moog + + + + 2x LowPass + + + + RC LowPass 12dB + + + + RC BandPass 12dB + + + + RC HighPass 12dB + + + + RC LowPass 24dB + + + + RC BandPass 24dB + + + + RC HighPass 24dB + + + + Vocal Formant Filter + + + + 2x Moog + + + + SV LowPass + + + + SV BandPass + + + + SV HighPass + + + + SV Notch + + + + Fast Formant + + + + Tripole + + + + + Editor + + Play (Space) + + + + Stop (Space) + + + + Record + + + + Record while playing + + + + Transport controls + + + + + Effect + + Effect enabled + + + + Wet/Dry mix + + + + Gate + + + + Decay + + + + + EffectChain + + Effects enabled + + + + + EffectRackView + + EFFECTS CHAIN + + + + Add effect + + + + + EffectSelectDialog + + Add effect + + + + Name + Név + + + Type + + + + Description + Leírás + + + Author + + + + + EffectView + + Toggles the effect on or off. + + + + On/Off + + + + W/D + + + + Wet Level: + + + + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. + + + + DECAY + + + + Time: + + + + The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. + + + + GATE + + + + Gate: + + + + The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. + + + + Controls + + + + Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. + +The On/Off switch allows you to bypass a given plugin at any point in time. + +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. + +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. + +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. + +The Controls button opens a dialog for editing the effect's parameters. + +Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. + + + + Move &up + + + + Move &down + + + + &Remove this plugin + + + + + EnvelopeAndLfoParameters + + Predelay + + + + Attack + + + + Hold + + + + Decay + + + + Sustain + + + + Release + + + + Modulation + + + + LFO Predelay + + + + LFO Attack + + + + LFO speed + + + + LFO Modulation + + + + LFO Wave Shape + + + + Freq x 100 + + + + Modulate Env-Amount + + + + + EnvelopeAndLfoView + + DEL + + + + Predelay: + + + + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. + + + + ATT + + + + Attack: + + + + Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. + + + + HOLD + + + + Hold: + + + + Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. + + + + DEC + + + + Decay: + + + + Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. + + + + SUST + + + + Sustain: + + + + Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. + + + + REL + + + + Release: + + + + Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. + + + + AMT + + + + Modulation amount: + + + + Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. + + + + LFO predelay: + + + + Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. + + + + LFO- attack: + + + + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. + + + + SPD + + + + LFO speed: + + + + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. + + + + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. + + + + Click here for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave for current. + + + + Click here for a square-wave. + + + + Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. + + + + FREQ x 100 + + + + Click here if the frequency of this LFO should be multiplied by 100. + + + + multiply LFO-frequency by 100 + + + + MODULATE ENV-AMOUNT + + + + Click here to make the envelope-amount controlled by this LFO. + + + + control envelope-amount by this LFO + + + + ms/LFO: + + + + Hint + + + + Drag a sample from somewhere and drop it in this window. + + + + Click here for random wave. + + + + + EqControls + + Input gain + Bemeneti erősítés + + + Output gain + Kimeneti erősítés + + + Low shelf gain + + + + Peak 1 gain + + + + Peak 2 gain + + + + Peak 3 gain + + + + Peak 4 gain + + + + High Shelf gain + + + + HP res + + + + Low Shelf res + + + + Peak 1 BW + + + + Peak 2 BW + + + + Peak 3 BW + + + + Peak 4 BW + + + + High Shelf res + + + + LP res + + + + HP freq + + + + Low Shelf freq + + + + Peak 1 freq + + + + Peak 2 freq + + + + Peak 3 freq + + + + Peak 4 freq + + + + High shelf freq + + + + LP freq + + + + HP active + + + + Low shelf active + + + + Peak 1 active + + + + Peak 2 active + + + + Peak 3 active + + + + Peak 4 active + + + + High shelf active + + + + LP active + + + + LP 12 + + + + LP 24 + + + + LP 48 + + + + HP 12 + + + + HP 24 + + + + HP 48 + + + + low pass type + + + + high pass type + + + + Analyse IN + + + + Analyse OUT + + + + + EqControlsDialog + + HP + + + + Low Shelf + + + + Peak 1 + + + + Peak 2 + + + + Peak 3 + + + + Peak 4 + + + + High Shelf + + + + LP + + + + In Gain + + + + Gain + Erősítés + + + Out Gain + + + + Bandwidth: + + + + Resonance : + + + + Frequency: + Frekvencia: + + + lp grp + + + + hp grp + + + + Octave + + + + + EqHandle + + Reso: + + + + BW: + + + + Freq: + + + + + ExportProjectDialog + + Export project + + + + Output + + + + File format: + + + + Samplerate: + + + + 44100 Hz + + + + 48000 Hz + + + + 88200 Hz + + + + 96000 Hz + + + + 192000 Hz + + + + Bitrate: + + + + 64 KBit/s + + + + 128 KBit/s + + + + 160 KBit/s + + + + 192 KBit/s + + + + 256 KBit/s + + + + 320 KBit/s + + + + Depth: + + + + 16 Bit Integer + + + + 32 Bit Float + + + + Please note that not all of the parameters above apply for all file formats. + + + + Quality settings + + + + Interpolation: + + + + Zero Order Hold + + + + Sinc Fastest + + + + Sinc Medium (recommended) + + + + Sinc Best (very slow!) + + + + Oversampling (use with care!): + + + + 1x (None) + + + + 2x + + + + 4x + + + + 8x + + + + Start + + + + Cancel + Mégse + + + Export as loop (remove end silence) + + + + Export between loop markers + + + + Could not open file + + + + Export project to %1 + + + + Error + + + + Error while determining file-encoder device. Please try to choose a different output format. + + + + Rendering: %1% + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + + + + Fader + + Please enter a new value between %1 and %2: + + + + + FileBrowser + + Browser + + + + + FileBrowserTreeWidget + + Send to active instrument-track + + + + Open in new instrument-track/B+B Editor + + + + Loading sample + + + + Please wait, loading sample for preview... + + + + --- Factory files --- + + + + Open in new instrument-track/Song Editor + + + + Error + + + + does not appear to be a valid + + + + file + + + + + FlangerControls + + Delay Samples + + + + Lfo Frequency + + + + Seconds + + + + Regen + + + + Noise + + + + Invert + + + + + FlangerControlsDialog + + Delay Time: + + + + Feedback Amount: + + + + White Noise Amount: + + + + DELAY + + + + RATE + + + + Rate: + + + + AMNT + + + + Amount: + + + + FDBK + + + + NOISE + + + + Invert + + + + + FxLine + + Channel send amount + + + + The FX channel receives input from one or more instrument tracks. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + +In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. + +You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. + + + + + Move &left + + + + Move &right + + + + Rename &channel + + + + R&emove channel + + + + Remove &unused channels + + + + + FxMixer + + Master + + + + FX %1 + + + + + FxMixerView + + FX-Mixer + + + + FX Fader %1 + + + + Mute + + + + Mute this FX channel + + + + Solo + + + + Solo FX channel + + + + + FxRoute + + Amount to send from channel %1 to channel %2 + + + + + GigInstrument + + Bank + + + + Patch + + + + Gain + Erősítés + + + + GigInstrumentView + + Open other GIG file + + + + Click here to open another GIG file + + + + Choose the patch + + + + Click here to change which patch of the GIG file to use + + + + Change which instrument of the GIG file is being played + + + + Which GIG file is currently being used + + + + Which patch of the GIG file is currently being used + + + + Gain + Erősítés + + + Factor to multiply samples by + + + + Open GIG file + + + + GIG Files (*.gig) + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + + + + Preparing song editor + + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + + + + Preparing automation editor + + + + + InstrumentFunctionArpeggio + + Arpeggio + + + + Arpeggio type + + + + Arpeggio range + + + + Arpeggio time + + + + Arpeggio gate + + + + Arpeggio direction + + + + Arpeggio mode + + + + Up + + + + Down + + + + Up and down + + + + Random + + + + Free + + + + Sort + + + + Sync + + + + Down and up + + + + Skip rate + + + + Miss rate + + + + Cycle steps + + + + + InstrumentFunctionArpeggioView + + ARPEGGIO + + + + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. + + + + RANGE + + + + Arpeggio range: + + + + octave(s) + + + + Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. + + + + TIME + + + + Arpeggio time: + + + + ms + + + + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. + + + + GATE + + + + Arpeggio gate: + + + + % + + + + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. + + + + Chord: + + + + Direction: + + + + Mode: + + + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + + InstrumentFunctionNoteStacking + + octave + + + + Major + + + + Majb5 + + + + minor + + + + minb5 + + + + sus2 + + + + sus4 + + + + aug + + + + augsus4 + + + + tri + + + + 6 + + + + 6sus4 + + + + 6add9 + + + + m6 + + + + m6add9 + + + + 7 + + + + 7sus4 + + + + 7#5 + + + + 7b5 + + + + 7#9 + + + + 7b9 + + + + 7#5#9 + + + + 7#5b9 + + + + 7b5b9 + + + + 7add11 + + + + 7add13 + + + + 7#11 + + + + Maj7 + + + + Maj7b5 + + + + Maj7#5 + + + + Maj7#11 + + + + Maj7add13 + + + + m7 + + + + m7b5 + + + + m7b9 + + + + m7add11 + + + + m7add13 + + + + m-Maj7 + + + + m-Maj7add11 + + + + m-Maj7add13 + + + + 9 + + + + 9sus4 + + + + add9 + + + + 9#5 + + + + 9b5 + + + + 9#11 + + + + 9b13 + + + + Maj9 + + + + Maj9sus4 + + + + Maj9#5 + + + + Maj9#11 + + + + m9 + + + + madd9 + + + + m9b5 + + + + m9-Maj7 + + + + 11 + + + + 11b9 + + + + Maj11 + + + + m11 + + + + m-Maj11 + + + + 13 + + + + 13#9 + + + + 13b9 + + + + 13b5b9 + + + + Maj13 + + + + m13 + + + + m-Maj13 + + + + Harmonic minor + + + + Melodic minor + + + + Whole tone + + + + Diminished + + + + Major pentatonic + + + + Minor pentatonic + + + + Jap in sen + + + + Major bebop + + + + Dominant bebop + + + + Blues + + + + Arabic + + + + Enigmatic + + + + Neopolitan + + + + Neopolitan minor + + + + Hungarian minor + + + + Dorian + + + + Phrygolydian + + + + Lydian + + + + Mixolydian + + + + Aeolian + + + + Locrian + + + + Chords + + + + Chord type + + + + Chord range + + + + Minor + + + + Chromatic + + + + Half-Whole Diminished + + + + 5 + + + + Phrygian dominant + + + + Persian + + + + + InstrumentFunctionNoteStackingView + + RANGE + + + + Chord range: + + + + octave(s) + + + + Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. + + + + STACKING + + + + Chord: + + + + + InstrumentMidiIOView + + ENABLE MIDI INPUT + + + + CHANNEL + + + + VELOCITY + + + + ENABLE MIDI OUTPUT + + + + PROGRAM + + + + MIDI devices to receive MIDI events from + + + + MIDI devices to send MIDI events to + + + + NOTE + + + + CUSTOM BASE VELOCITY + + + + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity + + + + BASE VELOCITY + + + + + InstrumentMiscView + + MASTER PITCH + + + + Enables the use of Master Pitch + + + + + InstrumentSoundShaping + + VOLUME + + + + Volume + Hangerő + + + CUTOFF + + + + Cutoff frequency + + + + RESO + + + + Resonance + + + + Envelopes/LFOs + + + + Filter type + + + + Q/Resonance + + + + LowPass + + + + HiPass + + + + BandPass csg + + + + BandPass czpg + + + + Notch + + + + Allpass + + + + Moog + + + + 2x LowPass + + + + RC LowPass 12dB + + + + RC BandPass 12dB + + + + RC HighPass 12dB + + + + RC LowPass 24dB + + + + RC BandPass 24dB + + + + RC HighPass 24dB + + + + Vocal Formant Filter + + + + 2x Moog + + + + SV LowPass + + + + SV BandPass + + + + SV HighPass + + + + SV Notch + + + + Fast Formant + + + + Tripole + + + + + InstrumentSoundShapingView + + TARGET + + + + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + + + + FILTER + + + + Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. + + + + Hz + + + + Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... + + + + RESO + + + + Resonance: + + + + Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. + + + + FREQ + + + + cutoff frequency: + + + + Envelopes, LFOs and filters are not supported by the current instrument. + + + + + InstrumentTrack + + unnamed_track + + + + Volume + Hangerő + + + Panning + + + + Pitch + + + + FX channel + + + + Default preset + + + + With this knob you can set the volume of the opened channel. + + + + Base note + + + + Pitch range + + + + Master Pitch + + + + + InstrumentTrackView + + Volume + Hangerő + + + Volume: + Hangerő: + + + VOL + + + + Panning + + + + Panning: + + + + PAN + + + + MIDI + + + + Input + + + + Output + + + + FX %1: %2 + + + + + InstrumentTrackWindow + + GENERAL SETTINGS + + + + Instrument volume + + + + Volume: + Hangerő: + + + VOL + + + + Panning + + + + Panning: + + + + PAN + + + + Pitch + + + + Pitch: + + + + cents + + + + PITCH + + + + FX channel + + + + ENV/LFO + + + + FUNC + + + + FX + + + + MIDI + + + + Save preset + + + + XML preset file (*.xpf) + + + + PLUGIN + + + + Pitch range (semitones) + + + + RANGE + + + + Save current instrument track settings in a preset file + + + + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. + + + + MISC + + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + + + + + Knob + + Set linear + + + + Set logarithmic + + + + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + + + + Please enter a new value between %1 and %2: + + + + + LadspaControl + + Link channels + + + + + LadspaControlDialog + + Link Channels + + + + Channel + + + + + LadspaControlView + + Link channels + + + + Value: + + + + Sorry, no help available. + + + + + LadspaEffect + + Unknown LADSPA plugin %1 requested. + + + + + LcdSpinBox + + Please enter a new value between %1 and %2: + + + + + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + + + + + LfoController + + LFO Controller + + + + Base value + + + + Oscillator speed + + + + Oscillator amount + + + + Oscillator phase + + + + Oscillator waveform + + + + Frequency Multiplier + + + + + LfoControllerDialog + + LFO + + + + LFO Controller + + + + BASE + + + + Base amount: + + + + todo + + + + SPD + + + + LFO-speed: + + + + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. + + + + Modulation amount: + + + + Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. + + + + PHS + + + + Phase offset: + + + + degrees + + + + With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. + + + + Click here for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave. + + + + Click here for a square-wave. + + + + Click here for an exponential wave. + + + + Click here for white-noise. + + + + Click here for a user-defined shape. +Double click to pick a file. + + + + Click here for a moog saw-wave. + + + + AMNT + + + + + LmmsCore + + Generating wavetables + + + + Initializing data structures + + + + Opening audio and midi devices + + + + Launching mixer threads + + + + + MainWindow + + Could not save config-file + + + + Could not save configuration file %1. You're probably not permitted to write to this file. +Please make sure you have write-access to the file and try again. + + + + &New + &Új + + + &Open... + &Megnyitás... + + + &Save + &Mentés + + + Save &As... + Mentés &másként... + + + Import... + Importálás... + + + E&xport... + E&xportálás... + + + &Quit + &Kilépés + + + &Edit + &Szerkesztés + + + Settings + Beállítások + + + &Tools + &Eszközök + + + &Help + &Súgó + + + Help + Súgó + + + What's this? + Mi ez? + + + About + Névjegy + + + Create new project + Új projekt létrehozása + + + Create new project from template + Új projekt létrehozása sablonból + + + Open existing project + Már létező projekt megnyitása + + + Recently opened projects + Legutóbbi projektek + + + Save current project + Jelenlegi projekt mentése + + + Export current project + Jelenlegi projekt exportálása + + + Song Editor + Dalszerkesztő + + + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. + + + + Beat+Bassline Editor + + + + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + + + + Piano Roll + + + + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + + + + Automation Editor + + + + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + + + + FX Mixer + + + + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + + + + Project Notes + + + + Click here to show or hide the project notes window. In this window you can put down your project notes. + + + + Controller Rack + + + + Untitled + Névtelen + + + LMMS %1 + LMMS %1 + + + Project not saved + A projekt nincs elmentve + + + The current project was modified since last saving. Do you want to save it now? + A jelenlegi projekt módosítva lett a legutóbbi mentés óta. El szeretné menteni most? + + + Help not available + + + + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. + + + + LMMS (*.mmp *.mmpz) + LMMS (*.mmp *.mmpz) + + + Version %1 + Verzió %1 + + + Configuration file + Konfigurációs fájl + + + Error while parsing configuration file at line %1:%2: %3 + + + + Volumes + Hangerők + + + Undo + Visszavonás + + + Redo + Mégis + + + My Projects + Projektjeim + + + My Samples + Mintáim + + + My Presets + + + + My Home + Mappám + + + My Computer + Számítógépem + + + &File + &Fájl + + + &Recently Opened Projects + &Legutóbbi projektek + + + Save as New &Version + Mentés új &verzióként + + + E&xport Tracks... + + + + Online Help + + + + What's This? + + + + Open Project + Projekt megnyitása + + + Save Project + Projekt mentése + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + + + + Preparing file browsers + + + + Root directory + + + + Loading background artwork + + + + New from template + + + + Save as default template + + + + &View + &Nézet + + + Toggle metronome + + + + Show/hide Song-Editor + + + + Show/hide Beat+Bassline Editor + + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + + + + + MeterDialog + + Meter Numerator + + + + Meter Denominator + + + + TIME SIG + + + + + MeterModel + + Numerator + + + + Denominator + + + + + MidiController + + MIDI Controller + + + + unnamed_midi_controller + + + + + MidiImport + + Setup incomplete + + + + You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. + + + + You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. + + + + Track + + + + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + + + + + MidiPort + + Input channel + + + + Output channel + + + + Input controller + + + + Output controller + + + + Fixed input velocity + + + + Fixed output velocity + + + + Output MIDI program + + + + Receive MIDI-events + + + + Send MIDI-events + + + + Fixed output note + + + + Base velocity + + + + + MidiSetupWidget + + DEVICE + ESZKÖZ + + + + MonstroInstrument + + Osc 1 Volume + + + + Osc 1 Panning + + + + Osc 1 Coarse detune + + + + Osc 1 Fine detune left + + + + Osc 1 Fine detune right + + + + Osc 1 Stereo phase offset + + + + Osc 1 Pulse width + + + + Osc 1 Sync send on rise + + + + Osc 1 Sync send on fall + + + + Osc 2 Volume + + + + Osc 2 Panning + + + + Osc 2 Coarse detune + + + + Osc 2 Fine detune left + + + + Osc 2 Fine detune right + + + + Osc 2 Stereo phase offset + + + + Osc 2 Waveform + + + + Osc 2 Sync Hard + + + + Osc 2 Sync Reverse + + + + Osc 3 Volume + + + + Osc 3 Panning + + + + Osc 3 Coarse detune + + + + Osc 3 Stereo phase offset + + + + Osc 3 Sub-oscillator mix + + + + Osc 3 Waveform 1 + + + + Osc 3 Waveform 2 + + + + Osc 3 Sync Hard + + + + Osc 3 Sync Reverse + + + + LFO 1 Waveform + + + + LFO 1 Attack + + + + LFO 1 Rate + + + + LFO 1 Phase + + + + LFO 2 Waveform + + + + LFO 2 Attack + + + + LFO 2 Rate + + + + LFO 2 Phase + + + + Env 1 Pre-delay + + + + Env 1 Attack + + + + Env 1 Hold + + + + Env 1 Decay + + + + Env 1 Sustain + + + + Env 1 Release + + + + Env 1 Slope + + + + Env 2 Pre-delay + + + + Env 2 Attack + + + + Env 2 Hold + + + + Env 2 Decay + + + + Env 2 Sustain + + + + Env 2 Release + + + + Env 2 Slope + + + + Osc2-3 modulation + + + + Selected view + + + + Vol1-Env1 + + + + Vol1-Env2 + + + + Vol1-LFO1 + + + + Vol1-LFO2 + + + + Vol2-Env1 + + + + Vol2-Env2 + + + + Vol2-LFO1 + + + + Vol2-LFO2 + + + + Vol3-Env1 + + + + Vol3-Env2 + + + + Vol3-LFO1 + + + + Vol3-LFO2 + + + + Phs1-Env1 + + + + Phs1-Env2 + + + + Phs1-LFO1 + + + + Phs1-LFO2 + + + + Phs2-Env1 + + + + Phs2-Env2 + + + + Phs2-LFO1 + + + + Phs2-LFO2 + + + + Phs3-Env1 + + + + Phs3-Env2 + + + + Phs3-LFO1 + + + + Phs3-LFO2 + + + + Pit1-Env1 + + + + Pit1-Env2 + + + + Pit1-LFO1 + + + + Pit1-LFO2 + + + + Pit2-Env1 + + + + Pit2-Env2 + + + + Pit2-LFO1 + + + + Pit2-LFO2 + + + + Pit3-Env1 + + + + Pit3-Env2 + + + + Pit3-LFO1 + + + + Pit3-LFO2 + + + + PW1-Env1 + + + + PW1-Env2 + + + + PW1-LFO1 + + + + PW1-LFO2 + + + + Sub3-Env1 + + + + Sub3-Env2 + + + + Sub3-LFO1 + + + + Sub3-LFO2 + + + + Sine wave + Szinuszhullám + + + Bandlimited Triangle wave + + + + Bandlimited Saw wave + + + + Bandlimited Ramp wave + + + + Bandlimited Square wave + + + + Bandlimited Moog saw wave + + + + Soft square wave + + + + Absolute sine wave + + + + Exponential wave + + + + White noise + + + + Digital Triangle wave + + + + Digital Saw wave + + + + Digital Ramp wave + + + + Digital Square wave + + + + Digital Moog saw wave + + + + Triangle wave + Háromszöghullám + + + Saw wave + Fűrészfoghullám + + + Ramp wave + + + + Square wave + Négyszöghullám + + + Moog saw wave + + + + Abs. sine wave + + + + Random + + + + Random smooth + + + + + MonstroView + + Operators view + + + + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. + +Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. + + + + Matrix view + + + + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. + +The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. + +Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. + + + + Mix Osc2 with Osc3 + + + + Modulate amplitude of Osc3 with Osc2 + + + + Modulate frequency of Osc3 with Osc2 + + + + Modulate phase of Osc3 with Osc2 + + + + The CRS knob changes the tuning of oscillator 1 in semitone steps. + + + + The CRS knob changes the tuning of oscillator 2 in semitone steps. + + + + The CRS knob changes the tuning of oscillator 3 in semitone steps. + + + + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. + + + + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. + + + + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. + + + + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + + + + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + + + + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. + + + + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. + + + + Choose waveform for oscillator 2. + + + + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + + + + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + + + + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +Mix mode means no modulation: the outputs of the oscillators are simply mixed together. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + + + + Select the waveform for LFO 1. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + + + + Select the waveform for LFO 2. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + + + + Attack causes the LFO to come on gradually from the start of the note. + + + + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. + + + + PHS controls the phase offset of the LFO. + + + + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. + + + + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. + + + + HOLD controls how long the envelope stays at peak after the attack phase. + + + + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. + + + + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. + + + + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. + + + + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. + + + + Volume + Hangerő + + + Panning + + + + Coarse detune + + + + semitones + + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + + + + Rate + + + + Phase + + + + Pre-delay + + + + Hold + + + + Decay + + + + Sustain + + + + Release + + + + Slope + + + + Modulation amount + + + + + MultitapEchoControlDialog + + Length + + + + Step length: + + + + Dry + + + + Dry Gain: + + + + Stages + + + + Lowpass stages: + + + + Swap inputs + + + + Swap left and right input channel for reflections + + + + + NesInstrument + + Channel 1 Coarse detune + + + + Channel 1 Volume + + + + Channel 1 Envelope length + + + + Channel 1 Duty cycle + + + + Channel 1 Sweep amount + + + + Channel 1 Sweep rate + + + + Channel 2 Coarse detune + + + + Channel 2 Volume + + + + Channel 2 Envelope length + + + + Channel 2 Duty cycle + + + + Channel 2 Sweep amount + + + + Channel 2 Sweep rate + + + + Channel 3 Coarse detune + + + + Channel 3 Volume + + + + Channel 4 Volume + + + + Channel 4 Envelope length + + + + Channel 4 Noise frequency + + + + Channel 4 Noise frequency sweep + + + + Master volume + + + + Vibrato + + + + + NesInstrumentView + + Volume + Hangerő + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + + + + Vibrato + + + + + OscillatorObject + + Osc %1 volume + + + + Osc %1 panning + + + + Osc %1 coarse detuning + + + + Osc %1 fine detuning left + + + + Osc %1 fine detuning right + + + + Osc %1 phase-offset + + + + Osc %1 stereo phase-detuning + + + + Osc %1 wave shape + + + + Modulation type %1 + + + + Osc %1 waveform + + + + Osc %1 harmonic + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + + + + Name + Név + + + OK + OK + + + Cancel + Mégse + + + + PatmanView + + Open other patch + + + + Click here to open another patch-file. Loop and Tune settings are not reset. + + + + Loop + + + + Loop mode + + + + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. + + + + Tune + + + + Tune mode + + + + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. + + + + No file selected + + + + Open patch file + + + + Patch-Files (*.pat) + + + + + PatternView + + Open in piano-roll + + + + Clear all notes + + + + Reset name + + + + Change name + + + + Add steps + + + + Remove steps + + + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + + + + PeakController + + Peak Controller + + + + Peak Controller Bug + + + + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. + + + + + PeakControllerDialog + + PEAK + + + + LFO Controller + + + + + PeakControllerEffectControlDialog + + BASE + + + + Base amount: + + + + Modulation amount: + + + + Attack: + + + + Release: + + + + AMNT + + + + MULT + + + + Amount Multiplicator: + + + + ATCK + + + + DCAY + + + + Treshold: + + + + TRSH + + + + + PeakControllerEffectControls + + Base value + + + + Modulation amount + + + + Mute output + + + + Attack + + + + Release + + + + Abs Value + + + + Amount Multiplicator + + + + Treshold + + + + + PianoRoll + + Please open a pattern by double-clicking on it! + + + + Last note + + + + Note lock + + + + Note Velocity + + + + Note Panning + + + + Mark/unmark current semitone + + + + Mark current scale + + + + Mark current chord + + + + Unmark all + + + + No scale + + + + No chord + + + + Velocity: %1% + + + + Panning: %1% left + + + + Panning: %1% right + + + + Panning: center + + + + Please enter a new value between %1 and %2: + + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + + + + + PianoRollWindow + + Play/pause current pattern (Space) + + + + Record notes from MIDI-device/channel-piano + + + + Record notes from MIDI-device/channel-piano while playing song or BB track + + + + Stop playing of current pattern (Space) + + + + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. + + + + Click here to stop playback of current pattern. + + + + Draw mode (Shift+D) + + + + Erase mode (Shift+E) + + + + Select mode (Shift+S) + + + + Detune mode (Shift+T) + + + + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. + + + + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. + + + + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. + + + + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. + + + + Cut selected notes (%1+X) + + + + Copy selected notes (%1+C) + + + + Paste notes from clipboard (%1+V) + + + + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the notes from the clipboard will be pasted at the first visible measure. + + + + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. + + + + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. + + + + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited + + + + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! + + + + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. + + + + Edit actions + + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + + + + Piano-Roll - no pattern + + + + Quantize + + + + + PianoView + + Base note + + + + + Plugin + + Plugin not found + + + + The plugin "%1" wasn't found or could not be loaded! +Reason: "%2" + + + + Error while loading plugin + + + + Failed to load plugin "%1"! + + + + + PluginBrowser + + Instrument browser + + + + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + + + + + ProjectNotes + + Project notes + + + + Put down your project notes here. + + + + Edit Actions + + + + &Undo + + + + %1+Z + + + + &Redo + + + + %1+Y + + + + &Copy + + + + %1+C + + + + Cu&t + + + + %1+X + + + + &Paste + + + + %1+V + + + + Format Actions + + + + &Bold + + + + %1+B + + + + &Italic + + + + %1+I + + + + &Underline + + + + %1+U + + + + &Left + + + + %1+L + + + + C&enter + + + + %1+E + + + + &Right + + + + %1+R + + + + &Justify + + + + %1+J + + + + &Color... + + + + + ProjectRenderer + + WAV-File (*.wav) + + + + Compressed OGG-File (*.ogg) + + + + + QWidget + + Name: + + + + Maker: + + + + Copyright: + + + + Requires Real Time: + + + + Yes + + + + No + + + + Real Time Capable: + + + + In Place Broken: + + + + Channels In: + + + + Channels Out: + + + + File: + + + + File: %1 + + + + + RenameDialog + + Rename... + + + + + SampleBuffer + + Open audio file + + + + Wave-Files (*.wav) + + + + OGG-Files (*.ogg) + + + + DrumSynth-Files (*.ds) + + + + FLAC-Files (*.flac) + + + + SPEEX-Files (*.spx) + + + + VOC-Files (*.voc) + + + + AIFF-Files (*.aif *.aiff) + + + + AU-Files (*.au) + + + + RAW-Files (*.raw) + + + + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + + + + + SampleTCOView + + double-click to select sample + + + + Delete (middle mousebutton) + + + + Cut + Kivágás + + + Copy + Másolás + + + Paste + Beillesztés + + + Mute/unmute (<%1> + middle click) + + + + + SampleTrack + + Sample track + + + + Volume + Hangerő + + + Panning + + + + + SampleTrackView + + Track volume + + + + Channel volume: + + + + VOL + + + + Panning + + + + Panning: + + + + PAN + + + + + SetupDialog + + Setup LMMS + + + + General settings + + + + BUFFER SIZE + + + + Reset to default-value + + + + MISC + + + + Enable tooltips + + + + Show restart warning after changing settings + + + + Display volume as dBFS + + + + Compress project files per default + + + + One instrument track window mode + + + + HQ-mode for output audio-device + + + + Compact track buttons + + + + Sync VST plugins to host playback + + + + Enable note labels in piano roll + + + + Enable waveform display by default + + + + Keep effects running even without input + + + + Create backup file when saving a project + + + + LANGUAGE + + + + Paths + + + + LMMS working directory + + + + VST-plugin directory + + + + Background artwork + + + + STK rawwave directory + + + + Default Soundfont File + + + + Performance settings + + + + UI effects vs. performance + + + + Smooth scroll in Song Editor + + + + Show playback cursor in AudioFileProcessor + + + + Audio settings + + + + AUDIO INTERFACE + + + + MIDI settings + + + + MIDI INTERFACE + + + + OK + OK + + + Cancel + Mégse + + + Restart LMMS + + + + Please note that most changes won't take effect until you restart LMMS! + + + + Frames: %1 +Latency: %2 ms + + + + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. + + + + Choose LMMS working directory + + + + Choose your VST-plugin directory + + + + Choose artwork-theme directory + + + + Choose LADSPA plugin directory + + + + Choose STK rawwave directory + + + + Choose default SoundFont + + + + Choose background artwork + + + + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. + + + + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + + + + + Song + + Tempo + + + + Master volume + + + + Master pitch + + + + Project saved + + + + The project %1 is now saved. + + + + Project NOT saved. + + + + The project %1 was not saved! + + + + Import file + + + + MIDI sequences + + + + Hydrogen projects + + + + All file types + + + + Empty project + + + + This project is empty so exporting makes no sense. Please put some items into Song Editor first! + + + + Select directory for writing exported tracks... + + + + untitled + + + + Select file for project-export... + + + + The following errors occured while loading: + + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + + + + + SongEditor + + Could not open file + + + + Could not write file + + + + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. + + + + Error in file + + + + The file %1 seems to contain errors and therefore can't be loaded. + + + + Tempo + + + + TEMPO/BPM + + + + tempo of song + + + + The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). + + + + High quality mode + + + + Master volume + + + + master volume + + + + Master pitch + + + + master pitch + + + + Value: %1% + + + + Value: %1 semitones + + + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + + + + + SongEditorWindow + + Song-Editor + + + + Play song (Space) + + + + Record samples from Audio-device + + + + Record samples from Audio-device while playing song or BB track + + + + Stop song (Space) + + + + Add beat/bassline + + + + Add sample-track + + + + Add automation-track + + + + Draw mode + + + + Edit mode (select and move) + + + + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. + + + + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + + + + Track actions + + + + Edit actions + + + + Timeline controls + + + + Zoom controls + + + + + SpectrumAnalyzerControlDialog + + Linear spectrum + + + + Linear Y axis + + + + + SpectrumAnalyzerControls + + Linear spectrum + + + + Linear Y axis + + + + Channel mode + + + + + SubWindow + + Close + + + + Maximize + + + + Restore + + + + + TabWidget + + Settings for %1 + + + + + TempoSyncKnob + + Tempo Sync + + + + No Sync + + + + Eight beats + + + + Whole note + + + + Half note + + + + Quarter note + + + + 8th note + + + + 16th note + + + + 32nd note + + + + Custom... + + + + Custom + + + + Synced to Eight Beats + + + + Synced to Whole Note + + + + Synced to Half Note + + + + Synced to Quarter Note + + + + Synced to 8th Note + + + + Synced to 16th Note + + + + Synced to 32nd Note + + + + + TimeDisplayWidget + + click to change time units + + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + + + + + TimeLineWidget + + Enable/disable auto-scrolling + + + + Enable/disable loop-points + + + + After stopping go back to begin + + + + After stopping go back to position at which playing was started + + + + After stopping keep position + + + + Hint + + + + Press <%1> to disable magnetic loop points. + + + + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. + + + + + Track + + Mute + + + + Solo + + + + + TrackContainer + + Couldn't import file + + + + Couldn't find a filter for importing file %1. +You should convert this file into a format supported by LMMS using another software. + + + + Couldn't open file + + + + Couldn't open file %1 for reading. +Please make sure you have read-permission to the file and the directory containing the file and try again! + + + + Loading project... + + + + Cancel + Mégse + + + Please wait... + + + + Importing MIDI-file... + + + + + TrackContentObject + + Mute + + + + + TrackContentObjectView + + Current position + + + + Hint + + + + Press <%1> and drag to make a copy. + + + + Current length + + + + Press <%1> for free resizing. + + + + %1:%2 (%3:%4 to %5:%6) + + + + Delete (middle mousebutton) + + + + Cut + Kivágás + + + Copy + Másolás + + + Paste + Beillesztés + + + Mute/unmute (<%1> + middle click) + + + + + TrackOperationsWidget + + Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. + + + + Actions for this track + + + + Mute + + + + Solo + + + + Mute this track + + + + Clone this track + + + + Remove this track + + + + Clear this track + + + + FX %1: %2 + + + + Turn all recording on + + + + Turn all recording off + + + + Assign to new FX Channel + + + + + TripleOscillatorView + + Use phase modulation for modulating oscillator 1 with oscillator 2 + + + + Use amplitude modulation for modulating oscillator 1 with oscillator 2 + + + + Mix output of oscillator 1 & 2 + + + + Synchronize oscillator 1 with oscillator 2 + + + + Use frequency modulation for modulating oscillator 1 with oscillator 2 + + + + Use phase modulation for modulating oscillator 2 with oscillator 3 + + + + Use amplitude modulation for modulating oscillator 2 with oscillator 3 + + + + Mix output of oscillator 2 & 3 + + + + Synchronize oscillator 2 with oscillator 3 + + + + Use frequency modulation for modulating oscillator 2 with oscillator 3 + + + + Osc %1 volume: + + + + With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. + + + + Osc %1 panning: + + + + With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. + + + + Osc %1 coarse detuning: + + + + semitones + + + + With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. + + + + Osc %1 fine detuning left: + + + + cents + + + + With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + + + + Osc %1 fine detuning right: + + + + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + + + + Osc %1 phase-offset: + + + + degrees + + + + With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. + + + + Osc %1 stereo phase-detuning: + + + + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. + + + + Use a sine-wave for current oscillator. + + + + Use a triangle-wave for current oscillator. + + + + Use a saw-wave for current oscillator. + + + + Use a square-wave for current oscillator. + + + + Use a moog-like saw-wave for current oscillator. + + + + Use an exponential wave for current oscillator. + + + + Use white-noise for current oscillator. + + + + Use a user-defined waveform for current oscillator. + + + + + VersionedSaveDialog + + Increment version number + + + + Decrement version number + + + + already exists. Do you want to replace it? + + + + + VestigeInstrumentView + + Open other VST-plugin + + + + Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. + + + + Show/hide GUI + + + + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + + + + Turn off all notes + + + + Open VST-plugin + + + + DLL-files (*.dll) + + + + EXE-files (*.exe) + + + + No VST-plugin loaded + + + + Control VST-plugin from LMMS host + + + + Click here, if you want to control VST-plugin from host. + + + + Open VST-plugin preset + + + + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + + + + Previous (-) + + + + Click here, if you want to switch to another VST-plugin preset program. + + + + Save preset + + + + Click here, if you want to save current VST-plugin preset program. + + + + Next (+) + + + + Click here to select presets that are currently loaded in VST. + + + + Preset + + + + by + + + + - VST plugin control + + + + + VisualizationWidget + + click to enable/disable visualization of master-output + + + + Click to enable + + + + + VstEffectControlDialog + + Show/hide + + + + Control VST-plugin from LMMS host + + + + Click here, if you want to control VST-plugin from host. + + + + Open VST-plugin preset + + + + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + + + + Previous (-) + + + + Click here, if you want to switch to another VST-plugin preset program. + + + + Next (+) + + + + Click here to select presets that are currently loaded in VST. + + + + Save preset + + + + Click here, if you want to save current VST-plugin preset program. + + + + Effect by: + + + + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> + + + + + VstPlugin + + Loading plugin + + + + Open Preset + + + + Vst Plugin Preset (*.fxp *.fxb) + + + + : default + + + + " + + + + ' + + + + Save Preset + + + + .fxp + + + + .FXP + + + + .FXB + + + + .fxb + + + + Please wait while loading VST plugin... + + + + The VST plugin %1 could not be loaded. + + + + + WatsynInstrument + + Volume A1 + + + + Volume A2 + + + + Volume B1 + + + + Volume B2 + + + + Panning A1 + + + + Panning A2 + + + + Panning B1 + + + + Panning B2 + + + + Freq. multiplier A1 + + + + Freq. multiplier A2 + + + + Freq. multiplier B1 + + + + Freq. multiplier B2 + + + + Left detune A1 + + + + Left detune A2 + + + + Left detune B1 + + + + Left detune B2 + + + + Right detune A1 + + + + Right detune A2 + + + + Right detune B1 + + + + Right detune B2 + + + + A-B Mix + + + + A-B Mix envelope amount + + + + A-B Mix envelope attack + + + + A-B Mix envelope hold + + + + A-B Mix envelope decay + + + + A1-B2 Crosstalk + + + + A2-A1 modulation + + + + B2-B1 modulation + + + + Selected graph + + + + + WatsynView + + Select oscillator A1 + + + + Select oscillator A2 + + + + Select oscillator B1 + + + + Select oscillator B2 + + + + Mix output of A2 to A1 + + + + Modulate amplitude of A1 with output of A2 + + + + Ring-modulate A1 and A2 + + + + Modulate phase of A1 with output of A2 + + + + Mix output of B2 to B1 + + + + Modulate amplitude of B1 with output of B2 + + + + Ring-modulate B1 and B2 + + + + Modulate phase of B1 with output of B2 + + + + Draw your own waveform here by dragging your mouse on this graph. + + + + Load waveform + + + + Click to load a waveform from a sample file + + + + Phase left + + + + Click to shift phase by -15 degrees + + + + Phase right + + + + Click to shift phase by +15 degrees + + + + Normalize + Normalizálás + + + Click to normalize + + + + Invert + + + + Click to invert + + + + Smooth + + + + Click to smooth + + + + Sine wave + Szinuszhullám + + + Click for sine wave + + + + Triangle wave + Háromszöghullám + + + Click for triangle wave + + + + Click for saw wave + + + + Square wave + Négyszöghullám + + + Click for square wave + + + + Volume + Hangerő + + + Panning + + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + + + + + ZynAddSubFxInstrument + + Portamento + + + + Filter Frequency + + + + Filter Resonance + + + + Bandwidth + + + + FM Gain + + + + Resonance Center Frequency + + + + Resonance Bandwidth + + + + Forward MIDI Control Change Events + + + + + ZynAddSubFxView + + Show GUI + + + + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + + + + Portamento: + + + + PORT + + + + Filter Frequency: + + + + FREQ + + + + Filter Resonance: + + + + RES + + + + Bandwidth: + + + + BW + + + + FM Gain: + + + + FM GAIN + + + + Resonance center frequency: + + + + RES CF + + + + Resonance bandwidth: + + + + RES BW + + + + Forward MIDI Control Changes + + + + + audioFileProcessor + + Amplify + + + + Start of sample + + + + End of sample + + + + Reverse sample + + + + Stutter + + + + Loopback point + + + + Loop mode + + + + Interpolation mode + + + + None + + + + Linear + + + + Sinc + + + + Sample not found: %1 + + + + + bitInvader + + Samplelength + + + + + bitInvaderView + + Sample Length + + + + Sine wave + Szinuszhullám + + + Triangle wave + Háromszöghullám + + + Saw wave + Fűrészfoghullám + + + Square wave + Négyszöghullám + + + White noise wave + + + + User defined wave + Felhasználó által megadott hullám + + + Smooth + + + + Click here to smooth waveform. + + + + Interpolation + + + + Normalize + Normalizálás + + + Draw your own waveform here by dragging your mouse on this graph. + + + + Click for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave. + + + + Click here for a square-wave. + + + + Click here for white-noise. + + + + Click here for a user-defined shape. + + + + + dynProcControlDialog + + INPUT + BEMENET + + + Input gain: + Bemeneti erősítés: + + + OUTPUT + KIMENET + + + Output gain: + Kimeneti erősítés: + + + ATTACK + + + + Peak attack time: + + + + RELEASE + + + + Peak release time: + + + + Reset waveform + + + + Click here to reset the wavegraph back to default + + + + Smooth waveform + + + + Click here to apply smoothing to wavegraph + + + + Increase wavegraph amplitude by 1dB + + + + Click here to increase wavegraph amplitude by 1dB + + + + Decrease wavegraph amplitude by 1dB + + + + Click here to decrease wavegraph amplitude by 1dB + + + + Stereomode Maximum + + + + Process based on the maximum of both stereo channels + + + + Stereomode Average + + + + Process based on the average of both stereo channels + + + + Stereomode Unlinked + + + + Process each stereo channel independently + + + + + dynProcControls + + Input gain + Bemeneti erősítés + + + Output gain + Kimeneti erősítés + + + Attack time + + + + Release time + + + + Stereo mode + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + + + + + graphModel + + Graph + + + + + kickerInstrument + + Start frequency + + + + End frequency + + + + Gain + Erősítés + + + Length + + + + Distortion Start + + + + Distortion End + + + + Envelope Slope + + + + Noise + + + + Click + + + + Frequency Slope + + + + Start from note + + + + End to note + + + + + kickerInstrumentView + + Start frequency: + + + + End frequency: + + + + Gain: + Erősítés: + + + Frequency Slope: + + + + Envelope Length: + + + + Envelope Slope: + + + + Click: + + + + Noise: + + + + Distortion Start: + + + + Distortion End: + + + + + ladspaBrowserView + + Available Effects + + + + Unavailable Effects + + + + Instruments + + + + Analysis Tools + + + + Don't know + + + + This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. + +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. + +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. + +Instruments are plugins for which only output channels were identified. + +Analysis Tools are plugins for which only input channels were identified. + +Don't Knows are plugins for which no input or output channels were identified. + +Double clicking any of the plugins will bring up information on the ports. + + + + Type: + Típus: + + + + ladspaDescription + + Plugins + Bővítmények + + + Description + Leírás + + + + ladspaPortDialog + + Ports + Portok + + + Name + Név + + + Rate + + + + Direction + + + + Type + + + + Min < Default < Max + + + + Logarithmic + + + + SR Dependent + + + + Audio + + + + Control + + + + Input + + + + Output + + + + Toggled + + + + Integer + + + + Float + + + + Yes + + + + + lb302Synth + + VCF Cutoff Frequency + + + + VCF Resonance + + + + VCF Envelope Mod + + + + VCF Envelope Decay + + + + Distortion + + + + Waveform + + + + Slide Decay + + + + Slide + + + + Accent + + + + Dead + + + + 24dB/oct Filter + + + + + lb302SynthView + + Cutoff Freq: + + + + Resonance: + + + + Env Mod: + + + + Decay: + + + + 303-es-que, 24dB/octave, 3 pole filter + + + + Slide Decay: + + + + DIST: + + + + Saw wave + Fűrészfoghullám + + + Click here for a saw-wave. + + + + Triangle wave + Háromszöghullám + + + Click here for a triangle-wave. + + + + Square wave + Négyszöghullám + + + Click here for a square-wave. + + + + Rounded square wave + + + + Click here for a square-wave with a rounded end. + + + + Moog wave + + + + Click here for a moog-like wave. + + + + Sine wave + Szinuszhullám + + + Click for a sine-wave. + + + + White noise wave + + + + Click here for an exponential wave. + + + + Click here for white-noise. + + + + Bandlimited saw wave + + + + Click here for bandlimited saw wave. + + + + Bandlimited square wave + + + + Click here for bandlimited square wave. + + + + Bandlimited triangle wave + + + + Click here for bandlimited triangle wave. + + + + Bandlimited moog saw wave + + + + Click here for bandlimited moog saw wave. + + + + + malletsInstrument + + Hardness + + + + Position + + + + Vibrato Gain + + + + Vibrato Freq + + + + Stick Mix + + + + Modulator + + + + Crossfade + + + + LFO Speed + + + + LFO Depth + + + + ADSR + + + + Pressure + + + + Motion + + + + Speed + Sebesség + + + Bowed + + + + Spread + + + + Marimba + + + + Vibraphone + + + + Agogo + + + + Wood1 + + + + Reso + + + + Wood2 + + + + Beats + + + + Two Fixed + + + + Clump + + + + Tubular Bells + + + + Uniform Bar + + + + Tuned Bar + + + + Glass + + + + Tibetan Bowl + + + + + malletsInstrumentView + + Instrument + + + + Spread + + + + Spread: + + + + Hardness + + + + Hardness: + + + + Position + + + + Position: + + + + Vib Gain + + + + Vib Gain: + + + + Vib Freq + + + + Vib Freq: + + + + Stick Mix + + + + Stick Mix: + + + + Modulator + + + + Modulator: + + + + Crossfade + + + + Crossfade: + + + + LFO Speed + + + + LFO Speed: + + + + LFO Depth + + + + LFO Depth: + + + + ADSR + + + + ADSR: + + + + Pressure + + + + Pressure: + + + + Speed + Sebesség + + + Speed: + Sebesség: + + + Missing files + HIányzó fájlok + + + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + + + + + manageVSTEffectView + + - VST parameter control + + + + VST Sync + + + + Click here if you want to synchronize all parameters with VST plugin. + + + + Automated + + + + Click here if you want to display automated parameters only. + + + + Close + + + + Close VST effect knob-controller window. + + + + + manageVestigeInstrumentView + + - VST plugin control + + + + VST Sync + + + + Click here if you want to synchronize all parameters with VST plugin. + + + + Automated + + + + Click here if you want to display automated parameters only. + + + + Close + + + + Close VST plugin knob-controller window. + + + + + opl2instrument + + Patch + + + + Op 1 Attack + + + + Op 1 Decay + + + + Op 1 Sustain + + + + Op 1 Release + + + + Op 1 Level + + + + Op 1 Level Scaling + + + + Op 1 Frequency Multiple + + + + Op 1 Feedback + + + + Op 1 Key Scaling Rate + + + + Op 1 Percussive Envelope + + + + Op 1 Tremolo + + + + Op 1 Vibrato + + + + Op 1 Waveform + + + + Op 2 Attack + + + + Op 2 Decay + + + + Op 2 Sustain + + + + Op 2 Release + + + + Op 2 Level + + + + Op 2 Level Scaling + + + + Op 2 Frequency Multiple + + + + Op 2 Key Scaling Rate + + + + Op 2 Percussive Envelope + + + + Op 2 Tremolo + + + + Op 2 Vibrato + + + + Op 2 Waveform + + + + FM + + + + Vibrato Depth + + + + Tremolo Depth + + + + + opl2instrumentView + + Attack + + + + Decay + + + + Release + + + + Frequency multiplier + + + + + organicInstrument + + Distortion + + + + Volume + Hangerő + + + + organicInstrumentView + + Distortion: + + + + Volume: + Hangerő: + + + Randomise + + + + Osc %1 waveform: + + + + Osc %1 volume: + + + + Osc %1 panning: + + + + cents + + + + The distortion knob adds distortion to the output of the instrument. + + + + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. + + + + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. + + + + Osc %1 stereo detuning + + + + Osc %1 harmonic: + + + + + papuInstrument + + Sweep time + + + + Sweep direction + + + + Sweep RtShift amount + + + + Wave Pattern Duty + + + + Channel 1 volume + + + + Volume sweep direction + + + + Length of each step in sweep + + + + Channel 2 volume + + + + Channel 3 volume + + + + Channel 4 volume + + + + Right Output level + + + + Left Output level + + + + Channel 1 to SO2 (Left) + + + + Channel 2 to SO2 (Left) + + + + Channel 3 to SO2 (Left) + + + + Channel 4 to SO2 (Left) + + + + Channel 1 to SO1 (Right) + + + + Channel 2 to SO1 (Right) + + + + Channel 3 to SO1 (Right) + + + + Channel 4 to SO1 (Right) + + + + Treble + + + + Bass + + + + Shift Register width + + + + + papuInstrumentView + + Sweep Time: + + + + Sweep Time + + + + Sweep RtShift amount: + + + + Sweep RtShift amount + + + + Wave pattern duty: + + + + Wave Pattern Duty + + + + Square Channel 1 Volume: + + + + Length of each step in sweep: + + + + Length of each step in sweep + + + + Wave pattern duty + + + + Square Channel 2 Volume: + + + + Square Channel 2 Volume + + + + Wave Channel Volume: + + + + Wave Channel Volume + + + + Noise Channel Volume: + + + + Noise Channel Volume + + + + SO1 Volume (Right): + + + + SO1 Volume (Right) + + + + SO2 Volume (Left): + + + + SO2 Volume (Left) + + + + Treble: + + + + Treble + + + + Bass: + + + + Bass + + + + Sweep Direction + + + + Volume Sweep Direction + + + + Shift Register Width + + + + Channel1 to SO1 (Right) + + + + Channel2 to SO1 (Right) + + + + Channel3 to SO1 (Right) + + + + Channel4 to SO1 (Right) + + + + Channel1 to SO2 (Left) + + + + Channel2 to SO2 (Left) + + + + Channel3 to SO2 (Left) + + + + Channel4 to SO2 (Left) + + + + Wave Pattern + + + + The amount of increase or decrease in frequency + + + + The rate at which increase or decrease in frequency occurs + + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + + + + Square Channel 1 Volume + + + + The delay between step change + + + + Draw the wave here + + + + + patchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + + + + Name + Név + + + OK + OK + + + Cancel + Mégse + + + + pluginBrowser + + no description + + + + Incomplete monophonic imitation tb303 + Félkész monofonikus tb303 imitáció + + + Plugin for freely manipulating stereo output + Bővítmény a sztereó kimenet manipulálásához + + + Plugin for controlling knobs with sound peaks + + + + Plugin for enhancing stereo separation of a stereo input file + Bővítmény a sztereó fájlok sztereó különválasztásának javításához + + + List installed LADSPA plugins + Telepített LADSPA bővítmények listája + + + GUS-compatible patch instrument + + + + Additive Synthesizer for organ-like sounds + Additív szintetizátor orgonaszerű hangokhoz + + + Tuneful things to bang on + + + + VST-host for using VST(i)-plugins within LMMS + + + + Vibrating string modeler + + + + plugin for using arbitrary LADSPA-effects inside LMMS. + + + + Filter for importing MIDI-files into LMMS + + + + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. + + + + Player for SoundFont files + Lejátszó a SoundFont fájlokhoz + + + Emulation of GameBoy (TM) APU + A GameBoy (TM) APU emulációja + + + Customizable wavetable synthesizer + + + + Embedded ZynAddSubFX + Beágyazott ZynAddSubFX + + + 2-operator FM Synth + + + + Filter for importing Hydrogen files into LMMS + + + + LMMS port of sfxr + + + + Monstrous 3-oscillator synth with modulation matrix + + + + Three powerful oscillators you can modulate in several ways + + + + A native amplifier plugin + + + + Carla Rack Instrument + + + + 4-oscillator modulatable wavetable synth + + + + plugin for waveshaping + + + + Boost your bass the fast and simple way + + + + Versatile drum synthesizer + + + + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track + + + + plugin for processing dynamics in a flexible way + + + + Carla Patchbay Instrument + + + + plugin for using arbitrary VST effects inside LMMS. + + + + Graphical spectrum analyzer plugin + + + + A NES-like synthesizer + + + + A native delay plugin + + + + Player for GIG files + + + + A multitap echo delay plugin + + + + A native flanger plugin + + + + An oversampling bitcrusher + + + + A native eq plugin + + + + A 4-band Crossover Equalizer + + + + A Dual filter plugin + + + + Filter for exporting MIDI-files from LMMS + + + + + sf2Instrument + + Bank + + + + Patch + + + + Gain + Erősítés + + + Reverb + + + + Reverb Roomsize + + + + Reverb Damping + + + + Reverb Width + + + + Reverb Level + + + + Chorus + + + + Chorus Lines + + + + Chorus Level + + + + Chorus Speed + + + + Chorus Depth + + + + A soundfont %1 could not be loaded. + + + + + sf2InstrumentView + + Open other SoundFont file + + + + Click here to open another SF2 file + + + + Choose the patch + + + + Gain + Erősítés + + + Apply reverb (if supported) + + + + This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. + + + + Reverb Roomsize: + + + + Reverb Damping: + + + + Reverb Width: + + + + Reverb Level: + + + + Apply chorus (if supported) + + + + This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. + + + + Chorus Lines: + + + + Chorus Level: + + + + Chorus Speed: + + + + Chorus Depth: + + + + Open SoundFont file + + + + SoundFont2 Files (*.sf2) + + + + + sfxrInstrument + + Wave Form + + + + + sidInstrument + + Cutoff + + + + Resonance + + + + Filter type + + + + Voice 3 off + + + + Volume + Hangerő + + + Chip model + + + + + sidInstrumentView + + Volume: + Hangerő: + + + Resonance: + + + + Cutoff frequency: + + + + High-Pass filter + + + + Band-Pass filter + + + + Low-Pass filter + + + + Voice3 Off + + + + MOS6581 SID + + + + MOS8580 SID + + + + Attack: + + + + Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. + + + + Decay: + + + + Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. + + + + Sustain: + + + + Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. + + + + Release: + + + + The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. + + + + Pulse Width: + + + + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. + + + + Coarse: + + + + The Coarse detuning allows to detune Voice %1 one octave up or down. + + + + Pulse Wave + + + + Triangle Wave + + + + SawTooth + + + + Noise + + + + Sync + + + + Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. + + + + Ring-Mod + + + + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. + + + + Filtered + + + + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. + + + + Test + + + + Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. + + + + + stereoEnhancerControlDialog + + WIDE + + + + Width: + + + + + stereoEnhancerControls + + Width + + + + + stereoMatrixControlDialog + + Left to Left Vol: + + + + Left to Right Vol: + + + + Right to Left Vol: + + + + Right to Right Vol: + + + + + stereoMatrixControls + + Left to Left + + + + Left to Right + + + + Right to Left + + + + Right to Right + + + + + vestigeInstrument + + Loading plugin + + + + Please wait while loading VST-plugin... + + + + + vibed + + String %1 volume + + + + String %1 stiffness + + + + Pick %1 position + + + + Pickup %1 position + + + + Pan %1 + + + + Detune %1 + + + + Fuzziness %1 + + + + Length %1 + + + + Impulse %1 + + + + Octave %1 + + + + + vibedView + + Volume: + Hangerő: + + + The 'V' knob sets the volume of the selected string. + + + + String stiffness: + + + + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. + + + + Pick position: + + + + The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. + + + + Pickup position: + + + + The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. + + + + Pan: + + + + The Pan knob determines the location of the selected string in the stereo field. + + + + Detune: + + + + The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. + + + + Fuzziness: + + + + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. + + + + Length: + + + + The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. + + + + Impulse or initial state + + + + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. + + + + Octave + + + + The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. + + + + Impulse Editor + + + + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + +The waveform can also be drawn in the graph. + +The 'S' button will smooth the waveform. + +The 'N' button will normalize the waveform. + + + + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + +The graph allows you to control the initial state or impulse used to set the string in motion. + +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. + +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. + +The 'Length' knob controls the length of the string. + +The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. + + + + Enable waveform + + + + Click here to enable/disable waveform. + + + + String + + + + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + + + + Sine wave + Szinuszhullám + + + Triangle wave + Háromszöghullám + + + Saw wave + Fűrészfoghullám + + + Square wave + Négyszöghullám + + + White noise wave + + + + User defined wave + Felhasználó által megadott hullám + + + Smooth + + + + Click here to smooth waveform. + + + + Normalize + Normalizálás + + + Click here to normalize waveform. + Kattintson ide a hullámalak normalizálásához. + + + Use a sine-wave for current oscillator. + + + + Use a triangle-wave for current oscillator. + + + + Use a saw-wave for current oscillator. + + + + Use a square-wave for current oscillator. + + + + Use white-noise for current oscillator. + + + + Use a user-defined waveform for current oscillator. + + + + + voiceObject + + Voice %1 pulse width + + + + Voice %1 attack + + + + Voice %1 decay + + + + Voice %1 sustain + + + + Voice %1 release + + + + Voice %1 coarse detuning + + + + Voice %1 wave shape + + + + Voice %1 sync + + + + Voice %1 ring modulate + + + + Voice %1 filtered + + + + Voice %1 test + + + + + waveShaperControlDialog + + INPUT + BEMENET + + + Input gain: + Bemeneti erősítés: + + + OUTPUT + KIMENET + + + Output gain: + Kimeneti erősítés: + + + Reset waveform + + + + Click here to reset the wavegraph back to default + + + + Smooth waveform + + + + Click here to apply smoothing to wavegraph + + + + Increase graph amplitude by 1dB + + + + Click here to increase wavegraph amplitude by 1dB + + + + Decrease graph amplitude by 1dB + + + + Click here to decrease wavegraph amplitude by 1dB + + + + Clip input + + + + Clip input signal to 0dB + + + + + waveShaperControls + + Input gain + Bemeneti erősítés + + + Output gain + Kimeneti erősítés + + + \ No newline at end of file diff --git a/data/locale/it.ts b/data/locale/it.ts index 85d9a840c73..23f87b7f2c1 100644 --- a/data/locale/it.ts +++ b/data/locale/it.ts @@ -41,10 +41,6 @@ Se sei interessato a tradurre LMMS o vuoi migliorare una traduzione esistente, s LMMS LMMS - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - Involved Coinvolti @@ -57,6 +53,10 @@ Se sei interessato a tradurre LMMS o vuoi migliorare una traduzione esistente, s Copyright © %1 Copyright © %1 + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + AmplifierControlDialog @@ -1004,10 +1004,6 @@ Se sei interessato a tradurre LMMS o vuoi migliorare una traduzione esistente, s DelayControlsDialog - - Delay - Delay - Lfo Amt Quantità Lfo @@ -1016,18 +1012,10 @@ Se sei interessato a tradurre LMMS o vuoi migliorare una traduzione esistente, s Delay Time Tempo di ritardo - - Regen - Regen - Feedback Amount Quantità di Feedback - - Rate - Frequenza - Lfo Lfo @@ -1040,6 +1028,22 @@ Se sei interessato a tradurre LMMS o vuoi migliorare una traduzione esistente, s Gain Guadagno + + DELAY + RITARDO + + + FDBK + FDBK + + + RATE + FREQUENZA + + + AMNT + Q.TÀ + DualFilterControlDialog @@ -1880,18 +1884,6 @@ Con il click destro si apre un menu conestuale che permette di cambiare l'o Octave Ottave - - Frequency - Frequenza - - - Resonance - Risonanza - - - Bandwidth - Larghezza di Banda - EqHandle @@ -2054,12 +2046,6 @@ Con il click destro si apre un menu conestuale che permette di cambiare l'o Could not open file Non è stato possibile aprire il file - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Impossibile aprire in scrittura il file %1. -Assicurarsi di avere i permessi in scrittura per il file e per la directory contenente il file e riprovare! - Export project to %1 Esporta il progetto in %1 @@ -2076,6 +2062,11 @@ Assicurarsi di avere i permessi in scrittura per il file e per la directory cont Rendering: %1% Renderizzazione: %1% + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + Fader @@ -2918,7 +2909,7 @@ Puoi rimuovere e muovere i canali con il menù contestuale, cliccando con il tas Phrygolydian - Phrygolydian + Frigia Lydian @@ -3967,10 +3958,6 @@ Visitare http://lmms.sf.net/wiki per la documentazione di LMMS. Save as default template Salva come progetto default - - Export &MIDI... - Esporta &MIDI... - &View &Visualizza @@ -4051,6 +4038,10 @@ Visitare http://lmms.sf.net/wiki per la documentazione di LMMS. Enable note labels in piano roll Abilita l'etichetta delle note nel piano roll + + Save project template + + MeterDialog @@ -5702,10 +5693,6 @@ Motivo: "%2" PluginBrowser - - Instrument plugins - Plugin strumentali - Instrument browser Browser strumenti @@ -5714,6 +5701,10 @@ Motivo: "%2" Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. È possibile trascinare uno strumento nel Song-Editor, nel Beat+Bassline Editor o direttamente in un canale esistente. + + Instrument Plugins + + PluginFactory @@ -6140,10 +6131,6 @@ Motivo: "%2" Smooth scroll in Song Editor Scorrimento morbido nel Song-Editor - - Enable auto save feature - Abilita la funzione di salvataggio automatico - Show playback cursor in AudioFileProcessor Mostra il cursore di riproduzione dentro AudioFileProcessor @@ -6271,14 +6258,25 @@ Latenza: %2 ms minuto - Auto save interval: %1 %2 - Intervallo di auto-salvataggio: %1 %2 + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + Set the time between automatic backup to %1. -Remember to also save your project manually. - Imposta l'intervallo del backup automatico a %1. -Ricorda di salvare il tuo progetto anche manualmente. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + @@ -6359,6 +6357,10 @@ Ricorda di salvare il tuo progetto anche manualmente. LMMS Error report Informazioni sull'errore di LMMS + + Save project + + SongEditor @@ -7013,6 +7015,10 @@ Assicurarsi di avere i permessi in lettura per il file e per la directory che lo Decrement version number Riduci numero versione + + already exists. Do you want to replace it? + + VestigeInstrumentView diff --git a/data/locale/ja.ts b/data/locale/ja.ts index c082d910d92..4b355e2c3d0 100644 --- a/data/locale/ja.ts +++ b/data/locale/ja.ts @@ -1,11 +1,9 @@ - - - + AboutDialog About LMMS - LMMSについて + LMMS について Version %1 (%2/%3, Qt %4, %5) @@ -13,7 +11,7 @@ About - LMMSについて + LMMS について LMMS - easy music production for everyone @@ -33,20 +31,12 @@ If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! 現在、この言語では完全に翻訳されていません。 -もしLMMSを他の言語に翻訳することや既に存在する翻訳を改善することに興味があるならぜひとも翻訳してください!メンテナーに連絡を取るだけです! +もしLMMSを他の言語に翻訳することや既に存在する翻訳を改善することに興味があるなら、ぜひとも翻訳してください! メンテナーに連絡を取るだけです! License ライセンス - - Copyright (c) 2004-2014, LMMS developers - Copyright (c) 2004-2014, LMMS開発者 - - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - LMMS LMMS @@ -57,7 +47,15 @@ If you're interested in translating LMMS in another language or want to imp Contributors ordered by number of commits: - コミット数順のコントリビュータ一覧: + コミット数順の貢献者一覧: + + + Copyright © %1 + Copyright © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + @@ -115,7 +113,7 @@ If you're interested in translating LMMS in another language or want to imp - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE デバイス @@ -133,75 +131,75 @@ If you're interested in translating LMMS in another language or want to imp Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - ここをクリックすると、他のオーディオファイルを開きます。ファイルを選択することができるダイアログが表示されます。ループモード・開始点と終了点・増幅率などの設定はリセットされませんが、オリジナルのサンプルとは異なる音になるかもしれません。 + 他のオーディオファイルを開きたいときは、ここをクリックしてください。ダイアログが表示され、ファイルを選択することができます。ループモード、開始/終了位置、増幅率などの設定はリセットされません。そのため、開いたファイルはオリジナルのサンプルとは異なる音になるかもしれません。 Reverse sample - サンプルを逆回転 + サンプルをリバース If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - このボタンを有効にすると、すべてのサンプルが逆回転されます。例えばリバースドクラッシュといったクールなエフェクトで役立ちます。 + このボタンを有効にすると、全体のサンプルがリバースされます。例えばリバースド クラッシュのようなかっこいいエフェクトで役立ちます。 Amplify: - 増幅: + 増幅: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - このつまみでは増幅率を設定することができます。この値を100%にするとサンプルは変化しません。そうでないときは増幅率が上下します（実際のサンプルファイルは変更されません!） + このつまみでは増幅率を設定することができます。この値を100%にするとサンプルは変化しません。そうでないときは増幅率が上下します(実際のサンプルファイルは変更されません!) Startpoint: - 開始点: + 開始位置: Endpoint: - 終了点: + 終了位置: Continue sample playback across notes - + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - + Disable loop - ループを無効にする + ループを無効にする This button disables looping. The sample plays only once from start to end. - + このボタンはループ再生を無効にします。サンプルは一度だけ通しで再生されます。 Enable loop - ループを有効にする + ループを有効にする This button enables forwards-looping. The sample loops between the end point and the loop point. - + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + このノブで、サンプルの再生を開始する位置を設定することができます。 With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + このノブで、サンプルの再生を停止する位置を設定することができます。 Loopback point: - + ループバック位置: With this knob you can set the point where the loop starts. - + このノブで、ループ再生の開始位置を設定することができます。 @@ -219,15 +217,15 @@ If you're interested in translating LMMS in another language or want to imp LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. - + LMMS は何らかの理由で JACK からキックされました。そのため、LMMS の JACKバックエンドが再起動されています。あなたは、手動で接続しなおす必要があります。 JACK server down - + JACK サーバーダウン The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - + JACK サーバーがシャットダウンし、新しいインスタンスの開始に失敗したようです。そのため、LMMS は続行できません。あなたはプロジェクトを保存し、JACK と LMMS を再起動する必要があります。 CLIENT-NAME @@ -253,7 +251,7 @@ If you're interested in translating LMMS in another language or want to imp AudioPortAudio::setupWidget BACKEND - バックエンド + バックエンド DEVICE @@ -278,6 +276,28 @@ If you're interested in translating LMMS in another language or want to imp デバイス + + AudioSndio::setupWidget + + DEVICE + デバイス + + + CHANNELS + チャンネル + + + + AudioSoundIo::setupWidget + + BACKEND + バックエンド + + + DEVICE + デバイス + + AutomatableModel @@ -294,7 +314,7 @@ If you're interested in translating LMMS in another language or want to imp Edit song-global automation - 曲全体のオートメーションを編集 + 曲全体のオートメーションを編集 Connected to %1 @@ -318,7 +338,7 @@ If you're interested in translating LMMS in another language or want to imp Remove song-global automation - 曲全体のオートメーションを削除 + 曲全体のオートメーションを削除 Remove all linked controls @@ -348,15 +368,15 @@ If you're interested in translating LMMS in another language or want to imp Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - クリックすると現在のパターンを演奏します。パターン編集中の演奏に便利です。終了位置にくるとパターンは自動的にループされます。 + クリックすると現在のパターンを再生します。これはパターン編集中に便利です。終了位置にくるとパターンは自動的にループされます。 Stop playing of current pattern (Space) - + 現在のパターンの再生を停止 (Space) Click here if you want to stop playing of the current pattern. - クリックすると現在のパターンの演奏を停止します。 + 現在のパターンの再生を停止するときは、ここをクリックしてください、 Draw mode (Shift+D) @@ -368,59 +388,59 @@ If you're interested in translating LMMS in another language or want to imp Flip vertically - + 垂直フリップ Flip horizontally - + 水平フリップ Click here and the pattern will be inverted.The points are flipped in the y direction. - + ここをクリックすると、パターンが反転されます。y 方向に反転されます。 Click here and the pattern will be reversed. The points are flipped in the x direction. - + ここをクリックすると、パターンが反転されます。x 方向に反転されます。 Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - クリックすると描画モードをONにします。描画モードではひとつの値を追加したり移動したりします。このモードがデフォルトで普段つかいます。 'Shift+D' をおしても描画モードをONにできます。 + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - クリックすると消去モードをONにします。消去モードではひとつの値を消去できます。 'Shift+E' をおしても消去モードをONにできます。 + Discrete progression - + Linear progression - + Cubic Hermite progression - + Tension value for spline - + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - + Cut selected values (%1+X) @@ -432,31 +452,55 @@ If you're interested in translating LMMS in another language or want to imp Paste values from clipboard (%1+V) - + クリップボードから値を貼り付け (%1+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - クリックすると選択した値をクリップボードにカットします。その値はペーストボタンを押すと任意のパタンの任意の場所にペーストできます。 + クリックすると選択した値をクリップボードにカットします。その値はペーストボタンを押すと任意のパターンの任意の場所にペーストできます。 Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - クリックすると選択した値をクリップボードにコピーします。その値はペーストボタンを押すと任意のパタンの任意の場所にペーストできます。 + クリックすると選択した値をクリップボードにコピーします。その値はペーストボタンを押すと任意のパターンの任意の場所にペーストできます。 Click here and the values from the clipboard will be pasted at the first visible measure. - クリックするとクリップボードから値が最初の可視状態の小節にペーストされます。 + クリックするとクリップボードの値が、最初の可視小節にペーストされます。 Tension: - + Automation Editor - no pattern - + オートメーション エディター - パターンなし Automation Editor - %1 - + オートメーション エディター - %1 + + + Edit actions + 編集機能 + + + Interpolation controls + 補間コントロール + + + Timeline controls + タイムライン コントロール + + + Zoom controls + ズーム コントロール + + + Quantization controls + クオンタイゼーション コントロール + + + Model is already connected to this pattern. + モデルは、すでにこのパターンに接続されています。 @@ -465,20 +509,16 @@ If you're interested in translating LMMS in another language or want to imp Drag a control while pressing <%1> <%1>を押しながらコントロールをドラッグしてください - - Model is already connected to this pattern. - モデルはこのパターンに既に接続されています。 - AutomationPatternView double-click to open this pattern in automation editor - ダブルクリックしてこのパターンをAutomation Editorで開く + オートメーション エディタでこのパターンを開くにはダブルクリックしてください Open in Automation editor - Automation Editor で開く + オートメーション エディターで開く Clear @@ -502,68 +542,88 @@ If you're interested in translating LMMS in another language or want to imp Set/clear record - 録音をセット/クリア + 録音をセット/クリア Flip Vertically (Visible) - + Flip Horizontally (Visible) - + + + + Model is already connected to this pattern. + モデルは、すでにこのパターンに接続されています。 AutomationTrack Automation track - + オートメーション トラック BBEditor Beat+Bassline Editor - ビート＋ベースラインエディタ + ビート+ベースライン エディター Play/pause current beat/bassline (Space) - 現在のビート＋ベースラインを 再生/一時停止 (Space) + 現在のビート/ベースラインの再生/一時停止 (Space) Stop playback of current beat/bassline (Space) - ビート/ベースラインの再生を停止 (Space) + 現在のビート/ベースラインの再生を停止 (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - クリックすると現在のビート/ベースラインを演奏します。ビート/ベースラインは終了位置にくると自動的にループされます。 + 現在のビート/ベースラインを再生するには、ここをクリックしてください。終了位置にくるとビート/ベースラインは自動的にループされます。 Click here to stop playing of current beat/bassline. - クリックすると現在のビート/ベースラインの演奏を停止します。 + 現在のビート/ベースラインの再生を停止するには、ここをクリックしてください。 Add beat/bassline - ビート/ベースラインを追加 + ビート/ベースラインを追加 Add automation-track - + オートメーション トラックを追加 Remove steps - ステップ除去 + ステップを削除 Add steps - ステップ追加 + ステップを追加 + + + Beat selector + ビート セレクター + + + Track and step actions + + + + Clone Steps + ステップを複製 + + + Add sample-track + サンプルトラックを追加 BBTCOView Open in Beat+Bassline-Editor - ビート＋ベースラインエディタで開く + ビート+ベースライン エディターで開く Reset name @@ -613,11 +673,11 @@ If you're interested in translating LMMS in another language or want to imp RATIO - 比率 + Ratio: - 比率: + @@ -632,18 +692,18 @@ If you're interested in translating LMMS in another language or want to imp Ratio - 比率 + BitcrushControlDialog IN - 入力 + OUT - 出力 + GAIN @@ -651,71 +711,71 @@ If you're interested in translating LMMS in another language or want to imp Input Gain: - + 入力ゲイン: NOIS - + Input Noise: - + 入力ノイズ: Output Gain: - + 出力ゲイン: CLIP - + Output Clip: - + Rate - + レート Rate Enabled - + Enable samplerate-crushing - + Depth - + Depth Enabled - + Enable bitdepth-crushing - + Sample rate: - + サンプルレート: STD - + Stereo difference: - + Levels - + Levels: - + レベル: @@ -726,7 +786,7 @@ If you're interested in translating LMMS in another language or want to imp Help (not available) - ヘルプはありません + ヘルプ (利用できません) @@ -744,7 +804,7 @@ If you're interested in translating LMMS in another language or want to imp Controller Controller %1 - コントローラ %1 + コントローラー %1 @@ -755,7 +815,7 @@ If you're interested in translating LMMS in another language or want to imp MIDI CONTROLLER - MIDIコントローラ + MIDI コントローラ Input channel @@ -767,7 +827,7 @@ If you're interested in translating LMMS in another language or want to imp Input controller - 入力コントローラ + 入力コントローラー CONTROLLER @@ -779,15 +839,15 @@ If you're interested in translating LMMS in another language or want to imp MIDI-devices to receive MIDI-events from - + MIDI イベントを受信するための MIDI デバイス USER CONTROLLER - ユーザーコントローラ + ユーザー コントローラー MAPPING FUNCTION - マッピング機能 + マッピング機能 OK @@ -810,7 +870,7 @@ If you're interested in translating LMMS in another language or want to imp ControllerRackView Controller Rack - + コントローラー ラック Add @@ -821,8 +881,8 @@ If you're interested in translating LMMS in another language or want to imp 削除の確認 - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + 削除してもよいですか？ このコントローラーに関連付けられた接続があります。削除すると元に戻す方法はありません。 @@ -844,78 +904,86 @@ If you're interested in translating LMMS in another language or want to imp コントローラーの新しい名前を入力してください - &Remove this plugin - このプラグインを削除(&R) + &Remove this controller + このコントローラーを取り外す (&R) + + + Re&name this controller + このコントローラー名を変更 (&n) + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 2 Gain: - + Band 3 Gain: - + Band 4 Gain: - + Band 1 Mute - + Mute Band 1 - + Band 2 Mute - + Mute Band 2 - + Band 3 Mute - + Mute Band 3 - + Band 4 Mute - + Mute Band 4 - + DelayControls Delay Samples - + Feedback @@ -923,210 +991,244 @@ If you're interested in translating LMMS in another language or want to imp Lfo Frequency - + LFO 周波数 Lfo Amount - + LFO 量 + + + Output gain + 出力ゲイン DelayControlsDialog - Delay - + Lfo Amt + LFO 量 Delay Time - + ディレイ タイム - Regen - + Feedback Amount + フィードバック量 - Feedback Amount - + Lfo + LFO - Rate - + Out Gain + 出力ゲイン - Lfo - + Gain + ゲイン - Lfo Amt - + DELAY + + + + FDBK + + + + RATE + - - - DetuningHelper - Note detuning - + AMNT + DualFilterControlDialog Filter 1 enabled - フィルタ1は有効 + フィルタ 1 は有効 Filter 2 enabled - フィルタ2は有効 + フィルタ 2 は有効 Click to enable/disable Filter 1 - クリックでフィルタ1を有効/無効 + クリックでフィルタ 1 を有効/無効 Click to enable/disable Filter 2 - クリックでフィルタ2を有効/無効 + クリックでフィルタ 2 を有効/無効 + + + FREQ + 周波数 + + + Cutoff frequency + カットオフ周波数 + + + RESO + レゾナンス + + + Resonance + レゾナンス + + + GAIN + ゲイン + + + Gain + ゲイン + + + MIX + ミックス + + + Mix + DualFilterControls Filter 1 enabled - + フィルタ1は有効 Filter 1 type - + Cutoff 1 frequency - + Q/Resonance 1 - + Gain 1 - + Mix - + Filter 2 enabled - + フィルタ2は有効 Filter 2 type - + Cutoff 2 frequency - + Q/Resonance 2 - + Gain 2 - + LowPass - + ローパス HiPass - + ハイパス BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + 2x LowPass - + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - 見つかりません + @@ -1147,6 +1249,10 @@ If you're interested in translating LMMS in another language or want to imp Record while playing 再生しながら録音 + + Transport controls + + Effect @@ -1156,15 +1262,15 @@ If you're interested in translating LMMS in another language or want to imp Wet/Dry mix - + Gate - ゲート + Decay - ディケイ + ディケイ @@ -1192,8 +1298,20 @@ If you're interested in translating LMMS in another language or want to imp エフェクトを追加 - Plugin description - プラグインの説明 + Name + 名前 + + + Type + 種類 + + + Description + 説明 + + + Author + 製作者 @@ -1208,19 +1326,19 @@ If you're interested in translating LMMS in another language or want to imp W/D - + W/D Wet Level: - Wet レベル: + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - Wet/Dry つまみでは、出力中の入力シグナルとエフェクトシグナルの割合を設定します。 + DECAY - + Time: @@ -1228,19 +1346,19 @@ If you're interested in translating LMMS in another language or want to imp The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - ディケイつまみでは、プラグインがプロセスを終了する前にいくつの無音バッファが渡されなければならないかをコントロールします。値を小さくするほどCPUのオーバヘッドは減少しますが、ディレイとリバーブエフェクトの末尾がクリッピングする危険があります。 + GATE - + Gate: - ゲート: + ゲート: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - ゲートつまみではシグナルレベルをコントロールします。このシグナルレベルとはシグナル処理をいつ終了するか決定する際に無音と判断されるレベルです。 + Controls @@ -1251,29 +1369,16 @@ If you're interested in translating LMMS in another language or want to imp The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. - エフェクトプラグイン関数とは連鎖するエフェクト系列です。シグナルは上から下に処理されます。 - -On/Off スイッチでいつでも指定したプラグインをバイパスすることができます。 - -Wet/Dry つまみでは、エフェクトの出力中の入力シグナルとエフェクトシグナルのバランスをコントロールします。ステージの入力とは一つ前のステージからの出力です。そのため連鎖の下の方のエフェクトの 'dry'シグナルはそれまでのエフェクトをすべて含んでいます。 - -ディケイつまみでは、ノートのリリース後に処理されるシグナルの長さをコントロールします。与えられた時間内に与えられた閾値以下に音量が落ちたときにエフェクトは処理を停止します。このつまみで”与えられた時間”を設定します。この時間を長くするほどCPUを必要とするので、多くのエフェクトでは小さい値を指定するべきでしょう。ディレイのような長時間の沈黙が発生するエフェクトの場合は値を増やす必要があります。 - -ゲートつまみでは、エフェクトの自動停止ために”与えられる閾値”をコントロールします。このつまみで指定したレベル以下にシグナルレベルが落ちるとすぐに”与えられた時間長”が開始します。 - -コントロールボタンはエフェクトのパラメータの編集ダイアログを開きます。 - -右クリックするとコンテキストメニューが開きます。メニューではエフェクトが実行される順番を変更したり、エフェクトを完全に消去することができます。 - + Move &up @@ -1292,226 +1397,226 @@ Wet/Dry つまみでは、エフェクトの出力中の入力シグナルとエ EnvelopeAndLfoParameters Predelay - プレディレイ + Attack - アタック + Hold - ホールド + Decay - ディケイ + ディケイ Sustain - サスティン + Release - リリース + Modulation - モジュレーション + LFO Predelay - LFO プレディレイ + LFO Attack - LFO アタック + LFO speed - LFO の速度 + LFO Modulation - LFO のモジュレーション + LFO Wave Shape - LFO の波形 + Freq x 100 - + Modulate Env-Amount - + EnvelopeAndLfoView DEL - + Predelay: - プレディレイ: + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - このつまみで現在のエンベロープのプレディレイを指定します。この値を大きくするほど実際のエンベロープの開始前の時間が長くなります。 + ATT - + Attack: - アタック: + アタック: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - このつまみで現在のエンベロープのアタック時間を指定します。この値を大きくするほどエンベロープのアタックレベルを増やすのに長い時間が必要になります。ピアノのようなインストゥルメントには小さい値を、ストリングスには大きい値を選択してください。 + HOLD - + Hold: - ホールド: + Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - このつまみで現在のエンベロープのホールド時間を指定します。この値を大きくするほどエンベロープがサスティンレベルへの減衰の開始前にアタックレベルを保持する時間が長くなります。 + DEC - + Decay: - ディケイ: + ディケイ: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - このつまみで現在のエンベロープのディケイ時間を指定します。この値を大きくするほどエンベロープがアタックレベルからサスティンレベルに減衰するのに必要な時間が長くなります。ピアノのようなインストゥルメントには小さい値を選択してください。 + SUST - + Sustain: - サスティン: + サスティン: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - このつまみで現在のエンベロープのサスティンレベルを指定します。この値を大きくするほどエンベロープがゼロになる前に留まるレベルが高くなります。 + REL - + Release: - リリース: + リリース: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - このつまみで現在のエンベロープのリリース時間を指定します。この値を大きくするほどサスティンレベルからゼロに減少するのに必要な時間が長くなります。ストリングスのようなインストゥルメントでは大きい値を指定してください。 + AMT - + Modulation amount: - モジュレーション量: + Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - このつまみで現在のエンベロープのモジュレーション量を指定します。この値を大きくするほど対応する値（音量やカットオフ周波数など）はエンベロープの影響を受けます。 + LFO predelay: - LFO プレディレイ: + Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - このつまみで現在のLFOのプレディレイ時間を指定します。この値を大きくするほどLFOがオシレートを開始するまでの時間が長くなります。 + LFO- attack: - LFO アタック: + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - このつまみで現在のLFOのアタック時間を指定します。この値を大きくするほどLFOの振幅が最大になるまでにかかる時間が長くなります。 + SPD - + LFO speed: - LFOの速さ: + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - このつまみで現在のLFOの速度を指定します。この値を大きくするほどLFOのオシレートが速くなり、エフェクトも速くなります。 + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - このつまみで現在のLFOのモジュレーション量を指定します。この値を大きくするほど選んだ値（音量やカットオフ周波数等）はLFOの影響を受けます。 + Click here for a sine-wave. - クリックでサイン波。 + Click here for a triangle-wave. - クリックで三角波。 + Click here for a saw-wave for current. - クリックでのこぎり波。 + Click here for a square-wave. - クリックで矩形波。 + Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - ここをクリックするとユーザー定義波形にします。その後、対応するサンプルファイルをLFOグラフの上にドラッグしてください。 + FREQ x 100 - + Click here if the frequency of this LFO should be multiplied by 100. - ここをクリックするとLFO周波数を100倍にします。 + multiply LFO-frequency by 100 - LFO周波数を100倍にする + MODULATE ENV-AMOUNT - + Click here to make the envelope-amount controlled by this LFO. - ここをクリックするとエンベロープ量をこのLFOでコントロールします。 + control envelope-amount by this LFO - + ms/LFO: - + Hint @@ -1519,260 +1624,268 @@ Wet/Dry つまみでは、エフェクトの出力中の入力シグナルとエ Drag a sample from somewhere and drop it in this window. - 任意の場所からサンプルをドラッグし、このウィンドウ内にドロップしてください。 + Click here for random wave. - + EqControls Input gain - 入力ゲイン + 入力ゲイン Output gain - 出力ゲイン + 出力ゲイン Low shelf gain - + Peak 1 gain - + Peak 2 gain - + Peak 3 gain - + Peak 4 gain - + High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP 12 - + LP 24 - + LP 48 - + HP 12 - + HP 24 - + HP 48 - + low pass type - + high pass type - + + + + Analyse IN + + + + Analyse OUT + EqControlsDialog HP - + Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + In Gain - + Gain - ゲイン + ゲイン Out Gain - + 出力ゲイン Bandwidth: - + Resonance : - + Frequency: - 周波数: + 周波数: - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + + + + EqHandle - lp grp - + Reso: + - hp grp - + BW: + - - - EqParameterWidget - Hz - Hz + Freq: + @@ -1843,63 +1956,63 @@ Wet/Dry つまみでは、エフェクトの出力中の入力シグナルとエ Depth: - 深度: + 16 Bit Integer - + 32 Bit Float - + Please note that not all of the parameters above apply for all file formats. - + Quality settings - 品質設定 + Interpolation: - 補間: + Zero Order Hold - + Sinc Fastest - + Sinc Medium (recommended) - + Sinc Best (very slow!) - + Oversampling (use with care!): - オーバーサンプリング(慎重に扱ってください!): + 1x (None) - + 2x - + 4x - + 8x - + Start @@ -1911,25 +2024,19 @@ Wet/Dry つまみでは、エフェクトの出力中の入力シグナルとエ Export as loop (remove end silence) - + Export between loop markers - + Could not open file ファイルを開けません - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - ファイル %1 を書き込み用に開けません。 -このファイルとファイルのディレクトリの書き込み権限があるかを確認して再度書き込んでください！ - Export project to %1 - プロジェクトを %1 にエクスポート + Error @@ -1937,11 +2044,16 @@ Please make sure you have write-permission to the file and the directory contain Error while determining file-encoder device. Please try to choose a different output format. - ファイルエンコーダデバイスを決定する際のエラー。異なる出力フォーマットを選んでください。 + Rendering: %1% - レンダリング: %1% + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + @@ -1962,15 +2074,11 @@ Please make sure you have write-permission to the file and the directory contain FileBrowserTreeWidget Send to active instrument-track - - - - Open in new instrument-track/Song-Editor - + Open in new instrument-track/B+B Editor - + Loading sample @@ -1978,30 +2086,46 @@ Please make sure you have write-permission to the file and the directory contain Please wait, loading sample for preview... - + --- Factory files --- - + + + + Open in new instrument-track/Song Editor + + + + Error + エラー + + + does not appear to be a valid + + + + file + FlangerControls Delay Samples - + Lfo Frequency - + LFO 周波数 Seconds - + Regen - + Noise @@ -2009,67 +2133,71 @@ Please make sure you have write-permission to the file and the directory contain Invert - + FlangerControlsDialog - Delay - + Delay Time: + - Delay Time: - + Feedback Amount: + - Lfo Hz - + White Noise Amount: + - Lfo: - + DELAY + - Amt - + RATE + - Amt: - + Rate: + - Regen - + AMNT + - Feedback Amount: - + Amount: + - Noise - ノイズ + FDBK + - White Noise Amount: - + NOISE + + + + Invert + FxLine Channel send amount - + The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left @@ -2096,30 +2224,22 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixer Master - マスター + FX %1 - + FxMixerView - - Rename FX channel - FXチャンネル名を変更 - - - Enter the new name for this FX channel - このFXチャンネルの新しい名前を入力してください - FX-Mixer エフェクトミキサー FX Fader %1 - + Mute @@ -2127,7 +2247,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Mute this FX channel - このFXチャンネルをミュート + Solo @@ -2135,25 +2255,25 @@ You can remove and move FX channels in the context menu, which is accessed by ri Solo FX channel - + FxRoute Amount to send from channel %1 to channel %2 - + GigInstrument Bank - バンク + Patch - パッチ + パッチ Gain @@ -2168,7 +2288,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Click here to open another GIG file - + Choose the patch @@ -2176,19 +2296,19 @@ You can remove and move FX channels in the context menu, which is accessed by ri Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Which GIG file is currently being used - + Which patch of the GIG file is currently being used - + Gain @@ -2196,58 +2316,101 @@ You can remove and move FX channels in the context menu, which is accessed by ri Factor to multiply samples by - + Open GIG file - GIGファイルを開く + GIG ファイルを開く GIG Files (*.gig) - GIGファイル (*.gig) + GIG ファイル (*.gig) + + + + GuiApplication + + Working directory + 作業ディレクトリ + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + LMMSの作業ディレクトリ %1 は存在しません。作成しますか？編集->セッティング でこのディレクトリを変更できます。 + + + Preparing UI + + + + Preparing song editor + + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + + + + Preparing automation editor + InstrumentFunctionArpeggio Arpeggio - アルペジオ + Arpeggio type - アルペジオタイプ + Arpeggio range - アルペジオ速度 + Arpeggio time - アルペジオ時間 + Arpeggio gate - アルペジオゲート + Arpeggio direction - アルペジオ方向 + Arpeggio mode - アルペジオモード + Up - + Down - + Up and down - + Random @@ -2255,7 +2418,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Free - + Sort @@ -2267,109 +2430,161 @@ You can remove and move FX channels in the context menu, which is accessed by ri Down and up - + + + + Skip rate + + + + Miss rate + + + + Cycle steps + InstrumentFunctionArpeggioView ARPEGGIO - + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - アルペジオは、（爪弾くタイプの楽器で）使われる演奏法です。アルベジオを使うと生き生きとした音楽になります。（ハープのような）楽器の弦は和音のように爪弾かれます。すべての音階を同時にならす和音とは違って、アルペジオでは弦を順々に鳴らします。代表的なアルペジオは長調か短調の３音です。もちろん、たくさんあるその他の可能な和音を選ぶこともできます。 + RANGE - + Arpeggio range: - + octave(s) - + Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - このつまみでオクターブ単位でアルペジオ範囲を選択します。選択されたアルペジオは指定したオクターブ数の範囲内で演奏されます。 + TIME - + Arpeggio time: - + ms - + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - このつまみでミリ秒単位でアルペジオ時間をセットします。アルペジオ時間には各々のアルペジオの音の長さを指定します。 + GATE - + Arpeggio gate: - + % - + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - このつまみでアルペジオゲートを指定します。アルペジオゲートはアルペジオトーン全体の何パーセントを演奏するかです。これを使えばかっこいいスタッカートアルペジオを作れます。 + Chord: - + Direction: - + Mode: - + - - - InstrumentFunctionNoteStacking - octave - オクターブ + SKIP + - Major - Major + Skip rate: + - Majb5 - Majb5 + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + - minor - minor + MISS + - minb5 - minb5 + Miss rate: + - sus2 - sus2 + The miss function will make the arpeggiator miss the intended note. + - sus4 - sus4 + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + + InstrumentFunctionNoteStacking + + octave + オクターブ + + + Major + Major + + + Majb5 + Majb5 + + + minor + minor + + + minb5 + minb5 + + + sus2 + sus2 + + + sus4 + sus4 aug @@ -2613,99 +2828,99 @@ You can remove and move FX channels in the context menu, which is accessed by ri Harmonic minor - + Melodic minor - + Whole tone - + Diminished - + Major pentatonic - + Minor pentatonic - + Jap in sen - + Major bebop - + Dominant bebop - + Blues - + Arabic - + Enigmatic - + Neopolitan - + Neopolitan minor - + Hungarian minor - + Dorian - + Phrygolydian - + Lydian - + Mixolydian - + Aeolian - + Locrian - + Chords - + Chord type - + Chord range - + Minor @@ -2713,42 +2928,50 @@ You can remove and move FX channels in the context menu, which is accessed by ri Chromatic - + Half-Whole Diminished - + 5 5 + + Phrygian dominant + + + + Persian + + InstrumentFunctionNoteStackingView RANGE - + Chord range: - + octave(s) - オクターブ + Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. - このつまみでコード範囲をオクターブで設定できます。指定したオクターブの範囲内で選択したコードが演奏されます。 + STACKING - + Chord: - + @@ -2775,38 +2998,38 @@ You can remove and move FX channels in the context menu, which is accessed by ri MIDI devices to receive MIDI events from - + MIDI devices to send MIDI events to - + NOTE - + CUSTOM BASE VELOCITY - + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + BASE VELOCITY - + InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + @@ -2821,119 +3044,119 @@ You can remove and move FX channels in the context menu, which is accessed by ri CUTOFF - + Cutoff frequency - + カットオフ周波数 RESO - + レゾナンス Resonance - + レゾナンス Envelopes/LFOs - + Filter type - フィルターの種類 + フィルターの種類 Q/Resonance - + LowPass - + ローパス HiPass - + ハイパス BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + 2x LowPass - + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - + @@ -2944,7 +3167,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - これらのタブにはエンペロープが含まれてます。エンベロープは音を変更するの大変重要です。エンベロープはサブストラクティブな合成をするときはほとんどいつも必要です。たとえばボリウムエンベロープの場合、音が決まった音量になる時間をセットできます。ソフトストリングを作りたいならフェードインフェードアウトを非常にソフトにする必要があります。それはアタックタイムとリリースタイムを長くすることで実現できます。パンニング、フィルターのカットオフ周波数といったほかのエンベロープを制御できるものについても事情はいっしょです。これでちょっと遊んでみてください!　のこぎり歯にいくつかのエンベロープを使うだけで実にクールなサウンドを作ることこできます。 + FILTER @@ -2952,7 +3175,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - ここで、このインスツルメントトラックでつかいたいビルトインフィルターを選びます。音の特性をかえるのにフィルターはとても重要です。 + Hz @@ -2960,7 +3183,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - このノブで選択したフィルターのカットオフ周波数をセットします。カットオフ周波数はフィルターがシグナルをカットする周波数をきめます。たとえばローパスフィルターはカットオフ周波数以上のすべての周波数をカットします。ハイパスフィルターはカットオフ周波数以下のすべての周波数をカットします。他のフィルターでも同様です。 + RESO @@ -2972,7 +3195,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - このつまみで、選択したフィルターの Q/レゾナンスをセットします。　Q/レゾナンスにはカットオフ周波数付近でどれくらい周波数を増幅させるかを指定します。 + FREQ @@ -2980,18 +3203,18 @@ You can remove and move FX channels in the context menu, which is accessed by ri cutoff frequency: - + Envelopes, LFOs and filters are not supported by the current instrument. - + InstrumentTrack unnamed_track - + Volume @@ -2999,35 +3222,35 @@ You can remove and move FX channels in the context menu, which is accessed by ri Panning - + パニング Pitch - + ピッチ FX channel - + Default preset - + With this knob you can set the volume of the opened channel. - このつまみで　開いたチャンネルの音量をセットします。 + Base note - ベース　ノート + Pitch range - + Master Pitch - + @@ -3068,6 +3291,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri Output 出力 + + FX %1: %2 + + InstrumentTrackWindow @@ -3109,7 +3336,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri cents - + PITCH @@ -3117,19 +3344,19 @@ You can remove and move FX channels in the context menu, which is accessed by ri FX channel - + ENV/LFO - + FUNC - + FX - + MIDI @@ -3141,7 +3368,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri XML preset file (*.xpf) - XMLプリセットファイル (*.xpf) + XML プリセット ファイル (*.xpf) PLUGIN @@ -3149,38 +3376,46 @@ You can remove and move FX channels in the context menu, which is accessed by ri Pitch range (semitones) - + RANGE - + Save current instrument track settings in a preset file - + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + MISC その他 + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + + Knob Set linear - + Set logarithmic - + - Please enter a new value between -96.0 dBV and 6.0 dBV: - -96.0dBVと6.0dBVの間の新しい値を入力してください: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between %1 and %2: @@ -3191,14 +3426,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControl Link channels - + LadspaControlDialog Link Channels - + Channel @@ -3209,11 +3444,11 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlView Link channels - + Value: - + Sorry, no help available. @@ -3224,7 +3459,7 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaEffect Unknown LADSPA plugin %1 requested. - 不明なLADSPAプラグイン %1 が要求されました。 + 不明な LADSPA プラグイン %1 が要求されました。 @@ -3234,149 +3469,179 @@ You can remove and move FX channels in the context menu, which is accessed by ri %1 と %2 の間の新しい値を入力してください: + + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + + + LfoController LFO Controller - + LFOコントローラ Base value - + Oscillator speed - + Oscillator amount - + Oscillator phase - + Oscillator waveform - + オシレーターの波形 Frequency Multiplier - + LfoControllerDialog LFO - + LFO LFO Controller - + LFOコントローラ BASE - + Base amount: - + todo - + SPD - + LFO-speed: - + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - このつまみでLFOのスピードをセットします。この値を大きくするとLFOのオシレートが早くなってエフェクトが早くなります。 - - - AMT - + Modulation amount: - モジュレーション量: + Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - このつまみで　LFOのモジュレーション量をセットします。　この値を大きくすると　接続されたコントロール（ボリウムやカットオフ周波数等）がよりいっそうLFOに影響されるようになります。 + PHS - + Phase offset: - + degrees - + With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - このつまみで LFO のフェイズオフセットをセットします。フェイズオフセットはオシレータがオシレートを始める場所動かすことができます。たとえばサイン波でフェイズオフセットが１８０度なら波は減少からはじめまります。方形波でも同じことです。 + Click here for a sine-wave. - クリックでサイン波。 + Click here for a triangle-wave. - + Click here for a saw-wave. - + Click here for a square-wave. - + Click here for an exponential wave. - クリックで指数波形。 + Click here for white-noise. - + Click here for a user-defined shape. Double click to pick a file. - + Click here for a moog saw-wave. - + + + + AMNT + - MainWindow + LmmsCore - Working directory - 作業ディレクトリ + Generating wavetables + - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - LMMSの作業ディレクトリ %1 は存在しません。作成しますか？編集->セッティング でこのディレクトリを変更できます。 + Initializing data structures + + + + Opening audio and midi devices + + + + Launching mixer threads + + + + MainWindow Could not save config-file 設定ファイルを保存できません - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. 設定ファイル %1 をセーブできません。おそらくファイルへの書き込み許可がありません。 このファイルの書き込み許可があることを確認して再度書き込んでください。 @@ -3395,7 +3660,7 @@ Please make sure you have write-access to the file and try again. Save &As... - 名前をつけて保存(&A)... + 名前を付けて保存(&A)... Import... @@ -3443,7 +3708,7 @@ Please make sure you have write-access to the file and try again. Create new project from template - テンプレートから新規プロジェクト作成 + テンプレートから新規プロジェクトを作成します Open existing project @@ -3463,19 +3728,19 @@ Please make sure you have write-access to the file and try again. Song Editor - ソングエディタ + ソング エディター By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - このボタンを押すとソングエディタの表示/非表示を切り替えます。ソングエディタの利用によってプレイリストとどのトラックをいつ演奏するかを編集することができます。プレイリストの中で直接サンプルを挿入したり移動（例：ラップサンプル)したりすることもできます。 + このボタンを押すとソング エディターの表示/非表示を切り替えます。ソング エディターの利用によってプレイリストとどのトラックをいつ演奏するかを編集することができます。プレイリストの中で直接サンプルを挿入したり移動（例：ラップサンプル)したりすることもできます。 Beat+Bassline Editor - パターンエディタ + ビート+ベースライン エディター By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - このボタンでを押すとビート＋ベースラインエディタの表示/非表示を切り替えます。ビート＋ベースラインエディタで、ビートをつくったり、チャンネルを開いたり追加したり削除したり、ベースラインパターンを切り取り・コピー・貼り付けたり色々できます。 + このボタンでを押すとビート+ベースライン エディターの表示/非表示を切り替えます。ビート+ベースライン エディターで、ビートをつくったり、チャンネルを開いたり追加したり削除したり、ベースラインパターンを切り取り・コピー・貼り付けたり色々できます。 Piano Roll @@ -3487,11 +3752,11 @@ Please make sure you have write-access to the file and try again. Automation Editor - オートメーションエディタ + オートメーション エディター Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - ここをクリックしてオートメーションエディタの表示/非表示を切り替えます。オートメーションエディタで動的な値を簡単に編集できます。 + ここをクリックしてオートメーション エディターの表示/非表示を切り替えます。オートメーション エディターで動的な値を簡単に編集できます。 FX Mixer @@ -3534,7 +3799,7 @@ Please make sure you have write-access to the file and try again. ヘルプはありません - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. 今のところ LMMSののヘルプはありません。 http://lmms.sf.net/wiki にLMMSのドキュメントがあります。 @@ -3567,41 +3832,29 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Redo やり直し - - LMMS Project - LMMSプロジェクト - - - LMMS Project Template - LMMSプロジェクトテンプレート - My Projects - マイプロジェクト + マイ プロジェクト My Samples - マイサンプル + マイ サンプル My Presets - マイプリセット + マイ プリセット My Home - マイホーム + マイ ホーム My Computer - マイコンピュータ - - - Root Directory - ルートディレクトリ + マイ コンピュータ &File - ファイル (&F) + ファイル(&F) &Recently Opened Projects @@ -3631,16 +3884,156 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Save Project プロジェクトを保存 + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + + + + Preparing file browsers + + + + Root directory + + + + Loading background artwork + + + + New from template + テンプレートから新規プロジェクト作成 + + + Save as default template + + + + &View + + + + Toggle metronome + + + + Show/hide Song-Editor + + + + Show/hide Beat+Bassline Editor + + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + + MeterDialog Meter Numerator - + Meter Denominator - + TIME SIG @@ -3651,25 +4044,11 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MeterModel Numerator - + Denominator - - - - - MidiAlsaRaw::setupWidget - - DEVICE - デバイス - - - - MidiAlsaSeq - - DEVICE - デバイス + @@ -3695,14 +4074,24 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - + + + + Track + - MidiOss::setupWidget + MidiJack - DEVICE - デバイス + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK サーバーダウン + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + @@ -3745,454 +4134,461 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Fixed output note - + Base velocity - 基本速度 + + + + + MidiSetupWidget + + DEVICE + デバイス MonstroInstrument Osc 1 Volume - + Osc 1 の音量 Osc 1 Panning - + Osc 1 Coarse detune - + Osc 1 Fine detune left - + Osc 1 Fine detune right - + Osc 1 Stereo phase offset - + Osc 1 Pulse width - + Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 の音量 Osc 2 Panning - + Osc 2 Coarse detune - + Osc 2 Fine detune left - + Osc 2 Fine detune right - + Osc 2 Stereo phase offset - + Osc 2 Waveform - + Osc 2 の波形 Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 の音量 Osc 3 Panning - + Osc 3 Coarse detune - + Osc 3 Stereo phase offset - + Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 の波形 1 Osc 3 Waveform 2 - + Osc 3 の波形 2 Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 の波形 LFO 1 Attack - + LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 の波形 LFO 2 Attack - + LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Selected view - + Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO2 - + Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO2 - + Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO2 - + Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - + サイン波 Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + White noise - + Digital Triangle wave - + Digital Saw wave - + Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave @@ -4204,7 +4600,7 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Ramp wave - + Square wave @@ -4212,11 +4608,11 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Moog saw wave - + Abs. sine wave - + Random @@ -4224,24 +4620,24 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Random smooth - + MonstroView Operators view - + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4249,318 +4645,576 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Modulate amplitude of Osc3 with Osc2 - + Modulate frequency of Osc3 with Osc2 - + Modulate phase of Osc3 with Osc2 - + The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + オシレーター2 の波形を選択してください。 Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + + + + Volume + 音量 + + + Panning + パニング + + + Coarse detune + + + + semitones + + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + + + + Rate + レート + + + Phase + + + + Pre-delay + + + + Hold + + + + Decay + ディケイ + + + Sustain + + + + Release + + + + Slope + + + + Modulation amount + MultitapEchoControlDialog Length - + 長さ Step length: - + Dry - + Dry Gain: - + Stages - + Lowpass stages: - + Swap inputs - + Swap left and right input channel for reflections - + NesInstrument Channel 1 Coarse detune - + Channel 1 Volume - + チャンネル 1 の音量 Channel 1 Envelope length - + Channel 1 Duty cycle - + Channel 1 Sweep amount - + Channel 1 Sweep rate - + Channel 2 Coarse detune - + Channel 2 Volume - + チャンネル 2 の音量 Channel 2 Envelope length - + Channel 2 Duty cycle - + Channel 2 Sweep amount - + Channel 2 Sweep rate - + Channel 3 Coarse detune - + Channel 3 Volume - + チャンネル 3 の音量 Channel 4 Volume - + チャンネル 4 の音量 Channel 4 Envelope length - + Channel 4 Noise frequency - + Channel 4 Noise frequency sweep - + Master volume - 主音量 + マスター音量 Vibrato - + - OscillatorObject + NesInstrumentView - Osc %1 volume - - + Volume + 音量 + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + マスター音量 + + + Vibrato + + + + + OscillatorObject + + Osc %1 volume + Osc %1 の音量 + Osc %1 panning - + Osc %1 coarse detuning - + Osc %1 fine detuning left - + Osc %1 fine detuning right - + Osc %1 phase-offset - + Osc %1 stereo phase-detuning - + Osc %1 wave shape - + Modulation type %1 - + Osc %1 waveform - + Osc %1 の波形 Osc %1 harmonic - + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + パッチ + + + Name + 名前 + + + OK + OK + + + Cancel + キャンセル @@ -4571,31 +5225,31 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator Click here to open another patch-file. Loop and Tune settings are not reset. - ここをクリックして　ほかのパッチファイルを開きます。ループとチューンの設定はリセットされません。 + Loop - ループ + Loop mode - ループモード + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - ここでループモードをON/OFfします。ループモードONなら、PatManはファイル中にあるループ情報をを使います。 + Tune - チューン + Tune mode - チューンモード + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - ここでチューンモードをON/OFFします。チューンモードONなら、PatMan はノートの周波数にあうようにサンプルをチューンします。 + No file selected @@ -4612,15 +5266,9 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - ダプルクリックでこのパターンをピアノロールで開きます -マウスホイールでステップの音量をセットします - Open in piano-roll - ピアノロールを開く + ピアノロールで開く Clear all notes @@ -4642,129 +5290,133 @@ use mouse wheel to set velocity of a step Remove steps ステップを削除 + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + ステップを複製 + PeakController Peak Controller - ピーク コントローラ + Peak Controller Bug - + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + PeakControllerDialog PEAK - + LFO Controller - LFOコントローラ + LFOコントローラー PeakControllerEffectControlDialog BASE - + Base amount: - + Modulation amount: - モジュレーション量: + Attack: - アタック: + アタック: Release: - リリース: + リリース: AMNT - + MULT - + Amount Multiplicator: - + ATCK - + DCAY - + - TRES - + Treshold: + - Treshold: - + TRSH + PeakControllerEffectControls Base value - + Modulation amount - + Mute output - + Attack - アタック + Release - リリース + Abs Value - + Amount Multiplicator - + Treshold - + PianoRoll - - Piano-Roll - no pattern - ピアノロール - パターン無し - - - Piano-Roll - %1 - ピアノロール - %1 - Please open a pattern by double-clicking on it! パターン上でダブルクリックして、パターンを開いてください! @@ -4775,39 +5427,39 @@ use mouse wheel to set velocity of a step Note lock - ノートをロック + Note Velocity - ノートの音量 + Note Panning - ノートのパンニング + Mark/unmark current semitone - + Mark current scale - + Mark current chord - + Unmark all - + No scale - + No chord - + Velocity: %1% @@ -4829,40 +5481,48 @@ use mouse wheel to set velocity of a step Please enter a new value between %1 and %2: %1 と %2 の間の新しい値を入力してください: + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + + PianoRollWindow Play/pause current pattern (Space) - 現在のパターンの再生/一時停止 (Space) + 現在のパターンの再生/一時停止 (Space) Record notes from MIDI-device/channel-piano - MIDI-デバイス/チャンネル-ピアノからノートを録音 + Record notes from MIDI-device/channel-piano while playing song or BB track - 曲やBBトラックを再生中に MIDI-デバイス/チャンネル-ピアノからノートを録音 + Stop playing of current pattern (Space) - + 現在のパターンの再生を停止 (Space) Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - ここをクリックすると現在のパターンを再生します。これはパターン編集する際に便利です。パターンの最後で自動的にループします。 + 現在のパターンを再生するには、ここをクリックしてください。これはパターン編集中に便利です。終了位置にくるとパターンは自動的にループされます。 Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - ここをクリックすると、MIDIデバイスまたは対応するチャンネルウィンドウのバーチャルテストピアノからノートを現在のパターンに録音します。録音の際、再生したすべてのノートは現在のパターンに書き込まれます。書き込まれたノートは後から再生/編集できます。 + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - ここをクリックすると　MIDIデバイスまたは対応するチャンネルウィンドウのバーチャルテストピアノから、ノートを現在のパターンに録音します。録音の際、再生したすべてのノートは現在のパターンに書き込まれます。曲またはBBトラックがバックグラウンドで演奏されます。 + Click here to stop playback of current pattern. - ここをクリックすると現在のパターンの録音再生を停止します。 + Draw mode (Shift+D) @@ -4878,74 +5538,102 @@ use mouse wheel to set velocity of a step Detune mode (Shift+T) - ディチューン モード (Shift+T) + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - ここをクリックすると描画モードになります。描画モードでは個々のノートを追加・リサイズ・移動することができます。普段このモードをデフォルトで使用します。'Shift+D' を押してもこのモードになります。このモードでは%1を長押しすることで一時的に選択モードにすることができます。 + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - ここをクリックすると消去モードになります。消去モードでは個々のノートを消去することができます。'Shift+E' を押してもこのモードにすることができます。 + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - ここをクリックすると選択モードになります。選択モードでは個々のノートを選択することができます。また、描画モード中に%1を長押しすることで一時的に選択モードを使用することができます。 + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - + Cut selected notes (%1+X) - 選択したノートの切り取り (%1+X) + Copy selected notes (%1+C) - 選択したノートのコピー (%1+C) + Paste notes from clipboard (%1+V) - クリップボードからノートを貼り付け (%1+V) + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - ここをクリックすると選択しているノートをクリップボードへ切り取ります。貼り付けボタンを押すと任意のパターンの任意の場所に切り取ったノートを貼り付けることができます。 + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - ここをクリックすると選択しているノートをクリップボードへコピーします。貼り付けボタンを押すと任意のパターンの任意の場所にコピーしたノートを貼り付けることができます。 + Click here and the notes from the clipboard will be pasted at the first visible measure. - ここをクリックするとクリップボード内のノートが最初に表示されている小節に貼り付けられます。 + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + 編集機能 + + + Copy paste controls + + + + Timeline controls + タイムラインコントロール + + + Zoom and note controls + + + + Piano-Roll - %1 + ピアノロール - %1 + + + Piano-Roll - no pattern + ピアノロール - パターン無し + + + Quantize + PianoView Base note - + @@ -4955,7 +5643,7 @@ use mouse wheel to set velocity of a step プラグインが見つかりません - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" プラグイン "%1" は見つからないか読み込みができません！ 原因: "%2" @@ -4968,24 +5656,31 @@ Reason: "%2" Failed to load plugin "%1"! プラグイン "%1" の読み込みに失敗しました！ - - LMMS plugin %1 does not have a plugin descriptor named %2! - - PluginBrowser - - Instrument plugins - 楽器プラグイン - Instrument browser 楽器ブラウザ Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - 楽器をソングエディタやビート＋ベースラインエディタまたは存在する楽器トラックにドラッグしてください。 + 楽器をソング エディターやビート+ベースライン エディターまたは存在する楽器トラックにドラッグしてください。 + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + @@ -5111,99 +5806,11 @@ Reason: "%2" ProjectRenderer WAV-File (*.wav) - WAVファイル (*.wav) + WAV ファイル (*.wav) Compressed OGG-File (*.ogg) - 圧縮OGGファイル (*.ogg) - - - - QObject - - C - Note name - C - - - Db - Note name - Db - - - C# - Note name - C# - - - D - Note name - D - - - Eb - Note name - Eb - - - D# - Note name - D# - - - E - Note name - E - - - Fb - Note name - Fb - - - Gb - Note name - Gb - - - F# - Note name - F# - - - G - Note name - G - - - Ab - Note name - Ab - - - G# - Note name - G# - - - A - Note name - A - - - Bb - Note name - Bb - - - A# - Note name - A# - - - B - Note name - B + 圧縮 OGG ファイル (*.ogg) @@ -5218,11 +5825,11 @@ Reason: "%2" Copyright: - コピーライト: + Requires Real Time: - リアルタイムが必要: + Yes @@ -5234,11 +5841,11 @@ Reason: "%2" Real Time Capable: - リアルタイム可能: + In Place Broken: - + Channels In: @@ -5272,39 +5879,39 @@ Reason: "%2" Wave-Files (*.wav) - WAVファイル (*.wav) + WAV ファイル (*.wav) OGG-Files (*.ogg) - OGGファイル (*.ogg) + OGG ファイル (*.ogg) DrumSynth-Files (*.ds) - DrumSynthファイル (*.ds) + DrumSynth ファイル (*.ds) FLAC-Files (*.flac) - FLACファイル (*.flac) + FLAC ファイル (*.flac) SPEEX-Files (*.spx) - SPEEXファイル (*.spx) + SPEEX ファイル (*.spx) VOC-Files (*.voc) - VOCファイル (*.voc) + VOC ファイル (*.voc) AIFF-Files (*.aif *.aiff) - AIFFファイル (*.aif *.aiff) + AIFF ファイル (*.aif *.aiff) AU-Files (*.au) - AUファイル (*.au) + AU ファイル (*.au) RAW-Files (*.raw) - RAWファイル (*.raw) + RAW ファイル (*.raw) All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) @@ -5335,11 +5942,7 @@ Reason: "%2" Mute/unmute (<%1> + middle click) - ミュート/ミュート解除(<%1> + 中ボタンクリック） - - - Set/clear record - 録音をセット/クリア + ミュート/ミュート解除 (<%1> + 中ボタンクリック） @@ -5388,7 +5991,7 @@ Reason: "%2" SetupDialog Setup LMMS - LMMS設定 + LMMS 設定 General settings @@ -5415,8 +6018,8 @@ Reason: "%2" 設定変更後に再起動の警告を表示する - Display volume as dBV - 音量をdBVで表示する + Display volume as dBFS + Compress project files per default @@ -5424,23 +6027,23 @@ Reason: "%2" One instrument track window mode - + HQ-mode for output audio-device - 出力オーディオデバイスを高品質モードにする + Compact track buttons - + Sync VST plugins to host playback - + Enable note labels in piano roll - + Enable waveform display by default @@ -5448,7 +6051,7 @@ Reason: "%2" Keep effects running even without input - + Create backup file when saving a project @@ -5470,21 +6073,9 @@ Reason: "%2" VST-plugin directory VSTプラグインのディレクトリ - - Artwork directory - アートワークのディレクトリ - Background artwork - 背景用アートワーク - - - FL Studio installation directory - FL Studioのインストール先ディレクトリ - - - LADSPA plugin paths - LADSPAプラグインのパス + STK rawwave directory @@ -5500,19 +6091,15 @@ Reason: "%2" UI effects vs. performance - 視覚効果 vs パフォーマンス + Smooth scroll in Song Editor - ソングエディタでスムーススクロールする - - - Enable auto save feature - 自動保存機能を有効にする + ソング エディターでスムーススクロールする Show playback cursor in AudioFileProcessor - + Audio settings @@ -5524,11 +6111,11 @@ Reason: "%2" MIDI settings - MIDI設定 + MIDI 設定 MIDI INTERFACE - MIDIインターフェース + MIDI インターフェース OK @@ -5544,37 +6131,32 @@ Reason: "%2" Please note that most changes won't take effect until you restart LMMS! - 変更した設定の大部分は、LMMSの再起動後に有効になります! + Frames: %1 Latency: %2 ms - フレーム: %1 -レイテンシー: %2 ms + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - ここではLMMSで使用する内部バッファサイズを指定します。値が小さいとレイテンシーが小さくなるだけでなく、特に古いコンピュータやリアルタイムカーネルではないシステムでは酷い音やパフォーマンスの低下を引き起こします。 + Choose LMMS working directory - LMMSの作業ディレクトリを選択してください + LMMS の作業ディレクトリを選択してください Choose your VST-plugin directory - VSTプラグインのディレクトリを選択してください + VST プラグインのディレクトリを選択してください Choose artwork-theme directory アートワークテーマのディレクトリを選択してください - - Choose FL Studio installation directory - FL Studioのインストール先ディレクトリを選択してください - Choose LADSPA plugin directory - LADSPAプラグインのディレクトリを選択してください + LADSPA プラグインのディレクトリを選択してください Choose STK rawwave directory @@ -5586,15 +6168,80 @@ Latency: %2 ms Choose background artwork - 背景用アートワークを選択してください + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - ここでは優先するオーディオインターフェースを選択することができます。コンパイル時のシステム設定によってALSA,JACK, OSS 等を選択することができます。選択したオーディオインターフェースのコントロール設定項目は下部にあります。 + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - ここではMIDI インターフェースを選択することができます。コンパイル時のシステム設定によって、ALSAやOSS等を選択することができます。選択したMIDIインターフェースのコントロール設定項目は下部にあります。 + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + LADSPA プラグイン ディレクトリ + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + @@ -5605,7 +6252,7 @@ Latency: %2 ms Master volume - 主音量 + マスター音量 Master pitch @@ -5635,10 +6282,6 @@ Latency: %2 ms MIDI sequences MIDIシーケンス - - FL Studio projects - FL Studioプロジェクト - Hydrogen projects Hydrogenプロジェクト @@ -5653,7 +6296,7 @@ Latency: %2 ms This project is empty so exporting makes no sense. Please put some items into Song Editor first! - プロジェクトが空なのでエクスポートは無効です。ソングエディタにアイテムを置いてからエクスポートしてください! + Select directory for writing exported tracks... @@ -5671,6 +6314,18 @@ Latency: %2 ms The following errors occured while loading: 読み込み中に以下のエラーが発生しました: + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + + SongEditor @@ -5685,16 +6340,15 @@ Latency: %2 ms Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. - ファイル %1 を開くことができませんでした。おそらくこのファイルの読み込み権限がありません。 -ファイルが読み込み可能か確認してから再度読み込んでください。 + Error in file - ファイルの内部エラー + ファイルエラー The file %1 seems to contain errors and therefore can't be loaded. - ファイル %1 は内部エラーを含んでいるか、読み込むことができません。 + Tempo @@ -5710,7 +6364,7 @@ Latency: %2 ms The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - 曲のテンポは分毎のビート数(BPM)で指定します。曲のテンポを変更する場合はこの値を変更してください。各小節は４つのビートをもちますから、BPMであらわされるテンポは　一分間に　いくつの小節（テンポ/4) が演奏される(あるいは４分間にいくつの小節が演奏されるか）かをきめます。 + High quality mode @@ -5718,11 +6372,11 @@ Latency: %2 ms Master volume - 主音量 + マスター音量 master volume - 主音量 + マスター音量 Master pitch @@ -5734,22 +6388,38 @@ Latency: %2 ms Value: %1% - 音量: %1% + Value: %1 semitones - 音量: %1 半音 + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - ソングエディタ + ソング エディター Play song (Space) @@ -5757,11 +6427,11 @@ Latency: %2 ms Record samples from Audio-device - オーディオデバイスからサンプルを録音 + Record samples from Audio-device while playing song or BB track - 曲またはBBトラックを再生中にオーディオデバイスからサンプルを録音 + Stop song (Space) @@ -5777,7 +6447,7 @@ Latency: %2 ms Add automation-track - + オートメーション トラックを追加 Draw mode @@ -5789,37 +6459,68 @@ Latency: %2 ms Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - ここをクリックすると曲全体を再生します。ソングポジションマーカー（緑色）の位置から再生開始します。再生中にマーカーを移動させることもできます。 + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - ここをクリックすると曲の再生を停止します。再生後、ソングポジションマーカーは曲の最初にセットされます。 + + + + Track actions + + + + Edit actions + 編集機能 + + + Timeline controls + タイムラインコントロール + + + Zoom controls + ズームコントロール SpectrumAnalyzerControlDialog Linear spectrum - + + + + Linear Y axis + + + + + SpectrumAnalyzerControls + + Linear spectrum + Linear Y axis - + + + + Channel mode + - SpectrumAnalyzerControls + SubWindow - Linear spectrum - + Close + - Linear Y axis - + Maximize + - Channel mode - + Restore + @@ -5910,6 +6611,30 @@ Latency: %2 ms click to change time units 時間単位を変更するにはクリック + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + + TimeLineWidget @@ -5919,19 +6644,19 @@ Latency: %2 ms Enable/disable loop-points - ループポイントを有効/無効 + After stopping go back to begin - 終了後、開始位置に戻る + After stopping go back to position at which playing was started - 終了後、再生が開始された位置に戻る + After stopping keep position - 終了後、位置を保持する + Hint @@ -5939,11 +6664,11 @@ Latency: %2 ms Press <%1> to disable magnetic loop points. - マグネティック ループポイントを無効化するには<%1>を押してください。 + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + @@ -5964,7 +6689,7 @@ Latency: %2 ms ファイルをインポートすることができませんでした - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. インポート中のファイル %1 のフィルターが見つかりませんでした。 他のソフトウェアで、このファイルをLMMSがサポートしてる形式に変換してください。 @@ -5974,7 +6699,7 @@ You should convert this file into a format supported by LMMS using another softw ファイルを開くことができませんでした - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! ファイル %1 を読み込み用に開くことができませんでした。 ファイルとファイルのディレクトリが読み込み可能かチェックしてから再度開いてください！ @@ -5995,16 +6720,12 @@ Please make sure you have read-permission to the file and the directory containi Importing MIDI-file... MIDIファイルをインポートしています... - - Importing FLP-file... - FLPファイルをインポートしています... - TrackContentObject - Muted - ミュート + Mute + ミュート @@ -6058,11 +6779,11 @@ Please make sure you have read-permission to the file and the directory containi TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - 新しいドラッグ＆ドロップアクションを開始するには、移動グリップをクリック中に <%1>を押してください。 + Actions for this track - このトラックのアクション + Mute @@ -6090,158 +6811,162 @@ Please make sure you have read-permission to the file and the directory containi FX %1: %2 - + Turn all recording on - + Turn all recording off - + + + + Assign to new FX Channel + TripleOscillatorView Use phase modulation for modulating oscillator 1 with oscillator 2 - + Use amplitude modulation for modulating oscillator 1 with oscillator 2 - + Mix output of oscillator 1 & 2 - + Synchronize oscillator 1 with oscillator 2 - + Use frequency modulation for modulating oscillator 1 with oscillator 2 - + Use phase modulation for modulating oscillator 2 with oscillator 3 - + Use amplitude modulation for modulating oscillator 2 with oscillator 3 - + Mix output of oscillator 2 & 3 - + Synchronize oscillator 2 with oscillator 3 - + Use frequency modulation for modulating oscillator 2 with oscillator 3 - + Osc %1 volume: - + Osc %1 の音量: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - + Osc %1 panning: - + With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - + Osc %1 coarse detuning: - + semitones - + With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - + Osc %1 fine detuning left: - + cents - + With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 fine detuning right: - + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 phase-offset: - + degrees - + With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Osc %1 stereo phase-detuning: - + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - + Use a sine-wave for current oscillator. - サイン波を現在のオシレータで使用。 + Use a triangle-wave for current oscillator. - 三角波を現在のオシレータで使用。 + Use a saw-wave for current oscillator. - のこぎり波を現在のオシレータで使用。 + Use a square-wave for current oscillator. - 方形波を現在のオシレータで使用。 + Use a moog-like saw-wave for current oscillator. - + Use an exponential wave for current oscillator. - + Use white-noise for current oscillator. - ホワイトノイズを現在のオシレータで使用。 + Use a user-defined waveform for current oscillator. - ユーザー定義波形を現在のオシレータで使用。 + @@ -6254,6 +6979,10 @@ Please make sure you have read-permission to the file and the directory containi Decrement version number バージョン番号を小さくする + + already exists. Do you want to replace it? + + VestigeInstrumentView @@ -6263,7 +6992,7 @@ Please make sure you have read-permission to the file and the directory containi Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - 他の VST-プラグインを開くときはここをクリックします。クリックすると「ファイルを開く」ダイアログが表示され、ファイルを選択することができます。 + Show/hide GUI @@ -6271,23 +7000,23 @@ Please make sure you have read-permission to the file and the directory containi Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - ここをクリックするとVST-プラグインのグラフィカルユーザーインターフェース（GUI)の表示/非表示を切り替えます。 + Turn off all notes - すべてのノートをオフにします + Open VST-plugin - VSTプラグインを開く + VST プラグインを開く DLL-files (*.dll) - DLLファイル (*.dll) + DLL ファイル (*.dll) EXE-files (*.exe) - EXEファイル (*.exe) + EXE ファイル (*.exe) No VST-plugin loaded @@ -6299,15 +7028,15 @@ Please make sure you have read-permission to the file and the directory containi Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + VST プラグイン プリセットを開く Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) @@ -6315,7 +7044,7 @@ Please make sure you have read-permission to the file and the directory containi Click here, if you want to switch to another VST-plugin preset program. - + Save preset @@ -6323,7 +7052,7 @@ Please make sure you have read-permission to the file and the directory containi Click here, if you want to save current VST-plugin preset program. - + Next (+) @@ -6331,7 +7060,7 @@ Please make sure you have read-permission to the file and the directory containi Click here to select presets that are currently loaded in VST. - + Preset @@ -6339,18 +7068,18 @@ Please make sure you have read-permission to the file and the directory containi by - + - VST plugin control - + VisualizationWidget click to enable/disable visualization of master-output - ここをクリックするとマスター出力の表示/非表示を切り替えます + Click to enable @@ -6369,15 +7098,15 @@ Please make sure you have read-permission to the file and the directory containi Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - VSTプラグインプリセットを開く + VST プラグイン プリセットを開く Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) @@ -6385,7 +7114,7 @@ Please make sure you have read-permission to the file and the directory containi Click here, if you want to switch to another VST-plugin preset program. - + Next (+) @@ -6393,7 +7122,7 @@ Please make sure you have read-permission to the file and the directory containi Click here to select presets that are currently loaded in VST. - + Save preset @@ -6401,11 +7130,11 @@ Please make sure you have read-permission to the file and the directory containi Click here, if you want to save current VST-plugin preset program. - + Effect by: - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> @@ -6471,15 +7200,15 @@ Please make sure you have read-permission to the file and the directory containi WatsynInstrument Volume A1 - 音量A1 + 音量 A1 Volume A2 - 音量A2 + 音量 A2 Volume B1 - 音量B1 + 音量 B1 Volume B2 @@ -6503,83 +7232,83 @@ Please make sure you have read-permission to the file and the directory containi Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph @@ -6590,51 +7319,51 @@ Please make sure you have read-permission to the file and the directory containi WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. @@ -6646,110 +7375,158 @@ Please make sure you have read-permission to the file and the directory containi Click to load a waveform from a sample file - + サンプル ファイルから波形を読み込むにはクリックしてください。 Phase left - + Click to shift phase by -15 degrees - + Phase right - + Click to shift phase by +15 degrees - + Normalize - ノーマライズ + ノーマライズ Click to normalize - + ノーマライズするにはここをクリック Invert - + Click to invert - + Smooth - 平滑化 + Click to smooth - + Sine wave - + サイン波 Click for sine wave - + Triangle wave - + 三角波 Click for triangle wave - + Click for saw wave - + Square wave - + 矩形波 Click for square wave - + + + + Volume + 音量 + + + Panning + パニング + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + ZynAddSubFxInstrument Portamento - + Filter Frequency - + Filter Resonance - + Bandwidth - + FM Gain - + Resonance Center Frequency - + Resonance Bandwidth - + Forward MIDI Control Change Events - + @@ -6760,118 +7537,118 @@ Please make sure you have read-permission to the file and the directory containi Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - + Portamento: - + PORT - + Filter Frequency: - + FREQ - + 周波数 Filter Resonance: - + RES - + Bandwidth: - + BW - + FM Gain: - + FM GAIN - + Resonance center frequency: - + RES CF - + Resonance bandwidth: - + RES BW - + Forward MIDI Control Changes - + audioFileProcessor Amplify - 倍率 + Start of sample - サンプル開始 + End of sample - サンプル終了 + Reverse sample - サンプル逆回転 + サンプルをリバース Stutter - + Loopback point - + Loop mode - ループモード + Interpolation mode - + None - + Linear - + Sinc - + Sample not found: %1 - + @@ -6905,7 +7682,7 @@ Please make sure you have read-permission to the file and the directory containi White noise wave - ホワイトノイズ波形 + ホワイトノイズ波 User defined wave @@ -6913,47 +7690,47 @@ Please make sure you have read-permission to the file and the directory containi Smooth - 平滑化 + Click here to smooth waveform. - クリックすると波形を平滑化します。 + Interpolation - + Normalize - ノーマライズ + ノーマライズ Draw your own waveform here by dragging your mouse on this graph. - グラフの上でマウスをドラッグしてここに波形を描きます。 + グラフの上でマウスをドラッグして波形を描きます。 Click for a sine-wave. - クリックするとサイン波。 + Click here for a triangle-wave. - クリックすると三角波。 + Click here for a saw-wave. - クリックするとのこぎり波。 + Click here for a square-wave. - クリックすると矩形波。 + Click here for white-noise. - クリックするとホワイトノイズ。 + Click here for a user-defined shape. - クリックするとユーザー定義波形。 + @@ -6976,19 +7753,19 @@ Please make sure you have read-permission to the file and the directory containi ATTACK - + Peak attack time: - + RELEASE - + Peak release time: - + Reset waveform @@ -6996,55 +7773,55 @@ Please make sure you have read-permission to the file and the directory containi Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Stereomode Maximum - + Process based on the maximum of both stereo channels - + Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + @@ -7059,17 +7836,28 @@ Please make sure you have read-permission to the file and the directory containi Attack time - + Release time - + Stereo mode ステレオモード + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + + + graphModel @@ -7081,11 +7869,11 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrument Start frequency - + End frequency - + Gain @@ -7097,15 +7885,15 @@ Please make sure you have read-permission to the file and the directory containi Distortion Start - + Distortion End - + Envelope Slope - + Noise @@ -7113,30 +7901,30 @@ Please make sure you have read-permission to the file and the directory containi Click - + Frequency Slope - + Start from note - + End to note - + kickerInstrumentView Start frequency: - + End frequency: - + Gain: @@ -7144,19 +7932,19 @@ Please make sure you have read-permission to the file and the directory containi Frequency Slope: - + Envelope Length: - + Envelope Slope: - + Click: - + Noise: @@ -7164,22 +7952,22 @@ Please make sure you have read-permission to the file and the directory containi Distortion Start: - + Distortion End: - + ladspaBrowserView Available Effects - 利用可能エフェクト + 利用可能なエフェクト Unavailable Effects - 利用不可エフェクト + 利用不可なエフェクト Instruments @@ -7196,32 +7984,22 @@ Please make sure you have read-permission to the file and the directory containi This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. - このダイアログはLMMSでつかえるすべてのLADSPAプラグインの情報を表示します。プラグインはポートタイプと名前によって５つのカテゴリにわけてあります。 - -表示されるエフェクトはLMMEで利用可能なものです。あるエフェクトがLMMSで利用可能であるためには、まず第一にエフェクトであることつまり入力チャンネルと出力チャンネルを持ってないといけません。LMMSは名前に 'in' が含まれるオーディオレートポートを入力チャンネルと認識します。出力ポートとして認識するのは 'out'　が含まれるものです。さらにエフェクトの入力と出力の数が同じでリアルタイムの動作が可能である必要があります。 - -楽器プラグインは出力チャンネルしかないものです。 - -解析ツールは入力チャンネルしかないものです。 - -不明なツールは入力チャンネルも出力チャンネルもみつからなかたものです - -プラグインをダブルクリックするとポートの情報が表示されます。 + Type: - タイプ: + 種類: @@ -7239,7 +8017,7 @@ Double clicking any of the plugins will bring up information on the ports.ladspaPortDialog Ports - + Name @@ -7247,7 +8025,7 @@ Double clicking any of the plugins will bring up information on the ports. Rate - + レート Direction @@ -7255,7 +8033,7 @@ Double clicking any of the plugins will bring up information on the ports. Type - + 種類 Min < Default < Max @@ -7263,11 +8041,11 @@ Double clicking any of the plugins will bring up information on the ports. Logarithmic - + SR Dependent - + Audio @@ -7287,7 +8065,7 @@ Double clicking any of the plugins will bring up information on the ports. Toggled - + Integer @@ -7295,7 +8073,7 @@ Double clicking any of the plugins will bring up information on the ports. Float - + Yes @@ -7306,54 +8084,54 @@ Double clicking any of the plugins will bring up information on the ports.lb302Synth VCF Cutoff Frequency - + VCF Resonance - + VCF Envelope Mod - + VCF Envelope Decay - + Distortion - 説明 + Waveform - + 波形 Slide Decay - + Slide - + Accent - + Dead - + 24dB/oct Filter - + lb302SynthView Cutoff Freq: - + Resonance: @@ -7361,232 +8139,122 @@ Double clicking any of the plugins will bring up information on the ports. Env Mod: - + Decay: - ディケイ: + ディケイ: 303-es-que, 24dB/octave, 3 pole filter - + Slide Decay: - + DIST: - + Saw wave - + のこぎり波 Click here for a saw-wave. - クリックでのこぎり波。 + Triangle wave - + 三角波 Click here for a triangle-wave. - クリックで三角波。 + Square wave - + 矩形波 Click here for a square-wave. - クリックで矩形波。 + Rounded square wave - + Click here for a square-wave with a rounded end. - クリックで尻尾が丸まった矩形波。 + Moog wave - + Click here for a moog-like wave. - クリックでモーグみたいな波形。 + Sine wave - + サイン波 Click for a sine-wave. - クリックでサイン波。 + White noise wave - ホワイトノイズ波 + ホワイトノイズ波 Click here for an exponential wave. - クリックで指数波。 + Click here for white-noise. - クリックでホワイトノイズ。 + Bandlimited saw wave - + Click here for bandlimited saw wave. - + Bandlimited square wave - + Click here for bandlimited square wave. - + Bandlimited triangle wave - + Click here for bandlimited triangle wave. - + Bandlimited moog saw wave - + Click here for bandlimited moog saw wave. - - - - - lb303Synth - - VCF Cutoff Frequency - - - - VCF Resonance - - - - VCF Envelope Mod - - - - VCF Envelope Decay - - - - Distortion - - - - Waveform - 波形 - - - Slide Decay - - - - Slide - - - - Accent - - - - Dead - - - - 24dB/oct Filter - - - - - lb303SynthView - - Cutoff Freq: - - - - CUT - - - - Resonance: - レゾナンス: - - - RES - - - - Env Mod: - - - - ENV MOD - - - - Decay: - ディケイ: - - - DEC - - - - 303-es-que, 24dB/octave, 3 pole filter - - - - Slide Decay: - - - - SLIDE - - - - DIST: - - - - DIST - - - - WAVE: - - - - WAVE - + malletsInstrument Hardness - + Position @@ -7594,119 +8262,111 @@ Double clicking any of the plugins will bring up information on the ports. Vibrato Gain - + Vibrato Freq - + Stick Mix - + Modulator - + Crossfade - + LFO Speed - + LFO Depth - + ADSR - + Pressure - + Motion - + Speed - + 速さ Bowed - + Spread - + Marimba - + マリンバ Vibraphone - + ビブラフォン Agogo - + アゴゴ Wood1 - + Reso - + Wood2 - + Beats - + Two Fixed - + Clump - + Tubular Bells - + Uniform Bar - + Tuned Bar - + Glass - + Tibetan Bowl - - - - Missing files - - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - Stkのインストールが未完了のようです。Stkパッケージがすべてインストールされていることを確認してください！ + @@ -7717,19 +8377,19 @@ Double clicking any of the plugins will bring up information on the ports. Spread - + Spread: - + Hardness - + Hardness: - + Position @@ -7741,87 +8401,75 @@ Double clicking any of the plugins will bring up information on the ports. Vib Gain - + Vib Gain: - + Vib Freq - + Vib Freq: - + Stick Mix - + Stick Mix: - + Modulator - + Modulator: - + Crossfade - + Crossfade: - + LFO Speed - + LFO Speed: - + LFO Depth - + LFO Depth: - + ADSR - + ADSR: - - - - Bowed - + Pressure - + Pressure: - - - - Motion - - - - Motion: - + Speed @@ -7832,19 +8480,19 @@ Double clicking any of the plugins will bring up information on the ports.速さ: - Vibrato - + Missing files + - Vibrato: - + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + Stkのインストールが未完了のようです。Stkパッケージがすべてインストールされていることを確認してください！ manageVSTEffectView - VST parameter control - + VST Sync @@ -7852,15 +8500,15 @@ Double clicking any of the plugins will bring up information on the ports. Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close @@ -7868,14 +8516,14 @@ Double clicking any of the plugins will bring up information on the ports. Close VST effect knob-controller window. - + manageVestigeInstrumentView - VST plugin control - + VST Sync @@ -7883,15 +8531,15 @@ Double clicking any of the plugins will bring up information on the ports. Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close @@ -7899,133 +8547,152 @@ Double clicking any of the plugins will bring up information on the ports. Close VST plugin knob-controller window. - + opl2instrument Patch - パッチ + パッチ Op 1 Attack - + Op 1 Decay - + Op 1 Sustain - + Op 1 Release - + Op 1 Level - + Op 1 Level Scaling - + Op 1 Frequency Multiple - + Op 1 Feedback - + Op 1 Key Scaling Rate - + Op 1 Percussive Envelope - + Op 1 Tremolo - + Op 1 Vibrato - + Op 1 Waveform - + Op 1 Waveform Op 2 Attack - + Op 2 Decay - + Op 2 Sustain - + Op 2 Release - + Op 2 Level - + Op 2 Level Scaling - + Op 2 Frequency Multiple - + Op 2 Key Scaling Rate - + Op 2 Percussive Envelope - + Op 2 Tremolo - + Op 2 Vibrato - + Op 2 Waveform - + FM - + Vibrato Depth - + Tremolo Depth - + + + + + opl2instrumentView + + Attack + + + + Decay + ディケイ + + + Release + + + + Frequency multiplier + organicInstrument Distortion - + Volume @@ -8036,7 +8703,7 @@ Double clicking any of the plugins will bring up information on the ports.organicInstrumentView Distortion: - + Volume: @@ -8044,62 +8711,62 @@ Double clicking any of the plugins will bring up information on the ports. Randomise - + Osc %1 waveform: - + Osc %1 の波形: Osc %1 volume: - + Osc %1 の音量: Osc %1 panning: - + cents - + The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + papuInstrument Sweep time - + Sweep direction - + Sweep RtShift amount - + Wave Pattern Duty - + Channel 1 volume @@ -8107,11 +8774,11 @@ Double clicking any of the plugins will bring up information on the ports. Volume sweep direction - + Length of each step in sweep - + Channel 2 volume @@ -8127,146 +8794,146 @@ Double clicking any of the plugins will bring up information on the ports. Right Output level - + Left Output level - + Channel 1 to SO2 (Left) - + Channel 2 to SO2 (Left) - + Channel 3 to SO2 (Left) - + Channel 4 to SO2 (Left) - + Channel 1 to SO1 (Right) - + Channel 2 to SO1 (Right) - + Channel 3 to SO1 (Right) - + Channel 4 to SO1 (Right) - + Treble - + Bass - + ベース Shift Register width - + papuInstrumentView Sweep Time: - + Sweep Time - + Sweep RtShift amount: - + Sweep RtShift amount - + Wave pattern duty: - + Wave Pattern Duty - + Square Channel 1 Volume: - + Length of each step in sweep: - + Length of each step in sweep - + Wave pattern duty - + Square Channel 2 Volume: - + Square Channel 2 Volume - + Wave Channel Volume: - + Wave Channel Volume - + Noise Channel Volume: - + Noise Channel Volume - + SO1 Volume (Right): - + SO1 Volume (Right) - + SO2 Volume (Left): - + SO2 Volume (Left) - + Treble: - + Treble - + Bass: @@ -8278,47 +8945,47 @@ Double clicking any of the plugins will bring up information on the ports. Sweep Direction - + Volume Sweep Direction - + Shift Register Width - + Channel1 to SO1 (Right) - + Channel2 to SO1 (Right) - + Channel3 to SO1 (Right) - + Channel4 to SO1 (Right) - + Channel1 to SO2 (Left) - + Channel2 to SO2 (Left) - + Channel3 to SO2 (Left) - + Channel4 to SO2 (Left) - + Wave Pattern @@ -8326,27 +8993,62 @@ Double clicking any of the plugins will bring up information on the ports. The amount of increase or decrease in frequency - + The rate at which increase or decrease in frequency occurs - + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - + Square Channel 1 Volume - + The delay between step change - + Draw the wave here - + ここに波形を描きます + + + + patchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + パッチ + + + Name + 名前 + + + OK + OK + + + Cancel + キャンセル @@ -8357,7 +9059,7 @@ Double clicking any of the plugins will bring up information on the ports. Incomplete monophonic imitation tb303 - 不完全なモノフォニック イミテーション tb303 + Plugin for freely manipulating stereo output @@ -8369,219 +9071,171 @@ Double clicking any of the plugins will bring up information on the ports. Plugin for enhancing stereo separation of a stereo input file - ステレオ入力ファイルのセパレーションを強調するプラグイン + List installed LADSPA plugins - インストールされているLADSPAプラグインの一覧 - - - Filter for importing FL Studio projects into LMMS - FL Studio プロジェクトを LMMS にインポートするためのフィルター + インストールされている LADSPA プラグインの一覧 GUS-compatible patch instrument - GUS互換パッチのインストゥルメント + Additive Synthesizer for organ-like sounds - オルガン風サウンドのアディティブ シンセサイザー + Tuneful things to bang on - 打楽器風の音色を奏でるインストゥルメント + VST-host for using VST(i)-plugins within LMMS - VST(i)プラグインを LMMS で使用するためのVSTホスト + Vibrating string modeler - バイブレーティング ストリング モジュレーター + plugin for using arbitrary LADSPA-effects inside LMMS. - 任意のLADSPAエフェクトをLMMSで使うためのプラグイン。 + 任意の LADSPA エフェクトを LMMS で使用するためのプラグイン。 Filter for importing MIDI-files into LMMS - MIDI ファイルを LMMS にインポートするためのフィルター + Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. - MOS6581やMOS8580 SIDのエミュレーション。 -このチップはCommodore 64 computerで採用されていました。 + Player for SoundFont files - サウンドフォントファイル用プレイヤー + サウンドフォント ファイル用プレイヤー Emulation of GameBoy (TM) APU - GameBoy (TM) APUのエミュレーション + Customizable wavetable synthesizer - カスタマイズ可能なウェーブテーブルシンセサイザー + Embedded ZynAddSubFX - 埋め込み ZynAddSubFX + 2-operator FM Synth - + Filter for importing Hydrogen files into LMMS - + LMMS port of sfxr - + Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - 様々な方法でモジュレートできる3つのパワフルなオシレータ群 + A native amplifier plugin - + Carla Rack Instrument - + 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + + + + A native delay plugin + Player for GIG files - GIGファイル用プレイヤー + GIG ファイル用プレイヤー A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - - - - Dummy (no sound output) - + - ALSA (Advanced Linux Sound Architecture) - + A Dual filter plugin + - OSS (Open Sound System) - - - - WinMM MIDI - - - - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + sf2Instrument Bank - バンク + Patch @@ -8593,122 +9247,122 @@ This chip was used in the Commodore 64 computer. Reverb - リバーブ + リバーブ Reverb Roomsize - + Reverb Damping - + Reverb Width - + Reverb Level - + Chorus - + コーラス Chorus Lines - + Chorus Level - + Chorus Speed - + Chorus Depth - + A soundfont %1 could not be loaded. - + sf2InstrumentView Open other SoundFont file - 他のサウンドフォント ファイルを開く + 他のサウンドフォント ファイルを開く Click here to open another SF2 file - ここをクリックすると他のSF2 ファイルを開きます + ここをクリックすると他のSF2 ファイルを開きます。 Choose the patch - パッチを選択 + パッチを選択 Gain - ゲイン + ゲイン Apply reverb (if supported) - (サポートしているならば)リバーブを適用 + This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. - このボタンでリバーブ エフェクトを有効にします。クールなエフェクトには有効ですが、リバーブをサポートしたファイルにしか効果がありません。 + Reverb Roomsize: - + Reverb Damping: - + Reverb Width: - + Reverb Level: - + Apply chorus (if supported) - （サポートしているならば）コーラスを適用 + This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. - このボタンでコーラス エフェクトを有効にします。クールなエコー エフェクトには有効ですが、コーラスをサポートしたファイルにしか効果がありません。 + Chorus Lines: - + Chorus Level: - + Chorus Speed: - + Chorus Depth: - + Open SoundFont file - サウンドフォント ファイルを開く + サウンドフォント ファイルを開く SoundFont2 Files (*.sf2) - SoundFont2 ファイル (*.sf2) + @@ -8722,7 +9376,7 @@ This chip was used in the Commodore 64 computer. sidInstrument Cutoff - カットオフ + カットオフ Resonance @@ -8730,11 +9384,11 @@ This chip was used in the Commodore 64 computer. Filter type - フィルタの種類 + フィルターの種類 Voice 3 off - + Volume @@ -8742,7 +9396,7 @@ This chip was used in the Commodore 64 computer. Chip model - チップモデル + @@ -8757,79 +9411,79 @@ This chip was used in the Commodore 64 computer. Cutoff frequency: - カットオフ周波数: + High-Pass filter - ハイパスフィルター + Band-Pass filter - バンドパスフィルター + Low-Pass filter - ローパスフィルター + Voice3 Off - + MOS6581 SID - + MOS6581 SID MOS8580 SID - + MOS8580 SID Attack: - アタック: + アタック: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - アタック速度は、ボイス %1 の出力がゼロからピーク振幅にどれだけ早く大きくなるかを決定します。 + Decay: - ディケイ: + ディケイ: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - ディケイ速度では、出力がピーク振幅から選択したサスティン レベルまでどれだけ早く小さくなるかを設定します。 + Sustain: - サスティン: + サスティン: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - ボイス %1 の出力はノートが保持されてる間、選択されたサスティン振幅を保持します。 + Release: - リリース: + リリース: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - ボイス %1 の出力は、選択されたリリースレートでサスティンの大きさから０へと小さくなります。 + Pulse Width: - パルス幅: + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - パルス幅解像度は認識可能なステップを生じることなくスムーズにスイープ可能な幅を与えます。オシレータ %1 のパルス波形は聞き取り可能なエフェクトを持つように選択しなければなりません。 + Coarse: - + The Coarse detuning allows to detune Voice %1 one octave up or down. - Coarseデチューンで　ボイス %1 を１オクターブ上下にデチューンできます。 + Pulse Wave @@ -8841,7 +9495,7 @@ This chip was used in the Commodore 64 computer. SawTooth - + のこぎり波 Noise @@ -8853,19 +9507,19 @@ This chip was used in the Commodore 64 computer. Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - オシレータ %1 の基本周波数と、"同期の難しい"エフェクトを生み出しているオシレータ %2 の基本周波数を同期します。 + Ring-Mod - + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - Ring-mod　オシレーター %1 の出力の三角波を　オシレータ %1 と %2のリングモジュレートされてた組み合わせに置き換えます。 + Filtered - + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. @@ -8873,29 +9527,29 @@ This chip was used in the Commodore 64 computer. Test - + Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - Test オシレータ %1 を　セット・リセット・ロックしたとき　Test が停止されるまでの間　ゼロです。 + stereoEnhancerControlDialog WIDE - + Width: - 幅: + stereoEnhancerControls Width - 幅 + @@ -8955,15 +9609,15 @@ This chip was used in the Commodore 64 computer. String %1 stiffness - ストリング %1 のスティフネス + Pick %1 position - + Pickup %1 position - + Pan %1 @@ -8971,11 +9625,11 @@ This chip was used in the Commodore 64 computer. Detune %1 - + Fuzziness %1 - + Length %1 @@ -8983,7 +9637,7 @@ This chip was used in the Commodore 64 computer. Impulse %1 - + Octave %1 @@ -8998,31 +9652,31 @@ This chip was used in the Commodore 64 computer. The 'V' knob sets the volume of the selected string. - V つまみでは選択したストリングの音量を設定します。 + String stiffness: - ストリングのスティフネス: + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - S つまみで選択したストリングのスティフネス（堅さ）を設定します。ストリングのスティフネスはストリングがどれだけ長く鳴り響くかに影響します。値を小さくするほどストリングは長く鳴り響きます。 + Pick position: - ピック位置: + The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - P つまみでは、選択したストリングをピッキングする位置を指定します。指定した値が小さいほど、ブリッジに近い箇所がピッキングされます。 + Pickup position: - ピックアップ位置: + The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - PU つまみでは選択したストリングのどの位置で振動をモニターするかを設定します。値が小さくなるほどブリッジとピックアップの位置が近くなります。 + Pan: @@ -9030,23 +9684,23 @@ This chip was used in the Commodore 64 computer. The Pan knob determines the location of the selected string in the stereo field. - Pan つまみではステレオ音場中の選択したストリングの位置を指定します。 + Detune: - ディチューン: + The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - Detune つまみでは選択したストリングのピッチを変更します。ゼロより小さい値を指定すると音がフラットになります。ゼロより大きい値を指定すると音がシャープになります。 + Fuzziness: - ファジネス: + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - Slap つまみでは選択したストリングに少しだけファズを追加します。アタックの際にとてもはっきりとこの効果を理解できます。ストリングを金属風の音にするのに使用できます。 + Length: @@ -9054,15 +9708,15 @@ This chip was used in the Commodore 64 computer. The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - Length つまみでは選択したストリングの長さを指定します。ストリングを長くすれば、長い時間鳴り、より明るく聞こえます。しかし、よりCPUサイクルを消費します。 + Impulse or initial state - + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - Imp セレクタは、グラフの波形がピッキングによってストリングに与えられるインパルスとして扱われるのか、ストリングの初期状態として扱われるのかを指定します。 + Octave @@ -9070,67 +9724,51 @@ This chip was used in the Commodore 64 computer. The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - オクターブセレクタは、ストリングをノートのどの倍音で鳴らすかを選択するために使用します。例えば、'-2'は基音の2オクターブ下まで鳴ることを意味し、'F'は、ストリングが基音で鳴ることを意味します。そして'6'は、ストリングが基本から6オクターブ上で鳴ることを意味します。 + Impulse Editor - + - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. - 波形エディターは、ストリングの振動開始時に使われる初期状態またはインパルスのコントロールに使用します。グラフの右側のボタンで波形を選択した種類に初期化します。'?' ボタンでファイルから波形を--最初の128個のサンプルのみ読み込みます。 - -波形はグラフ内に描くこともできます。 - -'S'ボタンは、波形を平滑化します。 - -'N' ボタンは、波形をノーマライズ化します。 + - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. - Vibed は独立して振動しているストリングを9つまでモデル化します。'String'セレクタでは、現在編集しているストリングを選ぶことができます。'Imp' セレクタでは、インパルスと、ストリングの初期状態のどちらをグラフで表すのかを選択します。'Octave' セレクタでは、どの倍音でストリングを振動させるのかを選択します。 - -グラフでは、動作中のストリングを設定する際に使用する、初期状態またはインパルスをコントールすることができます。 - -'V' つまみでは音量を、'S' つまみではスティフネス（堅さ）をコントロールします。'P' つまみでは弾く位置を、'PU' つまみではピックアップの位置をコントロールします。 - -'Pan' と 'Detune' の説明は不要でしょう。'Slap'のつまみは、ストリングの音にファズを少し加えます。 - -'Length' つまみでは、ストリングの長さをコントロールします。 - -波形エディターの右下隅のLEDは、現在のインストゥルメントのストリングがアクティブなのかどうかを示しています。 + Enable waveform - 波形を有効 + 波形を有効 Click here to enable/disable waveform. - ここをクリックすると波形の有効/無効を切り替えます。 + String - ストリング + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - ストリングセレクタはコントローラーが編集しているストリングを選択するのに使用します。Vibed インストゥルメントは 最大9本の独立した振動したストリングを含むことができます。波形エディターの右下隅のLEDはどのストリングがアクティブかを示しています。 + Sine wave @@ -9150,51 +9788,51 @@ The LED in the lower right corner of the waveform editor determines whether the White noise wave - ホワイトノイズ波 + ホワイトノイズ波 User defined wave - ユーザー定義波形 + ユーザー定義波形 Smooth - 平滑化 + Click here to smooth waveform. - ここをクリックすると波形を平滑化します。 + Normalize - ノーマライズ + ノーマライズ Click here to normalize waveform. - ここをクリックすると波形をノーマライズ化します。 + ここをクリックすると波形をノーマライズします。 Use a sine-wave for current oscillator. - サイン波を現在のオシレータで使用する。 + Use a triangle-wave for current oscillator. - 三角波を現在のオシレータで使用する。 + Use a saw-wave for current oscillator. - のこぎり波を現在のオシレータで使用する。 + Use a square-wave for current oscillator. - 矩形波を現在のオシレータで使用する。 + Use white-noise for current oscillator. - ホワイトノイズ波を現在のオシレータで使用する。 + Use a user-defined waveform for current oscillator. - ユーザー定義波形を現在のオシレータで使用する。 + @@ -9205,27 +9843,27 @@ The LED in the lower right corner of the waveform editor determines whether the Voice %1 attack - + Voice %1 decay - + Voice %1 sustain - + Voice %1 release - + Voice %1 coarse detuning - + Voice %1 wave shape - + Voice %1 sync @@ -9233,15 +9871,15 @@ The LED in the lower right corner of the waveform editor determines whether the Voice %1 ring modulate - + Voice %1 filtered - + Voice %1 test - + @@ -9268,39 +9906,39 @@ The LED in the lower right corner of the waveform editor determines whether the Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase graph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease graph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Clip input - + Clip input signal to 0dB - + @@ -9314,4 +9952,4 @@ The LED in the lower right corner of the waveform editor determines whether the 出力ゲイン - + \ No newline at end of file diff --git a/data/locale/ko.ts b/data/locale/ko.ts index 2f6a3f8c77e..c82a2f8bffa 100644 --- a/data/locale/ko.ts +++ b/data/locale/ko.ts @@ -1,4230 +1,4639 @@ - - - + AboutDialog About LMMS - + Version %1 (%2/%3, Qt %4, %5) - + About - LMMS란 + LMMS - easy music production for everyone - + Authors - + Translation - + Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! - + License - + - Copyright (c) 2004-2014, LMMS developers - + LMMS + - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - + Involved + - LMMS - + Contributors ordered by number of commits: + - Involved - + Copyright © %1 + - Contributors ordered by number of commits: - + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog VOL - 볼륨 + Volume: - 볼륨: + 볼륨: PAN - 패닝 + Panning: - 패닝: + LEFT - + Left gain: - + RIGHT - + Right gain: - + AmplifierControls Volume - 볼륨 + 볼륨 Panning - 패닝 + Left gain - + Right gain - + - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE - 기기 + CHANNELS - + AudioFileProcessorView Open other sample - 다른 샘플 열기 + Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - + Reverse sample - 샘플 역으로 + 샘플 역으로 If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - + Amplify: - 증폭 + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - + Startpoint: - 시작점 + Endpoint: - 끝점 + Continue sample playback across notes - + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - + Disable loop - + This button disables looping. The sample plays only once from start to end. - + Enable loop - + This button enables forwards-looping. The sample loops between the end point and the loop point. - + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + Loopback point: - + With this knob you can set the point where the loop starts. - + AudioFileProcessorWaveView Sample length: - + AudioJack JACK client restarted - + LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. - + JACK server down - + The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - + CLIENT-NAME - 클라이언트명 + CHANNELS - + AudioOss::setupWidget DEVICE - 기기 + CHANNELS - + AudioPortAudio::setupWidget BACKEND - 백엔드 + DEVICE - 기기 + AudioPulseAudio::setupWidget DEVICE - 기기 + CHANNELS - + AudioSdl::setupWidget DEVICE - 기기 + + + + + AudioSndio::setupWidget + + DEVICE + + + + CHANNELS + + + + + AudioSoundIo::setupWidget + + BACKEND + + + + DEVICE + AutomatableModel &Reset (%1%2) - 초기화 (%1%2)(&R) + &Copy value (%1%2) - 값 복사 (%1%2)(&C) + &Paste value (%1%2) - 값 붙이기 (%1%2)(&P) + Edit song-global automation - 노래-전역 자동화 편집 + Connected to %1 - %1 연결됨 + Connected to controller - 제어기 연결됨 + Edit connection... - 연결 편집... + Remove connection - 연결 제거 + Connect to controller... - 제어기에 연결 + Remove song-global automation - + Remove all linked controls - + AutomationEditor Please open an automation pattern with the context menu of a control! - 제어 문맥 메뉴를 가진 자동화 패턴으로 열어주세요! + Values copied - 복사된 값 + All selected values were copied to the clipboard. - 전체 선택된 값을 클립보드로 복사했습니다. + AutomationEditorWindow Play/pause current pattern (Space) - 현재 패턴 재생/잠시 중지 (Space) + Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - + Stop playing of current pattern (Space) - 현재 패턴 재생을 중지 (Space) + Click here if you want to stop playing of the current pattern. - 현재 패턴의 재생을 중지하려면 여기를 누르세요 + Draw mode (Shift+D) - 그리기 모드 (Shift+D) + Erase mode (Shift+E) - 지우기 모드 (Shift+E) + Flip vertically - + Flip horizontally - + Click here and the pattern will be inverted.The points are flipped in the y direction. - + Click here and the pattern will be reversed. The points are flipped in the x direction. - + Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - + Discrete progression - + Linear progression - + Cubic Hermite progression - + Tension value for spline - + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - + Cut selected values (%1+X) - 선택된 값 잘라내기 (%1+X) + Copy selected values (%1+C) - 선택된 값 복사 (%1+C) + Paste values from clipboard (%1+V) - + Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the values from the clipboard will be pasted at the first visible measure. - + Tension: - + Automation Editor - no pattern - 자동화 편집기 - 패턴 없음 + Automation Editor - %1 - 자동화 편집기 - %1 + + + + Edit actions + + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls + + + + Model is already connected to this pattern. + AutomationPattern Drag a control while pressing <%1> - <%1> 누르는 동안 제어를 끌기 - - - Model is already connected to this pattern. - + AutomationPatternView double-click to open this pattern in automation editor - 자동화 편집기에서 이 패턴을 열기위하여 이중 클릭 + Open in Automation editor - 자동화 편집기에서 열기 + Clear - 제거 + Reset name - 이름 초기화 + 이름 초기화 Change name - 이름 변경 + 이름 바꾸기 %1 Connections - %1 연결 + Disconnect "%1" - 연결해제 "%1" + Set/clear record - 녹음 설정/해제 + Flip Vertically (Visible) - + Flip Horizontally (Visible) - + + + + Model is already connected to this pattern. + AutomationTrack Automation track - 자동화 트랙 + BBEditor Beat+Bassline Editor - Beat+Bassline 편집기 + 비트/베이스 라인 편집기 Play/pause current beat/bassline (Space) - 현재 beat/bassline 재생/잠시 정지(Space) + Stop playback of current beat/bassline (Space) - 현재 beat/bassline 재생 중지 (Space) + Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - 현재 beat/bassline를 재생하기 위하여 여기를 클릭. beat/bassline은 끝에 도달시 자동으로 반복됩니다. + Click here to stop playing of current beat/bassline. - 현재 beat/bassline 재생을 정지하기 위하여 여기를 클릭. + Add beat/bassline - beat/bassline 더하기 + Add automation-track - 자동화 트랙 더하기 + Remove steps - 단계 제거 + 단계 제거 Add steps - 단계 더하기 + 단계 더하기 + + + Beat selector + + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + BBTCOView Open in Beat+Bassline-Editor - Beat+Bassline 편집기에서 ㅇ려기 + 비트/베이스 라인 편집기에서 열기 Reset name - 이름 초기화 + 이름 초기화 Change name - 이름 변경 + 이름 바꾸기 Change color - 색상 변경 + 색상 바꾸기 Reset color to default - + 색상을 기본값으로 되돌리기 BBTrack Beat/Bassline %1 - + Clone of %1 - + BassBoosterControlDialog FREQ - 주파수 + Frequency: - 주파수: + GAIN - 이득 + Gain: - 이득: + 이득: RATIO - 비 + Ratio: - 비: + BassBoosterControls Frequency - 주파수 + Gain - 이득 + 이득 Ratio - 비 + BitcrushControlDialog IN - + OUT - + GAIN - 이득 + Input Gain: - + NOIS - + Input Noise: - + Output Gain: - + CLIP - + Output Clip: - + Rate - 비 + 비 Rate Enabled - + Enable samplerate-crushing - + Depth - + Depth Enabled - + Enable bitdepth-crushing - + Sample rate: - + STD - + Stereo difference: - + Levels - + Levels: - + CaptionMenu &Help - 도움말(&H) + Help (not available) - + CarlaInstrumentView Show GUI - + Click here to show or hide the graphical user interface (GUI) of Carla. - + Controller Controller %1 - 제어기 %1 + ControllerConnectionDialog Connection Settings - 연결 설정 + MIDI CONTROLLER - 미디 제어기 + Input channel - 입력 채널 + CHANNEL - 채널 + Input controller - 입력 제어기 + CONTROLLER - 제어기 + Auto Detect - 자동 탐색 + MIDI-devices to receive MIDI-events from - 미디 이벤트를 받기위한 미디 기기 + USER CONTROLLER - 사용자 제어기 + MAPPING FUNCTION - 매핑 함수 + OK - 확인 + Cancel - 취소 + LMMS - + Cycle Detected. - 순환 인지. + ControllerRackView Controller Rack - 제어기 랙 + Add - 더하기 + Confirm Delete - + - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + ControllerView Controls - 제어 + Controllers are able to automate the value of a knob, slider, and other controls. - + Rename controller - 제어기 다른 이름으로 + Enter the new name for this controller - 이 제어기를 위한 새 이름 입력 + - &Remove this plugin - 이 플러그인 제거(&R) + &Remove this controller + + + + Re&name this controller + + + + LFO + CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 2 Gain: - + Band 3 Gain: - + Band 4 Gain: - + Band 1 Mute - + Mute Band 1 - + Band 2 Mute - + Mute Band 2 - + Band 3 Mute - + Mute Band 3 - + Band 4 Mute - + Mute Band 4 - + DelayControls Delay Samples - + Feedback - + Lfo Frequency - + Lfo Amount - + + + + Output gain + DelayControlsDialog - Delay - + Lfo Amt + Delay Time - + - Regen - + Feedback Amount + - Feedback Amount - + Lfo + - Rate - 비 + Out Gain + - Lfo - + Gain + 이득 - Lfo Amt - + DELAY + + + + FDBK + - - - DetuningHelper - Note detuning - + RATE + + + + AMNT + DualFilterControlDialog Filter 1 enabled - + Filter 2 enabled - + Click to enable/disable Filter 1 - + Click to enable/disable Filter 2 - + + + + FREQ + + + + Cutoff frequency + + + + RESO + + + + Resonance + 공명 + + + GAIN + + + + Gain + 이득 + + + MIX + + + + Mix + DualFilterControls Filter 1 enabled - + Filter 1 type - + Cutoff 1 frequency - + Q/Resonance 1 - + Gain 1 - + Mix - + Filter 2 enabled - + Filter 2 type - + Cutoff 2 frequency - + Q/Resonance 2 - + Gain 2 - + LowPass - + HiPass - + BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + 2x LowPass - + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - + Editor Play (Space) - + Stop (Space) - + Record - + Record while playing - + + + + Transport controls + Effect Effect enabled - 효과 가능 + Wet/Dry mix - + Gate - 게이트 + Decay - 감쇄 + EffectChain Effects enabled - 효과 가능 + EffectRackView EFFECTS CHAIN - 효과 체인 + Add effect - 효과 더하기 + EffectSelectDialog Add effect - 효과 더하기 + + + + Name + 이름 + + + Type + 형태 + + + Description + 요약 - Plugin description - + Author + EffectView Toggles the effect on or off. - 효과 켬 또는 끔 토글 + On/Off - 켬/끔 + W/D - + Wet Level: - + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - + DECAY - 감쇄 + Time: - 시간: + The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - + GATE - 게이트 + Gate: - 게이트: + The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - + Controls - 제어 + Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. - + Move &up - + Move &down - + &Remove this plugin - 이 플러그인 제거(&R) + EnvelopeAndLfoParameters Predelay - + Attack - + Hold - + Decay - 감쇄 + Sustain - + Release - + Modulation - + LFO Predelay - + LFO Attack - + LFO speed - + LFO Modulation - + LFO Wave Shape - + Freq x 100 - + Modulate Env-Amount - + EnvelopeAndLfoView DEL - + Predelay: - + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - + ATT - + Attack: - + Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - + HOLD - + Hold: - + Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - + DEC - 감쇄 + Decay: - 감쇄: + 감쇄: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - + SUST - + Sustain: - + Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - + REL - + Release: - + Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - + AMT - + Modulation amount: - + Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - + LFO predelay: - + Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - + LFO- attack: - + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - + SPD - + LFO speed: - + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - + Click here for a sine-wave. - + Click here for a triangle-wave. - + 삼각 파형을 위하여 여기를 클릭 Click here for a saw-wave for current. - + Click here for a square-wave. - + 사각 파형을 위하여 여기를 클릭 Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - + FREQ x 100 - + Click here if the frequency of this LFO should be multiplied by 100. - + multiply LFO-frequency by 100 - + MODULATE ENV-AMOUNT - + Click here to make the envelope-amount controlled by this LFO. - + control envelope-amount by this LFO - + ms/LFO: - + Hint - 힌트 + Drag a sample from somewhere and drop it in this window. - + Click here for random wave. - + EqControls Input gain - + Output gain - + Low shelf gain - + Peak 1 gain - + Peak 2 gain - + Peak 3 gain - + Peak 4 gain - + High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP 12 - + LP 24 - + LP 48 - + HP 12 - + HP 24 - + HP 48 - + low pass type - + high pass type - + + + + Analyse IN + + + + Analyse OUT + EqControlsDialog HP - + Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + In Gain - + Gain - 이득 + 이득 Out Gain - + Bandwidth: - + Resonance : - + Frequency: - 주파수: + - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + + + + EqHandle - lp grp - + Reso: + - hp grp - + BW: + - - - EqParameterWidget - Hz - + Freq: + ExportProjectDialog Export project - + Output - 출력 + 출력 File format: - + Samplerate: - + 44100 Hz - + 48000 Hz - + 88200 Hz - + 96000 Hz - + 192000 Hz - + Bitrate: - + 64 KBit/s - + 128 KBit/s - + 160 KBit/s - + 192 KBit/s - + 256 KBit/s - + 320 KBit/s - + Depth: - + 16 Bit Integer - + 32 Bit Float - + Please note that not all of the parameters above apply for all file formats. - + Quality settings - + Interpolation: - + Zero Order Hold - + Sinc Fastest - + Sinc Medium (recommended) - + Sinc Best (very slow!) - + Oversampling (use with care!): - + 1x (None) - + 2x - + 4x - + 8x - + Start - + Cancel - 취소 + Export as loop (remove end silence) - + Export between loop markers - + Could not open file - 파일을 열 수 없음 - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - + 파일을 열 수 없음 Export project to %1 - %1로 프로젝트 내보내기 + Error - + Error while determining file-encoder device. Please try to choose a different output format. - + Rendering: %1% - + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - %1 과 %2 사이 새로운 값을 입력하시오: + FileBrowser Browser - + FileBrowserTreeWidget Send to active instrument-track - - - - Open in new instrument-track/Song-Editor - + Open in new instrument-track/B+B Editor - + Loading sample - + Please wait, loading sample for preview... - + --- Factory files --- - + + + + Open in new instrument-track/Song Editor + + + + Error + + + + does not appear to be a valid + + + + file + FlangerControls Delay Samples - + Lfo Frequency - + Seconds - + Regen - + Noise - 잡음 + 잡음 Invert - + FlangerControlsDialog - Delay - + Delay Time: + - Delay Time: - + Feedback Amount: + - Lfo Hz - + White Noise Amount: + - Lfo: - + DELAY + - Amt - + RATE + - Amt: - + Rate: + - Regen - + AMNT + - Feedback Amount: - + Amount: + - Noise - 잡음 + FDBK + - White Noise Amount: - + NOISE + + + + Invert + FxLine Channel send amount - + The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left - + Move &right - + Rename &channel - + R&emove channel - + Remove &unused channels - + FxMixer Master - + FX %1 - + FxMixerView - - Rename FX channel - - - - Enter the new name for this FX channel - - FX-Mixer - + FX Fader %1 - + Mute - 무음 + Mute this FX channel - + Solo - 솔로 + Solo FX channel - + FxRoute Amount to send from channel %1 to channel %2 - + GigInstrument Bank - 뱅크 + 뱅크 Patch - 패치 + 패치 Gain - 이득 + 이득 GigInstrumentView Open other GIG file - + Click here to open another GIG file - + Choose the patch - 패치 선택 + 패치 선택 Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Which GIG file is currently being used - + Which patch of the GIG file is currently being used - + Gain - 이득 + 이득 Factor to multiply samples by - + Open GIG file - + GIG Files (*.gig) - + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + UI 준비 + + + Preparing song editor + 노래 편집기 준비 + + + Preparing mixer + 믹서 준비 + + + Preparing controller rack + 제어기 랙 준비 + + + Preparing project notes + 프로젝트 노트 준비 + + + Preparing beat/bassline editor + 비트/베이스 라인 편집기 준비 + + + Preparing piano roll + 피아노 롤 준비 + + + Preparing automation editor + 오토메이션 편집기 준비 InstrumentFunctionArpeggio Arpeggio - 아르페지오 + Arpeggio type - 아르페지오 타입 + Arpeggio range - 아르페지오 범위 + Arpeggio time - 아르페지오 시간 + Arpeggio gate - 아르페지오 게이트 + Arpeggio direction - 아르페지오 방향 + Arpeggio mode - 아르페지오 모드 + Up - 위 + Down - 아래 + Up and down - 위와 아래 + Random - 무작위 + Free - 자유롭게 + Sort - 정렬 + Sync - 동기 + 동기 Down and up - + + + + Skip rate + + + + Miss rate + + + + Cycle steps + InstrumentFunctionArpeggioView ARPEGGIO - 아르페지오 + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - + RANGE - 범위 + Arpeggio range: - 아르페지오 범위 + octave(s) - 옥타브 + Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - + TIME - 시간 + Arpeggio time: - 아르페지오 시간 + ms - 밀리초 + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - + GATE - 게이트 + Arpeggio gate: - 아르페지오 게이트: + % - + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - + Chord: - + Direction: - 방향 + Mode: - 모드 + + + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + InstrumentFunctionNoteStacking octave - 옥타브 + Major - 메이저 + Majb5 - + minor - 마이너 + minb5 - + sus2 - + sus4 - + aug - + augsus4 - + tri - + 6 - + 6sus4 - + 6add9 - + m6 - + m6add9 - + 7 - + 7sus4 - + 7#5 - + 7b5 - + 7#9 - + 7b9 - + 7#5#9 - + 7#5b9 - + 7b5b9 - + 7add11 - + 7add13 - + 7#11 - + Maj7 - + Maj7b5 - + Maj7#5 - + Maj7#11 - + Maj7add13 - + m7 - + m7b5 - + m7b9 - + m7add11 - + m7add13 - + m-Maj7 - + m-Maj7add11 - + m-Maj7add13 - + 9 - + 9sus4 - + add9 - + 9#5 - + 9b5 - + 9#11 - + 9b13 - + Maj9 - + Maj9sus4 - + Maj9#5 - + Maj9#11 - + m9 - + madd9 - + m9b5 - + m9-Maj7 - + 11 - + 11b9 - + Maj11 - + m11 - + m-Maj11 - + 13 - + 13#9 - + 13b9 - + 13b5b9 - + Maj13 - + m13 - + m-Maj13 - + Harmonic minor - + Melodic minor - + Whole tone - 전체 톤 + Diminished - + Major pentatonic - + Minor pentatonic - + Jap in sen - + Major bebop - + Dominant bebop - + Blues - + Arabic - + Enigmatic - + Neopolitan - + Neopolitan minor - + Hungarian minor - + Dorian - + Phrygolydian - + Lydian - + Mixolydian - + Aeolian - + Locrian - + Chords - + Chord type - + Chord range - + Minor - + Chromatic - + Half-Whole Diminished - + 5 - + + + + Phrygian dominant + + + + Persian + InstrumentFunctionNoteStackingView RANGE - 범위 + Chord range: - + octave(s) - 옥타브 + Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. - + STACKING - + Chord: - + InstrumentMidiIOView ENABLE MIDI INPUT - + CHANNEL - 채널 + VELOCITY - + ENABLE MIDI OUTPUT - + PROGRAM - + MIDI devices to receive MIDI events from - + MIDI devices to send MIDI events to - + NOTE - + CUSTOM BASE VELOCITY - + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + BASE VELOCITY - + InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + InstrumentSoundShaping VOLUME - + Volume - 볼륨 + 볼륨 CUTOFF - + Cutoff frequency - + RESO - + Resonance - 공명 + 공명 Envelopes/LFOs - + Filter type - 필터 형태 + 필터 형태 Q/Resonance - + LowPass - + HiPass - + BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + 2x LowPass - + RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - + InstrumentSoundShapingView TARGET - + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - + FILTER - + Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - + Hz - + Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - + RESO - + Resonance: - 공명: + 공명: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - + FREQ - 주파수 + cutoff frequency: - + Envelopes, LFOs and filters are not supported by the current instrument. - + InstrumentTrack unnamed_track - + Volume - 볼륨 + 볼륨 Panning - 패닝 + Pitch - 피치 + FX channel - FX 채널 + Default preset - 기본 사전 설정 + With this knob you can set the volume of the opened channel. - + Base note - 베이스 박자 + Pitch range - + Master Pitch - + InstrumentTrackView Volume - 볼륨 + 볼륨 Volume: - 볼륨: + 볼륨: VOL - 볼륨 + Panning - 패닝 + Panning: - 패닝: + PAN - 패닝 + MIDI - 미디 + Input - 입력 + 입력 Output - 출력 + 출력 + + + FX %1: %2 + InstrumentTrackWindow GENERAL SETTINGS - 일반 설정 + Instrument volume - 기기 볼륨 + Volume: - 볼륨: + 볼륨: VOL - 볼륨 + Panning - 패닝 + Panning: - 패닝: + PAN - 패닝 + Pitch - 피치 + Pitch: - + cents - + PITCH - 피치 + FX channel - FX 채널 + ENV/LFO - + FUNC - + FX - + MIDI - 미디 + Save preset - 사전 설정 저장 + XML preset file (*.xpf) - XML 사전 설정 파일 (*.xpf) + PLUGIN - 플러그인 + Pitch range (semitones) - + RANGE - 범위 + Save current instrument track settings in a preset file - + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + MISC - 기타 + - + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + + + Knob Set linear - + Set logarithmic - + - Please enter a new value between -96.0 dBV and 6.0 dBV: - -96.0 dBV 과 6.0 dBV 사이 새로운 값을 입력하시오: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between %1 and %2: - %1 과 %2 사이 새로운 값을 입력하시오: + LadspaControl Link channels - 채널 링크 + LadspaControlDialog Link Channels - 채널 링크 + Channel - 채널 + LadspaControlView Link channels - 채널 링크 + Value: - 값: + Sorry, no help available. - 미안합니다. 도움말을 사용할 수 없습니다 + LadspaEffect Unknown LADSPA plugin %1 requested. - 요청된 미지의 LADSPA 플러그인 %1 + LcdSpinBox Please enter a new value between %1 and %2: - %1 과 %2 사이 새로운 값을 입력하시오: + + + + + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + LfoController LFO Controller - LFO 제어기 + Base value - + Oscillator speed - + Oscillator amount - + Oscillator phase - + Oscillator waveform - + Frequency Multiplier - + LfoControllerDialog LFO - + LFO Controller - LFO 제어기 + BASE - 베이스 + Base amount: - 베이스 양: + todo - + SPD - + LFO-speed: - + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - - - - AMT - + Modulation amount: - + Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - + PHS - + Phase offset: - + degrees - + With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Click here for a sine-wave. - + Click here for a triangle-wave. - + 삼각 파형을 위하여 여기를 클릭 Click here for a saw-wave. - 톱니 파형을 위해 여기를 클릭 + 톱니 파형을 위해 여기를 클릭 Click here for a square-wave. - + 사각 파형을 위하여 여기를 클릭 Click here for an exponential wave. - + Click here for white-noise. - 화이트 노이즈를 위해 여기를 클릭 + 화이트 노이즈를 위해 여기를 클릭 Click here for a user-defined shape. Double click to pick a file. - + Click here for a moog saw-wave. - + + + + AMNT + - MainWindow + LmmsCore - Working directory - 작업 폴더 + Generating wavetables + - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - + Initializing data structures + + + Opening audio and midi devices + + + + Launching mixer threads + + + + + MainWindow Could not save config-file - 설정 파일을 저장할 수 없음 + - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. - + &New - 새로(&N) + &Open... - 열기(&O)... + &Save - 저장(&S) + Save &As... - 다른 이름으로 저장(&A)... + Import... - 읽어오기... + E&xport... - 내보내기(&X)... + &Quit - 종료(&Q) + &Edit - 편집(&E) + Settings - 기본설정 + &Tools - 도구(&T) + &Help - 도움말(&H) + Help - 도움말 + What's this? - 이것은 무엇? + About - LMMS란 + Create new project - 새 프로젝트 생성 + Create new project from template - 서식에서 새 프로젝트 생성 + Open existing project - 기존 프로젝트 열기 + Recently opened projects - 최근 열린 프로젝트 + Save current project - 현재 프로젝트 저장 + Export current project - 현재 프로젝트 내보내기 + Song Editor - 노래 편집기 보이기/숨기기 + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - + Beat+Bassline Editor - Beat+Bassline 편집기 보이기/숨기기 + 비트/베이스 라인 편집기 By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - + Piano Roll - 피아노-롤 보이기/숨기기 + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - + Automation Editor - 자동화 편집기 보이기/숨기기 + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - + FX Mixer - FX 믹서 보이기/숨기기 + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - + Project Notes - 프로젝트 박자 보이기/숨기기 + 프로젝트 노트 Click here to show or hide the project notes window. In this window you can put down your project notes. - + Controller Rack - 제어기 랙 보이기/숨기기 + Untitled - 무제 + LMMS %1 - LMMS %1 + Project not saved - 프로젝트 저장 안함 + The current project was modified since last saving. Do you want to save it now? - 마지막 저장 후 현재 프로젝트가 수정되었습니다. 지금 저장하겠습니까? + Help not available - 도움말을 이용할 수 없습니다 + - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. - 현재 LMMS에 사용할 수 있는 도움말이 없습니다. -LMMS 문서는 http://lmms.sf.net/wiki를 방문하세요. + LMMS (*.mmp *.mmpz) - + Version %1 - + Configuration file - + Error while parsing configuration file at line %1:%2: %3 - + Volumes - + Undo - + Redo - - - - LMMS Project - - - - LMMS Project Template - + My Projects - + 내 프로젝트 My Samples - + 내 샘플 My Presets - + 내 사전 설정 My Home - + 내 홈 디렉터리 My Computer - - - - Root Directory - + 내 컴퓨터 &File - + &Recently Opened Projects - + Save as New &Version - + E&xport Tracks... - + Online Help - + What's This? - + Open Project - + Save Project - + + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + 플러그인 탐색기 준비 + + + Preparing file browsers + 파일 탐색기 준비 + + + Root directory + + + + Loading background artwork + + + + New from template + + + + Save as default template + + + + &View + + + + Toggle metronome + + + + Show/hide Song-Editor + + + + Show/hide Beat+Bassline Editor + 비트/베이스 라인 편집기 보이기/숨기기 + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + 프로젝트 노트 보이기/숨기기 + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + MeterDialog Meter Numerator - + Meter Denominator - + TIME SIG - + MeterModel Numerator - + Denominator - - - - - MidiAlsaRaw::setupWidget - - DEVICE - 기기 - - - - MidiAlsaSeq - - DEVICE - 기기 + MidiController MIDI Controller - + unnamed_midi_controller - + MidiImport Setup incomplete - + You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. - + You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - + + + + Track + - MidiOss::setupWidget + MidiJack - DEVICE - 기기 + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + MidiPort Input channel - 입력 채널 + Output channel - + Input controller - 입력 제어기 + Output controller - + Fixed input velocity - + Fixed output velocity - + Output MIDI program - + Receive MIDI-events - + Send MIDI-events - + Fixed output note - + Base velocity - + + + + + MidiSetupWidget + + DEVICE + MonstroInstrument Osc 1 Volume - + Osc 1 Panning - + Osc 1 Coarse detune - + Osc 1 Fine detune left - + Osc 1 Fine detune right - + Osc 1 Stereo phase offset - + Osc 1 Pulse width - + Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 Panning - + Osc 2 Coarse detune - + Osc 2 Fine detune left - + Osc 2 Fine detune right - + Osc 2 Stereo phase offset - + Osc 2 Waveform - + Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 Panning - + Osc 3 Coarse detune - + Osc 3 Stereo phase offset - + Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 Waveform 2 - + Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 Attack - + LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 Attack - + LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Selected view - + Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO2 - + Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO2 - + Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO2 - + Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - 사인 파형 + 사인 파형 Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + White noise - + Digital Triangle wave - + Digital Saw wave - + Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave - 삼각 파형 + 삼각 파형 Saw wave - 톱니 파형 + 톱니 파형 Ramp wave - + Square wave - 사각 파형 + 사각 파형 Moog saw wave - + Abs. sine wave - + Random - 무작위 + Random smooth - + MonstroView Operators view - + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4232,375 +4641,627 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Modulate amplitude of Osc3 with Osc2 - + Modulate frequency of Osc3 with Osc2 - + Modulate phase of Osc3 with Osc2 - + The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + + + + Volume + 볼륨 + + + Panning + + + + Coarse detune + + + + semitones + + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + + + + Rate + 비 + + + Phase + + + + Pre-delay + + + + Hold + + + + Decay + + + + Sustain + + + + Release + + + + Slope + + + + Modulation amount + MultitapEchoControlDialog Length - + Step length: - + Dry - + Dry Gain: - + Stages - + Lowpass stages: - + Swap inputs - + Swap left and right input channel for reflections - + NesInstrument Channel 1 Coarse detune - + Channel 1 Volume - + Channel 1 Envelope length - + Channel 1 Duty cycle - + Channel 1 Sweep amount - + Channel 1 Sweep rate - + Channel 2 Coarse detune - + Channel 2 Volume - + Channel 2 Envelope length - + Channel 2 Duty cycle - + Channel 2 Sweep amount - + Channel 2 Sweep rate - + Channel 3 Coarse detune - + Channel 3 Volume - + Channel 4 Volume - + Channel 4 Envelope length - + Channel 4 Noise frequency - + Channel 4 Noise frequency sweep - + Master volume - 마스터 볼륨 + + + + Vibrato + + + + + NesInstrumentView + + Volume + 볼륨 + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + Vibrato - + OscillatorObject Osc %1 volume - + Osc %1 panning - + Osc %1 coarse detuning - + Osc %1 fine detuning left - + Osc %1 fine detuning right - + Osc %1 phase-offset - + Osc %1 stereo phase-detuning - + Osc %1 wave shape - + Modulation type %1 - + Osc %1 waveform - + Osc %1 harmonic - + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + 뱅크 + + + Program selector + + + + Patch + 패치 + + + Name + 이름 + + + OK + + + + Cancel + PatmanView Open other patch - + Click here to open another patch-file. Loop and Tune settings are not reset. - + Loop - 반복 + Loop mode - + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - + Tune - + Tune mode - + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - + No file selected - + Open patch file - + Patch-Files (*.pat) - + PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - 피아노-롤에서 이 패턴을 열기위해 이중 클릭 -한 단계 볼륨을 설정하기위하여 마우스 휠 사용 - Open in piano-roll 피아노-롤에서 열기 @@ -4615,7 +5276,7 @@ use mouse wheel to set velocity of a step Change name - 이름 변경 + 이름 바꾸기 Add steps @@ -4625,129 +5286,133 @@ use mouse wheel to set velocity of a step Remove steps 단계 제거 + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + PeakController Peak Controller - + Peak Controller Bug - + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + PeakControllerDialog PEAK - + LFO Controller - LFO 제어기 + PeakControllerEffectControlDialog BASE - 베이스 + Base amount: - 베이스 양: + Modulation amount: - + Attack: - + Release: - + AMNT - + MULT - + Amount Multiplicator: - + ATCK - + DCAY - + - TRES - + Treshold: + - Treshold: - + TRSH + PeakControllerEffectControls Base value - + Modulation amount - + Mute output - 무음 출력 + Attack - + Release - + Abs Value - + Amount Multiplicator - + Treshold - + PianoRoll - - Piano-Roll - no pattern - 피아노-롤 - 패턴 없음 - - - Piano-Roll - %1 - 피아노-롤 - %1 - Please open a pattern by double-clicking on it! 이것을 이중 클릭을 함으로서 패턴을 열어주세요. @@ -4762,431 +5427,385 @@ use mouse wheel to set velocity of a step Note Velocity - + Note Panning - + Mark/unmark current semitone - + Mark current scale - + Mark current chord - + Unmark all - + No scale - + No chord - + Velocity: %1% - + Panning: %1% left - + Panning: %1% right - + Panning: center - + Please enter a new value between %1 and %2: - %1 과 %2 사이 새로운 값을 입력하시오: + + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + PianoRollWindow Play/pause current pattern (Space) - 현재 패턴 재생/잠시 중지 (Space) + Record notes from MIDI-device/channel-piano - 미디 기기/채널 피아노에서 박자 기록 + Record notes from MIDI-device/channel-piano while playing song or BB track - 노래 또는 BB 트랙 재생시 미디 기기/채널에서 박자 기록 + Stop playing of current pattern (Space) - 현재 패턴 재생을 중지 (Space) + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - + Click here to stop playback of current pattern. - + Draw mode (Shift+D) - 그리기 모드 (Shift+D) + Erase mode (Shift+E) - 지우기 모드 (Shift+E) + Select mode (Shift+S) - 선택 모드 (Shift+S) + Detune mode (Shift+T) - + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - + Cut selected notes (%1+X) - 선택 박자를 잘라내기 (%1+X) + Copy selected notes (%1+C) - 선택 박자를 복사 (%1+C) + Paste notes from clipboard (%1+V) - 클립보드에서 박자 붙여넣기 (%1+V) + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the notes from the clipboard will be pasted at the first visible measure. - + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + 피아노-롤 - %1 + + + Piano-Roll - no pattern + 피아노-롤 - 패턴 없음 + + + Quantize + PianoView Base note - 베이스 박자 + Plugin Plugin not found - 플러그인 찾을 수 없음 + - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" - 플러그인 "%1" 찾을 수 없어 읽어올 수 없습니다! -이유: "%2" + Error while loading plugin - 플러그인 읽는 중 오류 + Failed to load plugin "%1"! - 플러그인 "%1"을 읽는 중 실패! - - - LMMS plugin %1 does not have a plugin descriptor named %2! - + PluginBrowser - - Instrument plugins - 기기 플러그인 - Instrument browser - 기기 브라우저 + 악기 탐색기 Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - 각 노래 편집기, Beat+Bassline 편집기 또는 기존 기기 트랙으로 끌기 + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + ProjectNotes Project notes - 프로젝트 박자 + 프로젝트 노트 Put down your project notes here. - 프로젝트 박자를 여기에 두시오. + 여기에 프로젝트 노트를 작성하세요. Edit Actions - 작업 편집 + &Undo - 작업 취소(&U) + %1+Z - + &Redo - 작업 재실행(&R) + %1+Y - + &Copy - 복사(&C) + %1+C - + Cu&t - 잘라내기(&T) + %1+X - + &Paste - 붙여넣기(&P) + %1+V - + Format Actions - 형식 작업 + &Bold - 진하게(&B) + %1+B - + &Italic - 기울임(&I) + %1+I - + &Underline - 밑줄(&U) + %1+U - + &Left - 왼쪽(&L) + %1+L - + C&enter - 중앙(&E) + %1+E - + &Right - 오른쪽(&R) + %1+R - + &Justify - 양쪽 배분(&J) + %1+J - + &Color... - 색상(&C)... + ProjectRenderer WAV-File (*.wav) - WAV 파일 (*.wav) + Compressed OGG-File (*.ogg) - 압축 OGG 파일 (*.ogg) - - - - QObject - - C - Note name - - - - Db - Note name - - - - C# - Note name - - - - D - Note name - - - - Eb - Note name - - - - D# - Note name - - - - E - Note name - - - - Fb - Note name - - - - Gb - Note name - - - - F# - Note name - - - - G - Note name - - - - Ab - Note name - - - - G# - Note name - - - - A - Note name - - - - Bb - Note name - - - - A# - Note name - - - - B - Note name - + @@ -5237,423 +5856,470 @@ Reason: "%2" File: %1 - + RenameDialog Rename... - 다른 이름으로... + SampleBuffer Open audio file - 오디오 파일 열기 + Wave-Files (*.wav) - Wave 파일 (*.wav) + OGG-Files (*.ogg) - OGG 파일 (*.ogg) + DrumSynth-Files (*.ds) - DrumSynth 파일 (*.ds) + FLAC-Files (*.flac) - FLAC 파일 (*.flac) + SPEEX-Files (*.spx) - SPEEX 파일 (*.spx) + VOC-Files (*.voc) - VOC 파일 (*.voc) + AIFF-Files (*.aif *.aiff) - AIFF 파일 (*.aif *.aiff) + AU-Files (*.au) - AU 파일 (*.au) + RAW-Files (*.raw) - RAW 파일 (*.raw) + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + SampleTCOView double-click to select sample - 샘플을 선택하기 위하여 이중 클릭 + Delete (middle mousebutton) - 삭제 (중간 마우스버튼) + Cut - 잘라내기 + Copy - 복사 + Paste - 붙여넣기 + Mute/unmute (<%1> + middle click) - 무음/무음해제 (<%1> + 중간 클릭) - - - Set/clear record - 녹음 설정/해제 + SampleTrack Sample track - 샘플 트랙 + Volume - 볼륨 + 볼륨 Panning - 패닝 + SampleTrackView Track volume - 트랙 볼륨 + Channel volume: - 채널 볼륨 + VOL - 볼륨 + Panning - 패닝 + Panning: - 패닝: + PAN - 패닝 + SetupDialog Setup LMMS - LMMS 설정 + General settings - 일반 설정 + BUFFER SIZE - 버퍼 크기 + Reset to default-value - 기본값으로 초기화 + MISC - 기타 + Enable tooltips - 도구 도움말 가능 + Show restart warning after changing settings - 설정 변경후 재실행 경고 보이기 + - Display volume as dBV - dBV로 볼륨 보이기 + Display volume as dBFS + Compress project files per default - 기본 당 프로젝트 파일 압축 + One instrument track window mode - + HQ-mode for output audio-device - 출력 오디오 기기의 HQ 모드 + Compact track buttons - + Sync VST plugins to host playback - + Enable note labels in piano roll - + Enable waveform display by default - + Keep effects running even without input - + Create backup file when saving a project - + LANGUAGE - + Paths - 경로 + LMMS working directory - LMMS 작업 폴더 + VST-plugin directory - VST-플러그인 폴더 - - - Artwork directory - 아트작업 폴더 + Background artwork - 배경 아트워크 - - - FL Studio installation directory - FL Studio 설치 폴더 - - - LADSPA plugin paths - LADSPA 플러그인 폴더 + STK rawwave directory - STK 원시 파형 폴더 + Default Soundfont File - 기본 사운드글꼴 파일 + Performance settings - 실행 설정 + UI effects vs. performance - UI 효과 대 실행 + Smooth scroll in Song Editor - - - - Enable auto save feature - + Show playback cursor in AudioFileProcessor - + Audio settings - 오디오 설정 + AUDIO INTERFACE - 오디오 인터페이스 + MIDI settings - 미디 설정 + MIDI INTERFACE - 미디 인터페이스 + OK - 확인 + Cancel - 취소 + Restart LMMS - LMMS 재실행 + Please note that most changes won't take effect until you restart LMMS! - LMMS 재실행 전까지는 변경이 영향을 미치지 않습니다. + Frames: %1 Latency: %2 ms - - 프레임: %1 -래턴시: %2 ms + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - + Choose LMMS working directory - LMMS 작업 폴더 선택 + Choose your VST-plugin directory - VST 플러그인 폴더 선택 + Choose artwork-theme directory - 아트워크 테마 폴더 선택 - - - Choose FL Studio installation directory - FL Studio 설치 폴더 선택 + Choose LADSPA plugin directory - LADSPA 플러그인 폴더 선택 + Choose STK rawwave directory - STK 원시 파형 폴더 선택 + Choose default SoundFont - 기본 사운드글꼴 선택 + Choose background artwork - 배경 아트워크 선택 + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - 탬포 + Master volume - 마스터 볼륨 + Master pitch - 마스터 피치 + Project saved - 저장된 프로젝트 + The project %1 is now saved. - 프로젝트 %1 이 지금 저장됨. + Project NOT saved. - 프로젝트가 저장 안됨 + The project %1 was not saved! - 프로젝트 %1이 저장되지 않음! + Import file - 파일 읽어오기 + MIDI sequences - 미디 시퀀스 - - - FL Studio projects - FL Studio 프로젝트 + Hydrogen projects - + All file types - + Empty project - 빈 프로젝트 + This project is empty so exporting makes no sense. Please put some items into Song Editor first! - 이 프로젝트가 비어있어 내보내기가 무의미함. 몇 항목을 노래 편집기에 우선 두세요! + Select directory for writing exported tracks... - + untitled - 무제 + Select file for project-export... - 내보내기 위한 프로젝트 파일 선택... + The following errors occured while loading: - + + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + @@ -5669,1139 +6335,1262 @@ Latency: %2 ms Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. - + Error in file - + The file %1 seems to contain errors and therefore can't be loaded. - + Tempo - 탬포 + TEMPO/BPM - 템포/BPM + tempo of song - 노래 템포 + The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - + High quality mode - 고 양질 모드 + Master volume - 마스터 볼륨 + master volume - 마스터 볼륨 + Master pitch - 마스터 피치 + master pitch - 마스터 피치 + Value: %1% - 값: %1% + Value: %1 semitones - 값: %1 세미톤 + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - 노래-편집기 + Play song (Space) - 노래 재생 (Space) + Record samples from Audio-device - 오디오 기기에서 샘플 녹음 + Record samples from Audio-device while playing song or BB track - 노래 재생 또는 BB트랙 동안 오디오 기기에서 샘플 녹음 + Stop song (Space) - 노래 정지 (Space) + Add beat/bassline - beat/bassline 더하기 + Add sample-track - 샘플 트랙 더하기 + Add automation-track - 자동화 트랙 더하기 + Draw mode - 그리기 모드 + Edit mode (select and move) - 편집 모드(선택 및 이동) + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - + + + + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + + + + Track actions + + + + Edit actions + + + + Timeline controls + - Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - + Zoom controls + SpectrumAnalyzerControlDialog Linear spectrum - 선형 스펙트럼 + Linear Y axis - 선형 Y 축 + SpectrumAnalyzerControls Linear spectrum - 선형 스펙트럼 + Linear Y axis - 선형 Y 축 + Channel mode - 채널 모드 + + + + + SubWindow + + Close + + + + Maximize + + + + Restore + TabWidget Settings for %1 - + TempoSyncKnob Tempo Sync - 템포 동기화 + No Sync - 동기화 없음 + Eight beats - 8 비트 + Whole note - 전체 박자 + Half note - 1/2 박자 + Quarter note - 1/4 박자 + 8th note - 1/8 박자 + 16th note - 1/16 박자 + 32nd note - 1/32 박자 + Custom... - 사용자... + Custom - 사용자 + Synced to Eight Beats - 8비트로 동기화 + Synced to Whole Note - 전체 박자로 동기화 + Synced to Half Note - 1/2 박자로 동기화 + Synced to Quarter Note - 1/4 박자로 동기화 + Synced to 8th Note - 1/8 박자로 동기화 + Synced to 16th Note - 1/16 박자로 동기화 + Synced to 32nd Note - 1/32 박자로 동기화 + TimeDisplayWidget click to change time units - + + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + TimeLineWidget Enable/disable auto-scrolling - 자동 스크롤링 가능/불가능 + Enable/disable loop-points - 순환 점 가능/불가능 + After stopping go back to begin - 중지 후 처음으로 뒤로 이동 + After stopping go back to position at which playing was started - 중지 후 재생을 시작한 위치로 뒤로 이동 + After stopping keep position - 중지 후 위치 유지 + Hint - 힌트 + Press <%1> to disable magnetic loop points. - + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + Track Mute - 무음 + Solo - 솔로 + TrackContainer Couldn't import file - 파일을 읽어올 수 없음 + - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. - + Couldn't open file - 파일을 열 수 없음 + - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! - + Loading project... - 프로젝트 읽어오는 중... + Cancel - 취소 + Please wait... - 잠시 기다리세요... + Importing MIDI-file... - 미디 파일 읽어오는 중... - - - Importing FLP-file... - FLP 파일 읽어오는 중... + TrackContentObject - Muted - 무음 + Mute + TrackContentObjectView Current position - 현재 위치 + Hint - 힌트 + Press <%1> and drag to make a copy. - <%1> 누르고 복사본을 만들기 위하여 끌기 + Current length - 현재 길이 + Press <%1> for free resizing. - 자유 크기 재조정하기 위하여 <%1> 누르기 + %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 를 %5:%6 로) + Delete (middle mousebutton) - 삭제 (중간 마우스버튼) + Cut - 잘라내기 + Copy - 복사 + Paste - 붙여넣기 + Mute/unmute (<%1> + middle click) - 무음/무음해제 (<%1> + 중간 클릭) + TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - + Actions for this track - 이 트랙의 작업 + Mute - 무음 + Solo - 솔로 + Mute this track - 이 트랙을 무음 + Clone this track - 이 트랙을 복제 + Remove this track - 이 트랙을 제거 + Clear this track - + FX %1: %2 - + Turn all recording on - + Turn all recording off - + + + + Assign to new FX Channel + TripleOscillatorView Use phase modulation for modulating oscillator 1 with oscillator 2 - + Use amplitude modulation for modulating oscillator 1 with oscillator 2 - + Mix output of oscillator 1 & 2 - + Synchronize oscillator 1 with oscillator 2 - + Use frequency modulation for modulating oscillator 1 with oscillator 2 - + Use phase modulation for modulating oscillator 2 with oscillator 3 - + Use amplitude modulation for modulating oscillator 2 with oscillator 3 - + Mix output of oscillator 2 & 3 - + Synchronize oscillator 2 with oscillator 3 - + Use frequency modulation for modulating oscillator 2 with oscillator 3 - + Osc %1 volume: - Osc %1 볼류: + With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - + Osc %1 panning: - + With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - + Osc %1 coarse detuning: - + semitones - + With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - + Osc %1 fine detuning left: - + cents - + With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 fine detuning right: - + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 phase-offset: - + degrees - + With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Osc %1 stereo phase-detuning: - + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - + Use a sine-wave for current oscillator. - + Use a triangle-wave for current oscillator. - + Use a saw-wave for current oscillator. - + Use a square-wave for current oscillator. - + Use a moog-like saw-wave for current oscillator. - + Use an exponential wave for current oscillator. - + Use white-noise for current oscillator. - + Use a user-defined waveform for current oscillator. - + VersionedSaveDialog Increment version number - + Decrement version number - + + + + already exists. Do you want to replace it? + VestigeInstrumentView Open other VST-plugin - 다른 VST 플러그인 열기 + Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - + Show/hide GUI - GUI 보이기/숨기기 + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - + Turn off all notes - 전체 박자 끄기 + Open VST-plugin - VST 플러그인 열기 + DLL-files (*.dll) - DLL 파일 (*.dll) + EXE-files (*.exe) - EXE 파일 (*.exe) + No VST-plugin loaded - 읽은 VST 플러그인 없음 + Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Save preset - 사전 설정 저장 + Click here, if you want to save current VST-plugin preset program. - + Next (+) - + Click here to select presets that are currently loaded in VST. - + Preset - + by - + - VST plugin control - + VisualizationWidget click to enable/disable visualization of master-output - + Click to enable - + VstEffectControlDialog Show/hide - + Control VST-plugin from LMMS host - + Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Click here, if you want to switch to another VST-plugin preset program. - + Next (+) - + Click here to select presets that are currently loaded in VST. - + Save preset - 사전 설정 저장 + Click here, if you want to save current VST-plugin preset program. - + Effect by: - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + VstPlugin Loading plugin - 플러그인 읽는 중 + 플러그인 읽는 중 Open Preset - + Vst Plugin Preset (*.fxp *.fxb) - + : default - + " - + ' - + Save Preset - + .fxp - + .FXP - + .FXB - + .fxb - + Please wait while loading VST plugin... - + The VST plugin %1 could not be loaded. - + WatsynInstrument Volume A1 - + Volume A2 - + Volume B1 - + Volume B2 - + Panning A1 - + Panning A2 - + Panning B1 - + Panning B2 - + Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph - + WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. - + Load waveform - + Click to load a waveform from a sample file - + Phase left - + Click to shift phase by -15 degrees - + Phase right - + Click to shift phase by +15 degrees - + Normalize - 일반화 + 일반화 Click to normalize - + Invert - + Click to invert - + Smooth - 부드럽게 + 부드럽게 Click to smooth - + Sine wave - 사인 파형 + 사인 파형 Click for sine wave - + Triangle wave - 삼각 파형 + 삼각 파형 Click for triangle wave - + Click for saw wave - + Square wave - 사각 파형 + 사각 파형 Click for square wave - + + + + Volume + 볼륨 + + + Panning + + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + ZynAddSubFxInstrument Portamento - + Filter Frequency - + Filter Resonance - + Bandwidth - + FM Gain - + Resonance Center Frequency - + Resonance Bandwidth - + Forward MIDI Control Change Events - + ZynAddSubFxView Show GUI - + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - + Portamento: - + PORT - + Filter Frequency: - + FREQ - 주파수 + Filter Resonance: - + RES - 해상도 + Bandwidth: - + BW - + FM Gain: - + FM GAIN - + Resonance center frequency: - + RES CF - + Resonance bandwidth: - + RES BW - + Forward MIDI Control Changes - + @@ -6824,35 +7613,35 @@ Please make sure you have read-permission to the file and the directory containi Stutter - + Loopback point - + Loop mode - + Interpolation mode - + None - + Linear - + Sinc - + Sample not found: %1 - + @@ -6910,7 +7699,7 @@ Please make sure you have read-permission to the file and the directory containi Draw your own waveform here by dragging your mouse on this graph. - + Click for a sine-wave. @@ -6941,121 +7730,132 @@ Please make sure you have read-permission to the file and the directory containi dynProcControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + ATTACK - + Peak attack time: - + RELEASE - + Peak release time: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Stereomode Maximum - + Process based on the maximum of both stereo channels - + Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + dynProcControls Input gain - + Output gain - + Attack time - + Release time - + Stereo mode - + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + graphModel Graph - + @@ -7074,39 +7874,39 @@ Please make sure you have read-permission to the file and the directory containi Length - + Distortion Start - + Distortion End - + Envelope Slope - + Noise - 잡음 + 잡음 Click - + Frequency Slope - + Start from note - + End to note - + @@ -7125,31 +7925,31 @@ Please make sure you have read-permission to the file and the directory containi Frequency Slope: - + Envelope Length: - + Envelope Slope: - + Click: - + Noise: - + Distortion Start: - + Distortion End: - + @@ -7164,7 +7964,7 @@ Please make sure you have read-permission to the file and the directory containi Instruments - 기기 + 악기 Analysis Tools @@ -7177,18 +7977,18 @@ Please make sure you have read-permission to the file and the directory containi This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. - + Type: @@ -7234,7 +8034,7 @@ Double clicking any of the plugins will bring up information on the ports. Logarithmic - + SR Dependent @@ -7309,11 +8109,11 @@ Double clicking any of the plugins will bring up information on the ports. Accent - + Dead - + 24dB/oct Filter @@ -7340,7 +8140,7 @@ Double clicking any of the plugins will bring up information on the ports. 303-es-que, 24dB/octave, 3 pole filter - + Slide Decay: @@ -7348,7 +8148,7 @@ Double clicking any of the plugins will bring up information on the ports. DIST: - + Saw wave @@ -7356,7 +8156,7 @@ Double clicking any of the plugins will bring up information on the ports. Click here for a saw-wave. - + 톱니 파형을 위해 여기를 클릭 Triangle wave @@ -7384,11 +8184,11 @@ Double clicking any of the plugins will bring up information on the ports. Moog wave - + Click here for a moog-like wave. - + Sine wave @@ -7404,160 +8204,50 @@ Double clicking any of the plugins will bring up information on the ports. Click here for an exponential wave. - + Click here for white-noise. - + 화이트 노이즈를 위해 여기를 클릭 Bandlimited saw wave - + Click here for bandlimited saw wave. - + Bandlimited square wave - + Click here for bandlimited square wave. - + Bandlimited triangle wave - + Click here for bandlimited triangle wave. - + Bandlimited moog saw wave - + Click here for bandlimited moog saw wave. - - - - - lb303Synth - - VCF Cutoff Frequency - - - - VCF Resonance - - - - VCF Envelope Mod - - - - VCF Envelope Decay - - - - Distortion - 왜곡 - - - Waveform - - - - Slide Decay - - - - Slide - - - - Accent - - - - Dead - - - - 24dB/oct Filter - - - - - lb303SynthView - - Cutoff Freq: - - - - CUT - - - - Resonance: - - - - RES - - - - Env Mod: - - - - ENV MOD - - - - Decay: - - - - DEC - - - - 303-es-que, 24dB/octave, 3 pole filter - - - - Slide Decay: - - - - SLIDE - - - - DIST: - - - - DIST - - - - WAVE: - - - - WAVE - + malletsInstrument Hardness - + Position @@ -7589,11 +8279,11 @@ Double clicking any of the plugins will bring up information on the ports. LFO Depth - + ADSR - + Pressure @@ -7609,11 +8299,11 @@ Double clicking any of the plugins will bring up information on the ports. Bowed - + Spread - + Marimba @@ -7621,86 +8311,78 @@ Double clicking any of the plugins will bring up information on the ports. Vibraphone - + Agogo - + Wood1 - + Reso - + Wood2 - + Beats - + Two Fixed - + Clump - + Tubular Bells - + Uniform Bar - + Tuned Bar - + Glass - + Tibetan Bowl - - - - Missing files - 없는 파일 - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - + malletsInstrumentView Instrument - 기기 + 악기 Spread - + Spread: - + Hardness - + Hardness: - + Position @@ -7712,612 +8394,654 @@ Double clicking any of the plugins will bring up information on the ports. Vib Gain - + Vib Gain: - + Vib Freq - + Vib Freq: - + Stick Mix - + 스틱 믹스 Stick Mix: - + Modulator - + 모듈레이트 Modulator: - + Crossfade - + 크로스페이드 Crossfade: - + LFO Speed - + LFO 속도 LFO Speed: - + LFO Depth - + LFO Depth: - + ADSR - + ADSR: - - - - Bowed - + Pressure - + 압력 Pressure: - - - - Motion - - - - Motion: - + Speed - + 속도 Speed: - + - Vibrato - + Missing files + 없는 파일 - Vibrato: - + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView - VST parameter control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST effect knob-controller window. - + manageVestigeInstrumentView - VST plugin control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST plugin knob-controller window. - + opl2instrument Patch - 패치 + 패치 Op 1 Attack - + Op 1 Decay - + Op 1 Sustain - + Op 1 Release - + Op 1 Level - + Op 1 Level Scaling - + Op 1 Frequency Multiple - + Op 1 Feedback - + Op 1 Key Scaling Rate - + Op 1 Percussive Envelope - + Op 1 Tremolo - + Op 1 Vibrato - + Op 1 Waveform - + Op 2 Attack - + Op 2 Decay - + Op 2 Sustain - + Op 2 Release - + Op 2 Level - + Op 2 Level Scaling - + Op 2 Frequency Multiple - + Op 2 Key Scaling Rate - + Op 2 Percussive Envelope - + Op 2 Tremolo - + Op 2 Vibrato - + Op 2 Waveform - + FM - + Vibrato Depth - + Tremolo Depth - + + + + + opl2instrumentView + + Attack + + + + Decay + + + + Release + + + + Frequency multiplier + organicInstrument Distortion - + 왜곡 Volume - + 볼륨 organicInstrumentView Distortion: - + Volume: - + 볼륨: Randomise - + Osc %1 waveform: - + Osc %1 volume: - + Osc %1 panning: - + cents - + The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + papuInstrument Sweep time - + Sweep direction - + Sweep RtShift amount - + Wave Pattern Duty - + Channel 1 volume - + Volume sweep direction - + Length of each step in sweep - + Channel 2 volume - + Channel 3 volume - + Channel 4 volume - + Right Output level - + Left Output level - + Channel 1 to SO2 (Left) - + Channel 2 to SO2 (Left) - + Channel 3 to SO2 (Left) - + Channel 4 to SO2 (Left) - + Channel 1 to SO1 (Right) - + Channel 2 to SO1 (Right) - + Channel 3 to SO1 (Right) - + Channel 4 to SO1 (Right) - + Treble - + Bass - + Shift Register width - + papuInstrumentView Sweep Time: - + Sweep Time - + Sweep RtShift amount: - + Sweep RtShift amount - + Wave pattern duty: - + Wave Pattern Duty - + Square Channel 1 Volume: - + Length of each step in sweep: - + Length of each step in sweep - + Wave pattern duty - + Square Channel 2 Volume: - + Square Channel 2 Volume - + Wave Channel Volume: - + Wave Channel Volume - + Noise Channel Volume: - + Noise Channel Volume - + SO1 Volume (Right): - + SO1 Volume (Right) - + SO2 Volume (Left): - + SO2 Volume (Left) - + Treble: - + Treble - + Bass: - + Bass - + Sweep Direction - + Volume Sweep Direction - + Shift Register Width - + Channel1 to SO1 (Right) - + Channel2 to SO1 (Right) - + Channel3 to SO1 (Right) - + Channel4 to SO1 (Right) - + Channel1 to SO2 (Left) - + Channel2 to SO2 (Left) - + Channel3 to SO2 (Left) - + Channel4 to SO2 (Left) - + Wave Pattern - + The amount of increase or decrease in frequency - + The rate at which increase or decrease in frequency occurs - + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - + Square Channel 1 Volume - + The delay between step change - + Draw the wave here - + + + + + patchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + 뱅크 + + + Program selector + + + + Patch + 패치 + + + Name + 이름 + + + OK + + + + Cancel + @@ -8328,47 +9052,43 @@ Double clicking any of the plugins will bring up information on the ports. Incomplete monophonic imitation tb303 - + Plugin for freely manipulating stereo output - + Plugin for controlling knobs with sound peaks - + Plugin for enhancing stereo separation of a stereo input file - + List installed LADSPA plugins 설치된 LADSPA 플러그인 목록 - - Filter for importing FL Studio projects into LMMS - - GUS-compatible patch instrument - + Additive Synthesizer for organ-like sounds - + Tuneful things to bang on - + VST-host for using VST(i)-plugins within LMMS - + Vibrating string modeler - + plugin for using arbitrary LADSPA-effects inside LMMS. @@ -8381,7 +9101,7 @@ Double clicking any of the plugins will bring up information on the ports. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. - + Player for SoundFont files @@ -8389,162 +9109,119 @@ This chip was used in the Commodore 64 computer. Emulation of GameBoy (TM) APU - + Customizable wavetable synthesizer - + Embedded ZynAddSubFX - + 2-operator FM Synth - + Filter for importing Hydrogen files into LMMS - + LMMS port of sfxr - + Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - + A native amplifier plugin - + Carla Rack Instrument - + 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + + + + A native delay plugin + Player for GIG files - + A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - + - Dummy (no sound output) - + A Dual filter plugin + - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - - - - WinMM MIDI - - - - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + @@ -8603,7 +9280,7 @@ This chip was used in the Commodore 64 computer. A soundfont %1 could not be loaded. - + @@ -8654,7 +9331,7 @@ This chip was used in the Commodore 64 computer. This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. - + Chorus Lines: @@ -8674,7 +9351,7 @@ This chip was used in the Commodore 64 computer. Open SoundFont file - + SoundFont2 Files (*.sf2) @@ -8685,14 +9362,14 @@ This chip was used in the Commodore 64 computer. sfxrInstrument Wave Form - + sidInstrument Cutoff - + Resonance @@ -8704,7 +9381,7 @@ This chip was used in the Commodore 64 computer. Voice 3 off - + Volume @@ -8727,7 +9404,7 @@ This chip was used in the Commodore 64 computer. Cutoff frequency: - + High-Pass filter @@ -8743,75 +9420,75 @@ This chip was used in the Commodore 64 computer. Voice3 Off - + MOS6581 SID - + MOS8580 SID - + Attack: - + Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - + Decay: - + 감쇄: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - + Sustain: - + Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - + Release: - + The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - + Pulse Width: - + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - + Coarse: - + The Coarse detuning allows to detune Voice %1 one octave up or down. - + Pulse Wave - + Triangle Wave - + SawTooth - + Noise @@ -8823,7 +9500,7 @@ This chip was used in the Commodore 64 computer. Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - + Ring-Mod @@ -8831,7 +9508,7 @@ This chip was used in the Commodore 64 computer. Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - + Filtered @@ -8839,7 +9516,7 @@ This chip was used in the Commodore 64 computer. When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - + Test @@ -8847,7 +9524,7 @@ This chip was used in the Commodore 64 computer. Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - + @@ -8921,31 +9598,31 @@ This chip was used in the Commodore 64 computer. vibed String %1 volume - + String %1 stiffness - + Pick %1 position - + Pickup %1 position - + Pan %1 - + Detune %1 - + Fuzziness %1 - + Length %1 @@ -8953,11 +9630,11 @@ This chip was used in the Commodore 64 computer. Impulse %1 - + Octave %1 - + @@ -8968,15 +9645,15 @@ This chip was used in the Commodore 64 computer. The 'V' knob sets the volume of the selected string. - + String stiffness: - + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - + Pick position: @@ -8984,39 +9661,39 @@ This chip was used in the Commodore 64 computer. The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - + Pickup position: - + The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - + Pan: - + The Pan knob determines the location of the selected string in the stereo field. - + Detune: - + The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - + Fuzziness: - + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - + Length: @@ -9024,158 +9701,158 @@ This chip was used in the Commodore 64 computer. The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - + Impulse or initial state - + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - + Octave - + The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - + Impulse Editor Impulse 편집기 - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. - + - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. - + Enable waveform - + Click here to enable/disable waveform. - + String - + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - + Sine wave - + 사인 파형 Triangle wave - + 삼각 파형 Saw wave - + 톱니 파형 Square wave - + 사각 파형 White noise wave - + 화이트 노이즈 파형 User defined wave - + 사용자 정의 파형 Smooth - + 부드럽게 Click here to smooth waveform. - + 파형을 부드럽게 하기 위하여 여기를 클릭 Normalize - + 일반화 Click here to normalize waveform. - + Use a sine-wave for current oscillator. - + Use a triangle-wave for current oscillator. - + Use a saw-wave for current oscillator. - + Use a square-wave for current oscillator. - + Use white-noise for current oscillator. - + Use a user-defined waveform for current oscillator. - + voiceObject Voice %1 pulse width - + Voice %1 attack - + Voice %1 decay - + Voice %1 sustain - + Voice %1 release - + Voice %1 coarse detuning - + Voice %1 wave shape @@ -9202,70 +9879,70 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase graph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease graph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Clip input - + Clip input signal to 0dB - + waveShaperControls Input gain - + Output gain - + - + \ No newline at end of file diff --git a/data/locale/nl.ts b/data/locale/nl.ts index 20e063048cf..c59d559e3cc 100644 --- a/data/locale/nl.ts +++ b/data/locale/nl.ts @@ -1,4229 +1,4670 @@ - - - + AboutDialog About LMMS - + Over LMMS Version %1 (%2/%3, Qt %4, %5) - + Versie %1 (%2/%3, Qt %4, %5) About - Over + Over LMMS - easy music production for everyone - + LMMS - eenvoudige muziekproductie voor iedereen Authors - + Auteurs Translation - + Vertaling Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! - + Nederlandse vertaling door: + +Thomas De Rocker (RockyTDR) +Koen Stroobants (kstr) +Carlo Tas (caLRo) + +Als u interesse heeft om LMMS naar een andere taal te vertalen, of als u de bestaande vertalingen wilt verbeteren, dan mag u ons zeker helpen! Contacteer de beheerder! + +https://www.transifex.com/lmms/teams/61632/nl/ License - + Licentie - Copyright (c) 2004-2014, LMMS developers - + LMMS + LMMS - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - + Involved + Betrokken - LMMS - + Contributors ordered by number of commits: + Bijdragers, geordend volgens het aantal commits: - Involved - + Copyright © %1 + Auteursrecht © %1 - Contributors ordered by number of commits: - + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog VOL - + VOL Volume: - Volume: + Volume: PAN - + PAN Panning: - + Panning: LEFT - + LINKS Left gain: - + Linker versterking: RIGHT - + RECHTS Right gain: - + Rechter versterking: AmplifierControls Volume - Volume + Volume Panning - + Panning Left gain - + Linker versterking Right gain - + Rechter versterking - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE - APPARAAT + APPARAAT CHANNELS - KANALEN + KANALEN AudioFileProcessorView Open other sample - Andere sample openen + Andere sample openen Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - + Klik hier als u een ander audiobestand wilt openen. Er verschijnt een dialoogvenster waarin u het bestand kunt selecteren. Instellingen zoals herhaalmodus, begin- en eindpunten, waarde van versterking enzovoort worden niet hersteld. Dus, het klinkt misschien niet zoals de originele sample. Reverse sample - Sample omdraaien + Sample omdraaien If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - Met deze knop word de sample achterste voren gespeeld. Dit is goed bruikbaar voor leuke effecten, zoals een 'reversed crash'. + Als u deze knop inschakelt, wordt de hele sample omgekeerd. Dit is bruikbaar voor leuke effecten, zoals een 'reversed crash'. Amplify: - Versterking: + Versterken: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - + Met deze knop kunt u de versterkingsratio instellen. Wanneer u een waarde van 100 % instelt, wordt uw sample niet gewijzigd. Anders wordt hij omhoog of omlaag versterkt (het eigenlijke sample-bestand wordt niet aangeraakt!) Startpoint: - Startpunt: + Beginpunt: Endpoint: - Eindpunt: + Eindpunt: Continue sample playback across notes - + Doorgaan met afspelen van sample tussen noten Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - + Inschakelen van deze optie laat de sample doorspelen tussen verschillende noten - als u de toonhoogte wijzigt, of de noot-lengte stopt voor het einde van de sample, dan zal de volgende afgespeelde noot doorgaan waar de vorige gebleven was. Om het afspelen te herstellen naar het begint van de sample, voegt u een noot toe onderaan het toetsenbord (< 20 Hz) Disable loop - + Herhalen uitschakelen This button disables looping. The sample plays only once from start to end. - + Deze knop schakelt herhalen uit. De sample speelt slechts één keer van begin tot einde. Enable loop - + Herhalen inschakelen This button enables forwards-looping. The sample loops between the end point and the loop point. - + Deze knop schakelt voorwaarts-herhalen in. De sample herhaalt tussen het eindpunt en het herhaalpunt. This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + Deze knop schakelt ping-pong-herhalen in. De sample herhaalt achteruit en vooruit tussen het eindpunt en het herhaalpunt. With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + Met deze knop kunt u het punt instellen waar AudioFileProcessor moet beginnen met het afspelen van uw sample. With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + Met deze knop kunt u het punt instellen waar AudioFileProcessor moet stoppen met het afspelen van uw sample. Loopback point: - + Herhaalpunt: With this knob you can set the point where the loop starts. - + Met deze knop kunt u het punt instellen waar de herhaling begint. AudioFileProcessorWaveView Sample length: - + Sample-lengte: AudioJack JACK client restarted - + JACK-client opnieuw gestart LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. - + LMMS werd er om een of andere reden door JACK afgegooid. Daarom werd de JACK-backend van LMMS opnieuw gestart. U zult manueel verbindingen opnieuw moeten maken. JACK server down - + JACK-server is offline The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - + De JACK-server lijkt afgesloten te zijn en het starten van een nieuwe instantie is mislukt. Daarom kan LMMS niet doorgaan. U slaat best uw project op en herstart JACK en LMMS. CLIENT-NAME - CLIENT-NAAM + CLIENT-NAAM CHANNELS - KANALEN + KANALEN AudioOss::setupWidget DEVICE - APPARAAT + APPARAAT CHANNELS - KANALEN + KANALEN AudioPortAudio::setupWidget BACKEND - + BACKEND DEVICE - APPARAAT + APPARAAT AudioPulseAudio::setupWidget DEVICE - APPARAAT + APPARAAT CHANNELS - KANALEN + KANALEN AudioSdl::setupWidget DEVICE - APPARAAT + APPARAAT + + + + AudioSndio::setupWidget + + DEVICE + APPARAAT + + + CHANNELS + KANALEN + + + + AudioSoundIo::setupWidget + + BACKEND + BACKEND + + + DEVICE + APPARAAT AutomatableModel &Reset (%1%2) - &Herstellen (%1%2) + &Herstellen (%1%2) &Copy value (%1%2) - Waarde &kopieren (%1%2) + Waarde &kopiëren (%1%2) &Paste value (%1%2) - Waarde &plakken (%1%2) + Waarde &plakken (%1%2) Edit song-global automation - + Song-globale automatisering bewerken Connected to %1 - + Verbonden met %1 Connected to controller - + Verbonden met controller Edit connection... - + Verbinding bewerken... Remove connection - + Verbinding verwijderen Connect to controller... - + Verbinden met controller... Remove song-global automation - + Song-globale automatisering verwijderen Remove all linked controls - + Alle gelinkte controls verwijderen AutomationEditor Please open an automation pattern with the context menu of a control! - Open aub een automation pattern met het context menu van een controller! + Open een automatiseringspatroon met het contextmenu van een control! Values copied - Waarden gekopieerd + Waarden gekopieerd All selected values were copied to the clipboard. - Alle geselecteerde waarden zijn naar het klembord gekopieerd. + Alle geselecteerde waarden zijn naar het klembord gekopieerd. AutomationEditorWindow Play/pause current pattern (Space) - Huidige pattern afspelen/pauseren (Spatie) + Huidig patroon afspelen/pauzeren (Spatie) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - + Klik hier als u het huidige patroon wilt afspelen. Dit is handig tijdens het bewerken. Het patroon wordt automatisch herhaald wanneer het einde bereikt wordt. Stop playing of current pattern (Space) - Afspelen huidige pattern stoppen (Spatie) + Stoppen met afspelen van huidig patroon (Spatie) Click here if you want to stop playing of the current pattern. - + Klik hier als u het afspelen van het huidig patroon wilt stoppen. Draw mode (Shift+D) - Teken modus (Shift+D) + Tekenmodus (Shift+D) Erase mode (Shift+E) - Wis modus (Shift+E) + Wissen-modus (Shift+E) Flip vertically - + Verticaal omdraaien Flip horizontally - + Horizontaal omdraaien Click here and the pattern will be inverted.The points are flipped in the y direction. - + Klik hier en het patroon zal geïnverteerd worden. De punten worden in de y-richting omgedraaid. Click here and the pattern will be reversed. The points are flipped in the x direction. - + Klik hier en het patroon zal omgedraaid worden. De punten worden in de x-richting omgedraaid. Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - + Klik hier en de tekenmodus zal ingeschakeld worden. In deze modus kunt u enkelvoudige waarden toevoegen en verplaatsen. Dit is de standaardmodus die het merendeel van de tijd gebruikt wordt. U kunt ook 'Shift+D' drukken op uw toetsenbord om deze modus in te schakelen. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - + Klik hier en de verwijdermodus zal ingeschakeld worden. In deze modus kunt u enkelvoudige waarden verwijderen. U kunt ook 'Shift+E' drukken op uw toetsenbord om deze modus in te schakelen. Discrete progression - + Discrete progressie Linear progression - + Lineaire progressie Cubic Hermite progression - + Kubische Hermite-progressie Tension value for spline - + Spanningswaarde voor spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Een hogere spanningswaarde kan een vlakkere curve maken maar een aantal waarden overschrijden. Een lage spanningswaarde zal de helling van de curve laten afvlakken bij elk controlepunt. Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - + Klik hier om discrete progressies te kiezen voor dit automatiseringspatroon. De waarde van het verbonden object zal constant blijven tussen controlepunten en onmiddellijk ingesteld worden op de nieuwe waarde wanneer elk controlepunt bereikt wordt. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - + Klik hier om lineaire progressies te kiezen voor dit automatiseringspatroon. De waarde van het verbonden object zal gestaag over de tijd veranderen tussen controlepunten om de correcte waarde op elk controlepunt te bereiken zonder plotselinge verandering. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - + Klik hier om kubische hermite-progressies te kiezen voor dit automatiseringspatroon. De waarde van het verbonden object zal wijzigen in een gladde curve en in de pieken en dalen bewegen. Cut selected values (%1+X) - Knip geselecteerde waarden (%1+X) + Geselecteerde waardes knippen (%1+X) Copy selected values (%1+C) - Kopieer geselecteerde waarden (%1+C) + Geselecteerde waardes kopiëren (%1+C) Paste values from clipboard (%1+V) - + Waardes van het klembord plakken (%1+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Klik hier en de geselecteerde waarden zullen geplakt worden naar het klembord. U kunt ze overal in om het even welk patroon plakken door te klikken op de "plakken"-knop. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Klik hier en geselecteerde waarden zullen gekopieerd worden naar het klembord. U kunt ze overal in om het even welk patroon plakken door te klikken op de 'plakken'-knop. Click here and the values from the clipboard will be pasted at the first visible measure. - + Klik hier en de waarden van het klembord zullen worden geplakt op de eerste zichtbare maat. Tension: - + Spanning: Automation Editor - no pattern - Automation-Editor - geen Pattern + Automatisering-editor - geen patroon Automation Editor - %1 - Automation-Editor - %1 + Automatisering-editor - %1 + + + Edit actions + Bewerking-acties + + + Interpolation controls + Interpolatiebediening + + + Timeline controls + Tijdlijnbediening + + + Zoom controls + Zoombediening + + + Quantization controls + Kwantisatiebediening + + + Model is already connected to this pattern. + Model is reeds verbonden met dit patroon. AutomationPattern Drag a control while pressing <%1> - - - - Model is already connected to this pattern. - + Sleep een bediening tijdens indrukken van <%1> AutomationPatternView double-click to open this pattern in automation editor - + dubbelklikken om dit patroon te openen in automatisering-editor Open in Automation editor - + Openen in automatisering-editor Clear - + Wissen Reset name - Naam herstellen + Naam herstellen Change name - + Naam wijzigen %1 Connections - + %1 verbindingen Disconnect "%1" - + Verbinding verbreken met "%1" Set/clear record - + Opnemen instellen/wissen Flip Vertically (Visible) - + Verticaal omdraaien (zichtbaar) Flip Horizontally (Visible) - + Horizontaal omdraaien (zichtbaar) + + + Model is already connected to this pattern. + Model is reeds verbonden met dit patroon. AutomationTrack Automation track - + Automatisering-track BBEditor Beat+Bassline Editor - Beat+Bassline Editor + Beat- en baslijn-editor Play/pause current beat/bassline (Space) - Huidige beat/bassline afspelen/pauseren (Spatie) + Huidige beat/baslijn afspelen/pauzeren (Spatie) Stop playback of current beat/bassline (Space) - + Afspelen van huidige beat/baslijn stoppen (Spatie) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - + Klik hier om de huidige beat/baslijn af te spelen. De beat/baslijn wordt automatisch herhaald wanneer het einde bereikt wordt. Click here to stop playing of current beat/bassline. - + Klik hier om het afspelen van de huidige beat/baslijn te stoppen. Add beat/bassline - Beat/Bassline toevoegen + Beat/baslijn toevoegen Add automation-track - + Automatisering-track toevoegen Remove steps - Steps verwijderen + Stappen verwijderen Add steps - Steps toevoegen + Stappen toevoegen + + + Beat selector + Beat-selector + + + Track and step actions + Track- en stap-acties + + + Clone Steps + Stappen klonen + + + Add sample-track + Sample-track toevoegen BBTCOView Open in Beat+Bassline-Editor - In Beat+Bassline-Editor openen + In beat- en baslijn-editor openen Reset name - Naam herstellen + Naam herstellen Change name - + Naam wijzigen Change color - Kleur veranderen + Kleur veranderen Reset color to default - + Kleur herstellen naar standaard BBTrack Beat/Bassline %1 - Beat/Bassline %1 + Beat/baslijn %1 Clone of %1 - + Kloon van %1 BassBoosterControlDialog FREQ - + FREQ Frequency: - + Frequentie: GAIN - + GAIN Gain: - + Gain: RATIO - + RATIO Ratio: - + Ratio: BassBoosterControls Frequency - + Frequentie Gain - + Gain Ratio - + Ratio BitcrushControlDialog IN - + IN OUT - + UIT GAIN - + GAIN Input Gain: - + Invoer-gain: NOIS - + NOIS Input Noise: - + Invoer-ruis: Output Gain: - + Uitvoer-gain: CLIP - + CLIP Output Clip: - + Uitvoer-clip: Rate - + Ratio Rate Enabled - + Ratio ingeschakeld Enable samplerate-crushing - + Samplerate-crushing inschakelen Depth - + Diepte Depth Enabled - + Diepte ingeschakeld Enable bitdepth-crushing - + Bitdiepte-crushing inschakelen Sample rate: - + Samplerate: STD - + STD Stereo difference: - + Stereo-verschil: Levels - + Niveaus Levels: - + Niveaus CaptionMenu &Help - &Help + &Help Help (not available) - + Help (niet beschikbaar) CarlaInstrumentView Show GUI - + GUI weergeven Click here to show or hide the graphical user interface (GUI) of Carla. - + Klik hier om de grafische gebruikersinterface (GUI) van Carla weer te geven of te verbergen. Controller Controller %1 - + Controller %1 ControllerConnectionDialog Connection Settings - + Verbindingsinstellingen MIDI CONTROLLER - + MIDI-CONTROLLER Input channel - Ingang kanaal + Invoerkanaal CHANNEL - KANAAL + KANAAL Input controller - + Invoercontroller CONTROLLER - + CONTROLLER Auto Detect - + Automatisch detecteren MIDI-devices to receive MIDI-events from - MIDI-apparaat voor ontvangen van MIDI-events + MIDI-apparaten om MIDI-events van te ontvangen USER CONTROLLER - + GEBRUIKER CONTROLLER MAPPING FUNCTION - + MAPPING-FUNCTIE OK - OK + Ok Cancel - Annuleren + Annuleren LMMS - + LMMS Cycle Detected. - + Cyclus gedetecteerd. ControllerRackView Controller Rack - + Controller-rack Add - + Toevoegen Confirm Delete - + Verwijderen bevestigen - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + Verwijderen bevestigen? Er zijn bestaande verbindingen geassocieerd met deze controller. Er is geen manier om dit ongedaan te maken. ControllerView Controls - + Besturingen Controllers are able to automate the value of a knob, slider, and other controls. - + Controllers kunnen de waarde van een knop of schuif en andere bedieningen automatiseren. Rename controller - + Naam controller wijzigen Enter the new name for this controller - + Nieuwe naam voor deze controller opgeven - &Remove this plugin - + &Remove this controller + Deze controller ve&rwijderen + + + Re&name this controller + &Naam van deze controller wijzigen + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 1/2 crossover: Band 2/3 Crossover: - + Band 2/3 crossover: Band 3/4 Crossover: - + Band 3/4 crossover: Band 1 Gain: - + Band 1 gain: Band 2 Gain: - + Band 2 gain: Band 3 Gain: - + Band 3 gain: Band 4 Gain: - + Band 4 gain: Band 1 Mute - + Band 1 gedempt Mute Band 1 - + Band 1 dempen Band 2 Mute - + Band 2 gedempt Mute Band 2 - + Band 2 dempen Band 3 Mute - + Band 3 gedempt Mute Band 3 - + Band 3 dempen Band 4 Mute - + Band 4 gedempt Mute Band 4 - + Band 4 dempen DelayControls Delay Samples - + Samples vertragen Feedback - + Feedback Lfo Frequency - + Lfo-frequentie Lfo Amount - + Lfo-hoeveelheid + + + Output gain + Uitvoer-gain DelayControlsDialog - Delay - + Lfo Amt + Lfo hvh Delay Time - + Delay-tijd - Regen - + Feedback Amount + Feedback-hoeveelheid - Feedback Amount - + Lfo + Lfo - Rate - + Out Gain + Uitvoer-gain - Lfo - + Gain + Gain - Lfo Amt - + DELAY + DELAY + + + FDBK + FDBK + + + RATE + RATIO - - - DetuningHelper - Note detuning - + AMNT + HVHD DualFilterControlDialog Filter 1 enabled - + Filter 1 ingeschakeld Filter 2 enabled - + Filter 2 ingeschakeld Click to enable/disable Filter 1 - + Klikken om filter 1 in/uit te schakelen Click to enable/disable Filter 2 - + Klikken om filter 2 in/uit te schakelen + + + FREQ + FREQ + + + Cutoff frequency + Cutoff-frequentie + + + RESO + RESO + + + Resonance + Resonantie + + + GAIN + GAIN + + + Gain + Gain + + + MIX + MIX + + + Mix + Mix DualFilterControls Filter 1 enabled - + Filter 1 ingeschakeld Filter 1 type - + Filter 1 type Cutoff 1 frequency - + Cutoff-frequentie 1 Q/Resonance 1 - + Q/Resonantie 1 Gain 1 - + Gain 1 Mix - + Mix Filter 2 enabled - + Filter 2 ingeschakeld Filter 2 type - + Filter 2 type Cutoff 2 frequency - + Cutoff-frequentie 2 Q/Resonance 2 - + Q/Resonantie 2 Gain 2 - + Gain 2 LowPass - LowPass + LowPass HiPass - HiPass + HiPass BandPass csg - Bandpass csg + BandPass csg BandPass czpg - Bandpass czpg + Bandpass czpg Notch - Notch + Notch Allpass - Allpass + Allpass Moog - Moog + Moog 2x LowPass - 2x LowPass + 2 x LowPass RC LowPass 12dB - + RC LowPass 12 dB RC BandPass 12dB - + RC BandPass 12dB RC HighPass 12dB - + RC HighPass 12 dB RC LowPass 24dB - + RC LowPass 24 dB RC BandPass 24dB - + RC BandPass 24 dB RC HighPass 24dB - + RC HighPass 24 dB Vocal Formant Filter - + Stemvormingsfilter 2x Moog - + 2 x Moog SV LowPass - + SV LowPass SV BandPass - + SV BandPass SV HighPass - + SV HighPass SV Notch - + SV Notch Fast Formant - + Snel vormend Tripole - - - - - DummyEffect - - NOT FOUND - + Tripole Editor Play (Space) - + Afspelen (spatie) Stop (Space) - + Stoppen (spatie) Record - + Opnemen Record while playing - + Opnemen tijdens afspelen + + + Transport controls + Afspeelbediening Effect Effect enabled - + Effect ingeschakeld Wet/Dry mix - + Wet/dry-mix Gate - + Gate Decay - + Decay EffectChain Effects enabled - + Effecten ingeschakeld EffectRackView EFFECTS CHAIN - + EFFECT-CHAIN Add effect - + Effect toevoegen EffectSelectDialog Add effect - + Effect toevoegen + + + Name + Naam - Plugin description - + Type + Type + + + Description + Beschrijving + + + Author + Auteur EffectView Toggles the effect on or off. - + Schakelt het effect in of uit. On/Off - + Aan/uit W/D - + W/D Wet Level: - + Wet-niveau: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - + De wet/dry-knop stelt de ratio tussen het invoersignaal en het effectsignaal in die de uitvoer vormen. DECAY - + DECAY Time: - + Tijd: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - + De decay-knop regelt hoeveel stilte-buffers moeten passeren voordat de plugin stopt met verwerken. Kleinere waarden zullen de cpu-overhead verminderen maar lopen het risico van het afknippen van de staart van delay- en reverb-effecten. GATE - GATE + GATE Gate: - + Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - + De gate-knop bedient het signaalniveau dat beschouwd wordt als 'stilte' tijdens het beslissen van wanneer te stoppen met verwerken van signalen. Controls - + Besturingen Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. - + Effect-plugins functioneren als een ketting van effecten waar het signaal verwerkt zal worden van boven naar onder. + +De aan/uit-schakelaar laat u toe om een bepaalde plugin op elk moment te omzeilen (bypass). + +De wet/dry-knop bedient de balans tussen het invoersignaal en het effectsignaal dat de resulterende uitvoer is van het effect. De invoer voor het stadium is de uitvoer van het vorige stadium. Dus, het droog ('dry') signaal voor effecten lager in de ketting bevat alle vorige effecten. + +De decay-knop bedient hoe lang het signaal zal blijven verwerkt worden nadat de noten vrijgelaten zijn. Het effect zal stoppen met verwerken van signalen wanneer het volume onder een bepaalde grens gezakt is voor een bepaalde tijd. Deze knop stelt de 'bepaalde tijd' in. Langere tijden zullen meer cpu vereisen, dus dit getal wordt voor de meeste effecten best laag ingesteld. Het moet verhoogd worden voor effecten die lange periodes van stilte produceren, bijvoorbeeld delays. + +De gate-knop bedient de 'bepaalde grens' voor het automatisch afsluiten van het effect. De klok voor de 'bepaalde tijd' zal beginnen zodra het niveau van het verwerkte signaal onder het niveau komt dat opgegeven wordt met deze knop. + +De bedieningen-knop opent een dialoog voor het bewerken van de parameters van het effect. + +Rechtsklikken zal een contextmenu laten verschijnen waar u de volgorde kunt wijzigen waarin de effecten verwerkt worden of een effect kunt verwijderen. Move &up - + Om&hoog verplaatsen Move &down - + Om&laag verplaatsen &Remove this plugin - + Deze plugin ve&rwijderen EnvelopeAndLfoParameters Predelay - + Predelay Attack - + Attack Hold - + Hold Decay - + Decay Sustain - + Sustain Release - + Release Modulation - + Modulatie LFO Predelay - + LFO Predelay LFO Attack - + LFO Attack LFO speed - + LFO-snelheid LFO Modulation - + LFO-modulatie LFO Wave Shape - + LFO wave shape Freq x 100 - Freq x 100 + Freq x 100 Modulate Env-Amount - Moduleer Env-Intensiteit + Moduleren env-intensiteit EnvelopeAndLfoView DEL - DEL + DEL Predelay: - Predelay: + Predelay: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - Gebruik deze knop om de attack-tijd van de huidige envelope in te stellen. Dit is de tijd die nodig is totdat de envelope zijn maximale waarde heeft bereikt. + Gebruik deze knop om de predelay van de huidige envelope in te stellen. Hoe groter deze waarde, hoe langer de tijd voor de start van de eigenlijke envelope. ATT - ATT + ATT Attack: - Attack: + Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - Gebruik deze knop om de attack-tijd van de huidige envelope in te stellen. Dit is de tijd welke de envelope nodig heeft om aan zijn maximale waarde te komen. Kies een korte tijd voor bv. piano's en een lange tijd voor bv. strijkers. + Gebruik deze knop om de attack-tijd van de huidige envelope in te stellen. Hoe groter deze waarde, hoe langer de envelope nodig heeft om naar het attack-niveau toe te nemen. Kies een kleine waarde voor instrumenten zoals piano's en een grote waarde voor strings. HOLD - HOLD + HOLD Hold: - Hold: + Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - Gebruik deze knop voor het instellen van de hold-tijd van de huidige LFO. Hoe groter de waarde, hoe groter het effect van de LFO op zijn doel heeft (bv. volume, cutoff-frequentie). + Gebruik deze knop om de hold-tijd van de huidige envelope in te stellen. Hoe groter deze waarde, hoe langer de envelope het attack-niveau aanhoudt voordat hij begint te verminderen naar sustain-niveau. DEC - DEC + DEC Decay: - Decay: + Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - Gebruik deze knop om de decay-tijd van de huidige envelope in te stellen. Dit is de tijd die nodig is om van het maximale attack-niveau naar het sustain-niveau te gaan. Voor bv. piano moet je een lage waarde kiezen. + Gebruik deze knop om de decay-tijd van de huidige envelope in te stellen. Hoe groter deze waarde, hoe langer de envelope nodig heeft om te verminderen van attack-niveau naar sustain-niveau. Kies een kleine waarde voor instrumenten zoals piano's. SUST - SUST + SUST Sustain: - Sustain: + Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - Gebruik deze knop om het sustain-niveau van de huidige envelope in te stellen. Dit is de waarde van de envelope welke word aangehouden zolang de noot aanhoud. + Gebruik deze knop om het sustain-niveau van de huidige envelope in te stellen. Hoe groter deze waarde, hoe hoger het niveau waarop de envelope blijft voordat hij naar nul gaat. REL - REL + REL Release: - Release: + Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - Gebruik deze knop om de release-tijd van de huidige envelope in te stellen. Dit is de tijd die de envelope nodig heeft om van sustain-niveau weer naar nul te gaan. Kies een grote waarde voor bijvoorbeeld strijkers. + Gebruik deze knop om de release-tijd van de huidige envelope in te stellen. Hoe groter deze waarde, hoe langer de envelope nodig heeft om te verminderen van sustain-niveau naar nul. Kies een grote waarde voor zachte instrumenten zoals strings. AMT - AMT + INT Modulation amount: - Modulatie-intensiteit: + Modulatie-intensiteit: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - Gebruik deze knop om de modulatiewaarde voor de huidige envelope in te stellen. Hoe groter de waarde, hoe meer het gewenste doel (bv. volume of cutoff-frequentie) word beinvloed door de envelope. + Gebruik deze knop om de hoeveelheid modulatie van de huidige envelope in te stellen. Hoe groter deze waarde, hoe meer de overeenkomstige grootte (bijvoorbeeld volume of cutoff-frequentie) zal beïnvloed worden door deze envelope. LFO predelay: - + LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - Gebruik deze knop om de predelay-tijd van de huidige LFO in te stellen. Hoe groter de waarde, hoe langer het duurt voordat de LFO begint te oscilleren. + Gebruik deze knop om de predelay-tijd van de huidige LFO in te stellen. Hoe groter deze waarde, hoe langer de tijd voordat de LFO start met oscilleren. LFO- attack: - + LFO-attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - Gebruik deze knop om de attack-tijd van de huidige LFO in te stellen. Hoe groter de waarde, hoe langer het duurt voordat de LFO aan zijn maximaal ingestelde waarde komt. + Gebruik deze knop om de attack-tijd van de huidige LFO in te stellen. Hoe groter deze waarde, hoe langer de LFO nodig heeft om zijn amplitude naar het maximum te brengen. SPD - SPD + SPD LFO speed: - + LFO-snelheid: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - Gebruik deze knop voor het instellen van de LFO-snelheid. Hoe groter de waarde, hoe sneller de LFO oscilleerd en hoe sneller het effect is. + Gebruik deze knop om de snelheid van de huidige LFO in te stellen. Hoe groter deze waarde, hoe sneller de LFO oscilleert en hoe sneller uw effect zal zijn. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - Gebruik deze knop voor het instellen van de modulatiewaarde ven de huidige LFO. Hoe groter de waarde, hoe groter het effect van de LFO op zijn doel heeft (bv. volume, cutoff-frequentie). + Gebruik deze knop om de hoeveelheid modulatie van de huidige LFO in te stellen. Hoe groter deze waarde, hoe meer de geselecteerde grootte (bijvoorbeeld volume of cutoff-frequentie) zal beïnvloed worden door deze LFO. Click here for a sine-wave. - + Klik hier voor een sinusgolf. Click here for a triangle-wave. - + Klik hier voor een driehoeksgolf. Click here for a saw-wave for current. - + Klik hier voor een zaagtandgolf. Click here for a square-wave. - + Klik hier voor een blokgolf. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - + Klik hier voor een aangepaste golf. Sleep nadien een overeenkomstig samplebestand op de LFO-grafiek. FREQ x 100 - FREQ x 100 + FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. - + Klik hier als de frequentie van deze LFO vermenigvuldigd moet worden met 100. multiply LFO-frequency by 100 - + LFO-frequentie vermenigvuldigen met 100 MODULATE ENV-AMOUNT - MODULEER-ENV-INTENS + ENV-INTENSITEIT MOD Click here to make the envelope-amount controlled by this LFO. - Klik hier, om de envelope-waarde door de LFO te laten regelen. + Klik hier om de envelope-hoeveelheid door deze LFO te laten regelen. control envelope-amount by this LFO - envelope-waarde door LFO regelen + envelope-hoeveelheid bedienen met deze LFO ms/LFO: - ms/LFO: + ms/LFO: Hint - Tip + Tip Drag a sample from somewhere and drop it in this window. - Sleep een willekeurige sample en plaats hem in dit venster. + Sleep een sample van ergens en plaats hem in dit venster. Click here for random wave. - + Klik hier voor een willekeurige golf. EqControls Input gain - + Invoer-gain Output gain - + Uitvoer-gain Low shelf gain - + Low shelf gain Peak 1 gain - + Piek 1 gain Peak 2 gain - + Piek 2 gain Peak 3 gain - + Piek 3 gain Peak 4 gain - + Piek 4 gain High Shelf gain - + High shelf gain HP res - + HP-res Low Shelf res - + Low shelf res Peak 1 BW - + Piek 1 BW Peak 2 BW - + Piek 2 BW Peak 3 BW - + Piek 3 BW Peak 4 BW - + Piek 4 BW High Shelf res - + High shelf res LP res - + LP-res HP freq - + HP-freq Low Shelf freq - + Low shelf freq Peak 1 freq - + Piek 1 freq Peak 2 freq - + Piek 2 freq Peak 3 freq - + Piek 3 freq Peak 4 freq - + Piek 4 freq High shelf freq - + High shelf freq LP freq - + LP-freq HP active - + HP actief Low shelf active - + Low shelf actief Peak 1 active - + Piek 1 actief Peak 2 active - + Piek 2 actief Peak 3 active - + Piek 3 actief Peak 4 active - + Piek 4 actief High shelf active - + High shelf actief LP active - + LP actief LP 12 - + LP 12 LP 24 - + LP 24 LP 48 - + LP 48 HP 12 - + HP 12 HP 24 - + HP 24 HP 48 - + HP 48 low pass type - + lowpass-type high pass type - + highpass-type + + + Analyse IN + IN analyseren + + + Analyse OUT + UIT analyseren EqControlsDialog HP - + HP Low Shelf - + Low shelf Peak 1 - + Piek 1 Peak 2 - + Piek 2 Peak 3 - + Piek 3 Peak 4 - + Piek 4 High Shelf - + High shelf LP - + LP In Gain - + Invoer-gain Gain - + Gain Out Gain - + Uitvoer-gain Bandwidth: - + Bandbreedte: Resonance : - + Resonantie: Frequency: - + Frequentie: - 12dB - + lp grp + lp grp - 24dB - + hp grp + hp grp - 48dB - + Octave + Octaaf + + + EqHandle - lp grp - + Reso: + Reso: - hp grp - + BW: + BW: - - - EqParameterWidget - Hz - + Freq: + Freq: ExportProjectDialog Export project - + Project exporteren Output - + Uitvoer File format: - + Bestandsformaat: Samplerate: - + Samplerate: 44100 Hz - + 44100 Hz 48000 Hz - + 48000 Hz 88200 Hz - + 88200 Hz 96000 Hz - + 96000 Hz 192000 Hz - + 192000 Hz Bitrate: - + Bitrate: 64 KBit/s - + 64 kbit/s 128 KBit/s - + 128 kbit/s 160 KBit/s - + 160 kbit/s 192 KBit/s - + 192 kbit/s 256 KBit/s - + 256 kbit/s 320 KBit/s - + 320 kbit/s Depth: - + Diepte: 16 Bit Integer - + 16-bit integer 32 Bit Float - + 32-bit float Please note that not all of the parameters above apply for all file formats. - + Merk op dat niet alle bovenstaande parameters op alle bestandsformaten van toepassing zijn. Quality settings - + Kwaliteitsinstellingen Interpolation: - + Interpolatie: Zero Order Hold - + Zero order hold Sinc Fastest - + Sinc snelst Sinc Medium (recommended) - + Sinc medium (aanbevolen) Sinc Best (very slow!) - + Sinc best (zeer traag!) Oversampling (use with care!): - + Oversampling (wees voorzichtig!): 1x (None) - + 1x (geen) 2x - + 2x 4x - + 4x 8x - + 8x Start - + Starten Cancel - Annuleren + Annuleren Export as loop (remove end silence) - + Exporteren als loop (eindstilte verwijderen) Export between loop markers - + Exporteren tussen loopmarkeringen Could not open file - Kan bestand niet openen - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - + Kan bestand niet openen Export project to %1 - Exporteer project naar %1 + Project exporteren naar %1 Error - + Fout Error while determining file-encoder device. Please try to choose a different output format. - + Fout bij vaststellen van bestands-encoder-apparaat. Probeer een ander uitvoerformaat te kiezen. Rendering: %1% - + Renderen: %1 % + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - Voer aub. een waarde in tussen %1 en %2 in: + Voer een nieuwe waarde in tussen %1 en %2: FileBrowser Browser - + Verkenner FileBrowserTreeWidget Send to active instrument-track - - - - Open in new instrument-track/Song-Editor - + Naar actieve instrument-track zenden Open in new instrument-track/B+B Editor - + In nieuwe instrument-track/B+B-editor openen Loading sample - + Sample laden Please wait, loading sample for preview... - + Even geduld, sample laden voor voorbeeld... --- Factory files --- - + --- Factory-bestanden --- + + + Open in new instrument-track/Song Editor + In nieuwe instrument-track/song-editor openen + + + Error + Fout + + + does not appear to be a valid + lijkt niet geldig te zijn + + + file + bestand FlangerControls Delay Samples - + Samples vertragen Lfo Frequency - + Lfo-frequentie Seconds - + Seconden Regen - + Regen Noise - + Ruis Invert - + Inverteren FlangerControlsDialog - Delay - + Delay Time: + Delay-tijd: - Delay Time: - + Feedback Amount: + Feedback-hoeveelheid: - Lfo Hz - + White Noise Amount: + Hoeveelheid witte ruis: - Lfo: - + DELAY + DELAY - Amt - + RATE + RATIO - Amt: - + Rate: + Ratio: - Regen - + AMNT + HVHD - Feedback Amount: - + Amount: + Hoeveelheid: - Noise - + FDBK + FDBK - White Noise Amount: - + NOISE + NOISE + + + Invert + Inverteren FxLine Channel send amount - + Hoeveelheid kanaal-send The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Het FX-kanaal ontvangt invoer van een of meerdere instrument-tracks. +Het kanaal op zijn beurt kan doorgestuurd worden naar meerdere andere FX-kanalen. LMMS zorgt automatisch voor het voorkomen van oneindige loops en staat niet toe dat een verbinding gemaakt wordt die zou resulteren in een oneindige loop. + +Om het kanaal naar een ander kanaal door te sturen, selecteert u het FX-kanaal en klikt u op de "send"-knop op het kanaal waarnaar u wilt zenden. De knop onder de send-knop bedient de hoeveelheid signaal die naar het kanaal gezonden wordt. + +U kunt FX-kanalen verwijderen en verplaatsen in het contextmenu, dat toegankelijk is door op het FX-kanaal te rechtsklikken. + Move &left - + &Links verplaatsen Move &right - + &Rechts verplaatsen Rename &channel - + &Kanaal hernoemen R&emove channel - + Kanaal v&erwijderen Remove &unused channels - + Ongebr&uikte kanalen verwijderen FxMixer Master - + Master FX %1 - + FX %1 FxMixerView - - Rename FX channel - - - - Enter the new name for this FX channel - - FX-Mixer - + FX-mixer FX Fader %1 - + FX-fader %1 Mute - Dempen + Dempen Mute this FX channel - + Dit FX-kanaal dempen Solo - + Solo Solo FX channel - + Solo FX-kanaal FxRoute Amount to send from channel %1 to channel %2 - + Te zenden hoeveelheid van kanaal %1 naar kanaal %2 GigInstrument Bank - + Bank Patch - + Patch Gain - + Gain GigInstrumentView Open other GIG file - + Ander GIG-bestand openen Click here to open another GIG file - + Klik hier om een ander GIG-bestand te openen Choose the patch - + Patch kiezen Click here to change which patch of the GIG file to use - + Klik hier om te wijzigen welke patch van het GIG-bestand te gebruiken Change which instrument of the GIG file is being played - + Wijzigen welk instrument van het GIG-bestand gespeeld wordt Which GIG file is currently being used - + Welk GIG-bestand op dit moment gebruikt wordt Which patch of the GIG file is currently being used - + Welke patch van het GIG-bestand op dit moment gebruikt wordt Gain - + Gain Factor to multiply samples by - + Factor om samples mee te vermenigvuldigen Open GIG file - + GIG-bestand openen GIG Files (*.gig) - + GIG-bestanden (*.gig) + + + + GuiApplication + + Working directory + Werkmap + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + De LMMS-werkmap %1 bestaat niet. Nu aanmaken? U kunt de map later wijzigen via Bewerken -> Instellingen. + + + Preparing UI + UI voorbereiden + + + Preparing song editor + Song-editor voorbereiden + + + Preparing mixer + Mixer voorbereiden + + + Preparing controller rack + Controller-rack voorbereiden + + + Preparing project notes + Projectnotities voorbereiden + + + Preparing beat/bassline editor + Beat- en baslijn-editor voorbereiden + + + Preparing piano roll + Piano-roll voorbereiden + + + Preparing automation editor + Automatisering-editor voorbereiden InstrumentFunctionArpeggio Arpeggio - + Arpeggio Arpeggio type - Arpeggio soort + Arpeggio type Arpeggio range - Arpeggio bereik + Arpeggio bereik Arpeggio time - Arpeggio tijd + Arpeggio tijd Arpeggio gate - Arpeggio gate + Arpeggio gate Arpeggio direction - Arpeggio richting + Arpeggio richting Arpeggio mode - Arpeggio modus + Arpeggio modus Up - + Omhoog Down - + Omlaag Up and down - + Omhoog en omlaag Random - + Willekeurig Free - Vrij + Vrij Sort - Gesorteerd + Sorteren Sync - Synchroon + Sync Down and up - + Omlaag en omhoog + + + Skip rate + Skip-ratio + + + Miss rate + Miss-ratio + + + Cycle steps + Stappen doorlopen InstrumentFunctionArpeggioView ARPEGGIO - ARPEGGIO + ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - + Een arpeggio is een methode om (vooral tokkel-) instrumenten te bespelen, wat de muziek veel levendiger maakt. De snaren van zo'n instrumenten (bijv. harp) worden getokkeld als akkoorden. Het enige verschil is dat dit op een opeenvolgende manier wordt gedaan, zodat de noten niet tegelijkertijd worden bespeeld. Typische arpeggio's zijn majeur- en mineur-drieklanken, maar er zijn veel andere mogelijke akkoorden die u kunt selecteren. RANGE - BEREIK + BEREIK Arpeggio range: - Arpeggio bereik: + Arpeggio bereik: octave(s) - oktave(n) + octa(af)(ven) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - + Gebruik deze knop om het bereik van de arpeggio in octaven in te stellen. De geselecteerde arpeggio zal binnen het opgegeven aantal octaven gespeeld worden. TIME - TIJD + TIJD Arpeggio time: - Arpeggio tijd: + Arpeggio tijd: ms - ms + ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - Gebruik deze knop om de arpeggio-tijd in miliseconden in te stellen. De arpeggio-tijd geeft aan hoe lang elke noot binnen de arpeggio gespeeld moet worden. + Gebruik deze knop om de arpeggio-tijd in milliseconden in te stellen. De arpeggio-tijd geeft aan hoe lang elke arpeggio-toon gespeeld moet worden. GATE - GATE + GATE Arpeggio gate: - Arpeggio gate: + Arpeggio gate: % - % + % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - + Gebruik deze knop om de arpeggio gate in te stellen. De arpeggio gate geeft het percentage van een hele arpeggio-toon aan dat gespeeld moet worden. Hiermee kunt u coole staccato arpeggio's maken. Chord: - + Akkoord: Direction: - Richting: + Richting: Mode: - Modus: + Modus: + + + SKIP + SKIP + + + Skip rate: + Skip-ratio: + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + De skip-functie zal de arpeggiator één willekeurige stap laten pauzeren. Vanaf haar begin in volledig linkse positie en geen effect zal ze gradueel voortgaan tot volledig geheugenverlies op maximale instelling. + + + MISS + MISS + + + Miss rate: + Miss-ratio: + + + The miss function will make the arpeggiator miss the intended note. + De miss-functie zal de arpeggiator de bedoelde noot laten missen. + + + CYCLE + DOORL + + + Cycle notes: + Noten doorlopen: + + + note(s) + no(o)t(en) + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + Springt over n stappen in de arpeggio en loopt rond als we over het nootbereik zijn. Als het totale nootbereik evenredig deelbaar is door het aantal overgeslagen stappen zult u vastraken in een kortere arpeggio of zelfs op een noot. InstrumentFunctionNoteStacking octave - oktaaf + octaaf Major - Majeur + Majeur Majb5 - Majb5 + Majb5 minor - mineur + mineur minb5 - minb5 + minb5 sus2 - sus2 + sus2 sus4 - sus4 + sus4 aug - aug + aug augsus4 - augsus4 + augsus4 tri - tri + tri 6 - 6 + 6 6sus4 - 6sus4 + 6sus4 6add9 - madd9 + 6add9 m6 - m6 + m6 m6add9 - m6add9 + m6add9 7 - 7 + 7 7sus4 - 7sus4 + 7sus4 7#5 - 7#5 + 7#5 7b5 - 7b5 + 7b5 7#9 - 7#9 + 7#9 7b9 - 7b9 + 7b9 7#5#9 - 7#5#9 + 7#5#9 7#5b9 - 7#5b9 + 7#5b9 7b5b9 - 7b5b9 + 7b5b9 7add11 - 7add11 + 7add11 7add13 - 7add13 + 7add13 7#11 - 7#11 + 7#11 Maj7 - Maj7 + Maj7 Maj7b5 - Maj7b5 + Maj7b5 Maj7#5 - Maj7#5 + Maj7#5 Maj7#11 - Maj7#11 + Maj7#11 Maj7add13 - Maj7add13 + Maj7add13 m7 - m7 + m7 m7b5 - m7b5 + m7b5 m7b9 - m7b9 + m7b9 m7add11 - m7add11 + m7add11 m7add13 - m7add13 + m7add13 m-Maj7 - m-Maj7 + m-Maj7 m-Maj7add11 - m-Maj7add11 + m-Maj7add11 m-Maj7add13 - m-Maj7add13 + m-Maj7add13 9 - 9 + 9 9sus4 - 9sus4 + 9sus4 add9 - add9 + add9 9#5 - 9#5 + 9#5 9b5 - 9b5 + 9b5 9#11 - 9#11 + 9#11 9b13 - 9b13 + 9b13 Maj9 - Maj9 + Maj9 Maj9sus4 - Maj9sus4 + Maj9sus4 Maj9#5 - Maj9#5 + Maj9#5 Maj9#11 - Maj9#11 + Maj9#11 m9 - m9 + m9 madd9 - madd9 + madd9 m9b5 - m9b5 + m9b5 m9-Maj7 - m9-Maj7 + m9-Maj7 11 - 11 + 11 11b9 - 11b9 + 11b9 Maj11 - Maj11 + Maj11 m11 - m11 + m11 m-Maj11 - m-Maj11 + m-Maj11 13 - 13 + 13 13#9 - 13#9 + 13#9 13b9 - 13b9 + 13b9 13b5b9 - 13b5b9 + 13b5b9 Maj13 - Maj13 + Maj13 m13 - m13 + m13 m-Maj13 - m-Maj13 + m-Maj13 Harmonic minor - Harmonisch mineur + Harmonisch mineur Melodic minor - Melodisch mineur + Melodisch mineur Whole tone - Hele noot + Hele toon Diminished - Vermindert + Verminderd Major pentatonic - Pentatonisch majeur + Pentatonisch majeur Minor pentatonic - Pentatonisch mineur + Pentatonisch mineur Jap in sen - + Jap in sen Major bebop - Majeur bebop + Majeur bebop Dominant bebop - Dominante Bebop + Dominante bebop Blues - Blues + Blues Arabic - Arabisch + Arabisch Enigmatic - Enigmatisch + Enigmatisch Neopolitan - Neopolitanisch + Neopolitanisch Neopolitan minor - Neopolitanisches mineur + Neopolitanisch mineur Hungarian minor - Zigeunermineur + Hongaarse mineur Dorian - Dorian + Dorisch Phrygolydian - Phrygisch + Frygolydisch Lydian - Lydisch + Lydisch Mixolydian - Mixolydisch + Mixolydisch Aeolian - Aeolian + Eolisch Locrian - Locrisch + Locrisch Chords - + Akkoorden Chord type - Akkoord soort + Akkoordsoort Chord range - Akkoord bereik + Akkoordbereik Minor - + Mineur Chromatic - + Chromatisch Half-Whole Diminished - + Half-heel verminderd 5 - + 5 + + + Phrygian dominant + Frygisch dominant + + + Persian + Persisch InstrumentFunctionNoteStackingView RANGE - BEREIK + BEREIK Chord range: - Akkoord bereik: + Akkoordbereik: octave(s) - oktave(n) + Octaaf (octaven) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. - + Gebruik deze knop om het akkoordbereik in octaven in te stellen. Het geselecteerde akkoord zal binnen het opgegeven aantal octaven gespeeld worden. STACKING - + STAPELEN Chord: - + Akkoord: InstrumentMidiIOView ENABLE MIDI INPUT - + MIDI-INVOER INSCHAKELEN CHANNEL - KANAAL + KANAAL VELOCITY - + SNELHEID ENABLE MIDI OUTPUT - + MIDI-UITVOER INSCHAKELEN PROGRAM - + PROGRAM MIDI devices to receive MIDI events from - + MIDI-apparaten om MIDI-events van te ontvangen MIDI devices to send MIDI events to - + MIDI-apparaten om MIDI-events naar te zenden NOTE - + NOOT CUSTOM BASE VELOCITY - + AANGEPASTE BASISSNELHEID Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + Geef de snelheid-normalisatiebasis voor MIDI-gebaseerde instrumenten op bij 100 % nootsnelheid BASE VELOCITY - + BASISSNELHEID InstrumentMiscView MASTER PITCH - + MASTER-TOONHOOGTE Enables the use of Master Pitch - + Schakelt het gebruik van master-toonhoogte in InstrumentSoundShaping VOLUME - + VOLUME Volume - Volume + Volume CUTOFF - CUTOFF + CUTOFF Cutoff frequency - + Cutoff-frequentie RESO - + RESO Resonance - + Resonantie Envelopes/LFOs - + Envelopes/LFO's Filter type - Filtersoort + Filtersoort Q/Resonance - Q/Resonantie + Q/Resonantie LowPass - LowPass + Lowpass HiPass - HiPass + Hipass BandPass csg - Bandpass csg + BandPass csg BandPass czpg - Bandpass czpg + Bandpass czpg Notch - Notch + Notch Allpass - Allpass + Allpass Moog - Moog + Moog 2x LowPass - 2x LowPass + 2 x LowPass RC LowPass 12dB - + RC LowPass 12dB RC BandPass 12dB - + RC BandPass 12dB RC HighPass 12dB - + RC HighPass 12 dB RC LowPass 24dB - + RC LowPass 24 dB RC BandPass 24dB - + RC BandPass 24 dB RC HighPass 24dB - + RC HighPass 24 dB Vocal Formant Filter - + Stemvormingsfilter 2x Moog - + 2 x Moog SV LowPass - + SV LowPass SV BandPass - + SV BandPass SV HighPass - + SV HighPass SV Notch - + SV Notch Fast Formant - + Snel vormend Tripole - + Tripole InstrumentSoundShapingView TARGET - DOEL + DOEL These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - + Deze tabs bevatten envelopes. Ze zijn zeer belangrijk voor het wijzigen van een geluid, omdat ze bijna altijd nodig zijn voor subtractieve synthese. Bijvoorbeeld als u een volume-envelope heeft, kunt u instellen wanneer het geluid een bepaald volume moet hebben. Als u zachte strings wilt creëren, dan moet uw geluid heel zacht in- en uitfaden. Dit kan gedaan worden door grote attack- en release-tijden in te stellen. Het is hetzelfde voor andere envelope-doelen zoals panning, cutoff-frequentie voor de gebruikte filter enzovoort. Speel ermee! U kunt echt coole geluiden maken uit een zaagtandgolf met gewoon wat envelopes...! FILTER - FILTER + FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - Hier kun je een ingebouwd filter selecteren, welke je in dit kanaal kunt gebruiken. Filters zijn zeer belangrijk om het karakter van een geluid te veranderen. + Hier kunt u de ingebouwde filter selecteren die u wilt gebruiken voor deze instrument-track. Filters zijn heel belangrijk voor het wijzigen van de karakteristieken van een geluid. Hz - Hz + Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - + Gebruik deze knop om de cutoff-frequentie voor de geselecteerde filter in te stellen. De cutoff-frequentie geeft de frequentie op voor het afsnijden van het signaal door een filter. Bijvoorbeeld een lowpass-filter snijdt alle frequenties weg boven de cutoff-frequentie. Een highpass-filter snijdt alle frequenties weg onderde cutoff-frequentie, enzovoort... RESO - + RESO Resonance: - + Resonantie: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - + Gebruik deze knop om de Q/resonantie voor de geselecteerde filter in te stellen. Q/resonantie zegt de filter hoeveel hij frequenties dicht bij de cutoff-frequentie moet versterken. FREQ - + FREQ cutoff frequency: - + cutoff-frequentie: Envelopes, LFOs and filters are not supported by the current instrument. - + Envelopes, LFO's en filters worden niet ondersteund door het huidige instrument. InstrumentTrack unnamed_track - + naamloze_track Volume - Volume + Volume Panning - + Panning Pitch - + Toonhoogte FX channel - FX-Kanaal + FX-kanaal Default preset - + Standaard preset With this knob you can set the volume of the opened channel. - Met deze knop kun je het volume van het geopende kanaal instellen. + Met deze knop kunt u het volume van het geopende kanaal instellen. Base note - Grandtoon + Grondtoon Pitch range - + Toonhoogte-bereik Master Pitch - + Master-toonhoogte InstrumentTrackView Volume - Volume + Volume Volume: - Volume: + Volume: VOL - + VOL Panning - + Panning Panning: - + Panning: PAN - + PAN MIDI - MIDI + MIDI Input - + Invoer Output - + Uitvoer + + + FX %1: %2 + FX %1: %2 InstrumentTrackWindow GENERAL SETTINGS - + ALGEMENE INSTELLINGEN Instrument volume - + Instrument-volume Volume: - Volume: + Volume: VOL - + VOL Panning - + Panning Panning: - + Panning: PAN - + PAN Pitch - + Toonhoogte Pitch: - + Toonhoogte: cents - + cents PITCH - + TOONHOOGTE FX channel - FX-Kanaal + FX-kanaal ENV/LFO - + ENV/LFO FUNC - + FUNC FX - + FX MIDI - MIDI + MIDI Save preset - + Preset opslaan XML preset file (*.xpf) - + XML-presetbestand (*.xpf) PLUGIN - PLUGIN + PLUGIN Pitch range (semitones) - + Toonhoogte-bereik (semitones) RANGE - BEREIK + BEREIK Save current instrument track settings in a preset file - + Huidige instrument-track-instellingen opslaan in een presetbestand Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + Klik hier als u de huidige instrument-track-instellingen wilt opslaan in een presetbestand. Later kunt u deze preset laden door erop te dubbelklikken in de preset-browser. MISC - VERSCHILLENDE INSTELLINGEN + VARIA + + + Use these controls to view and edit the next/previous track in the song editor. + Gebruik deze bedieningen om de volgende/vorige track in de song-editor weer te geven en te bewerken. + + + SAVE + OPSLAAN Knob Set linear - + Lineair instellen Set logarithmic - + Logaritmisch instellen - Please enter a new value between -96.0 dBV and 6.0 dBV: - Voer aub. een waarde tussen -96.0 dBV en 6.0 dBV in: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Voer een nieuwe waarde in tussen -96,0 dBFS en 6,0 dBFS: Please enter a new value between %1 and %2: - Voer aub. een waarde in tussen %1 en %2 in: + Voer een nieuwe waarde in tussen %1 en %2: LadspaControl Link channels - + Kanalen koppelen LadspaControlDialog Link Channels - + Kanalen koppelen Channel - + Kanaal LadspaControlView Link channels - + Kanalen koppelen Value: - + Waarde: Sorry, no help available. - + Sorry, geen hulp beschikbaar. LadspaEffect Unknown LADSPA plugin %1 requested. - + Onbekende LADSPA-plugin %1 opgevraagd. LcdSpinBox Please enter a new value between %1 and %2: - Voer aub. een waarde in tussen %1 en %2 in: + Voer een nieuwe waarde in tussen %1 en %2: + + + + LeftRightNav + + Previous + Vorige + + + Next + Volgende + + + Previous (%1) + Vorige (%1) + + + Next (%1) + Volgende (%1) LfoController LFO Controller - + LFO-controller Base value - + Basiswaarde Oscillator speed - + Oscillatorsnelheid Oscillator amount - + Hoeveelheid oscillator Oscillator phase - + Oscillator-fase Oscillator waveform - + Oscillator-golfvorm Frequency Multiplier - + Frequentievermenigvuldiger LfoControllerDialog LFO - + LFO LFO Controller - + LFO-controller BASE - + BASIS Base amount: - + Basishoeveelheid: todo - + tedoen SPD - SPD + SPD LFO-speed: - LFO-snelheid: + LFO-snelheid: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - - - - AMT - AMT + Gebruik deze knop om de snelheid van de LFO in te stellen. Hoe groter deze waarde, hoe sneller de LFO oscilleert en hoe sneller het effect. Modulation amount: - Modulatie-intensiteit: + Hoeveelheid modulatie: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - + Gebruik deze knop om de hoeveelheid modulatie van de LFO in te stellen. Hoe groter deze waarde, hoe meer de verbonden bediening (bijvoorbeeld volume of cutoff-frequentie) zal beïnvloed worden door de LFO. PHS - + PHS Phase offset: - + Faseverschuiving: degrees - graden + graden With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Met deze knop kunt u de faseverschuiving van de LFO instellen. Dat betekent dat u het punt binnen een oscillatie kunt verplaatsen waar de oscillator begint met oscilleren. Als u bijvoorbeeld een sinusgolf heeft en een faseverschuiving van 180 graden, dan zal de golf eerst naar beneden gaan. Idem voor een blokgolf. Click here for a sine-wave. - + Klik hier voor een sinusgolf. Click here for a triangle-wave. - + Klik hier voor een driehoeksgolf. Click here for a saw-wave. - + Klik hier voor een zaagtandgolf. Click here for a square-wave. - + Klik hier voor een blokgolf. Click here for an exponential wave. - + Klik hier voor een exponentiële golf. Click here for white-noise. - + Klik hier voor witte ruis. Click here for a user-defined shape. Double click to pick a file. - + Klik hier voor een aangepaste vorm. +Dubbelklikken om een bestand te selecteren. Click here for a moog saw-wave. - + Klik hier voor een moog-zaagtandgolf. + + + AMNT + HVHD - MainWindow + LmmsCore - Working directory - + Generating wavetables + Wavetables genereren - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - + Initializing data structures + Datastructuren initialiseren - Could not save config-file - Kan config-bestand opslaan + Opening audio and midi devices + Audio- en midi-apparaten openen - Could not save configuration file %1. You're probably not permitted to write to this file. -Please make sure you have write-access to the file and try again. - + Launching mixer threads + Mixer-threads starten - + + + MainWindow + + Could not save config-file + Kon config-bestand niet opslaan + + + Could not save configuration file %1. You're probably not permitted to write to this file. +Please make sure you have write-access to the file and try again. + Kon configuratiebestand %1 niet opslaan. U heeft waarschijnlijk geen toestemming om naar dit bestand te schrijven. +Verzeker u ervan dat u schrijfbevoegdheid heeft voor het bestand en probeer het opnieuw. + + &New - &Nieuw + &Nieuw &Open... - &Openen... + &Openen... &Save - Op&slaan + Op&slaan Save &As... - Opslaan &als... + Opslaan &als... Import... - + Importeren... E&xport... - + E&xporteren... &Quit - &Afsluiten + &Afsluiten &Edit - &Bewerken + &Bewerken Settings - + Instellingen &Tools - + &Tools &Help - &Help + &Help Help - Help + Help What's this? - Wat is dit? + Wat is dit? About - Over + Over Create new project - Nieuw project aanmaken + Nieuw project aanmaken Create new project from template - + Nieuw project van sjabloon aanmaken Open existing project - Open bestaand project + Bestaand project openen Recently opened projects - + Recent geopende projecten Save current project - Sla huidig project op + Huidig project opslaan Export current project - Exporteer huidig project + Huidig project exporteren Song Editor - Toon/Verberg Song-Bewerker + Song-editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - + Door op deze knop te drukken, kunt u de song-editor weergeven of verbergen. Met behulp van de song-editor kunt u de song-afspeellijst bewerken en opgeven wanneer welke track afgespeeld moet worden. U kunt ook samples (bijvoorbeeld rap-samples) rechtstreeks invoegen en verplaatsen in de afspeellijst. Beat+Bassline Editor - Toon/Verberg Beat+Bassline Bewerker + Beat- en baslijn-editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - + Door deze knop in te drukken, kunt u de beat- en baslijn-editor weergeven of verbergen. De beat- en baslijn-editor is nodig voor het aanmaken van beats en voor het openen, toevoegen en verwijderen van kanalen, voor het knippen, kopiëren en plakken van beat- en baslijnpatronen, en voor andere vergelijkbare zaken. Piano Roll - Toon/Verberg Piano-Roll + Piano-roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - + Klik hier om de piano-roll weer te geven of te verbergen. Met behulp van de piano-roll kunt u melodieën op een eenvoudige manier bewerken. Automation Editor - Toon/verberg Automation Editor + Automatisering-editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - + Klik hier om de automatisering-editor weer te geven of te verbergen. Met behulp van de automatisering-editor kunt u dynamische waardes op een eenvoudige manier bewerken. FX Mixer - + FX-mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - + Klik hier om de FX-mixer weer te geven of te verbergen. De FX-mixer is een krachtige tool voor het beheren van effecten voor uw song. U kunt effecten invoegen in verschillende effect-kanalen. Project Notes - Toon/Verberg Project notities + Projectnotities Click here to show or hide the project notes window. In this window you can put down your project notes. - + Klik hier om het projectnotities-venster weer te geven of te verbergen. In dit venster kunt u uw projectnotities neerzetten. Controller Rack - + Controller-rack Untitled - + Naamloos LMMS %1 - LMMS %1 + LMMS %1 Project not saved - Project niet opgeslagen + Project niet opgeslagen The current project was modified since last saving. Do you want to save it now? - Het huidige project is gewijzigd sinds de laatste keer dat het is opgeslagen. Wil je het nu opslaan? + Het huidige project was gewijzigd sinds de laatste keer dat het opgeslagen werd. Wilt u het nu opslaan? Help not available - Hulp niet beschikbaar + Hulp niet beschikbaar - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. - + Er is op dit moment geen hulp beschikbaar in LMMS. +Bezoek http://lmms.sf.net/wiki voor documentatie over LMMS. LMMS (*.mmp *.mmpz) - + LMMS (*.mmp *.mmpz) Version %1 - + Versie %1 Configuration file - + Configuratiebestand Error while parsing configuration file at line %1:%2: %3 - + Fout bij verwerken van configuratiebestand op regel %1:%2: %3 Volumes - + Volumes Undo - + Ongedaan maken Redo - - - - LMMS Project - - - - LMMS Project Template - + Opnieuw My Projects - + Mijn projecten My Samples - + Mijn samples My Presets - + Mijn presets My Home - + Mijn home My Computer - - - - Root Directory - + Mijn computer &File - + &Bestand &Recently Opened Projects - + &Recent geopende projecten Save as New &Version - + Opslaan als nieuwe &versie E&xport Tracks... - + Tracks e&xporteren... Online Help - + Online help What's This? - + Wat is dit? Open Project - + Project openen Save Project - + Project opslaan + + + Project recovery + Projectherstel + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + Er is een herstelbestand aanwezig. Het lijkt alsof de laatste sessie niet goed afgesloten is of een andere instantie van LMMS al uitgevoerd wordt. Wilt u het project van deze sessie herstellen? + + + Recover + Herstellen + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + Bestand herstellen. Gelieve niet meerdere instanties van LMMS uit te voeren wanneer u dit doet. + + + Ignore + Negeren + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + Start LMMS zoals gebruikelijk, maar met automatische back-up uitgeschakeld om te voorkomen dat het huidige herstelbestand overschreven wordt. + + + Discard + Verwerpen + + + Launch a default session and delete the restored files. This is not reversible. + Start een standaard sessie en verwijder de herstelde bestanden. Dit is onomkeerbaar. + + + Preparing plugin browser + Plugin-browser voorbereiden + + + Preparing file browsers + Bestandsbrowsers voorbereiden + + + Root directory + Root-map + + + Loading background artwork + Achtergrondafbeelding laden + + + New from template + Nieuw van sjabloon + + + Save as default template + Opslaan als standaard-sjabloon + + + &View + Weerge&ven + + + Toggle metronome + Metronoom in-/uitschakelen + + + Show/hide Song-Editor + Song-editor weergeven/verbergen + + + Show/hide Beat+Bassline Editor + Beat- en baslijn-editor weergeven/verbergen + + + Show/hide Piano-Roll + Piano-roll weergeven/verbergen + + + Show/hide Automation Editor + Automatisering-editor weergeven/verbergen + + + Show/hide FX Mixer + FX-mixer weergeven/verbergen + + + Show/hide project notes + Projectnotities weergeven/verbergen + + + Show/hide controller rack + Controller-rack weergeven/verbergen + + + Recover session. Please save your work! + Sessie herstellen. Sla uw werk op! + + + Automatic backup disabled. Remember to save your work! + Automatische backup uitgeschakeld. Denk eraan om uw werk op te slaan! + + + Recovered project not saved + Hersteld project niet opgeslagen + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + Dit project werd hersteld vanuit de vorige sessie. Het is op dit moment niet opgeslagen en zal verloren gaan als u het niet opslaat. Wilt u het nu opslaan? + + + LMMS Project + LMMS-project + + + LMMS Project Template + LMMS-projectsjabloon + + + Overwrite default template? + Standaard-sjabloon overschrijven? + + + This will overwrite your current default template. + Dit zal uw huidig standaard-sjabloon overschrijven. + + + Volume as dBFS + Volume als dBFS + + + Smooth scroll + Vloeiend scrollen + + + Enable note labels in piano roll + Nootlabels in piano-roll inschakelen + + + Save project template + MeterDialog Meter Numerator - + Meter-noemer Meter Denominator - + Meter-teller TIME SIG - + MAATSOORT MeterModel Numerator - + Noemer Denominator - - - - - MidiAlsaRaw::setupWidget - - DEVICE - APPARAAT - - - - MidiAlsaSeq - - DEVICE - APPARAAT + Teller MidiController MIDI Controller - + MIDI-controller unnamed_midi_controller - + naamloze_midi_controller MidiImport Setup incomplete - + Setup niet voltooid You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. - + U heeft geen standaard soundfont ingesteld in de instellingen (Bewerken -> Instellingen). Hierdoor wordt er geen geluid afgespeeld na het importeren van dit MIDI-bestand. Download een General MIDI soundfont, selecteer deze in de instellingen probeer opnieuw. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - + U heeft LMMS niet gecompileerd met ondersteuning voor de SoundFont2-speler, die gebruikt wordt om standaardgeluid toe te voegen aan geïmporteerde MIDI-bestanden. Daarom zal er geen geluid afgespeeld worden na het importeren van dit MIDI-bestand. + + + Track + Track - MidiOss::setupWidget + MidiJack - DEVICE - APPARAAT + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK-server is offline + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + De JACK-server lijkt afgesloten te zijn. MidiPort Input channel - Ingang kanaal + Invoerkanaal Output channel - Uitgang kanaal + Uitvoerkanaal Input controller - + Invoer-controller Output controller - + Uitvoer-controller Fixed input velocity - + Vaste invoersnelheid Fixed output velocity - + Vaste uitvoersnelheid Output MIDI program - + MIDI-programma voor uitvoer Receive MIDI-events - Ontvangen MIDI-events + MIDI-events ontvangen Send MIDI-events - verzenden MIDI-events + MIDI-events verzenden Fixed output note - + Vaste uitvoernoot Base velocity - + Basissnelheid + + + + MidiSetupWidget + + DEVICE + APPARAAT MonstroInstrument Osc 1 Volume - + Osc 1 volume Osc 1 Panning - + Osc 1 panning Osc 1 Coarse detune - + Osc 1 grof ontstemmen Osc 1 Fine detune left - + Osc 1 fijn ontstemmen links Osc 1 Fine detune right - + Osc 1 fijn ontstemmen rechts Osc 1 Stereo phase offset - + Osc 1 stereo-faseverschuiving Osc 1 Pulse width - + Osc 1 pulsbreedte Osc 1 Sync send on rise - + Osc 1 synchronisatie bij stijging Osc 1 Sync send on fall - + Osc 1 synchronisatie bij daling Osc 2 Volume - + Osc 2 volume Osc 2 Panning - + Osc 2 panning Osc 2 Coarse detune - + Osc 2 grof ontstemmen Osc 2 Fine detune left - + Osc 2 fijn ontstemmen links Osc 2 Fine detune right - + Osc 2 fijn ontstemmen rechts Osc 2 Stereo phase offset - + Osc 2 stereo-faseverschuiving Osc 2 Waveform - + Osc 2 golfvorm Osc 2 Sync Hard - + Osc 2 sync hard Osc 2 Sync Reverse - + Osc 2 sync omgekeerd Osc 3 Volume - + Osc 3 volume Osc 3 Panning - + Osc 3 panning Osc 3 Coarse detune - + Osc 3 grof ontstemmen Osc 3 Stereo phase offset - + Osc 3 stereo-faseverschuiving Osc 3 Sub-oscillator mix - + Osc 3 sub-oscillator mix Osc 3 Waveform 1 - + Osc 3 golfvorm 1 Osc 3 Waveform 2 - + Osc 3 golfvorm 2 Osc 3 Sync Hard - + Osc 3 sync hard Osc 3 Sync Reverse - + Osc 3 sync omgekeerd LFO 1 Waveform - + LFO 1 golfvorm LFO 1 Attack - + LFO 1 attack LFO 1 Rate - + LFO 1 ratio LFO 1 Phase - + LFO 1 fase LFO 2 Waveform - + LFO 2 golfvorm LFO 2 Attack - + LFO 2 attack LFO 2 Rate - + LFO 2 ratio LFO 2 Phase - + LFO 2 fase Env 1 Pre-delay - + Env 1 pre-delay Env 1 Attack - + Env 1 attack Env 1 Hold - + Env 1 hold Env 1 Decay - + Env 1 decay Env 1 Sustain - + Env 1 sustain Env 1 Release - + Env 1 release Env 1 Slope - + Env 1 slope Env 2 Pre-delay - + Env 2 pre-delay Env 2 Attack - + Env 2 attack Env 2 Hold - + Env 2 hold Env 2 Decay - + Env 2 decay Env 2 Sustain - + Env 2 sustain Env 2 Release - + Env 2 release Env 2 Slope - + Env 2 slope Osc2-3 modulation - + Osc 2-3 modulatie Selected view - + Geselecteerde weergave Vol1-Env1 - + Vol1-Env1 Vol1-Env2 - + Vol1-Env2 Vol1-LFO1 - + Vol1-LFO1 Vol1-LFO2 - + Vol1-LFO2 Vol2-Env1 - + Vol2-Env1 Vol2-Env2 - + Vol2-Env2 Vol2-LFO1 - + Vol2-LFO1 Vol2-LFO2 - + Vol2-LFO2 Vol3-Env1 - + Vol3-Env1 Vol3-Env2 - + Vol3-Env2 Vol3-LFO1 - + Vol3-LFO1 Vol3-LFO2 - + Vol3-LFO2 Phs1-Env1 - + Phs1-Env1 Phs1-Env2 - + Phs1-Env2 Phs1-LFO1 - + Phs1-LFO1 Phs1-LFO2 - + Phs1-LFO2 Phs2-Env1 - + Phs2-Env1 Phs2-Env2 - + Phs2-Env2 Phs2-LFO1 - + Phs2-LFO1 Phs2-LFO2 - + Phs2-LFO2 Phs3-Env1 - + Phs3-Env1 Phs3-Env2 - + Phs3-Env2 Phs3-LFO1 - + Phs3-LFO1 Phs3-LFO2 - + Phs3-LFO2 Pit1-Env1 - + Pit1-Env1 Pit1-Env2 - + Pit1-Env2 Pit1-LFO1 - + Pit1-LFO1 Pit1-LFO2 - + Pit1-LFO2 Pit2-Env1 - + Pit2-Env1 Pit2-Env2 - + Pit2-Env2 Pit2-LFO1 - + Pit2-LFO1 Pit2-LFO2 - + Pit2-LFO2 Pit3-Env1 - + Pit3-Env1 Pit3-Env2 - + Pit3-Env2 Pit3-LFO1 - + Pit3-LFO1 Pit3-LFO2 - + Pit3-LFO2 PW1-Env1 - + PW1-Env1 PW1-Env2 - + PW1-Env2 PW1-LFO1 - + PW1-LFO1 PW1-LFO2 - + PW1-LFO2 Sub3-Env1 - + Sub3-Env1 Sub3-Env2 - + Sub3-Env2 Sub3-LFO1 - + Sub3-LFO1 Sub3-LFO2 - + Sub3-LFO2 Sine wave - Sinus golf + Sinusgolf Bandlimited Triangle wave - + Bandgelimiteerde driehoeksgolf Bandlimited Saw wave - + Bandgelimiteerde zaagtandgolf Bandlimited Ramp wave - + Bandgelimiteerde hellingsgolf Bandlimited Square wave - + Bandgelimiteerde blokgolf Bandlimited Moog saw wave - + Bandgelimiteerde moog-zaagtandgolf Soft square wave - + Zachte blokgolf Absolute sine wave - + Absolute sinusgolf Exponential wave - + Exponentiële golf White noise - + Witte ruis Digital Triangle wave - + Digitale driehoeksgolf Digital Saw wave - + Digitale zaagtandgolf Digital Ramp wave - + Digitale hellingsgolf Digital Square wave - + Digitale blokgolf Digital Moog saw wave - + Digitale moog-zaagtandgolf Triangle wave - Driehoeks golf + Driehoeksgolf Saw wave - Zaagtand golf + Zaagtandgolf Ramp wave - + Hellingsgolf Square wave - Vierkants golf + Blokgolf Moog saw wave - + Moog-zaagtandgolf Abs. sine wave - + Abs. sinusgolf Random - + Willekeurig Random smooth - + Willekeurig glad MonstroView Operators view - + Operatorweergave The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + De operatorweergave bevat alle operators. Deze bevatten hoorbare operators (oscillators) en onhoorbare operators of modulators: laag-frequente oscillators en envelopes. + +Knoppen en andere widgets in de operatorweergave hebben hun eigen "wat is dit"-teksten, dus op die manier kunt u specifieke hulp voor hen krijgen. Matrix view - + Matrixweergave The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4231,525 +4672,797 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + De matrixweergave bevat de modulatiematrix. Hier kunt u de modulatie-relaties tussen de verschillende operators opgeven. Elke hoorbare operator (oscillators 1 - 3) heeft 3 à 4 eigenschappen die gemoduleerd kunnen worden door elk van de modulators. Gebruik van meer modulaties verbruikt meer CPU-kracht. + +De weergave is verdeeld in modulatie-doelen, gegroepeerd per doel-oscillator. Beschikbare doelen zijn volume, toonhoogte, fase, pulsbreedte en sub-osc-ratio. Opmerking: een aantal doelen zijn specifiek voor slechts een oscillator. + +Elk modulatiedoel heeft 4 knoppen, een voor elke modulator. Standaard staan de knoppen op nul, wat geen modulatie betekent. Een knop naar 1 draaien zorgt dat die modulator het modulatiedoel zoveel mogelijk beïnvloedt. Naar -1 draaien doet hetzelfde, maar de modulatie wordt omgekeerd. Mix Osc2 with Osc3 - + Osc2 mengen met osc3 Modulate amplitude of Osc3 with Osc2 - + Amplitude van osc3 moduleren met osc2 Modulate frequency of Osc3 with Osc2 - + Frequentie van osc3 moduleren met osc2 Modulate phase of Osc3 with Osc2 - + Fase van osc3 moduleren met osc2 The CRS knob changes the tuning of oscillator 1 in semitone steps. - + De CRS-knop wijzigt de stemming van oscillator 1 in stappen van een halve toon. The CRS knob changes the tuning of oscillator 2 in semitone steps. - + De CRS-knop wijzigt de stemming van oscillator 2 in stappen van een halve toon. The CRS knob changes the tuning of oscillator 3 in semitone steps. - + De CRS-knop wijzigt de stemming van oscillator 3 in stappen van een halve toon. FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + FTL en FTR wijzigen de finetuning van de oscillator voor respectievelijk linker en rechter kanalen. Deze kunnen stereo-ontstemming aan de oscillator toevoegen die het stereobeeld verbreedt en een illusie van ruimte veroorzaakt. The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + De SPO-knop wijzigt het verschil in fase tussen linker en rechter kanaal. Een groter verschil creëert een breder stereobeeld. The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + De PW-knop bedient de pulsbreedte, ook bekend als arbeidscyclus, van oscillator 1. Oscillator 1 is een digitale pulsgolf-oscillator. Hij produceert geen bandgelimiteerde uitvoer, wat betekent dat u hem kunt gebruiken als een hoorbare oscillator maar dat het aliasing zal veroorzaken. U kunt hem ook gebruiken als een onhoorbare bron van een synchronisatiesignaal, die gebruikt kan worden om oscillator 2 en 3 te synchroniseren. Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Sync verzenden bij stijging: indien ingeschakeld wordt het sync-signaal elke keer verzonden wanneer de staat van oscillator 1 wijzigt van laag naar hoog, dus wanneer de amplitude wijzigt van -1 naar 1. +De toonhoogte, fase en pulsbreedte van oscillator 1 kunnen de timing van syncs beïnvloeden, maar het volume ervan heeft geen invloed. Sync-signalen worden onafhankelijk verzonden voor linker- en rechterkanaal. Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Sync verzenden bij daling: indien ingeschakeld wordt het sync-signaal elke keer verzonden wanneer de staat van oscillator 1 wijzigt van hoog naar laag, dus wanneer de amplitude wijzigt van 1 naar -1. +De toonhoogte, fase en pulsbreedte van oscillator 1 kunnen de timing van syncs beïnvloeden, maar het volume ervan heeft geen invloed. Sync-signalen worden onafhankelijk verzonden voor linker- en rechterkanaal. Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Hard sync: elke keer als de oscillator een sync-signaal ontvangt van oscillator 1, wordt zijn fase hersteld naar 0 + om het even wat zijn faseverschuiving is. Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Omgekeerde sync: elke keer als de oscillator een sync-signaal ontvangt van oscillator 1, wordt de amplitude van de oscillator omgekeerd. Choose waveform for oscillator 2. - + Kies golfvorm voor oscillator 2. Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Kies golfvorm voor de eerste sub-osc van oscillator 3. Oscillator 3 kan vloeiend interpoleren tussen twee verschillende golfvormen. Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Kies golfvorm voor de tweede sub-osc van oscillator 3. Oscillator 3 kan vloeiend interpoleren tussen twee verschillende golfvormen. The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + De SUB-knop verandert de mixverhouding tussen de twee sub-oscs van oscillator 3. Elk sub-osc kan worden ingesteld om een andere golfvorm te produceren, en oscillator 3 kan er vloeiend tussen interpoleren. Alle binnenkomende modulaties bij oscillator 3 worden op dezelfde manier toegepast op beide sub-oscs/golfvormen. In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In aanvulling op toegewijde modulators laat Monstro toe dat oscillator 3 gemoduleerd wordt door de uitvoer van oscillator 2. + +Mix-modus betekent geen modulatie: de uitvoer van de oscillators wordt gewoonweg samengemixt. In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In aanvulling op toegewijde modulators laat Monstro toe dat oscillator 3 gemoduleerd wordt door de uitvoer van oscillator 2. + +AM betekent amplitudemodulatie: de amplitude (het volume) van oscillator 3 wordt gemoduleerd door oscillator 2. In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In aanvulling op toegewijde modulators laat Monstro toe dat oscillator 3 gemoduleerd wordt door de uitvoer van oscillator 2. + +FM betekent frequentiemodulatie: de frequentie (toonhoogte, pitch) van oscillator 3 wordt gemoduleerd door oscillator 2. De frequentiemodulatie wordt geïmplementeerd als fasemodulatie, wat een stabielere algemene toonhoogte produceert dan een "pure" frequentiemodulatie. In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + In aanvulling op toegewijde modulators laat Monstro toe dat oscillator 3 gemoduleerd wordt door de uitvoer van oscillator 2. + +PM betekent fasemodulatie: de fase van oscillator 3 wordt gemoduleerd door oscillator 2. Het verschilt van frequentie modulatie omdat de veranderingen in fase niet cumulatief zijn. Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Selecteer de golfvorm voor LFO 1. +"Willekeurig" en "willekeurig zacht" zijn speciale golfvormen: ze produceren een willekeurige uitvoer, waar de ratio van de LFO bepaalt hoe dikwijls de status van de LFO verandert. De zachte versie interpoleert tussen deze statussen met cosinus-interpolatie. Deze willekeurige modussen kunnen gebruikt worden om "leven" te geven aan uw presets - wat analoge onvoorspelbaarheid toevoegen... Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Selecteer de golfvorm voor LFO 2. +"Willekeurig" en "willekeurig zacht" zijn speciale golfvormen: ze produceren een willekeurige uitvoer, waar de ratio van de LFO bepaalt hoe dikwijls de status van de LFO verandert. De zachte versie interpoleert tussen deze statussen met cosinus-interpolatie. Deze willekeurige modussen kunnen gebruikt worden om "leven" te geven aan uw presets - wat analoge onvoorspelbaarheid toevoegen... Attack causes the LFO to come on gradually from the start of the note. - + Attack zorgt ervoor dat de LFO gradueel opkomt vanaf het begin van de noot. Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + Ratio stelt de snelheid van de LFO in, gemeten in milliseconden per cyclus. Kan gesynchroniseerd worden met tempo. PHS controls the phase offset of the LFO. - + PHS bedient de faseverschuiving van de LFO. PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + PRE, of pre-delay, vertraagt de start van de envelope vanaf het begin van de noot. 0 betekent geen vertraging. ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + ATT of attack bedient hoe snel de envelope omhoog komt bij het begin, gemeten in milliseconden. Een waarde van 0 betekent onmiddellijk. HOLD controls how long the envelope stays at peak after the attack phase. - + HOLD bedient hoe lang de envelope op zijn piek blijft na de attack-fase. DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + DEC of decay bedient hoe snel de envelope van zijn piek valt, gemeten in milliseconden die nodig zou zijn om van piek naar nul te gaan. De eigenlijke decay kan korter zijn als sustain gebruikt wordt. SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + SUS of sustain bedient het sustain-niveau van de envelope. De decay-fase zal niet onder dit niveau gaan zolang de noot aangehouden wordt. REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + REL of release bedient hoe lang de vrijgave is voor de noot, gemeten in hoe lang het zou duren om te vallen van piek naar nul. De eigenlijke release kan korter zijn, afhankelijk van welke fase de noot vrijgegeven wordt. The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + De slope-knop bedient de curve of vorm van de envelope. Een waarde van 0 creëert rechte stijgingen en dalingen. Negatieve waarden creëren curves die traag starten, snel pieken en terug traag afvallen. Positieve waarden creëren curves die snel beginnen en eindigen en langer bij de pieken blijven. + + + Volume + Volume + + + Panning + Panning + + + Coarse detune + Grof ontstemmen + + + semitones + halve tonen + + + Finetune left + Links fijnstemmen + + + cents + cents + + + Finetune right + Rechts fijnstemmen + + + Stereo phase offset + Stereo-faseverschuiving + + + deg + graden + + + Pulse width + Pulsbreedte + + + Send sync on pulse rise + Sync verzenden bij pulsstijging + + + Send sync on pulse fall + Sync verzenden bij pulsdaling + + + Hard sync oscillator 2 + Oscillator 2 hard-syncen + + + Reverse sync oscillator 2 + Oscillator 2 omgekeerd syncen + + + Sub-osc mix + Sub-osc mix + + + Hard sync oscillator 3 + Oscillator 3 hard-syncen + + + Reverse sync oscillator 3 + Oscillator 3 omgekeerd syncen + + + Attack + Attack + + + Rate + Ratio + + + Phase + Fase + + + Pre-delay + Pre-delay + + + Hold + Hold + + + Decay + Decay + + + Sustain + Sustain + + + Release + Release + + + Slope + Slope + + + Modulation amount + Hoeveelheid modulatie MultitapEchoControlDialog Length - + Lengte Step length: - + Stap-lengte: Dry - + Droog Dry Gain: - + Droge gain: Stages - + Stappen Lowpass stages: - + Lowpass-stappen: Swap inputs - + Invoeren wisselen Swap left and right input channel for reflections - + Linker en rechter invoerkanaal wisselen voor reflecties NesInstrument Channel 1 Coarse detune - + Kanaal 1 grof ontstemmen Channel 1 Volume - + Volume kanaal 1 Channel 1 Envelope length - + Kanaal 1 envelope-lengte Channel 1 Duty cycle - + Kanaal 1 inschakeltijd Channel 1 Sweep amount - + Kanaal 1 hoeveelheid sweep Channel 1 Sweep rate - + Kanaal 1 sweep-ratio Channel 2 Coarse detune - + Kanaal 2 grof ontstemmen Channel 2 Volume - + Volume kanaal 2 Channel 2 Envelope length - + Kanaal 2 envelope-lengte Channel 2 Duty cycle - + Kanaal 2 inschakeltijd Channel 2 Sweep amount - + Kanaal 2 hoeveelheid sweep Channel 2 Sweep rate - + Kanaal 2 sweep-ratio Channel 3 Coarse detune - + Kanaal 3 grof ontstemmen Channel 3 Volume - + Volume kanaal 3 Channel 4 Volume - + Volume kanaal 4 Channel 4 Envelope length - + Kanaal 4 envelope-lengte Channel 4 Noise frequency - + Kanaal 4 ruisfrequentie Channel 4 Noise frequency sweep - + Kanaal 4 ruisfrequentie-sweep Master volume - Master volume + Master-volume Vibrato - + Vibrato + + + + NesInstrumentView + + Volume + Volume + + + Coarse detune + Grof ontstemmen + + + Envelope length + Envelope-lengte + + + Enable channel 1 + Kanaal 1 inschakelen + + + Enable envelope 1 + Envelope 1 inschakelen + + + Enable envelope 1 loop + Envelope 1 herhalen inschakelen + + + Enable sweep 1 + Sweep 1 inschakelen + + + Sweep amount + Hoeveelheid sweep + + + Sweep rate + Sweep-ratio + + + 12.5% Duty cycle + 12.5 % inschakeltijd + + + 25% Duty cycle + 25 % inschakeltijd + + + 50% Duty cycle + 50 % inschakeltijd + + + 75% Duty cycle + 75 % inschakeltijd + + + Enable channel 2 + Kanaal 2 inschakelen + + + Enable envelope 2 + Envelope 2 inschakelen + + + Enable envelope 2 loop + Envelope 2 herhalen inschakelen + + + Enable sweep 2 + Sweep 2 inschakelen + + + Enable channel 3 + Kanaal 3 inschakelen + + + Noise Frequency + Ruisfrequentie + + + Frequency sweep + Frequentie-sweep + + + Enable channel 4 + Kanaal 4 inschakelen + + + Enable envelope 4 + Envelope 4 inschakelen + + + Enable envelope 4 loop + Envelope 4 herhalen inschakelen + + + Quantize noise frequency when using note frequency + Ruisfrequentie kwantiseren wanneer nootfrequentie gebruikt wordt + + + Use note frequency for noise + Nootfrequentie gebruiken voor ruis + + + Noise mode + Ruismodus + + + Master Volume + Master-volume + + + Vibrato + Vibrato OscillatorObject Osc %1 volume - Oscillator %1 Volume + Osc %1 volume Osc %1 panning - Oscillator %1 Balans + Osc %1 panning Osc %1 coarse detuning - Osc %1 grove ontstemming + Osc %1 grof ontstemmen Osc %1 fine detuning left - Oscillator %1 Fijn ontstemming links + Osc %1 fijn ontstemmen links Osc %1 fine detuning right - Oscillator %1 Fijn ontstemming rechts + Osc %1 fijn ontstemmen rechts Osc %1 phase-offset - Oscillator %1 fase-verschuiving + Osc %1 faseverschuiving Osc %1 stereo phase-detuning - Oscillator %1 stereo fase-veschuiving + Osc %1 stereo-fase-ontstemming Osc %1 wave shape - Oscillator %1 Golfvorm + Osc %1 golfvorm Modulation type %1 - + Modulatietype %1 Osc %1 waveform - Oscillator %1 Golfvorm + Osc %1 golfvorm Osc %1 harmonic - + Osc %1 harmonisch + + + + PatchesDialog + + Qsynth: Channel Preset + Qsynth: kanaal-preset + + + Bank selector + Bank-selector + + + Bank + Bank + + + Program selector + Programma-selector + + + Patch + Patch + + + Name + Naam + + + OK + Ok + + + Cancel + Annuleren PatmanView Open other patch - + Andere patch openen Click here to open another patch-file. Loop and Tune settings are not reset. - + Klik hier om een ander patchbestand te openen. Herhalen- en stemming-instellingen worden niet hersteld. Loop - + Herhalen Loop mode - + Herhaalmodus Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - + Hier kunt u de herhaalmodus in-/uitschakelen. Indien ingeschakeld zal PatMan de herhaalinformatie beschikbaar in het bestand gebruiken. Tune - + Stemmen Tune mode - + Stem-modus Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - + Hier kunt u de stem-modus in-/uitschakelen. Indien ingeschakeld zal PatMan de sample stemmen om overeen te komen met de frequentie van de noot. No file selected - + Geen bestand geselecteerd Open patch file - + Patchbestand openen Patch-Files (*.pat) - + Patch-bestanden (*.pat) PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - dubbel-klik om deze pattern in Piano-Roll te openen -volume van de steps is met het muiswiel te veranderen - Open in piano-roll - In Piano-Roll openen + In piano-roll openen Clear all notes - Alle noten verwijderen + Alle noten leegmaken Reset name - Naam herstellen + Naam herstellen Change name - + Naam wijzigen Add steps - Steps toevoegen + Stappen toevoegen Remove steps - Steps verwijderen + Stappen verwijderen + + + use mouse wheel to set velocity of a step + gebruik muiswiel om de snelheid van een stap in te stellen + + + double-click to open in Piano Roll + dubbelklikken om in piano-roll te openen + + + Clone Steps + Stappen klonen PeakController Peak Controller - + Piek-controller Peak Controller Bug - + Piek-controller bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + Door een bug in oudere versies van LMMS is het mogelijk dat piek-controllers niet goed verbonden zijn. Verzeker u ervan dat piek-controllers goed verbonden zijn en sla dit bestand opnieuw op. Sorry voor enig ongemak. PeakControllerDialog PEAK - + PIEK LFO Controller - + LFO-controller PeakControllerEffectControlDialog BASE - + BASIS Base amount: - + Basishoeveelheid: Modulation amount: - Modulatie-intensiteit: + Hoeveelheid basis: Attack: - Attack: + Attack: Release: - Release: + Release: AMNT - + HVHD MULT - + VERM Amount Multiplicator: - + Hoeveelheid-vermenigvuldiger: ATCK - + ATCK DCAY - + DCAY - TRES - + Treshold: + Treshold: - Treshold: - + TRSH + TRSH PeakControllerEffectControls Base value - + Basiswaarde Modulation amount - Modulatie-intensiteit + Hoeveelheid modulatie Mute output - + Uitvoer dempen Attack - + Attack Release - + Release Abs Value - + Abs waarde Amount Multiplicator - + Hoeveelheid-vermenigvuldiger Treshold - + Treshold PianoRoll - - Piano-Roll - %1 - Piano-Roll - %1 - - - Piano-Roll - no pattern - Piano-Roll -geen pattern - Please open a pattern by double-clicking on it! - Open aub. een pattern door er op te dubbel-klikken! + Open een patroon door erop te dubbelklikken! Last note @@ -4757,900 +5470,905 @@ volume van de steps is met het muiswiel te veranderen Note lock - + Nootvergrendeling Note Velocity - + Nootsnelheid Note Panning - + Noot-panning Mark/unmark current semitone - + Huidige semitoon markeren/niet markeren Mark current scale - + Huidige toonladder markeren Mark current chord - + Huidig akkoord markeren Unmark all - + Niets markeren No scale - + Geen toonladder No chord - + Geen akkoord Velocity: %1% - + Snelheid: %1% Panning: %1% left - + Panning: %1 % links Panning: %1% right - + Panning: %1 % rechts Panning: center - + Panning: midden Please enter a new value between %1 and %2: - Voer aub. een waarde in tussen %1 en %2 in: + Voer een nieuwe waarde in tussen %1 en %2: + + + Mark/unmark all corresponding octave semitones + Alle corresponderende octaaf-semitonen markeren/niet markeren + + + Select all notes on this key + Alle noten op deze sleutel selecteren PianoRollWindow Play/pause current pattern (Space) - Huidige pattern afspelen/pauseren (Spatie) + Huidig patroon afspelen/pauzeren (Spatie) Record notes from MIDI-device/channel-piano - Noten van MIDI-apparaat/kanaal-piano opnemen + Noten van MIDI-apparaat/kanaal-piano opnemen Record notes from MIDI-device/channel-piano while playing song or BB track - + Noten van MIDI-apparaat/kanaal-piano opnemen tijdens het afspelen van song of BB-spoor Stop playing of current pattern (Space) - Afspelen huidige pattern stoppen (Spatie) + Stoppen met afspelen van huidig patroon (Spatie) Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - + Klik hier om het huidige patroon af te spelen. Dit is handig tijdens het bewerken. het patroon wordt automatisch herhaald wanneer het einde bereikt wordt. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - + Klik hier om noten van een MIDI-apparaat of de virtuele test-piano van het overeenkomstige kanaal-venster op te nemen in het huidige patroon. Tijdens het opnemen zullen alle noten die u speelt naar dit patroon geschreven worden en u kunt ze achteraf afspelen en bewerken. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - + Klik hier om noten van een MIDI-apparaat of de virtuele test-piano van het overeenkomstige kanaal-venster op te nemen in het huidige patroon. Tijdens het opnemen zullen alle noten die u speelt naar dit patroon geschreven worden en zal u de song of BB-track op de achtergrond horen. Click here to stop playback of current pattern. - + Klik hier om het afspelen van het huidige patroon te stoppen. Draw mode (Shift+D) - Teken modus (Shift+D) + Tekenmodus (Shift+D) Erase mode (Shift+E) - Wis modus (Shift+E) + Wissen-modus (Shift+E) Select mode (Shift+S) - Selecteer modus (Shift+S) + Selecteermodus (Shift+S) Detune mode (Shift+T) - + Ontstem-modus (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - + Klik hier en de tekenmodus zal ingeschakeld worden. In deze modus kunt u noten toevoegen, de grootte wijzigen en ze verplaatsen. Dit is de standaardmodus die het merendeel van de tijd gebruikt wordt. U kunt ook 'Shift+D' drukken op uw toetsenbord om deze modus in te schakelen. Houd %1 ingedrukt om tijdelijk in selecteermodus te gaan binnen deze modus. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - + Klik hier en de verwijdermodus zal ingeschakeld worden. In deze modus kunt u noten verwijderen. U kunt ook 'Shift+E' drukken op uw toetsenbord om deze modus in te schakelen. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - + Klik hier en de selecteermodus zal ingeschakeld worden. In deze modus kunt u noten selecteren. U kunt %1 ingedrukt houden in de tekenmodus om tijdelijk de selecteermodus te gebruiken. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - + Klik hier en de ontstem-modus zal ingeschakeld worden. In deze modus kunt u op een noot klikken om zijn automatisch ontstemmen te openen. U kunt dit gebruiken om van de ene noot naar de andere te glijden. U kunt ook 'Shift+T' op uw toetsenbord drukken om deze modus in te schakelen. Cut selected notes (%1+X) - Knip geselecteerde noten (%1+X) + Geselecteerde noten knippen (%1+X) Copy selected notes (%1+C) - Kopieer geselecteerde noten (%1+C) + Geselecteerde noten kopiëren (%1+C) Paste notes from clipboard (%1+V) - Plak noten van klembord (%1+V) + Noten van klembord plakken (%1+V) Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Klik hier en de geselecteerde noten zullen geplakt worden naar het klembord. U kunt ze overal in om het even welk patroon plakken door te klikken op de "plakken"-knop. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Klik hier en geselecteerde noten zullen gekopieerd worden naar het klembord. U kunt ze overal in om het even welk patroon plakken door te klikken op de 'plakken'-knop. Click here and the notes from the clipboard will be pasted at the first visible measure. - + Klik hier en de noten van het klembord zullen op de eerste zichtbare maat geplakt worden. This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + Dit bepaalt de vergroting van een as. Het kan handig zijn om vergroting te kiezen voor een specifieke taak. Voor gewoon bewerken wordt de vergroting best aangepast aan uw kleinste noten. The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + De 'Q' staat voor quantization (kwantisatie) en beheert de rastergrootte waar noten en controlepunten op uitlijnen. Bij lagere kwantisatiewaarden kunt u kortere noten tekenen in de piano-roll, en meer exacte controlepunten tekenen in de automation-editor. This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + Dit laat u de lengte van nieuwe noten selecteren. 'Laatste noot' betekent dat LMMS de nootlengte zal gebruiken van de noot die u laatst bewerkte. The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + De functie is direct verbonden aan het contextmenu op het virtuele toetsenbord, links in de piano-roll. Nadat u de gewenste toonladder gekozen heeft in dit drop-down-menu, kunt u rechtsklikken op een gewenste toets op het virtuele toetsenbord en 'huidige toonladder markeren' kiezen. LMMS zal alle noten markeren die behoren tot de gekozen toonladder, en in de toonaard die u geselecteerd heeft! Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + Laat u een akkoord selecteren dat LMMS dan kan tekenen of markeren. U kunt de meeste algemene akkoorden terugvinden in dit drop-down-menu. Nadat u een akkoord geselecteerd heeft, klikt u ergens om het akkoord te plaatsen en rechtsklikt u op het virtuele toetsenbord om het contextmenu te openen en het akkoord te markeren. Om terug te keren naar plaatsing van enkelvoudige noten, moet u "geen akkoord" kiezen in dit drop-down-menu. + + + Edit actions + Acties bewerken + + + Copy paste controls + Bedieningen kopiëren en plakken + + + Timeline controls + Tijdlijnbediening + + + Zoom and note controls + Zoom- en nootbediening + + + Piano-Roll - %1 + Piano-roll - %1 + + + Piano-Roll - no pattern + Piano-roll - geen patroon + + + Quantize + Kwantiseren PianoView Base note - Grandtoon + Grondtoon Plugin Plugin not found - Plugin niet gevonden + Plugin niet gevonden - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" - + De plug-in "%1" werd niet teruggevonden of kon niet geladen worden! +Reden: "%2" Error while loading plugin - Fout bij laden Plugin + Fout bij laden van plug-in Failed to load plugin "%1"! - - - - LMMS plugin %1 does not have a plugin descriptor named %2! - + Laden van plug-in "%1" mislukt! PluginBrowser - - Instrument plugins - Instrument Plugins - Instrument browser - + Instrument-browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - + Sleep een instrument naar de song-editor, de beat- en baslijn-editor of naar een bestaande instrument-track. + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + Plug-in niet gevonden. + + + LMMS plugin %1 does not have a plugin descriptor named %2! + LMMS-plugin %1 heeft geen plugin-descriptor die %2 heet! ProjectNotes Project notes - Project notities + Projectnotities Put down your project notes here. - Plaats hier je Project notities. + Zet hier uw projectnotities neer. Edit Actions - Bewerken + Bewerking-acties &Undo - &Ongedaan maken + &Ongedaan maken %1+Z - %1+Z + %1+Z &Redo - &Herstellen + &Opnieuw %1+Y - %1+Y + %1+Y &Copy - &Kopieren + &Kopiëren %1+C - %1+C + %1+C Cu&t - K&nippen + &Knippen %1+X - %1+X + %1+X &Paste - &Plakken + &Plakken %1+V - %1+V + %1+V Format Actions - Opmaak + Formaat-acties &Bold - &Vet + &Vet %1+B - %1+B + %1+B &Italic - &Cursief + &Cursief %1+I - %1+I + %1+I &Underline - &Onderstrepen + &Onderstrepen %1+U - %1+U + %1+U &Left - &Links + &Links uitlijnen %1+L - %1+L + %1+L C&enter - C&entreren + C&entreren %1+E - %1+E + %1+E &Right - &Rechts + &Rechts uitlijnen %1+R - %1+R + %1+R &Justify - &Uitgevuld + &Uitvullen %1+J - %1+J + %1+J &Color... - &Kleur... + &Kleur... ProjectRenderer WAV-File (*.wav) - + WAV-bestand (*.wav) Compressed OGG-File (*.ogg) - Gecomprimeerd OGG-Bestand (*.ogg) - - - - QObject - - C - Note name - - - - Db - Note name - - - - C# - Note name - - - - D - Note name - - - - Eb - Note name - - - - D# - Note name - - - - E - Note name - - - - Fb - Note name - - - - Gb - Note name - - - - F# - Note name - - - - G - Note name - - - - Ab - Note name - - - - G# - Note name - - - - A - Note name - - - - Bb - Note name - - - - A# - Note name - - - - B - Note name - + Gecomprimeerd OGG-bestand (¨*.ogg) QWidget Name: - + Naam: Maker: - + Maker: Copyright: - + Auteursrecht: Requires Real Time: - + Vereist realtime: Yes - + Ja No - + Nee Real Time Capable: - + Realtime-capabel: In Place Broken: - + Defect op zijn plaats: Channels In: - + Invoerkanalen: Channels Out: - + Uitvoerkanalen: File: - + Bestand: File: %1 - + Bestand: %1 RenameDialog Rename... - Hernoemen... + Naam wijzigen... SampleBuffer Open audio file - Audio-bestand openen + Audiobestand openen Wave-Files (*.wav) - Wave-Bestanden (*.wav) + Wave-bestanden (*.wav) OGG-Files (*.ogg) - OGG-Bestanden (*.ogg) + OGG-bestanden (*.ogg) DrumSynth-Files (*.ds) - + DrumSynth-bestanden (*.ds) FLAC-Files (*.flac) - FLAC-Bestanden (*.flac) + FLAC-bestanden (*.flac) SPEEX-Files (*.spx) - + SPEEX-bestanden (*.spx) VOC-Files (*.voc) - VOC-Bestanden (*.voc) + VOC-bestanden (*.voc) AIFF-Files (*.aif *.aiff) - AIFF-Bestanden (*.aif *.aiff) + AIFF-bestanden (*.aif *.aiff) AU-Files (*.au) - AU-Bestanden (*.au) + AU-bestanden (*.au) RAW-Files (*.raw) - RAW-Bestanden (*.raw) + RAW-bestanden (*.raw) All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + Alle audiobestanden (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) SampleTCOView double-click to select sample - dubbel-klik om een sample te selecteren + dubbelklikken om sample te selecteren Delete (middle mousebutton) - Verwijderen (middelste muisknop) + Verwijderen (middelste muisknop) Cut - Knippen + Knippen Copy - Kopieren + Kopiëren Paste - Plakken + Plakken Mute/unmute (<%1> + middle click) - Dempen/geluid aan (<%1> + middelklik) - - - Set/clear record - + Dempen/geluid aan (<%1> + middelklik) SampleTrack Sample track - Sample spoor + Sample-track Volume - Volume + Volume Panning - + Panning SampleTrackView Track volume - + Track-volume Channel volume: - + Volume kanaal: VOL - + VOL Panning - + Panning Panning: - + Panning: PAN - + PAN SetupDialog Setup LMMS - LMMS instellen + LMMS instellen General settings - Algemene instellingen + Algemene instellingen BUFFER SIZE - BUFFERGROOTTE + BUFFERGROOTTE Reset to default-value - Terugzetten naar standaardwaarden + Standaardwaarde herstellen MISC - VERSCHILLENDE INSTELLINGEN + VARIA Enable tooltips - + Tooltips inschakelen Show restart warning after changing settings - + Waarschuwing voor herstarten weergeven na wijzigen van instellingen - Display volume as dBV - Volume in dBV tonen + Display volume as dBFS + Volume weergeven als dBFS Compress project files per default - + Projectbestanden standaard comprimeren One instrument track window mode - + Venstermodus met een instrument-track HQ-mode for output audio-device - + HQ-modus voor audio-apparaat-uitvoer Compact track buttons - + Compacte track-knoppen Sync VST plugins to host playback - + Synchroniseer VST plugins met host-playback Enable note labels in piano roll - + Nootlabels inschakelen in piano-roll Enable waveform display by default - + Golfvormweergave standaard inschakelen Keep effects running even without input - + Effecten actief houden, zelfs zonder invoer Create backup file when saving a project - + Reservekopie aanmaken bij opslaan van een project LANGUAGE - + TAAL Paths - + Paden LMMS working directory - LMMS werkmap + LMMS-werkmap VST-plugin directory - VST-Plugin map - - - Artwork directory - Artwork map + VST-pluginmap Background artwork - - - - FL Studio installation directory - FL Studio installatie map - - - LADSPA plugin paths - + Achtergrondafbeelding STK rawwave directory - + STK-rawwave-map Default Soundfont File - + Standaard soundfont-bestand Performance settings - Performance instellingen + Prestatie-instellingen UI effects vs. performance - UI effecten vs. performance + UI-effecten vs. prestaties Smooth scroll in Song Editor - - - - Enable auto save feature - + Vloeiend scrollen in song-editor Show playback cursor in AudioFileProcessor - + Afspeelcursor weergeven in AudioBestandProcessor Audio settings - Audio instellingen + Audio-instellingen AUDIO INTERFACE - AUDIO INTERFACE + AUDIO-INTERFACE MIDI settings - MIDI Instellingen + MIDI-instellingen MIDI INTERFACE - MIDI INTERFACE + MIDI-INTERFACE OK - OK + Ok Cancel - Annuleren + Annuleren Restart LMMS - LMMS herstarten + LMMS opnieuw starten Please note that most changes won't take effect until you restart LMMS! - Houd er rekening mee dat je LMMS opnieuw moet opstarten om sommige instellingen te activeren! + Merk op dat de meeste wijzigingen geen effect zullen hebben totdat u LMMS opnieuw start! Frames: %1 Latency: %2 ms - Frames: %1 -Vertraging: %2 ms + Frames: %1 +Latentie: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - Hier kun je de interne buffer-grootte instellen welke door LMMS gebruikt zal worden. Lagere waarden zorgen voor een lagere latency (vertraging) maar kunnen de geluidskwaliteit en de performance wel negatief beinvloeden. Dit geld zeker voor oudere computers en systemen zonder realtime-kernel. + Hier kunt u de interne buffergrootte instellen die gebruikt wordt door LMMS. Kleinere waarden resulteren in een lagere latentie maar kunnen ook onbruikbaar geluid of slechte prestaties veroorzaken, vooral bij oudere computers of systemen met een niet-realtime kernel. Choose LMMS working directory - Kies LMMS-werkmap + Kies LMMS-werkmap Choose your VST-plugin directory - Kies je VST-Plugin map + Kies uw VST-plugin-map Choose artwork-theme directory - Artwork-thema map kiezen - - - Choose FL Studio installation directory - Kies FL Studio installatie map + Kies uw achtergrondafbeelding-map Choose LADSPA plugin directory - + Kies LADSPA-pluginmap Choose STK rawwave directory - + Kies STK-rawwave-map Choose default SoundFont - + Kies standaard SoundFont Choose background artwork - + Kies achtergrondafbeelding Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Hier kun je je audio-interface instellen. Afhankelijk van de configuratie van je systeem gedurende de compilering, kun je kiezen tussen ALSA, JACK, OSS en meer. Hieronder vind je een gedeelte waar je de instellingen van de betreffende interface kunt wijzigen. + Hier kunt u uw voorkeur voor audio-interface selecteren. Afhankelijk van de configuratie van uw systeem tijdens het compileren kunt u kiezen tussen ALSA, JACK, OSS en meer. Hieronder ziet u een vak dat besturingen biedt om de geselecteerde audio-interface in te stellen. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Hier kun je je audio-interface instellen. Afhankelijk van de configuratie van je systeem gedurende de compilering, kun je kiezen tussen ALSA, OSS en meer. Hieronder vind je een gedeelte waar je de instellingen van de betreffende interface kunt wijzigen. + Hier kunt u uw voorkeur voor MIDI-interface selecteren. Afhankelijk van de configuratie van uw systeem tijdens het compileren kunt u kiezen tussen ALSA, OSS en meer. Hieronder ziet u een vak dat besturingen biedt om de geselecteerde MIDI-interface in te stellen. + + + Reopen last project on start + Laatste project opnieuw openen tijdens starten + + + Directories + Mappen + + + Themes directory + Map voor thema's + + + GIG directory + GIG-map + + + SF2 directory + SF2-map + + + LADSPA plugin directories + LADSPA-plugin-mappen + + + Auto save + Automatisch opslaan + + + Choose your GIG directory + Kies uw GIG-map + + + Choose your SF2 directory + Kies uw SF2-map + + + minutes + minuten + + + minute + minuut + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - Tempo + Tempo Master volume - Master volume + Master-volume Master pitch - Master toonhoogte + Master-toonhoogte Project saved - Project opgeslagen + Project opgeslagen The project %1 is now saved. - Het project %1 is nu opgeslagen. + Project %1 is nu opgeslagen. Project NOT saved. - Project NIET opgeslagen. + Project NIET opgeslagen. The project %1 was not saved! - Het project %1 werd niet opgeslagen! + Project %1 werd niet opgeslagen! Import file - Bestand importeren + Bestand importeren MIDI sequences - - - - FL Studio projects - + MIDI-sequenties Hydrogen projects - + Hydrogen-projecten All file types - + Alle bestandstypes Empty project - + Leeg project This project is empty so exporting makes no sense. Please put some items into Song Editor first! - + Dit project is leeg, dus exporteren heeft geen zin. Zet eerst wat items in de song-editor! Select directory for writing exported tracks... - + Selecteer map voor schrijven van geëxporteerde tracks... untitled - naamloos + naamloos Select file for project-export... - Selecteer bestand voor exporteren project... + Selecteer bestand voor project-export... The following errors occured while loading: - + De volgende fouten traden op tijdens het laden: + + + MIDI File (*.mid) + MIDI-bestand (*.mid) + + + LMMS Error report + LMMS-foutrapport + + + Save project + @@ -5666,1156 +6384,1280 @@ Vertraging: %2 ms Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. - + Kon bestand %1 niet openen. U heeft waarschijnlijk geen toestemming om dit bestand te lezen. +Verzeker u ervan dat u ten minste leesrechten heeft voor het bestand en probeer het opnieuw. Error in file - + Fout in bestand The file %1 seems to contain errors and therefore can't be loaded. - + Bestand %1 lijkt fouten te bevatten en kan daardoor niet geladen worden. Tempo - Tempo + Tempo TEMPO/BPM - TEMPO/BPM + TEMPO/BPM tempo of song - afspeelsnelheid + tempo van song The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - + Het tempo van een song wordt opgegeven in beats per minuut (BPM). Als u het tempo van uw song wilt veranderen, verandert u deze waarde. Elke maat heeft vier beats, dus het tempo in BPM geeft op hoeveel maten / 4 gespeeld moeten worden per minuut (of hoeveel maten gespeeld moeten worden per vier minuten). High quality mode - High quality modus + Hogekwaliteitsmodus Master volume - Master volume + Master-volume master volume - master volume + master-volume Master pitch - Master toonhoogte + Master-toonhoogte + + + master pitch + master-toonhoogte + + + Value: %1% + Waarde: %1 % + + + Value: %1 semitones + Waarde: %1 semitonen + + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + Kon %1 niet openen om te schrijven. U heeft waarschijnlijk geen toestemming om naar dit bestand te schrijven. Verzeker u ervan dat u schrijfbevoegdheid heeft voor het bestand en probeer het opnieuw. - master pitch - master toonhoogte + template + sjabloon - Value: %1% - Waarde: %1% + project + project - Value: %1 semitones - Waarde: %1 semitonen + Version difference + Versie-verschil - Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - + This %1 was created with LMMS %2. + Dit %1 werd aangemaakt met LMMS %2. SongEditorWindow Song-Editor - Song-Editor + Song-editor Play song (Space) - Song afspelen (Spatie) + Song afspelen (spatie) Record samples from Audio-device - + Samples van audio-apparaat opnemen Record samples from Audio-device while playing song or BB track - + Samples van audio-apparaat opnemen tijdens het afspelen van song of bb-track Stop song (Space) - Stop afspelen song (Spatie) + Song stoppen (spatie) Add beat/bassline - Beat/Bassline toevoegen + Beat-/baslijn toevoegen Add sample-track - Sample spoor toevoegen + Sample-track toevoegen Add automation-track - + Automatisering-track toevoegen Draw mode - Teken modus + Tekenmodus Edit mode (select and move) - Bewerk modus (selecteren en verplaatsen) + Bewerken-modus (selecteren en verplaatsen) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Klik hier, als je de gehele song wil afspelen. Het afspelen start bij de song-positie-marker (groen). Je kunt ook verplaatsen tijdens het afspelen. + Klik hier als u uw volledige song wilt afspelen. het afspelen zal gestart worden op de song-positie-marker (groen). U kunt hem ook verplaatsen tijdens het afspelen. Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Klik hier, wanneer je het afspelen van de song wilt stoppen. De song-position-marker zal weer naar het begin van je song worden gezet. + Klik hier als u het afspelen van uw song wilt stoppen. De song-positie-marker zal op het begin van uw song gezet worden. + + + Track actions + Track-acties + + + Edit actions + Bewerking-acties + + + Timeline controls + Tijdlijnbediening + + + Zoom controls + Zoombediening SpectrumAnalyzerControlDialog Linear spectrum - + Lineair spectrum Linear Y axis - + Lineaire Y-as SpectrumAnalyzerControls Linear spectrum - + Lineair spectrum Linear Y axis - + Lineaire Y-as Channel mode - + Kanaalmodus + + + + SubWindow + + Close + Sluiten + + + Maximize + Maximaliseren + + + Restore + Herstellen TabWidget Settings for %1 - + Instellingen voor %1 TempoSyncKnob Tempo Sync - Tempo synchronisatie + Tempo-sync No Sync - Geen synchronisatie + Geen sync Eight beats - Acht beats + Acht beats Whole note - Hele noot + Hele noot Half note - Halve noot + Halve noot Quarter note - Kwart noot + Kwart noot 8th note - Achtste noot + 8ste noot 16th note - 16e noot + 16de noot 32nd note - 32e noot + 32ste noot Custom... - + Aangepast... Custom - + Aangepast Synced to Eight Beats - Met acht beats gesynchroniseerd + Gesynchroniseerd met acht beats Synced to Whole Note - Met hele noot gesynchroniseerd + Gesynchroniseerd met hele noot Synced to Half Note - Met halve noot gesynchroniseerd + Gesynchroniseerd met halve noot Synced to Quarter Note - Met kwart noot gesynchroniseerd + Gesynchroniseerd met kwart noot Synced to 8th Note - Met achtste noot gesynchroniseerd + Gesynchroniseerd met 8ste noot Synced to 16th Note - Met 16e noot gesynchroniseerd + Gesynchroniseerd met 16de noot Synced to 32nd Note - Met 32e noot gesynchroniseerd + Gesynchroniseerd met 32ste noot TimeDisplayWidget click to change time units - + klikken om tijd-eenheden te wijzigen + + + MIN + MIN + + + SEC + S + + + MSEC + MS + + + BAR + BAR + + + BEAT + BEAT + + + TICK + TICK TimeLineWidget Enable/disable auto-scrolling - Automatisch scrollen in-/uitschakelen + Auto-scrollen in-/uitschakelen Enable/disable loop-points - Loop-punten in-/uitschakelen + Loop-punten in-/uitschakelen After stopping go back to begin - Na stoppen terug naar begin + Na stoppen terug naar begin After stopping go back to position at which playing was started - Na stoppen terug naar positie waar afspelen werd gestart + Na het stoppen terug naar positie gaan waarop afspelen gestart werd After stopping keep position - Na stoppen op positie blijven + Na stoppen positie behouden Hint - Tip + Tip Press <%1> to disable magnetic loop points. - + Druk op <1%> om magnetische herhaalpunten uit te schakelen. Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + Houd <Shift> ingedrukt om het begin-herhaalpunt te verplaatsen; Druk op <%1> om magnetische herhaalpunten uit te schakelen. Track Mute - + Dempen Solo - + Solo TrackContainer Couldn't import file - Kan bestand niet importeren + Kon bestand niet importeren - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. - Kan geen filter vinden voor het te importeren bestand %1. -Je zult dit bestand met behulp van andere software moeten converteren naar een door LMMS ondersteund formaat. + Kon geen filter vinden om bestand %1 te importeren. +U converteert dit bestand best naar een formaat dat ondersteund wordt door LMMS met behulp van andere software. Couldn't open file - Kan bestand niet openen + Kon bestand niet openen - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! - Kan bestand %1 niet openen voor het schrijven. -Zorg ervoor dat je schrijf-bevoegdheid hebt voor deze bestanden en mapen en probeer het opnieuw! + Kon bestand %1 niet openen om te lezen. +Verzeker u ervan dat u leesrechten heeft voor het bestand en zijn bevattende map en probeer het opnieuw! Loading project... - Project laden... + Project laden... Cancel - Annuleren + Annuleren Please wait... - Wachten aub... + Even geduld... Importing MIDI-file... - Importeren MIDI-bestand... - - - Importing FLP-file... - Importeren FLP-bestand... + MIDI-bestand importeren... TrackContentObject - Muted - + Mute + Dempen TrackContentObjectView Current position - Huidige positie + Huidige positie Hint - Tip + Tip Press <%1> and drag to make a copy. - + Op <%1> drukken en slepen om een kopie te maken. Current length - Huidige lengte + Huidige lengte Press <%1> for free resizing. - Druk <%1> voor vrije grootteverandering. + Op <%1> drukken voor vrije grootte-aanpassing. %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 tot %5:%6) + %1:%2 (%3:%4 tot %5:%6) Delete (middle mousebutton) - Verwijderen (middelste muisknop) + Verwijderen (middelste muisknop) Cut - Knippen + Knippen Copy - Kopieren + Kopiëren Paste - Plakken + Plakken Mute/unmute (<%1> + middle click) - Dempen/geluid aan (<%1> + middelklik) + Dempen/geluid aan (<%1> + middelklik) TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Druk <%1> tijdens klikken op move-grip om een nieuwe drag'n'drop-actie te starten. + Druk op <%1> tijdens het klikken op het verplaatsingsgedeelte om een nieuwe 'slepen-en-neerzetten'-handeling te starten. Actions for this track - Acties voor dit spoor + Acties voor deze track Mute - Dempen + Dempen Solo - + Solo Mute this track - + Deze track dempen Clone this track - Dit spoor klonen + Deze track klonen Remove this track - Dit spoor verwijderen + Deze track verwijderen Clear this track - + Deze track leegmaken FX %1: %2 - + FX %1: %2 Turn all recording on - + Alle opnames aanzetten Turn all recording off - + Alle opnames uitzetten + + + Assign to new FX Channel + Aan nieuw FX-kanaal toewijzen TripleOscillatorView Use phase modulation for modulating oscillator 1 with oscillator 2 - + Fasemodulatie gebruiken om oscillator 1 met oscillator 2 te moduleren Use amplitude modulation for modulating oscillator 1 with oscillator 2 - + Amplitudemodulatie gebruiken om oscillator 1 met oscillator 2 te moduleren Mix output of oscillator 1 & 2 - + Uitvoer van oscillator 1 en 2 mixen Synchronize oscillator 1 with oscillator 2 - + Oscillator 1 synchroniseren met oscillator 2 Use frequency modulation for modulating oscillator 1 with oscillator 2 - + Frequentiemodulatie gebruiken om oscillator 1 met oscillator 2 te moduleren Use phase modulation for modulating oscillator 2 with oscillator 3 - + Fasemodulatie gebruiken om oscillator 2 met oscillator 3 te moduleren Use amplitude modulation for modulating oscillator 2 with oscillator 3 - + Amplitudemodulatie gebruiken om oscillator 2 met oscillator 3 te moduleren Mix output of oscillator 2 & 3 - + Uitvoer van oscillator 2 en 3 mixen Synchronize oscillator 2 with oscillator 3 - + Oscillator 2 synchroniseren met oscillator 3 Use frequency modulation for modulating oscillator 2 with oscillator 3 - + Frequentiemodulatie gebruiken om oscillator 2 met oscillator 3 te moduleren Osc %1 volume: - Oscillator %1 Volume: + Osc %1 volume: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - Met deze knop stel je het volume van oscillator %1 in. Als deze op 0 staat is de oscillator uit. Anders hoor je de oscillator zo hard als jij hem wil. + Met deze knop kunt u het volume van oscillator %1 instellen. Als waarde 0 ingesteld wordt, is de oscillator uitgeschakeld. Anders kunt u de oscillator zo luid horen als u hem hier instelt. Osc %1 panning: - Oscillator %1 Balans: + Osc %1 panning: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - Met deze knop stel je de balans in voor oscillator %1. Een waarde van -100 betekent 100% links en een waarde van 100 verplaatst het geluid volledig naar het rechter kanaal. + Met deze knop kunt u de panning voor oscillator %1 instellen. Een waarde van -100 betekent 100 % links en een waarde van 100 verplaatst de oscillator-uitvoer naar rechts. Osc %1 coarse detuning: - Osc %1 grove ontstemming: + Osc %1 grof ontstemmen: semitones - semitonen + semitonen With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - Met deze knop stel je de grove ontstemming van oscillator %1 in. Je kunt de oscillator 24 seminote (2 oktaven) naar boven of beneden ontstemmen.Dit is bruikbaar voor het maken van geluiden met een akkoord. + Met deze knop kunt u de grove ontstemming van oscillator %1 instellen. U kunt de oscillator 24 semitonen (2 octaven) omhoog en omlaag ontstemmen. Dit is handig om geluiden te maken met een akkoord. Osc %1 fine detuning left: - Oscillator %1 Fijn ontstemming links: + Osc %1 fijn ontstemmen links: cents - + cent With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Met deze knop stel je de fijne ontstemming van oscillator %1 in voor het linker kanaal. Je kunt fijn-ontstemmen met een bereik van -100 cents en +100 cents. Dit is bruikbaar voor het maken van 'vette' geluiden. + Met deze knop kunt u de fijne ontstemming van oscillator %1 instellen voor het linker kanaal. Het fijn-ontstemmen heeft een bereik tussen -100 cent en +100 cent. Dit is bruikbaar voor het maken van "vette" geluiden. Osc %1 fine detuning right: - Oscillator %1 Fijn ontstemming rechts: + Osc %1 fijn ontstemmen rechts: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Met deze knop stel je de fijne ontstemming van oscillator %1 in voor het rechter kanaal. Je kunt fijn-ontstemmen met een bereik van -100 cents en +100 cents. Dit is bruikbaar voor het maken van 'vette' geluiden. + Met deze knop kunt u de fijne ontstemming van oscillator %1 instellen voor het rechter kanaal. Het fijn-ontstemmen heeft een bereik tussen -100 cent en +100 cent. Dit is bruikbaar voor het maken van "vette" geluiden. Osc %1 phase-offset: - Oscillator %1 fase-verschuiving: + Osc %1 faseverschuiving: degrees - graden + graden With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Met deze knop stel je de fase-verschuiving van oscillator %1 in. Dit betekend dat je het punt in de oscillatie waar de oscillator begint te oscilleren kunt verplaatsen. + Met deze knop kunt u de faseverschuiving van oscillator %1 instellen. Dat betekent dat u het punt binnen een oscillatie kunt verplaatsen waar de oscillator begint met oscilleren. Als u bijvoorbeeld een sinusgolf heeft en een faseverschuiving van 180 graden, dan zal de golf eerst naar beneden gaan. Idem voor een blokgolf. Osc %1 stereo phase-detuning: - Oscillator %1 stereo fase-veschuiving: + Osc %1 stereo-fase-ontstemming: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - + Met deze knop kunt u de stereo-fase-ontstemming van oscillator %1 instellen. De stereo-fase-ontstemming bepaalt de grootte van het verschil tussen de faseverschuiving van het linker en rechter kanaal. Dit is zeer goed om wijde stereogeluiden te maken. Use a sine-wave for current oscillator. - + Sinusgolf gebruiken voor huidige oscillator Use a triangle-wave for current oscillator. - + Driehoeksgolf gebruiken voor huidige oscillator Use a saw-wave for current oscillator. - + Zaagtandgolf gebruiken voor huidige oscillator. Use a square-wave for current oscillator. - + Blokgolf gebruiken voor huidige oscillator. Use a moog-like saw-wave for current oscillator. - + Moog-achtige zaagandgolf gebruiken voor huidige oscillator. Use an exponential wave for current oscillator. - + Exponentiële golf gebruiken voor huidige oscillator. Use white-noise for current oscillator. - + Witte ruis gebruiken voor huidige oscillator. Use a user-defined waveform for current oscillator. - + Aangepaste golfvorm gebruiken voor huidige oscillator. VersionedSaveDialog Increment version number - + Versienummer verhogen Decrement version number - + Versienummer verlagen + + + already exists. Do you want to replace it? + VestigeInstrumentView Open other VST-plugin - Open ander VST-plugin + Andere VST-plugin openen Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - Klik hier, wanner je een andere VST-plugin wilt openen. Nadat je op deze knop gedrukt hebt zal er een bestand-openen-dialoog openen en kun je je bestand selecteren. + Klik hier als u een andere VST-plugin wilt openen. Nadat u op deze knop geklikt heeft, opent er een venster om bestanden te openen en kunt u uw bestand selecteren. Show/hide GUI - + GUI weergeven/verbergen Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - Klik hier, wanneer je de Grafische Gebruiker Interface (GUI) van je VST-plugin wilt tonen/verbergen. + Klik hier om de grafische gebruikersinterface (GUI) van uw VST-plugin weer te geven of te verbergen. Turn off all notes - Alle noten verwijderen + Alle noten uitschakelen Open VST-plugin - Open VST-plugin + VST-plugin openen DLL-files (*.dll) - DLL-Bestanden (*.dll) + DLL-bestanden (*.dll) EXE-files (*.exe) - EXE-Bestanden (*.exe) + EXE-bestanden (*.exe) No VST-plugin loaded - Geen VST-plugin geladen + Geen VST-plugin geladen Control VST-plugin from LMMS host - + VST-plugin vanuit LMMS-host bedienen Click here, if you want to control VST-plugin from host. - + Klik hier als u de VST-plugin vanuit de host wilt bedienen. Open VST-plugin preset - + VST-plugin-preset openen Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Klik hier als u een ander *.fxp, *.fxb VST-plugin-preset wilt openen. Previous (-) - + Vorige (-) Click here, if you want to switch to another VST-plugin preset program. - + Klik hier als u wilt wisselen naar een ander VST-plugin-preset-programma. Save preset - + Preset opslaan Click here, if you want to save current VST-plugin preset program. - + Klik hier als u het huidige VST-plugin-preset-programma wilt opslaan. Next (+) - + Volgende (+) Click here to select presets that are currently loaded in VST. - + Klik hier om presets te selecteren die op dit moment in VST geladen zijn. Preset - + Preset by - + door - VST plugin control - + - VST-pluginbediening VisualizationWidget click to enable/disable visualization of master-output - Klik om de master-output visuallisatie in- of uit te schakelen + klikken om visualisatie van master-uitvoer in-/uit te schakelen Click to enable - + Klikken om in te schakelen VstEffectControlDialog Show/hide - + Weergeven/verbergen Control VST-plugin from LMMS host - + VST-plugin vanuit LMMS-host bedienen Click here, if you want to control VST-plugin from host. - + Klik hier als u de VST-plugin vanuit de host wilt bedienen. Open VST-plugin preset - + VST-plugin-preset openen Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Klik hier als u een ander *.fxp, *.fxb VST-plugin-preset wilt openen. Previous (-) - + Vorige (-) Click here, if you want to switch to another VST-plugin preset program. - + Klik hier als u wilt wisselen naar een ander VST-plugin-preset-programma. Next (+) - + Volgende (+) Click here to select presets that are currently loaded in VST. - + Klik hier om presets te selecteren die op dit moment in VST geladen zijn. Save preset - + Preset opslaan Click here, if you want to save current VST-plugin preset program. - + Klik hier als u het huidige VST-plugin-preset-programma wilt opslaan. Effect by: - + Effect door: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin - Plugin laden + Plugin laden Open Preset - + Preset openen Vst Plugin Preset (*.fxp *.fxb) - + Vst-plugin preset (*.fxp *.fxb) : default - + : standaard " - + " ' - + ' Save Preset - + Preset opslaan .fxp - + .fxp .FXP - + .FXP .FXB - + .FXB .fxb - + .fxb Please wait while loading VST plugin... - + Even geduld, VST-plugin wordt geladen... The VST plugin %1 could not be loaded. - + VST-plugin %1 kon niet geladen worden. WatsynInstrument Volume A1 - + Volume A1 Volume A2 - + Volume A2 Volume B1 - + Volume B1 Volume B2 - + Volume B2 Panning A1 - + Panning A1 Panning A2 - + Panning A2 Panning B1 - + Panning B1 Panning B2 - + Panning B2 Freq. multiplier A1 - + Frequentieverm. A1 Freq. multiplier A2 - + Frequentieverm. A2 Freq. multiplier B1 - + Frequentieverm. B1 Freq. multiplier B2 - + Frequentieverm. B2 Left detune A1 - + Links ontstemmen A1 Left detune A2 - + Links ontstemmen A2 Left detune B1 - + Links ontstemmen B1 Left detune B2 - + Links ontstemmen B2 Right detune A1 - + Rechts ontstemmen A1 Right detune A2 - + Rechts ontstemmen A2 Right detune B1 - + Rechts ontstemmen B1 Right detune B2 - + Rechts ontstemmen B2 A-B Mix - + A-B mix A-B Mix envelope amount - + A-B mix hoeveelheid envelope A-B Mix envelope attack - + A-B mix envelope attack A-B Mix envelope hold - + A-B mix envelope hold A-B Mix envelope decay - + A-B mix envelope decay A1-B2 Crosstalk - + A1-B2 overspraak A2-A1 modulation - + A2-A1 modulatie B2-B1 modulation - + B2-B1 modulatie Selected graph - + Geselecteerde grafiek WatsynView Select oscillator A1 - + Oscillator A1 selecteren Select oscillator A2 - + Oscillator A2 selecteren Select oscillator B1 - + Oscillator B1 selecteren Select oscillator B2 - + Oscillator B2 selecteren Mix output of A2 to A1 - + Uitvoer van A2 naar A1 mixen Modulate amplitude of A1 with output of A2 - + Amplitude van A1 moduleren met uitvoer van A2 Ring-modulate A1 and A2 - + A1 en A2 ring-moduleren Modulate phase of A1 with output of A2 - + Fase van A1 moduleren met uitvoer van A2 Mix output of B2 to B1 - + Uitvoer van B2 naar B1 mixen Modulate amplitude of B1 with output of B2 - + Amplitude van B1 moduleren met uitvoer van B2 Ring-modulate B1 and B2 - + B1 en B2 ring-moduleren Modulate phase of B1 with output of B2 - + Fase van B1 moduleren met uitvoer van B2 Draw your own waveform here by dragging your mouse on this graph. - + Teken uw eigen golfvorm hier door uw muis op deze grafiek te slepen. Load waveform - + Golfvorm laden Click to load a waveform from a sample file - + Klikken om een golfvorm van een samplebestand te laden. Phase left - + Fase links Click to shift phase by -15 degrees - + Klikken om fase met -15 graden te verschuiven Phase right - + Fase rechts Click to shift phase by +15 degrees - + Klikken om fase met +15 graden te verschuiven Normalize - Normaliseren + Normaliseren Click to normalize - + Klikken om te normaliseren Invert - + Inverteren Click to invert - + Klikken om te inverteren Smooth - Uitstrijker + Glad Click to smooth - + Klikken om glad te maken Sine wave - Sinus golf + Sinusgolf Click for sine wave - + Klikken voor sinusgolf Triangle wave - Driehoeks golf + Driehoeksgolf Click for triangle wave - + Klikken voor driehoeksgolf Click for saw wave - + Klikken voor zaagtandgolf Square wave - Vierkants golf + Blokgolf Click for square wave - + Klikken voor blokgolf + + + Volume + Volume + + + Panning + Panning + + + Freq. multiplier + Freq. vermenigvuldiger + + + Left detune + Links ontstemmen + + + cents + cent + + + Right detune + Rechts ontstemmen + + + A-B Mix + A-B mix + + + Mix envelope amount + Mix hoeveelheid envelope + + + Mix envelope attack + Mix envelope attack + + + Mix envelope hold + Mix envelope hold + + + Mix envelope decay + Mix envelope decay + + + Crosstalk + Overspraak ZynAddSubFxInstrument Portamento - + Portamento Filter Frequency - + Filter-frequentie Filter Resonance - + Filter-resonantie Bandwidth - + Bandbreedte FM Gain - + FM-versterking Resonance Center Frequency - + Resonantie centerfrequentie Resonance Bandwidth - + Resonantie bandbreedte Forward MIDI Control Change Events - + MIDI control change events doorsturen ZynAddSubFxView Show GUI - + GUI weergeven Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - + Klik hier om de grafische gebruikersinterface (GUI) van ZynAddSubFX weer te geven of te verbergen. Portamento: - + Portamento: PORT - + POORT Filter Frequency: - + Filter-frequentie: FREQ - + FREQ Filter Resonance: - + Filter-resonantie: RES - + RES Bandwidth: - + Bandbreedte: BW - + BW FM Gain: - + FM-versterking: FM GAIN - + FM GAIN Resonance center frequency: - + Resonantie centerfrequentie: RES CF - + RES CF Resonance bandwidth: - + Resonantie bandbreedte: RES BW - + RES BW Forward MIDI Control Changes - + MIDI control changes doorsturen audioFileProcessor Amplify - Versterking + Versterken Start of sample - Begin van de sample + Begin van sample End of sample - Eind van de sample + Einde van sample Reverse sample @@ -6823,35 +7665,35 @@ Zorg ervoor dat je schrijf-bevoegdheid hebt voor deze bestanden en mapen en prob Stutter - + Stutter Loopback point - + Herhaalpunt Loop mode - + Herhaalmodus Interpolation mode - + Interpolatiemodus None - + Geen Linear - + Lineair Sinc - + Sinc Sample not found: %1 - + Sample niet gevonden: %1 @@ -6865,2044 +7707,1945 @@ Zorg ervoor dat je schrijf-bevoegdheid hebt voor deze bestanden en mapen en prob bitInvaderView Sample Length - Sample Lengte + Sample-lengte: Sine wave - Sinus golf + Sinusgolf Triangle wave - Driehoeks golf + Driehoeksgolf Saw wave - Zaagtand golf + Zaagtandgolf Square wave - Vierkants golf + Blokgolf White noise wave - Witte ruis + Witte-ruisgolf User defined wave - Gebruiker gedefinieerde golf + Aangepaste golf Smooth - Uitstrijker + Glad Click here to smooth waveform. - + Klik hier om de golfvorm glad te maken. Interpolation - Interpolatie + Interpolatie Normalize - Normaliseren + Normaliseren Draw your own waveform here by dragging your mouse on this graph. - + Teken uw eigen golfvorm hier door uw muis op deze grafiek te slepen. Click for a sine-wave. - + Klikken voor een sinusgolf. Click here for a triangle-wave. - + Klik hier voor een driehoeksgolf. Click here for a saw-wave. - + Klik hier voor een zaagtandgolf. Click here for a square-wave. - + Klik hier voor een blokgolf. Click here for white-noise. - + Klik hier voor witte ruis. Click here for a user-defined shape. - + Klik hier voor een aangepaste vorm. dynProcControlDialog INPUT - + INVOER Input gain: - + Invoer-gain: OUTPUT - + UITVOER Output gain: - + Uitvoer-gain: ATTACK - + ATTACK Peak attack time: - + Piek-attack-tijd: RELEASE - + RELEASE Peak release time: - + Piek-release-tijd: Reset waveform - + Golfvorm herstellen Click here to reset the wavegraph back to default - + Klik hier om de golfgrafiek terug naar standaard te zetten Smooth waveform - + Golfvorm zacht maken Click here to apply smoothing to wavegraph - + Klik hier om verzachting op de golfgrafiek toe te passen Increase wavegraph amplitude by 1dB - + Golfgrafiek-amplitude verhogen met 1 dB Click here to increase wavegraph amplitude by 1dB - + Klik hier om de golfgrafiek-amplitude te verhogen met 1 dB Decrease wavegraph amplitude by 1dB - + Golfgrafiek-amplitude verlagen met 1 dB Click here to decrease wavegraph amplitude by 1dB - + Klik hier om de golfgrafiek-amplitude te verlagen met 1 dB Stereomode Maximum - + Stereomodus maximum Process based on the maximum of both stereo channels - + Verwerking gebaseerd op het maximum van beide stereokanalen Stereomode Average - + Stereomodus gemiddeld Process based on the average of both stereo channels - + Verwerking gebaseerd op het gemiddelde van beide stereokanalen Stereomode Unlinked - + Stereomodus niet-gekoppeld Process each stereo channel independently - + Elk stereokanaal onafhankelijk verwerken dynProcControls Input gain - + Invoer-gain Output gain - + Uitvoer-gain Attack time - + Attack-tijd Release time - + Release-tijd Stereo mode - + Stereomodus + + + + fxLineLcdSpinBox + + Assign to: + Toewijzen aan: + + + New FX Channel + Nieuw FX-kanaal graphModel Graph - + Grafiek kickerInstrument Start frequency - + Beginfrequentie End frequency - + Eindfrequentie Gain - + Gain Length - + Lengte Distortion Start - + Vervorming-begin Distortion End - + Vervorming-einde Envelope Slope - + Envelope-helling Noise - + Ruis Click - + Klik Frequency Slope - + Frequentie-helling Start from note - + Starten vanaf noot End to note - + Stoppen naar noot kickerInstrumentView Start frequency: - + Beginfrequentie: End frequency: - + Eindfrequentie: Gain: - + Gain: Frequency Slope: - + Frequentie-helling: Envelope Length: - + Envelope-lengte: Envelope Slope: - + Envelope-helling: Click: - + Klik: Noise: - + Ruis: Distortion Start: - + Vervorming-begin: Distortion End: - + Vervorming-einde: ladspaBrowserView Available Effects - + Beschikbare effecten Unavailable Effects - + Niet-beschikbare effecten Instruments - + Instrumenten Analysis Tools - + Analysegereedschappen Don't know - + Onbekend This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. - + Dit venster geeft informatie weer over alle LADSPA-plugins die LMMS kon terugvinden. De plugins worden onderverdeeld in vijf categorieën gebaseerd op een interpretatie van de poorttypes en namen + +Beschikbare effecten zijn diegene die door LMMS gebruikt kunnen worden. Opdat LMMS een effect zou kunnen gebruiken, moet het eerst en vooral een effect zijn, wat betekent dat het invoer- en uitvoerkanalen moet bevatten. LMMS indentificeert een invoerkanaal als een audio-rate-poort die 'in' in de naam bevat. Uitvoerkanalen worden geïdentificeerd door de letters 'out'. Verder moet het effect hetzelfde aantal invoeren en uitvoeren hebben en realtime-capabel zijn. + +Niet-beschikbare effecten zijn diegene die geïdentificeerd werden als effecten maar ofwel niet hetzelfde aantal invoer- en uitvoerkanalen hadden of niet realtime-capabel waren. + +Instrumenten zijn plugins waarbij alleen uitvoerkanalen geïdentificeerd werden. + +Analysegereedschappen zijn plugins waarvoor alleen invoerkanalen geïdentificeerd werden. + +Onbekende zijn plugins waarvoor geen invoer- of uitvoerkanalen geïdentificeerd werden. + +Dubbelklikken op om het even welke plugins zal informatie geven over de poorten. Type: - Soort: + Soort: ladspaDescription Plugins - + Plugins Description - + Beschrijving ladspaPortDialog Ports - + Poorten Name - + Naam Rate - + Ratio Direction - + Richting Type - + Type Min < Default < Max - + Min < standaard < max Logarithmic - + Logaritmisch SR Dependent - + SR-afhankelijk Audio - + Audio Control - + Bediening Input - + Invoer Output - + Uitvoer Toggled - + Gewisseld Integer - + Integer Float - + Float Yes - + Ja lb302Synth VCF Cutoff Frequency - + VCF cutoff-frequentie VCF Resonance - + VCF resonantie VCF Envelope Mod - + VCF envelope-mod VCF Envelope Decay - + VCF envelope-decay Distortion - + Vervorming Waveform - + Golfvorm Slide Decay - + Slide-decay Slide - + Slide Accent - + Accent Dead - + Dead 24dB/oct Filter - + 24dB/oct-filter lb302SynthView Cutoff Freq: - + Cutoff-freq: Resonance: - + Resonantie: Env Mod: - + Env-mod: Decay: - Decay: + Decay: 303-es-que, 24dB/octave, 3 pole filter - + 303-es-que, 24dB/octave, 3 pole filter Slide Decay: - + Slide-decay: DIST: - + DIST: Saw wave - Zaagtand golf + Zaagtandgolf Click here for a saw-wave. - + Klik hier voor een zaagtandgolf. Triangle wave - Driehoeks golf + Driehoeksgolf Click here for a triangle-wave. - + Klik hier voor een driehoeksgolf. Square wave - Vierkants golf + Blokgolf Click here for a square-wave. - + Klik hier voor een blokgolf. Rounded square wave - + Afgeronde blokgolf Click here for a square-wave with a rounded end. - + Klik hier voor een blokgolf met afgerond einde. Moog wave - + Moog-golf Click here for a moog-like wave. - + Klik hier voor een moog-achtige golf. Sine wave - Sinus golf + Sinusgolf Click for a sine-wave. - + Klikken voor sinusgolf. White noise wave - Witte ruis + Witte-ruisgolf Click here for an exponential wave. - + Klik hier voor een exponentiële golf. Click here for white-noise. - + Klik hier voor witte ruis. Bandlimited saw wave - + Bandgelimiteerde zaagtandgolf Click here for bandlimited saw wave. - + Klik hier voor een bandgelimiteerde zaagtandgolf. Bandlimited square wave - + Bandgelimiteerde blokgolf Click here for bandlimited square wave. - + Klik hier voor een bandgelimiteerde blokgolf. Bandlimited triangle wave - + Bandgelimiteerde driehoeksgolf Click here for bandlimited triangle wave. - + Klik hier voor een bandgelimiteerde driehoeksgolf. Bandlimited moog saw wave - + Bandgelimiteerde moog-zaagtandgolf Click here for bandlimited moog saw wave. - - - - - lb303Synth - - VCF Cutoff Frequency - - - - VCF Resonance - - - - VCF Envelope Mod - - - - VCF Envelope Decay - - - - Distortion - - - - Waveform - - - - Slide Decay - - - - Slide - - - - Accent - - - - Dead - - - - 24dB/oct Filter - - - - - lb303SynthView - - Cutoff Freq: - - - - CUT - - - - Resonance: - - - - RES - - - - Env Mod: - - - - ENV MOD - - - - Decay: - Decay: - - - DEC - DEC - - - 303-es-que, 24dB/octave, 3 pole filter - - - - Slide Decay: - - - - SLIDE - - - - DIST: - - - - DIST - - - - WAVE: - - - - WAVE - + Klik hier voor een bandgelimiteerde moog-zaagtandgolf. malletsInstrument Hardness - + Hardheid Position - + Positie Vibrato Gain - + Vibrato-gain Vibrato Freq - + Vibrato-freq Stick Mix - + Stick-mix Modulator - + Modulator Crossfade - + Crossfade LFO Speed - + LFO-snelheid LFO Depth - + LFO-diepte ADSR - + ADSR Pressure - + Druk Motion - + Beweging Speed - + Snelheid Bowed - + Gebogen Spread - + Spreiding Marimba - + Marimba Vibraphone - + Vibraphone Agogo - + Agogo Wood1 - + Wood1 Reso - + Reso Wood2 - + Wood2 Beats - + Beats Two Fixed - + Two Fixed Clump - + Clump Tubular Bells - + Tubular bells Uniform Bar - + Uniforme balk Tuned Bar - + Gestemde balk Glass - + Glas Tibetan Bowl - - - - Missing files - - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - + Tibetaanse kom malletsInstrumentView Instrument - + Instrument Spread - + Spreiding Spread: - + Spreiding: Hardness - + Hardheid Hardness: - + Hardheid: Position - + Positie Position: - + Positie: Vib Gain - + Vib-gain Vib Gain: - + Vib-gain: Vib Freq - + Vib-freq Vib Freq: - + Vib-freq: Stick Mix - + Stick-mix Stick Mix: - + Stick-mix: Modulator - + Modulator Modulator: - + Modulator: Crossfade - + Crossfade Crossfade: - + Crossfade: LFO Speed - + LFO-snelheid LFO Speed: - + LFO-snelheid: LFO Depth - + LFO-diepte LFO Depth: - + LFO-diepte: ADSR - + ADSR ADSR: - - - - Bowed - + ADSR: Pressure - + Druk Pressure: - - - - Motion - - - - Motion: - + Druk: Speed - + Snelheid Speed: - + Snelheid: - Vibrato - + Missing files + Ontbrekende bestanden - Vibrato: - + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + Uw Stk-installatie lijkt onvolledig te zijn. Verzeker u ervan dat het volledige Stk-pakket geïnstalleerd is manageVSTEffectView - VST parameter control - + - VST parameterbediening VST Sync - + VST sync Click here if you want to synchronize all parameters with VST plugin. - + Klik hier als u alle parameters met VST-plugin wilt synchroniseren. Automated - + Geautomatiseerd Click here if you want to display automated parameters only. - + Klik hier als u alleen geautomatiseerde parameters wilt weergeven. Close - + Sluiten Close VST effect knob-controller window. - + Venster voor VST-effect-knop-bediening sluiten. manageVestigeInstrumentView - VST plugin control - + - VST-pluginbediening VST Sync - + VST sync Click here if you want to synchronize all parameters with VST plugin. - + Klik hier als u alle parameters met VST-plugin wilt synchroniseren. Automated - + Geautomatiseerd Click here if you want to display automated parameters only. - + Klik hier als u alleen geautomatiseerde parameters wilt weergeven. Close - + Sluiten Close VST plugin knob-controller window. - + Venster voor VST-plugin-knop-bediening sluiten. opl2instrument Patch - + Patch Op 1 Attack - + Op 1 attack Op 1 Decay - + Op 1 decay Op 1 Sustain - + Op 1 sustain Op 1 Release - + Op 1 release Op 1 Level - + Op 1 niveau Op 1 Level Scaling - + Op 1 niveauschaling Op 1 Frequency Multiple - + Op 1 frequentie meerdere Op 1 Feedback - + Op 1 feedback Op 1 Key Scaling Rate - + Op 1 toets schalingsratio Op 1 Percussive Envelope - + Op 1 percussieve envelope Op 1 Tremolo - + Op 1 tremolo Op 1 Vibrato - + Op 1 vibrato Op 1 Waveform - + Op 1 golfvorm Op 2 Attack - + Op 2 attack Op 2 Decay - + Op 2 decay Op 2 Sustain - + Op 2 sustain Op 2 Release - + Op 2 release Op 2 Level - + Op 2 niveau Op 2 Level Scaling - + Op 2 niveauschaling Op 2 Frequency Multiple - + Op 2 frequentie meerdere Op 2 Key Scaling Rate - + Op 2 toets schalingsratio Op 2 Percussive Envelope - + Op 2 percussieve envelope Op 2 Tremolo - + Op 2 tremolo Op 2 Vibrato - + Op 2 vibrato Op 2 Waveform - + Op 2 golfvorm FM - + FM Vibrato Depth - + Vibrato-diepte Tremolo Depth - + Tremolo-diepte + + + + opl2instrumentView + + Attack + Attack + + + Decay + Decay + + + Release + Release + + + Frequency multiplier + Frequentievermenigvuldiger organicInstrument Distortion - + Vervorming Volume - Volume + Volume organicInstrumentView Distortion: - + Vervorming: Volume: - Volume: + Volume: Randomise - Willekeurig + Willekeuring maken Osc %1 waveform: - Oscillator %1 Golfvorm: + Osc %1 golfvorm: Osc %1 volume: - Oscillator %1 Volume: + Osc %1 volume: Osc %1 panning: - Oscillator %1 Balans: + Osc %1 panning: cents - + cent The distortion knob adds distortion to the output of the instrument. - + De distortion-knop voegt vervorming toe aan de uitvoer van het instrument. The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + De volumeknop bedint het volume van de uitvoer van het instrument. Het is cumulatief met de volumebediening van het instrumentvenster. The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + De willekeurigheids-knop maakt alle knoppen willekeurig behalve de harmonischen, het hoofdvolume en de distortion-knoppen. Osc %1 stereo detuning - + Osc %1 stereo-ontstemming Osc %1 harmonic: - + Osc %1 harmonisch: papuInstrument Sweep time - + Sweep-tijd Sweep direction - + Sweep-richting Sweep RtShift amount - + Sweep hoeveelheid RtShift Wave Pattern Duty - + Golfpatroon-inschakeltijd Channel 1 volume - + Volume kanaal 1 Volume sweep direction - + Volume sweep-richting Length of each step in sweep - + Lengte van elke stap in sweep Channel 2 volume - + Volume kanaal 2 Channel 3 volume - + Volume kanaal 3 Channel 4 volume - + Volume kanaal 4 Right Output level - + Rechter uitvoerniveau Left Output level - + Linker uitvoerniveau Channel 1 to SO2 (Left) - + Kanaal 1 naar SO2 (links) Channel 2 to SO2 (Left) - + Kanaal 2 naar SO2 (links) Channel 3 to SO2 (Left) - + Kanaal 3 naar SO2 (links) Channel 4 to SO2 (Left) - + Kanaal 4 naar SO2 (links) Channel 1 to SO1 (Right) - + Kanaal 1 naar SO1 (rechts) Channel 2 to SO1 (Right) - + Kanaal 2 naar SO1 (rechts) Channel 3 to SO1 (Right) - + Kanaal 3 naar SO1 (rechts) Channel 4 to SO1 (Right) - + Kanaal 4 naar SO1 (rechts) Treble - + Treble Bass - + Bass Shift Register width - + Registerbreedte verschuiven papuInstrumentView Sweep Time: - + Sweep-tijd: Sweep Time - + Sweep-tijd Sweep RtShift amount: - + Sweep hoeveelheid RtShift: Sweep RtShift amount - + Sweep hoeveelheid RtShift Wave pattern duty: - + Golfpatroon-inschakeltijd: Wave Pattern Duty - + Golfpatroon-inschakeltijd Square Channel 1 Volume: - + Blok kanaal 1 volume: Length of each step in sweep: - + Lengte van elke stap in sweep: Length of each step in sweep - + Lengte van elke stap in sweep Wave pattern duty - + Golfpatroon-inschakeltijd Square Channel 2 Volume: - + Blok kanaal 2 volume: Square Channel 2 Volume - + Blok kanaal 2 volume Wave Channel Volume: - + Golf kanaal volume: Wave Channel Volume - + Golf kanaal volume Noise Channel Volume: - + Ruis kanaal volume: Noise Channel Volume - + Ruis kanaal volume SO1 Volume (Right): - + S01 volume (rechts): SO1 Volume (Right) - + SO1 volume (rechts) SO2 Volume (Left): - + S02 volume (links): SO2 Volume (Left) - + SO2 volume (links) Treble: - + Treble: Treble - + Treble Bass: - + Bass: Bass - + Bass Sweep Direction - + Sweep-richting Volume Sweep Direction - + Volume sweep-richting Shift Register Width - + Registerbreedte verschuiven Channel1 to SO1 (Right) - + Kanaal1 naar SO1 (rechts) Channel2 to SO1 (Right) - + Kanaal2 naar SO1 (rechts) Channel3 to SO1 (Right) - + Kanaal3 naar SO1 (rechts) Channel4 to SO1 (Right) - + Kanaal4 naar SO1 (rechts) Channel1 to SO2 (Left) - + Kanaal1 naar SO2 (links) Channel2 to SO2 (Left) - + Kanaal2 naar SO2 (links) Channel3 to SO2 (Left) - + Kanaal3 naar SO2 (links) Channel4 to SO2 (Left) - + Kanaal4 naar SO2 (links) Wave Pattern - + Golfpatroon The amount of increase or decrease in frequency - + De hoeveelheid verhoging of verlaging in frequentie The rate at which increase or decrease in frequency occurs - + De ratio waarop verhoging of verlaging in frequentie zich voordoet The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - + De inschakeltijd is de ratio van de duur (tijd) dat een signaal AAN is versus de totale periode van het signaal. Square Channel 1 Volume - + Blok kanaal 1 volume The delay between step change - + Delay tussen stapwijziging Draw the wave here - + Teken de golf hier - pluginBrowser + patchesDialog - VST-host for using VST(i)-plugins within LMMS - VST-Host voor bebruik van VST(i)-Plugins binnen LMMS + Qsynth: Channel Preset + Qsynth: kanaal-preset - no description - geen beschrijving + Bank selector + Bank-selector - Additive Synthesizer for organ-like sounds - Additive Synthesizer voor orgelachtige geluiden + Bank + Bank - Vibrating string modeler - Vibrerende snaarinstrument modeler + Program selector + Program-selector - Filter for importing MIDI-files into LMMS - Filter, om MIDI-bestanden in LMMS te importeren + Patch + Patch + + + Name + Naam - Filter for importing FL Studio projects into LMMS - Filter voor importeren van FL Studio Projecten in LMMS + OK + Ok + + + Cancel + Annuleren + + + + pluginBrowser + + no description + geen beschrijving Incomplete monophonic imitation tb303 - + Onvoltooide monofonische limitering tb303 Plugin for freely manipulating stereo output - + Plugin voor het vrij manipuleren voor stereo-uitoer Plugin for controlling knobs with sound peaks - + Plugin voor het bedienen van knoppen met geluidspieken Plugin for enhancing stereo separation of a stereo input file - + Plugin voor het verbeteren van stereo-scheiding van een stereo-invoerbestand. List installed LADSPA plugins - + Geïnstalleerde LADSPA-plugins oplijsten GUS-compatible patch instrument - + GUS-compatibel patch-instrument + + + Additive Synthesizer for organ-like sounds + Additive Synthesizer voor orgelachtige geluiden Tuneful things to bang on - + Welluidende zaken om te knallen + + + VST-host for using VST(i)-plugins within LMMS + VST-Host voor gebruik van VST(i)-plugins binnen LMMS + + + Vibrating string modeler + Modeler voor trillende snaren plugin for using arbitrary LADSPA-effects inside LMMS. - + plugin voor het gebruik van arbitraire LADSPA-effecten binnen LMMS. + + + Filter for importing MIDI-files into LMMS + Filter, om MIDI-bestanden in LMMS te importeren Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. - + Emulatie van de MOS6581 en MOS8580 SID. +Deze chip werd gebruikt in de Commodore 64 computer. Player for SoundFont files - + Speler voor SoundFont-bestanden Emulation of GameBoy (TM) APU - + Emulatie van GameBoy (TM) APU Customizable wavetable synthesizer - + Aanpasbare wavetable-synthesizer Embedded ZynAddSubFX - + Ingebedde ZynAddSubFX 2-operator FM Synth - + 2-operator FM-synth Filter for importing Hydrogen files into LMMS - + Filter voor importeren van Hydrogen-bestanden in LMMS LMMS port of sfxr - + LMMS port van sfxr Monstrous 3-oscillator synth with modulation matrix - + Monsterlijke 3-oscillator synth met modulatiematrix Three powerful oscillators you can modulate in several ways - + Drie krachtige oscillators die u op verschillende manieren kunt moduleren A native amplifier plugin - + Een ingebouwde versterker-plugin Carla Rack Instrument - + Carla Rack instrument 4-oscillator modulatable wavetable synth - + 4-oscillator moduleerbare wavetable-synth plugin for waveshaping - + plugin voor golfvorming Boost your bass the fast and simple way - + Versterk uw bas snel en eenvoudig Versatile drum synthesizer - + Veelzijdige drum-synthesizer Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + Simpele sampler met verschillende instellingen voor het gebruik van samples (bijvoorbeeld drums) in een instrument-track plugin for processing dynamics in a flexible way - + plugin voor het verwerken van dynamieken op een flexibele manier Carla Patchbay Instrument - + Carla Patchbay instrument plugin for using arbitrary VST effects inside LMMS. - + plugin voor het gebruik van arbitraire VST-effecten binnen LMMS. Graphical spectrum analyzer plugin - + Grafische spectrum-analyse-plugin A NES-like synthesizer - + Een NES-achtige synthesizer + + + A native delay plugin + Een ingebouwde delay-plugin Player for GIG files - + Speler voor GIG-bestanden A multitap echo delay plugin - + Een multitap-echo-delay-plugin A native flanger plugin - - - - A native delay plugin - + Een ingebouwde flanger-plugin An oversampling bitcrusher - + Een oversampling-bitcrusher A native eq plugin - + Een ingebouwde eq-plugin A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - - - - Dummy (no sound output) - - - - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - + Een 4-band crossover-equalizer - WinMM MIDI - + A Dual filter plugin + Een dual-filter-plugin - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + Filter voor exporteren van MIDI-bestanden van LMMS sf2Instrument Bank - + Bank Patch - + Patch Gain - + Gain Reverb - + Reverb Reverb Roomsize - + Reverb kamergrootte Reverb Damping - + Reverb demping Reverb Width - + Reverb-breedte Reverb Level - + Reverb niveau Chorus - + Chorus Chorus Lines - + Chorus lines Chorus Level - + Chorus niveau Chorus Speed - + Chorus snelheid Chorus Depth - + Chorus diepte A soundfont %1 could not be loaded. - + Een soundfont &1 kon niet geladen worden. sf2InstrumentView Open other SoundFont file - + Ander SoundFont-bestand openen Click here to open another SF2 file - + Klik hier om een ander SF2-bestand te openen Choose the patch - + Patch kiezen Gain - + Gain Apply reverb (if supported) - + Reverb toepassen (indien ondersteund) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. - + Deze knop schakelt het reverb-effect in. Dit is bruikbaar voor coole effecten, maar werkt alleen op bestanden die het ondersteunen. Reverb Roomsize: - + Reverb kamergrootte: Reverb Damping: - + Reverb demping: Reverb Width: - + Reverb breedte: Reverb Level: - + Reverb niveau: Apply chorus (if supported) - + Chorus toepassen (indien ondersteund) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. - + Deze knop schakelt het chorus-effect in. Dit is bruikbaar voor coole echo-effecten, maar werkt alleen op bestanden die het ondersteunen. Chorus Lines: - + Chorus lines: Chorus Level: - + Chorus niveau: Chorus Speed: - + Chorus snelheid: Chorus Depth: - + Chorus diepte: Open SoundFont file - + SoundFont-bestand openen SoundFont2 Files (*.sf2) - + SoundFont2-bestanden (*.sf2) sfxrInstrument Wave Form - + Golfvorm sidInstrument Cutoff - + Cutoff Resonance - + Resonantie Filter type - Filtersoort + Filtersoort Voice 3 off - + Stem 3 off Volume - Volume + Volume Chip model - + Chip-model sidInstrumentView Volume: - Volume: + Volume: Resonance: - + Resonantie: Cutoff frequency: - + Cutoff-frequentie: High-Pass filter - + Highpass-filter Band-Pass filter - + Bandpass-filter Low-Pass filter - + Lowpass-filter Voice3 Off - + Stem3 off MOS6581 SID - + MOS6581 SID MOS8580 SID - + MOS8580 SID Attack: - Attack: + Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - + Attack-ratio bepaalt hoe snel de uitvoer van stem %1 stijgt van nul naar piek-amplitude. Decay: - Decay: + Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - + Decay-ratio bepaalt hoe snel de uitvoer valt van de piek-amplitude naar het geselecteerde sustain-niveau. Sustain: - Sustain: + Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - + Uitvoer van stem %1 zal op de geselecteerde sustain-amplitude blijven zolang de noot aangehouden wordt. Release: - Release: + Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - + De uitvoer van stem %1 zal vallen van sustain-amplitude naar nul-amplitude met de geselecteerde release-ratio. Pulse Width: - + Pulsbreedte: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - + De pulsbreedte-resolutie laat toe dat de breedte vloeiend gesweept wordt zonder onderscheidbare stappen. De puls-golfvorm op oscillator %1 moet geselecteerd worden om enig hoorbaar effect te hebben. Coarse: - + Grof: The Coarse detuning allows to detune Voice %1 one octave up or down. - + De grove ontstemming laat toe om stem %1 een octaaf omhoog of omlaag te ontstemmen. Pulse Wave - + Pulsgolf Triangle Wave - + Driehoeksgolf SawTooth - + Zaagtand Noise - + Ruis Sync - Synchroon + Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - + Sync synchroniseert de fundamentele frequentie van oscillator %1 met de fundamentele frequentie van oscillator %2 wat "hard sync"-effecten produceert. Ring-Mod - + Ring-mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - + Ring-mod vervangt de driehoeksgolfvorm-uitvoer van oscillator %1 met een "ringgemoduleerde" combinatie van oscillators %1 en %2. Filtered - + Gefilterd When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - + Wanneer gefilterd aan is, zal stem %1 verwerkt worden via de filter. Wanneer gefilterd uit is, verschijnt stem %1 direct aan de uitvoer en heeft de filter er geen effect op. Test - + Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - + Test, wanneer ingesteld, herstelt en vergrendelt oscillator %1 op nul totdat test uitgeschakeld wordt. stereoEnhancerControlDialog WIDE - + WIDE Width: - + Breedte: stereoEnhancerControls Width - + Breedte stereoMatrixControlDialog Left to Left Vol: - + Links naar links vol: Left to Right Vol: - + Links naar rechts vol: Right to Left Vol: - + Rechts naar links vol: Right to Right Vol: - + Rechts naar rechts vol: stereoMatrixControls Left to Left - + Links naar links Left to Right - + Links naar rechts Right to Left - + Rechts naar links Right to Right - + Rechts naar rechts @@ -8913,377 +9656,374 @@ This chip was used in the Commodore 64 computer. Please wait while loading VST-plugin... - Wacht aub, de VST-plugin word geladen... + Even geduld bij het laden van VST-plugin... vibed String %1 volume - + Snaar %1 volume String %1 stiffness - + Snaar %1 hardheid Pick %1 position - + Aanslag %1 positie Pickup %1 position - + Pickup %1 positie Pan %1 - + Pan %1 Detune %1 - + Ontstemmen %1 Fuzziness %1 - + Ruigheid %1 Length %1 - + Lengte %1 Impulse %1 - + Impuls %1 Octave %1 - + Octaaf %1 vibedView Volume: - Volume: + Volume: The 'V' knob sets the volume of the selected string. - De 'V' knop stelt het volume in van de geselecteerde snaar. + De 'V'-knop stelt het volume in van de geselecteerde snaar. String stiffness: - Hardheid snaar: + Hardheid snaar: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - De 'S' knop stelt de stijfheid in van de geselecteerde snaar. De stijfheid van de snaar bepaalt hoe lang de snaar uittrilt. Hoe lager de waarde, hoe langer de snaar trilt. + De 'S'-knop stelt de hardheid (stijfheid) in van de geselecteerde snaar. De hardheid van de snaar beïnvloedt hoe lang de snaar zal blijven klinken. Hoe lager de instelling, hoe langer de snaar zal klinken. Pick position: - Aanslag-positie: + Aanslagpositie: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - De 'P' knop stelt de aanslagpositie in van de snaar aangeven. Hoe lager de waarde hoe dichter er bij de brug word aangeslagen. + De 'P'-knop stelt de positie in waar de geselecteerde snaar aangeslagen zal worden. Hoe lager de instelling, hoe dichter de aanslag bij de brug is. Pickup position: - Pickup positie: + Pickup-positie: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - De 'PU' knop stelt de positie in waar de trilling van de snaar word opgepikt. Hoe lager de waarde, hoe dichter de pickup bij de brug geplaatst is. + De 'PU'-knop stelt de positie in waar de trillingen gemonitord worden voor de geselecteerde snaar. Hoe lager de instelling, hoe dichter de pickup bij de brug is. Pan: - Balans: + Pan: The Pan knob determines the location of the selected string in the stereo field. - De Balans knop bepaalt de plek van het geluid in het stereo-beeld. - + De pan-knop bepaalt de locatie van de geselecteerde snaar in het stereo-veld. Detune: - Ontstemming: + Ontstemmen: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - De ontstemknop verandert de toonhoogte van de aangelsgen snaar. Instellingen lager dan 0 zullen het geluid vlakker laten klinken, terwijl het geluid met waarden boven 0 scherper zal worden. + De ontstemknop wijzigt de toonhoogte van de geselecteerde snaar. Instellingen lager dan nul zullen de snaar "flat" laten klinken. Instellingen groter dan nul zullen de snaar scherper laten klinken. Fuzziness: - Ruigheid: + Ruigheid: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - De Slap knop voegt ruigheid toe aan de geselecteerde snaar en is het meest merkbaar in de attack-fase. Tevens kan dit gebruikt worden om de snaar meer 'metallic' te laten klinken. + De slap-knop voegt een beetje ruigheid toe aan de geselecteerde snaar en is het meest merkbaar tijdens de attack-fase, hoewel het ook gebruikt kan worden om de snaar meer 'metaalachtig' te laten klinken. Length: - Lengte: + Lengte: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - De lengteknop stelt de lengte van de geselecteerde snaar in. Langere snaren klinken langer en helderder, maar dit vergt wel weer meer van de processor. - + De lengte-knop stelt de lengte in van de geselecteerde snaar. Langere snaren zullen langer trillen en helderder klinken, maar ze zullen ook meer processorcyclussen opeten. Impulse or initial state - Impuls of begininstelling + Impuls of begininstelling The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - De 'Imp'-knop legt vast of de golfvorm in de grafiek word behandeld als een impulsgever op de snaar tijdens aanslaan, of als de begininstelling van een snaar. - + De 'imp'-selector bepaalt of de golfvorm in de grafiek behandeld moet worden als een impulsgever op de snaar tijdens het aanslaan of de begininstelling van de snaar. Octave - + Octaaf The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - De oktaaf-kiezer word gebruikt voor het kiezen met welke harmonische van de noot de snaar zal klinken. Bij '-2' betekent dit bv. dat de snaar 2 oktaven onder de grondtoon ('F') komt. + De octaaf-selector wordt gebruikt om te kiezen welke harmonische van de noot de snaar zal klinken. Bijvoorbeeld, '-2' betekent dat de snaar twee octaven onder de grondtoon zal trillen, 'F' betekent dat de snaar op de grondtoon zal klinken, en '6' betekent dat de snaar zes octaven boven de grondtoon zal trillen. Impulse Editor - + Impuls-editor - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. - De golfvorm bewerker levert controle over de aanvangstoestand of impuls welke word gebruikt om een snaar te laten trillen. De knoppen aan de rechterkant van de grafiek geven aan welke golfvorm geselecteerd is. De '?' knop laadt een golfvorm-bestand-alleen de eerste 128 samples worden geladen. + De Golfvorm-editor voorziet controle over de beginstatus of impuls die gebruikt wordt om de snaar te laten trillen. De knoppen rechts van de grafiek zullen de golfvorm initialiseren naar het geselecteerde type. De '?'-knop zal een golfvorm laden van een bestand - slechts de eerste 128 samples zullen geladen worden. De golfvorm kan ook in de grafiek getekend worden. -De 'S' knop zal de golfvorm uitstrijken (egaler maken). +De 'S'-knop zal de golfvorm vloeiend maken. -De 'N; knop zal de golfvorm normaliseren. +De 'N'-knop zal de golfvorm normaliseren. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. - Vibed modeleert tot 9 individuele snaren. De 'Snaren' kiezer maakt het mogelijk om de geselecteerde snaar te bewerken. Met 'Imp' kiezer geef je aan of de grafiek de impuls of de beginwaarde weergeeft. Met de 'Octave' kiezer selecteer je de harmonischen waar de snaar mee trilt. + Vibed modelleert to negen onafhankelijk trillende snaren. De 'snaar'-selector laat u toe om te kiezen welke snaar bewerkt wordt. De 'imp'-selector kiest of de grafiek een impuls of de initiële status van de snaar weergeeft. De 'octaaf'-selector kiest op welke harmonische de snaar moet trilen. -De grafiek geeft je de mogelijkheid de beginwaarde en de impuls te beheren om de snaar in beweging te zetten. +De grafiek laat u toe om de initiële status of impuls gebruikt om de snaar te laten bewegen, in te stellen. -De 'V' knop stelt het volume in. De 'S' knop stelt de stijfheid in. De 'P' knop stelt de aanslagpositie in. De 'PU' knop stelt de positie van de pichup in. +De 'V'-knop bedient het vollume. De 'S'-knop bedient de hardheid van de snaar. De 'P'-knop bedient de aanslagpositie. De 'PU'-knop bedient de pickup-positie. -'Pan' (balans) en 'Detune' (ontstemming) behoeven geen uitleg. De 'Slap' knop voegt wat ruigheid toe aan het geluid van de snaar. +'Pan' en 'ontstemmen' hebben hopelijk geen uitleg nodig. De 'slap'-knop voegt wat ruigheid toe aan het geluid van de snaar. -De lengteknop stelt de lengte van de snaar in. +De 'lengte'-knop bedient de lengte van de snaar. -De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de snaar actief is in het huidige instrument. +De LED in de hoek rechtsonder van de golfvorm-editor bepaalt of de snaar actief is in het huidige instrument. Enable waveform - Golfvorm activeren + Golfvorm activeren Click here to enable/disable waveform. - Klik hier, om een golfvorm te activeren/deactiveren. + Klik hier om een golfvorm in-/uit te schakelen. String - + Snaar The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - De snaar-kiezer word gebruikt voor het kiezen van de snar welke bewerkt word. Een Vibed instrument kan tot 9 individueel trillende snaren bevatten. De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de geselecteerde snaar actief is. + De snaar-selector wordt gebruikt om te kiezen welke snaar de bedieningen bewerken. Een Vibed-instrument kan tot negen onafhankelijk trillende snaren bevatten. De LED in de hoek rechtsonder van de golfvorm-editor geeft aan of de geselecteerde snaar actief is. Sine wave - Sinus golf + Sinusgolf Triangle wave - Driehoeks golf + Driehoeksgolf Saw wave - Zaagtand golf + Zaagtandgolf Square wave - Vierkants golf + Blokgolf White noise wave - Witte ruis + Witte-ruisgolf User defined wave - Gebruiker gedefinieerde golf + Aangepaste golf Smooth - Uitstrijker + Glad Click here to smooth waveform. - + Klik hier om de golfvorm glad te maken. Normalize - Normaliseren + Normaliseren Click here to normalize waveform. - Klik hier, om de golfvorm te normaliseren. + Klik hier om de golfvorm te normaliseren. Use a sine-wave for current oscillator. - + Sinusgolf gebruiken voor huidige oscillator. Use a triangle-wave for current oscillator. - + Driehoeksgolf gebruiken voor huidige oscillator. Use a saw-wave for current oscillator. - + Zaagtandgolf gebruiken voor huidige oscillator. Use a square-wave for current oscillator. - + Blokgolf gebruiken voor huidige oscillator. Use white-noise for current oscillator. - + Witte ruis gebruiken voor huidige oscillator. Use a user-defined waveform for current oscillator. - + Aangepaste golfvorm gebruiken voor huidige oscillator. voiceObject Voice %1 pulse width - + Stem %1 pulsbreedte Voice %1 attack - + Stem %1 attack Voice %1 decay - + Stem %1 decay Voice %1 sustain - + Stem %1 sustain Voice %1 release - + Stem %1 release Voice %1 coarse detuning - + Stem %1 grof ontstemmen Voice %1 wave shape - + Stem %1 golfvorm Voice %1 sync - + Stem %1 sync Voice %1 ring modulate - + Stem %1 ring-modulatie Voice %1 filtered - + Stem %1 gefilterd Voice %1 test - + Stem %1 test waveShaperControlDialog INPUT - + INVOER Input gain: - + Invoer-gain: OUTPUT - + UITVOER Output gain: - + Uitvoer-gain: Reset waveform - + Golfvorm herstellen Click here to reset the wavegraph back to default - + Klik hier om de golfgrafiek terug naar standaard te zetten Smooth waveform - + Golfvorm zacht maken Click here to apply smoothing to wavegraph - + Klik hier om verzachting op de golfgrafiek toe te passen Increase graph amplitude by 1dB - + Grafiek-amplitude verhogen met 1 dB Click here to increase wavegraph amplitude by 1dB - + Klik hier om de golfgrafiek-amplitude te verhogen met 1 dB Decrease graph amplitude by 1dB - + Grafiek-amplitude verlagen met 1 dB Click here to decrease wavegraph amplitude by 1dB - + Klik hier om de golfgrafiek-amplitude te verlagen met 1 dB Clip input - + Invoer clippen Clip input signal to 0dB - + Invoersignaal clippen naar 0 dB waveShaperControls Input gain - + Invoer-gain Output gain - + Uitvoer-gain - + \ No newline at end of file diff --git a/data/locale/pl.ts b/data/locale/pl.ts index b78dfe68a0b..2e8f989ce5a 100644 --- a/data/locale/pl.ts +++ b/data/locale/pl.ts @@ -1,6 +1,4 @@ - - - + AboutDialog @@ -44,82 +42,82 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Licencja - Copyright (c) 2004-2014, LMMS developers - Copyright (c) 2004-2010, LMMS developers {2004-2014,?} + LMMS + LMMS - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - + Involved + Zaangażowani - LMMS - LMMS + Contributors ordered by number of commits: + - Involved - + Copyright © %1 + Prawa autorskie © %1 - Contributors ordered by number of commits: - + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog VOL - VOL + VOL Volume: - Głośność: + Głośność: PAN - PAN + PAN Panning: - Panoramowanie: + Panoramowanie: LEFT - + Left gain: - + RIGHT - + Right gain: - + AmplifierControls Volume - Głośność + Głośność Panning - Panoramowanie + Panoramowanie Left gain - + Right gain - + - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE URZĄDZENIE @@ -165,54 +163,54 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Continue sample playback across notes - + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - + Disable loop - + Wyłącz zapętlanie This button disables looping. The sample plays only once from start to end. - + Enable loop - + This button enables forwards-looping. The sample loops between the end point and the loop point. - + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + Loopback point: - + With this knob you can set the point where the loop starts. - + AudioFileProcessorWaveView Sample length: - + @@ -235,11 +233,11 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: CLIENT-NAME - NAZWA-KLIENTA + CHANNELS - KANAŁY + KANAŁY @@ -282,6 +280,28 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: URZĄDZENIE + + AudioSndio::setupWidget + + DEVICE + URZĄDZENIE + + + CHANNELS + KANAŁY + + + + AudioSoundIo::setupWidget + + BACKEND + BACKEND + + + DEVICE + URZĄDZENIE + + AutomatableModel @@ -322,11 +342,11 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Remove song-global automation - + Remove all linked controls - + @@ -348,119 +368,143 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: AutomationEditorWindow Play/pause current pattern (Space) - Odtwórz/zatrzymaj aktualny pattern (Spacja) + Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - Kliknij tutaj jeśli chcesz odtworzyć aktualny pattern. Ta opcja jest przydatna przy edytowaniu patternu - zostanie on automatycznie zapętlony. + Stop playing of current pattern (Space) - + Click here if you want to stop playing of the current pattern. - Kliknij tutaj jeśli chcesz zatrzymać odtwarzanie aktualnego patternu. + Draw mode (Shift+D) - Tryb rysowania (Shift+D) + Erase mode (Shift+E) - Tryb wymazywania (Shift+E) + Flip vertically - + Flip horizontally - + Click here and the pattern will be inverted.The points are flipped in the y direction. - + Click here and the pattern will be reversed. The points are flipped in the x direction. - + Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - Kliknij tutaj aby przejść do trybu rysowania. W tym trybie możesz dodawać i przemieszczać pojedyńcze wartości. To domyślny tryb, który będziesz wykorzystywać przez większość czasu. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+D'. + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - Kliknij tutaj aby przejść do trybu kasowania. W tym trybie możesz usuwać pojedyńcze wartości. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+E'. + Discrete progression - + Linear progression - + Cubic Hermite progression - + Tension value for spline - + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - + Cut selected values (%1+X) - Wytnij zaznaczone elementy (%1+X) + Copy selected values (%1+C) - Skopiuj zaznaczone elementy (%1+C) + Paste values from clipboard (%1+V) - + Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Kliknij tutaj a zaznaczone elementy zostaną wycięte i umieszczone w schowku. Możesz je wkleić gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. + Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Kliknij tutaj a zaznaczone elementy zostaną skopiowane do schowka. Możesz je wkleić gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. + Click here and the values from the clipboard will be pasted at the first visible measure. - Kliknij tutaj a elementy ze schowka zostaną przeklejone w miejsce zaznaczenia. + Tension: - + Automation Editor - no pattern - Edytor automatyki - brak patternu + Automation Editor - %1 - Edytor Automatyki - %1 + + + + Edit actions + + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls + + + + Model is already connected to this pattern. + @@ -469,10 +513,6 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Drag a control while pressing <%1> Przeciągnij trzymając wciśnięty klawisz <%1> - - Model is already connected to this pattern. - - AutomationPatternView @@ -506,15 +546,19 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Set/clear record - Ustaw/wyczyść nagranie + Flip Vertically (Visible) - + Flip Horizontally (Visible) - + + + + Model is already connected to this pattern. + @@ -528,220 +572,236 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: BBEditor Beat+Bassline Editor - Edytor Perkusji i Basu + Pokaż/ukryj Edytor Perkusji i Basu Play/pause current beat/bassline (Space) - Odtwórz/Zapałzuj bieżącą linię perkusyjną/basową (Spacja) + Stop playback of current beat/bassline (Space) - Zatrzymaj odtwarzanie bieżącej linii perkusyjnej/basowej (Spacja) + Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - Kliknij tutaj, aby odtworzyć bieżącą linię perkusyjną/basową. Zostanie ona automatycznie zapętlona. + Click here to stop playing of current beat/bassline. - Kliknij tutaj, aby zatrzymać odtwarzanie bieżącej linii perkusyjnej/basowej. + Add beat/bassline - + Add automation-track - Dodaj ścieżkę automatyki + Remove steps - Usuń kroki + Usuń kroki Add steps - Dodaj kroki + Dodaj kroki + + + Beat selector + + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + BBTCOView Open in Beat+Bassline-Editor - Otwórz w Edytorze Perkusji i Basu + Reset name - Zresetuj nazwę + Zresetuj nazwę Change name - Zmień nazwę + Zmień nazwę Change color - Zmień kolor + Reset color to default - + BBTrack Beat/Bassline %1 - Perkusja/Bas %1 + Clone of %1 - Duplikat %1 + BassBoosterControlDialog FREQ - FREQ + FREQ Frequency: - Częstotliwość: + GAIN - GAIN + Gain: - Wzmocnienie: + Wzmocnienie: RATIO - RATIO + Ratio: - Współczynnik: + BassBoosterControls Frequency - Częstotliwość + Gain - Wzmocnienie + Wzmocnienie Ratio - Współczynnik + BitcrushControlDialog IN - + OUT - + GAIN - GAIN + Input Gain: - + NOIS - + Input Noise: - + Output Gain: - + CLIP - + Output Clip: - + Rate - Tempo + Tempo Rate Enabled - + Enable samplerate-crushing - + Depth - + Depth Enabled - + Enable bitdepth-crushing - + Sample rate: - + STD - + Stereo difference: - + Levels - + Levels: - + CaptionMenu &Help - + &Pomoc Help (not available) - + CarlaInstrumentView Show GUI - Pokaż GUI + Pokaż GUI Click here to show or hide the graphical user interface (GUI) of Carla. - + @@ -822,11 +882,11 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Confirm Delete - + - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + @@ -848,308 +908,354 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Wprowadź nową nazwę dla tego kontrolera - &Remove this plugin - &Usuń tę wtyczkę + &Remove this controller + + + + Re&name this controller + + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 2 Gain: - + Band 3 Gain: - + Band 4 Gain: - + Band 1 Mute - + Mute Band 1 - + Band 2 Mute - + Mute Band 2 - + Band 3 Mute - + Mute Band 3 - + Band 4 Mute - + Mute Band 4 - + DelayControls Delay Samples - + Feedback - + Lfo Frequency - + Lfo Amount - + + + + Output gain + DelayControlsDialog - Delay - + Lfo Amt + Delay Time - + - Regen - + Feedback Amount + - Feedback Amount - + Lfo + - Rate - Tempo + Out Gain + - Lfo - + Gain + Wzmocnienie - Lfo Amt - + DELAY + + + + FDBK + + + + RATE + - - - DetuningHelper - Note detuning - + AMNT + DualFilterControlDialog Filter 1 enabled - + Filter 2 enabled - + Click to enable/disable Filter 1 - + Click to enable/disable Filter 2 - + + + + FREQ + FREQ + + + Cutoff frequency + Częstotliwość graniczna + + + RESO + RESO + + + Resonance + Zafalowanie charakterystyki + + + GAIN + + + + Gain + Wzmocnienie + + + MIX + + + + Mix + DualFilterControls Filter 1 enabled - + Filter 1 type - + Cutoff 1 frequency - + Q/Resonance 1 - + Gain 1 - + Mix - + Filter 2 enabled - + Filter 2 type - + Cutoff 2 frequency - + Q/Resonance 2 - + Gain 2 - + LowPass - Dolnoprzepustowy + Dolnoprzepustowy HiPass - Górnoprzepustowy + Górnoprzepustowy BandPass csg - Pasmowoprzepustowy csg + Pasmowoprzepustowy csg BandPass czpg - Pasmowoprzepustowy czpg + Pasmowoprzepustowy czpg Notch - Pasmowozaporowy + Pasmowozaporowy Allpass - Wszechprzepustowy + Wszechprzepustowy Moog - Moog + Moog 2x LowPass - 2xDolnoprzepustowy + 2xDolnoprzepustowy RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - + Editor Play (Space) - + Stop (Space) - + Record - + Record while playing - + + + + Transport controls + @@ -1196,8 +1302,20 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: Dodaj efekt - Plugin description - Opis wtyczki + Name + Nazwa + + + Type + Rodzaj + + + Description + Opis + + + Author + @@ -1255,13 +1373,13 @@ Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Łańcuch wtyczek efektowych w którym sygnał przetwarzany jest od góry do dołu. @@ -1526,256 +1644,264 @@ Prawoklik otwiera menu kontekstowe z pomocą którego można zmienić porządek Click here for random wave. - + EqControls Input gain - + Output gain - + Low shelf gain - + Peak 1 gain - + Peak 2 gain - + Peak 3 gain - + Peak 4 gain - + High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP 12 - + LP 24 - + LP 48 - + HP 12 - + HP 24 - + HP 48 - + low pass type - + high pass type - + + + + Analyse IN + + + + Analyse OUT + EqControlsDialog HP - + Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + In Gain - + Gain - Wzmocnienie + Wzmocnienie Out Gain - + Bandwidth: - + Resonance : - + Frequency: - Częstotliwość: + - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + + + + EqHandle - lp grp - + Reso: + - hp grp - + BW: + - - - EqParameterWidget - Hz - + Freq: + @@ -1914,185 +2040,200 @@ Prawoklik otwiera menu kontekstowe z pomocą którego można zmienić porządek Export as loop (remove end silence) - + Export between loop markers - + Could not open file - Nie można otworzyć pliku - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Nie da się otworzyć pliku %1 do zapisu. -Upewnij się, że masz uprawnienia zapisu do tego pliku i katalogu w którym się znajduje a następnie spróbuj ponownie! + Nie można otworzyć pliku Export project to %1 - Eksport projektu do %1 + Error - Błąd + Error while determining file-encoder device. Please try to choose a different output format. - Wystąpił błąd podczas określania enkodera. Spróbuj wybrać inny format wyjściowy. + Rendering: %1% - Rendering: %1% + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - Wprowadź nową wartość pomiędzy %1 a %2: + FileBrowser Browser - Przeglądarka + FileBrowserTreeWidget Send to active instrument-track - Wyślij na aktywną ścieżkę instrumentu - - - Open in new instrument-track/Song-Editor - Otwórz na nowej ścieżce Edytora Piosenki + Open in new instrument-track/B+B Editor - Otwórz na nowej ścieżce Edytora Perkusji i Basu + Loading sample - Ładowanie próbki + Please wait, loading sample for preview... - Ładowanie podglądu próbki, proszę czekać... + --- Factory files --- - --- Pliki preinstalowane --- + + + + Open in new instrument-track/Song Editor + + + + Error + + + + does not appear to be a valid + + + + file + FlangerControls Delay Samples - + Lfo Frequency - + Seconds - + Regen - + Noise - Szum + Szum Invert - + FlangerControlsDialog - Delay - + Delay Time: + - Delay Time: - + Feedback Amount: + + + + White Noise Amount: + - Lfo Hz - + DELAY + - Lfo: - + RATE + - Amt - + Rate: + - Amt: - + AMNT + - Regen - + Amount: + - Feedback Amount: - + FDBK + - Noise - Szum + NOISE + - White Noise Amount: - + Invert + FxLine Channel send amount - + The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left - + Move &right - + Rename &channel - + R&emove channel - + Remove &unused channels - + @@ -2108,623 +2249,718 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixerView - - Rename FX channel - Zmień nazwę kanału efektowego - - - Enter the new name for this FX channel - Wprowadź nową nazwę tego kanału efektowego - FX-Mixer FX-Mixer FX Fader %1 - FX Fader %1 + Mute - Wyciszenie + Mute this FX channel - Wycisz ten kanał efektowy + Solo - Solo + Solo FX channel - + FxRoute Amount to send from channel %1 to channel %2 - + GigInstrument Bank - Bank + Bank Patch - Próbka + Próbka Gain - Wzmocnienie + Wzmocnienie GigInstrumentView Open other GIG file - + Click here to open another GIG file - + Choose the patch - Wybierz próbkę + Wybierz próbkę Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Which GIG file is currently being used - + Which patch of the GIG file is currently being used - + Gain - Wzmocnienie + Wzmocnienie Factor to multiply samples by - + Open GIG file - + GIG Files (*.gig) - + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + + + + Preparing song editor + + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + + + + Preparing automation editor + InstrumentFunctionArpeggio Arpeggio - Arpeggio + Arpeggio type - Rodzaj arpeggio + Arpeggio range - Zakres arpeggio + Arpeggio time - Okres arpeggio + Arpeggio gate - Bramkowanie arpeggio + Arpeggio direction - Kierunek arpeggio + Arpeggio mode - Tryb arpeggio + Up - W górę + Down - W dół + Up and down - Naprzemiennie + Random - Losowo + Free - Asynchroniczny + Sort - Posortowany + Sync - Synchronizacja + Synchronizacja Down and up - + + + + Skip rate + + + + Miss rate + + + + Cycle steps + InstrumentFunctionArpeggioView ARPEGGIO - ARPEGGIO + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - Arpeggio jest metodą odtwarzania (zwłaszcza krótkobrzmiących) instrumentów, która czyni muzykę o wiele żywszą. W odróżnieniu od zwyczajnego wykonania akordu, gdzie dźwięki odtwarzane są równocześnie w przypadku wykonywania arpeggio nuty uderzane są sekwencyjnie jedna po drugiej. Typowe arpeggia składają się z trójdźwięków durowych lub molowych ale istnieje też wiele innych akordów, które możesz zastosować. + RANGE - ZAKRES + ZAKRES Arpeggio range: - Zakres arpeggio: + octave(s) - oktawa(y) + oktawa(y) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - Użyj tego pokrętła do ustawienia rozpiętości arpeggio w oktawach. Wybrane arpeggio będzie odgrywane w zakresie określonej liczby oktaw. + TIME - OKRES + Arpeggio time: - Okres arpeggio: + ms - ms + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - Użyj tego pokrętła do ustawienia okresu arpeggio w milisekundach. Okres arpeggio ustala jak długo będzie odtwarzany każdy dźwięk. + GATE - BRAM. + BRAM. Arpeggio gate: - Bramkowanie arpeggio: + % - % + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - Użyj tego pokrętła do ustawienia bramkowania arpeggio. Bramka arpeggio określa procentowo jak długo ma być odtwarzana każda nuta arpeggio. Za jej pomocą można dokonać artykulacji dźwięków w formie staccato. + Chord: - + Direction: - Kierunek: + Mode: - Tryb: + - - - InstrumentFunctionNoteStacking - octave - + SKIP + - Major - + Skip rate: + - Majb5 - + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + - minor - + MISS + - minb5 - + Miss rate: + - sus2 - + The miss function will make the arpeggiator miss the intended note. + - sus4 - + CYCLE + - aug - + Cycle notes: + - augsus4 - + note(s) + - tri - + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + + InstrumentFunctionNoteStacking + + octave + + + + Major + + + + Majb5 + + + + minor + + + + minb5 + + + + sus2 + + + + sus4 + + + + aug + + + + augsus4 + + + + tri + 6 - + 6sus4 - + 6add9 - + m6 - + m6add9 - + 7 - + 7sus4 - + 7#5 - + 7b5 - + 7#9 - + 7b9 - + 7#5#9 - + 7#5b9 - + 7b5b9 - + 7add11 - + 7add13 - + 7#11 - + Maj7 - + Maj7b5 - + Maj7#5 - + Maj7#11 - + Maj7add13 - + m7 - + m7b5 - + m7b9 - + m7add11 - + m7add13 - + m-Maj7 - + m-Maj7add11 - + m-Maj7add13 - + 9 - + 9sus4 - + add9 - + 9#5 - + 9b5 - + 9#11 - + 9b13 - + Maj9 - + Maj9sus4 - + Maj9#5 - + Maj9#11 - + m9 - + madd9 - + m9b5 - + m9-Maj7 - + 11 - + 11b9 - + Maj11 - + m11 - + m-Maj11 - + 13 - + 13#9 - + 13b9 - + 13b5b9 - + Maj13 - + m13 - + m-Maj13 - + Harmonic minor - + Melodic minor - + Whole tone - + Diminished - + Major pentatonic - + Minor pentatonic - + Jap in sen - + Major bebop - + Dominant bebop - + Blues - + Arabic - + Enigmatic - + Neopolitan - + Neopolitan minor - + Hungarian minor - + Dorian - + Phrygolydian - + Lydian - + Mixolydian - + Aeolian - + Locrian - + Chords - + Chord type - + Chord range - + Minor - + Chromatic - + Half-Whole Diminished - + 5 - 8x {5?} + + + + Phrygian dominant + + + + Persian + @@ -2747,11 +2983,11 @@ You can remove and move FX channels in the context menu, which is accessed by ri STACKING - + Chord: - + @@ -2786,30 +3022,30 @@ You can remove and move FX channels in the context menu, which is accessed by ri NOTE - + CUSTOM BASE VELOCITY - + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + BASE VELOCITY - + InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + @@ -2884,59 +3120,59 @@ You can remove and move FX channels in the context menu, which is accessed by ri RC LowPass 12dB - + RC BandPass 12dB - + RC HighPass 12dB - + RC LowPass 24dB - + RC BandPass 24dB - + RC HighPass 24dB - + Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Tripole - + @@ -2979,15 +3215,15 @@ You can remove and move FX channels in the context menu, which is accessed by ri FREQ - FREQ + FREQ cutoff frequency: - + Envelopes, LFOs and filters are not supported by the current instrument. - + @@ -3026,11 +3262,11 @@ You can remove and move FX channels in the context menu, which is accessed by ri Pitch range - + Master Pitch - + @@ -3071,6 +3307,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri Output Wyjście + + FX %1: %2 + + InstrumentTrackWindow @@ -3152,42 +3392,50 @@ You can remove and move FX channels in the context menu, which is accessed by ri Pitch range (semitones) - + RANGE - ZAKRES + ZAKRES Save current instrument track settings in a preset file - + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + MISC - DODATKOWE + + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + Knob Set linear - + Set logarithmic - + - Please enter a new value between -96.0 dBV and 6.0 dBV: - Wprowadź nową wartość pomiędzy -96.0 dBV a 6.0 dBV: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between %1 and %2: - Wprowadź nową wartość pomiędzy %1 a %2: + @@ -3234,7 +3482,26 @@ You can remove and move FX channels in the context menu, which is accessed by ri LcdSpinBox Please enter a new value between %1 and %2: - Wprowadź nową wartość pomiędzy %1 a %2: + + + + + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + @@ -3302,10 +3569,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Użyj tego pokrętła aby ustawić szybkość LFO. Wyższe wartości przyspieszają drgania Generatora Przebiegów Wolnozmiennych. - - AMT - AMT - Modulation amount: Współczynnik modulacji: @@ -3357,29 +3620,44 @@ You can remove and move FX channels in the context menu, which is accessed by ri Click here for a user-defined shape. Double click to pick a file. - + Click here for a moog saw-wave. - + + + + AMNT + - MainWindow + LmmsCore - Working directory - Katalog roboczy + Generating wavetables + - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - Katalog roboczy LMMSa %1 nie istnieje. Stworzyć go teraz? Możesz zmienić katalog później poprzez Edycja -> Ustawienia. + Initializing data structures + + + + Opening audio and midi devices + + + Launching mixer threads + + + + + MainWindow Could not save config-file Nie można zapisać pliku konfiguracyjnego - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Nie można zapisać pliku konfiguracyjnego %1. Prawdopodobnie nie masz uprawnień zapisu do tego pliku. Upewnij się, że masz prawo zapisu do tego pliku i spróbuj ponownie. @@ -3537,102 +3815,230 @@ Upewnij się, że masz prawo zapisu do tego pliku i spróbuj ponownie.Pomoc niedostępna - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Aktualnie pomoc dla LMMS jest niedostępna. Odwiedź witrynę http://lmms.sf.net/wiki for documentation on LMMS. - Configuration file - Plik konfiguracyjny + LMMS (*.mmp *.mmpz) + - Error while parsing configuration file at line %1:%2: %3 - Błąd podczas parsowania pliku konfiguracyjnego w linii %1:%2: %3 + Version %1 + - LMMS (*.mmp *.mmpz) - + Configuration file + Plik konfiguracyjny - Version %1 - + Error while parsing configuration file at line %1:%2: %3 + Błąd podczas parsowania pliku konfiguracyjnego w linii %1:%2: %3 Volumes - + Undo - + Redo - - - - LMMS Project - - - - LMMS Project Template - + My Projects - + My Samples - + My Presets - + My Home - + My Computer - - - - Root Directory - + &File - + &Recently Opened Projects - + Save as New &Version - + E&xport Tracks... - + Online Help - + What's This? - + Open Project - + Save Project - + + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + + + + Preparing file browsers + + + + Root directory + + + + Loading background artwork + + + + New from template + + + + Save as default template + + + + &View + + + + Toggle metronome + + + + Show/hide Song-Editor + + + + Show/hide Beat+Bassline Editor + + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + + + + LMMS Project Template + + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + @@ -3661,20 +4067,6 @@ Odwiedź witrynę http://lmms.sf.net/wiki for documentation on LMMS.Denominator - - MidiAlsaRaw::setupWidget - - DEVICE - URZĄDZENIE - - - - MidiAlsaSeq - - DEVICE - URZĄDZENIE - - MidiController @@ -3700,12 +4092,22 @@ Odwiedź witrynę http://lmms.sf.net/wiki for documentation on LMMS.You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. Tego LMMS nie skompilowano ze wsparciem odtwarzacza SoundFont2, który jest wykorzystywany do dodawania domyślnych dźwięków do zaimportowanych plików MIDI. Wskutek tego po zaimportowaniu pliku MIDI nie usłyszysz żadnego dźwięku. + + Track + + - MidiOss::setupWidget + MidiJack - DEVICE - URZĄDZENIE + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + Serwer JACK wyłączony + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + @@ -3748,503 +4150,510 @@ Odwiedź witrynę http://lmms.sf.net/wiki for documentation on LMMS. Fixed output note - + Base velocity - + + + + + MidiSetupWidget + + DEVICE + URZĄDZENIE MonstroInstrument Osc 1 Volume - + Osc 1 Panning - + Osc 1 Coarse detune - + Osc 1 Fine detune left - + Osc 1 Fine detune right - + Osc 1 Stereo phase offset - + Osc 1 Pulse width - + Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 Panning - + Osc 2 Coarse detune - + Osc 2 Fine detune left - + Osc 2 Fine detune right - + Osc 2 Stereo phase offset - + Osc 2 Waveform - + Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 Panning - + Osc 3 Coarse detune - + Osc 3 Stereo phase offset - + Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 Waveform 2 - + Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 Attack - + LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 Attack - + LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Selected view - + Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO2 - + Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO2 - + Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO2 - + Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - + Fala sinusoidalna Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + White noise - + Digital Triangle wave - + Digital Saw wave - + Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave - + Fala trójkątna Saw wave - + Fala piłokształtna Ramp wave - + Square wave - + Fala prostokątna Moog saw wave - + Abs. sine wave - + Random - Losowo + Random smooth - + MonstroView Operators view - + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4252,286 +4661,509 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Modulate amplitude of Osc3 with Osc2 - + Modulate frequency of Osc3 with Osc2 - + Modulate phase of Osc3 with Osc2 - + The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - - - - - MultitapEchoControlDialog - - Length - + - Step length: - + Volume + Głośność - Dry - + Panning + Panoramowanie - Dry Gain: - + Coarse detune + - Stages - + semitones + - Lowpass stages: - + Finetune left + - Swap inputs - + cents + - Swap left and right input channel for reflections - + Finetune right + - - - NesInstrument - Channel 1 Coarse detune - + Stereo phase offset + - Channel 1 Volume - + deg + - Channel 1 Envelope length - + Pulse width + - Channel 1 Duty cycle - + Send sync on pulse rise + - Channel 1 Sweep amount - + Send sync on pulse fall + - Channel 1 Sweep rate - + Hard sync oscillator 2 + - Channel 2 Coarse detune - + Reverse sync oscillator 2 + - Channel 2 Volume - + Sub-osc mix + - Channel 2 Envelope length - + Hard sync oscillator 3 + - Channel 2 Duty cycle - + Reverse sync oscillator 3 + - Channel 2 Sweep amount - + Attack + Atak - Channel 2 Sweep rate - + Rate + Tempo - Channel 3 Coarse detune - + Phase + - Channel 3 Volume - + Pre-delay + - Channel 4 Volume - + Hold + Przetrzymanie - Channel 4 Envelope length - + Decay + Zanikanie - Channel 4 Noise frequency - + Sustain + Podtrzymanie - Channel 4 Noise frequency sweep - + Release + Wybrzmiewanie - Master volume - + Slope + - Vibrato - Vibrato + Modulation amount + Współczynnik modulacji - OscillatorObject + MultitapEchoControlDialog - Osc %1 volume - Osc %1 głośność + Length + - Osc %1 panning - Osc %1 panoramowanie + Step length: + - Osc %1 coarse detuning - Osc %1 zgrubne odstrojenie + Dry + + + + Dry Gain: + + + + Stages + + + + Lowpass stages: + + + + Swap inputs + + + + Swap left and right input channel for reflections + + + + + NesInstrument + + Channel 1 Coarse detune + + + + Channel 1 Volume + + + + Channel 1 Envelope length + + + + Channel 1 Duty cycle + + + + Channel 1 Sweep amount + + + + Channel 1 Sweep rate + + + + Channel 2 Coarse detune + + + + Channel 2 Volume + + + + Channel 2 Envelope length + + + + Channel 2 Duty cycle + + + + Channel 2 Sweep amount + + + + Channel 2 Sweep rate + + + + Channel 3 Coarse detune + + + + Channel 3 Volume + + + + Channel 4 Volume + + + + Channel 4 Envelope length + + + + Channel 4 Noise frequency + + + + Channel 4 Noise frequency sweep + + + + Master volume + Głośność główna + + + Vibrato + Vibrato + + + + NesInstrumentView + + Volume + Głośność + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + + + + Vibrato + Vibrato + + + + OscillatorObject + + Osc %1 volume + Osc %1 głośność + + + Osc %1 panning + Osc %1 panoramowanie + + + Osc %1 coarse detuning + Osc %1 zgrubne odstrojenie Osc %1 fine detuning left @@ -4563,7 +5195,42 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator Osc %1 harmonic - + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + Bank + + + Program selector + + + + Patch + Próbka + + + Name + Nazwa + + + OK + OK + + + Cancel + Anuluj @@ -4615,12 +5282,6 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - Podwójne kliknięcie otwiera pattern w Edytorze Pianolowym -użyj kółka myszy aby ustawić głośność poszczególnych kroków - Open in piano-roll Otwórz w Edytorze Pianolowym @@ -4645,6 +5306,18 @@ użyj kółka myszy aby ustawić głośność poszczególnych krokówRemove steps Usuń kroki + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + PeakController @@ -4654,11 +5327,11 @@ użyj kółka myszy aby ustawić głośność poszczególnych kroków Peak Controller Bug - + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + @@ -4696,31 +5369,31 @@ użyj kółka myszy aby ustawić głośność poszczególnych kroków AMNT - + MULT - + Amount Multiplicator: - + ATCK - + DCAY - + - TRES - + Treshold: + - Treshold: - + TRSH + @@ -4747,27 +5420,19 @@ użyj kółka myszy aby ustawić głośność poszczególnych kroków Abs Value - + Amount Multiplicator - + Treshold - + PianoRoll - - Piano-Roll - no pattern - Edytor Pianolowy - brak patternu - - - Piano-Roll - %1 - Edytor Pianolowy - %1 - Please open a pattern by double-clicking on it! Otwórz pattern podwójnym kliknięciem! @@ -4790,158 +5455,194 @@ użyj kółka myszy aby ustawić głośność poszczególnych kroków Mark/unmark current semitone - + Mark current scale - + Mark current chord - + Unmark all - + No scale - + No chord - + Velocity: %1% - + Panning: %1% left - + Panning: %1% right - + Panning: center - + Please enter a new value between %1 and %2: - Wprowadź nową wartość pomiędzy %1 a %2: + + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + PianoRollWindow Play/pause current pattern (Space) - Odtwórz/zatrzymaj aktualny pattern (Spacja) + Record notes from MIDI-device/channel-piano - Nagraj nuty za pomocą zewnętrznego kontrolera MIDI + Record notes from MIDI-device/channel-piano while playing song or BB track - Nagraj nuty za pomocą zewnętrznego kontrolera MIDI w trakcie odtwarzania podkładu dźwiękowego + Stop playing of current pattern (Space) - + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - Kliknij tutaj jeśli chcesz odtworzyć bieżący pattern. Pattern zostanie automatycznie zapętlony. + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - Kliknij tutaj, aby nagrać nuty z kontrolera MIDI lub wirtualnego pianina przypisanego do tego kanału. Podczas nagrywania wszystkie nuty które zagrasz zostaną zapisane na pattern i będziesz mógł odtworzyć i edytować je później. + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - Kliknij tutaj, aby nagrać nuty z kontrolera MIDI lub wirtualnego pianina przypisanego do tego kanału. Podczas nagrywania będziesz słyszeć utwór lub linię perkusyjną/basową a wszystkie nuty które zagrasz zostaną zapisane na pattern. + Click here to stop playback of current pattern. - Kliknij tutaj jeśli chcesz zatrzymać odtwarzanie bieżącego patternu. + Draw mode (Shift+D) - Tryb rysowania (Shift+D) + Erase mode (Shift+E) - Tryb wymazywania (Shift+E) + Select mode (Shift+S) - Tryb zaznaczania (Shift+S) + Detune mode (Shift+T) - Tryb odstrojenia (Shift+T) + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - Kliknij tutaj, aby przejść do trybu rysowania. W tym trybie możesz dodawać, przemieszczać i zmieniać rozmiar nut To domyślny tryb, który będziesz używać przez większość czasu. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+D'. Przytrzymaj klawisz '%1' aby czasowo przejść do trybu zaznaczenia. + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - Kliknij tutaj, aby przejść do trybu kasowania. W tym trybie możesz usuwać nuty. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+E'. + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - Kliknij tutaj, aby przejść do trybu zaznaczania. W tym trybie możesz zaznaczać pojedyncze nuty lub całe ich grupy. Alternatywnie możesz przytrzymać klawisz '%1' w trybie rysowania aby tymczasowo przejść do trybu zaznaczania. + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - Kliknij tutaj, aby przejść do trybu odstrojenia. W tym trybie możesz odstrajać nuty w oknie, które otworzy się po kliknięciu na nich. Ten tryb możesz aktywować z poziomu klawiatury przez wciśnięcie kombinacji 'Shift+T'. + Cut selected notes (%1+X) - Wytnij zaznaczone nuty (%1+X) + Copy selected notes (%1+C) - Skopiuj zaznaczone nuty (%1+C) + Paste notes from clipboard (%1+V) - Wklej nuty ze schowka (%1+V) + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Kliknij tutaj a zaznaczone nuty zostaną wycięte i umieszczone w schowku. Możesz wkleić je gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Kliknij tutaj a zaznaczone nuty zostaną skopiowane do schowka. Możesz wkleić je gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. + Click here and the notes from the clipboard will be pasted at the first visible measure. - Kliknij tutaj a nuty ze schowka zostaną przeklejone w miejsce zaznaczenia. + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + + + + Piano-Roll - no pattern + + + + Quantize + @@ -4958,7 +5659,7 @@ użyj kółka myszy aby ustawić głośność poszczególnych krokówNie znaleziono wtyczki - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Wtyczka "%1" Nie została odnaleziona albo nie może zostać załadowana! Powód: "%2" @@ -4971,143 +5672,150 @@ Powód: "%2" Failed to load plugin "%1"! Nie można załadować wtyczki "%1"! - - LMMS plugin %1 does not have a plugin descriptor named %2! - - PluginBrowser - - Instrument plugins - Instrumenty wtyczkowe - Instrument browser - Przeglądarka instrumentów + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - Przeciągnij instrument do Edytora Piosenki, Edytora Perkusji i Basu lub na wybraną ścieżkę. + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + ProjectNotes Project notes - Notatki projektu + Put down your project notes here. - Umieść tutaj swoje zapiski dotyczące projektu. + Edit Actions - Edytuj Akcje + &Undo - Cofnij [&U] + %1+Z - %1+Z + &Redo - Powtórz [&R] + %1+Y - %1+Y + &Copy - &Kopiuj + %1+C - %1+C + Cu&t - Wy&tnij + %1+X - %1+X + &Paste - &Wklej + %1+V - %1+V + Format Actions - Formatowanie + &Bold - Wytłuść [&B] + %1+B - %1+B + &Italic - Kursywa [&I] + %1+I - %1+I + &Underline - Podkreślenie [&U] + %1+U - %1+U + &Left - Lewo [&L] + %1+L - %1+L + C&enter - Centrowanie [&E] + %1+E - %1+E + &Right - Prawo [&R] + %1+R - %1+R + &Justify - Justowanie [&J] + %1+J - %1+J + &Color... - Kolor... + @@ -5121,94 +5829,6 @@ Powód: "%2" Skompresowany plik OGG (*.ogg) - - QObject - - C - Note name - - - - Db - Note name - - - - C# - Note name - - - - D - Note name - - - - Eb - Note name - - - - D# - Note name - - - - E - Note name - - - - Fb - Note name - - - - Gb - Note name - - - - F# - Note name - - - - G - Note name - - - - Ab - Note name - - - - G# - Note name - - - - A - Note name - - - - Bb - Note name - - - - A# - Note name - - - - B - Note name - - - QWidget @@ -5241,7 +5861,7 @@ Powód: "%2" In Place Broken: - + Channels In: @@ -5257,422 +5877,470 @@ Powód: "%2" File: %1 - + RenameDialog Rename... - Zmień nazwę... + SampleBuffer Open audio file - Otwórz plik audio + Wave-Files (*.wav) - Pliki WAV (*.wav) + OGG-Files (*.ogg) - Pliki OGG (*.ogg) + DrumSynth-Files (*.ds) - Pliki DrumSynth (*.ds) + FLAC-Files (*.flac) - Pliki FLAC (*.flac) + SPEEX-Files (*.spx) - Pliki SPEEX (*.spx) + VOC-Files (*.voc) - Pliki VOC (*.voc) + AIFF-Files (*.aif *.aiff) - Pliki AIFF (*.aif *.aiff) + AU-Files (*.au) - Pliki AU (*.au) + RAW-Files (*.raw) - Pliki RAW (*.raw) + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + SampleTCOView double-click to select sample - wybierz sampla podwójnym kliknięciem + Delete (middle mousebutton) - Kasuj (naciśnij rolkę myszy) + Cut - Wytnij + Copy - Kopiuj + Paste - Wklej + Mute/unmute (<%1> + middle click) - Wycisz/anuluj wyciszenie (<%1> + kliknięcie rolką myszy) - - - Set/clear record - Ustaw/wyczyść nagranie + SampleTrack Sample track - Ścieżka audio + Volume - Głośność + Głośność Panning - Panoramowanie + Panoramowanie SampleTrackView Track volume - Głośność ścieżki + Channel volume: - Głośność kanału: + VOL - VOL + VOL Panning - Panoramowanie + Panoramowanie Panning: - Panoramowanie: + Panoramowanie: PAN - PAN + PAN SetupDialog Setup LMMS - Konfiguracja LMMS + General settings - Podstawowe ustawienia + BUFFER SIZE - ROZMIAR BUFORA + Reset to default-value - Zresetuj do wartości domyślnej + MISC - DODATKOWE + Enable tooltips - Włącz podpowiedzi + Show restart warning after changing settings - Ostrzeżenie o konieczności restartu po zmianie parametrów + - Display volume as dBV - Głośność w dBV + Display volume as dBFS + Compress project files per default - Domyślnie kompresuj pliki projektu + One instrument track window mode - Tryb jednego, wspólnego okna dla wszystkich instrumentów + HQ-mode for output audio-device - Tryb wysokiej jakości wyjścia urządzenia audio + Compact track buttons - + Sync VST plugins to host playback - + Enable note labels in piano roll - + Enable waveform display by default - + Keep effects running even without input - + Create backup file when saving a project - + LANGUAGE - + Paths - Ścieżki + LMMS working directory - Katalog roboczy LMMS + VST-plugin directory - Katalog wtyczek VST - - - Artwork directory - Katalog z grafiką + Background artwork - Grafika tła - - - FL Studio installation directory - Katalog instalacji FL Studio - - - LADSPA plugin paths - Ścieżki do wtyczek LADSPA + STK rawwave directory - Katalog STK rawwave + Default Soundfont File - Domyślny plik Soundfont + Performance settings - Ustawienia wydajności + UI effects vs. performance - Efekty interfejsu vs wydajność + Smooth scroll in Song Editor - Płynne przewijanie w Edytorze Piosenki - - - Enable auto save feature - + Show playback cursor in AudioFileProcessor - + Audio settings - Ustawienia audio + AUDIO INTERFACE - INTERFEJS AUDIO + MIDI settings - Ustawienia MIDI + MIDI INTERFACE - INTERFEJS MIDI + OK - OK + OK Cancel - Anuluj + Anuluj Restart LMMS - Restart LMMS + Please note that most changes won't take effect until you restart LMMS! - Większość zmian da efekt dopiero po zrestartowaniu LMMS! + Frames: %1 Latency: %2 ms - Ramki: %1 -Latencja: %2 ms + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - Tutaj możesz ustawić rozmiar wewnętrznego bufora używanego przez LMMS. Niższe wartości skutkują mniejszą latencją ale mogą powodować zniekształcenia dźwięku lub kiepską wydajność, zwłaszcza na starszych komputerach lub kernelach bez obsługi czasu rzeczywistego. + Choose LMMS working directory - Wybierz katalog roboczy LMMS + Choose your VST-plugin directory - Wybierz katalog wtyczek VST + Choose artwork-theme directory - Wybierz katalog z grafiką - - - Choose FL Studio installation directory - Wybierz katalog z instalacją FL Studio + Choose LADSPA plugin directory - Wybierz katalog wtyczek LADSPA + Choose STK rawwave directory - Wybierz katalog STK rawwave + Choose default SoundFont - Wybierz domyślny SoundFont + Choose background artwork - Wybierz grafikę tła + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Tutaj możesz wybrać preferowany interfejs audio. W zależności od konfiguracji Twojego systemu podczas kompilacji możesz wybierać pomiędzy ALSA, JACK, OSS i innymi. Poniżej znajduje się sekcja w której możesz zmienić ustawienia wybranego interfejsu. + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Tutaj możesz wybrać preferowany interfejs MIDI. W zależności od konfiguracji systemu podczas kompilacji możesz wybierać pomiędzy ALSA, OSS i innymi. Poniżej znajduje się sekcja w której możesz zmienić ustawienia wybranego interfejsu. + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + + + + minute + + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - Tempo + Tempo Master volume - + Głośność główna Master pitch - + Odstrojenie główne Project saved - Projekt zapisany + The project %1 is now saved. - Projekt %1 został właśnie zapisany. + Project NOT saved. - Projekt NIE JEST zapisany. + The project %1 was not saved! - Projekt %1 nie jest zapisany! + Import file - Importuj plik + MIDI sequences - sekwencje MIDI - - - FL Studio projects - projekty FL Studio + Hydrogen projects - + All file types - wszystkie pliki + Empty project - Pusty projekt + This project is empty so exporting makes no sense. Please put some items into Song Editor first! - Ten projekt jest pusty więc eksportowanie go nie ma najmniejszego sensu. Najpierw umieść kilka elementów w Edytorze Piosenki! + Select directory for writing exported tracks... - + untitled - niezatytułowane + Select file for project-export... - Wybierz plik aby wyeksportować projekt... + The following errors occured while loading: - + + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + @@ -5745,91 +6413,138 @@ Upewnij się, że masz przynajmniej uprawnienia odczytu tego pliku a następnie Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - Edytor Kompozycji + Play song (Space) - Odtwórz piosenkę (Spacja) + Record samples from Audio-device - Nagraj sample z urządzenia audio + Record samples from Audio-device while playing song or BB track - Nagrywa sample z urządzenia audio podczas odtwarzania piosenki lub ścieżki perkusji/basu + Stop song (Space) - Zatrzymaj odtwarzanie piosenki (Spacja) + Add beat/bassline - + Add sample-track - Dodaj ścieżkę z samplami + Add automation-track - Dodaj ścieżkę automatyki + Draw mode - Tryb rysowania + Edit mode (select and move) - Tryb edycji (zaznaczanie i przemieszczanie) + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Kliknij tutaj, jeśli chcesz odtworzyć całą piosenkę. Odtwarzanie rozpocznie się od zielonego znacznika pozycji. Możesz go przemieszczać w trakcie odtwarzania. + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Kliknij tutaj, jeśli chcesz zatrzymać odtwarzanie piosenki. Znacznik pozycji zostanie ustawiony na początek utworu. + + + + Track actions + + + + Edit actions + + + + Timeline controls + + + + Zoom controls + SpectrumAnalyzerControlDialog Linear spectrum - Spektrum skalowane liniowo + Linear Y axis - Oś Y skalowana liniowo + SpectrumAnalyzerControls Linear spectrum - Spektrum skalowane liniowo + Linear Y axis - Oś Y skalowana liniowo + Channel mode - Tryb kanału + + + + + SubWindow + + Close + + + + Maximize + + + + Restore + TabWidget Settings for %1 - + @@ -5911,197 +6626,219 @@ Upewnij się, że masz przynajmniej uprawnienia odczytu tego pliku a następnie TimeDisplayWidget click to change time units - + + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + TimeLineWidget Enable/disable auto-scrolling - Włącz/wyłącz autoprzewijanie + Enable/disable loop-points - Włącz/wyłącz znaczniki pętli + After stopping go back to begin - Po zatrzymaniu powróć do początku + After stopping go back to position at which playing was started - Po zatrzymaniu powróć do pozycji z której rozpoczęto odtwarzanie + After stopping keep position - Po zatrzymaniu utrzymaj pozycję + Hint - Wskazówka + Wskazówka Press <%1> to disable magnetic loop points. - + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + Track Mute - Wyciszone + Solo - Solo + TrackContainer Couldn't import file - Nie można zaimportować pliku + - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. - Nie można odnaleźć filtra do zaimportowania pliku %1. -Powinienieś przekonwertować ten plik do formatu wspieranego przez LMMS z pomocą zewnętrznego oprogramowania. + Couldn't open file - Nie można otworzyć pliku + - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! - Nie da się otworzyć pliku %1 do odczytu. -Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierającego plik a następnie spróbuj ponownie! + Loading project... - Ładowanie projektu... + Cancel - Anuluj + Anuluj Please wait... - Proszę czekać... + Importing MIDI-file... - Importowanie pliku MIDI... - - - Importing FLP-file... - Importowanie pliku FLP... + TrackContentObject - Muted - Wyciszone + Mute + TrackContentObjectView Current position - Bieżąca pozycja + Hint - Wskazówka + Wskazówka Press <%1> and drag to make a copy. - Naciśnij <%1> i przeciągnij aby stworzyć kopię. + Current length - Aktualna długość + Press <%1> for free resizing. - Naciśnij <%1> aby zmienić rozmiar. + %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 do %5:%6) + Delete (middle mousebutton) - Kasuj (naciśnij rolkę myszy) + Cut - Wytnij + Copy - Kopiuj + Paste - Wklej + Mute/unmute (<%1> + middle click) - Wycisz/anuluj wyciszenie (<%1> + kliknięcie rolką myszy) + TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Naciśnij <%1> podczas przeciągania elementu kursorem aby rozpocząć nową akcję 'przeciągnij i upuść'. + Actions for this track - Akcje dla tej ścieżki + Mute - Wyciszenie + Solo - Solo + Mute this track - Wycisz tę ścieżkę + Clone this track - Klonuj tę ścieżkę + Remove this track - Usuń tę ścieżkę + Clear this track - + FX %1: %2 - + Turn all recording on - + Turn all recording off - + + + + Assign to new FX Channel + @@ -6251,11 +6988,15 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające VersionedSaveDialog Increment version number - + Decrement version number - + + + + already exists. Do you want to replace it? + @@ -6316,10 +7057,18 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Previous (-) Poprzedni (-) + + Click here, if you want to switch to another VST-plugin preset program. + + Save preset Zapisz preset + + Click here, if you want to save current VST-plugin preset program. + + Next (+) Następny (+) @@ -6332,36 +7081,32 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Preset Preset - - Click here, if you want to switch to another VST-plugin preset program. - - - - Click here, if you want to save current VST-plugin preset program. - - by - + - VST plugin control - + VisualizationWidget click to enable/disable visualization of master-output - Kliknij tutaj, aby włączyć/wyłączyć wizualizację kanału master + Click to enable - Kliknij aby włączyć + VstEffectControlDialog + + Show/hide + + Control VST-plugin from LMMS host Kontroluj wtyczkę VST z hosta LMMS @@ -6382,6 +7127,10 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Previous (-) Poprzedni (-) + + Click here, if you want to switch to another VST-plugin preset program. + + Next (+) Następny (+) @@ -6394,25 +7143,17 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Save preset Zapisz preset - - Show/hide - - - - Click here, if you want to switch to another VST-plugin preset program. - - Click here, if you want to save current VST-plugin preset program. - + Effect by: - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + @@ -6430,8 +7171,16 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Preset wtyczki VST (*.fxp *.fxb) - : default - : domyślne + : default + : domyślne + + + " + + + + ' + Save Preset @@ -6453,271 +7202,311 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające .fxb .fxb - - " - - - - ' - - Please wait while loading VST plugin... - + The VST plugin %1 could not be loaded. - + WatsynInstrument Volume A1 - + Volume A2 - + Volume B1 - + Volume B2 - + Panning A1 - + Panning A2 - + Panning B1 - + Panning B2 - + Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph - + WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. - Narysuj swój własny przebieg przeciągając kursorem po tym wykresie. + Narysuj swój własny przebieg przeciągając kursorem po tym wykresie. Load waveform - + Click to load a waveform from a sample file - + Phase left - + Click to shift phase by -15 degrees - + Phase right - + Click to shift phase by +15 degrees - + Normalize - Normalizacja + Normalizacja Click to normalize - + Invert - + Click to invert - + Smooth - Wygładzanie + Wygładzanie Click to smooth - + Sine wave - + Fala sinusoidalna Click for sine wave - + Triangle wave - + Fala trójkątna Click for triangle wave - + Click for saw wave - + Square wave - + Fala prostokątna Click for square wave - + + + + Volume + Głośność + + + Panning + Panoramowanie + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + @@ -6846,35 +7635,35 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Stutter - + Loopback point - + Loop mode - Tryb zapętlenia + Tryb zapętlenia Interpolation mode - + None - + Linear - + Sinc - + Sample not found: %1 - + @@ -6963,114 +7752,125 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające dynProcControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + ATTACK - + Peak attack time: - + RELEASE - + Peak release time: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Stereomode Maximum - + Process based on the maximum of both stereo channels - + Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + dynProcControls Input gain - + Output gain - + Attack time - + Release time - + Stereo mode - + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + @@ -7096,39 +7896,39 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Length - + Distortion Start - + Distortion End - + Envelope Slope - + Noise - Szum + Szum Click - + Frequency Slope - + Start from note - + End to note - + @@ -7147,31 +7947,31 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające Frequency Slope: - + Envelope Length: - + Envelope Slope: - + Click: - + Noise: - + Distortion Start: - + Distortion End: - + @@ -7199,15 +7999,15 @@ Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierające This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. To okno dialogowe wyświetla informacje o wszystkich wtyczkach LADSPA jakie LMMS był w stanie zlokalizować. Wtyczki są podzielone na pięć kategorii bazujących na intepretacji ich portów i nazw. @@ -7446,145 +8246,35 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Bandlimited saw wave - + Click here for bandlimited saw wave. - + Bandlimited square wave - + Click here for bandlimited square wave. - + Bandlimited triangle wave - + Click here for bandlimited triangle wave. - + Bandlimited moog saw wave - + Click here for bandlimited moog saw wave. - - - - - lb303Synth - - VCF Cutoff Frequency - Częstotliwość Odcięcia VCF - - - VCF Resonance - Rezonans VCF - - - VCF Envelope Mod - Modyfikacja Obwiedni VCF - - - VCF Envelope Decay - Zanikanie Obwiedni VCF - - - Distortion - Zniekształcenie - - - Waveform - Kształt Przebiegu - - - Slide Decay - Zanikanie z poślizgiem - - - Slide - Poślizg - - - Accent - Akcent - - - Dead - Martwy - - - 24dB/oct Filter - Filtr 24dB/okt - - - - lb303SynthView - - Cutoff Freq: - Częst. Odc.: - - - CUT - CUT - - - Resonance: - Rezonans: - - - RES - RES - - - Env Mod: - Mod. Obw.: - - - ENV MOD - ENV MOD - - - Decay: - Zanikanie: - - - DEC - DEC - - - 303-es-que, 24dB/octave, 3 pole filter - 303-es-que, 24dB/oktawę, filtr III rzędu - - - Slide Decay: - Zanikanie z poślizgiem: - - - SLIDE - SLIDE - - - DIST: - DIST: - - - DIST - DIST - - - WAVE: - FALA: - - - WAVE - FALA + @@ -7607,7 +8297,7 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Stick Mix - Stick Mix + Stick Mix Modulator @@ -7691,11 +8381,11 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Uniform Bar - + Tuned Bar - + Glass @@ -7705,14 +8395,6 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Tibetan Bowl Misy Tybetańskie - - Missing files - Pominięte pliki - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - Wygląda na to, że Twoja instalacja Stk jest niekompletna. Upewnij się, że cała paczka Stk została zainstalowana! - malletsInstrumentView @@ -7808,10 +8490,6 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o ADSR: ADSR: - - Bowed - Pochylenie - Pressure Ciśnienie @@ -7820,14 +8498,6 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Pressure: Ciśnienie: - - Motion - Ruch - - - Motion: - Ruch: - Speed Prędkość @@ -7837,16 +8507,20 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Prędkość: - Vibrato - Vibrato + Missing files + - Vibrato: - Vibrato: + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView + + - VST parameter control + + VST Sync Synchronizacja VST @@ -7855,29 +8529,29 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Click here if you want to synchronize all parameters with VST plugin. Kliknij tutaj, jeśli chcesz zsynchronizować wszystkie parametry z wtyczką VST. - - - VST parameter control - - Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST effect knob-controller window. - + manageVestigeInstrumentView + + - VST plugin control + + VST Sync Synchronizacja VST @@ -7886,144 +8560,159 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Click here if you want to synchronize all parameters with VST plugin. Kliknij tutaj, jeśli chcesz zsynchronizować wszystkie parametry z wtyczką VST. - - - VST plugin control - - Automated - + Click here if you want to display automated parameters only. - + Close - + Close VST plugin knob-controller window. - + opl2instrument Patch - Próbka + Próbka Op 1 Attack - + Op 1 Decay - + Op 1 Sustain - + Op 1 Release - + Op 1 Level - + Op 1 Level Scaling - + Op 1 Frequency Multiple - + Op 1 Feedback - + Op 1 Key Scaling Rate - + Op 1 Percussive Envelope - + Op 1 Tremolo - + Op 1 Vibrato - + Op 1 Waveform - + Op 2 Attack - + Op 2 Decay - + Op 2 Sustain - + Op 2 Release - + Op 2 Level - + Op 2 Level Scaling - + Op 2 Frequency Multiple - + Op 2 Key Scaling Rate - + Op 2 Percussive Envelope - + Op 2 Tremolo - + Op 2 Vibrato - + Op 2 Waveform - + FM - + Vibrato Depth - + Tremolo Depth - + + + + + opl2instrumentView + + Attack + Atak + + + Decay + Zanikanie + + + Release + Wybrzmiewanie + + + Frequency multiplier + @@ -8069,23 +8758,23 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + @@ -8100,11 +8789,11 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Sweep RtShift amount - + Wave Pattern Duty - + Channel 1 volume @@ -8140,35 +8829,35 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Channel 1 to SO2 (Left) - + Channel 2 to SO2 (Left) - + Channel 3 to SO2 (Left) - + Channel 4 to SO2 (Left) - + Channel 1 to SO1 (Right) - + Channel 2 to SO1 (Right) - + Channel 3 to SO1 (Right) - + Channel 4 to SO1 (Right) - + Treble @@ -8180,7 +8869,7 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Shift Register width - + @@ -8195,23 +8884,23 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Sweep RtShift amount: - + Sweep RtShift amount - + Wave pattern duty: - + Wave Pattern Duty - + Square Channel 1 Volume: - + Length of each step in sweep: @@ -8223,47 +8912,47 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Wave pattern duty - + Square Channel 2 Volume: - + Square Channel 2 Volume - + Wave Channel Volume: - + Wave Channel Volume - + Noise Channel Volume: - + Noise Channel Volume - + SO1 Volume (Right): - + SO1 Volume (Right) - + SO2 Volume (Left): - + SO2 Volume (Left) - + Treble: @@ -8291,69 +8980,104 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o Shift Register Width - + Channel1 to SO1 (Right) - + Channel2 to SO1 (Right) - + Channel3 to SO1 (Right) - + Channel4 to SO1 (Right) - + Channel1 to SO2 (Left) - + Channel2 to SO2 (Left) - + Channel3 to SO2 (Left) - + Channel4 to SO2 (Left) - + Wave Pattern - + The amount of increase or decrease in frequency - + The rate at which increase or decrease in frequency occurs - + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - + Square Channel 1 Volume - + The delay between step change - + Draw the wave here Narysuj przebieg + + patchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + Bank + + + Program selector + + + + Patch + Próbka + + + Name + Nazwa + + + OK + OK + + + Cancel + Anuluj + + pluginBrowser @@ -8380,10 +9104,6 @@ Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o List installed LADSPA plugins Pokaż zainstalowane wtyczki LADSPA - - Filter for importing FL Studio projects into LMMS - Filtr do importowania projektów FL Studio w LMMS. - GUS-compatible patch instrument Instrument kompatybilny z standardem sampli GUS. @@ -8436,150 +9156,107 @@ Te układy scalone były stosowane w komputerach Commodore 64. 2-operator FM Synth - + Filter for importing Hydrogen files into LMMS - + LMMS port of sfxr - + Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - + A native amplifier plugin - + Carla Rack Instrument - + 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + + + + A native delay plugin + Player for GIG files - + A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - - - - Dummy (no sound output) - - - - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - + - WinMM MIDI - + A Dual filter plugin + - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + @@ -8638,7 +9315,7 @@ Te układy scalone były stosowane w komputerach Commodore 64. A soundfont %1 could not be loaded. - + @@ -8720,7 +9397,7 @@ Te układy scalone były stosowane w komputerach Commodore 64. sfxrInstrument Wave Form - + @@ -9082,11 +9759,11 @@ Te układy scalone były stosowane w komputerach Commodore 64. Edytor Impulsu - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Edytor kształtu przebiegu pozwala kontrolować strukturę impulsu, który powoduje wzbudzenie drgań struny. Przycisk po prawej umożliwia wybór kształtu fali. Przycisk '?' załaduje przebieg z pliku - jedynie pierwsze 128 próbek zostanie załadowanych. @@ -9098,15 +9775,15 @@ Przycisk 'S' wygładza przebieg. Przycisk 'N' normalizuje przebieg. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Symulator do dziewięciu niezależnych, wibrujących strun. Przełącznik struny umożliwia wybór strun, które mają być edytowane. Przełącznik oktawy określa częstotliwości harmoniczne, na których będzie drgać struna. @@ -9253,70 +9930,70 @@ Kontrolka LED w prawym dolnym rogu edytora kształtu fali pokazuje, czy wybrana waveShaperControlDialog INPUT - + Input gain: - + OUTPUT - + Output gain: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase graph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease graph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Clip input - + Clip input signal to 0dB - + waveShaperControls Input gain - + Output gain - + - + \ No newline at end of file diff --git a/data/locale/pt.ts b/data/locale/pt.ts index 96c791c7d83..58a5318e4c9 100644 --- a/data/locale/pt.ts +++ b/data/locale/pt.ts @@ -1,43 +1,29 @@ - - - + AboutDialog - About - Sobre - - - License - Licença - - - Authors - Autores + About LMMS + Sobre LMMS - Translation - Tradução + Version %1 (%2/%3, Qt %4, %5) + Versão %1 (%2/%3, Qt %4, %5) - About LMMS - Sobre LMMS + About + Sobre LMMS - easy music production for everyone LMMS - produção musical fácil para todos - Copyright (c) 2004-2014, LMMS developers - Copyright (c) 2004-2014, LMMS developers - - - Version %1 (%2/%3, Qt %4, %5) - Versão %1 (%2/%3, Qt %4, %5) + Authors + Autores - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> + Translation + Tradução Current language not translated (or native English). @@ -49,75 +35,87 @@ Qualquer sugestão para tradução, entre em contato pela lista de desenvolvedor Esteban Viveros + + License + Licença + LMMS - LMMS + LMMS Involved - Envolvidos + Envolvidos Contributors ordered by number of commits: - Colaboradores ordenados por ordem de contribuição: + Contribuidores ordenados por número de contribuição: + + + Copyright © %1 + Direitos autorais © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog VOL - VOL + VOL Volume: - Volume: + Volume: PAN - PAN + PAN Panning: - Panorâmico: + Panorâmico: LEFT - + ESQUERDA Left gain: - + Ganho na esquerda: RIGHT - + DIREITA Right gain: - + Ganho na Direita: AmplifierControls Volume - Volume + Volume Panning - Panorâmico + Panorâmico Left gain - + Ganho na Esquerda Right gain - + Ganho na Direita - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE DISPOSITIVO @@ -134,76 +132,76 @@ Esteban Viveros Abrir outra amostra - If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - Se você ativar este botão, toda a amostra será invertida. Isto é útil para fazer uns efeitos legais, ex. um ruído elétrico ao contrário. + Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. + Clique aqui se você precisa abrir outro arquivo de áudio. O diálogo irá aparecer você puder selecionar seu arquivo. Configurações como modo de loop, ponto de início e de final, valor de amplificação, e todo o resto não serão resetados. Mas não vai mais soar como a amostra original. - Continue sample playback across notes - Continua a tocar a amostra entre as notas + Reverse sample + Inverter amostra + + + If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. + Se você ativar este botão, toda a amostra será invertida. Isto é útil para fazer uns efeitos legais, ex. um ruído elétrico ao contrário. Amplify: Amplificar: - Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - Ativando esta opção a amostra continuará tocando entre diferentes notas - se você mudar a altura, ou o comprimento da nota antes do fim da amostra, a próxima nota irá continuar onde a anterior parou. Para retornar a reprodução a partir do começo, utilize uma nota na parte inferior do teclado (< 20 Hz) + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + Bom este botão você pode aumentar a proporção.Quando você coloca um valor de 100% sua amostra não mudará. De outro maneira ela será amplificada para mais ou para menos (o arquivo original da amostra não será modificado!) Startpoint: Ponto de início: - - Reverse sample - Inverter amostra - Endpoint: Ponto final: - Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - Clique aqui se você precisa abrir outro arquivo de áudio. O diálogo irá aparecer você puder selecionar seu arquivo. Configurações como modo de loop, ponto de início e de final, valor de amplificação, e todo o resto não serão resetados. Mas não vai mais soar como a amostra original. + Continue sample playback across notes + Continua a tocar a amostra entre as notas - With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - Bom este botão você pode aumentar a proporção.Quando você coloca um valor de 100% sua amostra não mudará. De outro maneira ela será amplificada para mais ou para menos (o arquivo original da amostra não será modificado!) + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) + Ativando esta opção a amostra continuará tocando entre diferentes notas - se você mudar a altura, ou o comprimento da nota antes do fim da amostra, a próxima nota irá continuar onde a anterior parou. Para retornar a reprodução a partir do começo, utilize uma nota na parte inferior do teclado (< 20 Hz) Disable loop - + Desabilitar loop This button disables looping. The sample plays only once from start to end. - + Este botão desabilita o looping. A amostra toca só um do início ao fim. Enable loop - + Habilitar Loop This button enables forwards-looping. The sample loops between the end point and the loop point. - + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + With this knob you can set the point where AudioFileProcessor should begin playing your sample. - + With this knob you can set the point where AudioFileProcessor should stop playing your sample. - + Loopback point: - + With this knob you can set the point where the loop starts. - + Com este botão você pode marcar aonde o loop começa. @@ -215,10 +213,6 @@ Esteban Viveros AudioJack - - JACK server down - O servidor JACK caiu - JACK client restarted Cliente JACK reiniciado @@ -227,17 +221,21 @@ Esteban Viveros LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS foi chutado pelo JACK por alguma razão. Logo que o JACK restaure a comunicação com o LMMS você poderá precisar fazer as conexões manualmente. + + JACK server down + O servidor JACK caiu + The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. O servidor de áudio JACK parece ter caído e ao reiniciar uma nova instância falhou. De qualquer maneira LMMS é capaz de prosseguir. Certifique-se de salvar seu projeto e reiniciar primeiro o JACK depois o LMMS. CLIENT-NAME - NOME-DO-CLIENTE + NOME DO CLIENTE CHANNELS - CANAIS + CANAIS @@ -253,14 +251,14 @@ Esteban Viveros AudioPortAudio::setupWidget - - DEVICE - DISPOSITIVO - BACKEND BACKEND + + DEVICE + DISPOSITIVO + AudioPulseAudio::setupWidget @@ -281,58 +279,76 @@ Esteban Viveros - AutomatableModel + AudioSndio::setupWidget - Connected to %1 - Conectado a %1 + DEVICE + DISPOSITIVO - Remove song-global automation - Apagar automação global da música + CHANNELS + CANAIS + + + AudioSoundIo::setupWidget - Edit connection... - Editar conexão... + BACKEND + BACKEND + + + DEVICE + DISPOSITIVO + + + + AutomatableModel + + &Reset (%1%2) + &Resetar (%1%2) &Copy value (%1%2) &Copiar valor (%1%2) - Remove connection - Apagar conexão + &Paste value (%1%2) + C&olar valor (%1%2) - &Reset (%1%2) - &Resetar (%1%2) + Edit song-global automation + Editar automação global da música + + + Connected to %1 + Conectado a %1 Connected to controller Conectado ao controlador - Edit song-global automation - Editar automação global da música + Edit connection... + Editar conexão... + + + Remove connection + Apagar conexão Connect to controller... Conectado ao controlador... - Remove all linked controls - Apagar todos os controles linkados + Remove song-global automation + Apagar automação global da música - &Paste value (%1%2) - C&olar valor (%1%2) + Remove all linked controls + Apagar todos os controles linkados AutomationEditor - - All selected values were copied to the clipboard. - Todos os valores selecionados foram copiados para a área de transferência. - Please open an automation pattern with the context menu of a control! Por favor, abra o sequenciador de automação com o menu de contexto do controle! @@ -341,124 +357,152 @@ Esteban Viveros Values copied Valores copiados + + All selected values were copied to the clipboard. + Todos os valores selecionados foram copiados para a área de transferência. + AutomationEditorWindow Play/pause current pattern (Space) - + Tocar/Parar padrão atual (Espaço) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - Clique aqui se você quiser tocar a sequência atual. Isto é útil enquanto se está editando. A sequência entra em loop automaticamente quando chega ao fim. + Stop playing of current pattern (Space) - Parar de tocar a sequência atual (Espaço) + Parar de tocar a sequência atual (Espaço) Click here if you want to stop playing of the current pattern. - Clique aqui se você que parar a reprodução da sequência atual. + Clique aqui se você quiser parar de tocar o padrão atual. Draw mode (Shift+D) - Lápis (Shift+D) + Desenhar modo (Shift+D) Erase mode (Shift+E) - Borracha (Shift+E) + Apagar modo (Shift+E) Flip vertically - + Virar verticalmente Flip horizontally - + Virar horizontalmente Click here and the pattern will be inverted.The points are flipped in the y direction. - + Clique aqui e o padrão vai ser invertido. Os pontos são virados na direção Y. Click here and the pattern will be reversed. The points are flipped in the x direction. - + Clique aqui e o padrão vai ser revertido. Os pontos são virados na direção X. Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - Clique aqui e o lápis será ativado. O lápis serve para adicionar ou mover valores simples. Ele estará ativado previamente e será utilizado a maior parte do tempo. Você pode usar 'Shift+D' no teclado para ativar o lápis. + Clique aqui e o modo desenho será ativado. Neste modo você pode adicionar e mover valores simples. Este é o modo padrão que é usado na maioria das vezes. Você pode também apertar 'Shift+D' no seu teclado para ativar o modo. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - Clique aqui e a borracha será ativada. A borracha serve para apagar valores simples. Você pode usar 'Shif+E' no teclado para utilizar a borracha. + Clique aqui e o modo apagar será ativado. Neste modo você pode apagar valores simples. Você pode também apertar 'Shift+E' no seu teclado para ativar o modo. Discrete progression - Progressão discreta + Progressão discreta Linear progression - Progressão linear + Progressão linear Cubic Hermite progression - Cúbica - Hermite progression + Tension value for spline - Valor de tensão para os estriados + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - Clique aqui para selecionar progressões discretas para este sequenciador de automação. O valor do objeto conectado permanecerá constante entre os pontos de controle e será substituido por um novo valor assim que um novo ponto de controle for assinalado. + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - Clique aqui para selecionar progressões lineares para este sequenciador de automação. O valor do objeto conectado variará de forma constante entre os pontos de controle assinalados. + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - Clique aqui para selecionar progressão cúbica hermite-progressions para este sequenciador de automação. O valor do objeto conectado irá mudar em curva e suavemente entre picos e vales. + Cut selected values (%1+X) - Cortar (%1+X) + Cortar valores selecionados (%1+X) Copy selected values (%1+C) - Copiar (%1+C) + Copiar valores selecionados (%1+C) Paste values from clipboard (%1+V) - + Colar valores para a área de transferência (%1+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Clique aqui para cortar valores para a área de transferência. Você pode colar os valores em qualquer sequência utilizando o botão de colar. + Clique aqui e os valores selecionados vão ser cortados na área de transferência. Você pode colar eles em qualquer padrão clicando no botão colar. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Clique aqui para copiar valores para a área de transferência. Você pode copiar os valores de qualquer sequência utilizando o botão de colar. + Clique aqui e os valores selecionados vão ser copiados na área de transferência. Você pode colar eles em qualquer padrão clicando no botão colar. Click here and the values from the clipboard will be pasted at the first visible measure. - Clique aqui e os valores na área de transferência serão colados no primeiro limite visível. + Clique aqui e os valores da área de transferência serão colados na primeira medida visível. Tension: - Tensão: + Tensão: Automation Editor - no pattern - Editor de Automação - sem sequência + Editor de Automação - sem padrão Automation Editor - %1 - Editor de Automação - %1 + Editor de Automação - %1 + + + Edit actions + Editar ações + + + Interpolation controls + Controles de interpolação + + + Timeline controls + Controles de cronograma + + + Zoom controls + Controles de zoom + + + Quantization controls + Controles de quantização + + + Model is already connected to this pattern. + O modelo já está conectado para este padrão. @@ -467,32 +511,20 @@ Esteban Viveros Drag a control while pressing <%1> Arraste o controle enquanto pressiona a tecla <%1> - - Model is already connected to this pattern. - - AutomationPatternView - Clear - Limpar + double-click to open this pattern in automation editor + dois cliques para abrir esta sequência no editor de automação Open in Automation editor Abra dentro do Editor de Automação - Disconnect "%1" - Desconectar "%1" - - - double-click to open this pattern in automation editor - dois cliques para abrir esta sequência no editor de automação - - - %1 Connections - %1 Conexões + Clear + Limpar Reset name @@ -502,17 +534,29 @@ Esteban Viveros Change name Mudar nome + + %1 Connections + %1 Conexões + + + Disconnect "%1" + Desconectar "%1" + Set/clear record - Armar/desarmar gravação + Selecionar/limpar gravação Flip Vertically (Visible) - + Virar Verticalmente (Visível) Flip Horizontally (Visible) - + Virar Horizontalmente (Visível) + + + Model is already connected to this pattern. + O modelo já está conectado para este padrão. @@ -526,220 +570,236 @@ Esteban Viveros BBEditor Beat+Bassline Editor - Editor de Bases + Mostrar/esconder Editor de Bases Play/pause current beat/bassline (Space) - Tocar/pausar a base atual (Espaço) + Tocar/Parar base atual (Espaço) Stop playback of current beat/bassline (Space) - Parar reprodução da base atual (Espaço) + Parar playback da base atual (Espaço) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - Clique aqui se você quiser tocar a base atual. A base entra em loop automaticamente quando chega ao fim. + Clique aqui para tocar a base atual. A base é automaticamente reiniciada quando chega ao fim. Click here to stop playing of current beat/bassline. - Clique aqui para parar a base atual. + Clique aqui para parar de tocar a base atual. Add beat/bassline - + Add linha de base Add automation-track - Adicionar pista de automação + Add automação de faixa Remove steps - + Remover passo Add steps - + Adicionar passo + + + Beat selector + Seletor de batida + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + BBTCOView Open in Beat+Bassline-Editor - Abrir no editor de Bases + Reset name - Restaurar nome + Restaurar nome Change name - Mudar nome + Mudar nome Change color - Mudar cor + Mudar cor Reset color to default - + Reiniciar para a cor padrão BBTrack Beat/Bassline %1 - Base %1 + Batida/Linha de Baixo %1 Clone of %1 - Clone de %1 + Clone de %1 BassBoosterControlDialog FREQ - FREQ + FREQ Frequency: - Frequência: + Frequência: GAIN - GANHO + GANHO Gain: - Ganho: + Ganho: RATIO - RAZÃO + RELAÇÃO Ratio: - Razão: + Relação: BassBoosterControls Frequency - Frequência + Frequência Gain - Ganho + Ganho Ratio - Razão + Relação BitcrushControlDialog IN - + DENTRO OUT - + FORA GAIN - GANHO + GANHO Input Gain: - + Ganho da entrada: NOIS - + Input Noise: - + Ruído de entrada: Output Gain: - + Ganho de saída: CLIP - + Output Clip: - + Rate - Taxa + Taxa Rate Enabled - + Enable samplerate-crushing - + Depth - + Profundidade Depth Enabled - + Profundidade habilitada Enable bitdepth-crushing - + Sample rate: - + STD - + STD Stereo difference: - + Diferença de Stereo: Levels - + Níveis Levels: - + Níveis: CaptionMenu &Help - Aj&uda + Aj&uda Help (not available) - + Ajuda (não disponível) CarlaInstrumentView Show GUI - Mostrar GUI + Mostrar GUI Click here to show or hide the graphical user interface (GUI) of Carla. - + Clique aqui para mostrar ou esconder a interface gráfica do usuário (GUI) do Carla. @@ -752,32 +812,16 @@ Esteban Viveros ControllerConnectionDialog - OK - OK - - - LMMS - LMMS - - - Cycle Detected. - Ciclo Detectado. + Connection Settings + Configuração das Conexões MIDI CONTROLLER CONTROLADOR MIDI - USER CONTROLLER - CONTROLADOR DO USUÁRIO - - - Cancel - Cancelar - - - Auto Detect - Auto detectar + Input channel + Canal de entrada CHANNEL @@ -792,40 +836,56 @@ Esteban Viveros CONTROLADOR - Input channel - Canal de entrada - - - Connection Settings - Configuração das Conexões + Auto Detect + Auto detectar MIDI-devices to receive MIDI-events from Dispositivos MIDI para receber eventos MIDI de + + USER CONTROLLER + CONTROLADOR DO USUÁRIO + MAPPING FUNCTION MAPEAR FUNÇÃO - - - ControllerRackView - Add - Adicionar + OK + OK - Confirm Delete - Confirmação para Apagar + Cancel + Cancelar + + + LMMS + LMMS - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. - Posso mesmo apagar? Há uma ou mais conexões associadas a este controlador. Não há como voltar depois. + Cycle Detected. + Ciclo Detectado. + + + ControllerRackView Controller Rack Estante de Controladores + + Add + Adicionar + + + Confirm Delete + Confirmação para Apagar + + + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + Confirmar apagar? Há conexão existente(s) associada a este controlador. Não há maneira de desfazer. + ControllerView @@ -834,332 +894,370 @@ Esteban Viveros Controles - Enter the new name for this controller - Adicione um novo nome para este controlador + Controllers are able to automate the value of a knob, slider, and other controls. + Os controladores estão prontos para alterar o valor de botões, barras deslizantes e outros controles automaticamente. Rename controller Renomear controlador - Controllers are able to automate the value of a knob, slider, and other controls. - Os controladores estão prontos para alterar o valor de botões, barras deslizantes e outros controles automaticamente. + Enter the new name for this controller + Adicione um novo nome para este controlador - &Remove this plugin - &Remova este plugin + &Remove this controller + + + + Re&name this controller + + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 2 Gain: - + Band 3 Gain: - + Band 4 Gain: - + Band 1 Mute - + Mute Band 1 - + Band 2 Mute - + Mute Band 2 - + Band 3 Mute - + Mute Band 3 - + Band 4 Mute - + Mute Band 4 - + DelayControls Delay Samples - + Amostras de atraso Feedback - + Retorno Lfo Frequency - + Lfo Frequência Lfo Amount - + Lfo Quantidade + + + Output gain + Ganho de saída DelayControlsDialog - Delay - + Lfo Amt + Delay Time - + Tempo de atraso - Regen - + Feedback Amount + - Feedback Amount - + Lfo + Lfo - Rate - Taxa + Out Gain + - Lfo - + Gain + Ganho - Lfo Amt - + DELAY + + + + FDBK + - - - DetuningHelper - Note detuning - + RATE + + + + AMNT + QNTD DualFilterControlDialog Filter 1 enabled - + Filtro 1 habilitado Filter 2 enabled - + Filtro 2 habilitado Click to enable/disable Filter 1 - + Clique para habilitar/desabilitar o Filtro 1 Click to enable/disable Filter 2 - + Clique para habilitar/desabilitar o Filtro 2 + + + FREQ + FREQ + + + Cutoff frequency + Frequência de corte + + + RESO + RESS + + + Resonance + Ressonância + + + GAIN + GANHO + + + Gain + Ganho + + + MIX + MISTURAR + + + Mix + Misturar DualFilterControls Filter 1 enabled - + Filtro 1 habilitado Filter 1 type - + Filtro 1 Tipo Cutoff 1 frequency - + Frequência de corte 1 Q/Resonance 1 - + Gain 1 - + Ganho 1 Mix - + Misturar Filter 2 enabled - + Filtro 2 habilitado Filter 2 type - + Filtro 2 Tipo Cutoff 2 frequency - + Frequência de corte 2 Q/Resonance 2 - + Gain 2 - + Ganho 2 LowPass - Passa Baixa + Passa Baixa HiPass - Passa Alta + Passa Alta BandPass csg - Passa Banda csg + Passa Banda csg BandPass czpg - Passa Banda czpg + Passa Banda czpg Notch - Vale + Vale Allpass - Passa todas + Passa todas Moog - Moog + Moog 2x LowPass - 2x Passa Baixa + 2x Passa Baixa RC LowPass 12dB - RC PassaBaixa 12dB + RC PassaBaixa 12dB RC BandPass 12dB - RC PassaBanda 12dB + RC PassaBanda 12dB RC HighPass 12dB - RC PassaAlta 12dB + RC PassaAlta 12dB RC LowPass 24dB - RC PassaBaixa 24dB + RC PassaBaixa 24dB RC BandPass 24dB - RC PassaBanda 24dB + RC PassaBanda 24dB RC HighPass 24dB - RC PassaAlta 24dB + RC PassaAlta 24dB Vocal Formant Filter - Filtro de Formante Vocal + Filtro de Formante Vocal 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Formato Rápido Tripole - - - - - DummyEffect - - NOT FOUND - + Editor Play (Space) - + Tocar (Espaço) Stop (Space) - + Parar (Espaço) Record - + Gravar Record while playing - + + + + Transport controls + Controles de transporte Effect - - Gate - Portal - - - Decay - Decaimento - Effect enabled Efeito ativado @@ -1168,6 +1266,14 @@ Esteban Viveros Wet/Dry mix Mix Processada/Limpa + + Gate + Portal + + + Decay + Decaimento + EffectChain @@ -1178,14 +1284,14 @@ Esteban Viveros EffectRackView - - Add effect - Adicionar Efeito - EFFECTS CHAIN CADEIA DE EFEITOS + + Add effect + Adicionar Efeito + EffectSelectDialog @@ -1194,44 +1300,84 @@ Esteban Viveros Adicionar Efeito - Plugin description - Descrição do plugin + Name + Nome + + + Type + Tipo + + + Description + Descrição + + + Author + Autor EffectView + + Toggles the effect on or off. + Mantém o efeito ligado ou desligado. + + + On/Off + Liga/Desliga + W/D P/L - GATE - PORTAL + Wet Level: + Nível de Processamento: + + + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. + O botão de Processado/Limpo especifica a quantidade de sinal de entrada que será afetado pelo efeito. DECAY DEC + + Time: + Tempo: + + + The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. + O botão de Decaimento controla quanto tempo demora até que o processamento seja interrompido. Valores pequenos irão reduzir o consumo de CPU mas em contrapartida você correrá o risco de saturar o final do sinal ao utilizar efeitos de reverberação e atraso (delay). + + + GATE + PORTAL + Gate: Portal: - Time: - Tempo: + The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. + O botão Portal (Gate) controla a passagem de sínal de acordo no o seu nível de intensidade (volume). o que estiver acima no nível definido passa, se o nível for menor que o definido haverá silêncio. + + + Controls + Controles Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Os plugins de efeitos terão o sinal processado de cima para baixo quando estiverem na cadeia de efeitos. @@ -1248,22 +1394,6 @@ O botão Controles abre uma caixa de diálogo para edição de parâmetros do ef Clicar com o botão direito no mouse irá exibir um menu de contexto onde você pode alterar a ordem em que os efeitos são processados ou também apagar um efeito, tudo ao mesmo tempo. - - Wet Level: - Nível de Processamento: - - - The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - O botão de Decaimento controla quanto tempo demora até que o processamento seja interrompido. Valores pequenos irão reduzir o consumo de CPU mas em contrapartida você correrá o risco de saturar o final do sinal ao utilizar efeitos de reverberação e atraso (delay). - - - On/Off - Liga/Desliga - - - Controls - Controles - Move &up Para &Cima @@ -1272,18 +1402,6 @@ Clicar com o botão direito no mouse irá exibir um menu de contexto onde você Move &down Para &Baixo - - Toggles the effect on or off. - Mantém o efeito ligado ou desligado. - - - The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - O botão de Processado/Limpo especifica a quantidade de sinal de entrada que será afetado pelo efeito. - - - The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - O botão Portal (Gate) controla a passagem de sínal de acordo no o seu nível de intensidade (volume). o que estiver acima no nível definido passa, se o nível for menor que o definido haverá silêncio. - &Remove this plugin &Remover este plugin @@ -1291,6 +1409,14 @@ Clicar com o botão direito no mouse irá exibir um menu de contexto onde você EnvelopeAndLfoParameters + + Predelay + Pré-atraso + + + Attack + Ataque + Hold Espera @@ -1300,48 +1426,40 @@ Clicar com o botão direito no mouse irá exibir um menu de contexto onde você Decaimento - LFO Modulation - LFO - Modulação + Sustain + Sustentação - LFO speed - LFO - Velocidade + Release + Relaxamento - Freq x 100 - Freq x 100 + Modulation + Modulação - Attack - Ataque + LFO Predelay + LFO - Pré-atraso LFO Attack LFO - Ataque - Predelay - Pré-atraso - - - Release - Relaxamento - - - Sustain - Sustentação + LFO speed + LFO - Velocidade - Modulation - Modulação + LFO Modulation + LFO - Modulação LFO Wave Shape LFO - Forma de Onda - LFO Predelay - LFO - Pré-atraso + Freq x 100 + Freq x 100 Modulate Env-Amount @@ -1351,476 +1469,480 @@ Clicar com o botão direito no mouse irá exibir um menu de contexto onde você EnvelopeAndLfoView - AMT - QNT - + DEL + ATRASO + - ATT - ATQ + Predelay: + Pré-atraso: - DEC - DEC + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. + Use este botão para ajustar o pré-atraso do envelope atual. Quanto maior este valor, mais longo o tempo antes de iniciar o envelope atual. - DEL - ATRASO + ATT + ATQ - REL - REL + Attack: + Ataque: - SPD - VEL + Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. + Use este botão para ajustar o tempo de ataque do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisará para aumentar o nível de ataque. HOLD DURAR - Hint - Sugestão + Hold: + Duração: - SUST - SUST + Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. + Use este botão para ajustar o tempo de duração do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope segura o nível de ataque antes de diminuir para o nível sustentável. - Hold: - Duração: + DEC + DEC - Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - Use este botão para ajustar a quantidade de modulação do LFO atual. Quanto maior este valor, mais o tamanho (ex. volume ou frequência de corte) será influênciado pelo LFO. + Decay: + Decaimento: - Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - Clique aqui para usar uma forma de onda definida manualmente. Depois, arraste o aquivo com a amostra de áudio correspondente dentro do gráfico de LFO. + Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. + Use este botão para ajustar o tempo de decaimento do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de ataque para o nível sustentável. Escolha um valor pequeno para instrumentos como piano. - multiply LFO-frequency by 100 - Multiplica a frequência do LFO por 100 + SUST + SUST - Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - Use este botão para ajustar a velocidade do LFO atual. Quanto maior este valor, mais rapidamente o LFO oscila e mais rápido será seu efeito. + Sustain: + Sustentação: - FREQ x 100 - FREQ x 100 + Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. + Use este botão para ajustar o nível de sustentação do envelope atual. Quanto maior este valor, maior será o nível que o envelope espera antes de ir para zero. - Click here if the frequency of this LFO should be multiplied by 100. - Clique aqui se quiser que a frequência deste LFO seja multiplicada por 100. + REL + REL - ms/LFO: - ms/LFO: + Release: + Relaxamento: - Decay: - Decaimento: + Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. + Use este botão para ajustar o tempo de relaxamento do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de sustentação para zero. Escolha um valor grande para instrumentos com cordas. - Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - Use este botão para ajustar o tempo de decaimento do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de ataque para o nível sustentável. Escolha um valor pequeno para instrumentos como piano. + AMT + QNT - Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - Use este botão para ajustar o nível de sustentação do envelope atual. Quanto maior este valor, maior será o nível que o envelope espera antes de ir para zero. + Modulation amount: + Quantidade de modulação: + + + Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. + Use este botão para ajustar a quantidade de modulação do envelope atual. Quanto maior este valor, mais o tamanho do acorde (ex. volume ou frequência de corte) será influênciado pelo envelope. + + + LFO predelay: + Pré-atraso do LFO: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Use este botão para ajustar o tempo de pré-atraso do LFO atual. Quanto maior este valor, maior o tempo ontes do LFO começar a oscilar. - Click here to make the envelope-amount controlled by this LFO. - Clique aqui para que a quantidade do envelope seja controlada por este LFO. + LFO- attack: + Ataque do LFO: - Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - Use este botão para ajustar o tempo de relaxamento do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de sustentação para zero. Escolha um valor grande para instrumentos com cordas. + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. + Use este botão para ajustar o tempo de ataque do LFO atual. Quanto maior este valor, mais o tempo o LFO leva para atingir sua amplitude máxima. - Click here for a sine-wave. - Clique aqui para usar uma onda senoidal. + SPD + VEL LFO speed: Velocidade do LFO: - Attack: - Ataque: - - - LFO predelay: - Pré-atraso do LFO: + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. + Use este botão para ajustar a velocidade do LFO atual. Quanto maior este valor, mais rapidamente o LFO oscila e mais rápido será seu efeito. - MODULATE ENV-AMOUNT - MODULAR QNT-ENV + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. + Use este botão para ajustar a quantidade de modulação do LFO atual. Quanto maior este valor, mais o tamanho (ex. volume ou frequência de corte) será influênciado pelo LFO. - Predelay: - Pré-atraso: + Click here for a sine-wave. + Clique aqui para usar uma onda senoidal. - Modulation amount: - Quantidade de modulação: + Click here for a triangle-wave. + Clique aqui para usar uma onda triangular. - Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - Use este botão para ajustar o pré-atraso do envelope atual. Quanto maior este valor, mais longo o tempo antes de iniciar o envelope atual. + Click here for a saw-wave for current. + Clique aqui para usar uma onda dente-de-serra. Click here for a square-wave. Clique aqui para usar uma onda quadrada. - Release: - Relaxamento: - - - Sustain: - Sustentação: + Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. + Clique aqui para usar uma forma de onda definida manualmente. Depois, arraste o aquivo com a amostra de áudio correspondente dentro do gráfico de LFO. - Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - Use este botão para ajustar a quantidade de modulação do envelope atual. Quanto maior este valor, mais o tamanho do acorde (ex. volume ou frequência de corte) será influênciado pelo envelope. + FREQ x 100 + FREQ x 100 - LFO- attack: - Ataque do LFO: + Click here if the frequency of this LFO should be multiplied by 100. + Clique aqui se quiser que a frequência deste LFO seja multiplicada por 100. - Click here for a triangle-wave. - Clique aqui para usar uma onda triangular. + multiply LFO-frequency by 100 + Multiplica a frequência do LFO por 100 - Drag a sample from somewhere and drop it in this window. - Arraste uma amostra de qualquer lugar para esta janela. + MODULATE ENV-AMOUNT + MODULAR QNT-ENV - Click here for a saw-wave for current. - Clique aqui para usar uma onda dente-de-serra. + Click here to make the envelope-amount controlled by this LFO. + Clique aqui para que a quantidade do envelope seja controlada por este LFO. - Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - Use este botão para ajustar o tempo de duração do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope segura o nível de ataque antes de diminuir para o nível sustentável. + control envelope-amount by this LFO + Controla a quantidade do envelope por este LFO - Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - Use este botão para ajustar o tempo de ataque do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisará para aumentar o nível de ataque. + ms/LFO: + ms/LFO: - control envelope-amount by this LFO - Controla a quantidade do envelope por este LFO + Hint + Sugestão - Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - Use este botão para ajustar o tempo de ataque do LFO atual. Quanto maior este valor, mais o tempo o LFO leva para atingir sua amplitude máxima. + Drag a sample from somewhere and drop it in this window. + Arraste uma amostra de qualquer lugar para esta janela. Click here for random wave. - + Clique aqui para Onda Aleatória. EqControls Input gain - + Ganho de entrada Output gain - + Ganho de saída Low shelf gain - + Peak 1 gain - + Ganho 1 pico Peak 2 gain - + Ganho 2 pico Peak 3 gain - + Ganho 3 pico Peak 4 gain - + Ganho 4 pico High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP ativo LP 12 - + LP 12 LP 24 - + LP 24 LP 48 - + LP 48 HP 12 - + HP 12 HP 24 - + HP 24 HP 48 - + HP 48 low pass type - + high pass type - + + + + Analyse IN + + + + Analyse OUT + EqControlsDialog HP - + HP Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + LP In Gain - + Gain - Ganho + Ganho Out Gain - + Bandwidth: - + Resonance : - + Ressonância: Frequency: - Frequência: + Frequência: - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + + + + EqHandle - lp grp - + Reso: + Reso: - hp grp - + BW: + BW: - - - EqParameterWidget - Hz - + Freq: + Freq: ExportProjectDialog - 2x - 2x - - - 4x - 4x + Export project + Renderizar projeto - 8x - 8x + Output + Saída - Sinc Best (very slow!) - Sincronização Melhor (muito lenta) + File format: + Formato do arquivo: - Start - Começar + Samplerate: + Taxa de Amostragem: - Bitrate: - Velocidade em bits: + 44100 Hz + 44100 Hz - Samplerate: - Taxa de Amostragem: + 48000 Hz + 48000 Hz - 1x (None) - 1x (Nada) + 88200 Hz + 88200 Hz - Oversampling (use with care!): - Sobreamostragem (use com cuidado): + 96000 Hz + 96000 Hz - Cancel - Cancelar + 192000 Hz + 192000 Hz - Depth: - Precisão: + Bitrate: + Velocidade em bits: 64 KBit/s @@ -1830,14 +1952,14 @@ Clicar com o botão direito no mouse irá exibir um menu de contexto onde você 128 KBit/s 128 KBit/s - - 192 KBit/s - 192 KBit/s - 160 KBit/s 160 KBit/s + + 192 KBit/s + 192 KBit/s + 256 KBit/s 256 KBit/s @@ -1847,622 +1969,628 @@ Clicar com o botão direito no mouse irá exibir um menu de contexto onde você 320 KBit/s - 32 Bit Float - 32 Bits Decimal - - - 192000 Hz - 192000 Hz + Depth: + Precisão: - Zero Order Hold - Retentor de Ordem Zero + 16 Bit Integer + 16 Bits Inteiro - Output - Saída + 32 Bit Float + 32 Bits Decimal Please note that not all of the parameters above apply for all file formats. Por favor, note que os parâmetros acima se aplicam para todos os tipos de arquivos. + + Quality settings + Configurações de qualidade + Interpolation: Interpolação: - 44100 Hz - 44100 Hz + Zero Order Hold + Retentor de Ordem Zero - 16 Bit Integer - 16 Bits Inteiro + Sinc Fastest + Sincronização Rápida - Export project - Renderizar projeto + Sinc Medium (recommended) + Sincronização Média (recomendada) - Sinc Fastest - Sincronização Rápida + Sinc Best (very slow!) + Sincronização Melhor (muito lenta) - 96000 Hz - 96000 Hz + Oversampling (use with care!): + Sobreamostragem (use com cuidado): - File format: - Formato do arquivo: + 1x (None) + 1x (Nada) - 48000 Hz - 48000 Hz + 2x + 2x - 88200 Hz - 88200 Hz + 4x + 4x - Sinc Medium (recommended) - Sincronização Média (recomendada) + 8x + 8x - Export as loop (remove end silence) - Renderizar como loop (remove silêncio no final) + Start + Começar - Quality settings - Configurações de qualidade + Cancel + Cancelar - Export between loop markers - + Export as loop (remove end silence) + Renderizar como loop (remove silêncio no final) - Could not open file - Não é possível abrir o arquivo + Export between loop markers + - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Não é possível abrir o arquivo %1 para gravação. -Por favor certifique-se que você tem permissão para gravação no arquivo e se o arquivo se encontra no diretório e tente novamente! + Could not open file + Não é possível abrir o arquivo Export project to %1 - Exportar projeto para %1 + Exportar projeto para %1 Error - Erro + Erro Error while determining file-encoder device. Please try to choose a different output format. - Erro ao determinar o dispositivo codificador de arquivo. Por favor tente um formato de saída diferente. + Rendering: %1% - Renderizando: %1% + Renderizando: %1% + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - Por favor entre com um novo valor entre %1 e %2: + Por favor coloque com um novo valor entre %1 e %2: FileBrowser Browser - Pastas + Navegador FileBrowserTreeWidget Send to active instrument-track - Envio para ativar pista de instrumento - - - Open in new instrument-track/Song-Editor - Abrir nova pista de instrumento / Editor de Arranjo + Open in new instrument-track/B+B Editor - Abrir nova pista de instrumento / Editor de Bases + Loading sample - Carregando amostra + Carregando amostra Please wait, loading sample for preview... - Por favor espere, carregando a pré visualização da amostra... + Por favor aguarde, carregando amostra para visualização... --- Factory files --- - --- Arquivos de fábrica --- + --- Arquivos de fábrica --- + + + Open in new instrument-track/Song Editor + + + + Error + Erro + + + does not appear to be a valid + não parece ser válido + + + file + arquivo FlangerControls Delay Samples - + Amostras de atraso Lfo Frequency - + Lfo Frequência Seconds - + Segundos Regen - + Noise - Ruído + Ruído Invert - + Inverter FlangerControlsDialog - Delay - + Delay Time: + Tempo de Atraso: - Delay Time: - + Feedback Amount: + - Lfo Hz - + White Noise Amount: + Quantidade de Ruído Branco: - Lfo: - + DELAY + - Amt - + RATE + - Amt: - + Rate: + - Regen - + AMNT + QNTD - Feedback Amount: - + Amount: + Quantidade: - Noise - Ruído + FDBK + - White Noise Amount: - + NOISE + + + + Invert + Inverter FxLine Channel send amount - + Quantidade de envio de canal The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left - + Move &right - + Rename &channel - + Renomear canal R&emove channel - + Remover canal Remove &unused channels - + Remover canais não utilizados FxMixer - - FX %1 - FX %1 - Master Mestre + + FX %1 + FX %1 + FxMixerView - - Enter the new name for this FX channel - Insira o novo nome para este Canal de Efeitos - - - Rename FX channel - Renomear Canal de Efeitos - FX-Mixer Mixer de Efeitos FX Fader %1 - Fader de Efeito %1 + FX Fader %1 Mute - Mudo + Mudo Mute this FX channel - Deixar mudo este Canal de Efeitos + Este canal FX mudo Solo - + Solo Solo FX channel - + Canal FX solo FxRoute Amount to send from channel %1 to channel %2 - + Quantidade para enviar do canal %1 para o canal %2 GigInstrument Bank - Banco + Banco Patch - Programação + Programação Gain - Ganho + Ganho GigInstrumentView Open other GIG file - + Abrir outro arquivo GIG Click here to open another GIG file - + Clique aqui para abrir outro arquivo GIG Choose the patch - Escolher o patch + Escolher o patch Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Which GIG file is currently being used - + Which patch of the GIG file is currently being used - + Gain - Ganho + Ganho Factor to multiply samples by - + Open GIG file - + Abrir arquivo GIG GIG Files (*.gig) - + Arquivos GIG (*.gig) - InstrumentFunctionArpeggio + GuiApplication - Up - Para Cima + Working directory + Diretório de trabalho - Down - Para Baixo + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + - Free - Livre + Preparing UI + Preparando UI - Sort - Tipo + Preparing song editor + Preparando o editor de som - Sync - Sincronização + Preparing mixer + Preparando o misturador - Arpeggio direction - Direção do Arpejo + Preparing controller rack + - Up and down - Para cima e para baixo + Preparing project notes + Preparando notas do projeto - Random - Aleatório + Preparing beat/bassline editor + Preparando editor de batida/base - Arpeggio range - Escala de Arpejo + Preparing piano roll + - Arpeggio gate - Portal de Arpejo + Preparing automation editor + Preparando editor de automação + + + InstrumentFunctionArpeggio - Arpeggio time - Tempo de Arpejo + Arpeggio + Arpegio Arpeggio type Tipo de Arpegio - Arpeggio mode - Modo do Arpejo + Arpeggio range + Escala de Arpejo - Arpeggio - Arpegio + Arpeggio time + Tempo de Arpejo - Down and up - + Arpeggio gate + Portal de Arpejo - - - InstrumentFunctionArpeggioView - % - % + Arpeggio direction + Direção do Arpejo - ms - ms + Arpeggio mode + Modo do Arpejo - GATE - PORTAL + Up + Para Cima - TIME - TEMPO + Down + Para Baixo - Mode: - Modo: + Up and down + Para cima e para baixo - RANGE - EXTENSÃO + Random + Aleatório - Arpeggio range: - Extensão do arpejo: + Free + Livre - Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - Use este botão para ajustar o portal de arpejo. O Portal de arpejo especifica o quanto deve ser tocado o arpejo. Isto permite que você faça arpejos stacatos bem legais. + Sort + Tipo - Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - Use este botão para escolher a extensão do arpejo em oitavas. O arpejo selecionado será tocado dentro do número de oitavas especificado. + Sync + Sincronização - Chord: - Acorde: + Down and up + Para baixo e para cima - ARPEGGIO - ARPEGIO + Skip rate + - Arpeggio gate: - Portal de arpejo: + Miss rate + - Arpeggio time: - Tempo de arpejo: + Cycle steps + + + + InstrumentFunctionArpeggioView - Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - Use este botão para ajustar o tempo de arpejo em milissegundos. O tempo do arpejar especifica qual longo cada nota do arpejo será tocada. + ARPEGGIO + ARPEGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Arpegio é uma técnica instrumental (especialmente para instrumentos musicais de cordas pinçadas - Violão, Viola Caipira, Contra-baixo, etc) que consiste em tocar repetidamente uma série de notas. Quando pinçamos mais de uma corda ao mesmo tempo em um violão por exemplo, podemos criar um acorde, no arpegio, podemos tocar as notas de um acorde em tempos diferentes, nunca ao mesmo tempo. Arpegios típicos são os das triades mair e menor, mas é possivel arpejar qualquer acorde que seja possível selecionar. + + RANGE + EXTENSÃO + + + Arpeggio range: + Extensão do arpejo: + octave(s) oitava(s) - Direction: - Direção: + Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. + Use este botão para escolher a extensão do arpejo em oitavas. O arpejo selecionado será tocado dentro do número de oitavas especificado. - - - InstrumentFunctionNoteStacking - 6 - + TIME + TEMPO - 7 - 7 + Arpeggio time: + Tempo de arpejo: - 9 - 9 + ms + ms - 11 - 11 + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. + Use este botão para ajustar o tempo de arpejo em milissegundos. O tempo do arpejar especifica qual longo cada nota do arpejo será tocada. - 13 - 13 + GATE + PORTAL - m6 - m6 + Arpeggio gate: + Portal de arpejo: - m7 - m7 + % + % - m9 - m9 + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. + Use este botão para ajustar o portal de arpejo. O Portal de arpejo especifica o quanto deve ser tocado o arpejo. Isto permite que você faça arpejos stacatos bem legais. - 7#5 - 7(#5) + Chord: + Acorde: - 7#9 - 7(#9) + Direction: + Direção: - 9#5 - (9, #5) + Mode: + Modo: - 7b5 - 7(b5) + SKIP + - 7b9 - 7(b9) + Skip rate: + - 9b5 - (9, b5) + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + - aug - aum + MISS + - m11 - m(11) + Miss rate: + - m13 - m(13) + The miss function will make the arpeggiator miss the intended note. + - tri - tríade - - - 13#9 - 13(#9) - - - 11b9 - 11(b9) - - - 13b9 - 13(b9) - - - 7#11 - 7(#11) + CYCLE + - 9#11 - (9, #11) + Cycle notes: + - 9b13 - (b9, 13) + note(s) + nota(s) - Maj7 - 7M + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + InstrumentFunctionNoteStacking - Maj9 - 9M + octave + oitava - add9 - (9) + Major + Maior - m7b5 - m7(b5) + Majb5 + Maior b5 - m7b9 - m7(b9) + minor + menor - m9b5 - m(9, b5) + minb5 + menor b5 sus2 @@ -2473,256 +2601,364 @@ You can remove and move FX channels in the context menu, which is accessed by ri sus4 - m-Maj11 - m (11M) + aug + aum - m-Maj13 - m (13M) + augsus4 + aum sus4 - Dominant bebop - Bebop dominante + tri + tríade - 7#5#9 - 7(#5, #9) + 6 + 6 - 7#5b9 - 7(#5, b9) + 6sus4 + 6sus4 6add9 6(9) - 7b5b9 - 7(b5, b9) + m6 + m6 - 6sus4 - + m6add9 + m6(9) + + + 7 + 7 7sus4 7 sus4 - 9sus4 - 9 sus4 + 7#5 + 7(#5) - Blues - Blues + 7b5 + 7(b5) - Maj11 - Acorde de 11 + 7#9 + 7(#9) - Maj13 - 13M + 7b9 + 7(b9) - Majb5 - Maior b5 + 7#5#9 + 7(#5, #9) - Major - Maior + 7#5b9 + 7(#5, b9) - Minor - Menor + 7b5b9 + 7(b5, b9) - Diminished - Diminuta + 7add11 + 7(11) - madd9 - m(9) + 7add13 + 7(13) - minb5 - menor b5 + 7#11 + 7(#11) - minor - menor + Maj7 + 7M - m9-Maj7 - m(9,7M) + Maj7b5 + 7M(b5) - m7add11 - m7(11) + Maj7#5 + 7M(#5) - m7add13 - m7(13) + Maj7#11 + 7M(#11) - Phrygolydian - Frígio + Maj7add13 + 7M(13) - Whole tone - Tons inteiros + m7 + m7 - 13b5b9 - 13(b5, b9) + m7b5 + m7(b5) - Locrian - Lócrio + m7b9 + m7(b9) - Maj7#11 - 7M(#11) + m7add11 + m7(11) - Maj9#11 - 9M(#11) + m7add13 + m7(13) - 7add11 - 7(11) + m-Maj7 + m-7M - 7add13 - 7(13) + m-Maj7add11 + m-7M(11) - Major bebop - Bebop maior + m-Maj7add13 + m-7M(13) - Arabic - Árabe + 9 + 9 - Chords - Acordes + 9sus4 + 9 sus4 - Dorian - Dório + add9 + (9) - Hungarian minor - Húngara menor + 9#5 + (9, #5) - Maj7#5 - 7M(#5) + 9b5 + (9, b5) - Maj9#5 - 9M(#5) + 9#11 + (9, #11) - Maj7b5 - 7M(b5) + 9b13 + (b9, 13) - Lydian - Lídio + Maj9 + 9M - Chord range - Extensão do acorde + Maj9sus4 + 9M sus4 - Mixolydian - Mixolídio + Maj9#5 + 9M(#5) - Melodic minor - Menor Melódica + Maj9#11 + 9M(#11) - m-Maj7 - m-7M + m9 + m9 - Jap in sen - Insen Japonesa + madd9 + m(9) - m6add9 - m6(9) + m9b5 + m(9, b5) - Neopolitan minor - Neopolitana menor + m9-Maj7 + m(9,7M) - octave - oitava + 11 + 11 - Neopolitan - Napolitana + 11b9 + 11(b9) - Aeolian - Eólio + Maj11 + Acorde de 11 - Maj9sus4 - 9M sus4 + m11 + m(11) - Chord type - Tipo de acorde + m-Maj11 + m (11M) - augsus4 - aum sus4 + 13 + 13 - Major pentatonic - Pentatônica maior + 13#9 + 13(#9) - Minor pentatonic - Pentatônica menor + 13b9 + 13(b9) - m-Maj7add11 - m-7M(11) + 13b5b9 + 13(b5, b9) - m-Maj7add13 - m-7M(13) + Maj13 + 13M - Maj7add13 - 7M(13) + m13 + m(13) + + + m-Maj13 + m (13M) Harmonic minor Menor Harmônica + + Melodic minor + Menor Melódica + + + Whole tone + Tons inteiros + + + Diminished + Diminuta + + + Major pentatonic + Pentatônica maior + + + Minor pentatonic + Pentatônica menor + + + Jap in sen + Insen Japonesa + + + Major bebop + Bebop maior + + + Dominant bebop + Bebop dominante + + + Blues + Blues + + + Arabic + Árabe + Enigmatic Enigmática + + Neopolitan + Napolitana + + + Neopolitan minor + Neopolitana menor + + + Hungarian minor + Húngara menor + + + Dorian + Dório + + + Phrygolydian + Frígio + + + Lydian + Lídio + + + Mixolydian + Mixolídio + + + Aeolian + Eólio + + + Locrian + Lócrio + + + Chords + Acordes + + + Chord type + Tipo de acorde + + + Chord range + Extensão do acorde + + + Minor + Menor + Chromatic - + Cromático Half-Whole Diminished - + 5 - 8x {5?} + 5 + + + Phrygian dominant + + + + Persian + Persa @@ -2736,8 +2972,8 @@ You can remove and move FX channels in the context menu, which is accessed by ri Extensão do acorde: - Chord: - Acorde: + octave(s) + oitava(s) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. @@ -2748,224 +2984,224 @@ You can remove and move FX channels in the context menu, which is accessed by ri EMPILHAMENTO - octave(s) - oitava(s) + Chord: + Acorde: InstrumentMidiIOView - NOTE - NOTA - - - PROGRAM - PROGRAMA - - - MIDI devices to send MIDI events to - Dispositivos MIDI para mandar eventos MIDI para + ENABLE MIDI INPUT + HABILITAR ENTRADA MIDI CHANNEL CANAL + + VELOCITY + INTENSIDADE + ENABLE MIDI OUTPUT HABILITAR SAÍDA MIDI + + PROGRAM + PROGRAMA + MIDI devices to receive MIDI events from Dispositivos MIDI para receber eventos MIDI de - VELOCITY - INTENSIDADE + MIDI devices to send MIDI events to + Dispositivos MIDI para mandar eventos MIDI para - ENABLE MIDI INPUT - HABILITAR ENTRADA MIDI + NOTE + NOTA CUSTOM BASE VELOCITY - + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + BASE VELOCITY - + InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + InstrumentSoundShaping - Moog - Moog - - - RESO - RESS + VOLUME + VOLUME - Notch - Vale + Volume + Volume - BandPass czpg - Passa Banda czpg + CUTOFF + CORTE - RC BandPass 24dB - RC PassaBanda 24dB + Cutoff frequency + Frequência de corte - RC BandPass 12dB - RC PassaBanda 12dB + RESO + RESS - LowPass - Passa Baixa + Resonance + Ressonância - 2x LowPass - 2x Passa Baixa + Envelopes/LFOs + Envelopes/LFOs - CUTOFF - CORTE + Filter type + Tipo de filtro - RC HighPass 24dB - RC PassaAlta 24dB + Q/Resonance + Q/Ressonância - RC HighPass 12dB - RC PassaAlta 12dB + LowPass + Passa Baixa HiPass Passa Alta - VOLUME - VOLUME + BandPass csg + Passa Banda csg - Volume - Volume + BandPass czpg + Passa Banda czpg - Vocal Formant Filter - Filtro de Formante Vocal + Notch + Vale Allpass Passa todas - Cutoff frequency - Frequência de corte - - - Envelopes/LFOs - Envelopes/LFOs + Moog + Moog - Q/Resonance - Q/Ressonância + 2x LowPass + 2x Passa Baixa - Resonance - Ressonância + RC LowPass 12dB + RC PassaBaixa 12dB - Filter type - Tipo de filtro + RC BandPass 12dB + RC PassaBanda 12dB - BandPass csg - Passa Banda csg + RC HighPass 12dB + RC PassaAlta 12dB RC LowPass 24dB RC PassaBaixa 24dB - RC LowPass 12dB - RC PassaBaixa 12dB + RC BandPass 24dB + RC PassaBanda 24dB + + + RC HighPass 24dB + RC PassaAlta 24dB + + + Vocal Formant Filter + Filtro de Formante Vocal 2x Moog - + SV LowPass - + SV BandPass - + SV HighPass - + SV Notch - + Fast Formant - + Formato Rápido Tripole - + InstrumentSoundShapingView - Hz - Hz - - - FREQ - FREQ - - - RESO - RESS + TARGET + OBJETO These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Estas abas contém envelopes. Eles são muito importantes para modificar o som sendo especialmente úteis toda vez que você precisar fazer uma síntese subtrativa. Por exemplo, se você tem um envelope de volume, você pode fazer com que o volume do som varie de forma específica. Se você quiser criar um instrumento virtual onde seu som tem fade de entrada e saída bem suaves (fade no nosso caso é o aumento ou diminuição de volume no começo ou fim de um evento sonoro), isto poderá ser feito colocanto tempos de ataque e relaxamento longos. Outros exemplos seriam fazer um envelope para o panorâmico (som no alto-falante esquerdo ou no direito), para frequência de corte para o filtro que está sendo usado e por aí vai... Apenas pense sobre isso! Você consegue fazer muitos sons legais apenas com uma onda dente-de-serra e alguns envelopes...! - - cutoff frequency: - frequência de corte: - FILTER FILTRO - TARGET - OBJETO + Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. + Aqui você pode selecionar o filtro embutido que você precisar para sua pista de instrumento. Filtros são muito importantes para mudar as características do som. + + + Hz + Hz + + + Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... + Use este botão para modificar a frequência de corte do filtro selecionado. A frequência de corte especifica a frequência na qual o sinal vai ser filtrado. Por exemplo, um filtro Passa Baixa filtra todas as frequências que estiverem depois da frequência de corte. Um filtro PassaAlta filtra todas as frequências que estiverem antes da frequência de corte, e por aí vai... + + + RESO + RESS Resonance: @@ -2976,71 +3212,87 @@ You can remove and move FX channels in the context menu, which is accessed by ri Use este botão para modificar o Q/Ressonância para o filtro selecionado. o Q/Ressonância diz o quanto será filtrado das frequências próximas à frequência de corte. - Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - Use este botão para modificar a frequência de corte do filtro selecionado. A frequência de corte especifica a frequência na qual o sinal vai ser filtrado. Por exemplo, um filtro Passa Baixa filtra todas as frequências que estiverem depois da frequência de corte. Um filtro PassaAlta filtra todas as frequências que estiverem antes da frequência de corte, e por aí vai... + FREQ + FREQ - Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - Aqui você pode selecionar o filtro embutido que você precisar para sua pista de instrumento. Filtros são muito importantes para mudar as características do som. + cutoff frequency: + frequência de corte: Envelopes, LFOs and filters are not supported by the current instrument. - + InstrumentTrack - - Pitch - Altura - - - Volume - Volume - unnamed_track pista_sem_nome - With this knob you can set the volume of the opened channel. - Com este botão você pode ajustar o volume do canal aberto. + Volume + Volume Panning Panorâmico - Base note - Nota base + Pitch + Altura FX channel Canal de Efeitos - - Pitch range - Extensão - Default preset Pré configuração padrão + + With this knob you can set the volume of the opened channel. + Com este botão você pode ajustar o volume do canal aberto. + + + Base note + Nota base + + + Pitch range + Extensão + Master Pitch - + InstrumentTrackView - PAN - PAN + Volume + Volume + + + Volume: + Volume: VOL VOL + + Panning + Panorâmico + + + Panning: + Panorâmico: + + + PAN + PAN + MIDI MIDI @@ -3054,138 +3306,134 @@ You can remove and move FX channels in the context menu, which is accessed by ri Saídas - Volume - Volume + FX %1: %2 + FX %1: %2 + + + InstrumentTrackWindow - Panning - Panorâmico + GENERAL SETTINGS + AJUSTES GERAIS - Panning: - Panorâmico: + Instrument volume + Volume do instrumento Volume: Volume: - - - InstrumentTrackWindow - - FX - EFEITOS - - - PAN - PAN - VOL VOL - FUNC - RECURSOS - - - MIDI - MIDI + Panning + Panorâmico - PITCH - ALTURA + Panning: + Panorâmico: - RANGE - EXTENSÃO + PAN + PAN Pitch Altura - cents - centésimos + Pitch: + Altura: - GENERAL SETTINGS - AJUSTES GERAIS + cents + centésimos - PLUGIN - PLUGIN + PITCH + ALTURA - Pitch: - Altura: + FX channel + Canal de Efeitos - Panning - Panorâmico + ENV/LFO + ENV/LFO - Save preset - Salvar pré definição + FUNC + RECURSOS - Panning: - Panorâmico: + FX + EFEITOS - FX channel - Canal de Efeitos + MIDI + MIDI - ENV/LFO - ENV/LFO + Save preset + Salvar pré definição XML preset file (*.xpf) Arquivo de pré definições XML (*.xpf) - Volume: - Volume: + PLUGIN + PLUGIN Pitch range (semitones) Extensão (semitons) - Instrument volume - Volume do instrumento + RANGE + EXTENSÃO Save current instrument track settings in a preset file - + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + MISC - VÁRIOS + + + + Use these controls to view and edit the next/previous track in the song editor. + Use esses controles para ver e editar a próxima/anterior faixa no editor de som. + + + SAVE + SALVAR Knob Set linear - + Set logarithmic - + - Please enter a new value between -96.0 dBV and 6.0 dBV: - Por favor entre um novo valor entre -96.0 dBV e 6.0 dBV: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between %1 and %2: - Por favor entre com um novo valor entre %1 e %2: + Por favor coloque um novo valor entre %1 e %2: @@ -3209,16 +3457,16 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlView - Sorry, no help available. - Desculpe, ajuda indisponível... :(. + Link channels + Conectar canais Value: Valor: - Link channels - Conectar canais + Sorry, no help available. + Desculpe, ajuda indisponível. @@ -3232,7 +3480,26 @@ You can remove and move FX channels in the context menu, which is accessed by ri LcdSpinBox Please enter a new value between %1 and %2: - Por favor entre com um novo valor entre %1 e %2: + Por favor coloque um novo valor entre %1 e %2: + + + + LeftRightNav + + Previous + Anterior + + + Next + Próximo + + + Previous (%1) + Anterior (%1) + + + Next (%1) + Próximo (%1) @@ -3242,8 +3509,8 @@ You can remove and move FX channels in the context menu, which is accessed by ri Controlador de LFO - Oscillator phase - Fase do oscilador + Base value + Valor base Oscillator speed @@ -3254,12 +3521,12 @@ You can remove and move FX channels in the context menu, which is accessed by ri Quantidade do oscilador - Oscillator waveform - Forma de onda do oscilador + Oscillator phase + Fase do oscilador - Base value - Valor base + Oscillator waveform + Forma de onda do oscilador Frequency Multiplier @@ -3268,477 +3535,596 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoControllerDialog - - AMT - QNT - LFO LFO - PHS - DFS - - - SPD - VEL + LFO Controller + Controlador de LFO BASE CENTRO + + Base amount: + Ponto de Referência: + todo O botão "CENTRO" regula o ponto de referência onde o seu oscilador irá variar. Podendo o "CENTRO" variar entre os valores zero e um, o ponto de referência será um valor entre zero e um no qual se iniciará o processo de oscilação do LFO (Oscilador de baixa frequência). - LFO Controller - Controlador de LFO + SPD + VEL - Click here for an exponential wave. - Clique aqui para usar uma onda exponencial. + LFO-speed: + LFO - Velocidade: - Phase offset: - Defasamento: + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. + Use este botão para mudar a velocidade do LFO. Quanto maior for este valor, mais rápido oscila o LFO e assim também o efeito a sofrer a modulação. - Click here for a saw-wave. - Clique aqui para usar uma onda dente-de-serra. + Modulation amount: + Quantidade de modulação: - Click here for white-noise. - Clique aqui para usar um ruído branco. + Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. + Use este botão para mudar a quantidade de modulação do LFO. Quanto maior for este valor, mais influenciado será o controle conectado (controle de volume ou frequência de corte por exemplo) pelo LFO. - LFO-speed: - LFO - Velocidade: + PHS + DFS - Base amount: - Ponto de Referência: + Phase offset: + Defasamento: + + + degrees + graus + + + With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. + Com este botão você pode mudar a posição da fase da onda de LFO. Fase é em que ponto a onda inicia o processo de oscilação, desta maneira você pode definir onde você quer que comece o processo de oscilação. Por exemplo, se você tiver uma onda senoidal com defasamento de 180 graus, ela vai começar para baixo. O mesmo acontece com outras formas de onda, como a dente de serra por exemplo. Click here for a sine-wave. Clique aqui para usar uma onda senoidal. - Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - Use este botão para mudar a velocidade do LFO. Quanto maior for este valor, mais rápido oscila o LFO e assim também o efeito a sofrer a modulação. + Click here for a triangle-wave. + Clique aqui para usar uma onda triangular. - degrees - graus + Click here for a saw-wave. + Clique aqui para usar uma onda dente-de-serra. - Click here for a user-defined shape. -Double click to pick a file. - Clique aqui para usar uma forma de onda definida manualmente. Dê dois cliques para buscar um arquivo. - - - Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - Use este botão para mudar a quantidade de modulação do LFO. Quanto maior for este valor, mais influenciado será o controle conectado (controle de volume ou frequência de corte por exemplo) pelo LFO. + Click here for a square-wave. + Clique aqui para usar uma onda quadrada. - Modulation amount: - Quantidade de modulação: + Click here for an exponential wave. + Clique aqui para usar uma onda exponencial. - Click here for a square-wave. - Clique aqui para usar uma onda quadrada. + Click here for white-noise. + Clique aqui para usar um ruído branco. - With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Com este botão você pode mudar a posição da fase da onda de LFO. Fase é em que ponto a onda inicia o processo de oscilação, desta maneira você pode definir onde você quer que comece o processo de oscilação. Por exemplo, se você tiver uma onda senoidal com defasamento de 180 graus, ela vai começar para baixo. O mesmo acontece com outras formas de onda, como a dente de serra por exemplo. + Click here for a user-defined shape. +Double click to pick a file. + Clique aqui para usar uma forma de onda definida manualmente. Dê dois cliques para buscar um arquivo. - Click here for a triangle-wave. - Clique aqui para usar uma onda triangular. + Click here for a moog saw-wave. + - Click here for a moog saw-wave. - + AMNT + QNTD - MainWindow + LmmsCore - &New - &Novo + Generating wavetables + - Help - Ajuda + Initializing data structures + - &Edit - &Editar + Opening audio and midi devices + - &Help - Aj&uda + Launching mixer threads + + + + MainWindow - &Quit - Sai&r + Could not save config-file + O arquivo de configuração não pode ser salvo - &Save - &Salvar + Could not save configuration file %1. You're probably not permitted to write to this file. +Please make sure you have write-access to the file and try again. + O arquivo de configuração %1 não pode ser salvo. Provavelmente voc6e não tem permissão de escrita para este arquivo. +Por favor certifique-se que você tem permissão de escrita para este arquivo e tente novamente. - About - Sobre + &New + &Novo - Song Editor - Mostrar/esconder Editor de Arranjo + &Open... + &Abrir... - Configuration file - Arquivo de configuração + &Save + &Salvar - What's this? - O que é isso? + Save &As... + Salvar &como... - Error while parsing configuration file at line %1:%2: %3 - Erro ao analisar arquivo de configuração na linha %1:%2: %3 + Import... + Importar... - LMMS %1 - LMMS %1 + E&xport... + &Renderizar... - FX Mixer - Mostrar/esconder Mixer de Efeitos + &Quit + Sai&r - Open existing project - Abrir projeto existente + &Edit + &Editar - Piano Roll - Mostrar/esconder Editor de Notas MIDI + Settings + Opções &Tools &Ferramentas - Save &As... - Salvar &como... + &Help + Aj&uda - LMMS (*.mmp *.mmpz) - LMMS (*.mmp *.mmpz) + Help + Ajuda - Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - Clique aqui para mostrar ou esconder o Editor de Notas MIDI. Com ele você pode editar melodias facilmente. + What's this? + O que é isso? - Project Notes - Mostrar/esconder comentários do projeto + About + Sobre + + + Create new project + Criar novo projeto Create new project from template Criar novo projeto a partir de um modelo - The current project was modified since last saving. Do you want to save it now? - O projeto atual foi modificado. Quer salvá-lo agora? + Open existing project + Abrir projeto existente - Create new project - Criar novo projeto + Recently opened projects + Projetos usados recentemente - Click here to show or hide the project notes window. In this window you can put down your project notes. - Clique aqui para mostrar ou esconder a janela com comentários do projeto. Nela você pode escrever comentários e observações sobre o seu projeto. + Save current project + Salvar projeto atual - Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - Clique aqui para mostrar ou esconder o Mixer de Efeitos. O Mixer de Efeitos é uma poderosa ferramenta para gerenciar os efeitos utilizados na sua música. Você pode inserir efeitos em diferentes canais de efeito. + Export current project + Exportar projeto atual + + + Song Editor + Mostrar/esconder Editor de Arranjo By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Pressionando este botão você pode mostrar ou esconder o Editor de Arranjo. Com a ajuda do Editor de Arranjo você pode editar os trechos da sua música especificando quando eles serão tocados. Você também pode mover amostras (ex. amostras ou loops de rap ou funk) diretamente para o Editor de Arranjo. - Untitled - Sem_nome + Beat+Bassline Editor + Mostrar/esconder Editor de Bases - &Open... - &Abrir... + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + Pressionando este botão você pode mostrar ou esconder o Editor de Bases. No Editor de Bases você pode criar as batidas e a linha de baixo para sua base adicionando ou removendo canais, copiando e colando sequências de batidas e/ou sequências de linha de baixo, ou o que mais você quiser. - Help not available - Ajuda não disponível + Piano Roll + Mostrar/esconder Editor de Notas MIDI - Save current project - Salvar projeto atual + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + Clique aqui para mostrar ou esconder o Editor de Notas MIDI. Com ele você pode editar melodias facilmente. Automation Editor Mostrar/esconder Editor de Automação - Recently opened projects - Projetos usados recentemente + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + Clique aqui para mostrar ou esconder o Editor de Automação. Com ele você pode editar os valores dinâmicos de automação facilmente. - Currently there's no help available in LMMS. -Please visit http://lmms.sf.net/wiki for documentation on LMMS. - Atualmente não há ajuda disponível no LMMS. -Por favor visite http://lmms.sf.net/wiki para ter acesso a mais infromações sobre LMMS. + FX Mixer + Mostrar/esconder Mixer de Efeitos - Import... - Importar... + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + Clique aqui para mostrar ou esconder o Mixer de Efeitos. O Mixer de Efeitos é uma poderosa ferramenta para gerenciar os efeitos utilizados na sua música. Você pode inserir efeitos em diferentes canais de efeito. - E&xport... - &Renderizar... + Project Notes + Mostrar/esconder comentários do projeto - Could not save config-file - O arquivo de configuração não pode ser salvo + Click here to show or hide the project notes window. In this window you can put down your project notes. + Clique aqui para mostrar ou esconder a janela com comentários do projeto. Nela você pode escrever comentários e observações sobre o seu projeto. - Working directory - Pasta de trabalho + Controller Rack + Mostrar/esconder a Estante de Controladorer - Export current project - Exportar projeto atual + Untitled + Sem_nome - Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - Clique aqui para mostrar ou esconder o Editor de Automação. Com ele você pode editar os valores dinâmicos de automação facilmente. + LMMS %1 + LMMS %1 - Version %1 - Versão %1 + Project not saved + Projeto não salvo - Could not save configuration file %1. You're probably not permitted to write to this file. -Please make sure you have write-access to the file and try again. - O arquivo de configuração %1 não pode ser salvo. Provavelmente voc6e não tem permissão de escrita para este arquivo. -Por favor certifique-se que você tem permissão de escrita para este arquivo e tente novamente. + The current project was modified since last saving. Do you want to save it now? + O projeto atual foi modificado. Quer salvá-lo agora? - Settings - Opções + Help not available + Ajuda não disponível - Project not saved - Projeto não salvo + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. + Atualmente não há ajuda disponível no LMMS. +Por favor visite http://lmms.sf.net/wiki para ter acesso a mais infromações sobre LMMS. - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - A pasta de trabalho do LMMS %1 não existe. Posso criá-la? Você pode mudá-la depois indo em Editar -> Opções. + LMMS (*.mmp *.mmpz) + LMMS (*.mmp *.mmpz) - Beat+Bassline Editor - Mostrar/esconder Editor de Bases + Version %1 + Versão %1 - By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - Pressionando este botão você pode mostrar ou esconder o Editor de Bases. No Editor de Bases você pode criar as batidas e a linha de baixo para sua base adicionando ou removendo canais, copiando e colando sequências de batidas e/ou sequências de linha de baixo, ou o que mais você quiser. + Configuration file + Arquivo de configuração - Controller Rack - Mostrar/esconder a Estante de Controladorer + Error while parsing configuration file at line %1:%2: %3 + Erro ao analisar arquivo de configuração na linha %1:%2: %3 Volumes - + Volumes Undo - + Desfazer Redo - - - - LMMS Project - - - - LMMS Project Template - + Refazer My Projects - + Meus Projetos My Samples - + Minhas Amostras My Presets - + Minhas predefinições My Home - + Meu Início My Computer - - - - Root Directory - + Meu Computador &File - + &Arquivo &Recently Opened Projects - + &Projetos Abertos Recentes Save as New &Version - + Salvar como Nova &Versão E&xport Tracks... - + Exportar Faixas... Online Help - + Ajuda Online What's This? - + O que é isto? Open Project - + Abrir Projeto Save Project - + Salvar Projeto - - - MeterDialog - Meter Denominator - Denominador Métrico + Project recovery + Recuperação de projeto - Meter Numerator - Numerador Métrico + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + - TIME SIG - COMPASSO + Recover + Recuperar - - - MeterModel - Numerator - Numerador + Recover the file. Please don't run multiple instances of LMMS when you do this. + - Denominator - Denominador + Ignore + Ignorar - - - MidiAlsaRaw::setupWidget - DEVICE - DISPOSITIVO + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + - - - MidiAlsaSeq - DEVICE - DISPOSITIVO + Discard + Descartar - - - MidiController - unnamed_midi_controller - controlador-midi-sem-nome + Launch a default session and delete the restored files. This is not reversible. + - MIDI Controller - Controlador MIDI + Preparing plugin browser + - - - MidiImport - You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. - Você não configurou um banco de sons (soundfont) padrão na caixa de diálogo (Editar->Opções). Desta maneira nenhum som será tocado depois de importar um arquivo MIDI. Você pode baixar o banco de sons General MIDI soundfont dentro da caixa de diálogo de opções e tentar novamente. + Preparing file browsers + - You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - Você não compilou o LMMS com suporte a SoundFont2 player, que é usado para adicionar sons por padrão a arquivos MIDI importados. Desta maneira nenhum som será executado depois de importar arquivos MIDI. + Root directory + Diretório raiz - Setup incomplete - Configuração incompleta + Loading background artwork + Carregando papel de parede - - - MidiOss::setupWidget - DEVICE - DISPOSITIVO + New from template + Novo modelo - + + Save as default template + Salvar como modelo padrão + + + &View + &Ver + + + Toggle metronome + + + + Show/hide Song-Editor + Mostrar/esconder editor de arranjo + + + Show/hide Beat+Bassline Editor + + + + Show/hide Piano-Roll + + + + Show/hide Automation Editor + + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + Projeto LMMS + + + LMMS Project Template + Modelo de Projeto LMMS + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + Rolagem suave + + + Enable note labels in piano roll + + + + Save project template + + + - MidiPort + MeterDialog - Receive MIDI-events - Receber eventos MIDI + Meter Numerator + Numerador Métrico - Output MIDI program - Saída do programa MIDI + Meter Denominator + Denominador Métrico - Output channel - Canal de saída + TIME SIG + COMPASSO + + + MeterModel - Send MIDI-events - Enviar eventos MIDI + Numerator + Numerador - Output controller - Saída do controlador + Denominator + Denominador + + + + MidiController + + MIDI Controller + Controlador MIDI - Input controller - Entrada do controlador + unnamed_midi_controller + controlador-midi-sem-nome + + + + MidiImport + + Setup incomplete + Configuração incompleta + + + You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. + Você não configurou um banco de sons (soundfont) padrão na caixa de diálogo (Editar->Opções). Desta maneira nenhum som será tocado depois de importar um arquivo MIDI. Você pode baixar o banco de sons General MIDI soundfont dentro da caixa de diálogo de opções e tentar novamente. + + + You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. + Você não compilou o LMMS com suporte a SoundFont2 player, que é usado para adicionar sons por padrão a arquivos MIDI importados. Desta maneira nenhum som será executado depois de importar arquivos MIDI. + + + Track + Faixa + + + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + O servidor JACK caiu + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + O servidor JACK parece estar encerrado. + + + MidiPort Input channel Canal de entrada - Fixed output note - Nota fixa na saída + Output channel + Canal de saída + + + Input controller + Entrada do controlador + + + Output controller + Saída do controlador Fixed input velocity @@ -3748,501 +4134,524 @@ Por favor certifique-se que você tem permissão de escrita para este arquivo e Fixed output velocity Intensidade fixa de saída + + Output MIDI program + Saída do programa MIDI + + + Receive MIDI-events + Receber eventos MIDI + + + Send MIDI-events + Enviar eventos MIDI + + + Fixed output note + Nota fixa na saída + Base velocity - + Velocidade base + + + + MidiSetupWidget + + DEVICE + DISPOSITIVO MonstroInstrument Osc 1 Volume - + Osc 1 Volume Osc 1 Panning - + Panorâmico Osc 1 Osc 1 Coarse detune - + Osc 1 Ajuste bruto Osc 1 Fine detune left - + Osc 1 Fine detune right - + Osc 1 Stereo phase offset - + Osc 1 Pulse width - + Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 Volume Osc 2 Panning - + Panorâmico Osc 2 Osc 2 Coarse detune - + Osc 2 Fine detune left - + Osc 2 Fine detune right - + Osc 2 Stereo phase offset - + Osc 2 Waveform - + Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 Volume Osc 3 Panning - + Panorâmico Osc 3 Osc 3 Coarse detune - + Osc 3 Stereo phase offset - + Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 Waveform 2 - + Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 Attack - + LFO 1 Ataque LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 Attack - + LFO 2 Ataque LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Selected view - + Vista selecionada Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO1 Vol1-LFO2 - + Vol1-LFO2 Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO1 Vol2-LFO2 - + Vol2-LFO2 Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO1 Vol3-LFO2 - + Vol3-LFO2 Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - Onda senoidal + Onda senoidal Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + Onda exponencial White noise - + Digital Triangle wave - + Digital Saw wave - + Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave - Onda triangular + Onda triangular Saw wave - Onda dente de serra + Onda dente de serra Ramp wave - + Onda de rampa Square wave - Onda quadrada + Onda quadrada Moog saw wave - + Abs. sine wave - + Random - Aleatório + Aleatório Random smooth - + MonstroView Operators view - + Visão do operador The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + Ver matriz The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4250,696 +4659,988 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Modulate amplitude of Osc3 with Osc2 - + Modulate frequency of Osc3 with Osc2 - + Modulate phase of Osc3 with Osc2 - + The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + + + + Volume + Volume + + + Panning + Panorâmico + + + Coarse detune + + + + semitones + semitons + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + Ataque + + + Rate + Taxa + + + Phase + Fase + + + Pre-delay + + + + Hold + Espera + + + Decay + Decaimento + + + Sustain + Sustentação + + + Release + Relaxamento + + + Slope + + + + Modulation amount + Quantidade de modulação MultitapEchoControlDialog Length - + Comprimento Step length: - + Dry - + Seco Dry Gain: - + Ganho seco: Stages - + Estágios Lowpass stages: - + Swap inputs - + Swap left and right input channel for reflections - + NesInstrument Channel 1 Coarse detune - + Channel 1 Volume - + Canal 1 Volume Channel 1 Envelope length - + Channel 1 Duty cycle - + Channel 1 Sweep amount - + Channel 1 Sweep rate - + Channel 2 Coarse detune - + Channel 2 Volume - + Canal 2 Volume Channel 2 Envelope length - + Channel 2 Duty cycle - + Channel 2 Sweep amount - + Channel 2 Sweep rate - + Channel 3 Coarse detune - + Channel 3 Volume - + Canal 3 Volume Channel 4 Volume - + Canal 4 Volume Channel 4 Envelope length - + Channel 4 Noise frequency - + Channel 4 Noise frequency sweep - + Master volume - Volume Final + Volume Final Vibrato - + Vibrato - OscillatorObject + NesInstrumentView - Osc %1 fine detuning right - Ajuste fino direito %1 + Volume + Volume - Osc %1 volume - Volume Osc %1 + Coarse detune + - Osc %1 phase-offset - Defasamento Osc %1 + Envelope length + - Osc %1 coarse detuning - Ajuste bruto Osc %1 + Enable channel 1 + Ativar canal 1 - Modulation type %1 - Tipo de modulação %1 + Enable envelope 1 + - Osc %1 stereo phase-detuning - Ajuste de fase estéreo Osc %1 + Enable envelope 1 loop + - Osc %1 waveform - Forma de Onda Osc %1 + Enable sweep 1 + - Osc %1 fine detuning left - Ajuste fino esquerdo Osc %1 + Sweep amount + - Osc %1 wave shape - Formato de onda Osc %1 + Sweep rate + - Osc %1 panning - Panorâmico Osc %1 + 12.5% Duty cycle + - Osc %1 harmonic - + 25% Duty cycle + - - - PatmanView - Loop - Loop + 50% Duty cycle + - Tune - Afinar + 75% Duty cycle + - Patch-Files (*.pat) - Arquivos de Patch (*.pat) - - - Open other patch - Abrir outro patch + Enable channel 2 + Ativar canal 2 - Tune mode - Modo de afinação + Enable envelope 2 + - Open patch file - Abrir arquivo de patch + Enable envelope 2 loop + - Loop mode - Modo de loop + Enable sweep 2 + - No file selected - Nenhum arquivo selecionado + Enable channel 3 + Ativar canal 3 - Click here to open another patch-file. Loop and Tune settings are not reset. - Clique aqui para abrir outro aquivo com patch. Configurações de Loop e Afinação não serão perdidas. + Noise Frequency + Ruído de Frequência - Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - Aqui você pode ligar ou desligar o modo de Loop. Se ligado, PartMan irá utilizar a informação disponível no arquivo para loop. + Frequency sweep + - Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - Aqui você pode ligar ou desligar o Modo de afinação. Se ligado, PatMan irá afinar a sua amostra de acordo com a frequência da nota. + Enable channel 4 + Ativar canal 4 - - - PatternView - Open in piano-roll - Abrir no Editor de Notas MIDI + Enable envelope 4 + - Remove steps - Remover passo + Enable envelope 4 loop + - Clear all notes - Limpar todas as notas + Quantize noise frequency when using note frequency + - Add steps - Adicionar passo + Use note frequency for noise + Usar frequência de nota para ruído - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - duplo clique para abrir esta sequência no Editor de notas MDll -use a roda do mouse para midificar o volume de cada passo + Noise mode + Modo de ruído - Reset name - Restaurar nome + Master Volume + Volume Mestre - Change name - Mudar nome + Vibrato + Vibrato - PeakController - - Peak Controller Bug - Problema no Controlador de Picos - + OscillatorObject - Peak Controller - Controlador de Picos + Osc %1 volume + Volume Osc %1 - Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - Devido a um problema na versão mais antiga do LMMS, os controladores de pico não pode se conectar corretamente. Certifique-se de que os controladores de pico estão conectados corretamente e volte a salvar este arquivo. Desculpe por qualquer inconveniente causado. + Osc %1 panning + Panorâmico Osc %1 - - - PeakControllerDialog - PEAK - Pico + Osc %1 coarse detuning + Ajuste bruto Osc %1 - LFO Controller - Controlador de LFO + Osc %1 fine detuning left + Ajuste fino esquerdo Osc %1 - - - PeakControllerEffectControlDialog - AMNT - QNTD + Osc %1 fine detuning right + Ajuste fino direito %1 - BASE - BASE + Osc %1 phase-offset + Defasamento Osc %1 - ATCK - ATQU + Osc %1 stereo phase-detuning + Ajuste de fase estéreo Osc %1 - DCAY - DCAI + Osc %1 wave shape + Formato de onda Osc %1 - MULT - MULT + Modulation type %1 + Tipo de modulação %1 - Amount Multiplicator: - Multiplicador de quantidade: + Osc %1 waveform + Forma de Onda Osc %1 - Base amount: - Quantidade de base: + Osc %1 harmonic + + + + PatchesDialog - Attack: - Ataque: + Qsynth: Channel Preset + - Modulation amount: - Quantidade de modulação: + Bank selector + - Release: - Relaxamento: + Bank + Banco - TRES - + Program selector + - Treshold: - + Patch + Programação - - - PeakControllerEffectControls - Amount Multiplicator - Multiplicador de quantidade + Name + Nome - Attack - Ataque + OK + OK - Modulation amount - Quantidade de modulação + Cancel + Cancelar + + + PatmanView - Abs Value - Valor Abs + Open other patch + Abrir outro patch - Mute output - Deixar saída muda + Click here to open another patch-file. Loop and Tune settings are not reset. + Clique aqui para abrir outro aquivo com patch. Configurações de Loop e Afinação não serão perdidas. - Base value - Valor base + Loop + Loop - Release - Relaxamento + Loop mode + Modo de loop - Treshold - + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. + Aqui você pode ligar ou desligar o modo de Loop. Se ligado, PartMan irá utilizar a informação disponível no arquivo para loop. - - - PianoRoll - No chord - Sem acorde + Tune + Afinar - No scale - Sem escala + Tune mode + Modo de afinação - Note Panning - Panorâmico da nota + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. + Aqui você pode ligar ou desligar o Modo de afinação. Se ligado, PatMan irá afinar a sua amostra de acordo com a frequência da nota. - Note Velocity - Volume da nota + No file selected + Nenhum arquivo selecionado - Piano-Roll - no pattern - Editor de Notas MIDI - nenhuma sequência + Open patch file + Abrir arquivo de patch - Mark/unmark current semitone - Marcar/desmarcar o semitom atual + Patch-Files (*.pat) + Arquivos de Patch (*.pat) + + + PatternView - Unmark all - Desmarcar tudo + Open in piano-roll + Abrir no Editor de Notas MIDI - Mark current scale - Marcar a escala atual + Clear all notes + Limpar todas as notas - Mark current chord - Marcar o acorde atual + Reset name + Restaurar nome - Last note - Última nota + Change name + Mudar nome - Note lock - Travar nota + Add steps + Adicionar passo - Piano-Roll - %1 - Editor de Notas MIDI - %1 + Remove steps + Remover passo - Please open a pattern by double-clicking on it! - Por favor abra um a sequência com um duplo clique sobre ela! + use mouse wheel to set velocity of a step + - Velocity: %1% - + double-click to open in Piano Roll + - Panning: %1% left - + Clone Steps + + + + PeakController - Panning: %1% right - + Peak Controller + Controlador de Picos - Panning: center - + Peak Controller Bug + Problema no Controlador de Picos - Please enter a new value between %1 and %2: - Por favor entre com um novo valor entre %1 e %2: + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. + Devido a um problema na versão mais antiga do LMMS, os controladores de pico não pode se conectar corretamente. Certifique-se de que os controladores de pico estão conectados corretamente e volte a salvar este arquivo. Desculpe por qualquer inconveniente causado. - PianoRollWindow + PeakControllerDialog - Play/pause current pattern (Space) - + PEAK + Pico - Record notes from MIDI-device/channel-piano - Gravar notas do dispositivo MIDI ou Editor de Notas MIDI + LFO Controller + Controlador de LFO + + + PeakControllerEffectControlDialog - Record notes from MIDI-device/channel-piano while playing song or BB track - Gravar notas a partir do dispositivo MIDI ou do Editor de Notas MIDI enquanto toca o Arranjo ou uma Base + BASE + BASE - Stop playing of current pattern (Space) - Parar de tocar a sequência atual (Espaço) + Base amount: + Quantidade de base: - Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - Clique aqui para tocar a sequência atual. Isto é útil enquanto se edita. A sequência irá entrar em loop automaticamente quando chegar ao fim. + Modulation amount: + Quantidade de modulação: - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - Clique aqui para gravar notas a partir de um dispositivo MIDI ou de um piano virtual de teste de acordo com o canal (janela) do programa correspondente. Quando estiver gravando, todas as notas que você tocar serão escritas nesta sequência e você ainda pode editá-las depois. + Attack: + Ataque: - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - Clique aqui para gravar notas a partir de um dispositivo MIDI ou de um piano virtual de teste de acordo com o canal (janela) do programa correspondente. Quando estiver gravando, todas as notas que você tocar serão escritas nesta sequência e você ainda pode ouvir a música feita no editor de arranjo ou no editor de batida tocando atrás. + Release: + Relaxamento: - Click here to stop playback of current pattern. - Clique aqui para parar a reprodução da sequência atual. + AMNT + QNTD - Draw mode (Shift+D) - Lápis (Shift+D) + MULT + MULT - Erase mode (Shift+E) - Borracha (Shift+E) + Amount Multiplicator: + Multiplicador de quantidade: - Select mode (Shift+S) - Modo de Seleção (Shift+S) + ATCK + ATQU - Detune mode (Shift+T) - Automação para Afinação (Shift+T) + DCAY + DCAI - Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - Clique aqui e o lápis será ativado. O lápis serve para adicionar ou mover valores simples. Ele estará ativado previamente e será utilizado a maior parte do tempo. Você pode usar 'Shift+D' no teclado para ativar o lápis. + Treshold: + - Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - Clique aqui e a borracha será ativada. A borracha serve para apagar valores simples. Você pode usar 'Shif+E' no teclado para utilizar a borracha. + TRSH + + + + + PeakControllerEffectControls + + Base value + Valor base + + + Modulation amount + Quantidade de modulação + + + Mute output + Deixar saída muda + + + Attack + Ataque + + + Release + Relaxamento + + + Abs Value + Valor Abs + + + Amount Multiplicator + Multiplicador de quantidade + + + Treshold + + + + + PianoRoll + + Please open a pattern by double-clicking on it! + Por favor abra um a sequência com um duplo clique sobre ela! + + + Last note + Última nota + + + Note lock + Travar nota + + + Note Velocity + Volume da nota + + + Note Panning + Panorâmico da nota + + + Mark/unmark current semitone + Marcar/desmarcar o semitom atual + + + Mark current scale + Marcar a escala atual + + + Mark current chord + Marcar o acorde atual + + + Unmark all + Desmarcar tudo + + + No scale + Sem escala + + + No chord + Sem acorde + + + Velocity: %1% + Velocidade: %1% + + + Panning: %1% left + Panorâmico: %1% Esquerda + + + Panning: %1% right + Panorâmico: %1% Direita + + + Panning: center + Panorâmico: Centro + + + Please enter a new value between %1 and %2: + Por favor coloque um valor entre %1 e %2: + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + Selecionar todas as notas desta chave + + + + PianoRollWindow + + Play/pause current pattern (Space) + Tocar/Parar padrão atual (Espaço) + + + Record notes from MIDI-device/channel-piano + Grave notas do dispositivo MIDI / Canal de piano + + + Record notes from MIDI-device/channel-piano while playing song or BB track + Grave notas do dispositivo MIDI / Canal de piano enquanto toca sons ou faixas de batida da linha de baixo + + + Stop playing of current pattern (Space) + Parar de tocar a sequência atual (Espaço) + + + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. + + + + Click here to stop playback of current pattern. + + + + Draw mode (Shift+D) + Desenhar modo (Shift+D) + + + Erase mode (Shift+E) + Apagar modo (Shift+E) + + + Select mode (Shift+S) + Selecionar modo (Shift+S) + + + Detune mode (Shift+T) + Modo de desafinação (Shift+T) + + + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. + + + + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - Clique aqui e modo de seleção será ativado. A borracha serve para apagar valores simples. Você pode usar 'Shif+E' no teclado para utilizar a borracha.A borracha serve para apagar valores simples. Você pode usar 'Shif+E' no teclado para utilizar a borracha. Este modo torna possível a seleção de notas. Alternativamente você pode pressionar Crtl enquanto estiver usando o lápis para utilizar o modo de seleção temporariamente. + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - Clique aqui e a automação para afinação será ativada. Nela você pode clicar na nota para abrir sua automação de afinação. Você pode utilizar esta ferramenta para fazer glissandos de uma altura para outra. + Cut selected notes (%1+X) - Recortar notas selecionadas (%1+X) + Cortar notas selecionadas (%1+X) Copy selected notes (%1+C) - Copiar notas selecionadas (%1+C) + Copiar notas selecionadas (%1+C) Paste notes from clipboard (%1+V) - Colar notas da área de transferência (%1+V) + Cole notas na área de transferência (%1+V) Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Clique aqui e as notas selecionadas serão cortadas para dentro da área de transferência. Você pode colá-las em qualquer lugar de qualquer sequência usando o botão de colar. + Clique aqui e os valores selecionados vão ser cortados na área de transferência. Você pode colar eles em qualquer padrão clicando no botão colar. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Clique aqui e as notas selecionadas serão copiadas para a área de transferência. Você pode colá-las em qualquer lugar de qualquer sequência clicando no botão de colar. + Clique aqui e os valores selecionados vão ser copiados na área de transferência. Você pode colar eles em qualquer padrão clicando no botão colar. Click here and the notes from the clipboard will be pasted at the first visible measure. - Clique aqui e as notas na área de transferência serão coladas no primeira grade visível. + Clique aqui e os valores da área de transferência serão colados na primeira medida visível. This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + Editar ações + + + Copy paste controls + + + + Timeline controls + Controles de cronograma + + + Zoom and note controls + Controles de Zoom e nota + + + Piano-Roll - %1 + + + + Piano-Roll - no pattern + + + + Quantize + Quantizar @@ -4951,369 +5652,296 @@ use a roda do mouse para midificar o volume de cada passo Plugin - - Error while loading plugin - Erro ao carregar plugin - - - Failed to load plugin "%1"! - Falha ao carregar o plugin "%1"! - Plugin not found Plugin não encontrado - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" O plugin "%1" não pode ser carregado! Motivo: "%2" - LMMS plugin %1 does not have a plugin descriptor named %2! - + Error while loading plugin + Erro ao carregar plugin + + + Failed to load plugin "%1"! + Falha ao carregar o plugin "%1"! PluginBrowser - - Instrument plugins - Plugins de Instrumentos - Instrument browser - Navegador de instrumentos + Navegador de Instrumento Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - Arraste um instrumento para uma pista existente no Editor de Arranjo ou no Editor de Bases. + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + Plugin não achado. + + + LMMS plugin %1 does not have a plugin descriptor named %2! + ProjectNotes Project notes - Notas do projeto + Notas do projeto Put down your project notes here. - Faça suas anotações aqui. + Edit Actions - Ações de edição + Editar ações &Undo - Des&fazer + &Desfazer %1+Z - %1+Z + %1+Z &Redo - &Refazer + &Refazer %1+Y - %1+Y + %1+Y &Copy - &Copiar + &Copiar %1+C - %1+C + %1+C Cu&t - Recor&tar + &Cortar %1+X - %1+X + %1+X &Paste - C&olar + &Colar %1+V - %1+V + %1+V Format Actions - Ações de formatação + &Bold - &Negrito + &Negrito %1+B - %1+B + %1+B &Italic - &Itálico + &Itálico %1+I - %1+I + %1+I &Underline - S&ublinhado + &Underline %1+U - %1+U + %1+U &Left - &Esquerda + &Esquerda %1+L - %1+L + %1+L C&enter - C&entro + &Centro %1+E - %1+E + %1+E &Right - Di&reita + &Direita %1+R - %1+R + %1+R &Justify - &Justificar + &Justificar %1+J - %1+J + %1+J &Color... - &Cor... + &Cor... ProjectRenderer - - Compressed OGG-File (*.ogg) - Arquivo OGG compactado (*.ogg) - WAV-File (*.wav) Arquivo WAV (*.wav) + + Compressed OGG-File (*.ogg) + Arquivo OGG compactado (*.ogg) + - QObject + QWidget - C - Note name - + Name: + Nome: - Db - Note name - + Maker: + Marcador: - C# - Note name - + Copyright: + Direitos autorais: - D - Note name - + Requires Real Time: + Requer Processamento em Tempo Real: - Eb - Note name - + Yes + Sim - D# - Note name - + No + Não - E - Note name - + Real Time Capable: + Capacitado para Processamento em Tempo Real: - Fb - Note name - + In Place Broken: + Com Local Quebrado: - Gb - Note name - + Channels In: + Canais de Entrada: - F# - Note name - + Channels Out: + Canais de Saída: - G - Note name - + File: + Arquivo: - Ab - Note name - + File: %1 + Arquivo: %1 + + + RenameDialog - G# - Note name - + Rename... + Renomear... + + + SampleBuffer - A - Note name - + Open audio file + Abrir arquivo de áudio - Bb - Note name - + Wave-Files (*.wav) + Arquivos Wave (*.wav) - A# - Note name - + OGG-Files (*.ogg) + Arquivos OGG (*.ogg) - B - Note name - + DrumSynth-Files (*.ds) + Arquivos DrumSynth (*.ds) - - - QWidget - No - Não + FLAC-Files (*.flac) + Arquivos FLAC (*.flac) - Yes - Sim + SPEEX-Files (*.spx) + Arquivos SPEEX (*.spx) - Maker: - Marcador: + VOC-Files (*.voc) + Arquivos VOC (*.voc) - File: - Arquivo: + AIFF-Files (*.aif *.aiff) + Arquivos AIFF (*.aif *.aiff) - Name: - Nome: + AU-Files (*.au) + Arquivos AU (*.au) - Copyright: - + RAW-Files (*.raw) + Arquivos RAW (*.raw) - Channels In: - Canais de Entrada: - - - In Place Broken: - Com Local Quebrado: - - - Channels Out: - Canais de Saída: - - - Requires Real Time: - Requer Processamento em Tempo Real: - - - Real Time Capable: - Capacitado para Processamento em Tempo Real: - - - File: %1 - - - - - RenameDialog - - Rename... - Renomear... + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + Todos Arquivos de Áudio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - SampleBuffer - - DrumSynth-Files (*.ds) - Arquivos DrumSynth (*.ds) - - - AU-Files (*.au) - Arquivos AU (*.au) - - - Wave-Files (*.wav) - Arquivos Wave (*.wav) - - - Open audio file - Abrir arquivo de áudio - - - AIFF-Files (*.aif *.aiff) - Arquivos AIFF (*.aif *.aiff) - - - RAW-Files (*.raw) - Arquivos RAW (*.raw) - - - OGG-Files (*.ogg) - Arquivos OGG (*.ogg) - - - VOC-Files (*.voc) - Arquivos VOC (*.voc) - - - FLAC-Files (*.flac) - Arquivos FLAC (*.flac) - + SampleTCOView - SPEEX-Files (*.spx) - Arquivos SPEEX (*.spx) + double-click to select sample + Duplo clique para selecionar amostra - All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + Delete (middle mousebutton) + Excluir (botão do meio do mouse) - - - SampleTCOView Cut Recortar @@ -5326,18 +5954,6 @@ Motivo: "%2" Paste Colar - - Delete (middle mousebutton) - Excluir (botão do meio do mouse) - - - Set/clear record - Armar/desarmar gravação - - - double-click to select sample - Duplo clique para selecionar amostra - Mute/unmute (<%1> + middle click) Mudo/Não Mudo (<%1> + middle click) @@ -5355,15 +5971,11 @@ Motivo: "%2" Panning - Panorâmico + Panorâmico SampleTrackView - - VOL - VOL - Track volume Volume da pista @@ -5372,469 +5984,580 @@ Motivo: "%2" Channel volume: Volume do canal: + + VOL + VOL + Panning - Panorâmico + Panorâmico Panning: - Panorâmico: + Panorâmico: PAN - PAN + PAN SetupDialog Setup LMMS - Configurar LMMS + Configurar LMMS General settings - Opções gerais + Configurações gerais BUFFER SIZE - TAMANHO DO BUFFER + Reset to default-value - Restaurar o valor padrão + Reiniciar para valor padrão MISC - VÁRIOS + Enable tooltips - Habilitar dicas + Ativar Dicas Show restart warning after changing settings - Mostrar aviso de reinicialização depois de mudança de configuração + - Display volume as dBV - Mostrar volume em dBV + Display volume as dBFS + Compress project files per default - Sempre compactar arquivos de projeto + One instrument track window mode - Modo janela com uma pista de instrumento + HQ-mode for output audio-device - Modo de Alta Qualidade para a Saída do dispositivo de áudio + Compact track buttons - Botões de pista compactos + Sync VST plugins to host playback - Sincronizar plugins VST no hospedeiro (host) de reprodução + Enable note labels in piano roll - Habilitar camadas de notas no editor de notas MIDI + Enable waveform display by default - Habilitar visualizador de forma de onda por padrão + Keep effects running even without input - + Create backup file when saving a project - + LANGUAGE - + LINGUAGEM Paths - Locais + Caminhos LMMS working directory - Pasta de trabalho do LMMS + Diretório de trabalho LMMS VST-plugin directory - Pasta com plugins VST - - - Artwork directory - Pasta com Temas para LMMS + Diretório de VST-plugin Background artwork - Papel de parede - - - FL Studio installation directory - Pasta de instalação do FL Studio - - - LADSPA plugin paths - Locais de plugins LADSPA + STK rawwave directory - Pasta de STK rawwave + Default Soundfont File - Arquivo padrão de Soundfont + Arquivo padrão de Soundfont Performance settings - Opções de desempenho + Configuração de Performance UI effects vs. performance - Efeitos Visuais X Desempenho + Smooth scroll in Song Editor - Rolagem suave no Editor de Arranjo - - - Enable auto save feature - Habilitar a função de salvamento automático + Show playback cursor in AudioFileProcessor - Mostrar o cursor de reprodução dentro do AudioFileProcessor + Audio settings - Configurações de Áudio + Configurações de áudio AUDIO INTERFACE - INTERFACE DE ÁUDIO + INTERFACE DE ÁUDIO MIDI settings - Configurações do MIDI + Configurações MIDI MIDI INTERFACE - INTERFACE DO MIDI + INTERFACE DO MIDI OK - OK + OK Cancel - Cancelar + Cancelar Restart LMMS - Reiniciar LMMS + Reiniciar LMMS Please note that most changes won't take effect until you restart LMMS! - Por favor note que a maioria das mudanças não terão efeito antes de reiniciar o LMMS! + Frames: %1 Latency: %2 ms - Amostras: %1 -Latência: %2 ms + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - Aqui você pode ajustar o tamanho do buffer interno usado pelo LMMS. Valores menores resultam em menor latência (atraso ao usar as teclas ou um controlador midi) mas podem provocar sons não desejados como plocs e bips ou má performance, esses problemas acontecem especialmente em computadores antigos ou sistema com kernel não compilado para trabalhar com processamento em tempo real. + Choose LMMS working directory - Escolher a pasta de trabalho do LMMS + Escolha o diretório de trabalho LMMS Choose your VST-plugin directory - Escolher a pasta com plugins VST + Escolha seu diretório VST-plugin Choose artwork-theme directory - Escolher a pasta com Temas para LMMS - - - Choose FL Studio installation directory - Escolher a pasta de instalação do FL Studio + Choose LADSPA plugin directory - Escolher a pasta com os plugins LADSPA + Escolha o diretório de plugin LADSPA Choose STK rawwave directory - Escolher a pasta de STK rawwave + Choose default SoundFont - Escolher SoundFont padrão + Escolha o Banco de som padrão Choose background artwork - Escolher Papel de Parede do LMMS + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Aqui você pode selecionar sua interface de áudio preferida. Dependendo das configurações do sistema durante a compilação, você poderá escolher entre ALSA, JACK, OSS e outros. Abaixo você verá uma caixa que oferece controles para ajustar a interface de áudio selecionada. + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Aqui você pode selecionar sua interface de MIDI preferida. Dependendo das configurações do sistema durante a compilação, você poderá escolher entre ALSA, OSS entre outros. Abaixo você verá uma caixa que oferece controles para ajustar a interface de MIDI selecionada. + + + + Reopen last project on start + + + + Directories + Diretórios + + + Themes directory + Diretório de temas + + + GIG directory + Diretório GIG + + + SF2 directory + Diretório SF2 + + + LADSPA plugin directories + Diretórios de plugin LADSPA + + + Auto save + Auto salvar + + + Choose your GIG directory + Escolha seu diretório GIG + + + Choose your SF2 directory + Escolha seu diretório SF2 + + + minutes + minutos + + + minute + minuto + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - Andamento + Andamento Master volume - Volume Final + Volume Final Master pitch - Altura Final + Altura Final Project saved - Projeto salvo + Projeto salvo The project %1 is now saved. - O projeto %1 está salvo agora. + O projeto %1 está salvo. Project NOT saved. - Projeto NÃO salvo. + Projeto NÃO salvo. The project %1 was not saved! - O projeto %1 não foi salvo! + O projeto %1 não foi salvo! Import file - Importar arquivo + Importar arquivo MIDI sequences - Sequências MIDI - - - FL Studio projects - Projetos do FL Studio + Sequências MIDI Hydrogen projects - Projetos do Hydrogen + Projetos Hydrogen All file types - Todos os tipos de arquivo + Todos os tipos de arquivos Empty project - Projeto vazio + Projeto vazio This project is empty so exporting makes no sense. Please put some items into Song Editor first! - Este projeto está vazio, então exportá-lo não faz sentido. Por favor, coloque alguns itens dentro do Editor de Arranjo primeiro! + Select directory for writing exported tracks... - Selecionar pasta para escrita de pistas renderizadas... + untitled - sem nome + Select file for project-export... - Selecione o arquivo para exportar o projeto... + The following errors occured while loading: - + + + + MIDI File (*.mid) + Arquivo MIDI (*.mid) + + + LMMS Error report + Reportar erro LMMS + + + Save project + SongEditor - Tempo - Andamento + Could not open file + Não é possível abrir o arquivo - Master pitch - Altura Final + Could not write file + Não é possivel salvar o arquivo - TEMPO/BPM - ANDAMENTO/BPM + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. + Não foi possível abrir o arquivo %1. Provavelmente você não tem permissão para ler este arquivo. + Por favor certifique-se que você tenha permissão de leitura para o arquivo e tente novamente. - master pitch - altura final + Error in file + Erro no arquivo - master volume - volume final + The file %1 seems to contain errors and therefore can't be loaded. + O arquivo %1 parece conter erros e por isso não pode ser carregado. - Master volume - Volume Final + Tempo + Andamento - Error in file - Erro no arquivo + TEMPO/BPM + ANDAMENTO/BPM - Could not open file - Não é possível abrir o arquivo + tempo of song + andamento da música The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). o andamento de uma música é especificado em batidas por minuto (BPM). Se voc6e precisar mudar o andamento de sua música, mude esse valor. Todo compasso tem 4 batidas, logo o andamento em BPM especificara a quantidade de batidas dividida por 4. - Could not write file - Não é possivel salvar o arquivo + High quality mode + Modo de alta qualidade + + + Master volume + Volume Final + + + master volume + volume final + + + Master pitch + Altura Final + + + master pitch + altura final Value: %1% Valor: %1% - High quality mode - Modo de alta qualidade + Value: %1 semitones + Valor: %1 semitons Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. Não foi possível abrir %1 para escrita. Provavelmente você não tem permissão para escrita deste arquivo. Por favor, certifique-se de ter permissão para escrever nesse arquivo e tente novamente. - Could not open file %1. You probably have no permissions to read this file. - Please make sure to have at least read permissions to the file and try again. - Não foi possível abrir o arquivo %1. Provavelmente você não tem permissão para ler este arquivo. - Por favor certifique-se que você tenha permissão de leitura para o arquivo e tente novamente. + template + modelo - Value: %1 semitones - Valor: %1 semitons + project + projeto - The file %1 seems to contain errors and therefore can't be loaded. - O arquivo %1 parece conter erros e por isso não pode ser carregado. + Version difference + - tempo of song - andamento da música + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - Editor de Arranjo + Editor de Som Play song (Space) - Tocar música (Espaço) + Tocar som (Espaço) Record samples from Audio-device - Gravar amostras do Dispositivo de Áudio + Record samples from Audio-device while playing song or BB track - Gravar amostras a partir do dispositivo de Áudio enquanto reproduz o arranjo ou base + Stop song (Space) - Parar música (Espaço) + Parar som (Espaço) Add beat/bassline - + Add linha de base Add sample-track - Adicionar pista de amostra + Add automation-track - Adicionar pista de automação + Add automação de faixa Draw mode - Lápis + Edit mode (select and move) - Modo de Edição (seleciona e move) + Editar modo (selecionar e mover) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Clique aqui se você quer tocar toda a música. A música iniciará no posição do marcador (verde). Você pode move-lo enquanto estiver tocando. + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Clique aqui se você quer parar de tocar a música. O marcador de posição (verde), será ajustado para o início da música. + + + + Track actions + + + + Edit actions + Editar ações + + + Timeline controls + Controles de cronograma + + + Zoom controls + Controles de zoom SpectrumAnalyzerControlDialog Linear spectrum - Espectro linear + Espectro linear Linear Y axis - Linear no eixo Y + SpectrumAnalyzerControls Linear spectrum - Espectro linear + Espectro linear Linear Y axis - Linear no eixo Y + Channel mode - Modo de Canal + Modo de Canal + + + + SubWindow + + Close + Fechar + + + Maximize + Maximizar + + + Restore + Restaurar TabWidget Settings for %1 - + Opções para %1 TempoSyncKnob - Synced to Quarter Note - Sincronizado com 1/4 de Nota + Tempo Sync + Sincronia + + + No Sync + Sem Sincronia + + + Eight beats + Oito batidas Whole note @@ -5845,404 +6568,420 @@ Latência: %2 ms Meia nota - Synced to Eight Beats - Sincronizado com Oito Batidas + Quarter note + 1/4 de nota - 32nd note - 32ª nota + 8th note + 8ª nota - No Sync - Sem Sincronia + 16th note + 16ª nota - Synced to 16th Note - Sincronizado com a 16ª Nota + 32nd note + 32ª nota - Eight beats - Oito batidas + Custom... + Personalizado... - Tempo Sync - Sincronia + Custom + Personalizado - Synced to 32nd Note - Sincronizado com a 32ª Nota + Synced to Eight Beats + Sincronizado com Oito Batidas Synced to Whole Note Sincronizado com a Nota Inteira + + Synced to Half Note + Sincronizado com Meia Nota + + + Synced to Quarter Note + Sincronizado com 1/4 de Nota + Synced to 8th Note Sincronizado com a 8ª Nota - Quarter note - 1/4 de nota + Synced to 16th Note + Sincronizado com a 16ª Nota - 8th note - 8ª nota + Synced to 32nd Note + Sincronizado com a 32ª Nota + + + TimeDisplayWidget - 16th note - 16ª nota + click to change time units + clique para mudar as unidades de tempo - Custom... - Personalizado... + MIN + MIN - Custom - Personalizado + SEC + SEC - Synced to Half Note - Sincronizado com Meia Nota + MSEC + - - - TimeDisplayWidget - click to change time units - clique para mudar as unidades de tempo + BAR + + + + BEAT + + + + TICK + TimeLineWidget Enable/disable auto-scrolling - Ativa/desativa auto-rolagem + Enable/disable loop-points - Ativa/desativa pontos de loop + After stopping go back to begin - Quando parar volta para o começo + After stopping go back to position at which playing was started - Quando parar volta para a posição que estava quando começou a tocar + After stopping keep position - Quando parar mantém a posição + Hint - Sugestão + Sugestão Press <%1> to disable magnetic loop points. - Pressione <%1> para desabilitar os pontos de loop magnéticos. + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - Pressione <Shift> para mover o começo do ponto de loop; Pressione <%1> para desabilitar os pontos de loop magnéticos. + Track Mute - Mudo + Mudo Solo - + Solo TrackContainer - Couldn't open file - Não é possível abrir o arquivo - - - Loading project... - Carregando projeto... - - - Importing FLP-file... - Importando arquivo FLP... - - - Cancel - Cancelar + Couldn't import file + não foi possivel importar arquivo - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Não foi possível encontrar um filtro para inportar o arquivo %1. Você poderia converter este arquivo em um formato suportado pelo LMMS usando outro aplicativo. - Couldn't open file %1 for reading. + Couldn't open file + Não é possível abrir o arquivo + + + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Não foi possível abrir o arquivo %1 para leitura. Por favor certifique-se que você tem permissões de leitura para o arquivo e para a pasta e tente novamente! - Couldn't import file - não foi possivel importar arquivo + Loading project... + Carregando projeto... - Importing MIDI-file... - Importando arquivo MIDI... + Cancel + Cancelar Please wait... Por favor aguarde... + + Importing MIDI-file... + Importando arquivo MIDI... + TrackContentObject - Muted - Mudo + Mute + Mudo TrackContentObjectView Current position - Posição atual + Posição atual Hint - Sugestão + Sugestão Press <%1> and drag to make a copy. - Pressione <%1> e arraste para fazer uma cópia. + Current length - Tamanho atual + Press <%1> for free resizing. - Pressione <%1> para redimensionar livremente. + %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 até %5:%6) + %1:%2 (%3:%4 to %5:%6) Delete (middle mousebutton) - + Excluir (botão do meio do mouse) Cut - Recortar + Recortar Copy - Copiar + Copiar Paste - Colar + Colar Mute/unmute (<%1> + middle click) - + Mudo/Não Mudo (<%1> + middle click) TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Pressione <%1> enquanto clica em mover-grip para o começo, uma ação de arrastar. + Actions for this track - Ações para esta pista + Ações para esta faixa Mute - Mudo + Mudo Solo - + Solo Mute this track - Deixar esta pista muda + Deixar esta faixa muda Clone this track - Clonar esta pista + Clonar esta faixa Remove this track - Remover esta pista + Remover esta faixa Clear this track - + Desmarcar esta faixa FX %1: %2 - + FX %1: %2 Turn all recording on - + Turn all recording off - + + + + Assign to new FX Channel + Atribuir novo Canal FX TripleOscillatorView - Mix output of oscillator 1 & 2 - Misture as saídas do oscilador 1 e 2 + Use phase modulation for modulating oscillator 1 with oscillator 2 + Use o modulador de fase para modular o oscilador 2 com o oscilador 1 - Mix output of oscillator 2 & 3 - Misture as saídas do oscilador 2 e 3 + Use amplitude modulation for modulating oscillator 1 with oscillator 2 + Use o modulador de amplitude para modular o oscilador 2 com o oscilador 1 - cents - centésimos + Mix output of oscillator 1 & 2 + Misture as saídas do oscilador 1 e 2 - Osc %1 fine detuning left: - Ajuste fino esquerdo Osc %1: + Synchronize oscillator 1 with oscillator 2 + Sincronize o oscilador 1 com o oscilador 2 - With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - Com este botão você pode modificar Ajuste bruto do oscilador %1. Você pode descer o tom do oscilador 24 semitons (2 oitavas) para cima e para baixo. Isto é útil para criar sons com um acorde. + Use frequency modulation for modulating oscillator 1 with oscillator 2 + Use o modulador de frequência para modular o oscilador 2 com o oscilador 1 Use phase modulation for modulating oscillator 2 with oscillator 3 Use o modulador de fase para modular o oscilador 3 com o oscilador 2 - Use an exponential wave for current oscillator. - Use uma onda exponencial no oscilador atual. - - - Osc %1 panning: - Panorâmico Osc %1: - - - Use a square-wave for current oscillator. - Use uma onda quadrada no oscilador atual. + Use amplitude modulation for modulating oscillator 2 with oscillator 3 + Use o modulador de amplitude para modular o oscilador 3 com o oscilador 2 - Osc %1 stereo phase-detuning: - Defasamento estéreo Osc %1: + Mix output of oscillator 2 & 3 + Misture as saídas do oscilador 2 e 3 - semitones - semitons + Synchronize oscillator 2 with oscillator 3 + Sincronize o oscilador 2 com o oscilador 3 - With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - Com este botão você pode ajustar o defasamento estéreo do oscilador %1. O defasador estéreo especifica o tamanho da diferença entre a defasagem entre os canais esquerdo e direito. Isto é muito bom para abrir o som. + Use frequency modulation for modulating oscillator 2 with oscillator 3 + Use o modulador de frequência para modular o oscilador 3 com o oscilador 2 - Use frequency modulation for modulating oscillator 1 with oscillator 2 - Use o modulador de frequência para modular o oscilador 2 com o oscilador 1 + Osc %1 volume: + Volume Osc %1: - Use phase modulation for modulating oscillator 1 with oscillator 2 - Use o modulador de fase para modular o oscilador 2 com o oscilador 1 + With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. + Com este botão você pode ajustar o volume do oscilador %1. Quando você seleciona o valor 0, o oscilador é desligado. Com outros valores você vai escutar o oscilador tão alto quanto você o ajustar. - Osc %1 volume: - Volume Osc %1: + Osc %1 panning: + Panorâmico Osc %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Com este botão você pode ajustar o panning do oscilador %1. O valor -100 significa 100% à esquerda e 100 move a saida do oscilador para a direita. - With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Com este botão você pode manipular o Ajuste fino do oscilador %1 para o canal esquerdo. O Ajuste fino varia entre -100 centésimos e +100 centésimos. Isto é útil para criar sons 'gordos'. + Osc %1 coarse detuning: + Ajuste bruto Osc %1: - Osc %1 fine detuning right: - Ajuste fino direito %1: + semitones + semitons - Use amplitude modulation for modulating oscillator 1 with oscillator 2 - Use o modulador de amplitude para modular o oscilador 2 com o oscilador 1 + With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. + Com este botão você pode modificar Ajuste bruto do oscilador %1. Você pode descer o tom do oscilador 24 semitons (2 oitavas) para cima e para baixo. Isto é útil para criar sons com um acorde. - Synchronize oscillator 2 with oscillator 3 - Sincronize o oscilador 2 com o oscilador 3 + Osc %1 fine detuning left: + Ajuste fino esquerdo Osc %1: - Use a saw-wave for current oscillator. - Use uma onda dente de serra no oscilador atual. + cents + centésimos - Use white-noise for current oscillator. - Use ruído branco no oscilador atual. + With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + Com este botão você pode manipular o Ajuste fino do oscilador %1 para o canal esquerdo. O Ajuste fino varia entre -100 centésimos e +100 centésimos. Isto é útil para criar sons 'gordos'. - Use frequency modulation for modulating oscillator 2 with oscillator 3 - Use o modulador de frequência para modular o oscilador 3 com o oscilador 2 + Osc %1 fine detuning right: + Ajuste fino direito %1: - With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - Com este botão você pode ajustar o volume do oscilador %1. Quando você seleciona o valor 0, o oscilador é desligado. Com outros valores você vai escutar o oscilador tão alto quanto você o ajustar. + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + Com este botão você pode modificar o ajuste fino do oscilador %1 para o canal direito. O ajuste fino varia entre -100 centésimos e +100 centésimos. Isto é útil para criar sons 'gordos'. - Use a moog-like saw-wave for current oscillator. - Use uma onda dente de serra moog no oscilador atual. + Osc %1 phase-offset: + Defasamento Osc %1: - Osc %1 coarse detuning: - Ajuste bruto Osc %1: + degrees + graus With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Com este botão você pode ajustar o defasamento do oscilador %1. Isso significa que você pode move o ponto de uma oscilação onde o oscilador começa à oscilar. Por exemplo, se você tem uma onda-seno e tem uma compensação de fase de 180 graus, a onda vai primeiro descer. É o mesmo com onda-quadrada. - Osc %1 phase-offset: - Defasamento Osc %1: + Osc %1 stereo phase-detuning: + Defasamento estéreo Osc %1: - degrees - graus + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. + Com este botão você pode ajustar o defasamento estéreo do oscilador %1. O defasador estéreo especifica o tamanho da diferença entre a defasagem entre os canais esquerdo e direito. Isto é muito bom para abrir o som. - With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Com este botão você pode modificar o ajuste fino do oscilador %1 para o canal direito. O ajuste fino varia entre -100 centésimos e +100 centésimos. Isto é útil para criar sons 'gordos'. + Use a sine-wave for current oscillator. + Use uma onda senoidal no oscilador atual. - Use amplitude modulation for modulating oscillator 2 with oscillator 3 - Use o modulador de amplitude para modular o oscilador 3 com o oscilador 2 + Use a triangle-wave for current oscillator. + Use uma onda triangular no oscilador atual. - Use a sine-wave for current oscillator. - Use uma onda senoidal no oscilador atual. + Use a saw-wave for current oscillator. + Use uma onda dente de serra no oscilador atual. - Synchronize oscillator 1 with oscillator 2 - Sincronize o oscilador 1 com o oscilador 2 + Use a square-wave for current oscillator. + Use uma onda quadrada no oscilador atual. - Use a user-defined waveform for current oscillator. - Use uma forma de onda definida pelo usuário no oscilador atual. + Use a moog-like saw-wave for current oscillator. + Use uma onda dente de serra moog no oscilador atual. - Use a triangle-wave for current oscillator. - Use uma onda triangular no oscilador atual. + Use an exponential wave for current oscillator. + Use uma onda exponencial no oscilador atual. + + + Use white-noise for current oscillator. + Use ruído branco no oscilador atual. + + + Use a user-defined waveform for current oscillator. + Use uma forma de onda definida pelo usuário no oscilador atual. @@ -6255,474 +6994,530 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa Decrement version number Decrementar número da versão + + already exists. Do you want to replace it? + + VestigeInstrumentView - by - por + Open other VST-plugin + Abrir outro plugin VST - Open VST-plugin preset - Abrir pré definição de plugin VST + Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. + Clique aqui se você quer abrir outro plugin VST. clicando neste botão, você verá uma caixa da seleção para escolher o arquivo. - - VST plugin control - - Controle de plugins VST + Show/hide GUI + Mostrar/esconder GUI - Click here, if you want to save current VST-plugin preset program. - Clique aqui se você precisa salvar o programa de pré definição do plugin VST. + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + Clique aqui para mostrar ou esconder a interface gráfica do usuário (GUI) do plugin VST. - Click here to select presets that are currently loaded in VST. - Clique aqui para selecionar a pré definição que está sendo carregada no VST. + Turn off all notes + Desligar todas as notas - Previous (-) - Anterior (-) + Open VST-plugin + Abrir plugin VST - Open other VST-plugin - Abrir outro plugin VST + DLL-files (*.dll) + Arquivos DLL (*.dll) - Preset - Pré definição + EXE-files (*.exe) + Arquivos EXE (*.exe) + + + No VST-plugin loaded + Nenhum plugin VST carregado + + + Control VST-plugin from LMMS host + Controlar plugin VST a partir do host LMMS Click here, if you want to control VST-plugin from host. Clique aqui se você precisa controlar o plugin VST por outro host. - EXE-files (*.exe) - Arquivos EXE (*.exe) + Open VST-plugin preset + Abrir pré definição de plugin VST - DLL-files (*.dll) - Arquivos DLL (*.dll) + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + Clique aqui se você precisa abrir outro tipo de arquivo de pré definição de plugin VST como: *.fxp, *.fxb. - Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - Clique aqui para mostrar ou esconder a interface gráfica do usuário (GUI) do plugin VST. + Previous (-) + Anterior (-) - Show/hide GUI - Mostrar/esconder GUI + Click here, if you want to switch to another VST-plugin preset program. + Clique aqui se você precisar trocar para outro programa de pré definições de plugin VST. Save preset Salvar pré definição - Open VST-plugin - Abrir plugin VST - - - Control VST-plugin from LMMS host - Controlar plugin VST a partir do host LMMS + Click here, if you want to save current VST-plugin preset program. + Clique aqui se você precisa salvar o programa de pré definição do plugin VST. Next (+) Próximo (+) - Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - Clique aqui se você quer abrir outro plugin VST. clicando neste botão, você verá uma caixa da seleção para escolher o arquivo. - - - Turn off all notes - Desligar todas as notas + Click here to select presets that are currently loaded in VST. + Clique aqui para selecionar a pré definição que está sendo carregada no VST. - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - Clique aqui se você precisa abrir outro tipo de arquivo de pré definição de plugin VST como: *.fxp, *.fxb. + Preset + Pré definição - Click here, if you want to switch to another VST-plugin preset program. - Clique aqui se você precisar trocar para outro programa de pré definições de plugin VST. + by + por - No VST-plugin loaded - Nenhum plugin VST carregado + - VST plugin control + - Controle de plugins VST VisualizationWidget click to enable/disable visualization of master-output - Clique para habilitar/desabilitar a visualização da saída final + Click to enable - Clique para habilitar + Clique para habilitar VstEffectControlDialog - Open VST-plugin preset - Abrir pré definição de plugin VST - - - Click here, if you want to save current VST-plugin preset program. - Clique aqui se você precisa salvar o programa de pré definição do plugin VST. - - - Click here to select presets that are currently loaded in VST. - Clique aqui para selecionar a pré definição que está sendo carregada no VST. + Show/hide + Mostrar/esconder - Previous (-) - Anterior (-) + Control VST-plugin from LMMS host + Controlar plugin VST a partir do host LMMS Click here, if you want to control VST-plugin from host. Clique aqui se você deseja controlar o plugin VST por outro host. - Show/hide - Mostrar/esconder + Open VST-plugin preset + Abrir pré definição de plugin VST - Save preset - Salvar pré definição + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + Clique aqui se você precisa abrir outro tipo de arquivo de pré definição de plugin VST como: *.fxp, *.fxb. - Effect by: - Efeito por: + Previous (-) + Anterior (-) - Control VST-plugin from LMMS host - Controlar plugin VST a partir do host LMMS + Click here, if you want to switch to another VST-plugin preset program. + Clique aqui se você precisar trocar para outro programa de pré definições de plugin VST. Next (+) Próximo (+) - &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + Click here to select presets that are currently loaded in VST. + Clique aqui para selecionar a pré definição que está sendo carregada no VST. - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - Clique aqui se você precisa abrir outro tipo de arquivo de pré definição de plugin VST como: *.fxp, *.fxb. + Save preset + Salvar pré definição - Click here, if you want to switch to another VST-plugin preset program. - Clique aqui se você precisar trocar para outro programa de pré definições de plugin VST. + Click here, if you want to save current VST-plugin preset program. + Clique aqui se você precisa salvar o programa de pré definição do plugin VST. + + + Effect by: + Efeito por: + + + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin - " - - - - ' - + Loading plugin + Carregando plugin - .FXB - + Open Preset + Abrir pré definição - .FXP - + Vst Plugin Preset (*.fxp *.fxb) + Pré definição de Plugin VST (*.fxp *.fxb) - .fxb - + : default + : padrão - .fxp - + " + " - Loading plugin - Carregando plugin + ' + ' Save Preset Salvar pré definição - Open Preset - Abrir pré definição + .fxp + .fxp - Vst Plugin Preset (*.fxp *.fxb) - Pré definição de Plugin VST (*.fxp *.fxb) + .FXP + .FXP - : default - : padrão + .FXB + .FXB + + + .fxb + .fxb Please wait while loading VST plugin... - + Por favor aguarde enquanto carrega o plugin VST... The VST plugin %1 could not be loaded. - + WatsynInstrument Volume A1 - + Volume A1 Volume A2 - + Volume A2 Volume B1 - + Volume B1 Volume B2 - + Volume B2 Panning A1 - + Panorâmico A1 Panning A2 - + Panorâmico A2 Panning B1 - + Panorâmico B1 Panning B2 - + Panorâmico B2 Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph - + WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. - Desenhe sua própria forma de onda aqui utilizando seu mouse no gráfico. + Desenhe sua própria forma de onda aqui utilizando seu mouse no gráfico. Load waveform - + Click to load a waveform from a sample file - + Phase left - + Fase esquerda Click to shift phase by -15 degrees - + Phase right - + Fase direita Click to shift phase by +15 degrees - + Normalize - + Normalização Click to normalize - + Clique para normalizar Invert - + Inverter Click to invert - + Clique para inverter Smooth - + Suave Click to smooth - + Clique para suavizar Sine wave - Onda senoidal + Onda senoidal Click for sine wave - + Triangle wave - Onda triangular + Onda triangular Click for triangle wave - + Click for saw wave - + Square wave - Onda quadrada + Onda quadrada Click for square wave - + + + + Volume + Volume + + + Panning + Panorâmico + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + ZynAddSubFxInstrument - Resonance Center Frequency - Frequência Central de Ressonância + Portamento + + + + Filter Frequency + Frequência do Filtro Filter Resonance @@ -6733,8 +7528,12 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa Largura da Banda - Filter Frequency - Frequência do Filtro + FM Gain + Ganho da FM + + + Resonance Center Frequency + Frequência Central de Ressonância Resonance Bandwidth @@ -6744,84 +7543,76 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa Forward MIDI Control Change Events Próximo evento de mudança de controle MIDI - - Portamento - - - - FM Gain - Ganho da FM - ZynAddSubFxView - BW - LBnd + Show GUI + Mostrar GUI - RES - + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + Clique aqui para mostrar ou esconder a interface do usuário (GUI) do ZynAddSubFX. - FREQ - + Portamento: + PORT - - - - Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - Clique aqui para mostrar ou esconder a interface do usuário (GUI) do ZynAddSubFX. + Filter Frequency: Frequência do Filtro: - RES CF - RES FC + FREQ + FREQ - RES BW - RES Bnd + Filter Resonance: + Ressonância do Filtro: - Portamento: - + RES + - Resonance center frequency: - Frequência Central de Ressonância: + Bandwidth: + Largura da Banda: - Filter Resonance: - Ressonância do Filtro: + BW + LBnd + + + FM Gain: + Ganho da FM: FM GAIN GANHO FM - Bandwidth: - Largura da Banda: + Resonance center frequency: + Frequência Central de Ressonância: - Forward MIDI Control Changes - Próximo evento de mudança de controle MIDI + RES CF + RES FC Resonance bandwidth: Banda de Ressonância: - FM Gain: - Ganho da FM: + RES BW + RES Bnd - Show GUI - Mostrar GUI + Forward MIDI Control Changes + Próximo evento de mudança de controle MIDI @@ -6831,48 +7622,48 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa Amplificar - Stutter - Gaguejar - - - Reverse sample - Amostra reversa + Start of sample + Início da amostra End of sample Fim da amostra - Start of sample - Início da amostra + Reverse sample + Amostra reversa + + + Stutter + Gaguejar Loopback point - + Loop mode - Modo de loop + Modo de loop Interpolation mode - + None - + Nenhum Linear - + Linear Sinc - + Sample not found: %1 - Amostra não encontrada: %1 + @@ -6885,72 +7676,72 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa bitInvaderView - Draw your own waveform here by dragging your mouse on this graph. - Desenhe sua própria forma de onda aqui utilizando seu mouse no gráfico. + Sample Length + Tamanho da Amostra - White noise wave - Ruído branco + Sine wave + Onda senoidal - Click here to smooth waveform. - Clique aqui para suavizar a forma de onda. + Triangle wave + Onda triangular - Click here for a saw-wave. - Clique aqui para usar uma onda dente de serra. + Saw wave + Onda dente de serra - Sine wave - Onda senoidal + Square wave + Onda quadrada - Click here for white-noise. - Clique aqui para usar um ruído branco. + White noise wave + Ruído branco - Smooth - Suave + User defined wave + Onda definida pelo usuário - Interpolation - Interpolação + Smooth + Suave - Square wave - Onda quadrada + Click here to smooth waveform. + Clique aqui para suavizar a forma de onda. - Saw wave - Onda dente de serra + Interpolation + Interpolação Normalize Normalização - Click for a sine-wave. - Clique aqui para usar uma onda senoidal. + Draw your own waveform here by dragging your mouse on this graph. + Desenhe sua própria forma de onda aqui utilizando seu mouse no gráfico. - Triangle wave - Onda triangular + Click for a sine-wave. + Clique aqui para usar uma onda senoidal. - Click here for a square-wave. - Clique aqui para usar uma onda quadrada. + Click here for a triangle-wave. + Clique aqui para usar uma onda triangular. - User defined wave - Onda definida pelo usuário + Click here for a saw-wave. + Clique aqui para usar uma onda dente de serra. - Click here for a triangle-wave. - Clique aqui para usar uma onda triangular. + Click here for a square-wave. + Clique aqui para usar uma onda quadrada. - Sample Length - Tamanho da Amostra + Click here for white-noise. + Clique aqui para usar um ruído branco. Click here for a user-defined shape. @@ -6961,114 +7752,125 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa dynProcControlDialog INPUT - + ENTRADA Input gain: - + Ganho de entrada: OUTPUT - + SAÍDA Output gain: - + Ganho de saída: ATTACK - + ATAQUE Peak attack time: - + RELEASE - + LANÇAMENTO Peak release time: - + Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Stereomode Maximum - + Process based on the maximum of both stereo channels - + Processo baseado no máximo de ambos canais estéreo Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + Processo de cada canal estéreo independentemente dynProcControls Input gain - + Ganho de entrada Output gain - + Ganho de saída Attack time - + Tempo de ataque Release time - + Tempo de lançamento Stereo mode - + Modo Estéreo + + + + fxLineLcdSpinBox + + Assign to: + Atribuir a: + + + New FX Channel + Novo Canal FX @@ -7081,60 +7883,56 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa kickerInstrument - Gain - Ganho + Start frequency + Frequência de partida End frequency Frequência final - Start frequency - Frequência de partida + Gain + Ganho Length - + Comprimento Distortion Start - + Início da distorção Distortion End - + Fim da distorção Envelope Slope - + Noise - Ruído + Ruído Click - + Clique Frequency Slope - + Start from note - + End to note - + kickerInstrumentView - - Gain: - Ganho: - Start frequency: Frequência de partida: @@ -7143,53 +7941,73 @@ Por favor certifique-se que você tem permissões de leitura para o arquivo e pa End frequency: Frequência final: + + Gain: + Ganho: + Frequency Slope: - + Envelope Length: - + Envelope Slope: - + Click: - + Clique: Noise: - + Ruído: Distortion Start: - + Início da distorção: Distortion End: - + Fim da distorção: ladspaBrowserView - Type: - Tipo: + Available Effects + Efeitos Disponíveis + + + Unavailable Effects + Efeitos Indisponíveis + + + Instruments + Instrumentos + + + Analysis Tools + Ferramentas de Análise + + + Don't know + Sei lá.. This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Esta caixa de diálogo contém informações de todos os plugins LADSPA do LMMS que estão disponíveis localmente. Os plugins estão divididos em cinco categorias baseadas em uma interpretação do tipo de portas e nomes. @@ -7207,24 +8025,8 @@ Sei lá.. são plugins que nenhuma entrada ou saída foi identificada. Clicando duas vezes com o mouse em qualquer plugin, voc6e terá informações sobre as portas. - Analysis Tools - Ferramentas de Análise - - - Unavailable Effects - Efeitos Indisponíveis - - - Instruments - Instrumentos - - - Available Effects - Efeitos Disponíveis - - - Don't know - Sei lá.. + Type: + Tipo: @@ -7241,8 +8043,8 @@ Clicando duas vezes com o mouse em qualquer plugin, voc6e terá informações so ladspaPortDialog - Yes - Sim + Ports + Portas Name @@ -7252,602 +8054,472 @@ Clicando duas vezes com o mouse em qualquer plugin, voc6e terá informações so Rate Taxa + + Direction + Direção + Type Tipo - Audio - Áudio + Min < Default < Max + Min < Padrão < Máx - Float - Decimal + Logarithmic + Logarítmico - Input - Entradas + SR Dependent + Dependente de SR - Ports - Portas + Audio + Áudio - Integer - Inteiro + Control + Controle - SR Dependent - Dependente de SR + Input + Entradas Output Saídas - Min < Default < Max - Min < Padrão < Máx - - - Direction - Direção + Toggled + Alternado - Logarithmic - Logarítmico + Integer + Inteiro - Control - Controle + Float + Decimal - Toggled - Alternado + Yes + Sim lb302Synth - Dead - Morto + VCF Cutoff Frequency + VCF - Frequência de corte - Slide - Gradual + VCF Resonance + VCF - Ressonância VCF Envelope Mod VCF - Modulação do Envelope - VCF Resonance - VCF - Ressonância + VCF Envelope Decay + VCF - Decaimento do Envelope - Accent - Realce + Distortion + Distorção + + + Waveform + Forma de onda Slide Decay Decaimento gradual - VCF Envelope Decay - VCF - Decaimento do Envelope + Slide + Gradual - Waveform - Forma de onda + Accent + Realce - Distortion - Distorção + Dead + Morto 24dB/oct Filter Filtro 24dB/oct - - VCF Cutoff Frequency - VCF - Frequência de corte - lb302SynthView - DIST: - - - - Click here for a square-wave with a rounded end. - Clique aqui para usar uma onda quadrada arredondada. - - - Slide Decay: - Decaimento gradual: - - - Click here for an exponential wave. - Clique aqui para usar uma onda exponencial. - - - White noise wave - Ruído branco - - - Click here for a saw-wave. - Clique aqui para usar uma onda dente de serra. - - - Sine wave - Onda senoidal - - - Click here for white-noise. - Clique aqui para usar um ruído branco. + Cutoff Freq: + Freq Corte: - Decay: - Decaimento: + Resonance: + Ressonância: Env Mod: Mod Env: - Moog wave - Onda Moog - - - Resonance: - Ressonância: + Decay: + Decaimento: - Rounded square wave - Onda quadrada arredondada + 303-es-que, 24dB/octave, 3 pole filter + 303-es-que, 24dB/octave, filtro 3 pole - Square wave - Onda quadrada + Slide Decay: + Decaimento gradual: - 303-es-que, 24dB/octave, 3 pole filter - 303-es-que, 24dB/octave, filtro 3 pole + DIST: + Saw wave Onda dente de serra - Click here for a moog-like wave. - Clique aqui para usar uma onda tipo moog. - - - Click for a sine-wave. - Clique aqui para usar uma onda senoidal. + Click here for a saw-wave. + Clique aqui para usar uma onda dente de serra. Triangle wave Onda triangular - - Click here for a square-wave. - Clique aqui para usar uma onda quadrada. - - - Cutoff Freq: - Freq Corte: - Click here for a triangle-wave. Clique aqui para usar uma onda triangular. - Bandlimited saw wave - - - - Click here for bandlimited saw wave. - - - - Bandlimited square wave - - - - Click here for bandlimited square wave. - - - - Bandlimited triangle wave - - - - Click here for bandlimited triangle wave. - - - - Bandlimited moog saw wave - - - - Click here for bandlimited moog saw wave. - - - - - lb303Synth - - Dead - Morto - - - Slide - Gradual - - - VCF Envelope Mod - VCF - Modulação do Envelope - - - VCF Resonance - VCF - Ressonância - - - Accent - Realce - - - Slide Decay - Decaimento gradual - - - VCF Envelope Decay - VCF - Decaimento do Envelope - - - Waveform - Forma de onda - - - Distortion - Distorção - - - 24dB/oct Filter - Filtro 24dB/oct - - - VCF Cutoff Frequency - VCF - Frequência de corte - - - - lb303SynthView - - DEC - DEC - - - CUT - CORTE - - - RES - RESS - - - DIST - DIST + Square wave + Onda quadrada - WAVE - ONDA + Click here for a square-wave. + Clique aqui para usar uma onda quadrada. - DIST: - DISTORÇÃO: + Rounded square wave + Onda quadrada arredondada - SLIDE - GRADUAL + Click here for a square-wave with a rounded end. + Clique aqui para usar uma onda quadrada arredondada. - WAVE: - ONDA: + Moog wave + Onda Moog - Slide Decay: - Decaimento gradual: + Click here for a moog-like wave. + Clique aqui para usar uma onda tipo moog. - Decay: - Decaimento: + Sine wave + Onda senoidal - Env Mod: - Mod Env: + Click for a sine-wave. + Clique aqui para usar uma onda senoidal. - Resonance: - Ressonância: + White noise wave + Ruído branco - 303-es-que, 24dB/octave, 3 pole filter - 303-es-que, 24dB/octave, filtro 3 pole + Click here for an exponential wave. + Clique aqui para usar uma onda exponencial. - ENV MOD - MOD ENV + Click here for white-noise. + Clique aqui para usar um ruído branco. - Cutoff Freq: - Freq Corte: + Bandlimited saw wave + - - - malletsInstrument - ADSR - ADSR + Click here for bandlimited saw wave. + - Reso - Resso + Bandlimited square wave + - Agogo - + Click here for bandlimited square wave. + - Beats - Batidas + Bandlimited triangle wave + - Bowed - De Arco + Click here for bandlimited triangle wave. + - Clump - + Bandlimited moog saw wave + - Glass - Taça + Click here for bandlimited moog saw wave. + + + + malletsInstrument - Speed - Velocidade + Hardness + Dificuldade - Wood1 - Madeira-1 + Position + Posição - Wood2 - Madeira-2 + Vibrato Gain + Ganho do Vibrato Vibrato Freq Frequência do Vibrato - Vibrato Gain - Ganho do Vibrato + Stick Mix + Percussa Mix - LFO Depth - LFO - Profundidade + Modulator + Modulador - Two Fixed - Duas Fixas + Crossfade + Transição LFO Speed LFO - Velocidade - Marimba - + LFO Depth + LFO - Profundidade - Tibetan Bowl - Tigelas Tibetanas + ADSR + ADSR - Tuned Bar - Barra Afinada + Pressure + Pressão Motion Movimento - Spread - Propagação - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - Sua instalação Stk parece estar incompleta. Por favor certifique-se que o pacote Stk (Stk-package) esteja completamente instalado! + Speed + Velocidade - Position - Posição + Bowed + De Arco - Crossfade - Transição + Spread + Propagação - Uniform Bar - Barra Uniforme + Marimba + Marimba Vibraphone Vibrafone - Hardness - Dificuldade + Agogo + Agogo - Pressure - Pressão + Wood1 + Madeira-1 - Modulator - Modulador + Reso + Resso - Missing files - Arquivos perdidos + Wood2 + Madeira-2 - Stick Mix - Percussa Mix + Beats + Batidas + + + Two Fixed + Duas Fixas + + + Clump + Tubular Bells Sinos Tubulares + + Uniform Bar + Barra Uniforme + + + Tuned Bar + Barra Afinada + + + Glass + Taça + + + Tibetan Bowl + Tigelas Tibetanas + malletsInstrumentView - ADSR - + Instrument + Instrumento - ADSR: - + Spread + Propagação - Bowed - De Arco + Spread: + Propagação: - Speed - Velocidade + Hardness + Dificuldade - LFO Depth - Prondudade do LFO + Hardness: + Dificuldade: - LFO Speed - LFO - Velocidade + Position + Posição - Vib Gain: - Ganho Vibracional: + Position: + Posição: - Vib Freq: - Frequência de Vibração: + Vib Gain + Ganho Vibr - Motion: - Movimento: + Vib Gain: + Ganho Vibracional: - LFO Depth: - Profundidade do LFO: + Vib Freq + Freq Vibr - Motion - Movimento + Vib Freq: + Frequência de Vibração: - LFO Speed: - Velocidade do LFO: + Stick Mix + Percussa Mix - Speed: - Velocidade: + Stick Mix: + Mistura da Percussão: - Spread - Propagação + Modulator + Modulador - Position - Posição + Modulator: + Modulador: Crossfade Transição - Hardness - Dificuldade - - - Hardness: - Dificuldade: - - - Pressure - Pressão + Crossfade: + Transição: - Stick Mix: - Mistura da Percussão: + LFO Speed + LFO - Velocidade - Position: - Posição: + LFO Speed: + Velocidade do LFO: - Spread: - Propagação: + LFO Depth + Prondudade do LFO - Crossfade: - Transição: + LFO Depth: + Profundidade do LFO: - Instrument - Instrumento + ADSR + ADSR - Modulator - Modulador + ADSR: + - Modulator: - Modulador: + Pressure + Pressão Pressure: Pressão: - Vibrato - - - - Vib Gain - Ganho Vibr + Speed + Velocidade - Vib Freq - Freq Vibr + Speed: + Velocidade: - Vibrato: - + Missing files + Arquivos ausentes - Stick Mix - Percussa Mix + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView - Close - Fechar + - VST parameter control + - Controle de parâmetros de VST's VST Sync @@ -7866,12 +8538,12 @@ Clicando duas vezes com o mouse em qualquer plugin, voc6e terá informações so Clique aqui para exibir somente os parâmetros automatizados. - Close VST effect knob-controller window. - Fechar janela de botões de controle do efeito VST. + Close + Fechar - - VST parameter control - - Controle de parâmetros de VST's + Close VST effect knob-controller window. + Fechar janela de botões de controle do efeito VST. @@ -7880,14 +8552,6 @@ Clicando duas vezes com o mouse em qualquer plugin, voc6e terá informações so - VST plugin control - Controle de plugins VST - - Close - Fechar - - - Close VST plugin knob-controller window. - Fechar janela de botões de controle do efeito VST. - VST Sync Sincronização VST @@ -7904,519 +8568,569 @@ Clicando duas vezes com o mouse em qualquer plugin, voc6e terá informações so Click here if you want to display automated parameters only. Clique aqui para exibir somente os parâmetros automatizados. + + Close + Fechar + + + Close VST plugin knob-controller window. + Fechar janela de botões de controle do efeito VST. + opl2instrument - - FM - - Patch Programação - Op 1 Key Scaling Rate - Op 1 Mudança de Tom da Escala + Op 1 Attack + Op 1 Ataque - Op 2 Key Scaling Rate - Op 2 Mudança de Tom da Escala + Op 1 Decay + Op 1 Decaimento + + + Op 1 Sustain + Op 1 Sustentação - Op 1 Decay - Op 1 Decaimento + Op 1 Release + Op 1 Relaxamento Op 1 Level Op 1 Nível - Op 2 Decay - Op 2 Decaimento - - - Op 2 Level - Op 2 Nível + Op 1 Level Scaling + Op 1 Nível Escalar - Op 1 Attack - Op 1 Ataque + Op 1 Frequency Multiple + Op 1 Múltiplo da frequência - Op 2 Attack - Op 2 Ataque + Op 1 Feedback + Op 1 Resposta - Op 1 Vibrato - + Op 1 Key Scaling Rate + Op 1 Mudança de Tom da Escala - Op 2 Vibrato - + Op 1 Percussive Envelope + Op 1 Envelope Percussivo - Tremolo Depth - Profundidade do Tremolo + Op 1 Tremolo + - Op 2 Frequency Multiple - Op 2 Múltiplo da frequência + Op 1 Vibrato + - Op 1 Frequency Multiple - Op 1 Múltiplo da frequência + Op 1 Waveform + Op 1 Forma de Onda - Op 1 Feedback - Op 1 Resposta + Op 2 Attack + Op 2 Ataque - Vibrato Depth - Profundidade do Vibrato + Op 2 Decay + Op 2 Decaimento - Op 1 Release - Op 1 Relaxamento + Op 2 Sustain + Op 2 Sustentação Op 2 Release Op 2 Relaxamento - Op 1 Level Scaling - Op 1 Nível Escalar + Op 2 Level + Op 2 Nível Op 2 Level Scaling Op 2 Nível Escalar + + Op 2 Frequency Multiple + Op 2 Múltiplo da frequência + + + Op 2 Key Scaling Rate + Op 2 Mudança de Tom da Escala + Op 2 Percussive Envelope Op 2 Envelope Percussivo - Op 1 Percussive Envelope - Op 1 Envelope Percussivo + Op 2 Tremolo + Op 2 Relaxamento + + + Op 2 Vibrato + Op 2 Waveform Op 2 Forma de Onda - Op 1 Waveform - Op 1 Forma de Onda + FM + FM - Op 2 Tremolo - Op 2 Relaxamento + Vibrato Depth + Profundidade do Vibrato - Op 1 Tremolo - + Tremolo Depth + Profundidade do Tremolo + + + + opl2instrumentView + + Attack + Ataque - Op 2 Sustain - Op 2 Sustentação + Decay + Decaimento - Op 1 Sustain - Op 1 Sustentação + Release + Relaxamento + + + Frequency multiplier + organicInstrument - - Volume - - Distortion Distorção + + Volume + Volume + organicInstrumentView - cents - centésimos + Distortion: + Distorção: - Osc %1 panning: - Panorâmico Osc %1: + Volume: + Volume: Randomise Aleatorizar - Osc %1 volume: - Volume Osc %1: + Osc %1 waveform: + Forma de Onda Osc %1: - Distortion: - Distorção: + Osc %1 volume: + Volume Osc %1: - Volume: - + Osc %1 panning: + Panorâmico Osc %1: - Osc %1 waveform: - Forma de Onda Osc %1: + cents + centésimos The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + papuInstrument - Bass - Grave + Sweep time + Varredura temporal - Shift Register width - Desconsiderar Tamanho do registro + Sweep direction + Direção da varredura Sweep RtShift amount Quantidade da varredura RtShift + + Wave Pattern Duty + Trabalho da Frente de Onda + Channel 1 volume Canal 1 volume - Channel 4 volume - Canal 4 volume + Volume sweep direction + Direção da varredura de volume - Channel 3 volume - Canal 3 volume + Length of each step in sweep + Tamanho de cada passo na varredura Channel 2 volume Canal 2 volume - Length of each step in sweep - Tamanho de cada passo na varredura - - - Left Output level - Nível de Saída Esquerdo + Channel 3 volume + Canal 3 volume - Sweep direction - Direção da varredura + Channel 4 volume + Canal 4 volume - Channel 4 to SO1 (Right) - Canal 4 para SO1 (Direita) + Right Output level + Nível de Saída Direito - Channel 3 to SO1 (Right) - Canal 3 para SO1 (Direita) + Left Output level + Nível de Saída Esquerdo - Channel 2 to SO1 (Right) - Canal 2 para SO1 (Direita) + Channel 1 to SO2 (Left) + Canal 1 para SO2 (Esquerda) - Channel 1 to SO1 (Right) - Canal 1 para SO1 (Direita) + Channel 2 to SO2 (Left) + Canal 2 para SO2 (Esquerda) - Right Output level - Nível de Saída Direito + Channel 3 to SO2 (Left) + Canal 3 para SO2 (Esquerda) - Treble - Agudo + Channel 4 to SO2 (Left) + Canal 4 para SO2 (Esquerda) - Sweep time - Varredura temporal + Channel 1 to SO1 (Right) + Canal 1 para SO1 (Direita) - Channel 4 to SO2 (Left) - Canal 4 para SO2 (Esquerda) + Channel 2 to SO1 (Right) + Canal 2 para SO1 (Direita) - Channel 3 to SO2 (Left) - Canal 3 para SO2 (Esquerda) + Channel 3 to SO1 (Right) + Canal 3 para SO1 (Direita) - Channel 2 to SO2 (Left) - Canal 2 para SO2 (Esquerda) + Channel 4 to SO1 (Right) + Canal 4 para SO1 (Direita) - Channel 1 to SO2 (Left) - Canal 1 para SO2 (Esquerda) + Treble + Agudo - Wave Pattern Duty - Trabalho da Frente de Onda + Bass + Grave - Volume sweep direction - Direção da varredura de volume + Shift Register width + Desconsiderar Tamanho do registro papuInstrumentView - Bass - Grave + Sweep Time: + Varredura temporal: - Wave pattern duty - Trabalho da frente de onda + Sweep Time + Varredura temporal - Bass: - Grave: + Sweep RtShift amount: + Quantidade da varredura RtShift: - Shift Register Width - Desconsiderar Tamanho do registro + Sweep RtShift amount + Quantidade da varredura RtShift - Wave Channel Volume - Canal da Onda - Volume + Wave pattern duty: + Trabalho da Frente de Onda: - Sweep Time: - Varredura temporal: + Wave Pattern Duty + Trabalho da Frente de Onda - Draw the wave here - Desenhe a onda aqui + Square Channel 1 Volume: + Canal 1 Volume: - Sweep RtShift amount - Quantidade da varredura RtShift + Length of each step in sweep: + Tamanho de cada passo na varredura: - Channel1 to SO2 (Left) - Canal 1 para SO2 (Esquerda) + Length of each step in sweep + Tamanho de cada passo na varredura - Channel3 to SO2 (Left) - Canal 3 para SO2 (Esquerda) + Wave pattern duty + Trabalho da frente de onda - Channel2 to SO2 (Left) - Canal 2 para SO2 (Esquerda) + Square Channel 2 Volume: + Canal 2 Volume: + + + Square Channel 2 Volume + Canal 2 Volume - Channel4 to SO2 (Left) - Canal 4 para SO2 (Esquerda) + Wave Channel Volume: + Canal da Onda - Volume: - Length of each step in sweep - Tamanho de cada passo na varredura + Wave Channel Volume + Canal da Onda - Volume - Wave pattern duty: - Trabalho da Frente de Onda: + Noise Channel Volume: + Canal de Ruído - Volume: - Wave Pattern - Frente de onda + Noise Channel Volume + Canal de Ruído - Volume SO1 Volume (Right): SO1 Volume (Esquerdo): - Sweep Direction - Direção da varredura + SO1 Volume (Right) + SO1 Volume (Esquerdo) - The amount of increase or decrease in frequency - A quantidade de acréscimo e decréscimo em frequência + SO2 Volume (Left): + SO2 Volume (Direito): - The delay between step change - O atraso entre cada passo de mudança + SO2 Volume (Left) + SO2 Volume (Direito) + + + Treble: + Agudo: Treble Agudo - Noise Channel Volume: - Canal de Ruído - Volume: + Bass: + Grave: - The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - O ciclo de trabalho é a razão da duração (tempo) do sinal LIGADO versus o total do período do sinal. + Bass + Grave - Sweep RtShift amount: - Quantidade da varredura RtShift: + Sweep Direction + Direção da varredura - Channel1 to SO1 (Right) - Canal 1 para SO1 (Direita) + Volume Sweep Direction + Direção da varredura de volume - Channel3 to SO1 (Right) - Canal 3 para SO1 (Direita) + Shift Register Width + Desconsiderar Tamanho do registro - Channel2 to SO1 (Right) - Canal 2 para SO1 (Direita) + Channel1 to SO1 (Right) + Canal 1 para SO1 (Direita) - Channel4 to SO1 (Right) - Canal 4 para SO1 (Direita) + Channel2 to SO1 (Right) + Canal 2 para SO1 (Direita) - Square Channel 1 Volume - Canal 1 Volume + Channel3 to SO1 (Right) + Canal 3 para SO1 (Direita) - Square Channel 2 Volume - Canal 2 Volume + Channel4 to SO1 (Right) + Canal 4 para SO1 (Direita) - Square Channel 1 Volume: - Canal 1 Volume: + Channel1 to SO2 (Left) + Canal 1 para SO2 (Esquerda) - Square Channel 2 Volume: - Canal 2 Volume: + Channel2 to SO2 (Left) + Canal 2 para SO2 (Esquerda) - Treble: - Agudo: + Channel3 to SO2 (Left) + Canal 3 para SO2 (Esquerda) - Sweep Time - Varredura temporal + Channel4 to SO2 (Left) + Canal 4 para SO2 (Esquerda) - SO1 Volume (Right) - SO1 Volume (Esquerdo) + Wave Pattern + Frente de onda - Length of each step in sweep: - Tamanho de cada passo na varredura: + The amount of increase or decrease in frequency + A quantidade de acréscimo e decréscimo em frequência - Noise Channel Volume - Canal de Ruído - Volume + The rate at which increase or decrease in frequency occurs + A taxa na qual cresce ou decresce a frequência - Wave Channel Volume: - Canal da Onda - Volume: + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + O ciclo de trabalho é a razão da duração (tempo) do sinal LIGADO versus o total do período do sinal. - Wave Pattern Duty - Trabalho da Frente de Onda + Square Channel 1 Volume + Canal 1 Volume - SO2 Volume (Left): - SO2 Volume (Direito): + The delay between step change + O atraso entre cada passo de mudança - Volume Sweep Direction - Direção da varredura de volume + Draw the wave here + Desenhe a onda aqui + + + patchesDialog - The rate at which increase or decrease in frequency occurs - A taxa na qual cresce ou decresce a frequência + Qsynth: Channel Preset + - SO2 Volume (Left) - SO2 Volume (Direito) + Bank selector + - - - pluginBrowser - Additive Synthesizer for organ-like sounds - Síntetizador de Síntese Aditiva para sons tipo de órgão + Bank + Banco - Customizable wavetable synthesizer - Sintetizador de formas de onda customizáveis + Program selector + - 2-operator FM Synth - Dois Operadores de Síntese FM + Patch + Programação - LMMS port of sfxr - sfxr para LMMS + Name + Nome - Filter for importing Hydrogen files into LMMS - Filtro para importação de arquivos do Hydrogen para o LMMS + OK + OK - Tuneful things to bang on - Instrumentos percussivos com afinação para você usar + Cancel + Cancelar + + + pluginBrowser - Player for SoundFont files - Tocador de arquivos de SounFont + no description + sem descrição - Filter for importing FL Studio projects into LMMS - Filtro para importação de projetos do FL Studio para o LMMS + Incomplete monophonic imitation tb303 + Imitação monofônica incompleta de tb303 - List installed LADSPA plugins - Lista dos plugins LADSPA instalados + Plugin for freely manipulating stereo output + Plugin para livre manipulação das saídas estéreo Plugin for controlling knobs with sound peaks Plugin para controlar botões com os picos sonoros - Filter for importing MIDI-files into LMMS - Filtro para importação de arquivos MIDI para o LMMS + Plugin for enhancing stereo separation of a stereo input file + Plugin para melhorar a separação estéreo de um arquivo de entrada estéreo + + + List installed LADSPA plugins + Lista dos plugins LADSPA instalados GUS-compatible patch instrument Pré definição de instrumento compatível com GUS (Gravis Ultrasound) - Vibrating string modeler - Modelador de Cordas vibrantes + Additive Synthesizer for organ-like sounds + Síntetizador de Síntese Aditiva para sons tipo de órgão + + + Tuneful things to bang on + Instrumentos percussivos com afinação para você usar VST-host for using VST(i)-plugins within LMMS Servidor (host) VST para usar plugins VST(i) com o LMMS - Plugin for freely manipulating stereo output - Plugin para livre manipulação das saídas estéreo + Vibrating string modeler + Modelador de Cordas vibrantes - no description - sem descrição + plugin for using arbitrary LADSPA-effects inside LMMS. + plugin para uso de efeitos LADSPA arbitrários dentro do LMMS. + + + Filter for importing MIDI-files into LMMS + Filtro para importação de arquivos MIDI para o LMMS Emulation of the MOS6581 and MOS8580 SID. @@ -8424,160 +9138,125 @@ This chip was used in the Commodore 64 computer. Emulação do MOS6581 e do MOS8580 SID. Este chip foi utilizado no computador Commodore 64. + + Player for SoundFont files + Tocador de arquivos de SounFont + Emulation of GameBoy (TM) APU Emulação do GameBoy (TM) APU - Incomplete monophonic imitation tb303 - Imitação monofônica incompleta de tb303 + Customizable wavetable synthesizer + Sintetizador de formas de onda customizáveis - plugin for using arbitrary LADSPA-effects inside LMMS. - plugin para uso de efeitos LADSPA arbitrários dentro do LMMS. + Embedded ZynAddSubFX + Poderoso sintetizador ZynAddSubFx embutido no LMMS - Plugin for enhancing stereo separation of a stereo input file - Plugin para melhorar a separação estéreo de um arquivo de entrada estéreo + 2-operator FM Synth + Dois Operadores de Síntese FM - Embedded ZynAddSubFX - Poderoso sintetizador ZynAddSubFx embutido no LMMS + Filter for importing Hydrogen files into LMMS + Filtro para importação de arquivos do Hydrogen para o LMMS + + + LMMS port of sfxr + sfxr para LMMS Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - + A native amplifier plugin - + Carla Rack Instrument - + Instrumento do Rack Carla 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + + + + A native delay plugin + Player for GIG files - + Tocador para arquivos GIG A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - - - - Dummy (no sound output) - - - - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - + - WinMM MIDI - + A Dual filter plugin + - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + @@ -8586,72 +9265,64 @@ Este chip foi utilizado no computador Commodore 64. Bank Banco + + Patch + Programação + Gain Ganho - Patch - Programação + Reverb + Reverberação - Chorus Speed - Velocidade do Chorus + Reverb Roomsize + Tamanho da sala em Reverberação - Reverb Width - Tamanho da Reverberação + Reverb Damping + Absorção da Reverberação - - Chorus Depth - Profundidade do Chorus + + Reverb Width + Tamanho da Reverberação Reverb Level Nível de Reverberação - Chorus Level - Nível de Chorus + Chorus + Chorus Chorus Lines Linhas de Chorus - Chorus - Chorus - - - Reverb - Reverberação + Chorus Level + Nível de Chorus - Reverb Damping - Absorção da Reverberação + Chorus Speed + Velocidade do Chorus - Reverb Roomsize - Tamanho da sala em Reverberação + Chorus Depth + Profundidade do Chorus A soundfont %1 could not be loaded. - + sf2InstrumentView - Gain - Ganho - - - This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. - Este botão ativa o efeito de reverberação. Ele é útil para efeitos legais, mas só funciona se o arquivo tiver suporte a ele. - - - This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. - Este botão ativa o efeito de chorus. Ele é útil para efeitos de eco legais, mas só funciona se o arquivo tiver suporte a ele. + Open other SoundFont file + Abrir outro arquivo SoundFont Click here to open another SF2 file @@ -8662,29 +9333,21 @@ Este chip foi utilizado no computador Commodore 64. Escolher o patch - SoundFont2 Files (*.sf2) - Arquivos SoundFont2 (*sf2) + Gain + Ganho Apply reverb (if supported) Aplicar reverberação (se suportado) - Open SoundFont file - Abrir o arquivo SoundFont - - - Apply chorus (if supported) - Aplicar chorus (se suportado) + This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. + Este botão ativa o efeito de reverberação. Ele é útil para efeitos legais, mas só funciona se o arquivo tiver suporte a ele. Reverb Roomsize: Tamanho da sala em Reverbaração: - - Chorus Speed: - Velocidade do Chorus: - Reverb Damping: Absorção da Reverberação: @@ -8693,25 +9356,41 @@ Este chip foi utilizado no computador Commodore 64. Reverb Width: Tamanho da Reverberação: - - Chorus Depth: - Profundidade do Chorus: - Reverb Level: Nível de Reverberação: - Chorus Level: - Nível de Chorus: + Apply chorus (if supported) + Aplicar chorus (se suportado) + + + This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. + Este botão ativa o efeito de chorus. Ele é útil para efeitos de eco legais, mas só funciona se o arquivo tiver suporte a ele. Chorus Lines: Linhas de Chorus: - Open other SoundFont file - Abrir outro arquivo SoundFont + Chorus Level: + Nível de Chorus: + + + Chorus Speed: + Velocidade do Chorus: + + + Chorus Depth: + Profundidade do Chorus: + + + Open SoundFont file + Abrir o arquivo SoundFont + + + SoundFont2 Files (*.sf2) + Arquivos SoundFont2 (*sf2) @@ -8723,164 +9402,164 @@ Este chip foi utilizado no computador Commodore 64. sidInstrument - - Chip model - Modelo do chip - Cutoff Corte - Volume - + Resonance + Ressonância + + + Filter type + Tipo de filtro Voice 3 off Voz 3 desligada - Resonance - Ressonância + Volume + Volume - Filter type - Tipo de filtro + Chip model + Modelo do chip sidInstrumentView - Test - Teste - - - Sync - Sincronização - - - Filtered - Filtrado + Volume: + Volume: - Ring-Mod - Modulação em Anel + Resonance: + Ressonância: - Noise - Ruído + Cutoff frequency: + Frequência de corte: - Pulse Width: - Tamanho do Pulso: + High-Pass filter + Filtro Passa Alta - Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - O Decaimento determina o quão rápido a saída vai cair do pico de amplitude até o nível de sustentação. + Band-Pass filter + Filtro Passa Banda - Cutoff frequency: - Frequência de corte: + Low-Pass filter + Filtro Passa Baixa - Decay: - Decaimento: + Voice3 Off + Voz3 Desligada - Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - A saída da Voz %1 irá permanecer no nível de Sustentação enquanto a nota estiver acionada. + MOS6581 SID + - Resonance: - Ressonância: + MOS8580 SID + - Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - Mod em Anel (Modulação em Anel) substitui a saída da Onda Triangular do Oscilador %1 com a "Modulada em Anel" da combinação entre os Osciladores %1 e %2. + Attack: + Ataque: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. A taxa de ataque determina o quão rápido a saída da Voz %1 sai do zaro para o pico de amplitude. - Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - A sincronização sincroniza a frequência fundamental do Oscilador %1 com a frequência fundamental do Oscilador %2 produzindo um efeito de "Super Sincronização". + Decay: + Decaimento: - Voice3 Off - Voz3 Desligada + Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. + O Decaimento determina o quão rápido a saída vai cair do pico de amplitude até o nível de sustentação. - Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - Quando o Teste está ativado, ele restaura e trava o Oscilador %1 até o Teste ser desligado. + Sustain: + Sustentação: - Attack: - Ataque: + Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. + A saída da Voz %1 irá permanecer no nível de Sustentação enquanto a nota estiver acionada. - SawTooth - Dente de Serra + Release: + Relaxamento: - Pulse Wave - Onda de Pulso + The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. + A saída da Voz %1 irá da amplitude do nível Sustentação até a amplitude zero na razão selecionada no Relaxamento. - When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - Quando o Filtrado está ligado, a Voz %1 será processada através do Filtro. Quando o Filtrado está desligado, a Voz %1 aparecerá diretamente na saída e o Filtro não terá efeito. + Pulse Width: + Tamanho do Pulso: - Triangle Wave - Onda Triangular + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. + A resolução de Tamanho do Pulso permite que os movimentos sejam suaves de modo que não sejam percebidas mudanças bruscas. O Pulso da forma de onda em um Oscilador %1 pode ser selecionado para existir um efeito audível. Coarse: Ajuste Bruto: - Release: - Relaxamento: + The Coarse detuning allows to detune Voice %1 one octave up or down. + O Ajuste bruto permite que você ajuste a Voz %1 em uma oitava ou mais. - Sustain: - Sustentação: + Pulse Wave + Onda de Pulso - The Coarse detuning allows to detune Voice %1 one octave up or down. - O Ajuste bruto permite que você ajuste a Voz %1 em uma oitava ou mais. + Triangle Wave + Onda Triangular - The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - A resolução de Tamanho do Pulso permite que os movimentos sejam suaves de modo que não sejam percebidas mudanças bruscas. O Pulso da forma de onda em um Oscilador %1 pode ser selecionado para existir um efeito audível. + SawTooth + Dente de Serra - Volume: - + Noise + Ruído - The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - A saída da Voz %1 irá da amplitude do nível Sustentação até a amplitude zero na razão selecionada no Relaxamento. + Sync + Sincronização - MOS8580 SID - + Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. + A sincronização sincroniza a frequência fundamental do Oscilador %1 com a frequência fundamental do Oscilador %2 produzindo um efeito de "Super Sincronização". - MOS6581 SID - + Ring-Mod + Modulação em Anel - Low-Pass filter - Filtro Passa Baixa + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. + Mod em Anel (Modulação em Anel) substitui a saída da Onda Triangular do Oscilador %1 com a "Modulada em Anel" da combinação entre os Osciladores %1 e %2. - Band-Pass filter - Filtro Passa Banda + Filtered + Filtrado - High-Pass filter - Filtro Passa Alta + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. + Quando o Filtrado está ligado, a Voz %1 será processada através do Filtro. Quando o Filtrado está desligado, a Voz %1 aparecerá diretamente na saída e o Filtro não terá efeito. + + + Test + Teste + + + Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. + Quando o Teste está ativado, ele restaura e trava o Oscilador %1 até o Teste ser desligado. @@ -8908,16 +9587,16 @@ Este chip foi utilizado no computador Commodore 64. Esq para Esq Vol: - Right to Right Vol: - Dir para Dir Vol: + Left to Right Vol: + Esq para Dir Vol: Right to Left Vol: Dir para Esq Vol: - Left to Right Vol: - Esq para Dir Vol: + Right to Right Vol: + Dir para Dir Vol: @@ -8953,130 +9632,138 @@ Este chip foi utilizado no computador Commodore 64. vibed - Fuzziness %1 - Encrespar %1 - - - Pickup %1 position - Super Pegada %1 posição - - - Length %1 - Tamanho %1 + String %1 volume + Cordas %1 volume - Pan %1 - + String %1 stiffness + Cordas %1 dureza - String %1 volume - Cordas %1 volume + Pick %1 position + Pegada %1 posição - String %1 stiffness - Cordas %1 dureza + Pickup %1 position + Super Pegada %1 posição - Octave %1 - Oitava %1 + Pan %1 + Pan %1 Detune %1 Desafinar %1 - Pick %1 position - Pegada %1 posição + Fuzziness %1 + Encrespar %1 + + + Length %1 + Tamanho %1 Impulse %1 Impulso %1 + + Octave %1 + Oitava %1 + vibedView - Pan: - + Volume: + Volume: - The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - O seletor "Octave" é usado para escolher que harmônico da nota na corda irá soar mais. Por exemplo, "-2" significa que a corda vibrará duas oitavas abaixo da Fundamental, "F" significa que a corda vibrará na frequência Fundamental e "6" significa que a corda vai vibrar 6 oitavas acima da fundamental. + The 'V' knob sets the volume of the selected string. + O botão "V" modifica o volume da corda selecionada. - Impulse Editor - Editor de Impulso + String stiffness: + Dureza da corda: - Fuzziness: - Encrespando: + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. + O botão "S" modifica a dureza da corda selecionada. A dureza da corda interfere no quão longa é a vibração da corda. Quanto menor o valor mais a corda vai soar. - The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - O botão de tamanho modifica o tamanho da corda escolhida. Cordas longas resultam em vibrações longas aliadas a um brilho no som, o porém é que isto ocupa muito processamento da CPU. + Pick position: + Escolher pinçada: - The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - O botão "S" modifica a dureza da corda selecionada. A dureza da corda interfere no quão longa é a vibração da corda. Quanto menor o valor mais a corda vai soar. + The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. + O botão "P" modifica a posição onde a corda será "pinçada". Valores baixos significam que a corda será pinçada perto da ponte. - Length: - Tamanho: + Pickup position: + Posição do captador: - The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - O seletor de Corda é usado para escolher que corda os controles estarão editando. O instrumento Vibed pode conter até nove cordas vibrando independentemente. O LED no canto direito inferior do editor de forma de onda indica que a corda selecionada está ativa. + The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. + O botão "PU" modifica a posição onde as vibrações serão captadas na corda selecionada. Valores baixos significam que o captador está mais próximo à ponte. - White noise wave - Ruído branco + Pan: + Pan: - Click here to smooth waveform. - Clique aqui para suavizar a forma de onda. + The Pan knob determines the location of the selected string in the stereo field. + O botão de Pan determina a localização da corda selecionada o campo estereofônico. - Use a square-wave for current oscillator. - Use uma onda quadrada no oscilador atual. + Detune: + Desafinar: - The 'V' knob sets the volume of the selected string. - O botão "V" modifica o volume da corda selecionada. + The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. + O botão "Detune" modifica a altura da corda escolhida. Valores menores do que zero quase não afetarão o som da corda. Valores bem maiores do que zero farão o som ficar mais agudo. - Sine wave - Onda senoidal + Fuzziness: + Encrespando: - Click here to enable/disable waveform. - Clique aqui para habilitar/desabilitar forma de onda. + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. + O botão "Slap" deixa mais "crespo" o som da corda escolhida que é mais aparente na duração do ataque (como a técnica de puxar a corda de um contrabaixo ou um violão chamada slap), embora possa ser usada também para deixar o som mais "metálico". - Octave - Oitava + Length: + Tamanho: - The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - O botão "P" modifica a posição onde a corda será "pinçada". Valores baixos significam que a corda será pinçada perto da ponte. + The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. + O botão de tamanho modifica o tamanho da corda escolhida. Cordas longas resultam em vibrações longas aliadas a um brilho no som, o porém é que isto ocupa muito processamento da CPU. - Smooth - Suavizar + Impulse or initial state + Impulso ou estado inicial - String - Corda + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. + O seletor "Imp" determina como a forma de onda no gráfico será manipulada como um impulso comunicado à corda pela pinçada ou pelo estado inicial da corda. - The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - O botão "Slap" deixa mais "crespo" o som da corda escolhida que é mais aparente na duração do ataque (como a técnica de puxar a corda de um contrabaixo ou um violão chamada slap), embora possa ser usada também para deixar o som mais "metálico". + Octave + Oitava + + + The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. + O seletor "Octave" é usado para escolher que harmônico da nota na corda irá soar mais. Por exemplo, "-2" significa que a corda vibrará duas oitavas abaixo da Fundamental, "F" significa que a corda vibrará na frequência Fundamental e "6" significa que a corda vai vibrar 6 oitavas acima da fundamental. + + + Impulse Editor + Editor de Impulso - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. O editor de forma de onda proporciona controle sobre o estado inicial, ou impulso, usado no início da vibração da corda. Os botões ao lado direito do gráfico irão inicializar o tipo de forma de onda selecionada. O botão "?" ira carregar uma forma de onda de um arquivo (somente as primeiras 128 amostras serão carregadas). @@ -9088,233 +9775,225 @@ O botão "S" irá suavizar a forma de onda. O botão "N" ira normalizar a forma de onda. - The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - O botão "PU" modifica a posição onde as vibrações serão captadas na corda selecionada. Valores baixos significam que o captador está mais próximo à ponte. - - - Pick position: - Escolher pinçada: - - - The Pan knob determines the location of the selected string in the stereo field. - O botão de Pan determina a localização da corda selecionada o campo estereofônico. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + +The graph allows you to control the initial state or impulse used to set the string in motion. + +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. + +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. + +The 'Length' knob controls the length of the string. + +The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. + Vibed modela independentemente a vibração de até 8 cordas. O seletor "String" (Corda) permite escolher qual corda será editada. O seletor "Imp" escolhe qual dos gráficos representará o impulso no estado inicial da corda. O seletor "Octave" (Oitava) permite escolher qual harmônico da corda deverá vibrar. + +O gráfico permite que você controle o estado inicial, ou impulso, usado para definir o movimento da corda. + +O botão "V" controla o volume. O botão "S" controla a dureza da corda. O botão "P" controla a posição de pinçagem da corda. Já o botão "PU" controla a posição do captador. + +O botão "Pan" posiciona o som no lado esquerdo ou direito, enquanto o botão "Detune" (Desafinar) permite modificar a afinação em termos de altura. Automatizar este botão permite criar glissandos bem interessantes! O botão "Slap" pode dar uma característica mais metálica ao som da corda. + +O botão "Tamanho" controla o tamanho da corda. + +O LED no canto direito inferior do editor de forma de onda determina que a corda está ativa no presente instrumento. - String stiffness: - Dureza da corda: + Enable waveform + Habilitar forma de onda - Square wave - Onda quadrada + Click here to enable/disable waveform. + Clique aqui para habilitar/desabilitar forma de onda. - Saw wave - Onda dente de serra + String + Corda - Normalize - Normalizar + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + O seletor de Corda é usado para escolher que corda os controles estarão editando. O instrumento Vibed pode conter até nove cordas vibrando independentemente. O LED no canto direito inferior do editor de forma de onda indica que a corda selecionada está ativa. - Click here to normalize waveform. - Clique aqui para normalizar a forma de onda. + Sine wave + Onda senoidal - Use a saw-wave for current oscillator. - Use uma onda dente de serra no oscilador atual. + Triangle wave + Onda triangular - Use white-noise for current oscillator. - Use ruído branco no oscilador atual. + Saw wave + Onda dente de serra - Triangle wave - Onda triangular + Square wave + Onda quadrada - Impulse or initial state - Impulso ou estado inicial + White noise wave + Ruído branco - Detune: - Desafinar: + User defined wave + Onda definida pelo usuário - Use a sine-wave for current oscillator. - Use uma onda senoidal no oscilador atual. + Smooth + Suavizar - Pickup position: - Posição do captador: + Click here to smooth waveform. + Clique aqui para suavizar a forma de onda. - Volume: - + Normalize + Normalizar - User defined wave - Onda definida pelo usuário + Click here to normalize waveform. + Clique aqui para normalizar a forma de onda. - Use a user-defined waveform for current oscillator. - Use uma forma de onda definida pelo usuário no oscilador atual. + Use a sine-wave for current oscillator. + Use uma onda senoidal no oscilador atual. Use a triangle-wave for current oscillator. Use uma onda triangular no oscilador atual. - The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - O botão "Detune" modifica a altura da corda escolhida. Valores menores do que zero quase não afetarão o som da corda. Valores bem maiores do que zero farão o som ficar mais agudo. + Use a saw-wave for current oscillator. + Use uma onda dente de serra no oscilador atual. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. - -The graph allows you to control the initial state or impulse used to set the string in motion. - -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. - -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. - -The 'Length' knob controls the length of the string. - -The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. - Vibed modela independentemente a vibração de até 8 cordas. O seletor "String" (Corda) permite escolher qual corda será editada. O seletor "Imp" escolhe qual dos gráficos representará o impulso no estado inicial da corda. O seletor "Octave" (Oitava) permite escolher qual harmônico da corda deverá vibrar. - -O gráfico permite que você controle o estado inicial, ou impulso, usado para definir o movimento da corda. - -O botão "V" controla o volume. O botão "S" controla a dureza da corda. O botão "P" controla a posição de pinçagem da corda. Já o botão "PU" controla a posição do captador. - -O botão "Pan" posiciona o som no lado esquerdo ou direito, enquanto o botão "Detune" (Desafinar) permite modificar a afinação em termos de altura. Automatizar este botão permite criar glissandos bem interessantes! O botão "Slap" pode dar uma característica mais metálica ao som da corda. - -O botão "Tamanho" controla o tamanho da corda. - -O LED no canto direito inferior do editor de forma de onda determina que a corda está ativa no presente instrumento. + Use a square-wave for current oscillator. + Use uma onda quadrada no oscilador atual. - The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - O seletor "Imp" determina como a forma de onda no gráfico será manipulada como um impulso comunicado à corda pela pinçada ou pelo estado inicial da corda. + Use white-noise for current oscillator. + Use ruído branco no oscilador atual. - Enable waveform - Habilitar forma de onda + Use a user-defined waveform for current oscillator. + Use uma forma de onda definida pelo usuário no oscilador atual. voiceObject - - Voice %1 release - Voz %1 relaxamento - Voice %1 pulse width Voz %1 tamanho do pulso - Voice %1 wave shape - Voz %1 forma da onda + Voice %1 attack + Voz %1 ataque - Voice %1 coarse detuning - Voz %1 ajuste bruto + Voice %1 decay + Voz %1 decaimento Voice %1 sustain Voz %1 sustentação - Voice %1 ring modulate - Voz %1 modulada em anel + Voice %1 release + Voz %1 relaxamento - Voice %1 sync - Voz %1 sincronizada + Voice %1 coarse detuning + Voz %1 ajuste bruto - Voice %1 test - Voz %1 teste + Voice %1 wave shape + Voz %1 forma da onda - Voice %1 decay - Voz %1 decaimento + Voice %1 sync + Voz %1 sincronizada - Voice %1 attack - Voz %1 ataque + Voice %1 ring modulate + Voz %1 modulada em anel Voice %1 filtered Voz %1 filtrada + + Voice %1 test + Voz %1 teste + waveShaperControlDialog INPUT - + ENTRADA Input gain: - + Ganho de entrada: OUTPUT - + SAÍDA Output gain: - + Ganho de saída: Reset waveform - + Click here to reset the wavegraph back to default - + Smooth waveform - + Click here to apply smoothing to wavegraph - + Increase graph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease graph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Clip input - + Clip input signal to 0dB - + waveShaperControls Input gain - + Ganho de entrada Output gain - + Ganho de saída - + \ No newline at end of file diff --git a/data/locale/ru.ts b/data/locale/ru.ts index 3d2ee46b504..4ef85094a40 100644 --- a/data/locale/ru.ts +++ b/data/locale/ru.ts @@ -2,62 +2,30 @@ AboutDialog - About LMMS О программе LMMS - - LMMS - ЛММС - - - Version %1 (%2/%3, Qt %4, %5) Версия %1 (%2/%3, Qt %4, %5) - About Подробнее - LMMS - easy music production for everyone LMMS - лёгкое создание музыки для всех - - Copyright © %1 - Все права защищены © %1 - - - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.sf.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - - - Authors Авторы - - Involved - Участники - - - - Contributors ordered by number of commits: - Разработчики сортированные по числу коммитов: - - - Translation Перевод - Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! @@ -68,50 +36,61 @@ Alexey Kouznetsov <alexey/dot/kouznetsov/at/gmail/dot/com> Oe Ai <oeai/at/symbiants/dot/com> - License Лицензия + + LMMS + ЛММС + + + Involved + Участники + + + Contributors ordered by number of commits: + Разработчики сортированные по числу коммитов: + + + Copyright © %1 + Все права защищены © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + AmplifierControlDialog - VOL ГРОМ - Volume: Громкость: - PAN БАЛ - Panning: Баланс: - LEFT Лево - Left gain: Лево мощность: - RIGHT Право - Right gain: Право мощность: @@ -119,22 +98,18 @@ Oe Ai <oeai/at/symbiants/dot/com> AmplifierControls - Volume Громкость - Panning Баланс - Left gain Лево мощн - Right gain Право мощн @@ -142,111 +117,89 @@ Oe Ai <oeai/at/symbiants/dot/com> AudioAlsaSetupWidget - DEVICE - + УСТРОЙСТВО - CHANNELS - + КАНАЛЫ AudioFileProcessorView - Open other sample Открыть другую запись - Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Нажмите здесь, чтобы открыть другой звуковой файл. В новом окне диалога вы сможете выбрать нужный файл. Такие настройки, как режим повтора, точки начала/конца, усиление и прочие не сбросятся, поэтому звучание может отличаться от оригинала. - Reverse sample Отзеркалить запись - If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Если включить эту кнопку, вся запись пойдёт в обратную сторону, это удобно для крутых эффектов, типа обратного грохота. - - Disable loop - Отключить петлю - - - - This button disables looping. The sample plays only once from start to end. - Эта кнопка отключает петлю (loop-цикл). Запись проигрывается только один раз от начала до конца. + Amplify: + Усиление: - - - Enable loop - Включить петлю + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + Эта ручка задаёт коэффициент усиления. При значении 100% исходный звук не меняется, в противном случае ― он будет ослаблен или усилен. (Обратите внимание, что исходная запись при этом останется нетронутой.) - - This button enables forwards-looping. The sample loops between the end point and the loop point. - Эта кнопка включает переднюю петлю. Сэмпл кольцуется между конечной точкой и точкой петли. + Startpoint: + Начало: - - This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - Эта кнопка включает пинг-понг петлю. Сэмпл кольцуется обратно и вперёд между конечной точкой и точкой петли. + Endpoint: + Конец: - Continue sample playback across notes Продолжить воспроизведение записи по нотам - Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) Включение этой опции продолжит воспроизведение записи по разным нотам - если изменить ускорение или длительность ноты остановится до конца записи, то со следующей ноты запись продолжится там, где остановилась, чтобы сбросить воспроизвдение на начало записи, вставьте ноту внизу у клавиш (<20 Гц) - - Amplify: - Усиление: + Disable loop + Отключить петлю - - With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - Эта ручка задаёт коэффициент усиления. При значении 100% исходный звук не меняется, в противном случае ― он будет ослаблен или усилен. (Обратите внимание, что исходная запись при этом останется нетронутой.) + This button disables looping. The sample plays only once from start to end. + Эта кнопка отключает петлю (loop-цикл). Запись проигрывается только один раз от начала до конца. - - Startpoint: - Начало: + Enable loop + Включить петлю - - With this knob you can set the point where AudioFileProcessor should begin playing your sample. - Этим регулятором можно установить точку где АудиоФайлПроцессор должен начать воспроизведение сэмпла. + This button enables forwards-looping. The sample loops between the end point and the loop point. + Эта кнопка включает переднюю петлю. Сэмпл кольцуется между конечной точкой и точкой петли. - - Endpoint: - Конец: + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. + Эта кнопка включает пинг-понг петлю. Сэмпл кольцуется обратно и вперёд между конечной точкой и точкой петли. + + + With this knob you can set the point where AudioFileProcessor should begin playing your sample. + Этим регулятором можно установить точку где АудиоФайлПроцессор должен начать воспроизведение сэмпла. - With this knob you can set the point where AudioFileProcessor should stop playing your sample. Этот регулятор устанавливает точку в которой АудиоФайлПроцессор должен перестать воспроизвдение сэмпла. - Loopback point: Точка возврата петли: - With this knob you can set the point where the loop starts. Этот регулятор ставит точку начала петли. @@ -254,7 +207,6 @@ Oe Ai <oeai/at/symbiants/dot/com> AudioFileProcessorWaveView - Sample length: Длина записи: @@ -262,32 +214,26 @@ Oe Ai <oeai/at/symbiants/dot/com> AudioJack - JACK client restarted JACK-клиент перезапущен - LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS не был подключен к JACK по какой-то причине, поэтому LMMS подключение к JACK было перезапущено. Вам придётся заново вручную создать соединения. - JACK server down JACK-сервер не доступен - The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. Возможно JACK-сервер был выключен и запуск нового процесса не удался, поэтому ЛММС не может продолжить работу. Вам следует сохранить проект и перезапустить JACK и LMMS. - CLIENT-NAME ИМЯ КЛИЕНТА - CHANNELS КАНАЛЫ @@ -295,12 +241,10 @@ Oe Ai <oeai/at/symbiants/dot/com> AudioOss::setupWidget - DEVICE УСТРОЙСТВО - CHANNELS КАНАЛЫ @@ -308,12 +252,10 @@ Oe Ai <oeai/at/symbiants/dot/com> AudioPortAudio::setupWidget - BACKEND УПРАВЛЕНИЕ - DEVICE УСТРОЙСТВО @@ -321,12 +263,10 @@ Oe Ai <oeai/at/symbiants/dot/com> AudioPulseAudio::setupWidget - DEVICE УСТРОЙСТВО - CHANNELS КАНАЛЫ @@ -334,96 +274,90 @@ Oe Ai <oeai/at/symbiants/dot/com> AudioSdl::setupWidget - DEVICE УСТРОЙСТВО + + AudioSndio::setupWidget + + DEVICE + УСТРОЙСТВО + + + CHANNELS + КАНАЛЫ + + AudioSoundIo::setupWidget - BACKEND - + БЭКЕНД - DEVICE - + УСТРОЙСТВО AutomatableModel - &Reset (%1%2) &R Сбросить (%1%2) - &Copy value (%1%2) &C Копировать значение (%1%2) - &Paste value (%1%2) &P Вставить значение (%1%2) - Edit song-global automation Изменить глоабльную автоматизацию композиции - - Remove song-global automation - Убрать глобальную автоматизацию композиции - - - - Remove all linked controls - Убрать всё присоединенное управление - - - Connected to %1 Подсоединено к %1 - Connected to controller Подсоединено к контроллеру - Edit connection... Настроить соединение... - Remove connection Удалить соединение - Connect to controller... Соединить с контроллером... + + Remove song-global automation + Убрать глобальную автоматизацию композиции + + + Remove all linked controls + Убрать всё присоединенное управление + AutomationEditor - Please open an automation pattern with the context menu of a control! Откройте редатор автоматизации через контекстное меню регулятора! - Values copied Значения скопированы - All selected values were copied to the clipboard. Все выбранные значения скопированы в буфер обмена. @@ -431,179 +365,144 @@ Oe Ai <oeai/at/symbiants/dot/com> AutomationEditorWindow - Play/pause current pattern (Space) Игра/Пауза текущей мелодии (Пробел) - Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Нажмите здесь чтобы проиграть текущую мелодию. Это может пригодиться при его редактировании. Мелодия автоматически закольцуется при достижении конца. - Stop playing of current pattern (Space) Остановить воспроизведение текущей мелодии (Пробел) - Click here if you want to stop playing of the current pattern. Нажмите здесь, если вы хотите остановить воспроизведение текущей мелодии. - - Edit actions - - - - Draw mode (Shift+D) Режим рисования (Shift+D) - Erase mode (Shift+E) Режим стирания (Shift-E) - Flip vertically Перевернуть вертикально - Flip horizontally Перевернуть горизонтально - Click here and the pattern will be inverted.The points are flipped in the y direction. Нажмите здесь и мелодия перевернётся. Точки переворачиваются в Y направлении. - Click here and the pattern will be reversed. The points are flipped in the x direction. Нажмите здесь и мелодия перевернётся в направлении X. - Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. При нажатии на эту кнопку активируется режим рисования нот, в нём вы можете добавлять/перемещать и изменять длительность одиночных нот. Это основной режим и используется большую часть времени. Для включения этого режима можно использовать комбинацию клавиш Shift+D. - Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. При нажатии на эту кнопку активируется режим стирания. В этом режиме вы можете стирать ноты по одной. Для включения этого режима можно использовать комбинацию клавиш Shift+E. - - Interpolation controls - Управление интерполяцией - - - Discrete progression Дискретная прогрессия - Linear progression Линейная прогрессия - Cubic Hermite progression Кубическая Эрмитова прогрессия - Tension value for spline Величина напряжения для сплайна - A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. Более высокое напряжение может сделать кривую более мягкой, но перегрузит некоторые величины. Низкое напряжение сделает наклон кривой ниже в каждой контрольной точке. - Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Выбор дискретной прогрессии для этого шаблона автоматизации. Кол-во подсоединенных объектов будет оставаться постоянным между управляющими точками и будет установлено на новое значение сразу по достижении каждой управляющей точки. - Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Выбор линейной прогрессии для этого шаблона автоматизации. Кол-во подсоединенных объектов будет меняться с постоянной скоростью во времени между управляющими точками для достижения точного значения в каждой управляющей точки без внезапных изменений. - Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Кубическая Эрмитова прогрессия для этого шаблона автоматизации. Кол-во подсоединенных объектов изменится по сглаженной кривой и смягчится на пиках и спадах. - - Tension: - - - - Cut selected values (%1+X) Вырезать выбранные ноты (%1+X) - Copy selected values (%1+C) Копировать выбранные ноты в буфер (%1+C) - Paste values from clipboard (%1+V) Вставить запомненные значения (%1+V) - Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут вырезаны в буфер. Позже вы можете вставить их в любое место любой мелодии с помощью кнопки "Вставить". - Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут скопированы в буфер. Позже вы можете вставить их в любое место любой мелодии с помощью кнопки "Вставить". - Click here and the values from the clipboard will be pasted at the first visible measure. При нажатии на эту кнопку ноты из буфера будут вставлены в первый видимый такт. - + Tension: + Напряжение: + + + Automation Editor - no pattern + Редактор автоматизаци — нет шаблона + + + Automation Editor - %1 + Редактор автоматизации — %1 + + + Edit actions + Правка: + + + Interpolation controls + Управление интерполяцией + + Timeline controls Управление временем - Zoom controls Приблизить управление - Quantization controls - - - - - Automation Editor - no pattern - Редактор автоматизаци — нет шаблона - - - - Automation Editor - %1 - Редактор автоматизации — %1 + Управление квантованием - Model is already connected to this pattern. Модель уже подключена к этому шаблону. @@ -611,7 +510,6 @@ Oe Ai <oeai/at/symbiants/dot/com> AutomationPattern - Drag a control while pressing <%1> Тяните контроль удерживая <%1> @@ -619,57 +517,46 @@ Oe Ai <oeai/at/symbiants/dot/com> AutomationPatternView - double-click to open this pattern in automation editor Дважды щёлкните мышью чтобы настроить автоматизацию этого шаблона - Open in Automation editor Открыть в редакторе автоматизации - Clear Очистить - Reset name Сбросить название - Change name Переименовать - + %1 Connections + Соединения %1 + + + Disconnect "%1" + Отсоединить «%1» + + Set/clear record Установить/очистить запись - Flip Vertically (Visible) Перевернуть вертикально (Видимое) - Flip Horizontally (Visible) Перевернуть горизонтально (Видимое) - - %1 Connections - Соединения %1 - - - - Disconnect "%1" - Отсоединить «%1» - - - Model is already connected to this pattern. Модель уже подключена к этому шаблону. @@ -677,7 +564,6 @@ Oe Ai <oeai/at/symbiants/dot/com> AutomationTrack - Automation track Дорожка автоматизации @@ -685,90 +571,77 @@ Oe Ai <oeai/at/symbiants/dot/com> BBEditor - Beat+Bassline Editor Ритм+Бас Редактор - Play/pause current beat/bassline (Space) Игра/пауза текущей линии ритма/баса (<Space>) - Stop playback of current beat/bassline (Space) Остановить воспроизведение текущей линии ритм-баса (ПРОБЕЛ) - Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Нажмите чтобы проиграть текущую линию ритм-баса. Она будет закольцована по достижении окончания. - Click here to stop playing of current beat/bassline. Остановить воспроизведение (Пробел). - - Beat selector - Выбор бита - - - - Track and step actions - - - - Add beat/bassline Добавить ритм/бас - Add automation-track Добавить дорожку автоматизации - Remove steps Убрать такты - Add steps Добавить такты - + Beat selector + Выбор бита + + + Track and step actions + + + Clone Steps Клонировать такты + + Add sample-track + Добавить дорожку записи + BBTCOView - Open in Beat+Bassline-Editor Открыть в редакторе ритм + баса - Reset name Сбросить название - Change name Переименовать - Change color Изменить цвет - Reset color to default Установить цвет по умолчанию @@ -776,12 +649,10 @@ Oe Ai <oeai/at/symbiants/dot/com> BBTrack - Beat/Bassline %1 Ритм-Бас Линия %1 - Clone of %1 Копия %1 @@ -789,32 +660,26 @@ Oe Ai <oeai/at/symbiants/dot/com> BassBoosterControlDialog - FREQ ЧАСТ - Frequency: Частота: - GAIN МОЩ - Gain: Мощность: - RATIO ОТН - Ratio: Отношение: @@ -822,17 +687,14 @@ Oe Ai <oeai/at/symbiants/dot/com> BassBoosterControls - Frequency Частота - Gain Мощность - Ratio Отношение @@ -840,104 +702,82 @@ Oe Ai <oeai/at/symbiants/dot/com> BitcrushControlDialog - IN - + ВХОД - OUT - + ВЫХОД - - GAIN МОЩ - Input Gain: Входная мощность: - NOIS - + ШУМ - Input Noise: - + Входной шум: - Output Gain: Выходная мощность: - CLIP - Output Clip: - - Rate Частота выборки - Rate Enabled - Enable samplerate-crushing - Depth - + Ёмкость - Depth Enabled - Enable bitdepth-crushing - Sample rate: Частота сэмплирования: - STD - Stereo difference: Стерео разница: - Levels Уровни - Levels: Уровни: @@ -945,12 +785,10 @@ Oe Ai <oeai/at/symbiants/dot/com> CaptionMenu - &Help &H Справка - Help (not available) Справка (не доступна) @@ -958,12 +796,10 @@ Oe Ai <oeai/at/symbiants/dot/com> CarlaInstrumentView - Show GUI Показать интерфейс - Click here to show or hide the graphical user interface (GUI) of Carla. Нажмите сюда, чтобы показать или скрыть графический интерфейс Карла. @@ -971,7 +807,6 @@ Oe Ai <oeai/at/symbiants/dot/com> Controller - Controller %1 Контроллер %1 @@ -979,73 +814,58 @@ Oe Ai <oeai/at/symbiants/dot/com> ControllerConnectionDialog - Connection Settings Параметры соединения - MIDI CONTROLLER MIDI-КОНТРОЛЛЕР - Input channel Канал ввода - CHANNEL КАНАЛ - Input controller Контроллер ввода - CONTROLLER КОНТРОЛЛЕР - - Auto Detect Автоопределение - MIDI-devices to receive MIDI-events from Устройства MiDi для приёма событий - USER CONTROLLER ПОЛЬЗ. КОНТРОЛЛЕР - MAPPING FUNCTION ПЕРЕОПРЕДЕЛЕНИЕ - OK ОК - Cancel Отменить - LMMS ЛММС - Cycle Detected. Обнаружен цикл. @@ -1053,22 +873,18 @@ Oe Ai <oeai/at/symbiants/dot/com> ControllerRackView - Controller Rack Рэка контроллеров - Add Добавить - Confirm Delete Подтвердить удаление - Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. Подтверждаете удаление? Есть возможные соединения с этим контроллером, возврата не будет. @@ -1076,105 +892,93 @@ Oe Ai <oeai/at/symbiants/dot/com> ControllerView - Controls Управление - Controllers are able to automate the value of a knob, slider, and other controls. Контроллеры могут автоматизировать изменения значений регуляторов, ползунков и прочего управления. - Rename controller Переименовать контроллер - Enter the new name for this controller Введите новое название для контроллера - - &Remove this plugin - &R Убрать этот фильтр + &Remove this controller + + + + Re&name this controller + + + + LFO + LFO CrossoverEQControlDialog - Band 1/2 Crossover: - Band 2/3 Crossover: - Band 3/4 Crossover: - Band 1 Gain: - Band 2 Gain: - Band 3 Gain: - Band 4 Gain: - Band 1 Mute - Mute Band 1 - Band 2 Mute - Mute Band 2 - Band 3 Mute - Mute Band 3 - Band 4 Mute - Mute Band 4 @@ -1182,335 +986,251 @@ Oe Ai <oeai/at/symbiants/dot/com> DelayControls - Delay Samples Задержка сэмплов - Feedback Возврат - Lfo Frequency - Lfo Amount - Output gain - + Выходная мощность DelayControlsDialog - - Delay + Lfo Amt - Delay Time - - Regen - - - - Feedback Amount Объём возврата: - - Rate - Частота выборки + Lfo + - - - Lfo + Out Gain - - Lfo Amt + Gain + Усиление + + + DELAY - - Out Gain + FDBK - - Gain + RATE + + AMNT + ГЛУБ + DualFilterControlDialog - - + Filter 1 enabled + Фильтр 1 включен + + + Filter 2 enabled + Фильтр 2 включен + + + Click to enable/disable Filter 1 + Кликнуть для включения/выключения Фильтра 1 + + + Click to enable/disable Filter 2 + Кликнуть для включения/выключения Фильтра 2 + + FREQ - + FREQ - - Cutoff frequency Срез частот - - RESO - + RESO - - Resonance Резонанс - - GAIN - + МОЩ - - Gain - + Усиление - MIX - Mix + + + DualFilterControls - Filter 1 enabled Фильтр 1 включен - - Filter 2 enabled - Фильтр 2 включен - - - - Click to enable/disable Filter 1 - Кликнуть для включения/выключения Фильтра 1 - - - - Click to enable/disable Filter 2 - Кликнуть для включения/выключения Фильтра 2 - - - - DualFilterControls - - - Filter 1 enabled - Фильтр 1 включен - - - Filter 1 type - Cutoff 1 frequency - Q/Resonance 1 - Gain 1 - Mix - Filter 2 enabled Фильтр 2 включен - Filter 2 type - Cutoff 2 frequency - Q/Resonance 2 - Gain 2 - - LowPass Низ.ЧФ - - HiPass Выс.ЧФ - - BandPass csg Сред.ЧФ csg - - BandPass czpg Сред.ЧФ czpg - - Notch Полосно-заграждающий - - Allpass Все проходят - - Moog Муг - - 2x LowPass 2х Низ.ЧФ - - RC LowPass 12dB RC Низ.ЧФ 12дБ - - RC BandPass 12dB RC Сред.ЧФ 12 дБ - - RC HighPass 12dB RC Выс.ЧФ 12дБ - - RC LowPass 24dB RC Низ.ЧФ 24дБ - - RC BandPass 24dB RC Сред.ЧФ 24дБ - - RC HighPass 24dB RC Выс.ЧФ 24дБ - - Vocal Formant Filter Фильтр Вокальной форманты - - 2x Moog - - SV LowPass - - SV BandPass - - SV HighPass - - SV Notch - - Fast Formant - - Tripole @@ -1518,50 +1238,41 @@ Oe Ai <oeai/at/symbiants/dot/com> Editor - - Transport controls - Управление транспортом - - - Play (Space) Игра (Пробел) - Stop (Space) Стоп (Пробел) - Record Запись - Record while playing Запись при игре + + Transport controls + Управление транспортом + Effect - Effect enabled Эффект включён - Wet/Dry mix Насыщенность - Gate Шлюз - Decay Затихание @@ -1569,7 +1280,6 @@ Oe Ai <oeai/at/symbiants/dot/com> EffectChain - Effects enabled Эффекты включёны @@ -1577,12 +1287,10 @@ Oe Ai <oeai/at/symbiants/dot/com> EffectRackView - EFFECTS CHAIN ЦЕПЬ ЭФФЕКТОВ - Add effect Добавить эффект @@ -1590,90 +1298,77 @@ Oe Ai <oeai/at/symbiants/dot/com> EffectSelectDialog - Add effect Добавить эффект - Name Имя - + Type + Тип + + Description Описание - Author - + Автор EffectView - Toggles the effect on or off. Вкл/выкл эффект. - On/Off Вкл/Выкл - W/D НАСЫЩ - Wet Level: Уровень насыщенности: - The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. Регулятор насыщенности определяет долю обработанного сигнала, которая будет на выходе. - DECAY ЗАТИХ - Time: Время: - The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. Decay (затихание) управляет количеством буферов тишины, которые должны пройти до конца работы плагина. Меньшие величины снижают перегрузку процессора, но вознкает риск появления потрескивания или подрезания в хвосте на передержке (delay) или эхо (reverb) эффектах. - GATE ШЛЮЗ - Gate: Шлюз: - The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. GATE (Шлюз) определяет уровень сигнала, который будет считаться "тишиной" при определении остановки обрабатывания сигналов. - Controls Управление - Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. @@ -1703,17 +1398,14 @@ Right clicking will bring up a context menu where you can change the order in wh Контекстное меню, вызываемое щелчком правой кнопкой мыши, позволяет менять порядок следования фильтров или удалять их вместе с другими. - Move &up &u Переместить выше - Move &down &d Переместить ниже - &Remove this plugin &R Убрать фильтр @@ -1721,72 +1413,58 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoParameters - Predelay Задержка - Attack Вступление - Hold Удерживание - Decay Затихание - Sustain Выдержка - Release Убывание - Modulation Модуляция - LFO Predelay Задержка LFO - LFO Attack Вступление LFO - LFO speed Скорость LFO - LFO Modulation Модуляция LFO - LFO Wave Shape Форма сигнала LFO - Freq x 100 ЧАСТ x 100 - Modulate Env-Amount Модулировать огибающую @@ -1794,439 +1472,349 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoView - - DEL DEL - Predelay: Задержка: - Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Эта ручка определяет задержку огибающей. Чем больше эта величина, тем дольше время до старта текущей огибающей. - - ATT ATT - Attack: Вступление: - Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Эта ручка устанавливает время возрастания для текущей огибающей. Чем больше значение, тем дольше характеристика (н-р, громкость) возрастает до максимума. Для инструменов вроде пианино характерны малые времена нарастания, а для струнных - большие. - HOLD HOLD - Hold: Удержание: - Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Эта ручка устанавливает длительность огибающей. Чем больше значение, тем дольше огибающая держится на наивысшем уровне. - DEC DEC - Decay: Затихание: - Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Эта ручка устанавливает время спада для текущей огибающей. Чем больше значение, тем дольше огибающая должна сокращаться от вступления до уровня выдержки. Для инструментов вроде пианино следует выбирать небольшие значения. - SUST SUST - Sustain: Выдержка: - Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Эта ручка устанавливает уровень выдержки. Чем больше эта величина, тем выше уровень на котором остаётся огибающая, прежде чем опуститься до нуля. - REL REL - Release: Убывание: - Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Эта ручка устанавливает время убывания для текущей огибающей. Чем больше значение, тем дольше характеристика (н-р, громкость) уменьшается от уровня выдержки до нуля. Для струнных инструментов следует выбирать большие значения. - - AMT AMT - - Modulation amount: Глубина модуляции: - Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Эта ручка устанавливает глубину модуляции для текущей огибающей. Чем больше значение, тем в большей степени выбранная характеристика (н-р, громкость или частота среза) будет зависеть от этой огибающей. - LFO predelay: Пред. задержка LFO: - Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Эта ручка определяет задержку перед запуском LFO (LFO - НизкоЧастотный осциллятор (генератор)). Чем больше величина, тем больше времени до того как LFO начнёт работать. - LFO- attack: Вступление LFO: - Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Используйте эту ручку для установления времени вступления этого LFO. Чем больше значение, тем дольше LFO нуждается в увеличении своей амплитуды до максимума. - SPD SPD - LFO speed: Скорость LFO: - Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Эта ручка устанавлявает скорость текущего LFO. Чем больше значение, тем быстрее LFO осциллирует и быстрее производится эффект. - Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Эта ручка устанавливает глубину модуляции для текущего LFO. Чем больше значение, тем в большей степени выбранная характеристика (н-р, громкость или частота среза) будет зависеть от этого LFO. - Click here for a sine-wave. Генерировать гармонический (синусоидальный) сигнал. - Click here for a triangle-wave. Сгенерировать треугольный сигнал. - Click here for a saw-wave for current. Сгенерировать зигзагообразный сигнал. - Click here for a square-wave. Сгенерировать квдратный сигнал (меандр) . - Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. Задать свою форму сигнала. Впоследствии, перетащить соответствующий файл с записью в граф LFO. - - Click here for random wave. - Нажмите сюда для случайной волны. - - - FREQ x 100 ЧАСТОТА x 100 - Click here if the frequency of this LFO should be multiplied by 100. Нажмите, чтобы умножить частоту этого LFO на 100. - multiply LFO-frequency by 100 Умножить частоту LFO на 100 - MODULATE ENV-AMOUNT МОДУЛИР ОГИБАЮЩУЮ - Click here to make the envelope-amount controlled by this LFO. Нажмите сюда, чтобы глубина модуляции огибающей задавалась этим LFO. - control envelope-amount by this LFO Разрешить этому LFO задавать значение огибающей - ms/LFO: мс/LFO: - Hint Подсказка - Drag a sample from somewhere and drop it in this window. Перетащите в это окно какую-нибудь запись. + + Click here for random wave. + Нажмите сюда для случайной волны. + EqControls - Input gain Входная мощность - Output gain Выходная мощность - Low shelf gain - Peak 1 gain - Peak 2 gain - Peak 3 gain - Peak 4 gain - High Shelf gain - HP res - Low Shelf res - Peak 1 BW - Peak 2 BW - Peak 3 BW - Peak 4 BW - High Shelf res - LP res - HP freq - Low Shelf freq - Peak 1 freq - Peak 2 freq - Peak 3 freq - Peak 4 freq - High shelf freq - LP freq - HP active - Low shelf active - Peak 1 active - Peak 2 active - Peak 3 active - Peak 4 active - High shelf active - LP active - LP 12 - LP 24 - LP 48 - HP 12 - HP 24 - HP 48 - low pass type - high pass type - Analyse IN - Analyse OUT @@ -2234,124 +1822,85 @@ Right clicking will bring up a context menu where you can change the order in wh EqControlsDialog - HP - Low Shelf - Peak 1 - Peak 2 - Peak 3 - Peak 4 - High Shelf - LP - In Gain - - - Gain Мощность - Out Gain - Bandwidth: - - Octave - - - - Resonance : Резонанс: - Frequency: Частота: - lp grp - hp grp - - Frequency - Частота - - - - - Resonance - Резонанс - - - - Bandwidth - Полоса пропускания: + Octave + EqHandle - Reso: - BW: - - Freq: @@ -2359,218 +1908,174 @@ Right clicking will bring up a context menu where you can change the order in wh ExportProjectDialog - Export project Экспорт проекта - Output Вывод - File format: Формат файла: - Samplerate: Частота дискретизации: - 44100 Hz 44.1 КГц - 48000 Hz 48 КГц - 88200 Hz 88.2 КГц - 96000 Hz 96 КГц - 192000 Hz 192 КГц - Bitrate: Частота бит: - 64 KBit/s 64 КБит/с - 128 KBit/s 128 КБит/с - 160 KBit/s 160 КБит/с - 192 KBit/s 192 КБит/с - 256 KBit/s 256 КБит/с - 320 KBit/s 320 КБит/с - Depth: Емкость: - 16 Bit Integer 16 Бит целое - 32 Bit Float 32 Бит плавающая - Please note that not all of the parameters above apply for all file formats. Заметьте, что не все параметры ниже будут применены для всех форматов файлов. - Quality settings Настройки качества - Interpolation: Интерполяция: - Zero Order Hold Нулевая задержка - Sinc Fastest Синхр. Быстрая - Sinc Medium (recommended) Синхр. Средняя (рекомендовано) - Sinc Best (very slow!) Синхр. лучшая (очень медленно!) - Oversampling (use with care!): Передискретизация (использовать осторожно!): - 1x (None) 1х (Нет) - 2x 2х - 4x 4х - 8x 8х - - Export as loop (remove end silence) - Экспортировать как петлю (убрать тишину в конце) - - - - Export between loop markers - Экспорт между метками петли - - - Start Начать - Cancel Отменить - - Could not open file - Не могу открыть файл + Export as loop (remove end silence) + Экспортировать как петлю (убрать тишину в конце) - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Не могу открыть файл %1 для записи. -Проверьте, обладаете ли вы правами на запись в выбранный файл и содержащий его каталог и попробуйте снова! + Export between loop markers + Экспорт между метками петли + + + Could not open file + Не могу открыть файл - Export project to %1 Экспорт проекта в %1 - Error Ошибка - Error while determining file-encoder device. Please try to choose a different output format. Ошибка при определении кодека файла. Попробуйте выбрать другой формат вывода. - Rendering: %1% Обработка: %1% + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + Fader - - Please enter a new value between %1 and %2: Введите новое значение от %1 до %2: @@ -2578,7 +2083,6 @@ Please make sure you have write-permission to the file and the directory contain FileBrowser - Browser Обозреватель файлов @@ -2586,80 +2090,65 @@ Please make sure you have write-permission to the file and the directory contain FileBrowserTreeWidget - Send to active instrument-track Послать на активную инструментальную-дорожку - - Open in new instrument-track/Song Editor - Отркрыть в новой инструментальной дорожке/редакторе песни - - - Open in new instrument-track/B+B Editor Открыть в новой инструментальной дорожке/Б+Б редакторе - Loading sample Загрузка записи - Please wait, loading sample for preview... Пж. ждите, запись загружается для просмотра... - + --- Factory files --- + --- Заводские файлы --- + + + Open in new instrument-track/Song Editor + Отркрыть в новой инструментальной дорожке/редакторе песни + + Error Ошибка - does not appear to be a valid Не похоже на правильное - file - - - --- Factory files --- - --- Заводские файлы --- - FlangerControls - Delay Samples Задержка сэмплов - Lfo Frequency - Seconds Секунды - Regen - Noise Шум - Invert @@ -2667,65 +2156,57 @@ Please make sure you have write-permission to the file and the directory contain FlangerControlsDialog - - Delay + Delay Time: - - Delay Time: - + Feedback Amount: + Объём возврата: - - Lfo Hz - + White Noise Amount: + Объём белого шума: - - Lfo: + DELAY - - Amt + RATE - - Amt: + Rate: - - Regen + AMNT + ГЛУБ + + + Amount: - - Feedback Amount: - Объём возврата: + FDBK + - - Noise - Шум + NOISE + - - White Noise Amount: - Объём белого шума: + Invert + FxLine - Channel send amount Величина отправки канала - The FX channel receives input from one or more instrument tracks. It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. @@ -2740,27 +2221,22 @@ You can remove and move FX channels in the context menu, which is accessed by ri - Move &left Двигать влево &L - Move &right Двигать вправо &r - Rename &channel Переименовать канал &c - R&emove channel Удалить канал &e - Remove &unused channels Удалить неиспользуемые каналы &u @@ -2768,14 +2244,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixer - Master Главный - - - FX %1 Эффект %1 @@ -2783,51 +2255,33 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixerView - FX-Mixer Микшер Эффектов - FX Fader %1 - Mute Тихо - Mute this FX channel Заглушить этот канал ЭФ - Solo Соло - Solo FX channel Соло канал ЭФ - - - Rename FX channel - Переименовать канал Эффекта - - - - Enter the new name for this FX channel - Введите новое название для этого канала Эффекта - FxRoute - - Amount to send from channel %1 to channel %2 Величина отправки с канала %1 на канал %2 @@ -2835,17 +2289,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrument - Bank Банк - Patch Патч - Gain Мощность @@ -2853,58 +2304,46 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrumentView - Open other GIG file Открыть другой GIG файл - Click here to open another GIG file Кликните сюда, чтобы открыть другой GIG файл - Choose the patch Выбрать патч - Click here to change which patch of the GIG file to use Нажмите здесь для смены используемого патча GIG файла - - Change which instrument of the GIG file is being played Изменить инструмент, который воспроизводит GIG файл - Which GIG file is currently being used Какой GIG файл сейчас используется - Which patch of the GIG file is currently being used Какой патч GIG файла сейчас используется - Gain Мощность - Factor to multiply samples by Фактор умножения сэмплов - Open GIG file Открыть GIG файл - GIG Files (*.gig) GIG Файлы (*.gig) @@ -2912,52 +2351,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri GuiApplication - Working directory Рабочий каталог - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Рабочий каталог LMMS (%1) не существует. Создать его? Позже вы сможете сменить его через Правка -> Параметры. - Preparing UI Подготовка UI - Preparing song editor Подготовка редактора песни - Preparing mixer Подготовка микшера - Preparing controller rack Подготовка стойки управления - Preparing project notes Подготовка заметок проекта - Preparing beat/bassline editor Подготовка Ритм+Бас редактора - Preparing piano roll Подготовка редактора нот - Preparing automation editor Подготовка редактора автоматизации @@ -2965,737 +2394,650 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentFunctionArpeggio - Arpeggio Арпеджио - Arpeggio type Тип арпеджио - Arpeggio range Диапазон арпеджио - Arpeggio time Период арпеджио - Arpeggio gate Шлюз арпеджио - Arpeggio direction Направление арпеджио - Arpeggio mode Режим арпеджио - Up Вверх - Down Вниз - Up and down Вверх и вниз - Random Случайно - - Down and up - Вниз и вверх - - - Free Свободно - Sort Упорядочить - Sync Синхронизировать + + Down and up + Вниз и вверх + + + Skip rate + + + + Miss rate + + + + Cycle steps + + InstrumentFunctionArpeggioView - ARPEGGIO ARPEGGIO - An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Арпеджио — разновидность исполнения аккордов на фортепиано и струнных инструментах, которая оживляет звучание. Струнф таких инструментов играются перебором по аккордам, как на арфе, когда звуки аккорда следуют один за другим. Типичные арпеджио - мажорные и минорные триады, среди которых можно выбрать и другие. - RANGE RANGE - Arpeggio range: Диапазон арпеджио: - octave(s) Октав[а/ы] - Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Используйте эту ручку, чтобы установить диапазон арпеджио (в октавах). Выбранный тип арпеджио будет охватывать указанное количество октав. - TIME TIME - Arpeggio time: Период арпеджио: - ms мс - Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Регулировка периода арпеджио - время (в миллисекундах), которое должен звучать каждый тон арпеджио. - GATE GATE - Arpeggio gate: Шлюз арпеджио: - % % - Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Регулировка шлюза арпеджио, показывает процентную долю каждого тона арпеджио, которая будет воспроизведена. Простой способ создавать стаккато-арпеджио. - Chord: Аккорд: - Direction: Направление: - Mode: Режим: + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + InstrumentFunctionNoteStacking - octave Октава - - Major Мажорный - Majb5 - minor минорный - minb5 - sus2 - sus4 - aug - augsus4 - tri - 6 - 6sus4 - 6add9 - m6 - m6add9 - 7 - 7sus4 - 7#5 - 7b5 - 7#9 - 7b9 - 7#5#9 - 7#5b9 - 7b5b9 - 7add11 - 7add13 - 7#11 - Maj7 - Maj7b5 - Maj7#5 - Maj7#11 - Maj7add13 - m7 - m7b5 - m7b9 - m7add11 - m7add13 - m-Maj7 - m-Maj7add11 - m-Maj7add13 - 9 - 9sus4 - add9 - 9#5 - 9b5 - 9#11 - 9b13 - Maj9 - Maj9sus4 - Maj9#5 - Maj9#11 - m9 - madd9 - m9b5 - m9-Maj7 - 11 - 11b9 - Maj11 - m11 - m-Maj11 - 13 - 13#9 - 13b9 - 13b5b9 - Maj13 - m13 - m-Maj13 - Harmonic minor - Melodic minor - Whole tone - Diminished - Major pentatonic - Minor pentatonic - Jap in sen - Major bebop - Dominant bebop - Blues - Arabic - Enigmatic - Neopolitan - Neopolitan minor - Hungarian minor - Dorian - Phrygolydian - Lydian - Mixolydian - Aeolian - Locrian - + Chords + Аккорды + + + Chord type + Тип аккорда + + + Chord range + Диапазон аккорда + + Minor - Chromatic - Half-Whole Diminished - 5 - - Chords - Аккорды - - - - Chord type - Тип аккорда + Phrygian dominant + - - Chord range - Диапазон аккорда + Persian + InstrumentFunctionNoteStackingView - - STACKING - СТЫКОВКА - - - - Chord: - Аккорд: - - - RANGE ДИАП - Chord range: Диапазон аккорда: - octave(s) Октав[а/ы] - Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Эта ручка изменяет диапазон аккорда, который будет содержать указанное число октав. + + STACKING + СТЫКОВКА + + + Chord: + Аккорд: + InstrumentMidiIOView - ENABLE MIDI INPUT ВКЛ MIDI ВВОД - - CHANNEL CHANNEL - - VELOCITY VELOCITY - ENABLE MIDI OUTPUT ВКЛ MIDI ВЫВОД - PROGRAM PROGRAM - - NOTE - NOTE - - - MIDI devices to receive MIDI events from MiDi устройства-источники событий - MIDI devices to send MIDI events to MiDi устройства для отправки событий на них - + NOTE + NOTE + + CUSTOM BASE VELOCITY ПРОИЗВОЛЬНАЯ БАЗОВАЯ СКОРОСТЬ - Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - Опрделяет базовую скорость нормальизации для MiDi инструментов при громкости ноты 100% + Определяет базовую скорость нормализации для MiDi инструментов при громкости ноты 100% - BASE VELOCITY БАЗОВАЯ СКОРОСТЬ @@ -3703,12 +3045,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentMiscView - MASTER PITCH - Enables the use of Master Pitch Включает использование основной тональности @@ -3716,158 +3056,126 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentSoundShaping - VOLUME VOLUME - Volume Громкость - CUTOFF CUTOFF - - Cutoff frequency Срез частоты - RESO RESO - Resonance Резонанс - Envelopes/LFOs Огибание/LFO - Filter type Тип фильтра - Q/Resonance - LowPass Низ.ЧФ - HiPass Выс.ЧФ - BandPass csg Сред.ЧФ csg - BandPass czpg Сред.ЧФ czpg - Notch Полосно-заграждающий - Allpass Все проходят - Moog Муг - 2x LowPass 2х Низ.ЧФ - RC LowPass 12dB RC Низ.ЧФ 12дБ - RC BandPass 12dB RC Сред.ЧФ 12 дБ - RC HighPass 12dB RC Выс.ЧФ 12дБ - RC LowPass 24dB RC Низ.ЧФ 24дБ - RC BandPass 24dB RC Сред.ЧФ 24дБ - RC HighPass 24dB RC Выс.ЧФ 24дБ - Vocal Formant Filter Фильтр Вокальной форманты - 2x Moog - SV LowPass - SV BandPass - SV HighPass - SV Notch - Fast Formant - Tripole @@ -3875,63 +3183,51 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentSoundShapingView - TARGET ЦЕЛЬ - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Эта вкладка позволяет вам настроить огибающие. Они очень важны для настройки звучания. Например, с помощью огибающей громкости вы можете задать зависимость громкости звучания от времени. Если вам понадобится эмулировать мягкие струнные, просто задайте больше времени нарастания и исчезновения звука. С помощью обгибающих и низкочастотного осцилятора (LFO) вы в несколько щелчков мыши сможете создать просто невероятные звуки! - FILTER ФИЛЬТР - Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Здесь вы можете выбрать фильтр для дорожки этого инструмента. Фильтры могут довольно сильно менять звучание. - - FREQ - ЧАСТ - - - - cutoff frequency: - Срез частот: - - - Hz Гц - Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... Эта ручка устанавливает частоту среза для выбранного фильтра. К примеру, ФНЧ будет срезать сигнал на частотах выше частоты среза, полосно-пропускающий фильтр будет хорошо пропускать сигнал только на заданной частоте и так далее... - RESO RESO - Resonance: Резонанс: - Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. Эта ручка задаёт количество резонанса для фильтра, этим определяется насколько нужно усилить ближайшие к отрезанным частоты. - + FREQ + ЧАСТ + + + cutoff frequency: + Срез частот: + + Envelopes, LFOs and filters are not supported by the current instrument. Огибающие, LFO и фильтры не поддерживаются этим инструментом. @@ -3939,264 +3235,211 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrack - - - Default preset - Основная предустановка - - - - With this knob you can set the volume of the opened channel. - Регулировка громкости текущего канала. - - - - unnamed_track безымянная_дорожка - - Base note - Опорная нота - - - Volume Громкость - Panning Стерео - Pitch Тональность - - Pitch range - Диапазон тональности - - - FX channel Канал ЭФ - - Master Pitch - + Default preset + Основная предустановка - - - InstrumentTrackView - - Volume + With this knob you can set the volume of the opened channel. + Регулировка громкости текущего канала. + + + Base note + Опорная нота + + + Pitch range + Диапазон тональности + + + Master Pitch + + + + + InstrumentTrackView + + Volume Громкость - Volume: Громкость: - VOL ГРОМ - Panning Баланс - Panning: Баланс: - PAN БАЛ - MIDI MIDI - Input Вход - Output Выход - FX %1: %2 - + ЭФ %1: %2 InstrumentTrackWindow - GENERAL SETTINGS ОСНОВНЫЕ НАСТРОЙКИ - - Use these controls to view and edit the next/previous track in the song editor. - Используйте эти регуляторы, чтобы видеть и редактировать дорожку в редакторе песни. - - - Instrument volume Громкость инструмента - Volume: Громкость: - VOL ГРОМ - Panning Баланс - Panning: Стереобаланс: - PAN БАЛ - Pitch Тональность - Pitch: Тональность: - cents процентов - PITCH ТОН - - Pitch range (semitones) - Диапазон тональности (полутона) + FX channel + Канал ЭФ - - RANGE - ДИАП + ENV/LFO + ОГИБ/LFO - - FX channel - Канал ЭФ + FUNC + ФУНКЦ - - FX ЭФ - - Save current instrument track settings in a preset file - Сохранить текущую инструментаьную дорожку в файл предустановок + MIDI + MIDI - - Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - Нажать здесь, чтобы сохранить настройки текущей инстр. дорожки в файл предустановок. Позже можно загрузить эту предустановку двойным кликом в браузере предустановок. + Save preset + Сохранить предустановку - - SAVE - + XML preset file (*.xpf) + XML файл настроек (*.xpf) - - ENV/LFO - ОГИБ/LFO + PLUGIN + ПЛАГИН - - FUNC - ФУНКЦ + Pitch range (semitones) + Диапазон тональности (полутона) - - MIDI - MIDI + RANGE + ДИАП - - MISC - РАЗН + Save current instrument track settings in a preset file + Сохранить текущую инструментаьную дорожку в файл предустановок - - Save preset - Сохранить предустановку + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. + Нажать здесь, чтобы сохранить настройки текущей инстр. дорожки в файл предустановок. Позже можно загрузить эту предустановку двойным кликом в браузере предустановок. - - XML preset file (*.xpf) - XML файл настроек (*.xpf) + MISC + РАЗН - - PLUGIN - ПЛАГИН + Use these controls to view and edit the next/previous track in the song editor. + Используйте эти регуляторы, чтобы видеть и редактировать дорожку в редакторе песни. + + + SAVE + Knob - Set linear Установить линейно - Set logarithmic Установить логарифмически - - Please enter a new value between -96.0 dBV and 6.0 dBV: - Введите новое значение от –96,0 дБВ до 6,0 дБВ: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + - Please enter a new value between %1 and %2: Введите новое значение от %1 до %2: @@ -4204,7 +3447,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControl - Link channels Связать каналы @@ -4212,12 +3454,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlDialog - Link Channels Связать каналы - Channel Канал @@ -4225,17 +3465,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlView - Link channels Связать каналы - Value: Значение: - Sorry, no help available. Извините, справки нет. @@ -4243,7 +3480,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaEffect - Unknown LADSPA plugin %1 requested. Запрошен неизвестный модуль LADSPA «%1». @@ -4251,7 +3487,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LcdSpinBox - Please enter a new value between %1 and %2: Введите новое значение от %1 до %2: @@ -4259,26 +3494,18 @@ You can remove and move FX channels in the context menu, which is accessed by ri LeftRightNav - - - Previous Предыдущий - - - Next Следующий - Previous (%1) Предыдущий (%1) - Next (%1) Следующий (%1) @@ -4286,37 +3513,30 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoController - LFO Controller Контроллер LFO - Base value Основное значение - Oscillator speed Скорость волны - Oscillator amount Размер волны - Oscillator phase Фаза волны - Oscillator waveform Форма волны - Frequency Multiplier Множитель частоты @@ -4324,142 +3544,115 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoControllerDialog - LFO LFO - LFO Controller Контроллер LFO - BASE БАЗА - Base amount: Кол-во базы: - todo доделать - SPD СКОР - LFO-speed: Скорость LFO: - Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Эта ручка устанавлявает скорость LFO. Чем больше значение, тем больше частота осциллятора. - - AMT - КОЛ - - - Modulation amount: Количество модуляции: - Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. Эта ручка устанавливает глубину модуляции для LFO. Чем больше значение, тем в большей степени выбранная характеристика (н-р, громкость или частота среза) будет зависеть от ГНЧ(LFO). - PHS ФАЗА - Phase offset: Сдвиг фазы: - degrees градусы - With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Эта ручка устанавливает начальную фазу НизкоЧастотного Осциллятора (LFO), т. е. точку, с которой осциллятор начинает вырабатывать сигнал. Например, если вы задали синусоидальную форму сигнала и начальную фазу 180º, волна сначала пойдёт вниз, а не вверх, так же как и для квадратной волны. - Click here for a sine-wave. Синусоида. - Click here for a triangle-wave. Треугольник. - Click here for a saw-wave. Зигзаг. - Click here for a square-wave. Квадрат. - - Click here for a moog saw-wave. - Нажать здесь для зигзагообразной муг волны. - - - Click here for an exponential wave. Экспонента. - Click here for white-noise. Белый шум. - Click here for a user-defined shape. Double click to pick a file. Нажмите здесь для определения своей формы. Двойное нажатие для выбора файла. + + Click here for a moog saw-wave. + Нажать здесь для зигзагообразной муг волны. + + + AMNT + ГЛУБ + LmmsCore - Generating wavetables Генерация волн - Initializing data structures Инициализация структуры данных - Opening audio and midi devices Открываем аудио и миди устройства - Launching mixer threads Запускаем потоки микшера @@ -4467,526 +3660,408 @@ Double click to pick a file. MainWindow - - Configuration file - Файл настроек - - - - Error while parsing configuration file at line %1:%2: %3 - Ошибка во время обработки файла настроек в строке %1:%2: %3 - - - Could not save config-file Не могу сохранить настройки - Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Не могу записать настройки в файл %1. Возможно, вы не обладаете правами на запись в него. Пожалуйста, проверьте свои права и попробуйте снова. - - Project recovery - Восстановление проекта + &New + &N Новый - - There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? - Остался файл для восстановления. Похоже последняя сессия не была нормально завершена или запущен ещё один процесс LMMS. -Хотите восстановить проект из этой сессии? + &Open... + &Открыть... - - - Recover - Восстановить + &Save + &S Сохранить - - Recover the file. Please don't run multiple instances of LMMS when you do this. - Восстановить файл. Пожалуйства, не запускайте несколько процессов ЛММС во время этого. + Save &As... + &A Сохранить как... - - - Ignore - Игнорировать + Import... + Импорт... - - Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. - Запуск ЛММС как обычно, но с отключенным автоматическим восстановлением, чтобы предотвратить перезапись текущего файла восстановления. + E&xport... + &X Экспорт... - - Discard - Отказать + &Quit + &Q Выйти - - Launch a default session and delete the restored files. This is not reversible. - Запустить обычную сессию и удалить восстановленные файлы. Это безвозвратно. + &Edit + &E Правка - - Quit - Покинуть + Settings + Параметры - - Shut down LMMS with no further action. - Выключить ЛММС без последствий. + &Tools + &T Сервис - - Exit - Выход + &Help + &H Справка - - Version %1 - Версия %1 + Help + Справка - - Preparing plugin browser - Подготовка обзора плагинов + What's this? + Что это? - - Preparing file browsers - Подготовка обзора файлов + About + О программе - - My Projects - Мои проекты + Create new project + Создать новый проект - - My Samples - Мои сэмплы + Create new project from template + Создать новый проект по шаблону - - My Presets - Мои предустановки + Open existing project + Открыть существующий проект - - My Home - Моя домашняя папка + Recently opened projects + Недавние проекты - - Root directory - Корневая директория + Save current project + Сохранить текущий проект - - Volumes - + Export current project + Экспорт проекта - - My Computer - Мой компьютер + Song Editor + Показать/скрыть музыкальный редактор - - Loading background artwork - Загружаем фоновый рисунок + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. + Сим запускается или скрывается музыкальный редактор. С его помощью вы можете редактировать композицию и задавать время воспроизведения каждой дорожки. +Также вы можете вставлять и передвигать записи прямо в списке воспроизведения. - - &File - &F Файл + Beat+Bassline Editor + Показать/скрыть ритм-бас редактор - - &New - &N Новый + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + Сим запускается ритм-бас редактор. Он необходим для установки ритма, открытия, добавления и удаления каналов, а также вырезания, копирования и вставки ритм-бас шаблонов, мелодий и т. п. - - New from template - + Piano Roll + Показать/скрыть нотный редактор - - &Open... - &Открыть... + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + Запуск редатора нот. С его помощью вы можете легко редактировать мелодии. - - &Recently Opened Projects - &R Недавние проекты + Automation Editor + Показать/скрыть редактор автоматизации - - &Save - &S Сохранить + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + Показать/скрыть окно редактора автоматизации. С его помощью вы можете легко редактироватьдинамику выбранных величин. - - Save &As... - &A Сохранить как... + FX Mixer + Показать/скрыть микшер ЭФ - - Save as New &Version - &V Сохранить как новую версию + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + Скрыть/показать микшер ЭФфектов. Он является мощным инструментом для управления эффектами. Вы можете вставлять эффекты в различные каналы. - - Save as default template - Сохранить как обычный шаблон + Project Notes + Показать/скрыть заметки к проекту - - Import... - Импорт... + Click here to show or hide the project notes window. In this window you can put down your project notes. + Эта кнопка показывает/прячет окно с заметками. В этом окне вы можете помещать любые комментарии к своей композиции. - - E&xport... - &X Экспорт... + Controller Rack + Показать/скрыть управление контроллерами - - E&xport Tracks... - &x Экспорт дорожек... + Untitled + Неназванный - - Export &MIDI... - Экспорт &MIDI... + LMMS %1 + LMMS %1 - - &Quit - &Q Выйти + Project not saved + Проект не сохранён - - &Edit - &E Правка + The current project was modified since last saving. Do you want to save it now? + Проект был изменён. Сохранить его сейчас? + + + Help not available + Справка недоступна + + + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. + Пока что справка для LMMS не написана. +Вероятно, Вы сможете найти нужные материалы на http://lmms.sf.net/wiki . + + + LMMS (*.mmp *.mmpz) + LMMS (*.mmp *.mmpz) + + + Version %1 + Версия %1 + + + Configuration file + Файл настроек + + + Error while parsing configuration file at line %1:%2: %3 + Ошибка во время обработки файла настроек в строке %1:%2: %3 + + + Volumes + - Undo Откатить действие - Redo Возврат действия - - Settings - Параметры + My Projects + Мои проекты - - &View - + My Samples + Мои сэмплы - - &Tools - &T Сервис + My Presets + Мои предустановки - - &Help - &H Справка + My Home + Моя домашняя папка - - Online Help - Помощь онлайн + My Computer + Мой компьютер - - Help - Справка + &File + &F Файл + + + &Recently Opened Projects + &R Недавние проекты + + + Save as New &Version + &V Сохранить как новую версию + + + E&xport Tracks... + &x Экспорт дорожек... + + + Online Help + Помощь онлайн - What's This? Что это? - - About - О программе + Open Project + Открыть проект - - Create new project - Создать новый проект + Save Project + Сохранить проект - - Create new project from template - Создать новый проект по шаблону + Project recovery + Восстановление проекта - - Open existing project - Открыть существующий проект + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + Остался файл для восстановления. Похоже последняя сессия не была нормально завершена или запущен ещё один процесс LMMS. +Хотите восстановить проект из этой сессии? - - Recently opened projects - Недавние проекты + Recover + Восстановить + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + Восстановить файл. Пожалуйства, не запускайте несколько процессов ЛММС во время этого. + + + Ignore + Игнорировать + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + Запуск ЛММС как обычно, но с отключенным автоматическим восстановлением, чтобы предотвратить перезапись текущего файла восстановления. + + + Discard + Отказать + + + Launch a default session and delete the restored files. This is not reversible. + Запустить обычную сессию и удалить восстановленные файлы. Это безвозвратно. + + + Preparing plugin browser + Подготовка обзора плагинов + + + Preparing file browsers + Подготовка обзора файлов + + + Root directory + Корневая директория + + + Loading background artwork + Загружаем фоновый рисунок - - Save current project - Сохранить текущий проект + New from template + - - Export current project - Экспорт проекта + Save as default template + Сохранить как обычный шаблон - - What's this? - Что это? + &View + - Toggle metronome Включить метроном - Show/hide Song-Editor Показать/скрыть музыкальный редактор - - By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - Сим запускается или скрывается музыкальный редактор. С его помощью вы можете редактировать композицию и задавать время воспроизведения каждой дорожки. -Также вы можете вставлять и передвигать записи прямо в списке воспроизведения. - - - Show/hide Beat+Bassline Editor Показать/скрыть Ритм+Бас редактор - - By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - Сим запускается ритм-бас редактор. Он необходим для установки ритма, открытия, добавления и удаления каналов, а также вырезания, копирования и вставки ритм-бас шаблонов, мелодий и т. п. - - - Show/hide Piano-Roll Показать/Скрыть Редактор Нот - - Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - Запуск редатора нот. С его помощью вы можете легко редактировать мелодии. - - - Show/hide Automation Editor Показать/скрыть редактор автоматизации - - Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - Показать/скрыть окно редактора автоматизации. С его помощью вы можете легко редактироватьдинамику выбранных величин. - - - Show/hide FX Mixer Показать/скрыть микшер ЭФ - - Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - Скрыть/показать микшер ЭФфектов. Он является мощным инструментом для управления эффектами. Вы можете вставлять эффекты в различные каналы. - - - Show/hide project notes Показать/скрыть заметки проекта - - Click here to show or hide the project notes window. In this window you can put down your project notes. - Эта кнопка показывает/прячет окно с заметками. В этом окне вы можете помещать любые комментарии к своей композиции. - - - Show/hide controller rack Показать/скрыть управление контроллерами - - Untitled - Неназванный - - - Recover session. Please save your work! Восстановление сессии. Пожалуйста, сохраните свою работу! - Automatic backup disabled. Remember to save your work! Автоматическое сохранение отключено. Не забудьте сохранять свои работы! - - LMMS %1 - LMMS %1 - - - Recovered project not saved Восстановленный проект не сохранён. - This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? Проект был восстановлен из предыдущей сессии. Сейчас он не сохранён и будет потерян, если его не сохранить. Хотите сохранить его сейчас? - - Project not saved - Проект не сохранён - - - - The current project was modified since last saving. Do you want to save it now? - Проект был изменён. Сохранить его сейчас? - - - - Open Project - Открыть проект - - - - LMMS (*.mmp *.mmpz) - LMMS (*.mmp *.mmpz) - - - - Save Project - Сохранить проект - - - LMMS Project ЛММС Проект - LMMS Project Template Шаблон ЛММС Проекта - Overwrite default template? Перезаписать обычный шаблон? - This will overwrite your current default template. Это перезапишет текущий обычный шаблон. - - Help not available - Справка недоступна - - - - Currently there's no help available in LMMS. -Please visit http://lmms.sf.net/wiki for documentation on LMMS. - Пока что справка для LMMS не написана. -Вероятно, Вы сможете найти нужные материалы на http://lmms.sf.net/wiki . - - - - Song Editor - Показать/скрыть музыкальный редактор - - - - Beat+Bassline Editor - Показать/скрыть ритм-бас редактор - - - - Piano Roll - Показать/скрыть нотный редактор - - - - Automation Editor - Показать/скрыть редактор автоматизации - - - - FX Mixer - Показать/скрыть микшер ЭФ - - - - Project Notes - Показать/скрыть заметки к проекту - - - - Controller Rack - Показать/скрыть управление контроллерами - - - - Volume as dBV + Volume as dBFS - Smooth scroll Плавная прокрутка - Enable note labels in piano roll Включить обозначение нот в музыкальном редакторе + + Save project template + + MeterDialog - - Meter Numerator Шкала чисел - - Meter Denominator Шкала делений - TIME SIG ПЕРИОД @@ -4994,12 +4069,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MeterModel - Numerator Числитель - Denominator Знаменатель @@ -5007,12 +4080,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MidiController - MIDI Controller Контроллер MIDI - unnamed_midi_controller нераспознанный миди контроллер @@ -5020,985 +4091,670 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MidiImport - - Setup incomplete установка не завершена - You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. Вы не установили SoundFont по умолчанию в параметрах (Правка->Настройки), поэтому после импорта миди файла звук воспроизводиться не будет. Вам следует загрузить основной MiDi SoundFont, указать его в параметрах и попробовать снова. - You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. Вы не включили поддержку проигрывателя SoundFont2 при компиляции ЛММС, он используется для добавления основного звука в импортируемые Миди файлы, поэтому звука не будет после импорта этого миди файла. - Track + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK-сервер не доступен + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + + + MidiPort - Input channel Вход - Output channel Выход - Input controller Контроллер входа - Output controller Контроллер выхода - Fixed input velocity Постоянная скорость ввода - Fixed output velocity Постоянная скорость вывода - - Fixed output note - Постоянный вывод нот - - - Output MIDI program Программа для вывода MiDi - - Base velocity - Базовая скорость - - - Receive MIDI-events Принимать события MIDI - Send MIDI-events Отправлять события MIDI + + Fixed output note + Постоянный вывод нот + + + Base velocity + Базовая скорость + MidiSetupWidget - DEVICE - + УСТРОЙСТВО MonstroInstrument - Osc 1 Volume - Osc 1 Panning - Osc 1 Coarse detune - Osc 1 Fine detune left - Osc 1 Fine detune right - Osc 1 Stereo phase offset - Osc 1 Pulse width - Osc 1 Sync send on rise - Osc 1 Sync send on fall - Osc 2 Volume - Osc 2 Panning - Osc 2 Coarse detune - Osc 2 Fine detune left - Osc 2 Fine detune right - Osc 2 Stereo phase offset - Osc 2 Waveform - Osc 2 Sync Hard - Osc 2 Sync Reverse - Osc 3 Volume - Osc 3 Panning - Osc 3 Coarse detune - Osc 3 Stereo phase offset - Osc 3 Sub-oscillator mix - Osc 3 Waveform 1 - Osc 3 Waveform 2 - Osc 3 Sync Hard - Osc 3 Sync Reverse - LFO 1 Waveform - LFO 1 Attack - LFO 1 Rate - LFO 1 Phase - LFO 2 Waveform - LFO 2 Attack - LFO 2 Rate - LFO 2 Phase - Env 1 Pre-delay - Env 1 Attack - Env 1 Hold - Env 1 Decay - Env 1 Sustain - Env 1 Release - Env 1 Slope - Env 2 Pre-delay - Env 2 Attack - Env 2 Hold - Env 2 Decay - Env 2 Sustain - Env 2 Release - Env 2 Slope - Osc2-3 modulation - Selected view - Vol1-Env1 - Vol1-Env2 - Vol1-LFO1 - Vol1-LFO2 - Vol2-Env1 - Vol2-Env2 - Vol2-LFO1 - Vol2-LFO2 - Vol3-Env1 - Vol3-Env2 - Vol3-LFO1 - Vol3-LFO2 - Phs1-Env1 - Phs1-Env2 - Phs1-LFO1 - Phs1-LFO2 - Phs2-Env1 - Phs2-Env2 - Phs2-LFO1 - Phs2-LFO2 - Phs3-Env1 - Phs3-Env2 - Phs3-LFO1 - Phs3-LFO2 - Pit1-Env1 - Pit1-Env2 - Pit1-LFO1 - Pit1-LFO2 - Pit2-Env1 - Pit2-Env2 - Pit2-LFO1 - Pit2-LFO2 - Pit3-Env1 - Pit3-Env2 - Pit3-LFO1 - Pit3-LFO2 - PW1-Env1 - PW1-Env2 - PW1-LFO1 - PW1-LFO2 - Sub3-Env1 - Sub3-Env2 - Sub3-LFO1 - Sub3-LFO2 - - Sine wave Синусоида - Bandlimited Triangle wave Ограниченная по частоте треугольная волна - Bandlimited Saw wave Ограниченная по частоте острая волна - Bandlimited Ramp wave - Bandlimited Square wave Ограниченная по частоте квадратная волна - Bandlimited Moog saw wave Ограниченная по частоте Муг острая волна - - - - Soft square wave - Сглаженная квадратная волна - - - - Absolute sine wave - - - - - - Exponential wave - Экспоненциальная волна - - - - White noise - Белый шум - - - - Digital Triangle wave - Цифровая треугольная волна - - - - Digital Saw wave - Цифровая острая волна - - - - Digital Ramp wave - - - - - Digital Square wave - Цифровая квадратная волна - - - - Digital Moog saw wave - Цифровая Муг острая волна - - - - Triangle wave - Треугольная волна - - - - Saw wave - Зигзаг - - - - Ramp wave - - - - - Square wave - Квадрат - - - - Moog saw wave - - - - - Abs. sine wave - - - - - Random - Случайно - - - - Random smooth - Случайное сглаживание - - - - MonstroView - - - Operators view - Операторский вид - - - - The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. - -Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - Операторский вид содержит все операторы. Они включают и звучащие операторы (осцилляторы) и беззвучные операторы или модуляторы: Низко-частотные осцилляторы и огибающие. - -Регуляторы и другие виджеты в Операторском виде имеют свои подписи "Что это?", можно получить по ним более детальную справку таким образом. - - - - Matrix view - Матричный вид - - - - The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. - -The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. - -Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - Матричный вид содержит матрицу модуляции. Здесь можно определить модуляционное отношение между разными операторами. Каждый слышимый оператор (осцилляторы 1-3) имеют 3-4 свойства, которые можно модулировать любыми модуляторами. Используя больше модуляций увеличивается нагрузка на процессор. - -Вид делится на цели модуляции, сгруппированные на целевой осциллятор. Доступные цели : громкость, тон, фаза, ширина пульсации и отношение с подчиненным (под-) осциллятором. Отметим что некоторые цели определены только для одного осциллятора. - -Каждая цель модуляции имеет 4 регулятора, один на каждый модулятор. По умолчанию регуляторы установлены на 0, то есть без модуляции. Включая регулятор на 1 ведёт к тому, что модулятор влияет на цель модуляции на столько на сколько возможно. Включая его на -1 делает то же, но с обратной модуляцией. - - - - - - Volume - Громкость - - - - - - Panning - - - - - - - Coarse detune - - - - - - - semitones - полутона - - - - - Finetune left - - - - - - - - cents - + + Soft square wave + Сглаженная квадратная волна - - - Finetune right + Absolute sine wave - - - - Stereo phase offset - Сдвиг стерео фазы + Exponential wave + Экспоненциальная волна - - - - - - deg - + White noise + Белый шум - - Pulse width - Длительность импульса + Digital Triangle wave + Цифровая треугольная волна - - Send sync on pulse rise - + Digital Saw wave + Цифровая острая волна - - Send sync on pulse fall + Digital Ramp wave - - Hard sync oscillator 2 - + Digital Square wave + Цифровая квадратная волна - - Reverse sync oscillator 2 - + Digital Moog saw wave + Цифровая Муг острая волна - - Sub-osc mix - + Triangle wave + Треугольная волна - - Hard sync oscillator 3 - + Saw wave + Зигзаг - - Reverse sync oscillator 3 + Ramp wave - - - - - Attack - + Square wave + Квадрат - - - Rate + Moog saw wave - - - Phase + Abs. sine wave - - - Pre-delay - + Random + Случайно - - - Hold - + Random smooth + Случайное сглаживание + + + MonstroView - - - Decay - + Operators view + Операторский вид - - - Sustain - + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. + +Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. + Операторский вид содержит все операторы. Они включают и звучащие операторы (осцилляторы) и беззвучные операторы или модуляторы: Низко-частотные осцилляторы и огибающие. + +Регуляторы и другие виджеты в Операторском виде имеют свои подписи "Что это?", можно получить по ним более детальную справку таким образом. - - - Release - + Matrix view + Матричный вид - - - Slope - + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. + +The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. + +Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. + Матричный вид содержит матрицу модуляции. Здесь можно определить модуляционное отношение между разными операторами. Каждый слышимый оператор (осцилляторы 1-3) имеют 3-4 свойства, которые можно модулировать любыми модуляторами. Используя больше модуляций увеличивается нагрузка на процессор. + +Вид делится на цели модуляции, сгруппированные на целевой осциллятор. Доступные цели : громкость, тон, фаза, ширина пульсации и отношение с подчиненным (под-) осциллятором. Отметим что некоторые цели определены только для одного осциллятора. + +Каждая цель модуляции имеет 4 регулятора, один на каждый модулятор. По умолчанию регуляторы установлены на 0, то есть без модуляции. Включая регулятор на 1 ведёт к тому, что модулятор влияет на цель модуляции на столько на сколько возможно. Включая его на -1 делает то же, но с обратной модуляцией. - Mix Osc2 with Osc3 Смешать Осц2 с Осц3 - Modulate amplitude of Osc3 with Osc2 Модулировать амплитуду осциллятора 3 сигналом с осц2 - Modulate frequency of Osc3 with Osc2 Модулировать частоту осциллятора 3 сигналом с осц2 - Modulate phase of Osc3 with Osc2 Модулировать фазу Осц3 осциллятором2 - The CRS knob changes the tuning of oscillator 1 in semitone steps. Регулятор CRS меняет настройку осциллятора 1 в размере полутона. - The CRS knob changes the tuning of oscillator 2 in semitone steps. Регулятор CRS меняет настройку осциллятора 2 в размере полутона. - The CRS knob changes the tuning of oscillator 3 in semitone steps. Регулятор CRS меняет настройку осциллятора 3 в размере полутона. - - - - FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. FTL и FTR меняют подстройку осциллятора для левого и правого канала соответственно. Они могут добавить стерео расстраивания осциллятора, которое расширяет стерео картину и создаёт иллюзию космоса. - - - The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. Регулятор SPO меняет фазовую разницу между левым и правым каналами. Высокая разница создаёт более широкую стерео картину. - The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. PW регулятор контролирует ширину пульсаций, также известную как рабочий цикл осциллятора 1. Осциллятор 1 это цифровой импульсный волновой генератор, он не воспроизводит сигнал с ограниченной полосой, это значит, что его можно использовать как слышимый осциллятор, но приведёт к наложению сигналов (или сглаживанию). Его можно использовать и как не слышимый источник синхронизирующего сигнала, для использования в синхронизации осцилляторов 2 и 3. - Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. Посылать синхронизацию при повышении: при включении, сигнал синхронизации посылается каждый раз когда состояние осциллятора 1 меняется с низкого на высокое, т.е. когда амплитуда меняется от -1 до 1. Тон осциллятора 1, фаза и ширина пульсаций может влиять на время синхронизации, но громкость не имеет эффекта. Сигнал синхронизации посылается независимо для левого и правого каналов. - Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. Посылать синхронизацию при падении: при включении, сигнал синхронизации посылается каждый раз когда состояние осциллятора 1 меняется с выского на низкое, т.е. когда амплитуда меняется от 1 до -1. Тон осциллятора 1, фаза и ширина пульсаций может влиять на время синхронизации, но громкость не имеет эффекта. Сигнал синхронизации посылается независимо для левого и правого каналов. - - Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. Жесткая синхр. : Каждый раз при получении осциллятором сигнала синхронизации от осциллятора 1, его фаза сбрасывается до 0 + его граница фазы, какой бы она ни была. - - Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. Обратная синхронизация: Каждый раз при получении сигнала синхронизации от осциллятора 1, амплитуда осцилятора переворачивается. - Choose waveform for oscillator 2. Выбрать форму волны для осциллятора 2. - Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. Выберите форму волны для первого доп. осциллятора осциллятора 3. Осциллятор 3 может мягко переходить между двумя разными волнами. - Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. Выберите форму волны для второго доп. осциллятора осциллятора 3. Осциллятор 3 может мягко переходить между двумя разными волнами. - The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. SUB меняет смешивание двух доп. осяцилляторов осциллятора 3. Каждый доп. осц. может быть установлен для создания разных волн и осциллятор 3 может мягко переходить между ними. Все входящие модуляции для осциллятора 3 применяются на оба доп.осц./волны одним и тем же образом. - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. @@ -6007,7 +4763,6 @@ Mix mode means no modulation: the outputs of the oscillators are simply mixed to Смешанный (Mix) режим значит без модуляции: выходы осцилляторов просто смешиваются друг с другом. - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. @@ -6016,7 +4771,6 @@ AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulat AM режим значит Амплитуда Модуляции: Осциллятор 2 модулирует амплитуду (громкость) осциллятора 3. - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. @@ -6025,7 +4779,6 @@ FM means frequency modulation: Oscillator 3's frequency (pitch) is modulate FM (ЧМ) режим значит Частотная Модуляция: Осциллятор 2 модулирует частоту (pitch, тональность) осциллятора 3. Частота модуляции происходит в фазе модуляции, которая даёт более стабильный общий тон, чем "чистая" частотная модуляция. - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. @@ -6034,7 +4787,6 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PM (ФМ) режим значит фазовая модуляция: Осциллятор 2 модулирует фазу осциллятора 3. Это отличается от частотной модуляции тем, что изменения фаз не суммируются. - Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... Выберите форму волны для LFO 1 (НизкоЧастотныйГенератор). @@ -6042,7 +4794,6 @@ PM (ФМ) режим значит фазовая модуляция: Осцил Сглаженная версия переходит между этими состояниями с косинусоидальной интерплояцией. Эти случайные режимы могут быть использованы, чтобы дать "жизни" вашим настройкам - добавить немного аналоговой непредсказуемости... - Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... Выберите форму волны для LFO 2 (НизкоЧастотныйГенератор). @@ -6050,153 +4801,185 @@ PM (ФМ) режим значит фазовая модуляция: Осцил Сглаженная версия переходит между этими состояниями с косинусоидальной интерплояцией. Эти случайные режимы могут быть использованы, чтобы дать "жизни" вашим настройкам - добавить немного аналоговой непредсказуемости... - - Attack causes the LFO to come on gradually from the start of the note. Атака отвечает за плавность поведения LFO от начала ноты. - - Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. Rate (Частота) устанавливает скорость LFO, измеряемую в миллисекундах за цикл. Может синхронизироваться с темпом. - - PHS controls the phase offset of the LFO. PHS контролирует сдвиг фазы LFO (НЧГ). - - PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. PRE предзадержка, задерживает старт огибающей от начала ноты. 0 значит без задержки. - - ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. ATT атака контролирует как быстро огибающая наращивается на старте, измеряясь в милисекундах. Значение 0 значит мгновенно. - - HOLD controls how long the envelope stays at peak after the attack phase. HOLD (УДЕРЖ) контролирует как долго огибающая остаётся на пике после фазы атаки. - - DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. DEC (decay) затухание контролирует как быстро огибающая спадает с пикового значения, измеряется в милисекундах, как долго будет идти с пика до нуля. Реальное затухание может быть короче, если используется выдержка. - - SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. SUS (sustain) выдержка, контролирует уровень огибающей. Затухание фазы не пойдёт ниже этого уровня пока нота удерживается. - - REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. REL (release) отпуск контролирует как долго нота отпускается, измеряясь в долготе падения от пика до нуля. Реальный отпуск может быть короче, в зависимости от фазы, в которой нота отпущена. - - The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. Регулятор наклона контролирует кривую или образ огибающей. Значение 0 создаёт прямые подъёмы и спады. Отрицательные величины создают кривые с замедленным началом, быстрым пиком и снова замедленным спадом. Позитивные значения создают кривые которые начинаются и кончаются быстро, но долбше остаются на пиках. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Modulation amount + Volume + Громкость + + + Panning + Баланс + + + Coarse detune + + + + semitones + полутона + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + Сдвиг стерео фазы + + + deg + + + + Pulse width + Длительность импульса + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + Вступление + + + Rate + Частота выборки + + + Phase + + + + Pre-delay + + + + Hold + Удерживание + + + Decay + Затихание + + + Sustain + Выдержка + + + Release + Убывание + + + Slope + + Modulation amount + Глубина модуляции + MultitapEchoControlDialog - Length - + Длина - Step length: - Dry - Dry Gain: - Stages - Lowpass stages: - Swap inputs - Swap left and right input channel for reflections Поменять вход левого и правого канала для отзвуков @@ -6204,102 +4987,82 @@ PM (ФМ) режим значит фазовая модуляция: Осцил NesInstrument - Channel 1 Coarse detune - Channel 1 Volume Громкость 1 канала - Channel 1 Envelope length - Channel 1 Duty cycle - Channel 1 Sweep amount - Channel 1 Sweep rate - Channel 2 Coarse detune - Channel 2 Volume Громкость 2 канала - Channel 2 Envelope length - Channel 2 Duty cycle - Channel 2 Sweep amount - Channel 2 Sweep rate - Channel 3 Coarse detune - Channel 3 Volume Громкость 3 канала - Channel 4 Volume Громкость 4 канала - Channel 4 Envelope length - Channel 4 Noise frequency - Channel 4 Noise frequency sweep - Master volume Основная громкость - Vibrato Вибрато @@ -6307,259 +5070,196 @@ PM (ФМ) режим значит фазовая модуляция: Осцил NesInstrumentView - - - - Volume Громкость - - - Coarse detune - - - Envelope length - Enable channel 1 - Enable envelope 1 - Enable envelope 1 loop - Enable sweep 1 - - Sweep amount - - Sweep rate - - 12.5% Duty cycle - - 25% Duty cycle - - 50% Duty cycle - - 75% Duty cycle - Enable channel 2 - Enable envelope 2 - Enable envelope 2 loop - Enable sweep 2 - Enable channel 3 - Noise Frequency - Frequency sweep - Enable channel 4 - Enable envelope 4 - Enable envelope 4 loop - Quantize noise frequency when using note frequency - Use note frequency for noise - Noise mode - Master Volume - Vibrato - + Вибрато OscillatorObject - - Osc %1 waveform - Форма сигнала осциллятора %1 - - - - Osc %1 harmonic - Осц %1 гармонический - - - - Osc %1 volume Громкость осциллятора %1 - - Osc %1 panning Стереобаланс для осциллятора %1 - - - Osc %1 fine detuning left - Подстройка левого канала осциллятора %1 тонкая - - - Osc %1 coarse detuning Подстройка осциллятора %1 грубая - + Osc %1 fine detuning left + Подстройка левого канала осциллятора %1 тонкая + + Osc %1 fine detuning right Подстройка правого канала осциллятора %1 тонкая - Osc %1 phase-offset Сдвиг фазы для осциллятора %1 - Osc %1 stereo phase-detuning Подстройка стерео-фазы осциллятора %1 - Osc %1 wave shape Гладкость сигнала осциллятора %1 - Modulation type %1 Тип модуляции %1 + + Osc %1 waveform + Форма сигнала осциллятора %1 + + + Osc %1 harmonic + Осц %1 гармонический + PatchesDialog - Qsynth: Channel Preset - Bank selector - Bank - + Банк - Program selector Выбор программ - Patch - + Патч - Name Имя - OK ОК - Cancel Отмена @@ -6567,57 +5267,46 @@ PM (ФМ) режим значит фазовая модуляция: Осцил PatmanView - Open other patch Открыть другой патч - Click here to open another patch-file. Loop and Tune settings are not reset. Нажмите чтобы открыть другой патч-файл. Цикличность и настройки при этом сохранятся. - Loop Повтор - Loop mode Режим повтора - Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Здесь включается/выключается режим повтора, при включёнии PatMan будет использовать информацию о повторе из файла. - Tune Подстроить - Tune mode Тип подстройки - Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Здесь включается/выключается режим подстройки. Если он включён, то PatMan изменит запись так, чтобы она совпадала по частоте с нотой. - No file selected Не выбран файл - Open patch file Открыть патч-файл - Patch-Files (*.pat) Патч-файлы (*.pat) @@ -6625,60 +5314,53 @@ PM (ФМ) режим значит фазовая модуляция: Осцил PatternView - - use mouse wheel to set velocity of a step - - - - - double-click to open in Piano Roll - Двойной щелчок открывает в Редакторе Нот - - - Open in piano-roll Открыть в редакторе нот - Clear all notes Очистить все ноты - Reset name Сбросить название - Change name Переименовать - Add steps Добавить такты - Remove steps Удалить такты + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + Двойной щелчок открывает в Редакторе Нот + + + Clone Steps + Клонировать такты + PeakController - Peak Controller Контроллер вершин - Peak Controller Bug Контроллер вершин с багом - Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. Из-за ошибки в старой версии LMMS контроллеры вершин не могут правильно подключаться. Пж. убедитесь, что контроллеры вершин правильно подсоединены и пересохраните этот файл, извините, за причинённые неудобства. @@ -6686,12 +5368,10 @@ PM (ФМ) режим значит фазовая модуляция: Осцил PeakControllerDialog - PEAK ПИК - LFO Controller Контроллер LFO @@ -6699,376 +5379,307 @@ PM (ФМ) режим значит фазовая модуляция: Осцил PeakControllerEffectControlDialog - - BASE - БАЗА + BASE + БАЗА + + + Base amount: + Базовое значение: + + + Modulation amount: + Глубина модуляции: + + + Attack: + Вступление: - - Base amount: - Базовое значение: + Release: + Убывание: - AMNT ГЛУБ - - Modulation amount: - Глубина модуляции: - - - MULT МНОЖ - Amount Multiplicator: Величина множителя: - ATCK ВСТУП - - Attack: - Вступление: - - - DCAY СПАД - - Release: - Убывание: - - - - TRES + Treshold: - - Treshold: + TRSH PeakControllerEffectControls - Base value Опорное значение - Modulation amount Глубина модуляции - + Mute output + Заглушить вывод + + Attack Вступление - Release Убывание - - Treshold - - - - - Mute output - Заглушить вывод - - - Abs Value Абс значение - Amount Multiplicator Величина множителя + + Treshold + + PianoRoll - + Please open a pattern by double-clicking on it! + Откройте мелодию с помощью двойного щелчка мышью! + + + Last note + По посл. ноте + + + Note lock + Фиксация нот + + Note Velocity Громкость нот - Note Panning Стереофония нот - Mark/unmark current semitone Отметить/Снять отметку с текущего полутона - - Mark/unmark all corresponding octave semitones - Отметить/Снять отметку со всех соответствующих октав полутонов - - - Mark current scale Отметить текущий подъём - Mark current chord Отметить текущий аккорд - Unmark all Снять выделение - - Select all notes on this key - Выбрать все ноты по этой кнопке - - - - Note lock - Фиксация нот - - - - Last note - По посл. ноте - - - No scale Без подъёма - No chord Убрать аккорды - Velocity: %1% Громкость %1% - Panning: %1% left Баланс: %1% лево - Panning: %1% right Баланс: %1% право - Panning: center Баланс: центр - - Please open a pattern by double-clicking on it! - Откройте мелодию с помощью двойного щелчка мышью! - - - - Please enter a new value between %1 and %2: Введите новое значение от %1 до %2: + + Mark/unmark all corresponding octave semitones + Отметить/Снять отметку со всех соответствующих октав полутонов + + + Select all notes on this key + Выбрать все ноты по этой кнопке + PianoRollWindow - Play/pause current pattern (Space) Игра/Пауза текущей мелодии (Пробел) - Record notes from MIDI-device/channel-piano Записать ноты с музыкального инструмента (MIDI)/канала - Record notes from MIDI-device/channel-piano while playing song or BB track Записать ноты с цифрового музыкального инструмента (MIDI) во время воспроизведения композиции или дорожки Ритм-Баса - Stop playing of current pattern (Space) Остановить воспроизведение текущей мелодии (Пробел) - Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Нажмите здесь чтобы проиграть текущую мелодию. Это может пригодиться при её редактировании. По окончании мелодии воспроизведение начнётся сначала. - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Нажмите эту кнопку, если вы хотите записать ноты с устройства MIDI или виртуального синтезатора соответствующего канала. Позже вы сможете отредактировать записанную мелодию. - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Нажмите эту кнопку, если вы хотите записать ноты с устройства MIDI или виртуального синтезатора соответствующего канала. Во время записи все ноты записываются в эту мелодию, и вы будете слышать композицию или РБ дорожку на заднем плане. - Click here to stop playback of current pattern. Нажмите здесь, если вы хотите остановить воспроизведение текущей мелодии. - - Edit actions - - - - Draw mode (Shift+D) Режим рисования (Shift+D) - Erase mode (Shift+E) Режим стирания (Shift+E) - Select mode (Shift+S) Режим выбора нот (Shift+S) - Detune mode (Shift+T) Режим подстраивания (Shift+T) - Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. Режим рисования нот, в нём вы можете добавлять/перемещать и изменять длительность одиночных нот. Это режим по умолчанию и используется большую часть времени. Для включения этого режима можно использовать комбинацию клавиш Shift+D, удерживайте %1 для временного переключения в режим выбора. - Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Режим стирания. В этом режиме вы можете стирать ноты. Для включения этого режима можно использовать комбинацию клавиш Shift+E. - Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. Режим выделения. В этом режиме можно выделять ноты, можно также удерживать %1 в режиме рисования, чтобы можно было на время войти в режим выделения. - Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Режим подстройки. В этом режиме можно выбирать ноты для автоматизации их подстраивания. Можно использовать это для переходов нот от одной к другой. Для активации с клавиатуры <Shift+T>. - - Copy paste controls - Копировать-вставить управление - - - Cut selected notes (%1+X) Переместить выделенные ноты в буфер (%1+X) - Copy selected notes (%1+C) Копировать выделенные ноты в буфер (%1+X) - Paste notes from clipboard (%1+V) Вставить ноты из буфера (%1+V) - Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут вырезаны в буфер. Позже вы можете вставить их в любое место любой мелодии с помощью кнопки "Вставить". - Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут скопированы в буфер. Позже вы можете вставить их в любое место любой мелодии с помощью кнопки "Вставить". - Click here and the notes from the clipboard will be pasted at the first visible measure. При нажатии на эту кнопку ноты из буфера будут вставлены в первый видимый такт. - - Timeline controls - Управление временем - - - - Zoom and note controls - - - - This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. Этим контролируется масштаб оси. Это может быть полезно для специальных задач. Для обычного редактирования, масштаб следует устанавливать по наименьшей ноте. - The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. "Q" обозначает квантизацию и контролирует размер нотной сетки и контрольные точки притяжения. С меньшей величиной квантизации, можно рисовать короткие ноты в редаторе нот и более точно контролировать точки в Редакторе Автоматизации. - This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited Позволяет выбрть длину новой ноты. "Последняя Нота" значит, что LMMS будет использовать длину ноты, изменённой в последний раз - The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! Функция напрямую связана с контекстным меню на виртуальной клавиатуре слева в нотном редакторе. После того, как выбран масштаб в выпадающем меню, можно кликнуть правой кнопкой в виртуальной клавиатуре и выбрать "Mark Current Scale" (Отметить текущий масштаб). LMMS подсветит все ноты лежащие в выбранном масштабе для выбранной клавиши! - Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. Позволяет выбрать аккорд, который LMMS затем сможет нарисовать или подсветить. В этом меню можно найти ниболее популярные аккорды. После того, как вы выбрали аккорд, кликните в любом месте, чтобы поставить его и правым кликом по виртуальной клавиатуре открывается контекстное меню и подсветка аккорда. Для возврата в режим одной ноты нужно выбрать "Без аккорда" в этом выпадающем меню. - - Piano-Roll - %1 + Edit actions + Правка: + + + Copy paste controls + Копировать-вставить управление + + + Timeline controls + Управление временем + + + Zoom and note controls - + Piano-Roll - %1 + Нотный редактор - %1 + + Piano-Roll - no pattern + + Quantize + + PianoView - Base note Опорная нота @@ -7076,24 +5687,20 @@ PM (ФМ) режим значит фазовая модуляция: Осцил Plugin - Plugin not found Модуль не найден - The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Модуль «%1» отсутствует либо не может быть загружен! Причина: «%2» - Error while loading plugin Ошибка загрузки модуля - Failed to load plugin "%1"! Не получилось загрузить модуль «%1»! @@ -7101,30 +5708,25 @@ Reason: "%2" PluginBrowser - - Instrument plugins - Плагины инструментов - - - Instrument browser Обзор инструментов - Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Вы можете переносить нужные вам инструменты из этой панели в музыкальный, ритм-бас редактор или в существующую дорожку инструмента. + + Instrument Plugins + + PluginFactory - Plugin not found. Плагин не найден - LMMS plugin %1 does not have a plugin descriptor named %2! ЛММС плагин %1 не имеет описания плагина с именем %2! @@ -7132,147 +5734,118 @@ Reason: "%2" ProjectNotes - Project notes Заметки к проекту - Put down your project notes here. Здесь вы можете держать заметки к своему проекту. - Edit Actions Правка - &Undo &U Отменить - %1+Z %1+Z - &Redo &R Повторить - %1+Y %1+Y - &Copy &C Копировать - %1+C %1+C - Cu&t &t Вырезать - %1+X %1+X - &Paste &P Вставить - %1+V %1+V - Format Actions Форматирование - &Bold &b Полужирный - %1+B %1+B - &Italic &i Курсив - %1+I %1+I - &Underline &U Подчеркнутый - %1+U %1+U - &Left &L По левому краю - %1+L %1+L - C&enter По &центру - %1+E - &Right - %1+R - &Justify - %1+J - &Color... @@ -7280,12 +5853,10 @@ Reason: "%2" ProjectRenderer - WAV-File (*.wav) Файл WAV (*.wav) - Compressed OGG-File (*.ogg) Сжатый файл OGG (*.ogg) @@ -7293,89 +5864,57 @@ Reason: "%2" QWidget - - - Name: Название: - - Maker: Создатель: - - Copyright: Правообладатель: - - Requires Real Time: Требуется обработка в реальном времени: - - - - - - Yes Да - - - - - - No Нет - - Real Time Capable: Работа в реальном времени: - - In Place Broken: Вместо сломанного: - - Channels In: Каналы в: - - Channels Out: Каналы из: - - File: %1 - Файл: %1 - - - File: Файл: + + File: %1 + Файл: %1 + RenameDialog - Rename... Переименовать... @@ -7383,90 +5922,73 @@ Reason: "%2" SampleBuffer - Open audio file Открыть звуковой файл - - All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - Все аудио файлы (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - - - Wave-Files (*.wav) Файлы Wave (*.wav) - OGG-Files (*.ogg) Файлы OGG (*.ogg) - DrumSynth-Files (*.ds) Файлы DrumSynth (*.ds) - FLAC-Files (*.flac) Файлы FLAC (*.flac) - SPEEX-Files (*.spx) Файлы SPEEX (*.spx) - VOC-Files (*.voc) Файлы VOC (*.voc) - AIFF-Files (*.aif *.aiff) Файлы AIFF (*.aif *.aiff) - AU-Files (*.au) Файлы AU (*.au) - RAW-Files (*.raw) Файлы RAW (*.raw) + + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + Все аудио файлы (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + SampleTCOView - double-click to select sample Выберите запись двойным нажатием мыши - Delete (middle mousebutton) Удалить (средняя кнопка мыши) - Cut Вырезать - Copy Копировать - Paste Вставить - Mute/unmute (<%1> + middle click) Заглушить/включить (<%1> + средняя кнопка мыши) @@ -7474,51 +5996,41 @@ Reason: "%2" SampleTrack - + Sample track + Дорожка записи + + Volume Громкость - Panning Баланс - - - - Sample track - Дорожка записи - SampleTrackView - Track volume Громкость дорожки - Channel volume: Громкость канала: - VOL ГРОМ - Panning Баланс - Panning: Баланс: - PAN БАЛ @@ -7526,614 +6038,496 @@ Reason: "%2" SetupDialog - Setup LMMS Настройка LMMS - - General settings Общие параметры - BUFFER SIZE РАЗМЕР БУФЕРА - - Reset to default-value Восстановить значение по умолчанию - MISC РАЗНОЕ - Enable tooltips Включить подсказки - Show restart warning after changing settings Показывать предупреждение о перезапуске при изменении настроек - - Display volume as dBV - Отображать громкость в децибелах dBV + Display volume as dBFS + - Compress project files per default По умолчанию сжимать файлы проектов - One instrument track window mode Режим окна одной инструментальной дорожки - HQ-mode for output audio-device Режим высокого качества для устройства вывода звука - Compact track buttons Ужать кнопки дорожки - Sync VST plugins to host playback Синхронизировать VST плагины с хостом воспроизведения - Enable note labels in piano roll Включить обозначение нот в музыкальном редакторе - Enable waveform display by default Включить отображение формы звуков по умолчанию - Keep effects running even without input Продолжать работу эффектов даже без входящего сигнала - Create backup file when saving a project Создать запасной файл при сохранении проекта - - Reopen last project on start - Открыть последний проект на старте - - - LANGUAGE ЯЗЫК - - Paths Пути - - Directories - Папки - - - LMMS working directory Рабочий каталог LMMS - - Themes directory - Папка тем - - - - Background artwork - Фоновое изображение - - - - FL Studio installation directory - Каталог установки FL Studio - - - VST-plugin directory Каталог модулей VST - - GIG directory - Папка GIG - - - - SF2 directory - Папка SF2 - - - - LADSPA plugin directories - Папка плагинов LADSPA + Background artwork + Фоновое изображение - STK rawwave directory Каталог STK rawwave - Default Soundfont File Основной Soundfont файл - - Performance settings Параметры производительности - - Auto save - Автосохранение - - - - Enable auto save feature - Включить функцию авто-сохранения - - - UI effects vs. performance Визуальные эффекты/производительность - Smooth scroll in Song Editor Плавная прокрутка в музыкальном редакторе - Show playback cursor in AudioFileProcessor Показывать указатель воспроизведения в процессоре аудио файлов (AFP) - - Audio settings Параметры звука - AUDIO INTERFACE ЗВУКОВАЯ СИСТЕМА - - MIDI settings Параметры MIDI - MIDI INTERFACE MIDI СИСТЕМА - OK ОГА - Cancel Отменить - Restart LMMS Перезапустить LMMS - Please note that most changes won't take effect until you restart LMMS! Учтите, что большинство настроек не вступят в силу до перезапуска ЛММС! - Frames: %1 Latency: %2 ms Фрагментов: %1 Отклик: %2 - Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Здесь вы можете настроить размер внутреннего звукового буфера LMMS. Меньшие значения дают меньшее время отклика программы, но повышают потребление ресурсов - это особенно заметно на старых машинах и системах, ядро которых не поддерживает приоритета реального времени. Если наблюдается прерывистый звук, попробуйте увеличить размер буфера. - Choose LMMS working directory Выбор рабочего каталога LMMS - - Choose your GIG directory - Выберите вашу папку GIG - - - - Choose your SF2 directory - Выберите вашу папку SF2 - - - Choose your VST-plugin directory Выбор своего каталога для модулей VST - Choose artwork-theme directory Выбор каталога с темой оформления для LMMS - - Choose FL Studio installation directory - Выбор каталога установленной FL Studio - - - Choose LADSPA plugin directory Выбор каталога с модулями LADSPA - Choose STK rawwave directory Выбор каталога STK rawwave - Choose default SoundFont Выбрать главный SoundFont - Choose background artwork Выбрать фоновое изображение - + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. + Пожалуйста, выберите желаемую звуковую систему. В зависимости от конфигурации во время компилирования программы вы можете использовать ALSA, JACK, OSS и другие. В нижней части окна настройки можно задать специфические параметры выбранной системы. + + + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. + Пожалуйста, выберите интерфейс MIDI. В зависимости от конфигурации во время компилирования программы вы можете использовать ALSA, OSS и другие. В нижней части окна настройки можно задать специфические параметры выбранного интерфейса. + + + Reopen last project on start + Открыть последний проект на старте + + + Directories + Папки + + + Themes directory + Папка тем + + + GIG directory + Папка GIG + + + SF2 directory + Папка SF2 + + + LADSPA plugin directories + Папка плагинов LADSPA + + + Auto save + Автосохранение + + + Choose your GIG directory + Выберите вашу папку GIG + + + Choose your SF2 directory + Выберите вашу папку SF2 + + minutes - minute - - Auto save interval: %1 %2 - Интервал автосохранения: %1 %2 + Enable auto-save + - - Set the time between automatic backup to %1. -Remember to also save your project manually. - Установить время между автоматическим бэкапом на %1. -Не забывайте сохранять проект вручную. + Allow auto-save while playing + - - Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - Пожалуйста, выберите желаемую звуковую систему. В зависимости от конфигурации во время компилирования программы вы можете использовать ALSA, JACK, OSS и другие. В нижней части окна настройки можно задать специфические параметры выбранной системы. + Disabled + - - Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - Пожалуйста, выберите интерфейс MIDI. В зависимости от конфигурации во время компилирования программы вы можете использовать ALSA, OSS и другие. В нижней части окна настройки можно задать специфические параметры выбранного интерфейса. + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song - Tempo Темп - Master volume Основная громкость - Master pitch Основная тональность - Project saved Проект сохранён - The project %1 is now saved. Проект %1 сохранён. - Project NOT saved. Проект НЕ СОХРАНЁН. - The project %1 was not saved! Проект %1 не сохранён! - Import file Импорт файла - MIDI sequences MiDi последовательности - - FL Studio projects - FL Studio проекты - - - Hydrogen projects Hydrogen проекты - All file types Все типы файлов - - Empty project Пустой проект - - This project is empty so exporting makes no sense. Please put some items into Song Editor first! Проект ничего не содержит, так что и экспортировать нечего. Сначала добавьте хотя бы одну дорожку в музыкальном редакторе! - Select directory for writing exported tracks... Выберите папку для записи экспортированных дорожек... - - untitled Неназванное - - Select file for project-export... Выбор файла для экспорта проекта... - - MIDI File (*.mid) + The following errors occured while loading: + Следующие ошибки возникли при загрузке: + + + MIDI File (*.mid) + + + + LMMS Error report - - The following errors occured while loading: - Следующие ошибки возникли при загрузке: + Save project + SongEditor - Could not open file Не могу открыть файл - - Could not open file %1. You probably have no permissions to read this file. - Please make sure to have at least read permissions to the file and try again. - Невозможно открыть файл %1, вероятно, нет разрешений на его чтение. -Пж. убедитесь, что есть по крайней мере права на чтение этого файла и попробуйте ещё раз. - - - Could not write file Не могу записать файл - - Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - Невозможно открыть %1 для записи, возможно, нет разрешений на запись в этот файл, пж. удостоверьтесь, что есть доступ к этому файлу и попробуйте снова. + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. + Невозможно открыть файл %1, вероятно, нет разрешений на его чтение. +Пж. убедитесь, что есть по крайней мере права на чтение этого файла и попробуйте ещё раз. - Error in file Ошибка в файле - The file %1 seems to contain errors and therefore can't be loaded. Файл %1 возможно содержит ошибки из-за которых не может загрузиться. - - Project Version Mismatch - Расходятся версии проектов - - - - This %1 was created with LMMS version %2, but version %3 is installed - %1 был создан в ЛММС версии %2, а установлена версия %3 - - - Tempo Темп - TEMPO/BPM ТЕМП/BPM - tempo of song Темп музыки - The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). Это значение задаёт темп музыки в ударах в минуту (англ. аббр. BPM). На каждый такт приходится четыре удара, так что темп в ударах в минуту фактически указывает, сколько четвертей такта проигрывается за минуту (или, что то же, количество тактов, проигрываемых за четыре минуты). - High quality mode Высокое качество - - Master volume Основная громкость - master volume основная громкость - - Master pitch Основная тональность - master pitch основная тональность - Value: %1% Значение: %1% - Value: %1 semitones Значение: %1 полутон(а/ов) + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + Невозможно открыть %1 для записи, возможно, нет разрешений на запись в этот файл, пж. удостоверьтесь, что есть доступ к этому файлу и попробуйте снова. + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + + SongEditorWindow - Song-Editor Музыкальный редактор - Play song (Space) Начать воспроизведение (Пробел) - Record samples from Audio-device Записать сэмпл со звукового устройства - Record samples from Audio-device while playing song or BB track Записать сэмпл с аудио-устройства во время воспроизведения в музыкальном или ритм/бас редакторе - Stop song (Space) Остановить воспроизведение (Пробел) - - Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - Нажмите, чтобы прослушать созданную мелодию. Воспроизведение начнётся с позиции курсора (зелёный треугольник); вы можете двигать его во время проигрывания. - - - - Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - Нажмите сюда, если вы хотите остановить воспроизведение мелодии. Курсор при этом будет установлен на начало композиции. - - - - Track actions - - - - Add beat/bassline Добавить ритм/бас - Add sample-track Добавить дорожку записи - Add automation-track Добавить дорожку автоматизации - - Edit actions - - - - Draw mode Режим рисования - Edit mode (select and move) Правка (выделение/перемещение) - + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. + Нажмите, чтобы прослушать созданную мелодию. Воспроизведение начнётся с позиции курсора (зелёный треугольник); вы можете двигать его во время проигрывания. + + + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + Нажмите сюда, если вы хотите остановить воспроизведение мелодии. Курсор при этом будет установлен на начало композиции. + + + Track actions + + + + Edit actions + Правка: + + Timeline controls Управление временем - Zoom controls Приблизить управление @@ -8141,12 +6535,10 @@ Remember to also save your project manually. SpectrumAnalyzerControlDialog - Linear spectrum Линейный спектр - Linear Y axis Линейная ось ординат (Y) @@ -8154,26 +6546,36 @@ Remember to also save your project manually. SpectrumAnalyzerControls - Linear spectrum Линейный спектр - Linear Y axis Линейная ось ординат (Y) - Channel mode Режим канала + + SubWindow + + Close + + + + Maximize + + + + Restore + + + TabWidget - - Settings for %1 Настройки для %1 @@ -8181,93 +6583,74 @@ Remember to also save your project manually. TempoSyncKnob - - Tempo Sync Синхронизация темпа - No Sync Синхронизации нет - Eight beats Восемь ударов (две ноты) - Whole note Целая нота - Half note Полунота - Quarter note Четверть ноты - 8th note Восьмая ноты - 16th note 1/16 ноты - 32nd note 1/32 ноты - Custom... Своя... - Custom Своя - Synced to Eight Beats Синхро по 8 ударам - Synced to Whole Note Синхро по целой ноте - Synced to Half Note Синхро по половине ноты - Synced to Quarter Note Синхро по четверти ноты - Synced to 8th Note Синхро по 1/8 ноты - Synced to 16th Note Синхро по 1/16 ноты - Synced to 32nd Note Синхро по 1/32 ноты @@ -8275,51 +6658,65 @@ Remember to also save your project manually. TimeDisplayWidget - click to change time units нажми для изменения единиц времени + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + + TimeLineWidget - Enable/disable auto-scrolling Вкл/выкл автопрокрутку - Enable/disable loop-points Вкл/выкл точки петли - After stopping go back to begin После остановки переходить к началу - After stopping go back to position at which playing was started После остановки переходить к месту, с которого началось воспроизведение - After stopping keep position Оставаться на месте остановки - - Hint Подсказка - Press <%1> to disable magnetic loop points. Нажмите <%1>, чтобы убрать прилипание точек петли. - Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. Зажмите <Shift> чтобы сдвинуть начало точек петли; Нажмите <%1>, чтобы убрать прилипание точек петли. @@ -8327,12 +6724,10 @@ Remember to also save your project manually. Track - Mute Тихо - Solo Соло @@ -8340,122 +6735,92 @@ Remember to also save your project manually. TrackContainer - - Importing FLP-file... - Импортирую файл FLP... - - - - - - Cancel - Отменить - - - - - - Please wait... - Подождите, пожалуйста... - - - - Importing MIDI-file... - Импортирую файл MIDI... - - - Couldn't import file Не могу импортировать файл - Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Не могу найти фильтр для импорта файла %1. Для подключения этого файла преобразуйте его в формат, поддерживаемый LMMS. - Couldn't open file Не могу открыть файл - Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Не могу открыть файл %1 для записи. Проверьте, обладаете ли вы правами на запись в выбранный файл и содержащий его каталог и попробуйте снова! - Loading project... Чтение проекта... + + Cancel + Отменить + + + Please wait... + Подождите, пожалуйста... + + + Importing MIDI-file... + Импортирую файл MIDI... + TrackContentObject - Mute - + Тихо TrackContentObjectView - Current position Текущая позиция - - Hint Подсказка - Press <%1> and drag to make a copy. Нажмите <%1> и тащите мышью, чтобы создать копию. - Current length Текущая длительность - Press <%1> for free resizing. Для свободного изменения размера нажмите <%1>. - %1:%2 (%3:%4 to %5:%6) %1:%2 (от %3:%4 до %5:%6) - Delete (middle mousebutton) Удалить (средняя кнопка мыши) - Cut Вырезать - Copy Копировать - Paste Вставить - Mute/unmute (<%1> + middle click) Тихо/громко (<%1> + middle click) @@ -8463,243 +6828,193 @@ Please make sure you have read-permission to the file and the directory containi TrackOperationsWidget - Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. Зажмите <Сtrl> и нажимайте мышь во время движения, чтобы начать новую переброску. - Actions for this track Действия для этой дорожки - Mute Тихо - - Solo Соло - Mute this track Заглушить эту дорожку - Clone this track Клонировать дорожку - Remove this track Удалить дорожку - Clear this track Очистить эту дорожку - FX %1: %2 ЭФ %1: %2 - - Assign to new FX Channel - Назначить на другой канал ЭФфектов - - - Turn all recording on Включить всё на запись - Turn all recording off Выключить всю запись + + Assign to new FX Channel + Назначить на другой канал ЭФфектов + TripleOscillatorView - Use phase modulation for modulating oscillator 1 with oscillator 2 Модулировать фазу осциллятора 2 сигналом с 1 - Use amplitude modulation for modulating oscillator 1 with oscillator 2 Модулировать амплитуду осциллятора 2 сигналом с первого - Mix output of oscillator 1 & 2 Смешать выводы 1 и 2 осцилляторов - Synchronize oscillator 1 with oscillator 2 Синхронизировать первый осциллятор по второму - Use frequency modulation for modulating oscillator 1 with oscillator 2 Модулировать частоту осциллятора 2 сигналом с 1 - Use phase modulation for modulating oscillator 2 with oscillator 3 Модулировать фазу осциллятора 3 сигналом с 2 - Use amplitude modulation for modulating oscillator 2 with oscillator 3 Модулировать амплитуду осциллятора 3 сигналом с 2 - Mix output of oscillator 2 & 3 Совместить вывод осцилляторов 2 и 3 - Synchronize oscillator 2 with oscillator 3 Синхронизировать осциллятор 2 и 3 - Use frequency modulation for modulating oscillator 2 with oscillator 3 Модулировать частоту осциллятора 3 сигналом со 2 - Osc %1 volume: Громкость осциллятора %1: - With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Эта ручка устанавливает громкость осциллятора %1. Если 0, то осциллятор выключается, иначе будет слышно настолько громко , как тут установлено. - Osc %1 panning: Баланс для осциллятора %1: - With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Регулятор стереобаланса осциллятора %1. Величина -100 обозначает, что 100% сигнала идёт в левый канал, а 100 - в правый. - Osc %1 coarse detuning: Грубая подстройка осциллятора %1: - semitones полутон[а,ов] - With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. Грубая регулировка подстройки осциллятора %1. Возможна подстройка до 24 полутонов (до 2 октавы) вверх и вниз. Полезно для создания аккордов. - Osc %1 fine detuning left: Точная подстройка левого канала осциллятора %1: - - cents Проценты - With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Эта ручка устанавливает точную подстройку для левого канала осциллятора %1. Подстройка задаётся в диапазоне от -100 сотых до +100 сотых. Это полезно для создания "сочных" звуков. - Osc %1 fine detuning right: Точная подстройка правого канала осциллятора %1: - With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Эта ручка устанавливает точную подстройку для правого канала осциллятора %1. Подстройка задаётся в диапазоне от -100 сотых до +100 сотых. Это полезно для создания "сочных" звуков. - Osc %1 phase-offset: Сдвиг фазы осциллятора %1: - - degrees градусы - With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Эта ручка устанавливает начальную фазу осциллятора %1, т. е. точку, с которой осциллятор начинает вырабатывать сигнал. Например, если вы задали синусоидальную форму сигнала и начальную фазу 180º, волна сначала пойдёт вниз, а не вверх. То же для меандра (сигнала прямоугольной формы). - Osc %1 stereo phase-detuning: Подстройка стерео фазы осциллятора %1: - With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Эта ручка устанавливает фазовую подстройку осциллятора %1 между каналами, то есть разность фаз между левым и правым каналами. Это удобно для создания расширения стереоэффектов. - Use a sine-wave for current oscillator. Использовать гармонический (синусоидальный) сигнал для этого осциллятора. - Use a triangle-wave for current oscillator. Использовать треугольный сигнал для этого осциллятора. - Use a saw-wave for current oscillator. Использовать зигзагообразный сигнал для этого осциллятора. - Use a square-wave for current oscillator. Использовать квадратный сигнал (меандр) для этого осциллятора. - Use a moog-like saw-wave for current oscillator. Использовать муг-зигзаг для этого осциллятора. - Use an exponential wave for current oscillator. Использовать экспоненциальный сигнал для этого осциллятора. - Use white-noise for current oscillator. Использовать белый шум для этого осциллятора. - Use a user-defined waveform for current oscillator. Задать форму сигнала. @@ -8707,126 +7022,105 @@ Please make sure you have read-permission to the file and the directory containi VersionedSaveDialog - Increment version number Увеличивающийся номер версии - Decrement version number Понижающийся номер версии + + already exists. Do you want to replace it? + + VestigeInstrumentView - Open other VST-plugin Открыть другой VST плагин - Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Открыть другой модуль VST. После нажатия на кнопку появится стандартный диалог выбора файла, где вы сможете выбрать нужный модуль. - + Show/hide GUI + Показать/скрыть интерфейс + + + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + Скрывает/показывает графический пользовательский интерфейс (GUI) выбранного модуля VST. + + + Turn off all notes + Выключить все ноты + + + Open VST-plugin + Открыть модуль VST + + + DLL-files (*.dll) + Бибилиотеки DLL (*.dll) + + + EXE-files (*.exe) + Программы EXE (*.exe) + + + No VST-plugin loaded + Модуль VST не загружен + + Control VST-plugin from LMMS host Управление VST плагином через LMMS - Click here, if you want to control VST-plugin from host. Нажмите здесь для контроля VST плагина через хост. - Open VST-plugin preset Открыть предустановку VST модуля - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Открыть другую .fxp . fxb предустановку VST. - Previous (-) Предыдущий <-> - - Click here, if you want to switch to another VST-plugin preset program. Нажмите здесь для переключения на другую предустановку программы VST плагина. - Save preset Сохранить предустановку - Click here, if you want to save current VST-plugin preset program. Сохранить текущую предустановку программы VST плагина. - Next (+) Следующий <+> - Click here to select presets that are currently loaded in VST. Выбор из уже загруженных в VST предустановок. - - Show/hide GUI - Показать/скрыть интерфейс - - - - Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - Скрывает/показывает графический пользовательский интерфейс (GUI) выбранного модуля VST. - - - - Turn off all notes - Выключить все ноты - - - - Open VST-plugin - Открыть модуль VST - - - - DLL-files (*.dll) - Бибилиотеки DLL (*.dll) - - - - EXE-files (*.exe) - Программы EXE (*.exe) - - - - No VST-plugin loaded - Модуль VST не загружен - - - Preset Предустановка - by от - - VST plugin control - управление VST плагином @@ -8834,12 +7128,10 @@ Please make sure you have read-permission to the file and the directory containi VisualizationWidget - click to enable/disable visualization of master-output Нажмите, чтобы включить/выключить визуализацию главного вывода - Click to enable Нажать для включения @@ -8847,69 +7139,54 @@ Please make sure you have read-permission to the file and the directory containi VstEffectControlDialog - Show/hide Показать/Скрыть - Control VST-plugin from LMMS host Управление VST плагином через LMMS хост - Click here, if you want to control VST-plugin from host. Нажмите здесь, для контроля VST плагином через хост. - Open VST-plugin preset Открыть предустановку VST плагина - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Открыть другую .fxp . fxb предустановку VST. - Previous (-) Предыдущий <-> - - Click here, if you want to switch to another VST-plugin preset program. Переключение на другую предустановку программы VST плагина. - Next (+) Следующий <+> - Click here to select presets that are currently loaded in VST. Выбор из уже загруженных в VST предустановок. - Save preset Сохранить настройку - Click here, if you want to save current VST-plugin preset program. Сохранить текущую предустановку программы VST плагина. - - Effect by: Эффекты по: - &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> @@ -8917,509 +7194,387 @@ Please make sure you have read-permission to the file and the directory containi VstPlugin - - - The VST plugin %1 could not be loaded. - VST плагин %1 не может быть загружен. + Loading plugin + Загрузка модуля - Open Preset Открыть предустановку - - Vst Plugin Preset (*.fxp *.fxb) Предустановка VST плагина (*.fxp, *.fxb) - : default : основные - " " - ' ' - Save Preset Сохранить предустановку - .fxp .fxp - .FXP .FXP - .FXB .FXB - .fxb .fxb - - Loading plugin - Загрузка модуля - - - Please wait while loading VST plugin... Пожалуйста, подождите пока грузится VST плагин... + + The VST plugin %1 could not be loaded. + VST плагин %1 не может быть загружен. + WatsynInstrument - Volume A1 - Volume A2 - Volume B1 - Volume B2 - Panning A1 - Panning A2 - Panning B1 - Panning B2 - Freq. multiplier A1 - Freq. multiplier A2 - Freq. multiplier B1 - Freq. multiplier B2 - Left detune A1 - Left detune A2 - Left detune B1 - Left detune B2 - Right detune A1 - Right detune A2 - Right detune B1 - Right detune B2 - A-B Mix - A-B Mix envelope amount - A-B Mix envelope attack - A-B Mix envelope hold - A-B Mix envelope decay - A1-B2 Crosstalk - A2-A1 modulation - B2-B1 modulation - - Selected graph - - - - - WatsynView - - - - - - Volume - Громкость - - - - - - - Panning - - - - - - - - Freq. multiplier - - - - - - - - Left detune - - - - - - - - - - - - cents - - - - - - - - Right detune - - - - - A-B Mix - - - - - Mix envelope amount - - - - - Mix envelope attack - - - - - Mix envelope hold - - - - - Mix envelope decay - - - - - Crosstalk + Selected graph + + + WatsynView - Select oscillator A1 - Select oscillator A2 - Select oscillator B1 - Select oscillator B2 - Mix output of A2 to A1 - Modulate amplitude of A1 with output of A2 Модулировать амплитуду A1 сигналом с A2 - Ring-modulate A1 and A2 Кольцевая модуляция А1 и А2 - Modulate phase of A1 with output of A2 Модулировать фазу A1 сигналом с A2 - Mix output of B2 to B1 - Modulate amplitude of B1 with output of B2 Модулировать амплитуду B1 сигналом с B2 - Ring-modulate B1 and B2 Кольцевая модуляция B1 и B2 - Modulate phase of B1 with output of B2 Модулировать фазу B1 сигналом с B2 - - - - Draw your own waveform here by dragging your mouse on this graph. Здесь вы можете рисовать собственный сигнал передвигая зажатой мышью по этому графу. - Load waveform - Click to load a waveform from a sample file Кликнуть для загрузки формы звука из файла с образцом - Phase left Фаза слева - Click to shift phase by -15 degrees - Phase right Фаза справа - Click to shift phase by +15 degrees - Normalize Нормализовать - Click to normalize - Invert - Click to invert - Smooth Сгладить - Click to smooth - Sine wave Синусоида - Click for sine wave - - Triangle wave Треугольная волна - Click for triangle wave - Click for saw wave - Square wave Квадрат - Click for square wave + + Volume + Громкость + + + Panning + Баланс + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + + ZynAddSubFxInstrument - Portamento Портаменто - Filter Frequency Фильтр Частот - Filter Resonance Фильтр резонанса - Bandwidth Ширина полосы - FM Gain Усил FM - Resonance Center Frequency Частоты центра резонанса - Resonance Bandwidth Ширина полосы резонанса - Forward MIDI Control Change Events Переслать изменение событий MiDi управления @@ -9427,158 +7582,128 @@ Please make sure you have read-permission to the file and the directory containi ZynAddSubFxView - + Show GUI + Показать интерфейс + + + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + Скрыть или показать графический интерфейс ZynAddSubFX. + + Portamento: Портаменто: - PORT PORT - Filter Frequency: Фильтр частот: - FREQ FREQ - Filter Resonance: Фильтр резонанса: - RES RES - Bandwidth: Полоса пропускания: - BW BW - FM Gain: Усиление частоты модуляции (FM): - FM GAIN FM GAIN - Resonance center frequency: Частоты центра резонанса: - RES CF RES CF - Resonance bandwidth: Ширина полосы резонанса: - RES BW RES BW - Forward MIDI Control Changes Переслать изменение событий MiDi управления - - - Show GUI - Показать интерфейс - - - - Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - Скрыть или показать графический интерфейс ZynAddSubFX. - audioFileProcessor - Amplify Усиление - Start of sample Начало записи - End of sample Конец записи - - Loopback point - Точка петли - - - Reverse sample Перевернуть запись - - Loop mode - Режим повтора - - - Stutter Запинание - + Loopback point + Точка петли + + + Loop mode + Режим повтора + + Interpolation mode - + Режим интерполяции - None - + Нет - Linear - Sinc - Sample not found: %1 - + Сэмпл не найден: %1 bitInvader - Samplelength Длительность @@ -9586,205 +7711,165 @@ Please make sure you have read-permission to the file and the directory containi bitInvaderView - Sample Length Длительность записи - - Draw your own waveform here by dragging your mouse on this graph. - Здесь вы можете рисовать собственный сигнал. - - - Sine wave Синусоида - - Click for a sine-wave. - Сгенерировать гармонический (синусоидальный) сигнал. - - - Triangle wave Треугольник - - Click here for a triangle-wave. - Сгенерировать треугольный сигнал. - - - Saw wave Зигзаг - - Click here for a saw-wave. - Сгенерировать загзагообразный сигнал. - - - Square wave Квадрат (Меандр) - - Click here for a square-wave. - Сгенерировать квадратную волну (меандр). - - - White noise wave Белый шум - - Click here for white-noise. - Сгенерировать белый шум. - - - User defined wave Пользовательская - - Click here for a user-defined shape. - Задать форму сигнала вручную. - - - Smooth Сгладить - Click here to smooth waveform. Щёлкните чтобы сгладить форму сигнала. - Interpolation Интерполяция - Normalize Нормализовать + + Draw your own waveform here by dragging your mouse on this graph. + Здесь вы можете рисовать собственный сигнал. + + + Click for a sine-wave. + Сгенерировать гармонический (синусоидальный) сигнал. + + + Click here for a triangle-wave. + Сгенерировать треугольный сигнал. + + + Click here for a saw-wave. + Сгенерировать загзагообразный сигнал. + + + Click here for a square-wave. + Сгенерировать квадратную волну (меандр). + + + Click here for white-noise. + Сгенерировать белый шум. + + + Click here for a user-defined shape. + Задать форму сигнала вручную. + dynProcControlDialog - INPUT ВХОД - Input gain: Входная мощность: - OUTPUT Выход - Output gain: Выходная мощность: - ATTACK - + АТАКА - Peak attack time: Время пиковой атаки: - RELEASE - + ОТПУСК - Peak release time: Время отпуска пика: - Reset waveform Сбросить волну - Click here to reset the wavegraph back to default Нажмите здесь, чтобы скинуть граф волны обратно по умолчанию - Smooth waveform Сгладить волну - Click here to apply smoothing to wavegraph Нажмите здесь, чтобы применить сглаживание графа волны - Increase wavegraph amplitude by 1dB - + Повысить амплитуду графа волны на 1дБ - Click here to increase wavegraph amplitude by 1dB Нажмите здесь, чтобы увеличить амплитуду графа волны на 1дБ - Decrease wavegraph amplitude by 1dB - + Снизить амплитуду графа волны на 1дБ - Click here to decrease wavegraph amplitude by 1dB Нажмите здесь, чтобы снизить амплитуду графа волны на 1дБ - Stereomode Maximum Стереорежим Максимум - Process based on the maximum of both stereo channels Процесс основанный на максимуме от обоих каналов - Stereomode Average Стереорежим Средний - Process based on the average of both stereo channels Процесс основанный на средней обоих каналов - Stereomode Unlinked Стереорежим Отдельный - Process each stereo channel independently Обрабатывает каждый стерео канал независимо @@ -9792,48 +7877,40 @@ Please make sure you have read-permission to the file and the directory containi dynProcControls - Input gain Входная мощность - Output gain Выходная мощность - Attack time - + Время атаки - Release time - + Время отпуска - Stereo mode - + Режим стерео fxLineLcdSpinBox - Assign to: - New FX Channel - + Новый канал ЭФ graphModel - Graph Граф @@ -9841,62 +7918,50 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrument - Start frequency Начальная частота - End frequency Конечная частота - + Gain + Усиление + + Length - + Длина - Distortion Start - + Начало искажения - Distortion End - + Конец искажения - - Gain - Усиление - - - Envelope Slope - Noise Шум - Click - Frequency Slope - Start from note - End to note @@ -9904,52 +7969,42 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrumentView - Start frequency: Начальная частота: - End frequency: Конечная частота: - - Frequency Slope: - - - - Gain: Усиление: - + Frequency Slope: + + + Envelope Length: - Envelope Slope: - Click: - Noise: - + Шум: - Distortion Start: - Distortion End: @@ -9957,37 +8012,26 @@ Please make sure you have read-permission to the file and the directory containi ladspaBrowserView - - Available Effects Доступные эффекты - - Unavailable Effects Недоступные эффекты - - Instruments Инструменты - - Analysis Tools Анализаторы - - Don't know Неизвестные - This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. @@ -10016,7 +8060,6 @@ Double clicking any of the plugins will bring up information on the ports. - Type: Тип: @@ -10024,12 +8067,10 @@ Double clicking any of the plugins will bring up information on the ports. ladspaDescription - Plugins Модули - Description Описание @@ -10037,83 +8078,66 @@ Double clicking any of the plugins will bring up information on the ports. ladspaPortDialog - Ports Порты - Name Название - Rate Частота выборки - Direction Направление - Type Тип - Min < Default < Max Меньше < Стандарт < Больше - Logarithmic Логарифмический - SR Dependent Зависимость от SR - Audio Аудио - Control Управление - Input Ввод - Output Вывод - Toggled Включено - Integer Целое - Float Дробное - - Yes Да @@ -10121,57 +8145,46 @@ Double clicking any of the plugins will bring up information on the ports. lb302Synth - VCF Cutoff Frequency Частота среза VCF - VCF Resonance Усиление VCF - VCF Envelope Mod Модуляция огибающей VCF - VCF Envelope Decay Спад огибающей VCF - Distortion Искажение - Waveform Форма сигнала - Slide Decay Сдвиг затухания - Slide Сдвиг - Accent Акцент - Dead Глухо - 24dB/oct Filter 24дБ/окт фильтр @@ -10179,153 +8192,122 @@ Double clicking any of the plugins will bring up information on the ports. lb302SynthView - Cutoff Freq: Частота среза: - Resonance: Отзвук: - Env Mod: Мод Огиб: - Decay: Спад: - 303-es-que, 24dB/octave, 3 pole filter 303-ий, 24дБ/октаву, 3-польный фильтр - Slide Decay: Сдвиг спада: - DIST: ИСК: - Saw wave Зигзаг - Click here for a saw-wave. Сгенерировать зигзаг. - Triangle wave Треугольная волна - Click here for a triangle-wave. Сгенерировать треугольный сигнал. - Square wave Квадрат - Click here for a square-wave. Сгенерировать квадрат. - Rounded square wave Волна скругленного квадрата - Click here for a square-wave with a rounded end. Создать квадратную волну закруглённую в конце. - Moog wave Муг волна - Click here for a moog-like wave. Сгенерировать волну похожую на муг. - Sine wave Синусоида - Click for a sine-wave. Сгенерировать гармонический (синусоидальный) сигнал. - - White noise wave Белый шум - Click here for an exponential wave. Генерировать экспоненциальный сигнал. - Click here for white-noise. Сгенерировать белый шум. - Bandlimited saw wave - Click here for bandlimited saw wave. Нажать здесь для пилообразной волны с ограниченной полосой. - Bandlimited square wave - Click here for bandlimited square wave. Нажать здесь для квадратной волны с ограниченной полосой. - Bandlimited triangle wave - Click here for bandlimited triangle wave. Нажать здесь для треуголной волны с ограниченной полосой. - Bandlimited moog saw wave - Click here for bandlimited moog saw wave. Нажать здесь для пилообразной муг (moog) волны с ограниченной полосой. @@ -10333,147 +8315,118 @@ Double clicking any of the plugins will bring up information on the ports. malletsInstrument - Hardness Жёсткость - Position Положение - Vibrato Gain Усиление вибрато - Vibrato Freq Частота вибрато - Stick Mix Сведение ручек - Modulator Модулятор - Crossfade Переход - LFO Speed Скорость LFO - LFO Depth Глубина LFO - ADSR ADSR - Pressure Давление - Motion Движение - Speed Скорость - Bowed Наклон - Spread Разброс - Marimba Маримба - Vibraphone Вибрафон - Agogo Дискотека - Wood1 Дерево1 - Reso Резо - Wood2 Дерево2 - Beats Удары - Two Fixed Два фиксированных - Clump Тяжёлая поступь - Tubular Bells Трубные колокола - Uniform Bar Равномерные полосы - Tuned Bar Подстроенные полосы - Glass Стекло - Tibetan Bowl Тибетские шары @@ -10481,212 +8434,149 @@ Double clicking any of the plugins will bring up information on the ports. malletsInstrumentView - Instrument Инструмент - Spread Разброс - Spread: Разброс: - - Missing files - Файлы отсутствуют - - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - Похоже устновка Stk прошла не полностью. Пожалуйста, убедитесь, что пакет Stk полностью установлен! - - - Hardness Жёсткость - Hardness: Жёсткость: - Position Положение - Position: Положение: - Vib Gain Усил. вибрато - Vib Gain: Усил. вибрато: - Vib Freq Част. виб - Vib Freq: Вибрато: - Stick Mix Сведение ручек - Stick Mix: Сведение ручек: - Modulator Модулятор - Modulator: Модулятор: - Crossfade Переход - Crossfade: Переход: - LFO Speed Скорость LFO - LFO Speed: Скорость LFO: - LFO Depth Глубина LFO - LFO Depth: Глубина LFO: - ADSR ADSR - ADSR: ADSR: - - Bowed - Наклон - - - Pressure Давление - Pressure: Давление: - - Motion - Движение - - - - Motion: - Движение: - - - Speed Скорость - Speed: Скорость: - - - Vibrato - Вибрато + Missing files + Файлы отсутствуют - - Vibrato: - Вибрато: + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + Похоже устновка Stk прошла не полностью. Пожалуйста, убедитесь, что пакет Stk полностью установлен! manageVSTEffectView - - VST parameter control Управление VST параметрами - VST Sync VST синхронизация - Click here if you want to synchronize all parameters with VST plugin. Нажмите здесь для синхронизации всех параметров с VST плагином. - - Automated Автоматизировано - Click here if you want to display automated parameters only. Нажмите здесь, если хотите видеть только автоматизированные параметры. - Close Закрыть - Close VST effect knob-controller window. Закрыть окно управления регуляторами VST эффектов. @@ -10694,39 +8584,30 @@ Double clicking any of the plugins will bring up information on the ports. manageVestigeInstrumentView - - - VST plugin control Управление VST плагином - VST Sync VST синхронизация - Click here if you want to synchronize all parameters with VST plugin. Нажмите здесь для синхронизации всех параметров VST плагина. - - Automated Автоматизировано - Click here if you want to display automated parameters only. Нажмите здесь, если хотите видеть только автоматизированные параметры. - Close Закрыть - Close VST plugin knob-controller window. Закрыть окно управления регуляторами VST плагина. @@ -10734,147 +8615,118 @@ Double clicking any of the plugins will bring up information on the ports. opl2instrument - Patch Патч - Op 1 Attack ОП 1 Вступление - Op 1 Decay ОП 1 Спад - Op 1 Sustain ОП 1 Выдержка - Op 1 Release ОП 1 Убывание - Op 1 Level ОП 1 Уровень - Op 1 Level Scaling ОП 1 Уровень увеличения - Op 1 Frequency Multiple ОП 1 Множитель частот - Op 1 Feedback ОП 1 Возврат - Op 1 Key Scaling Rate ОП 1 Ключевая ставка увеличения - Op 1 Percussive Envelope ОП 1 Ударная огибающая - Op 1 Tremolo ОП 1 Тремоло - Op 1 Vibrato Оп 1 Вибрато - Op 1 Waveform ОП 1 Волна - Op 2 Attack ОП 2 Вступление - Op 2 Decay ОП 2 Спад - Op 2 Sustain ОП 2 Выдержка - Op 2 Release ОП 2 Убывание - Op 2 Level ОП 2 Уровень - Op 2 Level Scaling ОП 2 Уровень увеличения - Op 2 Frequency Multiple ОП 2 Множитель частот - Op 2 Key Scaling Rate ОП 2 Ключевая ставка множителя - Op 2 Percussive Envelope ОП 2 Ударная огибающая - Op 2 Tremolo ОП 2 Тремоло - Op 2 Vibrato Оп 2 Вибрато - Op 2 Waveform ОП 2 Волна - FM FM - Vibrato Depth Глубина вибрато - Tremolo Depth Глубина тремоло @@ -10882,26 +8734,18 @@ Double clicking any of the plugins will bring up information on the ports. opl2instrumentView - - Attack - + Вступление - - Decay - + Затихание - - Release - + Убывание - - Frequency multiplier @@ -10909,12 +8753,10 @@ Double clicking any of the plugins will bring up information on the ports. organicInstrument - Distortion Искажение - Volume Громкость @@ -10922,63 +8764,50 @@ Double clicking any of the plugins will bring up information on the ports. organicInstrumentView - Distortion: Искажение: - - The distortion knob adds distortion to the output of the instrument. - Дисторшн добавляет искажения к выводу инструмента. - - - Volume: Громкость: - - The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - Регулятор громкости вывода инструмента, суммируется с регулятором громкости окна инструмента. - - - Randomise Случайно - - The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - Кнопка рандомизации случайно устанавливает все регуляторы, кроме гармоник, основной громкости и регулятора искажений (дисторшн). - - - - Osc %1 waveform: Форма сигнала для осциллятора %1: - Osc %1 volume: Громкость осциллятора %1: - Osc %1 panning: Баланс для осциллятора %1: - - Osc %1 stereo detuning - Осц %1 стерео расстройка - - - cents сотые - + The distortion knob adds distortion to the output of the instrument. + Дисторшн добавляет искажения к выводу инструмента. + + + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. + Регулятор громкости вывода инструмента, суммируется с регулятором громкости окна инструмента. + + + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. + Кнопка рандомизации случайно устанавливает все регуляторы, кроме гармоник, основной громкости и регулятора искажений (дисторшн). + + + Osc %1 stereo detuning + Осц %1 стерео расстройка + + Osc %1 harmonic: Осц %1 гармоника: @@ -10986,351 +8815,265 @@ Double clicking any of the plugins will bring up information on the ports. papuInstrument - Sweep time Время распространения - Sweep direction Направление распространения - Sweep RtShift amount Кол-во распространения сдвига вправо - - Wave Pattern Duty Рабочая форма волны - Channel 1 volume Громкость первого канала - - - Volume sweep direction Объём направления распространения - - - Length of each step in sweep Длина каждого такта в распространении - Channel 2 volume Громкость второго канала - Channel 3 volume Громкость третьего канала - Channel 4 volume Громкость четвёртого канала - - Shift Register width - Сдвиг ширины регистра - - - Right Output level Выходной уровень справа - Left Output level Выходной уровень слева - Channel 1 to SO2 (Left) От первого канала к SO2 (левый канал) - Channel 2 to SO2 (Left) От второго канала к SO2 (левый канал) - Channel 3 to SO2 (Left) От третьего канала к SO2 (левый канал) - Channel 4 to SO2 (Left) От четвёртого канала к SO2 (левый канал) - Channel 1 to SO1 (Right) От первого канала к SO1 (правый канал) - Channel 2 to SO1 (Right) От второго канала к SO1 (правый канал) - Channel 3 to SO1 (Right) От третьего канала к SO1 (правый канал) - Channel 4 to SO1 (Right) От четвёртого канала к SO1 (правый канал) - Treble Верхние - Bass Нижние + + Shift Register width + Сдвиг ширины регистра + papuInstrumentView - Sweep Time: Время развёртки: - Sweep Time Время развёртки - - The amount of increase or decrease in frequency - Кол-во увеличения или уменьшения в частоте - - - Sweep RtShift amount: Кол-во развёртки сдвиг вправо: - Sweep RtShift amount Кол-во развёртки сдвиг вправо - - The rate at which increase or decrease in frequency occurs - Темп проявления увеличения или снижения в частоте - - - - Wave pattern duty: Рабочая форма волны: - Wave Pattern Duty Рабочая форма волны - - - The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - Рабочий цикл это коэффициент длительности (времени) включенного сигнала относительно всего периода сигнала. - - - - Square Channel 1 Volume: Громкость квадратного канала 1: - - Square Channel 1 Volume - Громкость квадратного канала 1 - - - - - Length of each step in sweep: Длина каждого такта в развёртке: - - - Length of each step in sweep Длина каждого такта в распространении - - - - The delay between step change - Задержка между изменениями такта - - - Wave pattern duty Рабочая форма волны - Square Channel 2 Volume: Громкость квадратного канала 2: - - Square Channel 2 Volume Громкость квадратного канала 2 - Wave Channel Volume: Громкость волнового канала: - - Wave Channel Volume Громкость волнового канала - Noise Channel Volume: Громкость канала шума: - - Noise Channel Volume Громкость канала шума - SO1 Volume (Right): Громкость SO1 (Правый): - SO1 Volume (Right) Громкость SO1 (Правый) - SO2 Volume (Left): Громкость SO2 (Левый): - SO2 Volume (Left) Громкость SO2 (Левый) - Treble: Верхние: - Treble Верхние - Bass: Нижние: - Bass Нижние - Sweep Direction Направление развёртки - - - - - Volume Sweep Direction Громкость направления развёртки - Shift Register Width Сдвиг ширины регистра - Channel1 to SO1 (Right) Канал1 в SO1 (Правый) - Channel2 to SO1 (Right) Канал2 в SO1 (Правый) - Channel3 to SO1 (Right) Канал3 в SO1 (Правый) - Channel4 to SO1 (Right) Канал4 в SO1 (Правый) - Channel1 to SO2 (Left) Канал1 в SO2 (Левый) - Channel2 to SO2 (Left) Канал2 в SO2 (Левый) - Channel3 to SO2 (Left) Канал2 в SO2 (Левый) - Channel4 to SO2 (Left) Канал4 в SO2 (Левый) - Wave Pattern Рисунок волны - + The amount of increase or decrease in frequency + Кол-во увеличения или уменьшения в частоте + + + The rate at which increase or decrease in frequency occurs + Темп проявления увеличения или снижения в частоте + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + Рабочий цикл это коэффициент длительности (времени) включенного сигнала относительно всего периода сигнала. + + + Square Channel 1 Volume + Громкость квадратного канала 1 + + + The delay between step change + Задержка между изменениями такта + + Draw the wave here Рисовать волну здесь @@ -11338,42 +9081,34 @@ Double clicking any of the plugins will bring up information on the ports. patchesDialog - Qsynth: Channel Preset - Bank selector - Bank - + Банк - Program selector Выбор программ - Patch - + Патч - Name Имя - OK ОК - Cancel Отмена @@ -11381,302 +9116,239 @@ Double clicking any of the plugins will bring up information on the ports. pluginBrowser - - A native amplifier plugin - Родной плагин усилителя - - - - Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - Простой сэмплер с разными установками по использованию сэмплов (как барабаны) в инструментальной дорожке + no description + описание отсутствует - - Boost your bass the fast and simple way - Накачай свой бас быстро и просто + Incomplete monophonic imitation tb303 + Незавершённая монофоническая имитация tb303 - - Customizable wavetable synthesizer - Настраиваемый синтезатор звукозаписей (wavetable) + Plugin for freely manipulating stereo output + Модуль для произвольного управления стереовыходом - - An oversampling bitcrusher - + Plugin for controlling knobs with sound peaks + Модуль для установки значений регуляторов по пикам громкости - - Carla Patchbay Instrument - + Plugin for enhancing stereo separation of a stereo input file + Модуль, усиливающий разницу между каналами стереозаписи - - Carla Rack Instrument - Карла инструментальная стойка + List installed LADSPA plugins + Показать установленные модули LADSPA - - A 4-band Crossover Equalizer - + GUS-compatible patch instrument + Патч-инструмент, совместимый с GUS - - A native delay plugin - + Additive Synthesizer for organ-like sounds + Синтезатор звуков вроде органа - - A Dual filter plugin - + Tuneful things to bang on + Мелодичные ударные - - plugin for processing dynamics in a flexible way - + VST-host for using VST(i)-plugins within LMMS + VST - хост для поддержки модулей VST(i) в LMMS - - A native eq plugin - Родной плагин эквалайзера + Vibrating string modeler + Эмуляция вибрирующих струн - - A native flanger plugin - + plugin for using arbitrary LADSPA-effects inside LMMS. + Модуль, позволяющий использовать в LMMS любые эффекты LADSPA. - - Filter for importing FL Studio projects into LMMS - Фильтр для импортирования файлов FL Stuio + Filter for importing MIDI-files into LMMS + Фильтр для включения файла MIDI в проект ЛММС - - Player for GIG files - + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. + Эмуляция MOS6581 и MOS8580. +Использовалось на компьютере Commodore 64. - - Filter for importing Hydrogen files into LMMS - Фильтр для импорта Hydrogen файлов в LMMS + Player for SoundFont files + Проигрыватель файлов SoundFont - - Versatile drum synthesizer - + Emulation of GameBoy (TM) APU + Эмуляция GameBoy (TM) - - List installed LADSPA plugins - Показать установленные модули LADSPA + Customizable wavetable synthesizer + Настраиваемый синтезатор звукозаписей (wavetable) - - plugin for using arbitrary LADSPA-effects inside LMMS. - Модуль, позволяющий использовать в LMMS любые эффекты LADSPA. + Embedded ZynAddSubFX + Встроенный ZynAddSubFX - - Incomplete monophonic imitation tb303 - Незавершённая монофоническая имитация tb303 + 2-operator FM Synth + 2-режимный синт модуляции частот (FM synth) - - Filter for exporting MIDI-files from LMMS - + Filter for importing Hydrogen files into LMMS + Фильтр для импорта Hydrogen файлов в LMMS - - Filter for importing MIDI-files into LMMS - Фильтр для включения файла MIDI в проект ЛММС + LMMS port of sfxr + LMMS порт SFXR - Monstrous 3-oscillator synth with modulation matrix Монстро 3-осциляторный синт с матрицей модуляции - - A multitap echo delay plugin - + Three powerful oscillators you can modulate in several ways + Три мощных осциллятора, которые можно модулировать несколькими способами - - A NES-like synthesizer - Синтезатор типа NES + A native amplifier plugin + Родной плагин усилителя - - 2-operator FM Synth - 2-режимный синт модуляции частот (FM synth) + Carla Rack Instrument + Карла инструментальная стойка - - Additive Synthesizer for organ-like sounds - Синтезатор звуков вроде органа + 4-oscillator modulatable wavetable synth + - - Emulation of GameBoy (TM) APU - Эмуляция GameBoy (TM) + plugin for waveshaping + Плагин для сглаживания волн - - GUS-compatible patch instrument - Патч-инструмент, совместимый с GUS + Boost your bass the fast and simple way + Накачай свой бас быстро и просто - - Plugin for controlling knobs with sound peaks - Модуль для установки значений регуляторов по пикам громкости + Versatile drum synthesizer + - - Player for SoundFont files - Проигрыватель файлов SoundFont + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track + Простой сэмплер с разными установками по использованию сэмплов (как барабаны) в инструментальной дорожке - - LMMS port of sfxr - LMMS порт SFXR + plugin for processing dynamics in a flexible way + - - Emulation of the MOS6581 and MOS8580 SID. -This chip was used in the Commodore 64 computer. - Эмуляция MOS6581 и MOS8580. -Использовалось на компьютере Commodore 64. + Carla Patchbay Instrument + + + + plugin for using arbitrary VST effects inside LMMS. + Плагин для использования любых VST эффектов в ЛММС - Graphical spectrum analyzer plugin Плагин графического анализа спектра - - Plugin for enhancing stereo separation of a stereo input file - Модуль, усиливающий разницу между каналами стереозаписи + A NES-like synthesizer + Синтезатор типа NES - - Plugin for freely manipulating stereo output - Модуль для произвольного управления стереовыходом + A native delay plugin + - - Tuneful things to bang on - Мелодичные ударные + Player for GIG files + - - Three powerful oscillators you can modulate in several ways - Три мощных осциллятора, которые можно модулировать несколькими способами + A multitap echo delay plugin + - - VST-host for using VST(i)-plugins within LMMS - VST - хост для поддержки модулей VST(i) в LMMS + A native flanger plugin + - - Vibrating string modeler - Эмуляция вибрирующих струн + An oversampling bitcrusher + - - plugin for using arbitrary VST effects inside LMMS. - Плагин для использования любых VST эффектов в ЛММС + A native eq plugin + Родной плагин эквалайзера - - 4-oscillator modulatable wavetable synth + A 4-band Crossover Equalizer - - plugin for waveshaping - Плагин для сглаживания волн - - - - Embedded ZynAddSubFX - Встроенный ZynAddSubFX + A Dual filter plugin + - - no description - описание отсутствует + Filter for exporting MIDI-files from LMMS + sf2Instrument - Bank Банк - Patch Патч - Gain Усиление - Reverb Эхо - Reverb Roomsize Объём эха - Reverb Damping Затухание эха - Reverb Width Долгота эха - Reverb Level Уровень эха - Chorus Хор (припев) - Chorus Lines Линии хора - Chorus Level Уровень хора - Chorus Speed Скорость хора - Chorus Depth Глубина хора - A soundfont %1 could not be loaded. Soundfont %1 не удаётся загрузить. @@ -11684,92 +9356,74 @@ This chip was used in the Commodore 64 computer. sf2InstrumentView - Open other SoundFont file Открыть другой файл SoundFront - Click here to open another SF2 file Нажмите здесь чтобы открыть другой файл SF2 - Choose the patch Выбрать патч - Gain Усиление - Apply reverb (if supported) Создать эхо (если поддерживается) - This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Эта кнопка включает эффект эха. Это может пригодиться, но работает не для всех файлов. - Reverb Roomsize: Размер помещения: - Reverb Damping: Глушение эха: - Reverb Width: Долгота эха: - Reverb Level: Уровень эха: - Apply chorus (if supported) Создать эффект хора (если поддерживается) - This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Эта кнопка включает эффект хора. Это может пригодиться, но работает не для всех файлов. - Chorus Lines: Линии хора: - Chorus Level: Уровень хора: - Chorus Speed: Скорость хора: - Chorus Depth: Глубина хора: - Open SoundFont file Открыть файл SoundFront - SoundFont2 Files (*.sf2) Файлы SoundFont2 (*.sf2) @@ -11777,7 +9431,6 @@ This chip was used in the Commodore 64 computer. sfxrInstrument - Wave Form Форма волны @@ -11785,32 +9438,26 @@ This chip was used in the Commodore 64 computer. sidInstrument - Cutoff Срез - Resonance Усиление - Filter type Тип фильтра - Voice 3 off Голос 3 откл - Volume Громкость - Chip model Модель чипа @@ -11818,172 +9465,134 @@ This chip was used in the Commodore 64 computer. sidInstrumentView - Volume: Громкость: - Resonance: Усиление: - - Cutoff frequency: Частота среза: - High-Pass filter Выс.ЧФ - Band-Pass filter Сред.ЧФ - Low-Pass filter Низ.ЧФ - Voice3 Off Голос 3 откл - MOS6581 SID - MOS8580 SID - - Attack: Вступление: - Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Длительность вступления определяет, насколько быстро громкость %1-го голоса возрастает от нуля до наибольшего значения. - - Decay: Спад: - Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Длительность спада определяет, насколько быстро громкость падает от максимума до остаточного уровня. - Sustain: Выдержка: - Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Громкость %1-го голоса будет оставаться на уровне амплитуды выдержки, пока длится нота. - - Release: Убывание: - The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Громкость %1-го голоса будет падать от остаточного уровня до нуля с указанной здесь скоростью. - - Pulse Width: Длительность импульса: - The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Длительность импульса позволяет мягко регулировать прохождение импульса без заметных сбоев. Импульсная волна должна быть выбрана на осцилляторе %1, чтобы получить звучание. - Coarse: Грубость: - The Coarse detuning allows to detune Voice %1 one octave up or down. Грубая настройка позволяет подстроить Голос %1 на одну октаву вверх или вниз. - Pulse Wave Пульсирующая волна - Triangle Wave Треугольник - SawTooth Зигзаг - Noise Шум - Sync Синхро - Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Синхро синхронизирует фундаментальную частоту осцилляторов %1 фундаментальной частотой осциллятора %2, создавая эффект "Железной синхронизации". - Ring-Mod Круговой режим - Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Круговой режим заменяет треугольные волны на выходе осциллятора %1 "Круговой модуляцией" комбинацией осцилляторов %1 и %2. - Filtered Фильтровать - When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Если этот флажок установлен, то %1-й голос будет проходить через фильтр. Иначе голос №%1 будет подаваться прямо на выход. - Test Тест - Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. Если «флажок» установлен, то %1-й осциллятор выдаёт нулевой сигнал (пока флажок не снимется). @@ -11991,12 +9600,10 @@ This chip was used in the Commodore 64 computer. stereoEnhancerControlDialog - WIDE ШИРЕ - Width: Ширина: @@ -12004,7 +9611,6 @@ This chip was used in the Commodore 64 computer. stereoEnhancerControls - Width Ширина @@ -12012,22 +9618,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControlDialog - Left to Left Vol: От левого на левый: - Left to Right Vol: От левого на правый: - Right to Left Vol: От правого на левый: - Right to Right Vol: От правого на правый: @@ -12035,22 +9637,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControls - Left to Left От левого на левый - Left to Right От левого на правый - Right to Left От правого на левый - Right to Right От правого на правый @@ -12058,12 +9656,10 @@ This chip was used in the Commodore 64 computer. vestigeInstrument - Loading plugin Загрузка модуля - Please wait while loading VST-plugin... Подождите, пока загрузится модуль VST... @@ -12071,52 +9667,42 @@ This chip was used in the Commodore 64 computer. vibed - String %1 volume Громкость %1-й струны - String %1 stiffness Жёсткость %1-й струны - Pick %1 position Лад %1 - Pickup %1 position Положение %1-го звукоснимателя - Pan %1 Бал %1 - Detune %1 Подстройка %1 - Fuzziness %1 Нечёткость %1 - Length %1 Длина %1 - Impulse %1 Импульс %1 - Octave %1 Октава %1 @@ -12124,112 +9710,90 @@ This chip was used in the Commodore 64 computer. vibedView - Volume: Громкость: - The 'V' knob sets the volume of the selected string. Регулятор 'V' устанавливает громкость текущей струны. - String stiffness: Жёсткость: - The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Регулятор 'S' устанавливает жёсткость текущей струны. Этот параметр отвечает за длительность звучания струны (чем больше значение жёсткости, тем дольше звенит струна). - Pick position: Лад: - The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Регулятор 'P' устанавливает место струны, где она будет „прижата“. Чем ниже значение, тем ближе это место будет к кобылке. - Pickup position: Положение звукоснимателя: - The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Регулятор 'PU' устанавливает место струны, откуда будет сниматься звук. Чем ниже значение, тем ближе это место будет к кобылке. - Pan: Бал: - The Pan knob determines the location of the selected string in the stereo field. Эта ручка устанавливает стереобаланс для текущей струны. - Detune: Подстроить: - The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Ручка подстройки изменяет сдвиг частоты для текущей струны. Отрицательные значения заставят струну звучать плоско (бемольно), положительные — остро (диезно). - Fuzziness: Нечёткость: - The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Эта ручка добавляет размытости звуку, что наиболее заметно во время нарастания, впрочем, это может использоваться, чтобы сделать звук более „металлическим“. - Length: Длина: - The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Ручка длины устанавливает длину текущей струны. Чем длиннее струна, тем более чистый и долгий звук она даёт; однако это требует больше ресурсов ЦП. - Impulse or initial state Начальная скорость/начальное состояние - The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Переключатель „Imp“ устанавливает режим работы струны: если он включён, то указанная форма сигнала интерпретируется как начальный импульс, иначе — как начальная форма струны. - Octave Октава - The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Переключатель октав позволяет указать гармонику основной частоты, на которой будет звучать струна. Например, „-2“ означает, что струна будет звучать двумя октавами ниже основной частоты, „F“ заставит струну звенеть на основной частоте инструмента, а „6“ — на частоте, на шесть октав более высокой, чем основная. - Impulse Editor Редактор сигнала - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. @@ -12247,7 +9811,6 @@ The 'N' button will normalize the waveform. Кнопка 'N' нормализует уровень. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. @@ -12278,160 +9841,129 @@ The LED in the lower right corner of the waveform editor determines whether the Индикатор-переключатель слева внизу определяет, включена ли текущая струна. - Enable waveform Включить - Click here to enable/disable waveform. Нажмите, чтобы включить/выключить сигнал. - String Струна - The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Переключатель струн позволяет выбрать струну, чьи свойства редактируются. Инструмент Vibed содержит до девяти независимо звучащих струн, индикатор в левом нижнем углу показывает, активна ли текущая струна (т. е. будет ли она слышна). - Sine wave Синусоида - - Use a sine-wave for current oscillator. - Генерировать гармонический (синусоидальный) сигнал. - - - Triangle wave Треугольник - - Use a triangle-wave for current oscillator. - Генерировать треугольный сигнал. - - - Saw wave Зигзаг - - Use a saw-wave for current oscillator. - Генерировать зигзагообразный сигнал. - - - Square wave Квадратная волна - - Use a square-wave for current oscillator. - Генерировать квадрат (меандр). - - - White noise wave Белый шум - - Use white-noise for current oscillator. - Генерировать белый шум. - - - User defined wave Пользовательская - - Use a user-defined waveform for current oscillator. - Задать форму сигнала. - - - Smooth Сгладить - Click here to smooth waveform. Щёлкните чтобы сгладить форму сигнала. - Normalize Нормализовать - Click here to normalize waveform. Нажмите, чтобы нормализовать сигнал. + + Use a sine-wave for current oscillator. + Генерировать гармонический (синусоидальный) сигнал. + + + Use a triangle-wave for current oscillator. + Генерировать треугольный сигнал. + + + Use a saw-wave for current oscillator. + Генерировать зигзагообразный сигнал. + + + Use a square-wave for current oscillator. + Генерировать квадрат (меандр). + + + Use white-noise for current oscillator. + Генерировать белый шум. + + + Use a user-defined waveform for current oscillator. + Задать форму сигнала. + voiceObject - Voice %1 pulse width Голос %1 длина сигнала - Voice %1 attack Вступление %1-го голоса - Voice %1 decay Спад %1-го голоса - Voice %1 sustain Выдержка для %1-го голоса - Voice %1 release Убывание %1-го голоса - Voice %1 coarse detuning Подстройка %1-го голоса (грубо) - Voice %1 wave shape Форма сигнала для %1-го голоса - Voice %1 sync Синхронизация %1-го голоса - Voice %1 ring modulate Голос %1 кольцевой модулятор - Voice %1 filtered Фильтрованный %1-й голос - Voice %1 test Голос %1 тест @@ -12439,72 +9971,58 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControlDialog - INPUT ВХОД - Input gain: Входная мощность: - OUTPUT Выход - Output gain: Выходная мощность: - Reset waveform Сбросить волну - Click here to reset the wavegraph back to default Сбросить граф волны обратно по умолчанию - Smooth waveform Сгладить волну - Click here to apply smoothing to wavegraph Применить сглаживание к графу волны - Increase graph amplitude by 1dB - Click here to increase wavegraph amplitude by 1dB Повыситьить амплитуду графа волны на 1дБ - Decrease graph amplitude by 1dB - Click here to decrease wavegraph amplitude by 1dB Снизить амплитуду графа волны на 1дБ - Clip input - Clip input signal to 0dB Срезать входной сигнал до 0дБ @@ -12512,12 +10030,10 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControls - Input gain Входная мощность - Output gain Выходная мощность diff --git a/data/locale/sl.ts b/data/locale/sl.ts new file mode 100644 index 00000000000..57de86f3fc6 --- /dev/null +++ b/data/locale/sl.ts @@ -0,0 +1,9948 @@ + + + AboutDialog + + About LMMS + Opis LMMS + + + Version %1 (%2/%3, Qt %4, %5) + Različica %1 (%2/%3, Qt %4, %5) + + + About + Vizitka + + + LMMS - easy music production for everyone + LMMS - preprost skladateljski program za vsakogar + + + Authors + Avtorji + + + Translation + Prevod + + + Current language not translated (or native English). + +If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! + + + + License + Licenca + + + LMMS + LMMS + + + Involved + + + + Contributors ordered by number of commits: + + + + Copyright © %1 + Avtorske pravice © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + + + + AmplifierControlDialog + + VOL + GLS + + + Volume: + Glasnost: + + + PAN + PAN + + + Panning: + + + + LEFT + LEVO + + + Left gain: + Leva glasnost + + + RIGHT + DESNO + + + Right gain: + Desna glasnost + + + + AmplifierControls + + Volume + Glasnost + + + Panning + + + + Left gain + Leva glasnost + + + Right gain + Desan glasnost + + + + AudioAlsaSetupWidget + + DEVICE + NAPRAVA + + + CHANNELS + KANALI + + + + AudioFileProcessorView + + Open other sample + + + + Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. + + + + Reverse sample + + + + If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. + + + + Amplify: + + + + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + + + + Startpoint: + + + + Endpoint: + + + + Continue sample playback across notes + + + + Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) + + + + Disable loop + + + + This button disables looping. The sample plays only once from start to end. + + + + Enable loop + + + + This button enables forwards-looping. The sample loops between the end point and the loop point. + + + + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. + + + + With this knob you can set the point where AudioFileProcessor should begin playing your sample. + + + + With this knob you can set the point where AudioFileProcessor should stop playing your sample. + + + + Loopback point: + + + + With this knob you can set the point where the loop starts. + + + + + AudioFileProcessorWaveView + + Sample length: + + + + + AudioJack + + JACK client restarted + + + + LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. + + + + JACK server down + + + + The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. + + + + CLIENT-NAME + + + + CHANNELS + KANALI + + + + AudioOss::setupWidget + + DEVICE + Naprava + + + CHANNELS + KANALI + + + + AudioPortAudio::setupWidget + + BACKEND + + + + DEVICE + Naprava + + + + AudioPulseAudio::setupWidget + + DEVICE + Naprava + + + CHANNELS + KANALI + + + + AudioSdl::setupWidget + + DEVICE + Naprava + + + + AudioSndio::setupWidget + + DEVICE + Naprava + + + CHANNELS + KANALI + + + + AudioSoundIo::setupWidget + + BACKEND + + + + DEVICE + Naprava + + + + AutomatableModel + + &Reset (%1%2) + + + + &Copy value (%1%2) + + + + &Paste value (%1%2) + + + + Edit song-global automation + + + + Connected to %1 + + + + Connected to controller + + + + Edit connection... + + + + Remove connection + + + + Connect to controller... + + + + Remove song-global automation + + + + Remove all linked controls + + + + + AutomationEditor + + Please open an automation pattern with the context menu of a control! + + + + Values copied + + + + All selected values were copied to the clipboard. + + + + + AutomationEditorWindow + + Play/pause current pattern (Space) + + + + Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. + + + + Stop playing of current pattern (Space) + + + + Click here if you want to stop playing of the current pattern. + + + + Draw mode (Shift+D) + + + + Erase mode (Shift+E) + + + + Flip vertically + + + + Flip horizontally + + + + Click here and the pattern will be inverted.The points are flipped in the y direction. + + + + Click here and the pattern will be reversed. The points are flipped in the x direction. + + + + Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. + + + + Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. + + + + Discrete progression + + + + Linear progression + + + + Cubic Hermite progression + + + + Tension value for spline + + + + A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. + + + + Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. + + + + Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. + + + + Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. + + + + Cut selected values (%1+X) + + + + Copy selected values (%1+C) + + + + Paste values from clipboard (%1+V) + + + + Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the values from the clipboard will be pasted at the first visible measure. + + + + Tension: + + + + Automation Editor - no pattern + + + + Automation Editor - %1 + + + + Edit actions + + + + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls + + + + Model is already connected to this pattern. + + + + + AutomationPattern + + Drag a control while pressing <%1> + + + + + AutomationPatternView + + double-click to open this pattern in automation editor + + + + Open in Automation editor + + + + Clear + + + + Reset name + + + + Change name + + + + %1 Connections + + + + Disconnect "%1" + + + + Set/clear record + + + + Flip Vertically (Visible) + + + + Flip Horizontally (Visible) + + + + Model is already connected to this pattern. + + + + + AutomationTrack + + Automation track + + + + + BBEditor + + Beat+Bassline Editor + Ritem+bas urejevalnik + + + Play/pause current beat/bassline (Space) + + + + Stop playback of current beat/bassline (Space) + + + + Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. + + + + Click here to stop playing of current beat/bassline. + + + + Add beat/bassline + + + + Add automation-track + + + + Remove steps + + + + Add steps + + + + Beat selector + + + + Track and step actions + + + + Clone Steps + + + + Add sample-track + + + + + BBTCOView + + Open in Beat+Bassline-Editor + + + + Reset name + + + + Change name + + + + Change color + + + + Reset color to default + + + + + BBTrack + + Beat/Bassline %1 + + + + Clone of %1 + + + + + BassBoosterControlDialog + + FREQ + + + + Frequency: + + + + GAIN + + + + Gain: + + + + RATIO + + + + Ratio: + + + + + BassBoosterControls + + Frequency + Pogostost + + + Gain + + + + Ratio + razmerje + + + + BitcrushControlDialog + + IN + + + + OUT + + + + GAIN + + + + Input Gain: + + + + NOIS + + + + Input Noise: + + + + Output Gain: + + + + CLIP + + + + Output Clip: + + + + Rate + + + + Rate Enabled + + + + Enable samplerate-crushing + + + + Depth + + + + Depth Enabled + + + + Enable bitdepth-crushing + + + + Sample rate: + + + + STD + + + + Stereo difference: + + + + Levels + + + + Levels: + + + + + CaptionMenu + + &Help + + + + Help (not available) + + + + + CarlaInstrumentView + + Show GUI + + + + Click here to show or hide the graphical user interface (GUI) of Carla. + + + + + Controller + + Controller %1 + + + + + ControllerConnectionDialog + + Connection Settings + + + + MIDI CONTROLLER + + + + Input channel + + + + CHANNEL + + + + Input controller + + + + CONTROLLER + + + + Auto Detect + + + + MIDI-devices to receive MIDI-events from + + + + USER CONTROLLER + + + + MAPPING FUNCTION + + + + OK + V redu + + + Cancel + Preklic + + + LMMS + LMMS + + + Cycle Detected. + + + + + ControllerRackView + + Controller Rack + + + + Add + + + + Confirm Delete + + + + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. + Naj res izbrišem? Obstaja(-jo) povezava(-e) v zvezi s tem krmilnikom. Razveljavitve ni. + + + + ControllerView + + Controls + + + + Controllers are able to automate the value of a knob, slider, and other controls. + + + + Rename controller + + + + Enter the new name for this controller + + + + &Remove this controller + + + + Re&name this controller + + + + LFO + + + + + CrossoverEQControlDialog + + Band 1/2 Crossover: + + + + Band 2/3 Crossover: + + + + Band 3/4 Crossover: + + + + Band 1 Gain: + + + + Band 2 Gain: + + + + Band 3 Gain: + + + + Band 4 Gain: + + + + Band 1 Mute + + + + Mute Band 1 + + + + Band 2 Mute + + + + Mute Band 2 + + + + Band 3 Mute + + + + Mute Band 3 + + + + Band 4 Mute + + + + Mute Band 4 + + + + + DelayControls + + Delay Samples + + + + Feedback + + + + Lfo Frequency + + + + Lfo Amount + + + + Output gain + + + + + DelayControlsDialog + + Lfo Amt + + + + Delay Time + + + + Feedback Amount + + + + Lfo + + + + Out Gain + + + + Gain + + + + DELAY + + + + FDBK + + + + RATE + + + + AMNT + + + + + DualFilterControlDialog + + Filter 1 enabled + + + + Filter 2 enabled + + + + Click to enable/disable Filter 1 + + + + Click to enable/disable Filter 2 + + + + FREQ + + + + Cutoff frequency + + + + RESO + + + + Resonance + + + + GAIN + + + + Gain + + + + MIX + + + + Mix + + + + + DualFilterControls + + Filter 1 enabled + + + + Filter 1 type + + + + Cutoff 1 frequency + + + + Q/Resonance 1 + + + + Gain 1 + + + + Mix + + + + Filter 2 enabled + + + + Filter 2 type + + + + Cutoff 2 frequency + + + + Q/Resonance 2 + + + + Gain 2 + + + + LowPass + + + + HiPass + + + + BandPass csg + + + + BandPass czpg + + + + Notch + + + + Allpass + + + + Moog + + + + 2x LowPass + + + + RC LowPass 12dB + + + + RC BandPass 12dB + + + + RC HighPass 12dB + + + + RC LowPass 24dB + + + + RC BandPass 24dB + + + + RC HighPass 24dB + + + + Vocal Formant Filter + + + + 2x Moog + + + + SV LowPass + + + + SV BandPass + + + + SV HighPass + + + + SV Notch + + + + Fast Formant + + + + Tripole + + + + + Editor + + Play (Space) + + + + Stop (Space) + + + + Record + + + + Record while playing + + + + Transport controls + + + + + Effect + + Effect enabled + + + + Wet/Dry mix + Mokro/Suho + + + Gate + + + + Decay + + + + + EffectChain + + Effects enabled + + + + + EffectRackView + + EFFECTS CHAIN + + + + Add effect + + + + + EffectSelectDialog + + Add effect + + + + Name + Ime + + + Type + + + + Description + + + + Author + + + + + EffectView + + Toggles the effect on or off. + + + + On/Off + + + + W/D + + + + Wet Level: + + + + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. + + + + DECAY + + + + Time: + + + + The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. + + + + GATE + + + + Gate: + + + + The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. + + + + Controls + + + + Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. + +The On/Off switch allows you to bypass a given plugin at any point in time. + +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. + +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. + +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. + +The Controls button opens a dialog for editing the effect's parameters. + +Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. + + + + Move &up + + + + Move &down + + + + &Remove this plugin + + + + + EnvelopeAndLfoParameters + + Predelay + + + + Attack + + + + Hold + + + + Decay + + + + Sustain + + + + Release + Prepustitev + + + Modulation + + + + LFO Predelay + + + + LFO Attack + + + + LFO speed + + + + LFO Modulation + + + + LFO Wave Shape + + + + Freq x 100 + + + + Modulate Env-Amount + + + + + EnvelopeAndLfoView + + DEL + + + + Predelay: + + + + Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. + + + + ATT + + + + Attack: + + + + Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. + + + + HOLD + + + + Hold: + + + + Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. + + + + DEC + + + + Decay: + + + + Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. + + + + SUST + + + + Sustain: + + + + Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. + + + + REL + + + + Release: + + + + Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. + + + + AMT + + + + Modulation amount: + + + + Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. + + + + LFO predelay: + + + + Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. + + + + LFO- attack: + + + + Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. + + + + SPD + + + + LFO speed: + + + + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. + + + + Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. + + + + Click here for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave for current. + + + + Click here for a square-wave. + + + + Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. + + + + FREQ x 100 + + + + Click here if the frequency of this LFO should be multiplied by 100. + + + + multiply LFO-frequency by 100 + + + + MODULATE ENV-AMOUNT + + + + Click here to make the envelope-amount controlled by this LFO. + + + + control envelope-amount by this LFO + + + + ms/LFO: + + + + Hint + + + + Drag a sample from somewhere and drop it in this window. + + + + Click here for random wave. + + + + + EqControls + + Input gain + + + + Output gain + + + + Low shelf gain + + + + Peak 1 gain + + + + Peak 2 gain + + + + Peak 3 gain + + + + Peak 4 gain + + + + High Shelf gain + + + + HP res + + + + Low Shelf res + + + + Peak 1 BW + + + + Peak 2 BW + + + + Peak 3 BW + + + + Peak 4 BW + + + + High Shelf res + + + + LP res + + + + HP freq + + + + Low Shelf freq + + + + Peak 1 freq + + + + Peak 2 freq + + + + Peak 3 freq + + + + Peak 4 freq + + + + High shelf freq + + + + LP freq + + + + HP active + + + + Low shelf active + + + + Peak 1 active + + + + Peak 2 active + + + + Peak 3 active + + + + Peak 4 active + + + + High shelf active + + + + LP active + + + + LP 12 + + + + LP 24 + + + + LP 48 + + + + HP 12 + + + + HP 24 + + + + HP 48 + + + + low pass type + + + + high pass type + + + + Analyse IN + + + + Analyse OUT + + + + + EqControlsDialog + + HP + + + + Low Shelf + + + + Peak 1 + + + + Peak 2 + + + + Peak 3 + + + + Peak 4 + + + + High Shelf + + + + LP + + + + In Gain + + + + Gain + + + + Out Gain + + + + Bandwidth: + + + + Resonance : + + + + Frequency: + + + + lp grp + + + + hp grp + + + + Octave + + + + + EqHandle + + Reso: + + + + BW: + + + + Freq: + + + + + ExportProjectDialog + + Export project + Izvozi projekt + + + Output + + + + File format: + + + + Samplerate: + + + + 44100 Hz + + + + 48000 Hz + + + + 88200 Hz + + + + 96000 Hz + + + + 192000 Hz + + + + Bitrate: + + + + 64 KBit/s + + + + 128 KBit/s + + + + 160 KBit/s + + + + 192 KBit/s + + + + 256 KBit/s + + + + 320 KBit/s + + + + Depth: + + + + 16 Bit Integer + + + + 32 Bit Float + + + + Please note that not all of the parameters above apply for all file formats. + + + + Quality settings + + + + Interpolation: + + + + Zero Order Hold + + + + Sinc Fastest + + + + Sinc Medium (recommended) + + + + Sinc Best (very slow!) + + + + Oversampling (use with care!): + + + + 1x (None) + + + + 2x + + + + 4x + + + + 8x + + + + Start + + + + Cancel + Preklic + + + Export as loop (remove end silence) + + + + Export between loop markers + + + + Could not open file + + + + Export project to %1 + Izvozi projekt v %1 + + + Error + + + + Error while determining file-encoder device. Please try to choose a different output format. + + + + Rendering: %1% + + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + + + + Fader + + Please enter a new value between %1 and %2: + Prosim vpišite novo vrednost med %1 in %2: + + + + FileBrowser + + Browser + Brskalnik + + + + FileBrowserTreeWidget + + Send to active instrument-track + + + + Open in new instrument-track/B+B Editor + + + + Loading sample + + + + Please wait, loading sample for preview... + + + + --- Factory files --- + + + + Open in new instrument-track/Song Editor + + + + Error + + + + does not appear to be a valid + + + + file + + + + + FlangerControls + + Delay Samples + + + + Lfo Frequency + + + + Seconds + + + + Regen + + + + Noise + + + + Invert + + + + + FlangerControlsDialog + + Delay Time: + + + + Feedback Amount: + + + + White Noise Amount: + + + + DELAY + + + + RATE + + + + Rate: + + + + AMNT + + + + Amount: + + + + FDBK + + + + NOISE + + + + Invert + + + + + FxLine + + Channel send amount + + + + The FX channel receives input from one or more instrument tracks. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + +In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. + +You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. + + + + + Move &left + + + + Move &right + + + + Rename &channel + + + + R&emove channel + + + + Remove &unused channels + + + + + FxMixer + + Master + + + + FX %1 + + + + + FxMixerView + + FX-Mixer + + + + FX Fader %1 + + + + Mute + Mute + + + Mute this FX channel + + + + Solo + Solist + + + Solo FX channel + + + + + FxRoute + + Amount to send from channel %1 to channel %2 + + + + + GigInstrument + + Bank + + + + Patch + + + + Gain + + + + + GigInstrumentView + + Open other GIG file + + + + Click here to open another GIG file + + + + Choose the patch + + + + Click here to change which patch of the GIG file to use + + + + Change which instrument of the GIG file is being played + + + + Which GIG file is currently being used + + + + Which patch of the GIG file is currently being used + + + + Gain + + + + Factor to multiply samples by + + + + Open GIG file + + + + GIG Files (*.gig) + + + + + GuiApplication + + Working directory + + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + + + + Preparing UI + + + + Preparing song editor + Pripravljam Urejevalnik skladbe + + + Preparing mixer + + + + Preparing controller rack + + + + Preparing project notes + + + + Preparing beat/bassline editor + + + + Preparing piano roll + Pripravljam Klavirčrtovje + + + Preparing automation editor + + + + + InstrumentFunctionArpeggio + + Arpeggio + + + + Arpeggio type + + + + Arpeggio range + + + + Arpeggio time + + + + Arpeggio gate + + + + Arpeggio direction + + + + Arpeggio mode + + + + Up + + + + Down + + + + Up and down + + + + Random + + + + Free + + + + Sort + + + + Sync + + + + Down and up + + + + Skip rate + + + + Miss rate + + + + Cycle steps + + + + + InstrumentFunctionArpeggioView + + ARPEGGIO + + + + An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. + + + + RANGE + + + + Arpeggio range: + + + + octave(s) + + + + Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. + + + + TIME + + + + Arpeggio time: + + + + ms + + + + Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. + + + + GATE + + + + Arpeggio gate: + + + + % + + + + Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. + + + + Chord: + + + + Direction: + + + + Mode: + + + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + + + + InstrumentFunctionNoteStacking + + octave + + + + Major + + + + Majb5 + + + + minor + + + + minb5 + + + + sus2 + + + + sus4 + + + + aug + + + + augsus4 + + + + tri + + + + 6 + + + + 6sus4 + + + + 6add9 + + + + m6 + + + + m6add9 + + + + 7 + + + + 7sus4 + + + + 7#5 + + + + 7b5 + + + + 7#9 + + + + 7b9 + + + + 7#5#9 + + + + 7#5b9 + + + + 7b5b9 + + + + 7add11 + + + + 7add13 + + + + 7#11 + + + + Maj7 + + + + Maj7b5 + + + + Maj7#5 + + + + Maj7#11 + + + + Maj7add13 + + + + m7 + + + + m7b5 + + + + m7b9 + + + + m7add11 + + + + m7add13 + + + + m-Maj7 + + + + m-Maj7add11 + + + + m-Maj7add13 + + + + 9 + + + + 9sus4 + + + + add9 + + + + 9#5 + + + + 9b5 + + + + 9#11 + + + + 9b13 + + + + Maj9 + + + + Maj9sus4 + + + + Maj9#5 + + + + Maj9#11 + + + + m9 + + + + madd9 + + + + m9b5 + + + + m9-Maj7 + + + + 11 + + + + 11b9 + + + + Maj11 + + + + m11 + + + + m-Maj11 + + + + 13 + + + + 13#9 + + + + 13b9 + + + + 13b5b9 + + + + Maj13 + + + + m13 + + + + m-Maj13 + + + + Harmonic minor + + + + Melodic minor + + + + Whole tone + + + + Diminished + + + + Major pentatonic + + + + Minor pentatonic + + + + Jap in sen + + + + Major bebop + + + + Dominant bebop + + + + Blues + + + + Arabic + + + + Enigmatic + + + + Neopolitan + + + + Neopolitan minor + + + + Hungarian minor + + + + Dorian + + + + Phrygolydian + + + + Lydian + + + + Mixolydian + + + + Aeolian + + + + Locrian + + + + Chords + + + + Chord type + + + + Chord range + + + + Minor + + + + Chromatic + + + + Half-Whole Diminished + + + + 5 + 5 + + + Phrygian dominant + + + + Persian + + + + + InstrumentFunctionNoteStackingView + + RANGE + + + + Chord range: + + + + octave(s) + + + + Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. + + + + STACKING + + + + Chord: + + + + + InstrumentMidiIOView + + ENABLE MIDI INPUT + + + + CHANNEL + + + + VELOCITY + + + + ENABLE MIDI OUTPUT + + + + PROGRAM + + + + MIDI devices to receive MIDI events from + + + + MIDI devices to send MIDI events to + + + + NOTE + + + + CUSTOM BASE VELOCITY + + + + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity + + + + BASE VELOCITY + + + + + InstrumentMiscView + + MASTER PITCH + + + + Enables the use of Master Pitch + + + + + InstrumentSoundShaping + + VOLUME + + + + Volume + Obseg + + + CUTOFF + + + + Cutoff frequency + + + + RESO + + + + Resonance + + + + Envelopes/LFOs + + + + Filter type + + + + Q/Resonance + + + + LowPass + + + + HiPass + + + + BandPass csg + + + + BandPass czpg + + + + Notch + + + + Allpass + + + + Moog + + + + 2x LowPass + + + + RC LowPass 12dB + + + + RC BandPass 12dB + + + + RC HighPass 12dB + + + + RC LowPass 24dB + + + + RC BandPass 24dB + + + + RC HighPass 24dB + + + + Vocal Formant Filter + + + + 2x Moog + + + + SV LowPass + + + + SV BandPass + + + + SV HighPass + + + + SV Notch + + + + Fast Formant + + + + Tripole + + + + + InstrumentSoundShapingView + + TARGET + + + + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + + + + FILTER + + + + Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. + + + + Hz + + + + Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... + + + + RESO + + + + Resonance: + + + + Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. + + + + FREQ + + + + cutoff frequency: + + + + Envelopes, LFOs and filters are not supported by the current instrument. + + + + + InstrumentTrack + + unnamed_track + + + + Volume + Obseg + + + Panning + + + + Pitch + + + + FX channel + + + + Default preset + + + + With this knob you can set the volume of the opened channel. + + + + Base note + + + + Pitch range + + + + Master Pitch + + + + + InstrumentTrackView + + Volume + Obseg + + + Volume: + Glasnost: + + + VOL + GLS + + + Panning + + + + Panning: + + + + PAN + PAN + + + MIDI + + + + Input + + + + Output + + + + FX %1: %2 + + + + + InstrumentTrackWindow + + GENERAL SETTINGS + + + + Instrument volume + + + + Volume: + Glasnost: + + + VOL + GLS + + + Panning + + + + Panning: + + + + PAN + PAN + + + Pitch + + + + Pitch: + + + + cents + + + + PITCH + + + + FX channel + + + + ENV/LFO + + + + FUNC + + + + FX + + + + MIDI + + + + Save preset + Shrani glasbilce + + + XML preset file (*.xpf) + + + + PLUGIN + + + + Pitch range (semitones) + + + + RANGE + + + + Save current instrument track settings in a preset file + + + + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. + + + + MISC + Razno + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + SHRANI + + + + Knob + + Set linear + + + + Set logarithmic + + + + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + + + + Please enter a new value between %1 and %2: + Prosim vpišite novo vrednost med %1 in %2: + + + + LadspaControl + + Link channels + + + + + LadspaControlDialog + + Link Channels + + + + Channel + + + + + LadspaControlView + + Link channels + + + + Value: + + + + Sorry, no help available. + + + + + LadspaEffect + + Unknown LADSPA plugin %1 requested. + + + + + LcdSpinBox + + Please enter a new value between %1 and %2: + Prosim vpišite novo vrednost med %1 in %2: + + + + LeftRightNav + + Previous + + + + Next + + + + Previous (%1) + + + + Next (%1) + + + + + LfoController + + LFO Controller + + + + Base value + + + + Oscillator speed + + + + Oscillator amount + + + + Oscillator phase + + + + Oscillator waveform + + + + Frequency Multiplier + + + + + LfoControllerDialog + + LFO + + + + LFO Controller + + + + BASE + + + + Base amount: + + + + todo + + + + SPD + + + + LFO-speed: + + + + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. + + + + Modulation amount: + + + + Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. + + + + PHS + + + + Phase offset: + + + + degrees + + + + With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. + + + + Click here for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave. + + + + Click here for a square-wave. + + + + Click here for an exponential wave. + + + + Click here for white-noise. + + + + Click here for a user-defined shape. +Double click to pick a file. + + + + Click here for a moog saw-wave. + + + + AMNT + + + + + LmmsCore + + Generating wavetables + + + + Initializing data structures + + + + Opening audio and midi devices + + + + Launching mixer threads + + + + + MainWindow + + Could not save config-file + + + + Could not save configuration file %1. You're probably not permitted to write to this file. +Please make sure you have write-access to the file and try again. + + + + &New + &Novo + + + &Open... + &Odpri... + + + &Save + &Shrani + + + Save &As... + Shr%Ani kot... + + + Import... + Uvozi... + + + E&xport... + + + + &Quit + Izhod + + + &Edit + Ur&Edi + + + Settings + Nastavitve + + + &Tools + + + + &Help + + + + Help + + + + What's this? + + + + About + Vizitka + + + Create new project + Ustvari nov projekt + + + Create new project from template + Ustvari nov projekt iz predloge + + + Open existing project + Odpri obstoječi projekt + + + Recently opened projects + Nedavno odprti projekti + + + Save current project + Shrani trenutni projekt + + + Export current project + Izvozi trenutni projekt + + + Song Editor + Urejevalnik skladbe + + + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. + + + + Beat+Bassline Editor + Ritem+bas urejevalnik + + + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + + + + Piano Roll + Klavirčrtovje + + + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + Kliknite tukaj, da prikažete ali skrijete Klavirčrtovje. S Klavirčrtovjem lahko preprosto ustvarjate melodijo. + + + Automation Editor + Samodejnik + + + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + + + + FX Mixer + + + + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + + + + Project Notes + Zabeležke o projektu + + + Click here to show or hide the project notes window. In this window you can put down your project notes. + + + + Controller Rack + + + + Untitled + + + + LMMS %1 + + + + Project not saved + Projekt ni shranjen + + + The current project was modified since last saving. Do you want to save it now? + + + + Help not available + + + + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. + + + + LMMS (*.mmp *.mmpz) + + + + Version %1 + + + + Configuration file + + + + Error while parsing configuration file at line %1:%2: %3 + + + + Volumes + + + + Undo + Razveljavi + + + Redo + Uveljavi + + + My Projects + Moji projekti + + + My Samples + + + + My Presets + + + + My Home + + + + My Computer + + + + &File + + + + &Recently Opened Projects + Nedavno odp&Rti projekti + + + Save as New &Version + Shrani kot no&Vo različico + + + E&xport Tracks... + + + + Online Help + + + + What's This? + + + + Open Project + Odpri projekt + + + Save Project + Shrani projekt + + + Project recovery + + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + + + + Recover + + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + + + + Ignore + + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + + + + Discard + + + + Launch a default session and delete the restored files. This is not reversible. + + + + Preparing plugin browser + + + + Preparing file browsers + + + + Root directory + + + + Loading background artwork + + + + New from template + + + + Save as default template + Shrani kot privzeto predlogo + + + &View + + + + Toggle metronome + + + + Show/hide Song-Editor + Prikaži/skrij Urejevalnik skladbe + + + Show/hide Beat+Bassline Editor + Prikaži/skrij Ritem+bas urejevalnik + + + Show/hide Piano-Roll + Prikaži/skrij Klavirčrtovje + + + Show/hide Automation Editor + Prikaži/skrij Samodejnik + + + Show/hide FX Mixer + + + + Show/hide project notes + + + + Show/hide controller rack + + + + Recover session. Please save your work! + + + + Automatic backup disabled. Remember to save your work! + + + + Recovered project not saved + + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + + + + LMMS Project + LMMS projekt + + + LMMS Project Template + Predloga za LMMS projekt + + + Overwrite default template? + + + + This will overwrite your current default template. + + + + Volume as dBFS + + + + Smooth scroll + + + + Enable note labels in piano roll + + + + Save project template + + + + + MeterDialog + + Meter Numerator + + + + Meter Denominator + + + + TIME SIG + + + + + MeterModel + + Numerator + + + + Denominator + + + + + MidiController + + MIDI Controller + + + + unnamed_midi_controller + + + + + MidiImport + + Setup incomplete + + + + You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. + + + + You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. + + + + Track + + + + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + + + + + MidiPort + + Input channel + + + + Output channel + + + + Input controller + + + + Output controller + + + + Fixed input velocity + + + + Fixed output velocity + + + + Output MIDI program + + + + Receive MIDI-events + + + + Send MIDI-events + + + + Fixed output note + + + + Base velocity + + + + + MidiSetupWidget + + DEVICE + Naprava + + + + MonstroInstrument + + Osc 1 Volume + + + + Osc 1 Panning + + + + Osc 1 Coarse detune + + + + Osc 1 Fine detune left + + + + Osc 1 Fine detune right + + + + Osc 1 Stereo phase offset + + + + Osc 1 Pulse width + + + + Osc 1 Sync send on rise + + + + Osc 1 Sync send on fall + + + + Osc 2 Volume + + + + Osc 2 Panning + + + + Osc 2 Coarse detune + + + + Osc 2 Fine detune left + + + + Osc 2 Fine detune right + + + + Osc 2 Stereo phase offset + + + + Osc 2 Waveform + + + + Osc 2 Sync Hard + + + + Osc 2 Sync Reverse + + + + Osc 3 Volume + + + + Osc 3 Panning + + + + Osc 3 Coarse detune + + + + Osc 3 Stereo phase offset + + + + Osc 3 Sub-oscillator mix + + + + Osc 3 Waveform 1 + + + + Osc 3 Waveform 2 + + + + Osc 3 Sync Hard + + + + Osc 3 Sync Reverse + + + + LFO 1 Waveform + + + + LFO 1 Attack + + + + LFO 1 Rate + + + + LFO 1 Phase + + + + LFO 2 Waveform + + + + LFO 2 Attack + + + + LFO 2 Rate + + + + LFO 2 Phase + + + + Env 1 Pre-delay + + + + Env 1 Attack + + + + Env 1 Hold + + + + Env 1 Decay + + + + Env 1 Sustain + + + + Env 1 Release + + + + Env 1 Slope + + + + Env 2 Pre-delay + + + + Env 2 Attack + + + + Env 2 Hold + + + + Env 2 Decay + + + + Env 2 Sustain + + + + Env 2 Release + + + + Env 2 Slope + + + + Osc2-3 modulation + + + + Selected view + + + + Vol1-Env1 + + + + Vol1-Env2 + + + + Vol1-LFO1 + + + + Vol1-LFO2 + + + + Vol2-Env1 + + + + Vol2-Env2 + + + + Vol2-LFO1 + + + + Vol2-LFO2 + + + + Vol3-Env1 + + + + Vol3-Env2 + + + + Vol3-LFO1 + + + + Vol3-LFO2 + + + + Phs1-Env1 + + + + Phs1-Env2 + + + + Phs1-LFO1 + + + + Phs1-LFO2 + + + + Phs2-Env1 + + + + Phs2-Env2 + + + + Phs2-LFO1 + + + + Phs2-LFO2 + + + + Phs3-Env1 + + + + Phs3-Env2 + + + + Phs3-LFO1 + + + + Phs3-LFO2 + + + + Pit1-Env1 + + + + Pit1-Env2 + + + + Pit1-LFO1 + + + + Pit1-LFO2 + + + + Pit2-Env1 + + + + Pit2-Env2 + + + + Pit2-LFO1 + + + + Pit2-LFO2 + + + + Pit3-Env1 + + + + Pit3-Env2 + + + + Pit3-LFO1 + + + + Pit3-LFO2 + + + + PW1-Env1 + + + + PW1-Env2 + + + + PW1-LFO1 + + + + PW1-LFO2 + + + + Sub3-Env1 + + + + Sub3-Env2 + + + + Sub3-LFO1 + + + + Sub3-LFO2 + + + + Sine wave + + + + Bandlimited Triangle wave + + + + Bandlimited Saw wave + + + + Bandlimited Ramp wave + + + + Bandlimited Square wave + + + + Bandlimited Moog saw wave + + + + Soft square wave + + + + Absolute sine wave + + + + Exponential wave + + + + White noise + + + + Digital Triangle wave + + + + Digital Saw wave + + + + Digital Ramp wave + + + + Digital Square wave + + + + Digital Moog saw wave + + + + Triangle wave + + + + Saw wave + + + + Ramp wave + + + + Square wave + + + + Moog saw wave + + + + Abs. sine wave + + + + Random + + + + Random smooth + + + + + MonstroView + + Operators view + + + + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. + +Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. + + + + Matrix view + + + + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. + +The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. + +Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. + + + + Mix Osc2 with Osc3 + + + + Modulate amplitude of Osc3 with Osc2 + + + + Modulate frequency of Osc3 with Osc2 + + + + Modulate phase of Osc3 with Osc2 + + + + The CRS knob changes the tuning of oscillator 1 in semitone steps. + + + + The CRS knob changes the tuning of oscillator 2 in semitone steps. + + + + The CRS knob changes the tuning of oscillator 3 in semitone steps. + + + + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. + + + + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. + + + + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. + + + + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + + + + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + + + + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. + + + + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. + + + + Choose waveform for oscillator 2. + + + + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + + + + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + + + + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +Mix mode means no modulation: the outputs of the oscillators are simply mixed together. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. + + + + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + + + + Select the waveform for LFO 1. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + + + + Select the waveform for LFO 2. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + + + + Attack causes the LFO to come on gradually from the start of the note. + + + + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. + + + + PHS controls the phase offset of the LFO. + + + + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. + + + + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. + + + + HOLD controls how long the envelope stays at peak after the attack phase. + + + + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. + + + + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. + + + + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. + + + + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. + + + + Volume + Obseg + + + Panning + + + + Coarse detune + + + + semitones + + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + + + + Rate + + + + Phase + + + + Pre-delay + + + + Hold + + + + Decay + + + + Sustain + + + + Release + Prepustitev + + + Slope + + + + Modulation amount + + + + + MultitapEchoControlDialog + + Length + + + + Step length: + + + + Dry + + + + Dry Gain: + + + + Stages + + + + Lowpass stages: + + + + Swap inputs + + + + Swap left and right input channel for reflections + + + + + NesInstrument + + Channel 1 Coarse detune + + + + Channel 1 Volume + + + + Channel 1 Envelope length + + + + Channel 1 Duty cycle + + + + Channel 1 Sweep amount + + + + Channel 1 Sweep rate + + + + Channel 2 Coarse detune + + + + Channel 2 Volume + + + + Channel 2 Envelope length + + + + Channel 2 Duty cycle + + + + Channel 2 Sweep amount + + + + Channel 2 Sweep rate + + + + Channel 3 Coarse detune + + + + Channel 3 Volume + + + + Channel 4 Volume + + + + Channel 4 Envelope length + + + + Channel 4 Noise frequency + + + + Channel 4 Noise frequency sweep + + + + Master volume + Poveljnik ladje + + + Vibrato + Vibrato + + + + NesInstrumentView + + Volume + Obseg + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + + + + Vibrato + Vibrato + + + + OscillatorObject + + Osc %1 volume + + + + Osc %1 panning + + + + Osc %1 coarse detuning + + + + Osc %1 fine detuning left + + + + Osc %1 fine detuning right + + + + Osc %1 phase-offset + + + + Osc %1 stereo phase-detuning + + + + Osc %1 wave shape + + + + Modulation type %1 + + + + Osc %1 waveform + + + + Osc %1 harmonic + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + + + + Name + Ime + + + OK + V redu + + + Cancel + Preklic + + + + PatmanView + + Open other patch + + + + Click here to open another patch-file. Loop and Tune settings are not reset. + + + + Loop + + + + Loop mode + + + + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. + + + + Tune + + + + Tune mode + + + + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. + + + + No file selected + + + + Open patch file + + + + Patch-Files (*.pat) + + + + + PatternView + + Open in piano-roll + Odpri v Klavirčrtovju + + + Clear all notes + + + + Reset name + + + + Change name + + + + Add steps + + + + Remove steps + + + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + Z dvoklikom odprete v Klavirčrtovju + + + Clone Steps + + + + + PeakController + + Peak Controller + + + + Peak Controller Bug + + + + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. + + + + + PeakControllerDialog + + PEAK + + + + LFO Controller + + + + + PeakControllerEffectControlDialog + + BASE + + + + Base amount: + + + + Modulation amount: + + + + Attack: + + + + Release: + + + + AMNT + + + + MULT + + + + Amount Multiplicator: + + + + ATCK + + + + DCAY + + + + Treshold: + + + + TRSH + + + + + PeakControllerEffectControls + + Base value + + + + Modulation amount + + + + Mute output + + + + Attack + + + + Release + Prepustitev + + + Abs Value + + + + Amount Multiplicator + + + + Treshold + Treshold + + + + PianoRoll + + Please open a pattern by double-clicking on it! + + + + Last note + + + + Note lock + + + + Note Velocity + + + + Note Panning + + + + Mark/unmark current semitone + + + + Mark current scale + + + + Mark current chord + + + + Unmark all + + + + No scale + + + + No chord + + + + Velocity: %1% + + + + Panning: %1% left + + + + Panning: %1% right + + + + Panning: center + + + + Please enter a new value between %1 and %2: + Prosim vpišite novo vrednost med %1 in %2: + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + + + + + PianoRollWindow + + Play/pause current pattern (Space) + + + + Record notes from MIDI-device/channel-piano + + + + Record notes from MIDI-device/channel-piano while playing song or BB track + + + + Stop playing of current pattern (Space) + + + + Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. + + + + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. + + + + Click here to stop playback of current pattern. + + + + Draw mode (Shift+D) + + + + Erase mode (Shift+E) + + + + Select mode (Shift+S) + + + + Detune mode (Shift+T) + + + + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. + + + + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. + + + + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. + + + + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. + + + + Cut selected notes (%1+X) + + + + Copy selected notes (%1+C) + + + + Paste notes from clipboard (%1+V) + + + + Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. + + + + Click here and the notes from the clipboard will be pasted at the first visible measure. + + + + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. + + + + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. + + + + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited + + + + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! + + + + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. + + + + Edit actions + + + + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls + + + + Piano-Roll - %1 + Klavirčrtovje - %1 + + + Piano-Roll - no pattern + Klavirčrtovje - ni šablone + + + Quantize + + + + + PianoView + + Base note + + + + + Plugin + + Plugin not found + + + + The plugin "%1" wasn't found or could not be loaded! +Reason: "%2" + + + + Error while loading plugin + + + + Failed to load plugin "%1"! + + + + + PluginBrowser + + Instrument browser + + + + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + + + + LMMS plugin %1 does not have a plugin descriptor named %2! + + + + + ProjectNotes + + Project notes + Zabeležke o projektu + + + Put down your project notes here. + + + + Edit Actions + + + + &Undo + Razveljavi + + + %1+Z + + + + &Redo + Uveljavi + + + %1+Y + + + + &Copy + + + + %1+C + + + + Cu&t + + + + %1+X + + + + &Paste + + + + %1+V + + + + Format Actions + + + + &Bold + + + + %1+B + + + + &Italic + + + + %1+I + + + + &Underline + + + + %1+U + + + + &Left + + + + %1+L + + + + C&enter + + + + %1+E + + + + &Right + + + + %1+R + + + + &Justify + + + + %1+J + + + + &Color... + + + + + ProjectRenderer + + WAV-File (*.wav) + + + + Compressed OGG-File (*.ogg) + + + + + QWidget + + Name: + + + + Maker: + + + + Copyright: + + + + Requires Real Time: + + + + Yes + + + + No + + + + Real Time Capable: + + + + In Place Broken: + + + + Channels In: + + + + Channels Out: + + + + File: + + + + File: %1 + + + + + RenameDialog + + Rename... + + + + + SampleBuffer + + Open audio file + Odpri avdio datoteko + + + Wave-Files (*.wav) + + + + OGG-Files (*.ogg) + + + + DrumSynth-Files (*.ds) + + + + FLAC-Files (*.flac) + + + + SPEEX-Files (*.spx) + + + + VOC-Files (*.voc) + + + + AIFF-Files (*.aif *.aiff) + + + + AU-Files (*.au) + + + + RAW-Files (*.raw) + + + + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + + + + + SampleTCOView + + double-click to select sample + + + + Delete (middle mousebutton) + + + + Cut + + + + Copy + + + + Paste + + + + Mute/unmute (<%1> + middle click) + + + + + SampleTrack + + Sample track + + + + Volume + Obseg + + + Panning + + + + + SampleTrackView + + Track volume + + + + Channel volume: + + + + VOL + GLS + + + Panning + + + + Panning: + + + + PAN + PAN + + + + SetupDialog + + Setup LMMS + + + + General settings + Glavne nastavitve + + + BUFFER SIZE + + + + Reset to default-value + Nastavljeno na privzeto vrednost + + + MISC + Razno + + + Enable tooltips + + + + Show restart warning after changing settings + + + + Display volume as dBFS + + + + Compress project files per default + + + + One instrument track window mode + + + + HQ-mode for output audio-device + + + + Compact track buttons + + + + Sync VST plugins to host playback + + + + Enable note labels in piano roll + + + + Enable waveform display by default + + + + Keep effects running even without input + + + + Create backup file when saving a project + + + + LANGUAGE + Jezik + + + Paths + + + + LMMS working directory + + + + VST-plugin directory + + + + Background artwork + + + + STK rawwave directory + + + + Default Soundfont File + + + + Performance settings + + + + UI effects vs. performance + + + + Smooth scroll in Song Editor + + + + Show playback cursor in AudioFileProcessor + + + + Audio settings + + + + AUDIO INTERFACE + + + + MIDI settings + + + + MIDI INTERFACE + + + + OK + V redu + + + Cancel + Preklic + + + Restart LMMS + + + + Please note that most changes won't take effect until you restart LMMS! + + + + Frames: %1 +Latency: %2 ms + + + + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. + + + + Choose LMMS working directory + + + + Choose your VST-plugin directory + + + + Choose artwork-theme directory + + + + Choose LADSPA plugin directory + + + + Choose STK rawwave directory + + + + Choose default SoundFont + + + + Choose background artwork + + + + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. + + + + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. + + + + Reopen last project on start + + + + Directories + + + + Themes directory + + + + GIG directory + + + + SF2 directory + + + + LADSPA plugin directories + + + + Auto save + + + + Choose your GIG directory + + + + Choose your SF2 directory + + + + minutes + minute + + + minute + minuta + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + + + + + Song + + Tempo + Tempo + + + Master volume + Poveljnik ladje + + + Master pitch + Poveljnik ladje + + + Project saved + Projekt je shranjen + + + The project %1 is now saved. + Projekt %1 je zdaj shranjen + + + Project NOT saved. + Projekt NI shranjen + + + The project %1 was not saved! + Projekt %1 ni bil shranjen + + + Import file + Uvozi datoteko + + + MIDI sequences + + + + Hydrogen projects + Hydrogen projekti + + + All file types + Dovoljene vrste datotek + + + Empty project + Prazen projekt + + + This project is empty so exporting makes no sense. Please put some items into Song Editor first! + Ta projekt je prazen, zato izvoz ni smiseln. Najprej prosim nekaj vpišite v Urejevalnik skladbe. + + + Select directory for writing exported tracks... + + + + untitled + Neimenovan + + + Select file for project-export... + Izberi datoteko za izvoz projekta... + + + The following errors occured while loading: + + + + MIDI File (*.mid) + + + + LMMS Error report + + + + Save project + + + + + SongEditor + + Could not open file + + + + Could not write file + + + + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. + + + + Error in file + + + + The file %1 seems to contain errors and therefore can't be loaded. + + + + Tempo + Tempo + + + TEMPO/BPM + + + + tempo of song + + + + The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). + + + + High quality mode + + + + Master volume + Poveljnik ladje + + + master volume + + + + Master pitch + Poveljnik ladje + + + master pitch + + + + Value: %1% + + + + Value: %1 semitones + + + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + + + + template + + + + project + projekt + + + Version difference + + + + This %1 was created with LMMS %2. + + + + + SongEditorWindow + + Song-Editor + Urejevalnik skladbe + + + Play song (Space) + + + + Record samples from Audio-device + + + + Record samples from Audio-device while playing song or BB track + + + + Stop song (Space) + + + + Add beat/bassline + + + + Add sample-track + + + + Add automation-track + + + + Draw mode + + + + Edit mode (select and move) + + + + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. + + + + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + + + + Track actions + + + + Edit actions + + + + Timeline controls + + + + Zoom controls + + + + + SpectrumAnalyzerControlDialog + + Linear spectrum + + + + Linear Y axis + + + + + SpectrumAnalyzerControls + + Linear spectrum + + + + Linear Y axis + + + + Channel mode + + + + + SubWindow + + Close + Zapri + + + Maximize + Maksimiraj + + + Restore + Obnovi + + + + TabWidget + + Settings for %1 + + + + + TempoSyncKnob + + Tempo Sync + + + + No Sync + + + + Eight beats + + + + Whole note + + + + Half note + + + + Quarter note + + + + 8th note + + + + 16th note + + + + 32nd note + + + + Custom... + + + + Custom + + + + Synced to Eight Beats + + + + Synced to Whole Note + + + + Synced to Half Note + + + + Synced to Quarter Note + + + + Synced to 8th Note + + + + Synced to 16th Note + + + + Synced to 32nd Note + + + + + TimeDisplayWidget + + click to change time units + + + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + + + + + TimeLineWidget + + Enable/disable auto-scrolling + + + + Enable/disable loop-points + + + + After stopping go back to begin + + + + After stopping go back to position at which playing was started + + + + After stopping keep position + + + + Hint + + + + Press <%1> to disable magnetic loop points. + + + + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. + + + + + Track + + Mute + Mute + + + Solo + Solist + + + + TrackContainer + + Couldn't import file + + + + Couldn't find a filter for importing file %1. +You should convert this file into a format supported by LMMS using another software. + + + + Couldn't open file + + + + Couldn't open file %1 for reading. +Please make sure you have read-permission to the file and the directory containing the file and try again! + + + + Loading project... + Nalagam projekt... + + + Cancel + Preklic + + + Please wait... + + + + Importing MIDI-file... + Uvažam MIDI datoteko... + + + + TrackContentObject + + Mute + Mute + + + + TrackContentObjectView + + Current position + + + + Hint + + + + Press <%1> and drag to make a copy. + + + + Current length + + + + Press <%1> for free resizing. + + + + %1:%2 (%3:%4 to %5:%6) + + + + Delete (middle mousebutton) + + + + Cut + + + + Copy + + + + Paste + + + + Mute/unmute (<%1> + middle click) + + + + + TrackOperationsWidget + + Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. + + + + Actions for this track + + + + Mute + Mute + + + Solo + Solist + + + Mute this track + + + + Clone this track + + + + Remove this track + + + + Clear this track + + + + FX %1: %2 + + + + Turn all recording on + + + + Turn all recording off + + + + Assign to new FX Channel + + + + + TripleOscillatorView + + Use phase modulation for modulating oscillator 1 with oscillator 2 + + + + Use amplitude modulation for modulating oscillator 1 with oscillator 2 + + + + Mix output of oscillator 1 & 2 + + + + Synchronize oscillator 1 with oscillator 2 + + + + Use frequency modulation for modulating oscillator 1 with oscillator 2 + + + + Use phase modulation for modulating oscillator 2 with oscillator 3 + + + + Use amplitude modulation for modulating oscillator 2 with oscillator 3 + + + + Mix output of oscillator 2 & 3 + + + + Synchronize oscillator 2 with oscillator 3 + + + + Use frequency modulation for modulating oscillator 2 with oscillator 3 + + + + Osc %1 volume: + + + + With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. + + + + Osc %1 panning: + + + + With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. + + + + Osc %1 coarse detuning: + + + + semitones + + + + With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. + + + + Osc %1 fine detuning left: + + + + cents + + + + With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + + + + Osc %1 fine detuning right: + + + + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. + + + + Osc %1 phase-offset: + + + + degrees + + + + With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. + + + + Osc %1 stereo phase-detuning: + + + + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. + + + + Use a sine-wave for current oscillator. + + + + Use a triangle-wave for current oscillator. + + + + Use a saw-wave for current oscillator. + + + + Use a square-wave for current oscillator. + + + + Use a moog-like saw-wave for current oscillator. + + + + Use an exponential wave for current oscillator. + + + + Use white-noise for current oscillator. + + + + Use a user-defined waveform for current oscillator. + + + + + VersionedSaveDialog + + Increment version number + + + + Decrement version number + + + + already exists. Do you want to replace it? + + + + + VestigeInstrumentView + + Open other VST-plugin + Odpri drugi VST vtičnik + + + Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. + + + + Show/hide GUI + + + + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + + + + Turn off all notes + + + + Open VST-plugin + Odpri VST vtičnik + + + DLL-files (*.dll) + + + + EXE-files (*.exe) + + + + No VST-plugin loaded + + + + Control VST-plugin from LMMS host + + + + Click here, if you want to control VST-plugin from host. + + + + Open VST-plugin preset + + + + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + + + + Previous (-) + + + + Click here, if you want to switch to another VST-plugin preset program. + + + + Save preset + Shrani glasbilce + + + Click here, if you want to save current VST-plugin preset program. + + + + Next (+) + + + + Click here to select presets that are currently loaded in VST. + + + + Preset + + + + by + + + + - VST plugin control + + + + + VisualizationWidget + + click to enable/disable visualization of master-output + + + + Click to enable + + + + + VstEffectControlDialog + + Show/hide + + + + Control VST-plugin from LMMS host + + + + Click here, if you want to control VST-plugin from host. + + + + Open VST-plugin preset + + + + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + + + + Previous (-) + + + + Click here, if you want to switch to another VST-plugin preset program. + + + + Next (+) + + + + Click here to select presets that are currently loaded in VST. + + + + Save preset + Shrani glasbilce + + + Click here, if you want to save current VST-plugin preset program. + + + + Effect by: + + + + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> + + + + + VstPlugin + + Loading plugin + + + + Open Preset + + + + Vst Plugin Preset (*.fxp *.fxb) + + + + : default + + + + " + + + + ' + + + + Save Preset + Shrani glasbilce + + + .fxp + + + + .FXP + + + + .FXB + + + + .fxb + + + + Please wait while loading VST plugin... + + + + The VST plugin %1 could not be loaded. + + + + + WatsynInstrument + + Volume A1 + + + + Volume A2 + + + + Volume B1 + + + + Volume B2 + + + + Panning A1 + + + + Panning A2 + + + + Panning B1 + + + + Panning B2 + + + + Freq. multiplier A1 + + + + Freq. multiplier A2 + + + + Freq. multiplier B1 + + + + Freq. multiplier B2 + + + + Left detune A1 + + + + Left detune A2 + + + + Left detune B1 + + + + Left detune B2 + + + + Right detune A1 + + + + Right detune A2 + + + + Right detune B1 + + + + Right detune B2 + + + + A-B Mix + + + + A-B Mix envelope amount + + + + A-B Mix envelope attack + + + + A-B Mix envelope hold + + + + A-B Mix envelope decay + + + + A1-B2 Crosstalk + + + + A2-A1 modulation + + + + B2-B1 modulation + + + + Selected graph + + + + + WatsynView + + Select oscillator A1 + + + + Select oscillator A2 + + + + Select oscillator B1 + + + + Select oscillator B2 + + + + Mix output of A2 to A1 + + + + Modulate amplitude of A1 with output of A2 + + + + Ring-modulate A1 and A2 + + + + Modulate phase of A1 with output of A2 + + + + Mix output of B2 to B1 + + + + Modulate amplitude of B1 with output of B2 + + + + Ring-modulate B1 and B2 + + + + Modulate phase of B1 with output of B2 + + + + Draw your own waveform here by dragging your mouse on this graph. + + + + Load waveform + + + + Click to load a waveform from a sample file + + + + Phase left + + + + Click to shift phase by -15 degrees + + + + Phase right + + + + Click to shift phase by +15 degrees + + + + Normalize + + + + Click to normalize + + + + Invert + + + + Click to invert + + + + Smooth + + + + Click to smooth + + + + Sine wave + + + + Click for sine wave + + + + Triangle wave + + + + Click for triangle wave + + + + Click for saw wave + + + + Square wave + + + + Click for square wave + + + + Volume + Obseg + + + Panning + + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + + + + + ZynAddSubFxInstrument + + Portamento + Portamento + + + Filter Frequency + + + + Filter Resonance + + + + Bandwidth + Pasovna širina + + + FM Gain + + + + Resonance Center Frequency + + + + Resonance Bandwidth + + + + Forward MIDI Control Change Events + + + + + ZynAddSubFxView + + Show GUI + + + + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + + + + Portamento: + + + + PORT + + + + Filter Frequency: + + + + FREQ + + + + Filter Resonance: + + + + RES + + + + Bandwidth: + + + + BW + + + + FM Gain: + + + + FM GAIN + + + + Resonance center frequency: + + + + RES CF + + + + Resonance bandwidth: + + + + RES BW + + + + Forward MIDI Control Changes + + + + + audioFileProcessor + + Amplify + + + + Start of sample + + + + End of sample + + + + Reverse sample + + + + Stutter + + + + Loopback point + + + + Loop mode + + + + Interpolation mode + + + + None + + + + Linear + + + + Sinc + + + + Sample not found: %1 + + + + + bitInvader + + Samplelength + + + + + bitInvaderView + + Sample Length + + + + Sine wave + + + + Triangle wave + + + + Saw wave + + + + Square wave + + + + White noise wave + + + + User defined wave + + + + Smooth + + + + Click here to smooth waveform. + + + + Interpolation + + + + Normalize + + + + Draw your own waveform here by dragging your mouse on this graph. + + + + Click for a sine-wave. + + + + Click here for a triangle-wave. + + + + Click here for a saw-wave. + + + + Click here for a square-wave. + + + + Click here for white-noise. + + + + Click here for a user-defined shape. + + + + + dynProcControlDialog + + INPUT + + + + Input gain: + + + + OUTPUT + + + + Output gain: + + + + ATTACK + + + + Peak attack time: + + + + RELEASE + + + + Peak release time: + + + + Reset waveform + + + + Click here to reset the wavegraph back to default + + + + Smooth waveform + + + + Click here to apply smoothing to wavegraph + + + + Increase wavegraph amplitude by 1dB + + + + Click here to increase wavegraph amplitude by 1dB + + + + Decrease wavegraph amplitude by 1dB + + + + Click here to decrease wavegraph amplitude by 1dB + + + + Stereomode Maximum + + + + Process based on the maximum of both stereo channels + + + + Stereomode Average + + + + Process based on the average of both stereo channels + + + + Stereomode Unlinked + + + + Process each stereo channel independently + + + + + dynProcControls + + Input gain + + + + Output gain + + + + Attack time + + + + Release time + + + + Stereo mode + + + + + fxLineLcdSpinBox + + Assign to: + + + + New FX Channel + + + + + graphModel + + Graph + graf + + + + kickerInstrument + + Start frequency + + + + End frequency + + + + Gain + + + + Length + + + + Distortion Start + + + + Distortion End + + + + Envelope Slope + + + + Noise + + + + Click + + + + Frequency Slope + + + + Start from note + + + + End to note + + + + + kickerInstrumentView + + Start frequency: + + + + End frequency: + + + + Gain: + + + + Frequency Slope: + + + + Envelope Length: + + + + Envelope Slope: + + + + Click: + + + + Noise: + + + + Distortion Start: + + + + Distortion End: + + + + + ladspaBrowserView + + Available Effects + + + + Unavailable Effects + + + + Instruments + + + + Analysis Tools + + + + Don't know + + + + This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. + +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. + +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. + +Instruments are plugins for which only output channels were identified. + +Analysis Tools are plugins for which only input channels were identified. + +Don't Knows are plugins for which no input or output channels were identified. + +Double clicking any of the plugins will bring up information on the ports. + + + + Type: + + + + + ladspaDescription + + Plugins + + + + Description + + + + + ladspaPortDialog + + Ports + + + + Name + Ime + + + Rate + + + + Direction + + + + Type + + + + Min < Default < Max + + + + Logarithmic + + + + SR Dependent + + + + Audio + + + + Control + + + + Input + + + + Output + + + + Toggled + + + + Integer + + + + Float + + + + Yes + + + + + lb302Synth + + VCF Cutoff Frequency + + + + VCF Resonance + + + + VCF Envelope Mod + + + + VCF Envelope Decay + + + + Distortion + izkrivljanje + + + Waveform + + + + Slide Decay + + + + Slide + + + + Accent + Barva akcentov + + + Dead + Odmrlo + + + 24dB/oct Filter + + + + + lb302SynthView + + Cutoff Freq: + + + + Resonance: + + + + Env Mod: + + + + Decay: + + + + 303-es-que, 24dB/octave, 3 pole filter + + + + Slide Decay: + + + + DIST: + + + + Saw wave + + + + Click here for a saw-wave. + + + + Triangle wave + + + + Click here for a triangle-wave. + + + + Square wave + + + + Click here for a square-wave. + + + + Rounded square wave + + + + Click here for a square-wave with a rounded end. + + + + Moog wave + + + + Click here for a moog-like wave. + + + + Sine wave + + + + Click for a sine-wave. + + + + White noise wave + + + + Click here for an exponential wave. + + + + Click here for white-noise. + + + + Bandlimited saw wave + + + + Click here for bandlimited saw wave. + + + + Bandlimited square wave + + + + Click here for bandlimited square wave. + + + + Bandlimited triangle wave + + + + Click here for bandlimited triangle wave. + + + + Bandlimited moog saw wave + + + + Click here for bandlimited moog saw wave. + + + + + malletsInstrument + + Hardness + + + + Position + + + + Vibrato Gain + + + + Vibrato Freq + + + + Stick Mix + + + + Modulator + + + + Crossfade + + + + LFO Speed + + + + LFO Depth + + + + ADSR + + + + Pressure + + + + Motion + + + + Speed + + + + Bowed + + + + Spread + + + + Marimba + + + + Vibraphone + + + + Agogo + + + + Wood1 + + + + Reso + + + + Wood2 + + + + Beats + + + + Two Fixed + + + + Clump + + + + Tubular Bells + + + + Uniform Bar + + + + Tuned Bar + + + + Glass + + + + Tibetan Bowl + + + + + malletsInstrumentView + + Instrument + + + + Spread + + + + Spread: + + + + Hardness + + + + Hardness: + + + + Position + + + + Position: + + + + Vib Gain + + + + Vib Gain: + + + + Vib Freq + + + + Vib Freq: + + + + Stick Mix + + + + Stick Mix: + + + + Modulator + + + + Modulator: + + + + Crossfade + + + + Crossfade: + + + + LFO Speed + + + + LFO Speed: + + + + LFO Depth + + + + LFO Depth: + + + + ADSR + + + + ADSR: + + + + Pressure + + + + Pressure: + + + + Speed + + + + Speed: + + + + Missing files + + + + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + + + + + manageVSTEffectView + + - VST parameter control + + + + VST Sync + + + + Click here if you want to synchronize all parameters with VST plugin. + + + + Automated + + + + Click here if you want to display automated parameters only. + + + + Close + + + + Close VST effect knob-controller window. + + + + + manageVestigeInstrumentView + + - VST plugin control + + + + VST Sync + + + + Click here if you want to synchronize all parameters with VST plugin. + + + + Automated + + + + Click here if you want to display automated parameters only. + + + + Close + + + + Close VST plugin knob-controller window. + + + + + opl2instrument + + Patch + + + + Op 1 Attack + + + + Op 1 Decay + + + + Op 1 Sustain + + + + Op 1 Release + + + + Op 1 Level + + + + Op 1 Level Scaling + + + + Op 1 Frequency Multiple + + + + Op 1 Feedback + + + + Op 1 Key Scaling Rate + + + + Op 1 Percussive Envelope + + + + Op 1 Tremolo + + + + Op 1 Vibrato + + + + Op 1 Waveform + + + + Op 2 Attack + + + + Op 2 Decay + + + + Op 2 Sustain + + + + Op 2 Release + + + + Op 2 Level + + + + Op 2 Level Scaling + + + + Op 2 Frequency Multiple + + + + Op 2 Key Scaling Rate + + + + Op 2 Percussive Envelope + + + + Op 2 Tremolo + + + + Op 2 Vibrato + + + + Op 2 Waveform + + + + FM + + + + Vibrato Depth + + + + Tremolo Depth + + + + + opl2instrumentView + + Attack + + + + Decay + + + + Release + Prepustitev + + + Frequency multiplier + + + + + organicInstrument + + Distortion + izkrivljanje + + + Volume + Obseg + + + + organicInstrumentView + + Distortion: + + + + Volume: + Glasnost: + + + Randomise + + + + Osc %1 waveform: + + + + Osc %1 volume: + + + + Osc %1 panning: + + + + cents + + + + The distortion knob adds distortion to the output of the instrument. + + + + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. + + + + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. + + + + Osc %1 stereo detuning + + + + Osc %1 harmonic: + + + + + papuInstrument + + Sweep time + + + + Sweep direction + + + + Sweep RtShift amount + + + + Wave Pattern Duty + + + + Channel 1 volume + + + + Volume sweep direction + + + + Length of each step in sweep + + + + Channel 2 volume + + + + Channel 3 volume + + + + Channel 4 volume + + + + Right Output level + + + + Left Output level + + + + Channel 1 to SO2 (Left) + + + + Channel 2 to SO2 (Left) + + + + Channel 3 to SO2 (Left) + + + + Channel 4 to SO2 (Left) + + + + Channel 1 to SO1 (Right) + + + + Channel 2 to SO1 (Right) + + + + Channel 3 to SO1 (Right) + + + + Channel 4 to SO1 (Right) + + + + Treble + + + + Bass + + + + Shift Register width + + + + + papuInstrumentView + + Sweep Time: + + + + Sweep Time + + + + Sweep RtShift amount: + + + + Sweep RtShift amount + + + + Wave pattern duty: + + + + Wave Pattern Duty + + + + Square Channel 1 Volume: + + + + Length of each step in sweep: + + + + Length of each step in sweep + + + + Wave pattern duty + + + + Square Channel 2 Volume: + + + + Square Channel 2 Volume + + + + Wave Channel Volume: + + + + Wave Channel Volume + + + + Noise Channel Volume: + + + + Noise Channel Volume + + + + SO1 Volume (Right): + + + + SO1 Volume (Right) + + + + SO2 Volume (Left): + + + + SO2 Volume (Left) + + + + Treble: + + + + Treble + + + + Bass: + + + + Bass + + + + Sweep Direction + + + + Volume Sweep Direction + + + + Shift Register Width + + + + Channel1 to SO1 (Right) + + + + Channel2 to SO1 (Right) + + + + Channel3 to SO1 (Right) + + + + Channel4 to SO1 (Right) + + + + Channel1 to SO2 (Left) + + + + Channel2 to SO2 (Left) + + + + Channel3 to SO2 (Left) + + + + Channel4 to SO2 (Left) + + + + Wave Pattern + + + + The amount of increase or decrease in frequency + + + + The rate at which increase or decrease in frequency occurs + + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + + + + Square Channel 1 Volume + + + + The delay between step change + + + + Draw the wave here + + + + + patchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + + + + Program selector + + + + Patch + + + + Name + Ime + + + OK + V redu + + + Cancel + Preklic + + + + pluginBrowser + + no description + + + + Incomplete monophonic imitation tb303 + + + + Plugin for freely manipulating stereo output + + + + Plugin for controlling knobs with sound peaks + + + + Plugin for enhancing stereo separation of a stereo input file + + + + List installed LADSPA plugins + + + + GUS-compatible patch instrument + + + + Additive Synthesizer for organ-like sounds + + + + Tuneful things to bang on + + + + VST-host for using VST(i)-plugins within LMMS + + + + Vibrating string modeler + + + + plugin for using arbitrary LADSPA-effects inside LMMS. + + + + Filter for importing MIDI-files into LMMS + Sito za uvažanje MIDI datotek v LMMS + + + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. + + + + Player for SoundFont files + + + + Emulation of GameBoy (TM) APU + + + + Customizable wavetable synthesizer + + + + Embedded ZynAddSubFX + + + + 2-operator FM Synth + + + + Filter for importing Hydrogen files into LMMS + Sito za uvažanje Hydrogen datotek v LMMS + + + LMMS port of sfxr + + + + Monstrous 3-oscillator synth with modulation matrix + + + + Three powerful oscillators you can modulate in several ways + + + + A native amplifier plugin + + + + Carla Rack Instrument + + + + 4-oscillator modulatable wavetable synth + + + + plugin for waveshaping + + + + Boost your bass the fast and simple way + + + + Versatile drum synthesizer + + + + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track + + + + plugin for processing dynamics in a flexible way + + + + Carla Patchbay Instrument + + + + plugin for using arbitrary VST effects inside LMMS. + + + + Graphical spectrum analyzer plugin + + + + A NES-like synthesizer + + + + A native delay plugin + + + + Player for GIG files + + + + A multitap echo delay plugin + + + + A native flanger plugin + + + + An oversampling bitcrusher + + + + A native eq plugin + + + + A 4-band Crossover Equalizer + + + + A Dual filter plugin + + + + Filter for exporting MIDI-files from LMMS + Sito za izvažanje MIDI datotek iz LMMS + + + + sf2Instrument + + Bank + + + + Patch + + + + Gain + + + + Reverb + + + + Reverb Roomsize + + + + Reverb Damping + + + + Reverb Width + + + + Reverb Level + + + + Chorus + + + + Chorus Lines + + + + Chorus Level + + + + Chorus Speed + + + + Chorus Depth + + + + A soundfont %1 could not be loaded. + + + + + sf2InstrumentView + + Open other SoundFont file + Odpri drugo SoundFont datoteko + + + Click here to open another SF2 file + + + + Choose the patch + + + + Gain + + + + Apply reverb (if supported) + + + + This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. + + + + Reverb Roomsize: + + + + Reverb Damping: + + + + Reverb Width: + + + + Reverb Level: + + + + Apply chorus (if supported) + + + + This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. + + + + Chorus Lines: + + + + Chorus Level: + + + + Chorus Speed: + + + + Chorus Depth: + + + + Open SoundFont file + Odpri SoundFont datoteko + + + SoundFont2 Files (*.sf2) + + + + + sfxrInstrument + + Wave Form + + + + + sidInstrument + + Cutoff + + + + Resonance + + + + Filter type + + + + Voice 3 off + + + + Volume + Obseg + + + Chip model + + + + + sidInstrumentView + + Volume: + Glasnost: + + + Resonance: + + + + Cutoff frequency: + + + + High-Pass filter + + + + Band-Pass filter + + + + Low-Pass filter + + + + Voice3 Off + + + + MOS6581 SID + + + + MOS8580 SID + + + + Attack: + + + + Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. + + + + Decay: + + + + Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. + + + + Sustain: + + + + Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. + + + + Release: + + + + The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. + + + + Pulse Width: + + + + The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. + + + + Coarse: + + + + The Coarse detuning allows to detune Voice %1 one octave up or down. + + + + Pulse Wave + + + + Triangle Wave + + + + SawTooth + + + + Noise + + + + Sync + + + + Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. + + + + Ring-Mod + + + + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. + + + + Filtered + + + + When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. + + + + Test + + + + Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. + + + + + stereoEnhancerControlDialog + + WIDE + + + + Width: + + + + + stereoEnhancerControls + + Width + + + + + stereoMatrixControlDialog + + Left to Left Vol: + + + + Left to Right Vol: + + + + Right to Left Vol: + + + + Right to Right Vol: + + + + + stereoMatrixControls + + Left to Left + Od desne proti levi + + + Left to Right + Od leve proti desni + + + Right to Left + Od desne proti levi + + + Right to Right + Od desne proti levi + + + + vestigeInstrument + + Loading plugin + + + + Please wait while loading VST-plugin... + + + + + vibed + + String %1 volume + + + + String %1 stiffness + + + + Pick %1 position + + + + Pickup %1 position + + + + Pan %1 + + + + Detune %1 + + + + Fuzziness %1 + + + + Length %1 + + + + Impulse %1 + + + + Octave %1 + + + + + vibedView + + Volume: + Glasnost: + + + The 'V' knob sets the volume of the selected string. + + + + String stiffness: + + + + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. + + + + Pick position: + + + + The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. + + + + Pickup position: + + + + The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. + + + + Pan: + + + + The Pan knob determines the location of the selected string in the stereo field. + + + + Detune: + + + + The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. + + + + Fuzziness: + + + + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. + + + + Length: + + + + The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. + + + + Impulse or initial state + + + + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. + + + + Octave + + + + The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. + + + + Impulse Editor + + + + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + +The waveform can also be drawn in the graph. + +The 'S' button will smooth the waveform. + +The 'N' button will normalize the waveform. + + + + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + +The graph allows you to control the initial state or impulse used to set the string in motion. + +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. + +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. + +The 'Length' knob controls the length of the string. + +The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. + + + + Enable waveform + + + + Click here to enable/disable waveform. + + + + String + + + + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + + + + Sine wave + + + + Triangle wave + + + + Saw wave + + + + Square wave + + + + White noise wave + + + + User defined wave + + + + Smooth + + + + Click here to smooth waveform. + + + + Normalize + + + + Click here to normalize waveform. + + + + Use a sine-wave for current oscillator. + + + + Use a triangle-wave for current oscillator. + + + + Use a saw-wave for current oscillator. + + + + Use a square-wave for current oscillator. + + + + Use white-noise for current oscillator. + + + + Use a user-defined waveform for current oscillator. + + + + + voiceObject + + Voice %1 pulse width + + + + Voice %1 attack + + + + Voice %1 decay + + + + Voice %1 sustain + + + + Voice %1 release + + + + Voice %1 coarse detuning + + + + Voice %1 wave shape + + + + Voice %1 sync + + + + Voice %1 ring modulate + + + + Voice %1 filtered + + + + Voice %1 test + + + + + waveShaperControlDialog + + INPUT + + + + Input gain: + + + + OUTPUT + + + + Output gain: + + + + Reset waveform + + + + Click here to reset the wavegraph back to default + + + + Smooth waveform + + + + Click here to apply smoothing to wavegraph + + + + Increase graph amplitude by 1dB + + + + Click here to increase wavegraph amplitude by 1dB + + + + Decrease graph amplitude by 1dB + + + + Click here to decrease wavegraph amplitude by 1dB + + + + Clip input + + + + Clip input signal to 0dB + + + + + waveShaperControls + + Input gain + + + + Output gain + + + + \ No newline at end of file diff --git a/data/locale/sr.ts b/data/locale/sr.ts index 43fac091537..1d38c5d24d9 100644 --- a/data/locale/sr.ts +++ b/data/locale/sr.ts @@ -2,112 +2,91 @@ AboutDialog - About LMMS - - - - - LMMS - + О ЛММС - Version %1 (%2/%3, Qt %4, %5) - + Верзија %1 (%2/%3, Qt %4, %5) - About - + О - LMMS - easy music production for everyone - + LMMS - једноставна музичка продукција за све - - Copyright © %1 - + Authors + Аутори - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - + Translation + Превођење - - Authors + Current language not translated (or native English). + +If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! - - Involved - + License + Лиценца - - Contributors ordered by number of commits: - + LMMS + ЛММС - - Translation + <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - - Current language not translated (or native English). - -If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! + Involved + Умешан + + + Contributors ordered by number of commits: - - License + Copyright © %1 AmplifierControlDialog - VOL - Volume: - + Јачина звука: - PAN - Panning: - LEFT - + ЛЕВО - Left gain: - RIGHT - + ДЕСНО - Right gain: @@ -115,22 +94,18 @@ If you're interested in translating LMMS in another language or want to imp AmplifierControls - Volume - + Јачина звука - Panning - Left gain - Right gain @@ -138,111 +113,89 @@ If you're interested in translating LMMS in another language or want to imp AudioAlsaSetupWidget - DEVICE - + УРЕЂАЈ - CHANNELS - + КАНАЛИ AudioFileProcessorView - Open other sample - Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - Reverse sample - If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - - Disable loop - - - - - This button disables looping. The sample plays only once from start to end. + Amplify: - - - Enable loop + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - - This button enables forwards-looping. The sample loops between the end point and the loop point. - + Startpoint: + Почетна тачка: - - This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - + Endpoint: + Завршна тачка: - Continue sample playback across notes - Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - - Amplify: - + Disable loop + Онемогући понављање - - With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + This button disables looping. The sample plays only once from start to end. - - Startpoint: + Enable loop + Омогући понављање + + + This button enables forwards-looping. The sample loops between the end point and the loop point. - - With this knob you can set the point where AudioFileProcessor should begin playing your sample. + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - - Endpoint: + With this knob you can set the point where AudioFileProcessor should begin playing your sample. - With this knob you can set the point where AudioFileProcessor should stop playing your sample. - Loopback point: - With this knob you can set the point where the loop starts. @@ -250,176 +203,157 @@ If you're interested in translating LMMS in another language or want to imp AudioFileProcessorWaveView - Sample length: - + Дужина узорка: AudioJack - JACK client restarted - + JACK клијент рестартован - LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. - JACK server down - The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - CLIENT-NAME - + ИМЕ-КЛИЈЕНТ - CHANNELS - + КАНАЛИ AudioOss::setupWidget - DEVICE - + УРЕЂАЈ - CHANNELS - + КАНАЛИ AudioPortAudio::setupWidget - BACKEND - DEVICE - + УРЕЂАЈ AudioPulseAudio::setupWidget - DEVICE - + УРЕЂАЈ - CHANNELS - + КАНАЛИ AudioSdl::setupWidget - DEVICE - + УРЕЂАЈ + + + + AudioSndio::setupWidget + + DEVICE + УРЕЂАЈ + + + CHANNELS + КАНАЛИ AudioSoundIo::setupWidget - BACKEND - DEVICE - + УРЕЂАЈ AutomatableModel - &Reset (%1%2) - + &Ресет (%1%2) - &Copy value (%1%2) - + &Копирај вредност (%1%2) - &Paste value (%1%2) - + &Налепи вредност (%1%2) - Edit song-global automation - - Remove song-global automation - - - - - Remove all linked controls - - - - Connected to %1 - + Конектован са %1 - Connected to controller - + Конектован са контролером - Edit connection... - + Уреди конекцију... - Remove connection - + Уклони конекцију - Connect to controller... + Конектуј се са контролером... + + + Remove song-global automation + + + + Remove all linked controls AutomationEditor - Please open an automation pattern with the context menu of a control! - Values copied - + Вредност копирана - All selected values were copied to the clipboard. @@ -427,177 +361,142 @@ If you're interested in translating LMMS in another language or want to imp AutomationEditorWindow - Play/pause current pattern (Space) - Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - Stop playing of current pattern (Space) - Click here if you want to stop playing of the current pattern. - - Edit actions - - - - Draw mode (Shift+D) - Erase mode (Shift+E) - Flip vertically - Flip horizontally - Click here and the pattern will be inverted.The points are flipped in the y direction. - Click here and the pattern will be reversed. The points are flipped in the x direction. - Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. - Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. - - Interpolation controls - - - - Discrete progression - Linear progression - Cubic Hermite progression - Tension value for spline - A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - - Tension: - - - - Cut selected values (%1+X) - Copy selected values (%1+C) - Paste values from clipboard (%1+V) - Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and the values from the clipboard will be pasted at the first visible measure. - - Timeline controls + Tension: - - Zoom controls + Automation Editor - no pattern - - Quantization controls + Automation Editor - %1 - - Automation Editor - no pattern + Edit actions - - Automation Editor - %1 + Interpolation controls + + + + Timeline controls + + + + Zoom controls + + + + Quantization controls - Model is already connected to this pattern. @@ -605,7 +504,6 @@ If you're interested in translating LMMS in another language or want to imp AutomationPattern - Drag a control while pressing <%1> @@ -613,57 +511,46 @@ If you're interested in translating LMMS in another language or want to imp AutomationPatternView - double-click to open this pattern in automation editor - Open in Automation editor - Clear - Reset name - Change name - - Set/clear record + %1 Connections - - Flip Vertically (Visible) + Disconnect "%1" - - Flip Horizontally (Visible) + Set/clear record - - %1 Connections + Flip Vertically (Visible) - - Disconnect "%1" + Flip Horizontally (Visible) - Model is already connected to this pattern. @@ -671,7 +558,6 @@ If you're interested in translating LMMS in another language or want to imp AutomationTrack - Automation track @@ -679,62 +565,50 @@ If you're interested in translating LMMS in another language or want to imp BBEditor - Beat+Bassline Editor - Play/pause current beat/bassline (Space) - Stop playback of current beat/bassline (Space) - Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. - Click here to stop playing of current beat/bassline. - - Beat selector + Add beat/bassline - - Track and step actions + Add automation-track - - Add beat/bassline + Remove steps - - Add automation-track + Add steps - - Remove steps + Beat selector - - Add steps + Track and step actions - Clone Steps @@ -742,27 +616,22 @@ If you're interested in translating LMMS in another language or want to imp BBTCOView - Open in Beat+Bassline-Editor - Reset name - Change name - Change color - Reset color to default @@ -770,12 +639,10 @@ If you're interested in translating LMMS in another language or want to imp BBTrack - Beat/Bassline %1 - Clone of %1 @@ -783,32 +650,26 @@ If you're interested in translating LMMS in another language or want to imp BassBoosterControlDialog - FREQ - Frequency: - GAIN - Gain: - RATIO - Ratio: @@ -816,17 +677,14 @@ If you're interested in translating LMMS in another language or want to imp BassBoosterControls - Frequency - Gain - Ratio @@ -834,104 +692,82 @@ If you're interested in translating LMMS in another language or want to imp BitcrushControlDialog - IN - OUT - - GAIN - Input Gain: - NOIS - Input Noise: - Output Gain: - CLIP - Output Clip: - - Rate - Rate Enabled - Enable samplerate-crushing - Depth - Depth Enabled - Enable bitdepth-crushing - Sample rate: - STD - Stereo difference: - Levels - Levels: @@ -939,12 +775,10 @@ If you're interested in translating LMMS in another language or want to imp CaptionMenu - &Help - Help (not available) @@ -952,12 +786,10 @@ If you're interested in translating LMMS in another language or want to imp CarlaInstrumentView - Show GUI - Click here to show or hide the graphical user interface (GUI) of Carla. @@ -965,7 +797,6 @@ If you're interested in translating LMMS in another language or want to imp Controller - Controller %1 @@ -973,73 +804,58 @@ If you're interested in translating LMMS in another language or want to imp ControllerConnectionDialog - Connection Settings - MIDI CONTROLLER - Input channel - CHANNEL - Input controller - CONTROLLER - - Auto Detect - MIDI-devices to receive MIDI-events from - USER CONTROLLER - MAPPING FUNCTION - OK - Cancel - LMMS - Cycle Detected. @@ -1047,22 +863,18 @@ If you're interested in translating LMMS in another language or want to imp ControllerRackView - Controller Rack - Add - Confirm Delete - Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. @@ -1070,105 +882,89 @@ If you're interested in translating LMMS in another language or want to imp ControllerView - Controls - Controllers are able to automate the value of a knob, slider, and other controls. - Rename controller - Enter the new name for this controller - - &Remove this plugin + &Remove this controller + + + + Re&name this controller CrossoverEQControlDialog - Band 1/2 Crossover: - Band 2/3 Crossover: - Band 3/4 Crossover: - Band 1 Gain: - Band 2 Gain: - Band 3 Gain: - Band 4 Gain: - Band 1 Mute - Mute Band 1 - Band 2 Mute - Mute Band 2 - Band 3 Mute - Mute Band 3 - Band 4 Mute - Mute Band 4 @@ -1176,27 +972,22 @@ If you're interested in translating LMMS in another language or want to imp DelayControls - Delay Samples - Feedback - Lfo Frequency - Lfo Amount - Output gain @@ -1204,48 +995,38 @@ If you're interested in translating LMMS in another language or want to imp DelayControlsDialog - Delay - + Lfo Amt + + + Delay Time - Regen - Feedback Amount - Rate - - Lfo - - Lfo Amt - - - - Out Gain - Gain @@ -1253,258 +1034,185 @@ If you're interested in translating LMMS in another language or want to imp DualFilterControlDialog - - - FREQ + Filter 1 enabled - - - Cutoff frequency + Filter 2 enabled - - - RESO + Click to enable/disable Filter 1 - - - Resonance + Click to enable/disable Filter 2 - - - GAIN + FREQ - - - Gain + Cutoff frequency - - MIX + RESO - - Mix + Resonance - - Filter 1 enabled + GAIN - - Filter 2 enabled + Gain - - Click to enable/disable Filter 1 + MIX - - Click to enable/disable Filter 2 + Mix DualFilterControls - Filter 1 enabled - Filter 1 type - Cutoff 1 frequency - Q/Resonance 1 - Gain 1 - Mix - Filter 2 enabled - Filter 2 type - Cutoff 2 frequency - Q/Resonance 2 - Gain 2 - - LowPass - - HiPass - - BandPass csg - - BandPass czpg - - Notch - - Allpass - - Moog - - 2x LowPass - - RC LowPass 12dB - - RC BandPass 12dB - - RC HighPass 12dB - - RC LowPass 24dB - - RC BandPass 24dB - - RC HighPass 24dB - - Vocal Formant Filter - - 2x Moog - - SV LowPass - - SV BandPass - - SV HighPass - - SV Notch - - Fast Formant - - Tripole @@ -1512,50 +1220,41 @@ If you're interested in translating LMMS in another language or want to imp Editor - - Transport controls - - - - Play (Space) - Stop (Space) - Record - Record while playing + + Transport controls + + Effect - Effect enabled - Wet/Dry mix - Gate - Decay @@ -1563,7 +1262,6 @@ If you're interested in translating LMMS in another language or want to imp EffectChain - Effects enabled @@ -1571,12 +1269,10 @@ If you're interested in translating LMMS in another language or want to imp EffectRackView - EFFECTS CHAIN - Add effect @@ -1584,22 +1280,22 @@ If you're interested in translating LMMS in another language or want to imp EffectSelectDialog - Add effect - Name - + Type + + + Description - Author @@ -1607,67 +1303,54 @@ If you're interested in translating LMMS in another language or want to imp EffectView - Toggles the effect on or off. - On/Off - W/D - Wet Level: - The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - DECAY - Time: - The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - GATE - Gate: - The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - Controls - Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. @@ -1684,17 +1367,14 @@ Right clicking will bring up a context menu where you can change the order in wh - Move &up - Move &down - &Remove this plugin @@ -1702,72 +1382,58 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoParameters - Predelay - Attack - Hold - Decay - Sustain - Release - Modulation - LFO Predelay - LFO Attack - LFO speed - LFO Modulation - LFO Wave Shape - Freq x 100 - Modulate Env-Amount @@ -1775,439 +1441,349 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoView - - DEL - Predelay: - Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - - ATT - Attack: - Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - HOLD - Hold: - Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - DEC - Decay: - Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - SUST - Sustain: - Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - REL - Release: - Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - - AMT - - Modulation amount: - Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - LFO predelay: - Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - LFO- attack: - Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - SPD - LFO speed: - Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - Click here for a sine-wave. - Click here for a triangle-wave. - Click here for a saw-wave for current. - Click here for a square-wave. - Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - - Click here for random wave. - - - - FREQ x 100 - Click here if the frequency of this LFO should be multiplied by 100. - multiply LFO-frequency by 100 - MODULATE ENV-AMOUNT - Click here to make the envelope-amount controlled by this LFO. - control envelope-amount by this LFO - ms/LFO: - Hint - Drag a sample from somewhere and drop it in this window. + + Click here for random wave. + + EqControls - Input gain - Output gain - Low shelf gain - Peak 1 gain - Peak 2 gain - Peak 3 gain - Peak 4 gain - High Shelf gain - HP res - Low Shelf res - Peak 1 BW - Peak 2 BW - Peak 3 BW - Peak 4 BW - High Shelf res - LP res - HP freq - Low Shelf freq - Peak 1 freq - Peak 2 freq - Peak 3 freq - Peak 4 freq - High shelf freq - LP freq - HP active - Low shelf active - Peak 1 active - Peak 2 active - Peak 3 active - Peak 4 active - High shelf active - LP active - LP 12 - LP 24 - LP 48 - HP 12 - HP 24 - HP 48 - low pass type - high pass type - Analyse IN - Analyse OUT @@ -2215,105 +1791,82 @@ Right clicking will bring up a context menu where you can change the order in wh EqControlsDialog - HP - Low Shelf - Peak 1 - Peak 2 - Peak 3 - Peak 4 - High Shelf - LP - In Gain - - - Gain - Out Gain - Bandwidth: - - Octave - - - - Resonance : - Frequency: - lp grp - hp grp - + Octave + + + Frequency - - Resonance - Bandwidth @@ -2321,18 +1874,14 @@ Right clicking will bring up a context menu where you can change the order in wh EqHandle - Reso: - BW: - - Freq: @@ -2340,208 +1889,167 @@ Right clicking will bring up a context menu where you can change the order in wh ExportProjectDialog - Export project - Output - File format: - Samplerate: - 44100 Hz - 48000 Hz - 88200 Hz - 96000 Hz - 192000 Hz - Bitrate: - 64 KBit/s - 128 KBit/s - 160 KBit/s - 192 KBit/s - 256 KBit/s - 320 KBit/s - Depth: - 16 Bit Integer - 32 Bit Float - Please note that not all of the parameters above apply for all file formats. - Quality settings - Interpolation: - Zero Order Hold - Sinc Fastest - Sinc Medium (recommended) - Sinc Best (very slow!) - Oversampling (use with care!): - 1x (None) - 2x - 4x - 8x - - Export as loop (remove end silence) + Start - - Export between loop markers + Cancel - - Start + Export as loop (remove end silence) - - Cancel + Export between loop markers - Could not open file - Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! - Export project to %1 - Error - Error while determining file-encoder device. Please try to choose a different output format. - Rendering: %1% @@ -2549,8 +2057,6 @@ Please make sure you have write-permission to the file and the directory contain Fader - - Please enter a new value between %1 and %2: @@ -2558,7 +2064,6 @@ Please make sure you have write-permission to the file and the directory contain FileBrowser - Browser @@ -2566,80 +2071,65 @@ Please make sure you have write-permission to the file and the directory contain FileBrowserTreeWidget - Send to active instrument-track - - Open in new instrument-track/Song Editor - - - - Open in new instrument-track/B+B Editor - Loading sample - Please wait, loading sample for preview... - - Error + --- Factory files --- - - does not appear to be a valid + Open in new instrument-track/Song Editor - - file + Error - - --- Factory files --- + does not appear to be a valid + + + + file FlangerControls - Delay Samples - Lfo Frequency - Seconds - Regen - Noise - Invert @@ -2647,52 +2137,42 @@ Please make sure you have write-permission to the file and the directory contain FlangerControlsDialog - Delay - Delay Time: - Lfo Hz - Lfo: - Amt - Amt: - Regen - Feedback Amount: - Noise - White Noise Amount: @@ -2700,12 +2180,10 @@ Please make sure you have write-permission to the file and the directory contain FxLine - Channel send amount - The FX channel receives input from one or more instrument tracks. It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. @@ -2716,27 +2194,22 @@ You can remove and move FX channels in the context menu, which is accessed by ri - Move &left - Move &right - Rename &channel - R&emove channel - Remove &unused channels @@ -2744,14 +2217,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixer - Master - - - FX %1 @@ -2759,51 +2228,33 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixerView - FX-Mixer - FX Fader %1 - Mute - Mute this FX channel - Solo - Solo FX channel - - - Rename FX channel - - - - - Enter the new name for this FX channel - - FxRoute - - Amount to send from channel %1 to channel %2 @@ -2811,17 +2262,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrument - Bank - Patch - Gain @@ -2829,58 +2277,46 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrumentView - Open other GIG file - Click here to open another GIG file - Choose the patch - Click here to change which patch of the GIG file to use - - Change which instrument of the GIG file is being played - Which GIG file is currently being used - Which patch of the GIG file is currently being used - Gain - Factor to multiply samples by - Open GIG file - GIG Files (*.gig) @@ -2888,52 +2324,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri GuiApplication - Working directory - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - Preparing UI - Preparing song editor - Preparing mixer - Preparing controller rack - Preparing project notes - Preparing beat/bassline editor - Preparing piano roll - Preparing automation editor @@ -2941,165 +2367,133 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentFunctionArpeggio - Arpeggio - Arpeggio type - Arpeggio range - Arpeggio time - Arpeggio gate - Arpeggio direction - Arpeggio mode - Up - Down - Up and down - Random - - Down and up - - - - Free - Sort - Sync + + Down and up + + InstrumentFunctionArpeggioView - ARPEGGIO - An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - RANGE - Arpeggio range: - octave(s) - Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - TIME - Arpeggio time: - ms - Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - GATE - Arpeggio gate: - % - Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - Chord: - Direction: - Mode: @@ -3107,571 +2501,456 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentFunctionNoteStacking - octave - - Major - Majb5 - minor - minb5 - sus2 - sus4 - aug - augsus4 - tri - 6 - 6sus4 - 6add9 - m6 - m6add9 - 7 - 7sus4 - 7#5 - 7b5 - 7#9 - 7b9 - 7#5#9 - 7#5b9 - 7b5b9 - 7add11 - 7add13 - 7#11 - Maj7 - Maj7b5 - Maj7#5 - Maj7#11 - Maj7add13 - m7 - m7b5 - m7b9 - m7add11 - m7add13 - m-Maj7 - m-Maj7add11 - m-Maj7add13 - 9 - 9sus4 - add9 - 9#5 - 9b5 - 9#11 - 9b13 - Maj9 - Maj9sus4 - Maj9#5 - Maj9#11 - m9 - madd9 - m9b5 - m9-Maj7 - 11 - 11b9 - Maj11 - m11 - m-Maj11 - 13 - 13#9 - 13b9 - 13b5b9 - Maj13 - m13 - m-Maj13 - Harmonic minor - Melodic minor - Whole tone - Diminished - Major pentatonic - Minor pentatonic - Jap in sen - Major bebop - Dominant bebop - Blues - Arabic - Enigmatic - Neopolitan - Neopolitan minor - Hungarian minor - Dorian - Phrygolydian - Lydian - Mixolydian - Aeolian - Locrian - - Minor + Chords - - Chromatic + Chord type - - Half-Whole Diminished + Chord range - - 5 + Minor - - Chords + Chromatic - - Chord type + Half-Whole Diminished - - Chord range + 5 InstrumentFunctionNoteStackingView - - STACKING + RANGE - - Chord: + Chord range: - - RANGE + octave(s) - - Chord range: + Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. - - octave(s) + STACKING - - Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. + Chord: InstrumentMidiIOView - ENABLE MIDI INPUT - - CHANNEL - - VELOCITY - ENABLE MIDI OUTPUT - PROGRAM - - NOTE + MIDI devices to receive MIDI events from - - MIDI devices to receive MIDI events from + MIDI devices to send MIDI events to - - MIDI devices to send MIDI events to + NOTE - CUSTOM BASE VELOCITY - Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - BASE VELOCITY @@ -3679,12 +2958,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentMiscView - MASTER PITCH - Enables the use of Master Pitch @@ -3692,158 +2969,126 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentSoundShaping - VOLUME - Volume - CUTOFF - - Cutoff frequency - RESO - Resonance - Envelopes/LFOs - Filter type - Q/Resonance - LowPass - HiPass - BandPass csg - BandPass czpg - Notch - Allpass - Moog - 2x LowPass - RC LowPass 12dB - RC BandPass 12dB - RC HighPass 12dB - RC LowPass 24dB - RC BandPass 24dB - RC HighPass 24dB - Vocal Formant Filter - 2x Moog - SV LowPass - SV BandPass - SV HighPass - SV Notch - Fast Formant - Tripole @@ -3851,62 +3096,50 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentSoundShapingView - TARGET - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - FILTER - Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - - FREQ + Hz - - cutoff frequency: + Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - - Hz + RESO - - Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... + Resonance: - - RESO + Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - - Resonance: + FREQ - - Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. + cutoff frequency: - Envelopes, LFOs and filters are not supported by the current instrument. @@ -3914,54 +3147,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrack - - - Default preset + unnamed_track - - With this knob you can set the volume of the opened channel. + Volume - - - unnamed_track + Panning - - Base note + Pitch - - Volume + FX channel - - Panning + Default preset - - Pitch + With this knob you can set the volume of the opened channel. - - Pitch range + Base note - - FX channel + Pitch range - Master Pitch @@ -3969,52 +3190,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrackView - Volume - Volume: - VOL - Panning - Panning: - PAN - MIDI - Input - Output - FX %1: %2 @@ -4022,156 +3233,125 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrackWindow - GENERAL SETTINGS - - Use these controls to view and edit the next/previous track in the song editor. - - - - Instrument volume - Volume: - VOL - Panning - Panning: - PAN - Pitch - Pitch: - cents - PITCH - - Pitch range (semitones) + FX channel - - RANGE + ENV/LFO - - FX channel + FUNC - - FX - - Save current instrument track settings in a preset file + MIDI - - Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. + Save preset - - SAVE + XML preset file (*.xpf) - - ENV/LFO + PLUGIN - - FUNC + Pitch range (semitones) - - MIDI + RANGE - - MISC + Save current instrument track settings in a preset file - - Save preset + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - - XML preset file (*.xpf) + MISC - - PLUGIN + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE Knob - Set linear - Set logarithmic - Please enter a new value between -96.0 dBV and 6.0 dBV: - Please enter a new value between %1 and %2: @@ -4179,7 +3359,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControl - Link channels @@ -4187,12 +3366,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlDialog - Link Channels - Channel @@ -4200,17 +3377,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlView - Link channels - Value: - Sorry, no help available. @@ -4218,7 +3392,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaEffect - Unknown LADSPA plugin %1 requested. @@ -4226,7 +3399,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LcdSpinBox - Please enter a new value between %1 and %2: @@ -4234,26 +3406,18 @@ You can remove and move FX channels in the context menu, which is accessed by ri LeftRightNav - - - Previous - - - Next - Previous (%1) - Next (%1) @@ -4261,37 +3425,30 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoController - LFO Controller - Base value - Oscillator speed - Oscillator amount - Oscillator phase - Oscillator waveform - Frequency Multiplier @@ -4299,141 +3456,114 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoControllerDialog - LFO - LFO Controller - BASE - Base amount: - todo - SPD - LFO-speed: - Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - - AMT - - - - Modulation amount: - Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - PHS - Phase offset: - degrees - With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Click here for a sine-wave. - Click here for a triangle-wave. - Click here for a saw-wave. - Click here for a square-wave. - - Click here for a moog saw-wave. - - - - Click here for an exponential wave. - Click here for white-noise. - Click here for a user-defined shape. Double click to pick a file. + + Click here for a moog saw-wave. + + + + AMNT + + LmmsCore - Generating wavetables - Initializing data structures - Opening audio and midi devices - Launching mixer threads @@ -4441,501 +3571,388 @@ Double click to pick a file. MainWindow - - Configuration file - - - - - Error while parsing configuration file at line %1:%2: %3 - - - - Could not save config-file - Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. - - Project recovery + &New - - There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + &Open... - - - Recover + &Save - - Recover the file. Please don't run multiple instances of LMMS when you do this. + Save &As... - - - Ignore + Import... - - Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + E&xport... - - Discard + &Quit - - Launch a default session and delete the restored files. This is not reversible. + &Edit - - Quit + Settings - - Shut down LMMS with no further action. + &Tools - - Exit + &Help - - Version %1 + Help - - Preparing plugin browser + What's this? - - Preparing file browsers + About - - My Projects + Create new project - - My Samples + Create new project from template - - My Presets + Open existing project - - My Home + Recently opened projects - - Root directory + Save current project - - Volumes + Export current project - - My Computer + Song Editor - - Loading background artwork + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - - &File + Beat+Bassline Editor - - &New + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - - New from template + Piano Roll - - &Open... + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - - &Recently Opened Projects + Automation Editor - - &Save + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - - Save &As... + FX Mixer - - Save as New &Version + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - - Save as default template + Project Notes - - Import... + Click here to show or hide the project notes window. In this window you can put down your project notes. - - E&xport... + Controller Rack - - E&xport Tracks... + Untitled - - Export &MIDI... + LMMS %1 - - &Quit + Project not saved - - &Edit + The current project was modified since last saving. Do you want to save it now? - - Undo + Help not available - - Redo + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. - - Settings + LMMS (*.mmp *.mmpz) - - &View + Version %1 - - &Tools + Configuration file - - &Help + Error while parsing configuration file at line %1:%2: %3 - - Online Help + Volumes - - Help + Undo - - What's This? + Redo - - About + My Projects - - Create new project + My Samples - - Create new project from template + My Presets - - Open existing project + My Home - - Recently opened projects + My Computer - - Save current project + &File - - Export current project + &Recently Opened Projects - - What's this? + Save as New &Version - - Toggle metronome + E&xport Tracks... - - Show/hide Song-Editor + Online Help - - By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. + What's This? - - Show/hide Beat+Bassline Editor + Open Project - - By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + Save Project - - Show/hide Piano-Roll + Project recovery - - Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? - - Show/hide Automation Editor - - - - - Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + Recover - - Show/hide FX Mixer + Recover the file. Please don't run multiple instances of LMMS when you do this. - - Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + Ignore - - Show/hide project notes + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. - - Click here to show or hide the project notes window. In this window you can put down your project notes. + Discard - - Show/hide controller rack + Launch a default session and delete the restored files. This is not reversible. - - Untitled + Preparing plugin browser - - Recover session. Please save your work! + Preparing file browsers - - Automatic backup disabled. Remember to save your work! + Root directory - - LMMS %1 + Loading background artwork - - Recovered project not saved + New from template - - This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + Save as default template - - Project not saved + Export &MIDI... - - The current project was modified since last saving. Do you want to save it now? + &View - - Open Project + Toggle metronome - - LMMS (*.mmp *.mmpz) + Show/hide Song-Editor - - Save Project + Show/hide Beat+Bassline Editor - - LMMS Project + Show/hide Piano-Roll - - LMMS Project Template + Show/hide Automation Editor - - Overwrite default template? + Show/hide FX Mixer - - This will overwrite your current default template. + Show/hide project notes - - Help not available + Show/hide controller rack - - Currently there's no help available in LMMS. -Please visit http://lmms.sf.net/wiki for documentation on LMMS. + Recover session. Please save your work! - - Song Editor + Automatic backup disabled. Remember to save your work! - - Beat+Bassline Editor + Recovered project not saved - - Piano Roll + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? - - Automation Editor + LMMS Project - - FX Mixer + LMMS Project Template - - Project Notes + Overwrite default template? - - Controller Rack + This will overwrite your current default template. - Volume as dBV - Smooth scroll - Enable note labels in piano roll @@ -4943,19 +3960,14 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MeterDialog - - Meter Numerator - - Meter Denominator - TIME SIG @@ -4963,12 +3975,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MeterModel - Numerator - Denominator @@ -4976,12 +3986,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MidiController - MIDI Controller - unnamed_midi_controller @@ -4989,23 +3997,18 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MidiImport - - Setup incomplete - You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. - You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - Track @@ -5013,65 +4016,53 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MidiPort - Input channel - Output channel - Input controller - Output controller - Fixed input velocity - Fixed output velocity - - Fixed output note + Output MIDI program - - Output MIDI program + Receive MIDI-events - - Base velocity + Send MIDI-events - - Receive MIDI-events + Fixed output note - - Send MIDI-events + Base velocity MidiSetupWidget - DEVICE @@ -5079,595 +4070,474 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MonstroInstrument - Osc 1 Volume - Osc 1 Panning - Osc 1 Coarse detune - Osc 1 Fine detune left - Osc 1 Fine detune right - Osc 1 Stereo phase offset - Osc 1 Pulse width - Osc 1 Sync send on rise - Osc 1 Sync send on fall - Osc 2 Volume - Osc 2 Panning - Osc 2 Coarse detune - Osc 2 Fine detune left - Osc 2 Fine detune right - Osc 2 Stereo phase offset - Osc 2 Waveform - Osc 2 Sync Hard - Osc 2 Sync Reverse - Osc 3 Volume - Osc 3 Panning - Osc 3 Coarse detune - Osc 3 Stereo phase offset - Osc 3 Sub-oscillator mix - Osc 3 Waveform 1 - Osc 3 Waveform 2 - Osc 3 Sync Hard - Osc 3 Sync Reverse - LFO 1 Waveform - LFO 1 Attack - LFO 1 Rate - LFO 1 Phase - LFO 2 Waveform - LFO 2 Attack - LFO 2 Rate - LFO 2 Phase - Env 1 Pre-delay - Env 1 Attack - Env 1 Hold - Env 1 Decay - Env 1 Sustain - Env 1 Release - Env 1 Slope - Env 2 Pre-delay - Env 2 Attack - Env 2 Hold - Env 2 Decay - Env 2 Sustain - Env 2 Release - Env 2 Slope - Osc2-3 modulation - Selected view - Vol1-Env1 - Vol1-Env2 - Vol1-LFO1 - Vol1-LFO2 - Vol2-Env1 - Vol2-Env2 - Vol2-LFO1 - Vol2-LFO2 - Vol3-Env1 - Vol3-Env2 - Vol3-LFO1 - Vol3-LFO2 - Phs1-Env1 - Phs1-Env2 - Phs1-LFO1 - Phs1-LFO2 - Phs2-Env1 - Phs2-Env2 - Phs2-LFO1 - Phs2-LFO2 - Phs3-Env1 - Phs3-Env2 - Phs3-LFO1 - Phs3-LFO2 - Pit1-Env1 - Pit1-Env2 - Pit1-LFO1 - Pit1-LFO2 - Pit2-Env1 - Pit2-Env2 - Pit2-LFO1 - Pit2-LFO2 - Pit3-Env1 - Pit3-Env2 - Pit3-LFO1 - Pit3-LFO2 - PW1-Env1 - PW1-Env2 - PW1-LFO1 - PW1-LFO2 - Sub3-Env1 - Sub3-Env2 - Sub3-LFO1 - Sub3-LFO2 - - Sine wave - Bandlimited Triangle wave - Bandlimited Saw wave - Bandlimited Ramp wave - Bandlimited Square wave - Bandlimited Moog saw wave - - Soft square wave - Absolute sine wave - - Exponential wave - White noise - Digital Triangle wave - Digital Saw wave - Digital Ramp wave - Digital Square wave - Digital Moog saw wave - Triangle wave - Saw wave - Ramp wave - Square wave - Moog saw wave - Abs. sine wave - Random - Random smooth @@ -5675,24 +4545,20 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MonstroView - Operators view - The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - Matrix view - The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. @@ -5701,407 +4567,256 @@ Each modulation target has 4 knobs, one for each modulator. By default the knobs - - - - Volume + Mix Osc2 with Osc3 - - - - Panning + Modulate amplitude of Osc3 with Osc2 - - - - Coarse detune + Modulate frequency of Osc3 with Osc2 - - - - semitones + Modulate phase of Osc3 with Osc2 - - - Finetune left + The CRS knob changes the tuning of oscillator 1 in semitone steps. - - - - - cents + The CRS knob changes the tuning of oscillator 2 in semitone steps. - - - Finetune right + The CRS knob changes the tuning of oscillator 3 in semitone steps. - - - - Stereo phase offset + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - - - - - - deg + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - - Pulse width + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - - Send sync on pulse rise + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - - Send sync on pulse fall + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - - Hard sync oscillator 2 + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - - Reverse sync oscillator 2 + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - - Sub-osc mix + Choose waveform for oscillator 2. - - Hard sync oscillator 3 + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - - Reverse sync oscillator 3 + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - - - - - Attack + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - - - Rate + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - - - Phase + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - - - Pre-delay + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - - - Hold + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - - - Decay + Select the waveform for LFO 1. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - - - Sustain + Select the waveform for LFO 2. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - - - Release + Attack causes the LFO to come on gradually from the start of the note. - - - Slope + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - - Mix Osc2 with Osc3 + PHS controls the phase offset of the LFO. - - Modulate amplitude of Osc3 with Osc2 + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - - Modulate frequency of Osc3 with Osc2 + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - - Modulate phase of Osc3 with Osc2 + HOLD controls how long the envelope stays at peak after the attack phase. - - The CRS knob changes the tuning of oscillator 1 in semitone steps. + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - - The CRS knob changes the tuning of oscillator 2 in semitone steps. + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - - The CRS knob changes the tuning of oscillator 3 in semitone steps. + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - - - - - FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - - - - The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. + Volume - - The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. + Panning - - Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + Coarse detune - - Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + semitones - - - Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. + Finetune left - - - Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. + cents - - Choose waveform for oscillator 2. + Finetune right - - Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + Stereo phase offset - - Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + deg - - The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. + Pulse width - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -Mix mode means no modulation: the outputs of the oscillators are simply mixed together. + Send sync on pulse rise - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. + Send sync on pulse fall - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. + Hard sync oscillator 2 - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + Reverse sync oscillator 2 - - Select the waveform for LFO 1. -"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + Sub-osc mix - - Select the waveform for LFO 2. -"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + Hard sync oscillator 3 - - - Attack causes the LFO to come on gradually from the start of the note. + Reverse sync oscillator 3 - - - Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. + Attack - - - PHS controls the phase offset of the LFO. + Rate - - - PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. + Phase - - - ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. + Pre-delay - - - HOLD controls how long the envelope stays at peak after the attack phase. + Hold - - - DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. + Decay - - - SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. + Sustain - - - REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. + Release - - - The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. + Slope - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Modulation amount @@ -6109,42 +4824,34 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator MultitapEchoControlDialog - Length - Step length: - Dry - Dry Gain: - Stages - Lowpass stages: - Swap inputs - Swap left and right input channel for reflections @@ -6152,102 +4859,82 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator NesInstrument - Channel 1 Coarse detune - Channel 1 Volume - Channel 1 Envelope length - Channel 1 Duty cycle - Channel 1 Sweep amount - Channel 1 Sweep rate - Channel 2 Coarse detune - Channel 2 Volume - Channel 2 Envelope length - Channel 2 Duty cycle - Channel 2 Sweep amount - Channel 2 Sweep rate - Channel 3 Coarse detune - Channel 3 Volume - Channel 4 Volume - Channel 4 Envelope length - Channel 4 Noise frequency - Channel 4 Noise frequency sweep - Master volume - Vibrato @@ -6255,155 +4942,114 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator NesInstrumentView - - - - Volume - - - Coarse detune - - - Envelope length - Enable channel 1 - Enable envelope 1 - Enable envelope 1 loop - Enable sweep 1 - - Sweep amount - - Sweep rate - - 12.5% Duty cycle - - 25% Duty cycle - - 50% Duty cycle - - 75% Duty cycle - Enable channel 2 - Enable envelope 2 - Enable envelope 2 loop - Enable sweep 2 - Enable channel 3 - Noise Frequency - Frequency sweep - Enable channel 4 - Enable envelope 4 - Enable envelope 4 loop - Quantize noise frequency when using note frequency - Use note frequency for noise - Noise mode - Master Volume - Vibrato @@ -6411,103 +5057,81 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator OscillatorObject - - Osc %1 waveform - - - - - Osc %1 harmonic - - - - - Osc %1 volume - - Osc %1 panning - - - Osc %1 fine detuning left + Osc %1 coarse detuning - - Osc %1 coarse detuning + Osc %1 fine detuning left - Osc %1 fine detuning right - Osc %1 phase-offset - Osc %1 stereo phase-detuning - Osc %1 wave shape - Modulation type %1 + + Osc %1 waveform + + + + Osc %1 harmonic + + PatchesDialog - Qsynth: Channel Preset - Bank selector - Bank - Program selector - Patch - Name - OK - Cancel @@ -6515,57 +5139,46 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatmanView - Open other patch - Click here to open another patch-file. Loop and Tune settings are not reset. - Loop - Loop mode - Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - Tune - Tune mode - Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - No file selected - Open patch file - Patch-Files (*.pat) @@ -6573,60 +5186,53 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatternView - - use mouse wheel to set velocity of a step - - - - - double-click to open in Piano Roll - - - - Open in piano-roll - Clear all notes - Reset name - Change name - Add steps - Remove steps + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + PeakController - Peak Controller - Peak Controller Bug - Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. @@ -6634,12 +5240,10 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PeakControllerDialog - PEAK - LFO Controller @@ -6647,62 +5251,50 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PeakControllerEffectControlDialog - BASE - Base amount: - - AMNT + Modulation amount: - - Modulation amount: + Attack: - - MULT + Release: - - Amount Multiplicator: + AMNT - - ATCK + MULT - - Attack: + Amount Multiplicator: - - DCAY + ATCK - - Release: + DCAY - TRES - Treshold: @@ -6710,312 +5302,255 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PeakControllerEffectControls - Base value - Modulation amount - - Attack + Mute output - - Release + Attack - - Treshold + Release - - Mute output + Abs Value - - Abs Value + Amount Multiplicator - - Amount Multiplicator + Treshold PianoRoll - - Note Velocity - - - - - Note Panning + Please open a pattern by double-clicking on it! - - Mark/unmark current semitone + Last note - - Mark/unmark all corresponding octave semitones + Note lock - - Mark current scale + Note Velocity - - Mark current chord + Note Panning - - Unmark all + Mark/unmark current semitone - - Select all notes on this key + Mark current scale - - Note lock + Mark current chord - - Last note + Unmark all - No scale - No chord - Velocity: %1% - Panning: %1% left - Panning: %1% right - Panning: center - - Please open a pattern by double-clicking on it! + Please enter a new value between %1 and %2: - - - Please enter a new value between %1 and %2: + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key PianoRollWindow - Play/pause current pattern (Space) - Record notes from MIDI-device/channel-piano - Record notes from MIDI-device/channel-piano while playing song or BB track - Stop playing of current pattern (Space) - Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - Click here to stop playback of current pattern. - - Edit actions - - - - Draw mode (Shift+D) - Erase mode (Shift+E) - Select mode (Shift+S) - Detune mode (Shift+T) - Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - - Copy paste controls - - - - Cut selected notes (%1+X) - Copy selected notes (%1+C) - Paste notes from clipboard (%1+V) - Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and the notes from the clipboard will be pasted at the first visible measure. - - Timeline controls + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - - Zoom and note controls + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - - This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - - The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - - This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - - The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! + Edit actions - - Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. + Copy paste controls + + + + Timeline controls + + + + Zoom and note controls - Piano-Roll - %1 - Piano-Roll - no pattern + + Quantize + + PianoView - Base note @@ -7023,23 +5558,19 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator Plugin - Plugin not found - The plugin "%1" wasn't found or could not be loaded! Reason: "%2" - Error while loading plugin - Failed to load plugin "%1"! @@ -7047,17 +5578,14 @@ Reason: "%2" PluginBrowser - Instrument plugins - Instrument browser - Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. @@ -7065,12 +5593,10 @@ Reason: "%2" PluginFactory - Plugin not found. - LMMS plugin %1 does not have a plugin descriptor named %2! @@ -7078,147 +5604,118 @@ Reason: "%2" ProjectNotes - Project notes - Put down your project notes here. - Edit Actions - &Undo - %1+Z - &Redo - %1+Y - &Copy - %1+C - Cu&t - %1+X - &Paste - %1+V - Format Actions - &Bold - %1+B - &Italic - %1+I - &Underline - %1+U - &Left - %1+L - C&enter - %1+E - &Right - %1+R - &Justify - %1+J - &Color... @@ -7226,12 +5723,10 @@ Reason: "%2" ProjectRenderer - WAV-File (*.wav) - Compressed OGG-File (*.ogg) @@ -7239,89 +5734,57 @@ Reason: "%2" QWidget - - - Name: - - Maker: - - Copyright: - - Requires Real Time: - - - - - - Yes - - - - - - No - - Real Time Capable: - - In Place Broken: - - Channels In: - - Channels Out: - - File: %1 + File: - - File: + File: %1 RenameDialog - Rename... @@ -7329,90 +5792,73 @@ Reason: "%2" SampleBuffer - Open audio file - - All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - - - - Wave-Files (*.wav) - OGG-Files (*.ogg) - DrumSynth-Files (*.ds) - FLAC-Files (*.flac) - SPEEX-Files (*.spx) - VOC-Files (*.voc) - AIFF-Files (*.aif *.aiff) - AU-Files (*.au) - RAW-Files (*.raw) + + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + + SampleTCOView - double-click to select sample - Delete (middle mousebutton) - Cut - Copy - Paste - Mute/unmute (<%1> + middle click) @@ -7420,51 +5866,41 @@ Reason: "%2" SampleTrack - - Volume + Sample track - - Panning + Volume - - - Sample track + Panning SampleTrackView - Track volume - Channel volume: - VOL - Panning - Panning: - PAN @@ -7472,611 +5908,482 @@ Reason: "%2" SetupDialog - Setup LMMS - - General settings - BUFFER SIZE - - Reset to default-value - MISC - Enable tooltips - Show restart warning after changing settings - Display volume as dBV - Compress project files per default - One instrument track window mode - HQ-mode for output audio-device - Compact track buttons - Sync VST plugins to host playback - Enable note labels in piano roll - Enable waveform display by default - Keep effects running even without input - Create backup file when saving a project - - Reopen last project on start + LANGUAGE - - LANGUAGE + Paths - - - Paths + LMMS working directory - - Directories + VST-plugin directory - - LMMS working directory + Background artwork - - Themes directory + STK rawwave directory - - Background artwork + Default Soundfont File - - FL Studio installation directory + Performance settings - - VST-plugin directory + UI effects vs. performance - - GIG directory + Smooth scroll in Song Editor - - SF2 directory + Enable auto save feature - - LADSPA plugin directories + Show playback cursor in AudioFileProcessor - - STK rawwave directory + Audio settings - - Default Soundfont File + AUDIO INTERFACE - - - Performance settings + MIDI settings - - Auto save + MIDI INTERFACE - - Enable auto save feature + OK - - UI effects vs. performance + Cancel - - Smooth scroll in Song Editor + Restart LMMS - - Show playback cursor in AudioFileProcessor + Please note that most changes won't take effect until you restart LMMS! - - - Audio settings + Frames: %1 +Latency: %2 ms - - AUDIO INTERFACE + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - - - MIDI settings + Choose LMMS working directory - - MIDI INTERFACE + Choose your VST-plugin directory - - OK + Choose artwork-theme directory - - Cancel + Choose LADSPA plugin directory - - Restart LMMS + Choose STK rawwave directory - - Please note that most changes won't take effect until you restart LMMS! + Choose default SoundFont - - Frames: %1 -Latency: %2 ms + Choose background artwork - - Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - - Choose LMMS working directory + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - - Choose your GIG directory + Reopen last project on start - - Choose your SF2 directory + Directories - - Choose your VST-plugin directory + Themes directory - - Choose artwork-theme directory + GIG directory - - Choose FL Studio installation directory + SF2 directory - - Choose LADSPA plugin directory + LADSPA plugin directories - - Choose STK rawwave directory + Auto save - - Choose default SoundFont + Choose your GIG directory - - Choose background artwork + Choose your SF2 directory - minutes - minute - Auto save interval: %1 %2 - Set the time between automatic backup to %1. Remember to also save your project manually. - - - Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - - - - - Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - - Song - Tempo - Master volume - Master pitch - Project saved - The project %1 is now saved. - Project NOT saved. - The project %1 was not saved! - Import file - MIDI sequences - - FL Studio projects - - - - Hydrogen projects - All file types - - Empty project - - This project is empty so exporting makes no sense. Please put some items into Song Editor first! - Select directory for writing exported tracks... - - untitled - - Select file for project-export... - + The following errors occured while loading: + + + MIDI File (*.mid) - - The following errors occured while loading: + LMMS Error report SongEditor - Could not open file - - Could not open file %1. You probably have no permissions to read this file. - Please make sure to have at least read permissions to the file and try again. - - - - Could not write file - - Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. - Error in file - The file %1 seems to contain errors and therefore can't be loaded. - - Project Version Mismatch - - - - - This %1 was created with LMMS version %2, but version %3 is installed - - - - Tempo - TEMPO/BPM - tempo of song - The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - High quality mode - - Master volume - master volume - - Master pitch - master pitch - Value: %1% - Value: %1 semitones + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + + SongEditorWindow - Song-Editor - Play song (Space) - Record samples from Audio-device - Record samples from Audio-device while playing song or BB track - Stop song (Space) - - Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. + Add beat/bassline - - Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + Add sample-track - - Track actions + Add automation-track - - Add beat/bassline + Draw mode - - Add sample-track + Edit mode (select and move) - - Add automation-track + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - - Edit actions + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - - Draw mode + Track actions - - Edit mode (select and move) + Edit actions - Timeline controls - Zoom controls @@ -8084,12 +6391,10 @@ Remember to also save your project manually. SpectrumAnalyzerControlDialog - Linear spectrum - Linear Y axis @@ -8097,26 +6402,40 @@ Remember to also save your project manually. SpectrumAnalyzerControls - Linear spectrum - Linear Y axis - Channel mode + + SubWindow + + Close + + + + Maximize + + + + Minimize + + + + Restore + + + TabWidget - - Settings for %1 @@ -8124,93 +6443,74 @@ Remember to also save your project manually. TempoSyncKnob - - Tempo Sync - No Sync - Eight beats - Whole note - Half note - Quarter note - 8th note - 16th note - 32nd note - Custom... - Custom - Synced to Eight Beats - Synced to Whole Note - Synced to Half Note - Synced to Quarter Note - Synced to 8th Note - Synced to 16th Note - Synced to 32nd Note @@ -8218,51 +6518,65 @@ Remember to also save your project manually. TimeDisplayWidget - click to change time units + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + + TimeLineWidget - Enable/disable auto-scrolling - Enable/disable loop-points - After stopping go back to begin - After stopping go back to position at which playing was started - After stopping keep position - - Hint - Press <%1> to disable magnetic loop points. - Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. @@ -8270,12 +6584,10 @@ Remember to also save your project manually. Track - Mute - Solo @@ -8283,61 +6595,43 @@ Remember to also save your project manually. TrackContainer - - Importing FLP-file... - - - - - - - Cancel + Couldn't import file - - - - Please wait... + Couldn't find a filter for importing file %1. +You should convert this file into a format supported by LMMS using another software. - - Importing MIDI-file... + Couldn't open file - - Couldn't import file + Couldn't open file %1 for reading. +Please make sure you have read-permission to the file and the directory containing the file and try again! - - Couldn't find a filter for importing file %1. -You should convert this file into a format supported by LMMS using another software. + Loading project... - - Couldn't open file + Cancel - - Couldn't open file %1 for reading. -Please make sure you have read-permission to the file and the directory containing the file and try again! + Please wait... - - Loading project... + Importing MIDI-file... TrackContentObject - Mute @@ -8345,58 +6639,46 @@ Please make sure you have read-permission to the file and the directory containi TrackContentObjectView - Current position - - Hint - Press <%1> and drag to make a copy. - Current length - Press <%1> for free resizing. - %1:%2 (%3:%4 to %5:%6) - Delete (middle mousebutton) - Cut - Copy - Paste - Mute/unmute (<%1> + middle click) @@ -8404,243 +6686,193 @@ Please make sure you have read-permission to the file and the directory containi TrackOperationsWidget - Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Actions for this track - Mute - - Solo - Mute this track - Clone this track - Remove this track - Clear this track - FX %1: %2 - - Assign to new FX Channel + Turn all recording on - - Turn all recording on + Turn all recording off - - Turn all recording off + Assign to new FX Channel TripleOscillatorView - Use phase modulation for modulating oscillator 1 with oscillator 2 - Use amplitude modulation for modulating oscillator 1 with oscillator 2 - Mix output of oscillator 1 & 2 - Synchronize oscillator 1 with oscillator 2 - Use frequency modulation for modulating oscillator 1 with oscillator 2 - Use phase modulation for modulating oscillator 2 with oscillator 3 - Use amplitude modulation for modulating oscillator 2 with oscillator 3 - Mix output of oscillator 2 & 3 - Synchronize oscillator 2 with oscillator 3 - Use frequency modulation for modulating oscillator 2 with oscillator 3 - Osc %1 volume: - With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - Osc %1 panning: - With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - Osc %1 coarse detuning: - semitones - With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - Osc %1 fine detuning left: - - cents - With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Osc %1 fine detuning right: - With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Osc %1 phase-offset: - - degrees - With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Osc %1 stereo phase-detuning: - With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - Use a sine-wave for current oscillator. - Use a triangle-wave for current oscillator. - Use a saw-wave for current oscillator. - Use a square-wave for current oscillator. - Use a moog-like saw-wave for current oscillator. - Use an exponential wave for current oscillator. - Use white-noise for current oscillator. - Use a user-defined waveform for current oscillator. @@ -8648,12 +6880,10 @@ Please make sure you have read-permission to the file and the directory containi VersionedSaveDialog - Increment version number - Decrement version number @@ -8661,113 +6891,90 @@ Please make sure you have read-permission to the file and the directory containi VestigeInstrumentView - Open other VST-plugin - Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - - Control VST-plugin from LMMS host + Show/hide GUI - - Click here, if you want to control VST-plugin from host. + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - - Open VST-plugin preset + Turn off all notes - - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. + Open VST-plugin - - Previous (-) + DLL-files (*.dll) - - - Click here, if you want to switch to another VST-plugin preset program. + EXE-files (*.exe) - - Save preset + No VST-plugin loaded - - Click here, if you want to save current VST-plugin preset program. + Control VST-plugin from LMMS host - - Next (+) + Click here, if you want to control VST-plugin from host. - - Click here to select presets that are currently loaded in VST. + Open VST-plugin preset - - Show/hide GUI + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - - Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + Previous (-) - - Turn off all notes + Click here, if you want to switch to another VST-plugin preset program. - - Open VST-plugin + Save preset - - DLL-files (*.dll) + Click here, if you want to save current VST-plugin preset program. - - EXE-files (*.exe) + Next (+) - - No VST-plugin loaded + Click here to select presets that are currently loaded in VST. - Preset - by - - VST plugin control @@ -8775,12 +6982,10 @@ Please make sure you have read-permission to the file and the directory containi VisualizationWidget - click to enable/disable visualization of master-output - Click to enable @@ -8788,69 +6993,54 @@ Please make sure you have read-permission to the file and the directory containi VstEffectControlDialog - Show/hide - Control VST-plugin from LMMS host - Click here, if you want to control VST-plugin from host. - Open VST-plugin preset - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - Previous (-) - - Click here, if you want to switch to another VST-plugin preset program. - Next (+) - Click here to select presets that are currently loaded in VST. - Save preset - Click here, if you want to save current VST-plugin preset program. - - Effect by: - &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> @@ -8858,217 +7048,173 @@ Please make sure you have read-permission to the file and the directory containi VstPlugin - - - The VST plugin %1 could not be loaded. + Loading plugin - Open Preset - - Vst Plugin Preset (*.fxp *.fxb) - : default - " - ' - Save Preset - .fxp - .FXP - .FXB - .fxb - - Loading plugin + Please wait while loading VST plugin... - - Please wait while loading VST plugin... + The VST plugin %1 could not be loaded. WatsynInstrument - Volume A1 - Volume A2 - Volume B1 - Volume B2 - Panning A1 - Panning A2 - Panning B1 - Panning B2 - Freq. multiplier A1 - Freq. multiplier A2 - Freq. multiplier B1 - Freq. multiplier B2 - Left detune A1 - Left detune A2 - Left detune B1 - Left detune B2 - Right detune A1 - Right detune A2 - Right detune B1 - Right detune B2 - A-B Mix - A-B Mix envelope amount - A-B Mix envelope attack - A-B Mix envelope hold - A-B Mix envelope decay - A1-B2 Crosstalk - A2-A1 modulation - B2-B1 modulation - Selected graph @@ -9076,291 +7222,213 @@ Please make sure you have read-permission to the file and the directory containi WatsynView - - - - - Volume + Select oscillator A1 - - - - - Panning + Select oscillator A2 - - - - - Freq. multiplier + Select oscillator B1 - - - - - Left detune + Select oscillator B2 - - - - - - - - - cents + Mix output of A2 to A1 - - - - - Right detune + Modulate amplitude of A1 with output of A2 - - A-B Mix + Ring-modulate A1 and A2 - - Mix envelope amount + Modulate phase of A1 with output of A2 - - Mix envelope attack + Mix output of B2 to B1 - - Mix envelope hold + Modulate amplitude of B1 with output of B2 - - Mix envelope decay + Ring-modulate B1 and B2 - - Crosstalk + Modulate phase of B1 with output of B2 - - Select oscillator A1 + Draw your own waveform here by dragging your mouse on this graph. - - Select oscillator A2 + Load waveform - - Select oscillator B1 + Click to load a waveform from a sample file - - Select oscillator B2 + Phase left - - Mix output of A2 to A1 + Click to shift phase by -15 degrees - - Modulate amplitude of A1 with output of A2 + Phase right - - Ring-modulate A1 and A2 + Click to shift phase by +15 degrees - - Modulate phase of A1 with output of A2 + Normalize - - Mix output of B2 to B1 + Click to normalize - - Modulate amplitude of B1 with output of B2 + Invert - - Ring-modulate B1 and B2 + Click to invert - - Modulate phase of B1 with output of B2 + Smooth - - - - - Draw your own waveform here by dragging your mouse on this graph. + Click to smooth - - Load waveform + Sine wave - - Click to load a waveform from a sample file + Click for sine wave - - Phase left + Triangle wave - - Click to shift phase by -15 degrees + Click for triangle wave - - Phase right + Click for saw wave - - Click to shift phase by +15 degrees + Square wave - - Normalize + Click for square wave - - Click to normalize + Volume - - Invert + Panning - - Click to invert + Freq. multiplier - - Smooth + Left detune - - Click to smooth + cents - - Sine wave + Right detune - - Click for sine wave + A-B Mix - - - Triangle wave + Mix envelope amount - - Click for triangle wave + Mix envelope attack - - Click for saw wave + Mix envelope hold - - Square wave + Mix envelope decay - - Click for square wave + Crosstalk ZynAddSubFxInstrument - Portamento - Filter Frequency - Filter Resonance - Bandwidth - FM Gain - Resonance Center Frequency - Resonance Bandwidth - Forward MIDI Control Change Events @@ -9368,150 +7436,121 @@ Please make sure you have read-permission to the file and the directory containi ZynAddSubFxView - + Show GUI + + + + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + + + Portamento: - PORT - Filter Frequency: - FREQ - Filter Resonance: - RES - Bandwidth: - BW - FM Gain: - FM GAIN - Resonance center frequency: - RES CF - Resonance bandwidth: - RES BW - Forward MIDI Control Changes - - - Show GUI - - - - - Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - - audioFileProcessor - Amplify - Start of sample - End of sample - - Loopback point + Reverse sample - - Reverse sample + Stutter - - Loop mode + Loopback point - - Stutter + Loop mode - Interpolation mode - None - Linear - Sinc - Sample not found: %1 @@ -9519,7 +7558,6 @@ Please make sure you have read-permission to the file and the directory containi bitInvader - Samplelength @@ -9527,205 +7565,165 @@ Please make sure you have read-permission to the file and the directory containi bitInvaderView - Sample Length - - Draw your own waveform here by dragging your mouse on this graph. + Sine wave - - Sine wave + Triangle wave - - Click for a sine-wave. + Saw wave - - Triangle wave + Square wave - - Click here for a triangle-wave. + White noise wave - - Saw wave + User defined wave - - Click here for a saw-wave. + Smooth - - Square wave + Click here to smooth waveform. - - Click here for a square-wave. + Interpolation - - White noise wave + Normalize - - Click here for white-noise. + Draw your own waveform here by dragging your mouse on this graph. - - User defined wave + Click for a sine-wave. - - Click here for a user-defined shape. + Click here for a triangle-wave. - - Smooth + Click here for a saw-wave. - - Click here to smooth waveform. + Click here for a square-wave. - - Interpolation + Click here for white-noise. - - Normalize + Click here for a user-defined shape. dynProcControlDialog - INPUT - Input gain: - OUTPUT - Output gain: - ATTACK - Peak attack time: - RELEASE - Peak release time: - Reset waveform - Click here to reset the wavegraph back to default - Smooth waveform - Click here to apply smoothing to wavegraph - Increase wavegraph amplitude by 1dB - Click here to increase wavegraph amplitude by 1dB - Decrease wavegraph amplitude by 1dB - Click here to decrease wavegraph amplitude by 1dB - Stereomode Maximum - Process based on the maximum of both stereo channels - Stereomode Average - Process based on the average of both stereo channels - Stereomode Unlinked - Process each stereo channel independently @@ -9733,27 +7731,22 @@ Please make sure you have read-permission to the file and the directory containi dynProcControls - Input gain - Output gain - Attack time - Release time - Stereo mode @@ -9761,12 +7754,10 @@ Please make sure you have read-permission to the file and the directory containi fxLineLcdSpinBox - Assign to: - New FX Channel @@ -9774,7 +7765,6 @@ Please make sure you have read-permission to the file and the directory containi graphModel - Graph @@ -9782,62 +7772,50 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrument - Start frequency - End frequency - - Length + Gain - - Distortion Start + Length - - Distortion End + Distortion Start - - Gain + Distortion End - Envelope Slope - Noise - Click - Frequency Slope - Start from note - End to note @@ -9845,52 +7823,42 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrumentView - Start frequency: - End frequency: - - Frequency Slope: + Gain: - - Gain: + Frequency Slope: - Envelope Length: - Envelope Slope: - Click: - Noise: - Distortion Start: - Distortion End: @@ -9898,37 +7866,26 @@ Please make sure you have read-permission to the file and the directory containi ladspaBrowserView - - Available Effects - - Unavailable Effects - - Instruments - - Analysis Tools - - Don't know - This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. @@ -9945,7 +7902,6 @@ Double clicking any of the plugins will bring up information on the ports. - Type: @@ -9953,12 +7909,10 @@ Double clicking any of the plugins will bring up information on the ports. ladspaDescription - Plugins - Description @@ -9966,83 +7920,66 @@ Double clicking any of the plugins will bring up information on the ports. ladspaPortDialog - Ports - Name - Rate - Direction - Type - Min < Default < Max - Logarithmic - SR Dependent - Audio - Control - Input - Output - Toggled - Integer - Float - - Yes @@ -10050,57 +7987,46 @@ Double clicking any of the plugins will bring up information on the ports. lb302Synth - VCF Cutoff Frequency - VCF Resonance - VCF Envelope Mod - VCF Envelope Decay - Distortion - Waveform - Slide Decay - Slide - Accent - Dead - 24dB/oct Filter @@ -10108,153 +8034,122 @@ Double clicking any of the plugins will bring up information on the ports. lb302SynthView - Cutoff Freq: - Resonance: - Env Mod: - Decay: - 303-es-que, 24dB/octave, 3 pole filter - Slide Decay: - DIST: - Saw wave - Click here for a saw-wave. - Triangle wave - Click here for a triangle-wave. - Square wave - Click here for a square-wave. - Rounded square wave - Click here for a square-wave with a rounded end. - Moog wave - Click here for a moog-like wave. - Sine wave - Click for a sine-wave. - - White noise wave - Click here for an exponential wave. - Click here for white-noise. - Bandlimited saw wave - Click here for bandlimited saw wave. - Bandlimited square wave - Click here for bandlimited square wave. - Bandlimited triangle wave - Click here for bandlimited triangle wave. - Bandlimited moog saw wave - Click here for bandlimited moog saw wave. @@ -10262,147 +8157,118 @@ Double clicking any of the plugins will bring up information on the ports. malletsInstrument - Hardness - Position - Vibrato Gain - Vibrato Freq - Stick Mix - Modulator - Crossfade - LFO Speed - LFO Depth - ADSR - Pressure - Motion - Speed - Bowed - Spread - Marimba - Vibraphone - Agogo - Wood1 - Reso - Wood2 - Beats - Two Fixed - Clump - Tubular Bells - Uniform Bar - Tuned Bar - Glass - Tibetan Bowl @@ -10410,212 +8276,149 @@ Double clicking any of the plugins will bring up information on the ports. malletsInstrumentView - Instrument - Spread - Spread: - - Missing files - - - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - - - - Hardness - Hardness: - Position - Position: - Vib Gain - Vib Gain: - Vib Freq - Vib Freq: - Stick Mix - Stick Mix: - Modulator - Modulator: - Crossfade - Crossfade: - LFO Speed - LFO Speed: - LFO Depth - LFO Depth: - ADSR - ADSR: - - Bowed - - - - Pressure - Pressure: - - Motion - - - - - Motion: - - - - Speed - Speed: - - - Vibrato + Missing files - - Vibrato: + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! manageVSTEffectView - - VST parameter control - VST Sync - Click here if you want to synchronize all parameters with VST plugin. - - Automated - Click here if you want to display automated parameters only. - Close - Close VST effect knob-controller window. @@ -10623,39 +8426,30 @@ Double clicking any of the plugins will bring up information on the ports. manageVestigeInstrumentView - - - VST plugin control - VST Sync - Click here if you want to synchronize all parameters with VST plugin. - - Automated - Click here if you want to display automated parameters only. - Close - Close VST plugin knob-controller window. @@ -10663,147 +8457,118 @@ Double clicking any of the plugins will bring up information on the ports. opl2instrument - Patch - Op 1 Attack - Op 1 Decay - Op 1 Sustain - Op 1 Release - Op 1 Level - Op 1 Level Scaling - Op 1 Frequency Multiple - Op 1 Feedback - Op 1 Key Scaling Rate - Op 1 Percussive Envelope - Op 1 Tremolo - Op 1 Vibrato - Op 1 Waveform - Op 2 Attack - Op 2 Decay - Op 2 Sustain - Op 2 Release - Op 2 Level - Op 2 Level Scaling - Op 2 Frequency Multiple - Op 2 Key Scaling Rate - Op 2 Percussive Envelope - Op 2 Tremolo - Op 2 Vibrato - Op 2 Waveform - FM - Vibrato Depth - Tremolo Depth @@ -10811,26 +8576,18 @@ Double clicking any of the plugins will bring up information on the ports. opl2instrumentView - - Attack - - Decay - - Release - - Frequency multiplier @@ -10838,12 +8595,10 @@ Double clicking any of the plugins will bring up information on the ports. organicInstrument - Distortion - Volume @@ -10851,63 +8606,50 @@ Double clicking any of the plugins will bring up information on the ports. organicInstrumentView - Distortion: - - The distortion knob adds distortion to the output of the instrument. + Volume: - - Volume: + Randomise - - The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. + Osc %1 waveform: - - Randomise + Osc %1 volume: - - The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. + Osc %1 panning: - - - Osc %1 waveform: + cents - - Osc %1 volume: + The distortion knob adds distortion to the output of the instrument. - - Osc %1 panning: + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - - Osc %1 stereo detuning + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - - cents + Osc %1 stereo detuning - Osc %1 harmonic: @@ -10915,351 +8657,265 @@ Double clicking any of the plugins will bring up information on the ports. papuInstrument - Sweep time - Sweep direction - Sweep RtShift amount - - Wave Pattern Duty - Channel 1 volume - - - Volume sweep direction - - - Length of each step in sweep - Channel 2 volume - Channel 3 volume - Channel 4 volume - - Shift Register width - - - - Right Output level - Left Output level - Channel 1 to SO2 (Left) - Channel 2 to SO2 (Left) - Channel 3 to SO2 (Left) - Channel 4 to SO2 (Left) - Channel 1 to SO1 (Right) - Channel 2 to SO1 (Right) - Channel 3 to SO1 (Right) - Channel 4 to SO1 (Right) - Treble - Bass + + Shift Register width + + papuInstrumentView - Sweep Time: - Sweep Time - - The amount of increase or decrease in frequency - - - - Sweep RtShift amount: - Sweep RtShift amount - - The rate at which increase or decrease in frequency occurs - - - - - Wave pattern duty: - Wave Pattern Duty - - - The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - - - - - Square Channel 1 Volume: - - Square Channel 1 Volume - - - - - - Length of each step in sweep: - - - Length of each step in sweep - - - - The delay between step change - - - - Wave pattern duty - Square Channel 2 Volume: - - Square Channel 2 Volume - Wave Channel Volume: - - Wave Channel Volume - Noise Channel Volume: - - Noise Channel Volume - SO1 Volume (Right): - SO1 Volume (Right) - SO2 Volume (Left): - SO2 Volume (Left) - Treble: - Treble - Bass: - Bass - Sweep Direction - - - - - Volume Sweep Direction - Shift Register Width - Channel1 to SO1 (Right) - Channel2 to SO1 (Right) - Channel3 to SO1 (Right) - Channel4 to SO1 (Right) - Channel1 to SO2 (Left) - Channel2 to SO2 (Left) - Channel3 to SO2 (Left) - Channel4 to SO2 (Left) - Wave Pattern - + The amount of increase or decrease in frequency + + + + The rate at which increase or decrease in frequency occurs + + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + + + + Square Channel 1 Volume + + + + The delay between step change + + + Draw the wave here @@ -11267,42 +8923,34 @@ Double clicking any of the plugins will bring up information on the ports. patchesDialog - Qsynth: Channel Preset - Bank selector - Bank - Program selector - Patch - Name - OK - Cancel @@ -11310,301 +8958,238 @@ Double clicking any of the plugins will bring up information on the ports. pluginBrowser - - A native amplifier plugin - - - - - Simple sampler with various settings for using samples (e.g. drums) in an instrument-track + no description - - Boost your bass the fast and simple way + Incomplete monophonic imitation tb303 - - Customizable wavetable synthesizer + Plugin for freely manipulating stereo output - - An oversampling bitcrusher + Plugin for controlling knobs with sound peaks - - Carla Patchbay Instrument + Plugin for enhancing stereo separation of a stereo input file - - Carla Rack Instrument + List installed LADSPA plugins - - A 4-band Crossover Equalizer + GUS-compatible patch instrument - - A native delay plugin + Additive Synthesizer for organ-like sounds - - A Dual filter plugin + Tuneful things to bang on - - plugin for processing dynamics in a flexible way + VST-host for using VST(i)-plugins within LMMS - - A native eq plugin + Vibrating string modeler - - A native flanger plugin + plugin for using arbitrary LADSPA-effects inside LMMS. - - Filter for importing FL Studio projects into LMMS + Filter for importing MIDI-files into LMMS - - Player for GIG files + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. - - Filter for importing Hydrogen files into LMMS + Player for SoundFont files - - Versatile drum synthesizer + Emulation of GameBoy (TM) APU - - List installed LADSPA plugins + Customizable wavetable synthesizer - - plugin for using arbitrary LADSPA-effects inside LMMS. + Embedded ZynAddSubFX - - Incomplete monophonic imitation tb303 + 2-operator FM Synth - - Filter for exporting MIDI-files from LMMS + Filter for importing Hydrogen files into LMMS - - Filter for importing MIDI-files into LMMS + LMMS port of sfxr - Monstrous 3-oscillator synth with modulation matrix - - A multitap echo delay plugin + Three powerful oscillators you can modulate in several ways - - A NES-like synthesizer + A native amplifier plugin - - 2-operator FM Synth + Carla Rack Instrument - - Additive Synthesizer for organ-like sounds + 4-oscillator modulatable wavetable synth - - Emulation of GameBoy (TM) APU + plugin for waveshaping - - GUS-compatible patch instrument + Boost your bass the fast and simple way - - Plugin for controlling knobs with sound peaks + Versatile drum synthesizer - - Player for SoundFont files + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - - LMMS port of sfxr + plugin for processing dynamics in a flexible way - - Emulation of the MOS6581 and MOS8580 SID. -This chip was used in the Commodore 64 computer. + Carla Patchbay Instrument - - Graphical spectrum analyzer plugin + plugin for using arbitrary VST effects inside LMMS. - - Plugin for enhancing stereo separation of a stereo input file + Graphical spectrum analyzer plugin - - Plugin for freely manipulating stereo output + A NES-like synthesizer - - Tuneful things to bang on + A native delay plugin - - Three powerful oscillators you can modulate in several ways + Player for GIG files - - VST-host for using VST(i)-plugins within LMMS + A multitap echo delay plugin - - Vibrating string modeler + A native flanger plugin - - plugin for using arbitrary VST effects inside LMMS. + An oversampling bitcrusher - - 4-oscillator modulatable wavetable synth + A native eq plugin - - plugin for waveshaping + A 4-band Crossover Equalizer - - Embedded ZynAddSubFX + A Dual filter plugin - - no description + Filter for exporting MIDI-files from LMMS sf2Instrument - Bank - Patch - Gain - Reverb - Reverb Roomsize - Reverb Damping - Reverb Width - Reverb Level - Chorus - Chorus Lines - Chorus Level - Chorus Speed - Chorus Depth - A soundfont %1 could not be loaded. @@ -11612,92 +9197,74 @@ This chip was used in the Commodore 64 computer. sf2InstrumentView - Open other SoundFont file - Click here to open another SF2 file - Choose the patch - Gain - Apply reverb (if supported) - This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. - Reverb Roomsize: - Reverb Damping: - Reverb Width: - Reverb Level: - Apply chorus (if supported) - This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. - Chorus Lines: - Chorus Level: - Chorus Speed: - Chorus Depth: - Open SoundFont file - SoundFont2 Files (*.sf2) @@ -11705,7 +9272,6 @@ This chip was used in the Commodore 64 computer. sfxrInstrument - Wave Form @@ -11713,32 +9279,26 @@ This chip was used in the Commodore 64 computer. sidInstrument - Cutoff - Resonance - Filter type - Voice 3 off - Volume - Chip model @@ -11746,172 +9306,134 @@ This chip was used in the Commodore 64 computer. sidInstrumentView - Volume: - Resonance: - - Cutoff frequency: - High-Pass filter - Band-Pass filter - Low-Pass filter - Voice3 Off - MOS6581 SID - MOS8580 SID - - Attack: - Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - - Decay: - Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - Sustain: - Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - - Release: - The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - - Pulse Width: - The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - Coarse: - The Coarse detuning allows to detune Voice %1 one octave up or down. - Pulse Wave - Triangle Wave - SawTooth - Noise - Sync - Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - Ring-Mod - Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - Filtered - When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - Test - Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. @@ -11919,12 +9441,10 @@ This chip was used in the Commodore 64 computer. stereoEnhancerControlDialog - WIDE - Width: @@ -11932,7 +9452,6 @@ This chip was used in the Commodore 64 computer. stereoEnhancerControls - Width @@ -11940,22 +9459,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControlDialog - Left to Left Vol: - Left to Right Vol: - Right to Left Vol: - Right to Right Vol: @@ -11963,22 +9478,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControls - Left to Left - Left to Right - Right to Left - Right to Right @@ -11986,12 +9497,10 @@ This chip was used in the Commodore 64 computer. vestigeInstrument - Loading plugin - Please wait while loading VST-plugin... @@ -11999,52 +9508,42 @@ This chip was used in the Commodore 64 computer. vibed - String %1 volume - String %1 stiffness - Pick %1 position - Pickup %1 position - Pan %1 - Detune %1 - Fuzziness %1 - Length %1 - Impulse %1 - Octave %1 @@ -12052,112 +9551,90 @@ This chip was used in the Commodore 64 computer. vibedView - Volume: - The 'V' knob sets the volume of the selected string. - String stiffness: - The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - Pick position: - The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - Pickup position: - The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - Pan: - The Pan knob determines the location of the selected string in the stereo field. - Detune: - The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - Fuzziness: - The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - Length: - The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - Impulse or initial state - The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - Octave - The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - Impulse Editor - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. @@ -12168,7 +9645,6 @@ The 'N' button will normalize the waveform. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. @@ -12183,160 +9659,129 @@ The LED in the lower right corner of the waveform editor determines whether the - Enable waveform - Click here to enable/disable waveform. - String - The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - Sine wave - - Use a sine-wave for current oscillator. + Triangle wave - - Triangle wave + Saw wave - - Use a triangle-wave for current oscillator. + Square wave - - Saw wave + White noise wave - - Use a saw-wave for current oscillator. + User defined wave - - Square wave + Smooth - - Use a square-wave for current oscillator. + Click here to smooth waveform. - - White noise wave + Normalize - - Use white-noise for current oscillator. + Click here to normalize waveform. - - User defined wave + Use a sine-wave for current oscillator. - - Use a user-defined waveform for current oscillator. + Use a triangle-wave for current oscillator. - - Smooth + Use a saw-wave for current oscillator. - - Click here to smooth waveform. + Use a square-wave for current oscillator. - - Normalize + Use white-noise for current oscillator. - - Click here to normalize waveform. + Use a user-defined waveform for current oscillator. voiceObject - Voice %1 pulse width - Voice %1 attack - Voice %1 decay - Voice %1 sustain - Voice %1 release - Voice %1 coarse detuning - Voice %1 wave shape - Voice %1 sync - Voice %1 ring modulate - Voice %1 filtered - Voice %1 test @@ -12344,72 +9789,58 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControlDialog - INPUT - Input gain: - OUTPUT - Output gain: - Reset waveform - Click here to reset the wavegraph back to default - Smooth waveform - Click here to apply smoothing to wavegraph - Increase graph amplitude by 1dB - Click here to increase wavegraph amplitude by 1dB - Decrease graph amplitude by 1dB - Click here to decrease wavegraph amplitude by 1dB - Clip input - Clip input signal to 0dB @@ -12417,12 +9848,10 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControls - Input gain - Output gain diff --git a/data/locale/sv.ts b/data/locale/sv.ts index ef6a85c5a42..173b1f76ee7 100644 --- a/data/locale/sv.ts +++ b/data/locale/sv.ts @@ -1,6 +1,4 @@ - - - + AboutDialog @@ -31,20 +29,12 @@ Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! - + License Licens - - Copyright (c) 2004-2014, LMMS developers - Copyright (c) 2004-2014, LMMS utvecklare - - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - - LMMS LMMS @@ -57,6 +47,14 @@ If you're interested in translating LMMS in another language or want to imp Contributors ordered by number of commits: Medverkande, ordnade efter mängd bidrag: + + Copyright © %1 + Copyright © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + AmplifierControlDialog @@ -70,11 +68,11 @@ If you're interested in translating LMMS in another language or want to imp PAN - + PANORERA Panning: - + Panorering: LEFT @@ -101,7 +99,7 @@ If you're interested in translating LMMS in another language or want to imp Panning - + Panorering Left gain @@ -113,7 +111,7 @@ If you're interested in translating LMMS in another language or want to imp - AudioAlsa::setupWidget + AudioAlsaSetupWidget DEVICE ENHET @@ -127,7 +125,7 @@ If you're interested in translating LMMS in another language or want to imp AudioFileProcessorView Open other sample - Oppna annan ljudfil + Öppna annan ljudfil Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. @@ -183,7 +181,7 @@ If you're interested in translating LMMS in another language or want to imp This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - Den här knappen aktiverar "ping-pong" looping. Ljudfilen spelar från start till slut, och sen tilbaks, och fortsäter så. + Den här knappen aktiverar "ping-pong" looping. Ljudfilen spelar från start till slut, och sen tilbaks, och fortsäter så. With this knob you can set the point where AudioFileProcessor should begin playing your sample. @@ -221,11 +219,11 @@ If you're interested in translating LMMS in another language or want to imp JACK server down - JACK server nerstängd + JACK-server nerstängd The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - JACK servern stängde av och det gick inte starta en ny. LMMS kan inte fortsätta. Du bör spara ditt projekt och starta om både JACK och LMMS. + JACK-servern stängdes ned och det gick inte starta en ny. LMMS kan inte fortsätta. Du bör spara ditt projekt och starta om både JACK och LMMS. CLIENT-NAME @@ -276,6 +274,28 @@ If you're interested in translating LMMS in another language or want to imp ENHET + + AudioSndio::setupWidget + + DEVICE + ENHET + + + CHANNELS + KANALER + + + + AudioSoundIo::setupWidget + + BACKEND + BAKÄNDE + + + DEVICE + ENHET + + AutomatableModel @@ -342,11 +362,11 @@ If you're interested in translating LMMS in another language or want to imp AutomationEditorWindow Play/pause current pattern (Space) - Spela/pausa aktuellt mönster (mellanslag) + Spela/pausa aktuellt mönster (Mellanslag) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. - Clicka här för att spela det aktuella mönstret. Det här är hjälpsamt när man redigerar. Mönstret spelas från början igen när de nått sitt slut. + Klicka här för att spela det aktuella mönstret, detta är användbart när man redigerar. Mönstret spelas från början igen när det nått sitt slut. Stop playing of current pattern (Space) @@ -456,6 +476,30 @@ If you're interested in translating LMMS in another language or want to imp Automation Editor - %1 Redigera Automation - %1 + + Edit actions + Redigera åtgärder + + + Interpolation controls + Interpoleringskontroller + + + Timeline controls + Tidslinjekontroller + + + Zoom controls + Zoomningskontroller + + + Quantization controls + + + + Model is already connected to this pattern. + Modellen är redan ansluten till det här mönstret. + AutomationPattern @@ -463,10 +507,6 @@ If you're interested in translating LMMS in another language or want to imp Drag a control while pressing <%1> Dra en kontroll samtidigt som du håller <%1> - - Model is already connected to this pattern. - Modellen är redan kopplad till detta mönstret. - AutomationPatternView @@ -500,7 +540,7 @@ If you're interested in translating LMMS in another language or want to imp Set/clear record - + Flip Vertically (Visible) @@ -510,6 +550,10 @@ If you're interested in translating LMMS in another language or want to imp Flip Horizontally (Visible) Spegla Horizontellt (Synligt) + + Model is already connected to this pattern. + Modellen är redan ansluten till det här mönstret. + AutomationTrack @@ -556,6 +600,22 @@ If you're interested in translating LMMS in another language or want to imp Add steps Lägg till steg + + Beat selector + Taktväljare + + + Track and step actions + Spår och stegåtgärder + + + Clone Steps + Klona steg + + + Add sample-track + Lägg till ljudfils-spår + BBTCOView @@ -653,11 +713,11 @@ If you're interested in translating LMMS in another language or want to imp NOIS - + NOIS Input Noise: - + Output Gain: @@ -665,47 +725,47 @@ If you're interested in translating LMMS in another language or want to imp CLIP - + KLIPP Output Clip: - + Rate - + Värdera Rate Enabled - + Enable samplerate-crushing - + Depth - Djup + Djup Depth Enabled - Djup aktiverat + Enable bitdepth-crushing - + Sample rate: - + STD - + STD Stereo difference: - + Levels @@ -731,11 +791,11 @@ If you're interested in translating LMMS in another language or want to imp CarlaInstrumentView Show GUI - + Visa användargränssnitt Click here to show or hide the graphical user interface (GUI) of Carla. - + Klicka här för att visa eller gömma användargränssnittet för Carla. @@ -753,7 +813,7 @@ If you're interested in translating LMMS in another language or want to imp MIDI CONTROLLER - MIDI KONTROLLER + MIDI-KONTROLLER Input channel @@ -777,7 +837,7 @@ If you're interested in translating LMMS in another language or want to imp MIDI-devices to receive MIDI-events from - + MIDI-enheter att ta emot MIDI-events från USER CONTROLLER @@ -785,7 +845,7 @@ If you're interested in translating LMMS in another language or want to imp MAPPING FUNCTION - + OK @@ -801,14 +861,14 @@ If you're interested in translating LMMS in another language or want to imp Cycle Detected. - + ControllerRackView Controller Rack - + Kontrollrack Add @@ -819,7 +879,7 @@ If you're interested in translating LMMS in another language or want to imp Bekräfta Borttagning - Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. + Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. Vill du verkligen ta bort? Det finns kopplingar till den här kontrollern, och operationen går inte ångra. @@ -842,3388 +902,3739 @@ If you're interested in translating LMMS in another language or want to imp Skriv nya namnet på kontrollern - &Remove this plugin - + &Remove this controller + &Ta bort den här kontrollen + + + Re&name this controller + Döp& om den här kontrollern + + + LFO + LFO CrossoverEQControlDialog Band 1/2 Crossover: - + Band 2/3 Crossover: - + Band 3/4 Crossover: - + Band 1 Gain: - + Band 1 Förstärkn.: Band 2 Gain: - + Band 2 Förstärkn.: Band 3 Gain: - + Band 3 Förstärkn.: Band 4 Gain: - + Band 4 Förstärkn.: Band 1 Mute - + Band 1 Tyst Mute Band 1 - + Tysta Band 1 Band 2 Mute - + Band 2 Tyst Mute Band 2 - + Tysta Band 2 Band 3 Mute - + Band 3 Tyst Mute Band 3 - + Tysta Band 3 Band 4 Mute - + Band 4 Tyst Mute Band 4 - + Tysta Band 4 DelayControls Delay Samples - + Fördröj Samplingar Feedback - + Återkoppling Lfo Frequency - + Lfo-frekvens Lfo Amount - + Lfo-mängd + + + Output gain + Utgångsförstärkning DelayControlsDialog - Delay - + Lfo Amt + Delay Time - + Tidsfördröjning - Regen - + Feedback Amount + Återgivningsmängd - Feedback Amount - + Lfo + Lfo - Rate - + Out Gain + Ut-förstärkning - Lfo - + Gain + Förstärkning - Lfo Amt - + DELAY + + + + FDBK + + + + RATE + - - - DetuningHelper - Note detuning - + AMNT + DualFilterControlDialog Filter 1 enabled - + Filter 1 aktiverat Filter 2 enabled - + Filter 2 aktiverat Click to enable/disable Filter 1 - + Klicka för att aktivera/inaktivera Filter 1 Click to enable/disable Filter 2 - + Klicka för att aktivera/inaktivera Filter 2 + + + FREQ + FREKV. + + + Cutoff frequency + Cutoff frekvens + + + RESO + RESO + + + Resonance + Resonans + + + GAIN + FÖRST. + + + Gain + Förstärkning + + + MIX + MIX + + + Mix + Mix DualFilterControls Filter 1 enabled - + Filter 1 aktiverat Filter 1 type - + Filter 1 typ Cutoff 1 frequency - + Cutoff 1 frekvens Q/Resonance 1 - + Q/Resonans 1 Gain 1 - + Förstärkning 1 Mix - + Mix Filter 2 enabled - + Filter 2 aktiverat Filter 2 type - + Filter 2 typ Cutoff 2 frequency - + Cutoff 2 frekvens Q/Resonance 2 - + Q/Resonans 2 Gain 2 - + Förstärkning 2 LowPass - + Lågpass HiPass - + Högpass BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + Moog 2x LowPass - + 2x Lågpass RC LowPass 12dB - + RC Lågpass 12dB RC BandPass 12dB - + RC BandPass 12dB RC HighPass 12dB - + RC Högpass 12dB RC LowPass 24dB - + RC Lågpass 24dB RC BandPass 24dB - + RC BandPass 24dB RC HighPass 24dB - + RC Högpass 24dB Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV Lågpass SV BandPass - + SV BandPass SV HighPass - + SV Högpass SV Notch - + Fast Formant - + Tripole - - - - - DummyEffect - - NOT FOUND - HITTAS INTE + Editor Play (Space) - + Play (Mellanslag) Stop (Space) - + Stop (Mellanslag) Record - + Spela in Record while playing - + Spela in under uppspelningen + + + Transport controls + Transportkontroller Effect Effect enabled - + Effekt aktiverad Wet/Dry mix - + Blöt/Torr mix Gate - + Decay - + Decay EffectChain Effects enabled - + Effekter aktiverade EffectRackView EFFECTS CHAIN - + EFFEKTKEDJA Add effect - + Lägg till effekt EffectSelectDialog Add effect - + Lägg till effekt + + + Name + Namn + + + Type + Typ + + + Description + Beskrivning - Plugin description - + Author + Författare EffectView Toggles the effect on or off. - + Slår på eller av effekten. On/Off - På/Av + På/Av W/D - + W/D Wet Level: - + The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. - + DECAY - + DECAY Time: - Tid: + Tid: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. - + GATE - + GATE Gate: - + Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. - + Controls - Kontroller + Kontroller Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. -The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. +The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. -The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. +The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. -The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. +The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. -The Controls button opens a dialog for editing the effect's parameters. +The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. - + Move &up - Flytta &up + Flytta &upp Move &down - Flytta &ner + Flytta &ner &Remove this plugin - &Ta bort denna pluginen + &Ta bort det här insticksprogrammet EnvelopeAndLfoParameters Predelay - + För-fördröjning Attack - + Attack Hold - + Hold Decay - + Decay Sustain - + Sustain Release - + Release Modulation - + Modulering LFO Predelay - + LFO Attack - + LFO-Attack LFO speed - + LFO-hastighet LFO Modulation - + LFO-Modulering LFO Wave Shape - + LFO-vågform Freq x 100 - + Frekv. x 100 Modulate Env-Amount - + Modulera Env-mängd EnvelopeAndLfoView DEL - + RADERA Predelay: - + För-fördröjning: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. - + ATT - + ATT Attack: - + Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. - + HOLD - + HOLD Hold: - + Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. - + DEC - + DEC Decay: - + Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. - + SUST - + SUST Sustain: - + Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. - + REL - + REL Release: - + Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. - + AMT - + MÄNGD Modulation amount: - + Moduleringsmängd: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. - + LFO predelay: - + LFO-för-fördröjning: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - + Använd denna ratt för att ställa för-fördröjningen för aktuell LFO. Ju högre värdet är desto längre tid tar det innan LFO'n börjar oscillera. LFO- attack: - + LFO-attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - + Använd denna ratt för att ställa attack-tiden för aktuell LFO. Ju högre värdet är desto längre tid tar det för LFO'n att nå sin maximala amplitud. SPD - + LFO speed: - + Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - + Använd denna ratt för att ställa hastigheten för aktuell LFO. Ju högre värdet är desto snabbare oscillerar LFO'n och desto snabbare är effekten. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - + Använd denna ratt för att ställa mängden modulering för aktuell LFO. Ju högre värdet är desto större valt värde (volym eller cutoff-frekvens) kommer influeras av denna LFO. Click here for a sine-wave. - + Klicka här för sinusvåg. Click here for a triangle-wave. - + Klicka här för triangelvåg. Click here for a saw-wave for current. - + Klicka här för sågtandsvåg för aktuell. Click here for a square-wave. - + Klicka här för fyrkantvåg Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - Klicka här för att använda en annan vågform. Dra sedan en ljudfil till LFO grafen + FREQ x 100 - + FREKV. x 100 Click here if the frequency of this LFO should be multiplied by 100. - + Klicka här för att multiplicera frekvensen för denna LFO med 100. multiply LFO-frequency by 100 - + multiplicera LFO-frekvensen med 100 MODULATE ENV-AMOUNT - + Click here to make the envelope-amount controlled by this LFO. - + control envelope-amount by this LFO - + ms/LFO: - + ms/LFO: Hint - Ledtråd + Ledtråd Drag a sample from somewhere and drop it in this window. - Dra en ljudfil till det här fönstret + Dra en ljudfil till det här fönstret. Click here for random wave. - + Klicka här för en slumpmässig vågform. EqControls Input gain - + Ingångsförstärkning Output gain - + Utgångsförstärkning Low shelf gain - + Peak 1 gain - + Peak 2 gain - + Peak 3 gain - + Peak 4 gain - + High Shelf gain - + HP res - + Low Shelf res - + Peak 1 BW - + Peak 2 BW - + Peak 3 BW - + Peak 4 BW - + High Shelf res - + LP res - + HP freq - + Low Shelf freq - + Peak 1 freq - + Peak 2 freq - + Peak 3 freq - + Peak 4 freq - + High shelf freq - + LP freq - + HP active - + Low shelf active - + Peak 1 active - + Peak 2 active - + Peak 3 active - + Peak 4 active - + High shelf active - + LP active - + LP 12 - + LP 24 - + LP 48 - + HP 12 - + HP 24 - + HP 48 - + low pass type - + Lågpass-typ high pass type - + Högpass-typ + + + Analyse IN + Analysera IN + + + Analyse OUT + Analysera UT EqControlsDialog HP - + Low Shelf - + Peak 1 - + Peak 2 - + Peak 3 - + Peak 4 - + High Shelf - + LP - + In Gain - + In-förstärkning Gain - + Förstärkning Out Gain - + Ut-förstärkning Bandwidth: - + Bandbredd: Resonance : - + Resonans: Frequency: - + Frekvens: - 12dB - + lp grp + - 24dB - + hp grp + - 48dB - + Octave + Oktav + + + EqHandle - lp grp - + Reso: + Reso.: - hp grp - + BW: + - - - EqParameterWidget - Hz - + Freq: + Frekv.: ExportProjectDialog Export project - + Exportera projekt Output - + Utgång File format: - + Fil-format: Samplerate: - + Samplingshastighet: 44100 Hz - + 44100 Hz 48000 Hz - + 48000 Hz 88200 Hz - + 88200 Hz 96000 Hz - + 96000 Hz 192000 Hz - + 192000 Hz Bitrate: - + Bit-hastighet: 64 KBit/s - + 64 KBit/s 128 KBit/s - + 128 KBit/s 160 KBit/s - + 160 KBit/s 192 KBit/s - + 192 KBit/s 256 KBit/s - + 256 KBit/s 320 KBit/s - + 320 KBit/s Depth: - + Djup: 16 Bit Integer - + 32 Bit Float - + Please note that not all of the parameters above apply for all file formats. - + Alla inställningar ovan gäller för samtliga filformat Quality settings - + Kvalitetsinställningar Interpolation: - + Interpolering: Zero Order Hold - + Sinc Fastest - + Sinc Medium (recommended) - + Sinc Best (very slow!) - + Oversampling (use with care!): - + Översampling (använd varsamt!): 1x (None) - + 1x (Ingen) 2x - + 2x 4x - + 4x 8x - + 8x Start - + Starta Cancel - Avbryt + Avbryt Export as loop (remove end silence) - + Exportera som loop (ta bort slut-tystnad) Export between loop markers - + Exportera mellan loop-markeringar Could not open file - kunde inte öppna fil - - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - + Kunde inte öppna fil Export project to %1 - Exportera projekt till %1 + Exportera projekt till %1 Error - + Fel Error while determining file-encoder device. Please try to choose a different output format. - + Rendering: %1% - + Renderar: %1% + + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + Fader Please enter a new value between %1 and %2: - SKriv ett nytt värde mellan %1 och %2: + Ange ett nytt värde mellan %1 och %2: FileBrowser Browser - + FileBrowserTreeWidget Send to active instrument-track - - - - Open in new instrument-track/Song-Editor - + Skicka till aktivt instrument-spår Open in new instrument-track/B+B Editor - + Loading sample - Laddar ljudfil + Laddar ljudfil Please wait, loading sample for preview... - Ljudfilen laddas för förhandsvisning... + Ljudfilen laddas för förhandslyssning... --- Factory files --- - + --- Grundfiler --- + + + Open in new instrument-track/Song Editor + Öppna i nytt instrument-spår/Sång Editor + + + Error + Fel + + + does not appear to be a valid + verkar inte vara en giltig + + + file + fil FlangerControls Delay Samples - + Fördröj Samplingar Lfo Frequency - + Lfo-frekvens Seconds - + Sekunder Regen - + Noise - + Brus Invert - + Invertera FlangerControlsDialog - Delay - + Delay Time: + - Delay Time: - + Feedback Amount: + - Lfo Hz - + White Noise Amount: + - Lfo: - + DELAY + - Amt - + RATE + - Amt: - + Rate: + - Regen - + AMNT + - Feedback Amount: - + Amount: + - Noise - + FDBK + - White Noise Amount: - + NOISE + + + + Invert + Invertera FxLine Channel send amount - + The FX channel receives input from one or more instrument tracks. - It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. + It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. In order to route the channel to another channel, select the FX channel and click on the "send" button on the channel you want to send to. The knob under the send button controls the level of signal that is sent to the channel. You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + Move &left - + Flytta &vänster Move &right - + Flytta &höger Rename &channel - + Byt namn på &kanal R&emove channel - + T&a bort kanal Remove &unused channels - + Ta bort &oanvända kanaler FxMixer Master - + Master FX %1 - + FX %1 FxMixerView - - Rename FX channel - - - - Enter the new name for this FX channel - - FX-Mixer - + FX-Mixer FX Fader %1 - + FX Fader %1 Mute - + Tysta Mute this FX channel - + Tysta denna FX-kanal Solo - + Solo Solo FX channel - + FX-kanal Solo FxRoute Amount to send from channel %1 to channel %2 - + Mängd att skicka från kanal %1 till kanal %2 GigInstrument Bank - + Bank Patch - + Gain - + Förstärkning GigInstrumentView Open other GIG file - + Öppna en annan GIG-fil Click here to open another GIG file - + Klicka här för att öppna en annan GIG-fil Choose the patch - + Click here to change which patch of the GIG file to use - + Change which instrument of the GIG file is being played - + Välj vilket instrument i GIG-filen som ska spelas Which GIG file is currently being used - + Vilken GIG-fil används för närvarande Which patch of the GIG file is currently being used - + Vilken del av GIG-filen används för närvarande Gain - + Förstärkning Factor to multiply samples by - + Faktor att multiplicera samplingar med Open GIG file - + Öppna GIG-fil GIG Files (*.gig) - + GIG-filer (*.gig) + + + + GuiApplication + + Working directory + Arbetskatalog + + + The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. + Arbetskatalogen %1 för LMMS existerar inte. Vill du skapa detta nu? Du kan ändra katalog senare under Redigera -> Inställningar. + + + Preparing UI + Förbereder användargränssnitt + + + Preparing song editor + Förbereder sång-editor + + + Preparing mixer + Förbereder mixer + + + Preparing controller rack + Förbereder kontrollrack + + + Preparing project notes + Förbereder projektanteckningar + + + Preparing beat/bassline editor + Förbereder Takt/Bas-editor + + + Preparing piano roll + Förbereder pianorulle + + + Preparing automation editor + Förbereder automations-editor InstrumentFunctionArpeggio Arpeggio - + Arpeggio Arpeggio type - + Arpeggio-typ Arpeggio range - + Arpeggio-omfång Arpeggio time - + Arpeggio-tid Arpeggio gate - + Arpeggio direction - + Arpeggio-riktning Arpeggio mode - + Arpeggio-typ Up - + Upp Down - + Ner Up and down - + Upp och ner Random - + Slumpmässig Free - Fritt + Sort - Sortera + Sync - + Down and up - + Ner och upp + + + Skip rate + + + + Miss rate + + + + Cycle steps + InstrumentFunctionArpeggioView ARPEGGIO - + ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - + RANGE - OMRÅDE + OMFÅNG Arpeggio range: - + Arpeggio-omfång: octave(s) - oktav(er) + oktav(er) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - + TIME - TID + TID Arpeggio time: - + Arpeggio-tid: ms - + ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - + Använd denna ratt för att ställa arpeggio-tiden i millisekunder. Arpeggio-tiden anger hur länge varje arpeggio-ton ska spelas. GATE - + GATE Arpeggio gate: - + % - % + % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - + Chord: - + Ackord: Direction: - Riktning: + Riktning: Mode: - Läge: + Läge: + + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + not(er) + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + InstrumentFunctionNoteStacking octave - oktav + oktav Major - dur + Majb5 - + minor - moln + minb5 - + sus2 - + sus4 - + aug - + augsus4 - + tri - + 6 - + 6sus4 - + 6add9 - + m6 - + m6add9 - + 7 - + 7sus4 - + 7#5 - + 7b5 - + 7#9 - + 7b9 - + 7#5#9 - + 7#5b9 - + 7b5b9 - + 7add11 - + 7add13 - + 7#11 - + Maj7 - + Maj7b5 - + Maj7#5 - + Maj7#11 - + Maj7add13 - + m7 - + m7b5 - + m7b9 - + m7add11 - + m7add13 - + m-Maj7 - + m-Maj7add11 - + m-Maj7add13 - + 9 - + 9sus4 - + add9 - + 9#5 - + 9b5 - + 9#11 - + 9b13 - + Maj9 - + Maj9sus4 - + Maj9#5 - + Maj9#11 - + m9 - + madd9 - + m9b5 - + m9-Maj7 - + 11 - + 11b9 - + Maj11 - + m11 - + m-Maj11 - + 13 - + 13#9 - + 13b9 - + 13b5b9 - + Maj13 - + m13 - + m-Maj13 - + Harmonic minor - + Melodic minor - + Whole tone - helnot + Diminished - + Major pentatonic - + Minor pentatonic - + Jap in sen - + Major bebop - + Dominant bebop - + Blues - Blues + Arabic - Arabisk + Enigmatic - + Neopolitan - + Neopolitan minor - + Hungarian minor - + Dorian - + Phrygolydian - + Lydian - + Mixolydian - + Aeolian - + Locrian - + Chords - + Ackord Chord type - ackordtyp + Ackord-typ Chord range - + Minor - + Chromatic - + Half-Whole Diminished - + 5 - + + + + Phrygian dominant + + + + Persian + InstrumentFunctionNoteStackingView RANGE - OMRÅDE + OMFÅNG Chord range: - + octave(s) - oktav(er) + oktav(er) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. - + STACKING - + Chord: - + Ackord: InstrumentMidiIOView ENABLE MIDI INPUT - + AKTIVERA MIDI-INMATNING CHANNEL - KANAL + KANAL VELOCITY - + ENABLE MIDI OUTPUT - + PROGRAM - + MIDI devices to receive MIDI events from - + MIDI devices to send MIDI events to - + NOTE - + CUSTOM BASE VELOCITY - + Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + BASE VELOCITY - + InstrumentMiscView MASTER PITCH - + Enables the use of Master Pitch - + InstrumentSoundShaping VOLUME - VOLYM + VOLYM Volume - Volym + Volym CUTOFF - + Cutoff frequency - + Cutoff frekvens RESO - + RESO Resonance - + Resonans Envelopes/LFOs - + Filter type - Filtertyp + Filtertyp Q/Resonance - + Q/Resonans LowPass - + Lågpass HiPass - + Högpass BandPass csg - + BandPass czpg - + Notch - + Allpass - + Moog - + Moog 2x LowPass - + 2x Lågpass RC LowPass 12dB - + RC Lågpass 12dB RC BandPass 12dB - + RC BandPass 12dB RC HighPass 12dB - + RC Högpass 12dB RC LowPass 24dB - + RC Lågpass 24dB RC BandPass 24dB - + RC BandPass 24dB RC HighPass 24dB - + RC Högpass 24dB Vocal Formant Filter - + 2x Moog - + SV LowPass - + SV Lågpass SV BandPass - + SV BandPass SV HighPass - + SV Högpass SV Notch - + Fast Formant - + Tripole - + InstrumentSoundShapingView TARGET - MÅL + MÅL These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - + FILTER - FILTER + FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - + Här kan du välja vilket inbyggt filter du vill använda för detta instrument-spår. Filter är väldigt viktiga om man vill ändra karaktäristiken på ett ljud. Hz - + Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - + RESO - + RESO Resonance: - + Resonans: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - + FREQ - + FREKV. cutoff frequency: - + cutoff-frekvens: Envelopes, LFOs and filters are not supported by the current instrument. - + InstrumentTrack unnamed_track - + namnlöst_spår Volume - Volym + Volym Panning - + Panorering Pitch - + Tonhöjd FX channel - + FX-kanal Default preset - + Standardinställning With this knob you can set the volume of the opened channel. - + Med denna ratt ställer du volymen för den öppnade kanalen. Base note - + Grundton Pitch range - + Tonhöjdsomfång Master Pitch - + InstrumentTrackView Volume - Volym + Volym Volume: - Volym: + Volym: VOL - VOL + VOL Panning - + Panorering Panning: - + Panorering: PAN - + PANORERA MIDI - MIDI + MIDI Input - + Ingång Output - + Utgång + + + FX %1: %2 + FX %1: %2 InstrumentTrackWindow GENERAL SETTINGS - + ÖVERGRIPANDE INSTÄLLNINGAR Instrument volume - + Instrument-volym Volume: - Volym: + Volym: VOL - VOL + VOL Panning - + Panorering Panning: - + Panorering: PAN - + PANORERA Pitch - + Tonhöjd Pitch: - + Tonhöjd: cents - + PITCH - + FX channel - + FX-kanal ENV/LFO - + FUNC - + FX - + MIDI - MIDI + MIDI Save preset - + Spara förinställning XML preset file (*.xpf) - + XML förinställnings-fil (*.xpf) PLUGIN - PLUGIN + Pitch range (semitones) - + RANGE - OMRÅDE + OMFÅNG Save current instrument track settings in a preset file - + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - + MISC - + + + + Use these controls to view and edit the next/previous track in the song editor. + + + + SAVE + SPARA Knob Set linear - + Set logarithmic - + - Please enter a new value between -96.0 dBV and 6.0 dBV: - Skriv in ett nytt värde mellan -96.0 dBV och 6.0 dBV: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Please enter a new value between %1 and %2: - SKriv ett nytt värde mellan %1 och %2: + Ange ett nytt värde mellan %1 och %2: LadspaControl Link channels - + Länka kanaler LadspaControlDialog Link Channels - + Länka Kanaler Channel - Kanaler + Kanal LadspaControlView Link channels - + Länka kanaler Value: - Värde: + Värde: Sorry, no help available. - Tyvärr, ingen hjälp är tillgänglig. + Ledsen, ingen hjälp är tillgänglig. LadspaEffect Unknown LADSPA plugin %1 requested. - + LcdSpinBox Please enter a new value between %1 and %2: - SKriv ett nytt värde mellan %1 och %2: + Ange ett nytt värde mellan %1 och %2: + + + + LeftRightNav + + Previous + Tidigare + + + Next + Nästa + + + Previous (%1) + Tidigare (%1) + + + Next (%1) + Nästa (%1) LfoController LFO Controller - + Base value - + Basvärde Oscillator speed - + Oscillator amount - + Oscillator phase - + Oscillator waveform - + Frequency Multiplier - + LfoControllerDialog LFO - + LFO LFO Controller - + BASE - + Base amount: - + todo - + SPD - + LFO-speed: - + Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - - - - AMT - + Modulation amount: - + Moduleringsmängd: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - + PHS - + Phase offset: - + degrees - + grader With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Click here for a sine-wave. - + Klicka här för sinusvåg. Click here for a triangle-wave. - + Klicka här för triangelvåg. Click here for a saw-wave. - + Klicka här för sågtandvåg Click here for a square-wave. - + Klicka här för fyrkantvåg Click here for an exponential wave. - + Click here for white-noise. - + Klicka här för vitt brus. Click here for a user-defined shape. Double click to pick a file. - + Click here for a moog saw-wave. - + + + + AMNT + - MainWindow + LmmsCore - Working directory - + Generating wavetables + - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. - + Initializing data structures + + + Opening audio and midi devices + + + + Launching mixer threads + + + + + MainWindow Could not save config-file - Kunde inte spara konfigurationsfil + - Could not save configuration file %1. You're probably not permitted to write to this file. + Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. - + &New - &Ny + &Ny &Open... - &Öppna... + &Öppna... &Save - &Spara + &Spara Save &As... - Spara &Som... + Spara &som... Import... - + Importera... E&xport... - + E&xportera... &Quit - &Avsluta + &Avsluta &Edit - &Redigera + &Redigera Settings - + Inställningar &Tools - + &Help - &Hjälp + &Hjälp Help - Hjälp + Hjälp What's this? - Vad är detta? + Vad är detta? About - Om + Om Create new project - Skapa nytt projekt + Skapa nytt projekt Create new project from template - + Skapa nytt projekt från mall Open existing project - Öppna existerande projekt + Öppna existerande projekt Recently opened projects - + Nyligen öppnade projekt Save current project - Spara aktuellt projekt + Spara aktuellt projekt Export current project - Exportera aktuellt projekt + Exportera aktuellt projekt Song Editor - Visa/göm Sång-Editor + Sång-editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - + Beat+Bassline Editor - + Redigera Trummor+Bas By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - + Piano Roll - + Pianorulle Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - + Klicka här för att visa eller dölja pianorullen. Med hjälp av pianorullen kan du skapa melodier på ett enkelt sätt. Automation Editor - + Automations-editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - + FX Mixer - + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - + Project Notes - Visa/göm projektanteckningar + Projektanteckningar Click here to show or hide the project notes window. In this window you can put down your project notes. - + Klicka här för att visa eller dölja fönstret för projektanteckningar. I detta fönster kan du göra noteringar om ditt projekt, Controller Rack - + Kontrollrack Untitled - + Namnlös LMMS %1 - LMMS %1 + LMMS %1 Project not saved - + Projekt inte sparat The current project was modified since last saving. Do you want to save it now? - + Projektet har ändrats sedan det sparades senast. Vill du spara nu? Help not available - Hjälp inte tillgänglig + Hjälp inte tillgänglig - Currently there's no help available in LMMS. + Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. - + Just nu finns ingen hjälp tillgänglig i LMMS +Besök https://lmms.io/documentation/ för dokumentation (Engelska). LMMS (*.mmp *.mmpz) - + Version %1 - + Version %1 Configuration file - + Konfigurationsfil Error while parsing configuration file at line %1:%2: %3 - + Fel vid inläsning av konfigurationsfil på rad %1:%2: %3 Volumes - + Undo - + Ångra Redo - - - - LMMS Project - - - - LMMS Project Template - + Gör om My Projects - + Mina Projekt My Samples - Mina Ljudfiler + My Presets - Mina Presets + My Home - Mit Hem + My Computer - Min Dator - - - Root Directory - + Min dator &File - &Fil + &Fil &Recently Opened Projects - &Nyligen Öppnade Project + &Nyligen öppnade projekt Save as New &Version - Spara som ny &Version + Spara som Ny &Version E&xport Tracks... - + E&xportera spår... Online Help - + Online-hjälp What's This? - Vad är det här? + Vad är det här? Open Project - Öppna Project + Öppna Projekt Save Project - SparaProject + Spara Projekt + + + Project recovery + Projektåterställning + + + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + Det finns en återställningsfil tillgänglig. Det verkar som om programmet inte avslutades korrekt senast, eller så körs redan LMMS. Vill du återställa detta projekt? + + + Recover + Återställ + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + Återställ filen. Se till att du bara har en instans av LMMS igång när du gör detta. + + + Ignore + Ignorera + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + Starta LMMS som vanligt men med automatisk backup avstängt för att förhindra att den nuvarande återställningsfilen blir överskriven. + + + Discard + Kasta bort + + + Launch a default session and delete the restored files. This is not reversible. + Starta en standard-session och ta bort den återskapade filen. Detta går inte ångra. + + + Preparing plugin browser + Förbereder plugin-browser + + + Preparing file browsers + Förbereder fil-browser + + + Root directory + Rotkatalog + + + Loading background artwork + Laddar bakgrunds-grafik + + + New from template + Nytt från mall + + + Save as default template + Spara som standard-mall + + + &View + %Visa + + + Toggle metronome + Slå på/av metronom + + + Show/hide Song-Editor + Visa/dölj Sång-editor + + + Show/hide Beat+Bassline Editor + Visa/dölj Takt+Bas-editor + + + Show/hide Piano-Roll + Visa/dölj pianorulle + + + Show/hide Automation Editor + Visa/dölj Automations-editor + + + Show/hide FX Mixer + Visa/dölj FX Mixer + + + Show/hide project notes + Visa/dölj projektanteckningar + + + Show/hide controller rack + Visa/dölj kontrollrack + + + Recover session. Please save your work! + Återställnings-session. Spara ditt arbete! + + + Automatic backup disabled. Remember to save your work! + Automatisk backup avstängd. Kom ihåg att spara ditt arbete! + + + Recovered project not saved + Återställt projekt inte sparat + + + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + Projektet återställdes från den senaste sessionen. Det kommer försvinna om du inte sparar det. Vill du spara projektet nu? + + + LMMS Project + LMMS-Projekt + + + LMMS Project Template + LMMS-Projektmall + + + Overwrite default template? + Vill du skriva över standardmallen? + + + This will overwrite your current default template. + Detta kommer skriva över din nuvarande standardmall. + + + Volume as dBFS + Volym som dBFS + + + Smooth scroll + Mjuk rullning + + + Enable note labels in piano roll + Visa noter i pianorulle + + + Save project template + MeterDialog Meter Numerator - + Meter Denominator - + TIME SIG - + MeterModel Numerator - + Denominator - - - - - MidiAlsaRaw::setupWidget - - DEVICE - ENHET - - - - MidiAlsaSeq - - DEVICE - ENHET + MidiController MIDI Controller - + unnamed_midi_controller - + MidiImport Setup incomplete - + Installation ofullständig You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. - + You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. - + + + + Track + - MidiOss::setupWidget + MidiJack - DEVICE - ENHET + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK server nerstängd + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + MidiPort Input channel - + Ingångskanal Output channel - + Utgångskanal Input controller - + Ingångskontroller Output controller - + Utgångskontroller Fixed input velocity - + Fixed output velocity - + Output MIDI program - + Receive MIDI-events - + Ta emot MIDI-event Send MIDI-events - Sänd MIDI-händelser + Skicka MIDI-event Fixed output note - + Fast utgångs-not Base velocity - + + + + + MidiSetupWidget + + DEVICE + ENHET MonstroInstrument Osc 1 Volume - + Osc 1 Volym Osc 1 Panning - + Osc 1 Panorering Osc 1 Coarse detune - + Osc 1 Fine detune left - + Osc 1 Fine detune right - + Osc 1 Stereo phase offset - + Osc 1 Pulse width - + Osc 1 Sync send on rise - + Osc 1 Sync send on fall - + Osc 2 Volume - + Osc 2 Panning - + Osc 2 Coarse detune - + Osc 2 Fine detune left - + Osc 2 Fine detune right - + Osc 2 Stereo phase offset - + Osc 2 Waveform - + Osc 2 Sync Hard - + Osc 2 Sync Reverse - + Osc 3 Volume - + Osc 3 Panning - + Osc 3 Coarse detune - + Osc 3 Stereo phase offset - + Osc 3 Sub-oscillator mix - + Osc 3 Waveform 1 - + Osc 3 Waveform 2 - + Osc 3 Sync Hard - + Osc 3 Sync Reverse - + LFO 1 Waveform - + LFO 1 Attack - + LFO 1 Rate - + LFO 1 Phase - + LFO 2 Waveform - + LFO 2 Attack - + LFO 2 Rate - + LFO 2 Phase - + Env 1 Pre-delay - + Env 1 Attack - + Env 1 Hold - + Env 1 Decay - + Env 1 Sustain - + Env 1 Release - + Env 1 Slope - + Env 2 Pre-delay - + Env 2 Attack - + Env 2 Hold - + Env 2 Decay - + Env 2 Sustain - + Env 2 Release - + Env 2 Slope - + Osc2-3 modulation - + Selected view - + Vald vy Vol1-Env1 - + Vol1-Env2 - + Vol1-LFO1 - + Vol1-LFO2 - + Vol2-Env1 - + Vol2-Env2 - + Vol2-LFO1 - + Vol2-LFO2 - + Vol3-Env1 - + Vol3-Env2 - + Vol3-LFO1 - + Vol3-LFO2 - + Phs1-Env1 - + Phs1-Env2 - + Phs1-LFO1 - + Phs1-LFO2 - + Phs2-Env1 - + Phs2-Env2 - + Phs2-LFO1 - + Phs2-LFO2 - + Phs3-Env1 - + Phs3-Env2 - + Phs3-LFO1 - + Phs3-LFO2 - + Pit1-Env1 - + Pit1-Env2 - + Pit1-LFO1 - + Pit1-LFO2 - + Pit2-Env1 - + Pit2-Env2 - + Pit2-LFO1 - + Pit2-LFO2 - + Pit3-Env1 - + Pit3-Env2 - + Pit3-LFO1 - + Pit3-LFO2 - + PW1-Env1 - + PW1-Env2 - + PW1-LFO1 - + PW1-LFO2 - + Sub3-Env1 - + Sub3-Env2 - + Sub3-LFO1 - + Sub3-LFO2 - + Sine wave - Sinusvåg + Sinusvåg Bandlimited Triangle wave - + Bandlimited Saw wave - + Bandlimited Ramp wave - + Bandlimited Square wave - + Bandlimited Moog saw wave - + Soft square wave - + Absolute sine wave - + Exponential wave - + White noise - + Digital Triangle wave - + Digital Triangelvåg Digital Saw wave - + Digital Sågtandsvåg Digital Ramp wave - + Digital Square wave - + Digital Moog saw wave - + Triangle wave - triganelvåg + Triangelvåg Saw wave - + Sågtandsvåg Ramp wave - + Square wave - Fyrkantsvåg + Fyrkantvåg Moog saw wave - + Moog sågtandsvåg Abs. sine wave - + Abs. sinusvåg Random - + Slumpmässig Random smooth - + MonstroView Operators view - + The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - + Matrix view - + The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. @@ -4231,1425 +4642,1687 @@ Knobs and other widgets in the Operators view have their own what's this -t The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. Each modulation target has 4 knobs, one for each modulator. By default the knobs are at 0, which means no modulation. Turning a knob to 1 causes that modulator to affect the modulation target as much as possible. Turning it to -1 does the same, but the modulation is inversed. - + Mix Osc2 with Osc3 - + Mixa Osc2 med Osc3 Modulate amplitude of Osc3 with Osc2 - + Modulera amplituden för Osc3 med Osc2 Modulate frequency of Osc3 with Osc2 - + Modulera frekvensen för Osc3 med Osc2 Modulate phase of Osc3 with Osc2 - + Modulera fasen för Osc3 med Osc2 The CRS knob changes the tuning of oscillator 1 in semitone steps. - + The CRS knob changes the tuning of oscillator 2 in semitone steps. - + The CRS knob changes the tuning of oscillator 3 in semitone steps. - + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + Choose waveform for oscillator 2. - + Välj vågform för oscillator 2. Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. - + Select the waveform for LFO 1. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Select the waveform for LFO 2. "Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... - + Attack causes the LFO to come on gradually from the start of the note. - + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + PHS controls the phase offset of the LFO. - + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + HOLD controls how long the envelope stays at peak after the attack phase. - + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - + + + + Volume + Volym + + + Panning + Panorering + + + Coarse detune + + + + semitones + halvtoner + + + Finetune left + + + + cents + + + + Finetune right + + + + Stereo phase offset + + + + deg + + + + Pulse width + + + + Send sync on pulse rise + + + + Send sync on pulse fall + + + + Hard sync oscillator 2 + + + + Reverse sync oscillator 2 + + + + Sub-osc mix + + + + Hard sync oscillator 3 + + + + Reverse sync oscillator 3 + + + + Attack + Attack + + + Rate + Värdera + + + Phase + + + + Pre-delay + + + + Hold + Håll + + + Decay + Decay + + + Sustain + Sustain + + + Release + Släpp + + + Slope + + + + Modulation amount + Moduleringsmängd MultitapEchoControlDialog Length - + Längd Step length: - + Dry - + Dry Gain: - + Stages - + Lowpass stages: - + Swap inputs - + Swap left and right input channel for reflections - + NesInstrument Channel 1 Coarse detune - + Channel 1 Volume - + Channel 1 Envelope length - + Channel 1 Duty cycle - + Channel 1 Sweep amount - + Channel 1 Sweep rate - + Channel 2 Coarse detune - + Channel 2 Volume - + Channel 2 Envelope length - + Channel 2 Duty cycle - + Channel 2 Sweep amount - + Channel 2 Sweep rate - + Channel 3 Coarse detune - + Channel 3 Volume - + Channel 4 Volume - + Channel 4 Envelope length - + Channel 4 Noise frequency - + Channel 4 Noise frequency sweep - + Master volume - Huvudvolym + Huvudvolym + + + Vibrato + + + + + NesInstrumentView + + Volume + Volym + + + Coarse detune + + + + Envelope length + + + + Enable channel 1 + + + + Enable envelope 1 + + + + Enable envelope 1 loop + + + + Enable sweep 1 + + + + Sweep amount + + + + Sweep rate + + + + 12.5% Duty cycle + + + + 25% Duty cycle + + + + 50% Duty cycle + + + + 75% Duty cycle + + + + Enable channel 2 + + + + Enable envelope 2 + + + + Enable envelope 2 loop + + + + Enable sweep 2 + + + + Enable channel 3 + + + + Noise Frequency + + + + Frequency sweep + + + + Enable channel 4 + + + + Enable envelope 4 + + + + Enable envelope 4 loop + + + + Quantize noise frequency when using note frequency + + + + Use note frequency for noise + + + + Noise mode + + + + Master Volume + Vibrato - + OscillatorObject Osc %1 volume - + Osc %1 panning - + Osc %1 coarse detuning - + Osc %1 fine detuning left - + Osc %1 fine detuning right - + Osc %1 phase-offset - + Osc %1 stereo phase-detuning - + Osc %1 wave shape - + Modulation type %1 - + Osc %1 waveform - + Osc %1 harmonic - + + + + + PatchesDialog + + Qsynth: Channel Preset + + + + Bank selector + + + + Bank + Bank + + + Program selector + + + + Patch + + + + Name + Namn + + + OK + OK + + + Cancel + Avbryt PatmanView Open other patch - + Click here to open another patch-file. Loop and Tune settings are not reset. - + Loop - + Loop mode - + Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. - + Tune - + Tune mode - + Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. - + No file selected - + Ingen fil vald Open patch file - + Öppna patch-fil Patch-Files (*.pat) - + Patch-filer (*.pat) PatternView - - double-click to open this pattern in piano-roll -use mouse wheel to set velocity of a step - - Open in piano-roll - + Öppna i pianorulle Clear all notes - + Rensa alla noter Reset name - Nollställ namn + Nollställ namn Change name - Byt namn + Byt namn Add steps - + Lägg till steg Remove steps - + Ta bort steg + + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + Dubbelklicka för att öppna i Pianorulle + + + Clone Steps + Klona steg PeakController Peak Controller - + Peak Controller Bug - + Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. - + PeakControllerDialog PEAK - + LFO Controller - + PeakControllerEffectControlDialog BASE - + Base amount: - + Modulation amount: - + Moduleringsmängd: Attack: - + Attack: Release: - + Release: AMNT - + MULT - + Amount Multiplicator: - + ATCK - + DCAY - + - TRES - + Treshold: + - Treshold: - + TRSH + PeakControllerEffectControls Base value - + Basvärde Modulation amount - + Moduleringsmängd Mute output - + Tysta utgångs-ljud Attack - + Attack Release - + Släpp Abs Value - + Abs-värde Amount Multiplicator - + Treshold - + PianoRoll - Last note - Senaste noten - - - Piano-Roll - no pattern - - - - Piano-Roll - %1 - + Please open a pattern by double-clicking on it! + Dubbelklicka för att öppna ett mönster! - Please open a pattern by double-clicking on it! - + Last note + Senaste noten Note lock - + Note Velocity - + Note Panning - + Not-panorering Mark/unmark current semitone - + Markera/avmarkera nuvarande halvton Mark current scale - + Markera nuvarande skala Mark current chord - + Markera nuvarande ackord Unmark all - + Avmarkera allt No scale - + Ingen skala No chord - + Inget ackord Velocity: %1% - + Panning: %1% left - + Panorering: %1% vänster Panning: %1% right - + Panorering: %1% höger Panning: center - + Panorering: center Please enter a new value between %1 and %2: - SKriv ett nytt värde mellan %1 och %2: + Ange ett nytt värde mellan %1 och %2: + + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + Välj alla noter på denna tangent PianoRollWindow Play/pause current pattern (Space) - Spela/pausa aktuellt mönster (mellanslag) + Spela/pausa aktuellt mönster (mellanslag) Record notes from MIDI-device/channel-piano - + Spela in noter från MIDI-enhet/kanal-piano Record notes from MIDI-device/channel-piano while playing song or BB track - + Spela in noter från MIDI-enhet/kanal-piano medan sång eller BB-spår spelas Stop playing of current pattern (Space) - Sluta spela aktuellt mönster (mellanslag) + Sluta spela aktuellt mönster (mellanslag) Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - + Klicka här för att spela det aktuella mönstret, detta är användbart när man redigerar. Mönstret spelas från början igen när det nått sitt slut. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - + Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - + Click here to stop playback of current pattern. - + Klicka här för att stoppa uppspelning av de aktuella mönstret. Draw mode (Shift+D) - + Ritläge (Shift+D) Erase mode (Shift+E) - + Suddläge (Shift+E) Select mode (Shift+S) - Markeringsläge (shift+s) + Markeringsläge (Shift+S) Detune mode (Shift+T) - + Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - + Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. - + Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - + Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - + Cut selected notes (%1+X) - Klipp ut valda noter(%1+X) + Klipp ut valda noter (%1+X) Copy selected notes (%1+C) - + Kopiera valda noter (%1+C) Paste notes from clipboard (%1+V) - + Klistra in noter (%1+V) Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - + Click here and the notes from the clipboard will be pasted at the first visible measure. - + This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - + Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + + + + Edit actions + Redigera åtgärder + + + Copy paste controls + + + + Timeline controls + Tidslinjekontroller + + + Zoom and note controls + + + + Piano-Roll - %1 + Pianorulle - %1 + + + Piano-Roll - no pattern + Pianorulle - inget mönster + + + Quantize + PianoView Base note - + Bas-not Plugin Plugin not found - Plugin hittades inte + Plugin hittades inte - The plugin "%1" wasn't found or could not be loaded! + The plugin "%1" wasn't found or could not be loaded! Reason: "%2" - + Pluginet "%1" hittades inte eller kunde inte laddas! +Orsak: "%2" Error while loading plugin - Fel vid inläsning av plugin + Fel vid inläsning av plugin Failed to load plugin "%1"! - - - - LMMS plugin %1 does not have a plugin descriptor named %2! - + Misslyckades att läsa in plugin "%1"! PluginBrowser - - Instrument plugins - Instrument plugin - Instrument browser - + Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. - + + + + Instrument Plugins + + + + + PluginFactory + + Plugin not found. + Plugin hittades inte. + + + LMMS plugin %1 does not have a plugin descriptor named %2! + ProjectNotes Project notes - Projekt anteckningar + Projektanteckningar Put down your project notes here. - Skriv ner dina projekt anteckningar här. + Skriv ner dina anteckningar för projektet här. Edit Actions - Editera händelser + Redigera Händelser &Undo - &Ångra + &Ångra %1+Z - %1+Z + &Redo - &Återställ + &Gör om %1+Y - %1+Y + &Copy - &Kopiera + &Kopiera %1+C - %1+C + Cu&t - Klipp& ut + Klipp u&t %1+X - %1+X + &Paste - &Klistra in + &Klistra in %1+V - %1+V + %1+V Format Actions - + &Bold - &Fet + &Fet %1+B - %1+B + %1+B &Italic - &Kursiv + &Kursiv %1+I - %1+I + %1+I &Underline - &Understruken + &Understruken %1+U - %1+U + %1+U &Left - &Vänster + &Vänster %1+L - %1+L + %1+L C&enter - C&entrera + C&entrera %1+E - %1+E + %1+E &Right - &Höger + &Höger %1+R - %1+R + %1+R &Justify - + %1+J - %1+J + %1+J &Color... - &Färger... + &Färg... ProjectRenderer WAV-File (*.wav) - + WAV-Fil (*.wav) Compressed OGG-File (*.ogg) - Komprimerad OGG-Fil (*.ogg) - - - - QObject - - C - Note name - - - - Db - Note name - - - - C# - Note name - - - - D - Note name - - - - Eb - Note name - - - - D# - Note name - - - - E - Note name - - - - Fb - Note name - - - - Gb - Note name - - - - F# - Note name - - - - G - Note name - - - - Ab - Note name - - - - G# - Note name - - - - A - Note name - - - - Bb - Note name - - - - A# - Note name - - - - B - Note name - + Komprimerad OGG-Fil (*.ogg) QWidget Name: - Name: + Namn: Maker: - Skapare: + Skapare: Copyright: - + Copyright: Requires Real Time: - + Yes - Ja + Ja No - + Nej Real Time Capable: - + In Place Broken: - + Channels In: - + Kanaler In: Channels Out: - + Kanaler Ut: File: - + Fil: File: %1 - + Fil: %1 RenameDialog Rename... - Byt namn... + Byt namn... SampleBuffer Open audio file - Öppna ljudfil + Öppna ljudfil Wave-Files (*.wav) - Wave-Filer (*.wav) + Wave-Filer (*.wav) OGG-Files (*.ogg) - OGG-Filer (*.ogg) + OGG-Filer (*.ogg) DrumSynth-Files (*.ds) - + FLAC-Files (*.flac) - FLAC-Filer (*.flac) + FLAC-Filer (*.flac) SPEEX-Files (*.spx) - + VOC-Files (*.voc) - VOC-Filer + VOC-Filer (*.voc) AIFF-Files (*.aif *.aiff) - AIFF-Filer (*.aif *.aiff) + AIFF-Filer (*.aif *.aiff) AU-Files (*.au) - AU-Filer (*.au) + AU-Filer (*.au) RAW-Files (*.raw) - RAW-Filer (*.raw) + RAW-Filer (*.raw) All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - + Alla Ljudfiler (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) SampleTCOView double-click to select sample - Dubbelklicka för att välja spår + dubbelklicka för att välja ljudfil Delete (middle mousebutton) - Ta bort (musens mittenknapp) + Ta bort (musens mitt-knapp) Cut - Klipp ut + Klipp ut Copy - Kopiera + Kopiera Paste - Klistra in + Klistra in Mute/unmute (<%1> + middle click) - - - - Set/clear record - + SampleTrack Sample track - Ljudfil spår + Ljudfils-spår Volume - Volym + Volym Panning - + Panorering SampleTrackView Track volume - + Channel volume: - + VOL - VOL + VOL Panning - + Panorering Panning: - + Panorering: PAN - + PANORERA SetupDialog Setup LMMS - Ställ in LMMS + Ställ in LMMS General settings - + BUFFER SIZE - + Reset to default-value - + Återställ till standardvärde MISC - + Enable tooltips - + Aktivera verktygs-tips Show restart warning after changing settings - + - Display volume as dBV - Visa volym i dBV + Display volume as dBFS + Visa volym som dBFS Compress project files per default - + Komprimera projektfiler som standard One instrument track window mode - + HQ-mode for output audio-device - + Compact track buttons - + Sync VST plugins to host playback - + Enable note labels in piano roll - + Visa noter i pianorulle Enable waveform display by default - + Keep effects running even without input - + Create backup file when saving a project - + Skapa en backup-fil när ett projekt sparas LANGUAGE - + SPRÅK Paths - + Sökvägar LMMS working directory - LMMS arbetskatalog + LMMS arbetskatalog VST-plugin directory - - - - Artwork directory - + Katalog för VST-plugin Background artwork - - - - FL Studio installation directory - - - - LADSPA plugin paths - + STK rawwave directory - + Katalog för STK rå-vågform Default Soundfont File - + Performance settings - + UI effects vs. performance - + Smooth scroll in Song Editor - - - - Enable auto save feature - + Mjuk rullning i Sång-editorn Show playback cursor in AudioFileProcessor - + Audio settings - Ljudinställningar + AUDIO INTERFACE - + MIDI settings - MIDI inställningar + MIDI-inställningar MIDI INTERFACE - + OK - + OK Cancel - Avbryt + Avbryt Restart LMMS - starta om LMMS + Starta om LMMS Please note that most changes won't take effect until you restart LMMS! - + Många av ändringarna kommer inte gälla förrän LMMS startats om! Frames: %1 Latency: %2 ms - + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - + Choose LMMS working directory - + Välj arbetskatalog för LMMS Choose your VST-plugin directory - + Välj katalog för dina VST-plugin Choose artwork-theme directory - - - - Choose FL Studio installation directory - + Välj katalog för gränssnitts-tema Choose LADSPA plugin directory - + Välj katalog för LADSPA-plugin Choose STK rawwave directory - + Välj katalog för STK-råfiler Choose default SoundFont - + Välj standard-SoundFont Choose background artwork - + Välj bakgrunds-grafik Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - + + + + Reopen last project on start + + + + Directories + Kataloger + + + Themes directory + Katalog för teman + + + GIG directory + Katalog för GIG-filer + + + SF2 directory + Katalog för SF2-filer + + + LADSPA plugin directories + Katalog för LADSPA-plugins + + + Auto save + Autospara + + + Choose your GIG directory + Välj din GIG-katalog + + + Choose your SF2 directory + Välj din SF2-katalog + + + minutes + minuter + + + minute + minut + + + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song Tempo - Tempo + Tempo Master volume - Huvudvolym + Huvudvolym Master pitch - + Project saved - Projekt sparad + Projekt sparat The project %1 is now saved. - Projektet %1 är nu sparad. + Projektet %1 är nu sparat. Project NOT saved. - Projekt INTE sparat. + Projektet är INTE sparat. The project %1 was not saved! - Projektet %1 sparades inte! + Projektet %1 sparades inte! Import file - Importera fil + Importera fil MIDI sequences - - - - FL Studio projects - + MIDI-sekvenser Hydrogen projects - + All file types - + Alla filtyper Empty project - + Tomt projekt This project is empty so exporting makes no sense. Please put some items into Song Editor first! - + Projektet är tomt, export är meningslöst. Skapa något i Sång-editorn innan du exporterar! Select directory for writing exported tracks... - + untitled - namnlös + namnlös Select file for project-export... - + The following errors occured while loading: - + + + + MIDI File (*.mid) + MIDI-fil (*.mid) + + + LMMS Error report + LMMS Felrapport + + + Save project + @@ -5660,1537 +6333,1671 @@ Latency: %2 ms Could not write file - + Kunde inte skriva fil Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. - + Error in file - + Fil-fel The file %1 seems to contain errors and therefore can't be loaded. - + Tempo - Tempo + Tempo TEMPO/BPM - TEMPO/BPM + TEMPO/BPM tempo of song - Sångtempo + Sångtempo The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - + High quality mode - + Master volume - Huvudvolym + Huvudvolym master volume - huvudvolym + huvudvolym Master pitch - + master pitch - + Value: %1% - + Värde: %1% Value: %1 semitones - + Värde: %1 halvtoner Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - + + + + template + mall + + + project + projekt + + + Version difference + Versions-skillnad + + + This %1 was created with LMMS %2. + SongEditorWindow Song-Editor - Sång-Editor + Sång-Editor Play song (Space) - Spela sång (mellanslag) + Spela sång (Mellanslag) Record samples from Audio-device - + Record samples from Audio-device while playing song or BB track - + Stop song (Space) - + Sluta spela sång (Mellanslag) Add beat/bassline - + Lägg till trummor/bas Add sample-track - Lägg til ljudfil-spår + Lägg till ljudfils-spår Add automation-track - + Lägg till automationsspår Draw mode - + Ritläge Edit mode (select and move) - + Redigeringsläge (välj och flytta) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - + + + + Track actions + + + + Edit actions + Redigera åtgärder + + + Timeline controls + Tidslinjekontroller + + + Zoom controls + Zoomningskontroller SpectrumAnalyzerControlDialog Linear spectrum - + + + + Linear Y axis + Linjär Y-axel + + + + SpectrumAnalyzerControls + + Linear spectrum + + + + Linear Y axis + Linjär Y-axel - Linear Y axis - + Channel mode + - SpectrumAnalyzerControls + SubWindow - Linear spectrum - + Close + Stäng - Linear Y axis - + Maximize + Maximera - Channel mode - + Restore + Återställ TabWidget Settings for %1 - + Inställningar för %1 TempoSyncKnob Tempo Sync - + No Sync - + Eight beats - + Åtta takter Whole note - + Hel-not Half note - Halvnoter + Halvnot Quarter note - + 8th note - + 16th note - + 32nd note - + Custom... - + Custom - + Synced to Eight Beats - + Synced to Whole Note - + Synced to Half Note - + Synced to Quarter Note - + Synced to 8th Note - + Synced to 16th Note - + Synced to 32nd Note - + TimeDisplayWidget click to change time units - + Klicka för att ändra tidsenheter + + + MIN + MIN + + + SEC + SEK + + + MSEC + MSEK + + + BAR + + + + BEAT + TAKT + + + TICK + TICK TimeLineWidget Enable/disable auto-scrolling - + Enable/disable loop-points - + After stopping go back to begin - Efter att ha stoppat gå tillbaka till början + After stopping go back to position at which playing was started - + After stopping keep position - + Hint - Ledtråd + Ledtråd Press <%1> to disable magnetic loop points. - + Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. - + Track Mute - + Tysta Solo - + Solo TrackContainer Couldn't import file - Kunde inte importera fil + Kunde inte importera filen - Couldn't find a filter for importing file %1. + Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. - Kunde inte hitta ett filter för att importera filen %1. -Du bör konvertera filen till ett format som stöd av lLMMS genom att använda ett annat program. + Kunde inte hitta ett filter för att importera filen %1. +Du bör konvertera filen till ett format som stöd av LMMS genom att använda ett annat program. Couldn't open file - Kunde inte öppna filen + Kunde inte öppna filen - Couldn't open file %1 for reading. + Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! - Kunde inte öppna filen %1 för läsning. -Se till att du har läsningsrättigheter för filen och katalogen som innehåller filen och försök igen! + Kunde inte öppna filen %1 för läsning. +Se till att du har läsrättigheter för filen och katalogen som innehåller filen och försök igen! Loading project... - Läser in projekt... + Läser in projekt... Cancel - Avbryt + Avbryt Please wait... - Vänta... + Vänligen vänta... Importing MIDI-file... - Importerar MIDI-file... - - - Importing FLP-file... - Importerar FLP-file... + Importerar MIDI-fil... TrackContentObject - Muted - + Mute + Tysta TrackContentObjectView Current position - Aktuell position + Aktuell position Hint - Ledtråd + Ledtråd Press <%1> and drag to make a copy. - + Håll nere <%1> och dra för att kopiera. Current length - Aktuell längd + Aktuell längd Press <%1> for free resizing. - + %1:%2 (%3:%4 to %5:%6) - %1:%2 (%3:%4 to %5:%6) + %1:%2 (%3:%4 till %5:%6) Delete (middle mousebutton) - Ta bort (musens mittenknapp) + Ta bort (musens mitt-knapp) Cut - Klipp ut + Klipp ut Copy - Kopiera + Kopiera Paste - Klistra in + Klistra in Mute/unmute (<%1> + middle click) - + TrackOperationsWidget Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - + Actions for this track - + Mute - + Tysta Solo - + Solo Mute this track - + Tysta detta spår Clone this track - Klona detta spåret + Klona detta spår Remove this track - Ta bort detta spåret + Ta bort detta spår Clear this track - + Rensa detta spår FX %1: %2 - + FX %1: %2 Turn all recording on - + Turn all recording off - + + + + Assign to new FX Channel + Koppla till ny FX-kanal TripleOscillatorView Use phase modulation for modulating oscillator 1 with oscillator 2 - + Use amplitude modulation for modulating oscillator 1 with oscillator 2 - + Mix output of oscillator 1 & 2 - + Synchronize oscillator 1 with oscillator 2 - + Use frequency modulation for modulating oscillator 1 with oscillator 2 - + Use phase modulation for modulating oscillator 2 with oscillator 3 - + Use amplitude modulation for modulating oscillator 2 with oscillator 3 - + Mix output of oscillator 2 & 3 - + Synchronize oscillator 2 with oscillator 3 - + Use frequency modulation for modulating oscillator 2 with oscillator 3 - + Osc %1 volume: - + With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - + Osc %1 panning: - + With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - + Osc %1 coarse detuning: - + semitones - + halvtoner With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - + Osc %1 fine detuning left: - + cents - + With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 fine detuning right: - + With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - + Osc %1 phase-offset: - + degrees - + grader With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - + Osc %1 stereo phase-detuning: - + With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - + Use a sine-wave for current oscillator. - + Use a triangle-wave for current oscillator. - + Use a saw-wave for current oscillator. - + Use a square-wave for current oscillator. - + Use a moog-like saw-wave for current oscillator. - + Use an exponential wave for current oscillator. - + Use white-noise for current oscillator. - + Use a user-defined waveform for current oscillator. - + VersionedSaveDialog Increment version number - + Decrement version number - + + + + already exists. Do you want to replace it? + VestigeInstrumentView Open other VST-plugin - Öppna andra VST-plugin + Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - + Show/hide GUI - + Visa/dölj användargränssnitt Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - + Turn off all notes - + Open VST-plugin - Öppna VST-plugin + Öppna VST-plugin DLL-files (*.dll) - DLL-filer (*.dll) + DLL-filer (*.dll) EXE-files (*.exe) - EXE-filer (*.exe) + EXE-filer (*.exe) No VST-plugin loaded - Inget VST-plugin inläst + Control VST-plugin from LMMS host - + Kontrollera VST-plugin från LMMS-värd Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Tidigare (-) Click here, if you want to switch to another VST-plugin preset program. - + Save preset - + Spara förinställning Click here, if you want to save current VST-plugin preset program. - + Next (+) - + Nästa (+) Click here to select presets that are currently loaded in VST. - + Preset - + Förinställning by - + av - VST plugin control - + VisualizationWidget click to enable/disable visualization of master-output - + Click to enable - + Klicka för att aktivera VstEffectControlDialog Show/hide - + Visa/dölj Control VST-plugin from LMMS host - + Kontrollera VST-plugin från LMMS-värd Click here, if you want to control VST-plugin from host. - + Open VST-plugin preset - + Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + Previous (-) - + Tidigare (-) Click here, if you want to switch to another VST-plugin preset program. - + Next (+) - + Nästa (+) Click here to select presets that are currently loaded in VST. - + Save preset - + Spara förinställning Click here, if you want to save current VST-plugin preset program. - + Effect by: - + Effekt skapad av: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin - Laddar plugin + Laddar plugin Open Preset - + Öppna Förinställning Vst Plugin Preset (*.fxp *.fxb) - + : default - + : standard " - + " ' - + ' Save Preset - + Spara Förinställning .fxp - + .fxp .FXP - + .FXP .FXB - + .FXB .fxb - + .fxb Please wait while loading VST plugin... - + Vänta medan VST-plugin läses in... The VST plugin %1 could not be loaded. - + WatsynInstrument Volume A1 - + Volym A1 Volume A2 - + Volym A2 Volume B1 - + Volym B2 Volume B2 - + Volym B2 Panning A1 - + Panning A2 - + Panning B1 - + Panning B2 - + Freq. multiplier A1 - + Freq. multiplier A2 - + Freq. multiplier B1 - + Freq. multiplier B2 - + Left detune A1 - + Left detune A2 - + Left detune B1 - + Left detune B2 - + Right detune A1 - + Right detune A2 - + Right detune B1 - + Right detune B2 - + A-B Mix - + A-B Mix envelope amount - + A-B Mix envelope attack - + A-B Mix envelope hold - + A-B Mix envelope decay - + A1-B2 Crosstalk - + A2-A1 modulation - + B2-B1 modulation - + Selected graph - + WatsynView Select oscillator A1 - + Select oscillator A2 - + Select oscillator B1 - + Select oscillator B2 - + Mix output of A2 to A1 - + Modulate amplitude of A1 with output of A2 - + Ring-modulate A1 and A2 - + Modulate phase of A1 with output of A2 - + Mix output of B2 to B1 - + Modulate amplitude of B1 with output of B2 - + Ring-modulate B1 and B2 - + Modulate phase of B1 with output of B2 - + Draw your own waveform here by dragging your mouse on this graph. - + Load waveform - + Ladda vågform Click to load a waveform from a sample file - Klicka för att ladda in en vågform från en ljudfil + Klicka för att ladda in en vågform från en ljudfil Phase left - + Click to shift phase by -15 degrees - + Phase right - + Click to shift phase by +15 degrees - + Normalize - Normalisera + Normalisera Click to normalize - + Klicka för normalisering Invert - + Invertera Click to invert - + Klicka för invertering Smooth - + Utjämna Click to smooth - + Klicka för utjämning Sine wave - Sinusvåg + Sinusvåg Click for sine wave - + Klicka för sinusvåg Triangle wave - triganelvåg + Triangelvåg Click for triangle wave - + Klicka för triangelvåg Click for saw wave - + Klicka för sågtandvåg Square wave - Fyrkantsvåg + Fyrkantvåg Click for square wave - + + + + Volume + Volym + + + Panning + Panorering + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + ZynAddSubFxInstrument Portamento - + Filter Frequency - + Filter Resonance - + Bandwidth - + Bandbredd FM Gain - + FM-Förstärkning Resonance Center Frequency - + Resonance Bandwidth - + Forward MIDI Control Change Events - + ZynAddSubFxView Show GUI - + Visa användargränssnitt Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - + Klicka här för att visa eller dölja användargränssnittet för ZynAddSubFX. Portamento: - + Portamento: PORT - + Filter Frequency: - + Filter-frekvens: FREQ - + FREQ Filter Resonance: - + Filter-resonans: RES - + Bandwidth: - + Bandbredd: BW - + FM Gain: - + FM-Förstärkning: FM GAIN - + Resonance center frequency: - + RES CF - + Resonance bandwidth: - + RES BW - + Forward MIDI Control Changes - + audioFileProcessor - - Reverse sample - Spela baklänges - Amplify - + Amplifiera Start of sample - Start på ljudfil + Start på ljudfil End of sample - Slut på ljudfil + Slut på ljudfil + + + Reverse sample + Spela baklänges Stutter - + Loopback point - + Loop mode - + Interpolation mode - + None - + Linear - + Linjär Sinc - + Sample not found: %1 - Ljudfil hittades inte: %1 + Ljudfil hittades inte: %1 bitInvader Samplelength - Ljudfilslängd + Ljudfilslängd bitInvaderView Sample Length - Ljudfilens längd + Ljudfilens Längd Sine wave - Sinusvåg + Sinusvåg Triangle wave - Triganelvåg + Triangelvåg Saw wave - + Sågtandsvåg Square wave - Fyrkantsvåg + Fyrkantvåg White noise wave - + Vitt brus-våg User defined wave - + Användardefinierad vågform Smooth - + Utjämna Click here to smooth waveform. - + Interpolation - + Interpolering Normalize - Normalisera + Normalisera Draw your own waveform here by dragging your mouse on this graph. - + Click for a sine-wave. - + Klicka för sinusvåg Click here for a triangle-wave. - + Klicka här för triangelvåg. Click here for a saw-wave. - + Klicka här för sågtandvåg Click here for a square-wave. - + Klicka här för fyrkantvåg Click here for white-noise. - + Klicka här för vitt brus. Click here for a user-defined shape. - + Klicka här för en användardefinierad kurva. dynProcControlDialog INPUT - + INGÅNG Input gain: - + Ingångsförstärkning: OUTPUT - + UTGÅNG Output gain: - + Utgångsförstärkning: ATTACK - + Peak attack time: - + RELEASE - + Peak release time: - + Reset waveform - + Återställ vågform Click here to reset the wavegraph back to default - + Smooth waveform - + Mjuk vågform Click here to apply smoothing to wavegraph - + Increase wavegraph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease wavegraph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Stereomode Maximum - + Process based on the maximum of both stereo channels - + Stereomode Average - + Process based on the average of both stereo channels - + Stereomode Unlinked - + Process each stereo channel independently - + dynProcControls Input gain - + Ingångsförstärkning Output gain - + Utgångsförstärkning Attack time - + Release time - + Stereo mode - + Stereo-läge + + + + fxLineLcdSpinBox + + Assign to: + Tilldela till: + + + New FX Channel + Ny FX-Kanal graphModel Graph - + Graf kickerInstrument Start frequency - + Startfrekvens End frequency - + Slutfrekvens Gain - + Förstärkning Length - + Längd Distortion Start - + Distortion End - + Envelope Slope - + Noise - + Brus Click - + Klick Frequency Slope - + Start from note - + End to note - + kickerInstrumentView Start frequency: - + End frequency: - + Gain: - + Förstärkning: Frequency Slope: - + Envelope Length: - + Envelope Slope: - + Click: - + Klick: Noise: - + Brus: Distortion Start: - + Distortion End: - + ladspaBrowserView Available Effects - Tillgängliga Effekter + Unavailable Effects - Icke Tillgängliga Effekter + Instruments - Instrument + Instrument Analysis Tools - + Analysverktyg Don't know - Vet inte + Vet inte This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. -Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. +Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. -Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. +Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. -Don't Knows are plugins for which no input or output channels were identified. +Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. - + Type: - Typ: + Typ: @@ -7201,18 +8008,22 @@ Double clicking any of the plugins will bring up information on the ports. Description - Beskrivning + Beskrivning ladspaPortDialog + + Ports + Portar + Name Namn Rate - + Värdera Direction @@ -7224,7 +8035,7 @@ Double clicking any of the plugins will bring up information on the ports. Min < Default < Max - + Min < Standard < Max Logarithmic @@ -7232,7 +8043,7 @@ Double clicking any of the plugins will bring up information on the ports. SR Dependent - + Audio @@ -7244,15 +8055,15 @@ Double clicking any of the plugins will bring up information on the ports. Input - + Ingång Output - + Utgång Toggled - + Integer @@ -7266,1642 +8077,1515 @@ Double clicking any of the plugins will bring up information on the ports.Yes Ja - - Ports - Portar - lb302Synth VCF Cutoff Frequency - + VCF Resonance - + VCF Envelope Mod - + VCF Envelope Decay - + Distortion - + Waveform - + Vågform Slide Decay - + Slide - + Accent - + Dead - + 24dB/oct Filter - + lb302SynthView Cutoff Freq: - + Resonance: - + Resonans: Env Mod: - + Decay: - + Decay: 303-es-que, 24dB/octave, 3 pole filter - + Slide Decay: - + DIST: - + Saw wave - + Sågtandsvåg Click here for a saw-wave. - + Klicka här för sågtandvåg Triangle wave - triganelvåg + Triangelvåg Click here for a triangle-wave. - + Klicka här för triangelvåg. Square wave - Fyrkantsvåg + Fyrkantvåg Click here for a square-wave. - + Klicka här för fyrkantvåg Rounded square wave - + Click here for a square-wave with a rounded end. - + Moog wave - + Click here for a moog-like wave. - + Sine wave - Sinusvåg + Sinusvåg Click for a sine-wave. - + Klicka för sinusvåg White noise wave - + Vitt brus-våg Click here for an exponential wave. - + Click here for white-noise. - + Klicka här för vitt brus. Bandlimited saw wave - + Click here for bandlimited saw wave. - + Bandlimited square wave - + Click here for bandlimited square wave. - + Bandlimited triangle wave - + Click here for bandlimited triangle wave. - + Bandlimited moog saw wave - + Click here for bandlimited moog saw wave. - - - - - lb303Synth - - VCF Cutoff Frequency - - - - VCF Resonance - - - - VCF Envelope Mod - - - - VCF Envelope Decay - - - - Distortion - - - - Waveform - - - - Slide Decay - - - - Slide - - - - Accent - - - - Dead - - - - 24dB/oct Filter - - - - - lb303SynthView - - Cutoff Freq: - - - - CUT - - - - Resonance: - - - - RES - - - - Env Mod: - - - - ENV MOD - - - - Decay: - - - - DEC - - - - 303-es-que, 24dB/octave, 3 pole filter - - - - Slide Decay: - - - - SLIDE - - - - DIST: - - - - DIST - - - - WAVE: - - - - WAVE - + malletsInstrument Hardness - + Position - + Position Vibrato Gain - + Vibrato Freq - + Stick Mix - + Modulator - + Crossfade - + LFO Speed - + LFO Depth - + ADSR - + Pressure - + Motion - + Speed - + Hastighet Bowed - + Spread - + Marimba - + Vibraphone - + Agogo - + Wood1 - + Reso - + Wood2 - + Beats - + Two Fixed - + Clump - + Tubular Bells - + Uniform Bar - + Tuned Bar - + Glass - + Tibetan Bowl - - - - Missing files - - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - + malletsInstrumentView Instrument - + Spread - + Spread: - + Hardness - + Hardness: - + Position - + Position Position: - + Position: Vib Gain - + Vib Gain: - + Vib Freq - + Vib Freq: - + Stick Mix - + Stick Mix: - + Modulator - + Modulator: - + Crossfade - + Crossfade: - + LFO Speed - + LFO Speed: - + LFO Depth - + LFO Depth: - + ADSR - + ADSR: - - - - Bowed - + Pressure - + Pressure: - - - - Motion - - - - Motion: - + Speed - + Hastighet Speed: - + Hastighet: - Vibrato - + Missing files + - Vibrato: - + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + manageVSTEffectView - VST parameter control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Automatiserad Click here if you want to display automated parameters only. - + Close - + Stäng Close VST effect knob-controller window. - + manageVestigeInstrumentView - VST plugin control - + VST Sync - + Click here if you want to synchronize all parameters with VST plugin. - + Automated - + Automatiserad Click here if you want to display automated parameters only. - + Close - + Stäng Close VST plugin knob-controller window. - + opl2instrument Patch - + Op 1 Attack - + Op 1 Decay - + Op 1 Sustain - + Op 1 Release - + Op 1 Level - + Op 1 Level Scaling - + Op 1 Frequency Multiple - + Op 1 Feedback - + Op 1 Key Scaling Rate - + Op 1 Percussive Envelope - + Op 1 Tremolo - + Op 1 Vibrato - + Op 1 Waveform - + Op 2 Attack - + Op 2 Decay - + Op 2 Sustain - + Op 2 Release - + Op 2 Level - + Op 2 Level Scaling - + Op 2 Frequency Multiple - + Op 2 Key Scaling Rate - + Op 2 Percussive Envelope - + Op 2 Tremolo - + Op 2 Vibrato - + Op 2 Waveform - + FM - + FM Vibrato Depth - + Tremolo Depth - + + + + + opl2instrumentView + + Attack + Attack + + + Decay + Decay + + + Release + Släpp + + + Frequency multiplier + organicInstrument Distortion - + Volume - Volym + Volym organicInstrumentView Distortion: - + Volume: - Volym: + Volym: Randomise - + Slumpa Osc %1 waveform: - + Osc %1 volume: - + Osc %1 panning: - + cents - + The distortion knob adds distortion to the output of the instrument. - + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - + Osc %1 stereo detuning - + Osc %1 harmonic: - + papuInstrument Sweep time - + Sweep direction - + Sweep RtShift amount - + Wave Pattern Duty - + Channel 1 volume - + Volume sweep direction - + Length of each step in sweep - + Channel 2 volume - + Channel 3 volume - + Channel 4 volume - + Right Output level - + Left Output level - + Channel 1 to SO2 (Left) - + Channel 2 to SO2 (Left) - + Channel 3 to SO2 (Left) - + Channel 4 to SO2 (Left) - + Channel 1 to SO1 (Right) - + Channel 2 to SO1 (Right) - + Channel 3 to SO1 (Right) - + Channel 4 to SO1 (Right) - + Treble - + Bass - + Bas Shift Register width - + papuInstrumentView Sweep Time: - + Sweep Time - + Sweep RtShift amount: - + Sweep RtShift amount - + Wave pattern duty: - + Wave Pattern Duty - + Square Channel 1 Volume: - + Length of each step in sweep: - + Length of each step in sweep - + Wave pattern duty - + Square Channel 2 Volume: - + Square Channel 2 Volume - + Wave Channel Volume: - + Wave Channel Volume - + Noise Channel Volume: - + Noise Channel Volume - + SO1 Volume (Right): - + SO1 Volume (Right) - + SO2 Volume (Left): - + SO2 Volume (Left) - + Treble: - + Treble - + Bass: - + Bas: Bass - + Bas Sweep Direction - + Volume Sweep Direction - + Shift Register Width - + Channel1 to SO1 (Right) - + Channel2 to SO1 (Right) - + Channel3 to SO1 (Right) - + Channel4 to SO1 (Right) - + Channel1 to SO2 (Left) - + Channel2 to SO2 (Left) - + Channel3 to SO2 (Left) - + Channel4 to SO2 (Left) - + Wave Pattern - + The amount of increase or decrease in frequency - + The rate at which increase or decrease in frequency occurs - + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - + Square Channel 1 Volume - + The delay between step change - + Draw the wave here - + - pluginBrowser + patchesDialog - no description - ingen beskrivning + Qsynth: Channel Preset + - Filter for importing FL Studio projects into LMMS - Filter för att importera FL Studio projekt till LMMS + Bank selector + - Filter for importing MIDI-files into LMMS - + Bank + Bank - Additive Synthesizer for organ-like sounds - + Program selector + - VST-host for using VST(i)-plugins within LMMS - + Patch + - Vibrating string modeler - + Name + Namn + + + OK + OK + + + Cancel + Avbryt + + + + pluginBrowser + + no description + ingen beskrivning Incomplete monophonic imitation tb303 - + Plugin for freely manipulating stereo output - + Plugin for controlling knobs with sound peaks - + Plugin for enhancing stereo separation of a stereo input file - + List installed LADSPA plugins - + GUS-compatible patch instrument - + + + + Additive Synthesizer for organ-like sounds + Tuneful things to bang on - + + + + VST-host for using VST(i)-plugins within LMMS + + + + Vibrating string modeler + plugin for using arbitrary LADSPA-effects inside LMMS. - + + + + Filter for importing MIDI-files into LMMS + Filter för att importera MIDI-filer till LMMS Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. - + Player for SoundFont files - + Spelare för SoundFont-filer Emulation of GameBoy (TM) APU - + Emulering av GameBoy (TM) APU Customizable wavetable synthesizer - + Embedded ZynAddSubFX - + 2-operator FM Synth - + Filter for importing Hydrogen files into LMMS - + Filter för att importera Hydrogen-filer till LMMS LMMS port of sfxr - + Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways - + A native amplifier plugin - + Carla Rack Instrument - + 4-oscillator modulatable wavetable synth - + plugin for waveshaping - + Boost your bass the fast and simple way - + Versatile drum synthesizer - + Mångsidig trum-synth Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - + plugin for processing dynamics in a flexible way - + Carla Patchbay Instrument - + plugin for using arbitrary VST effects inside LMMS. - + Graphical spectrum analyzer plugin - + A NES-like synthesizer - + En NES-lik synthesizer + + + A native delay plugin + Player for GIG files - + Spelare för GIG-filer A multitap echo delay plugin - + A native flanger plugin - - - - A native delay plugin - + An oversampling bitcrusher - + A native eq plugin - + A 4-band Crossover Equalizer - - - - - setupWidget - - JACK (JACK Audio Connection Kit) - - - - OSS Raw-MIDI (Open Sound System) - - - - SDL (Simple DirectMedia Layer) - - - - PulseAudio - - - - Dummy (no MIDI support) - - - - ALSA Raw-MIDI (Advanced Linux Sound Architecture) - - - - PortAudio - - - - Dummy (no sound output) - - - - ALSA (Advanced Linux Sound Architecture) - - - - OSS (Open Sound System) - + - WinMM MIDI - + A Dual filter plugin + - ALSA-Sequencer (Advanced Linux Sound Architecture) - + Filter for exporting MIDI-files from LMMS + sf2Instrument Bank - + Bank Patch - + Gain - + Förstärkning Reverb - + Reverb Roomsize - + Reverb Damping - + Reverb Width - + Reverb Level - + Chorus - + Chorus Lines - + Chorus Level - + Chorus Speed - + Chorus Depth - + A soundfont %1 could not be loaded. - + SoundFont %1 kunde inte läsas in. sf2InstrumentView Open other SoundFont file - + Öppna en annan SoundFont-fil Click here to open another SF2 file - + Klicka här för att öppna en annan SF2-fil Choose the patch - + Gain - + Förstärkning Apply reverb (if supported) - + This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. - + Reverb Roomsize: - + Reverb Damping: - + Reverb Width: - + Reverb Level: - + Apply chorus (if supported) - + This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. - + Chorus Lines: - + Chorus Level: - + Chorus Speed: - + Chorus Depth: - + Open SoundFont file - + SoundFont2 Files (*.sf2) - + SoundFont2-filer (*.sf2) sfxrInstrument Wave Form - + Vågform sidInstrument Cutoff - + Resonance - + Resonans Filter type - Filtertyp + Filtertyp Voice 3 off - + Volume - Volym + Volym Chip model - + sidInstrumentView Volume: - Volym: + Volym: Resonance: - + Resonans: Cutoff frequency: - + High-Pass filter - + Högpassfilter Band-Pass filter - + Bandpassfilter Low-Pass filter - + Lågpassfilter Voice3 Off - + MOS6581 SID - + MOS6581 SID MOS8580 SID - + MOS8580 SID Attack: - + Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - + Decay: - + Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - + Sustain: - + Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - + Release: - + Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - + Pulse Width: - + Pulsbredd: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - + Coarse: - + Grov: The Coarse detuning allows to detune Voice %1 one octave up or down. - + Pulse Wave - + Pulsvåg Triangle Wave - + Triangelvåg SawTooth - + Sågtand Noise - + Brus Sync - + Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - + Ring-Mod - + Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - + Filtered - + Filtrerad When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - + Test - + Testa Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - + stereoEnhancerControlDialog WIDE - + Width: - + Bredd: stereoEnhancerControls Width - + Bredd stereoMatrixControlDialog Left to Left Vol: - + Vänster till Vänster Vol.: Left to Right Vol: - + Vänster till Höger Vol.: Right to Left Vol: - + Höger till Vänster Vol.: Right to Right Vol: - + stereoMatrixControls Left to Left - + Vänster till vänster Left to Right - + Vänster till höger Right to Left - + Höger till vänster Right to Right - + Höger till höger @@ -8919,351 +9603,351 @@ This chip was used in the Commodore 64 computer. vibed String %1 volume - + String %1 stiffness - + Pick %1 position - + Pickup %1 position - + Pan %1 - + Detune %1 - + Fuzziness %1 - + Length %1 - + Längd %1 Impulse %1 - + Impuls %1 Octave %1 - + Oktav %1 vibedView Volume: - Volym: + Volym: The 'V' knob sets the volume of the selected string. - + String stiffness: - + The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - + Pick position: - Välj position: + The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - + Pickup position: - + The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - + Pan: - + The Pan knob determines the location of the selected string in the stereo field. - + Detune: - + The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - + Fuzziness: - + The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - + Length: - Längd: + Längd: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - + Impulse or initial state - + The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - + Octave - + Oktav The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - + Impulse Editor - + - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. + The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. -The 'S' button will smooth the waveform. +The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. - + - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. + Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. -The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. +The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. -'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. +'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. -The 'Length' knob controls the length of the string. +The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. - + Enable waveform - + Click here to enable/disable waveform. - + String - + Sträng The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - + Sine wave - Sinusvåg + Sinusvåg Triangle wave - triganelvåg + Triangelvåg Saw wave - + Sågtandsvåg Square wave - Fyrkantsvåg + Fyrkantvåg White noise wave - + Vitt brus-våg User defined wave - + Användardefinierad vågform Smooth - + Utjämna Click here to smooth waveform. - + Normalize - Normalisera + Normalisera Click here to normalize waveform. - + Use a sine-wave for current oscillator. - + Use a triangle-wave for current oscillator. - + Use a saw-wave for current oscillator. - + Use a square-wave for current oscillator. - + Use white-noise for current oscillator. - + Use a user-defined waveform for current oscillator. - + voiceObject Voice %1 pulse width - + Voice %1 attack - + Voice %1 decay - + Voice %1 sustain - + Voice %1 release - + Voice %1 coarse detuning - + Voice %1 wave shape - + Voice %1 sync - + Voice %1 ring modulate - + Voice %1 filtered - + Voice %1 test - + waveShaperControlDialog INPUT - + INGÅNG Input gain: - + Ingångsförstärkning: OUTPUT - + UTGÅNG Output gain: - + Utgångsförstärkning: Reset waveform - + Återställ vågform Click here to reset the wavegraph back to default - + Smooth waveform - + Mjuk vågform Click here to apply smoothing to wavegraph - + Increase graph amplitude by 1dB - + Click here to increase wavegraph amplitude by 1dB - + Decrease graph amplitude by 1dB - + Click here to decrease wavegraph amplitude by 1dB - + Clip input - + Clip input signal to 0dB - + waveShaperControls Input gain - + Ingångsförstärkning Output gain - + Utgångsförstärkning - + \ No newline at end of file diff --git a/data/locale/uk.ts b/data/locale/uk.ts index a718298fadb..583dbf13615 100644 --- a/data/locale/uk.ts +++ b/data/locale/uk.ts @@ -42,10 +42,6 @@ If you're interested in translating LMMS in another language or want to imp LMMS LMMS - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - Involved Учасники @@ -58,6 +54,10 @@ If you're interested in translating LMMS in another language or want to imp Copyright © %1 Авторське право © %1 + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + + AmplifierControlDialog @@ -617,6 +617,10 @@ If you're interested in translating LMMS in another language or want to imp Clone Steps Клонувати такти + + Add sample-track + Додати доріжку запису + BBTCOView @@ -903,8 +907,16 @@ If you're interested in translating LMMS in another language or want to imp Введіть нову назву контролера - &Remove this plugin - &R Убрати цей плагін + &Remove this controller + &R Видалити цей контролер + + + Re&name this controller + &N Перейменувати цей контролер + + + LFO + LFO @@ -995,10 +1007,6 @@ If you're interested in translating LMMS in another language or want to imp DelayControlsDialog - - Delay - Затримка - Lfo Amt Вел LFO @@ -1007,18 +1015,10 @@ If you're interested in translating LMMS in another language or want to imp Delay Time Час затримки - - Regen - Перегенерувати - Feedback Amount Величина повернення - - Rate - Частота вибірки - Lfo LFO @@ -1031,6 +1031,22 @@ If you're interested in translating LMMS in another language or want to imp Gain Підсилення + + DELAY + + + + FDBK + + + + RATE + + + + AMNT + ГЛИБ + DualFilterControlDialog @@ -1288,6 +1304,10 @@ If you're interested in translating LMMS in another language or want to imp Name І'мя + + Type + Тип + Description Опис @@ -1868,18 +1888,6 @@ Right clicking will bring up a context menu where you can change the order in wh Octave Октава - - Frequency - Частота - - - Resonance - Резонанс - - - Bandwidth - Ширина смуги - EqHandle @@ -2042,12 +2050,6 @@ Right clicking will bring up a context menu where you can change the order in wh Could not open file Не можу відкрити файл - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - Не можу відкрити файл %1 для запису. -Перевірте, чи володієте ви правами на запис в обраний файл і каталог що його містить і спробуйте знову! - Export project to %1 Експорт проекту в %1 @@ -2064,6 +2066,11 @@ Please make sure you have write-permission to the file and the directory contain Rendering: %1% Обробка: %1% + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + Fader @@ -2147,45 +2154,49 @@ Please make sure you have write-permission to the file and the directory contain FlangerControlsDialog - - Delay - Затримка - Delay Time: Час затримки: - Lfo Hz - Lfo Гц + Feedback Amount: + Величина повернення: - Lfo: - Lfo: + White Noise Amount: + Об'єм білого шуму: - Amt - Кіл + DELAY + - Amt: - Кіл: + RATE + - Regen - Перегенерувати + Rate: + - Feedback Amount: - Величина повернення: + AMNT + ГЛИБ - Noise - Шум + Amount: + - White Noise Amount: - Об'єм білого шуму: + FDBK + + + + NOISE + + + + Invert + Інвертувати @@ -2241,14 +2252,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixerView - - Rename FX channel - Перейменувати канал Ефекту - - - Enter the new name for this FX channel - Введіть нову назву для цього каналу Ефекту - FX-Mixer Мікшер Ефектів @@ -2448,6 +2451,18 @@ You can remove and move FX channels in the context menu, which is accessed by ri Down and up Вниз та вгору + + Skip rate + + + + Miss rate + + + + Cycle steps + + InstrumentFunctionArpeggioView @@ -2519,6 +2534,46 @@ You can remove and move FX channels in the context menu, which is accessed by ri Mode: Режим: + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + InstrumentFunctionNoteStacking @@ -2902,6 +2957,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri 5 5 + + Phrygian dominant + + + + Persian + + InstrumentFunctionNoteStackingView @@ -3371,8 +3434,8 @@ You can remove and move FX channels in the context menu, which is accessed by ri Встановити логарифмічний - Please enter a new value between -96.0 dBV and 6.0 dBV: - Введіть нове значення від -96,0 дБВ до 6,0 дБВ: + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + Введіть нове значення від -96,0 дБFS до 6,0 дБFS: Please enter a new value between %1 and %2: @@ -3510,10 +3573,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Ця ручка встановлює швидкість LFO. Чим більше значення, тим більша частота осциллятора. - - AMT - КІЛ - Modulation amount: Кількість модуляції: @@ -3572,6 +3631,10 @@ Double click to pick a file. Click here for a moog saw-wave. Натисніть для зигзагоподібної муг-хвилі. + + AMNT + ГЛИБ + LmmsCore @@ -3875,18 +3938,6 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Launch a default session and delete the restored files. This is not reversible. Запуск за замовчуванням з видаленням файла відновлення. Ця дія не відворотня. - - Quit - Вихід - - - Shut down LMMS with no further action. - Вимкнути LMMS без будь-яких подальших дій. - - - Exit - Вийти - Preparing plugin browser Підготовка браузера плагінів @@ -3911,10 +3962,6 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Save as default template Зберегти як шаблон за замовчуванням - - Export &MIDI... - Експорт в &MIDI ... - &View &V Перегляд @@ -3984,7 +4031,7 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Це перезапише поточний шаблон за замовчуванням. - Volume as dBV + Volume as dBFS Відображати гучність в децибелах @@ -3995,6 +4042,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Enable note labels in piano roll Включити позначення нот у музичному редакторі + + Save project template + + MeterDialog @@ -4053,6 +4104,19 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. Трек + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK-сервер не доступний + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + + + MidiPort @@ -5350,14 +5414,14 @@ PM (ФМ) режим означає Фазова Модуляція: Осцил DCAY ЗГАС - - TRES - ПОР - Treshold: Поріг: + + TRSH + + PeakControllerEffectControls @@ -5639,10 +5703,6 @@ Reason: "%2" PluginBrowser - - Instrument plugins - Інструменти - Instrument browser Огляд інструментів @@ -5651,6 +5711,10 @@ Reason: "%2" Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Ви можете переносити потрібні вам інструменти з цієї панелі в музичний, ритм-бас редактор або в існуючу доріжку інструменту. + + Instrument Plugins + + PluginFactory @@ -5998,7 +6062,7 @@ Reason: "%2" Показувати попередження про перезапуск при зміні налаштувань - Display volume as dBV + Display volume as dBFS Відображати гучність в децибелах @@ -6057,10 +6121,6 @@ Reason: "%2" Background artwork Фонове зображення - - FL Studio installation directory - Каталог установки FL Studio - STK rawwave directory Каталог STK rawwave @@ -6081,10 +6141,6 @@ Reason: "%2" Smooth scroll in Song Editor Плавне прокручування в музичному редакторі - - Enable auto save feature - Включити функцію авто-збереження - Show playback cursor in AudioFileProcessor Показувати покажчик відтворення в процесорі аудіо файлів @@ -6143,10 +6199,6 @@ Latency: %2 ms Choose artwork-theme directory Вибір каталогу з темою оформлення для LMMS - - Choose FL Studio installation directory - Вибір каталогу встановленої FL Studio - Choose LADSPA plugin directory Вибір каталогу з модулями LADSPA @@ -6216,14 +6268,25 @@ Latency: %2 ms хвилина - Auto save interval: %1 %2 - Інтервал автоматичного збереження: %1 %2 + Enable auto-save + + + + Allow auto-save while playing + + + + Disabled + + + + Auto-save interval: %1 + Set the time between automatic backup to %1. -Remember to also save your project manually. - Встановіть проміжок часу автоматичного резервного копіювання в %1. -Не забудьте також зберегти проект вручну. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + @@ -6264,10 +6327,6 @@ Remember to also save your project manually. MIDI sequences MiDi послідовність - - FL Studio projects - FL Studio проекти - Hydrogen projects Hydrogen проекти @@ -6308,6 +6367,10 @@ Remember to also save your project manually. LMMS Error report Повідомлення про помилку в LMMS + + Save project + + SongEditor @@ -6381,14 +6444,6 @@ Remember to also save your project manually. Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. Неможливо відкрити %1 для запису, можливо, немає дозволу на запис в цей файл, будь-ласка упевніться, що є доступ до цього файлу і спробуйте знову. - - Project Version Mismatch - Невідповідність версій проекту - - - This %1 was created with LMMS version %2, but version %3 is installed - Цей %1 було створено в LMMS версії %2, але встановлена ​​версія %3 - template шаблон @@ -6397,6 +6452,14 @@ Remember to also save your project manually. project проект + + Version difference + + + + This %1 was created with LMMS %2. + Цей %1 було створено в LMMS версії %2 + SongEditorWindow @@ -6501,10 +6564,6 @@ Remember to also save your project manually. Maximize Розгорнути - - Minimize - Згорнути - Restore Відновити @@ -6707,10 +6766,6 @@ Please make sure you have read-permission to the file and the directory containi Importing MIDI-file... Імпортую файл MIDI... - - Importing FLP-file... - Імпортую файл FLP... - TrackContentObject @@ -6970,6 +7025,10 @@ Please make sure you have read-permission to the file and the directory containi Decrement version number Зменшуючийся номер версії + + already exists. Do you want to replace it? + + VestigeInstrumentView @@ -9076,10 +9135,6 @@ Double clicking any of the plugins will bring up information on the ports.List installed LADSPA plugins Показати встановлені модулі LADSPA - - Filter for importing FL Studio projects into LMMS - Фільтр для імпортування файлів FL Stuio - GUS-compatible patch instrument Патч-інструмент, сумісний з GUS diff --git a/data/locale/zh_CN.ts b/data/locale/zh_CN.ts index 7d8ea597a82..333cad64ff6 100644 --- a/data/locale/zh_CN.ts +++ b/data/locale/zh_CN.ts @@ -2,62 +2,30 @@ AboutDialog - About LMMS 关于LMMS - - LMMS - LMMS - - - Version %1 (%2/%3, Qt %4, %5) 版本 %1 (%2/%3, Qt %4, %5) - About 关于 - LMMS - easy music production for everyone LMMS - 人人都是作曲家 - - Copyright © %1 - 版权所有 © %1 - - - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - - - Authors 作者 - - Involved - 参与者 - - - - Contributors ordered by number of commits: - 贡献者名单（以提交次数排序）： - - - Translation 翻译 - Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! @@ -73,50 +41,61 @@ Zixing Liu <liushuyu@aosc.xyz> 若你有兴趣提高翻译质量，请联系维护团队 (https://github.com/AOSC-Dev/translations)、之前的译者或本项目维护者! - License 许可证 + + LMMS + LMMS + + + Involved + 参与者 + + + Contributors ordered by number of commits: + 贡献者名单（以提交次数排序）： + + + Copyright © %1 + 版权所有 © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog - VOL - VOL + 音量 - Volume: 音量： - PAN - PAN + 声相 - Panning: 声相： - LEFT 左 - Left gain: 左增益： - RIGHT 右 - Right gain: 右增益： @@ -124,22 +103,18 @@ Zixing Liu <liushuyu@aosc.xyz> AmplifierControls - Volume 音量 - Panning 声相 - Left gain 左增益 - Right gain 右增益 @@ -147,12 +122,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioAlsaSetupWidget - DEVICE 设备 - CHANNELS 声道数 @@ -160,98 +133,78 @@ Zixing Liu <liushuyu@aosc.xyz> AudioFileProcessorView - Open other sample 打开其他采样 - Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. 如果想打开另一个音频文件，请点击这里。接着会出现文件选择对话框。诸如环回模式(looping-mode)，起始/结束点，放大值(amplify-value)之类的值不会被重置。因此听起来会和源采样有差异。 - Reverse sample 反转采样 - If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. 如果点击此按钮，整个采样将会被反转。能用于制作很酷的效果，例如reversed crash. - - Disable loop - 禁用循环 - - - - This button disables looping. The sample plays only once from start to end. - 点击此按钮可以禁止循环播放。 + Amplify: + 放大: - - - Enable loop - 开启循环 + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + 此旋钮用于调整放大比率。当设为100% 时采样不会变化。除此之外，不是放大就是减弱(原始的采样文件不会被改变) - - This button enables forwards-looping. The sample loops between the end point and the loop point. - 点击此按钮后，Forwards-looping 会被打开，采样将在终止点（End Point）和循环点（Loop Point）之间播放。 + Startpoint: + 起始点: - - This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - 点击此按钮后，Ping-pong-looping 会被打开，采样将在终止点（End Point）和循环点（Loop Point）之间来回播放。 + Endpoint: + 终点: - Continue sample playback across notes 跨音符继续播放采样 - Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) 启用此选项将使采样跨音符继续播放——如果你改变了音调，或者音长度在采样结尾之前停止，下一个音符将继续此采样的播放直到其停止。如需重置到采样的开头，插入一个键盘中最低的音符（< 20 Hz） - - Amplify: - 放大: + Disable loop + 禁用循环 - - With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - 此旋钮用于调整放大比率。当设为100% 时采样不会变化。除此之外，不是放大就是减弱(原始的采样文件不会被改变) + This button disables looping. The sample plays only once from start to end. + 点击此按钮可以禁止循环播放。 - - Startpoint: - 起始点: + Enable loop + 开启循环 - - With this knob you can set the point where AudioFileProcessor should begin playing your sample. - 调节此旋钮，以告诉 AudioFileProcessor 在哪里开始播放。 + This button enables forwards-looping. The sample loops between the end point and the loop point. + 点击此按钮后，Forwards-looping 会被打开，采样将在终止点（End Point）和循环点（Loop Point）之间播放。 - - Endpoint: - 终点: + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. + 点击此按钮后，Ping-pong-looping 会被打开，采样将在终止点（End Point）和循环点（Loop Point）之间来回播放。 + + + With this knob you can set the point where AudioFileProcessor should begin playing your sample. + 调节此旋钮，以告诉 AudioFileProcessor 在哪里开始播放。 - With this knob you can set the point where AudioFileProcessor should stop playing your sample. 调节此旋钮，以告诉 AudioFileProcessor 在哪里停止播放。 - Loopback point: 循环点： - With this knob you can set the point where the loop starts. 调节此旋钮，以设置循环开始的地方。 @@ -259,7 +212,6 @@ Zixing Liu <liushuyu@aosc.xyz> AudioFileProcessorWaveView - Sample length: 采样长度： @@ -267,32 +219,26 @@ Zixing Liu <liushuyu@aosc.xyz> AudioJack - JACK client restarted JACK客户端已重启 - LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS由于某些原因与JACK断开连接，这可能是因为LMMS的JACK后端重启导致的，你需要手动重新连接。 - JACK server down JACK服务崩溃 - The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. JACK服务好像崩溃了而且未能正常启动，LMMS不能正常工作，你需要保存你的工作然后重启JACK和LMMS。 - CLIENT-NAME 客户端名称 - CHANNELS 声道数 @@ -300,12 +246,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioOss::setupWidget - DEVICE 设备 - CHANNELS 声道数 @@ -313,12 +257,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioPortAudio::setupWidget - BACKEND 后端 - DEVICE 设备 @@ -326,12 +268,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioPulseAudio::setupWidget - DEVICE 设备 - CHANNELS 声道数 @@ -339,20 +279,28 @@ Zixing Liu <liushuyu@aosc.xyz> AudioSdl::setupWidget - DEVICE 设备 + + AudioSndio::setupWidget + + DEVICE + 设备 + + + CHANNELS + 通道数 + + AudioSoundIo::setupWidget - BACKEND 后端 - DEVICE 设备 @@ -360,75 +308,61 @@ Zixing Liu <liushuyu@aosc.xyz> AutomatableModel - &Reset (%1%2) 重置（%1%2）(&R) - &Copy value (%1%2) 复制值（%1%2）(&C) - &Paste value (%1%2) 粘贴值（%1%2）(&P) - Edit song-global automation 编辑歌曲全局自动控制 - - Remove song-global automation - 删除歌曲全局自动控制 - - - - Remove all linked controls - 删除所有已连接的控制器 - - - Connected to %1 连接到%1 - Connected to controller 连接到控制器 - Edit connection... 编辑连接... - Remove connection 删除连接 - Connect to controller... 连接到控制器... + + Remove song-global automation + 删除歌曲全局自动控制 + + + Remove all linked controls + 删除所有已连接的控制器 + AutomationEditor - Please open an automation pattern with the context menu of a control! 请使用控制的上下文菜单打开一个自动控制样式！ - Values copied 值已复制 - All selected values were copied to the clipboard. 所有选中的值已复制。 @@ -436,177 +370,142 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationEditorWindow - Play/pause current pattern (Space) 播放/暂停当前片段（空格） - Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. 点击这里播放片段。编辑时很有用，片段会自动循环播放。 - Stop playing of current pattern (Space) 停止当前片段（空格） - Click here if you want to stop playing of the current pattern. 点击这里停止播放片段。 - - Edit actions - 编辑功能 - - - Draw mode (Shift+D) 绘制模式 (Shift+D) - Erase mode (Shift+E) 擦除模式 (Shift+E) - Flip vertically 垂直翻转 - Flip horizontally 水平翻转 - Click here and the pattern will be inverted.The points are flipped in the y direction. - + 点击这里图案将会沿 y 轴翻转。 - Click here and the pattern will be reversed. The points are flipped in the x direction. - + 点击这里图案将会沿 x 轴翻转。 - Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. 点击这里启用绘制模式。在此模式下你可以增加或移动单个值。 大部分时间下默认使用此模式。你也可以按键盘上的 ‘Shift+D’激活此模式。 - Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. 点击启用擦除模式。此模式下你可以擦除单个值。你可以按键盘上的 'Shift+E' 启用此模式。 - - Interpolation controls - 补间控制 - - - Discrete progression 离散步进 - Linear progression 线性步进 - Cubic Hermite progression 立方 Hermite 步进 - Tension value for spline 样条函数的张力值 - A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - + 更高的张力数值可以使图像更平滑，但也可能使某些数值严重偏移。更低的数值会导致每个控制点附近的曲线将会过度平缓。 - Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - + 单击此处为此自动化片段选择离散渐进模式。被连接对象的值在控制点之间将会保持不变，并在达到每个控制点时立即设置为新值。 - Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - + 单击此处选择为此自动化片段选择的线性渐进模式。被连接对象的值将在控制点之间随时间以稳定的速率改变，在每个控制点处达到正确的控制值，而不是突然地变化。 - Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - - - - - Tension: - 张力: + 点击这里为此自动化片段选择立方 Hermite 渐进模式。被连接对象的值将以平滑的曲线变化，并会缓和峰值和谷值。 - Cut selected values (%1+X) 剪切选定值 (%1+X) - Copy selected values (%1+C) 复制选定值 (%1+C) - Paste values from clipboard (%1+V) 从剪切板粘贴数值 (%1+V) - Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. 点击这里，选择的值将会被剪切到剪切板。你可以使用粘贴按钮将它们粘贴到任意地方，存为任意片段。 - Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. 点击这里，选择的值将会被复制到剪切板。你可以使用粘贴按钮将它们粘贴到任意地方，存为任意片段。 - Click here and the values from the clipboard will be pasted at the first visible measure. 点击这里，选择的值将从剪贴板粘贴到第一个可见的小节。 - + Tension: + 张力: + + + Automation Editor - no pattern + 自动控制编辑器 - 没有片段 + + + Automation Editor - %1 + 自动控制编辑器 - %1 + + + Edit actions + 编辑功能 + + + Interpolation controls + 补间控制 + + Timeline controls 时间线控制 - Zoom controls 缩放控制 - Quantization controls - - - - - Automation Editor - no pattern - 自动控制编辑器 - 没有片段 - - - - Automation Editor - %1 - 自动控制编辑器 - %1 + 量化控制 - Model is already connected to this pattern. 模型已连接到此片段。 @@ -614,7 +513,6 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationPattern - Drag a control while pressing <%1> 按住<%1>拖动控制器 @@ -622,57 +520,46 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationPatternView - double-click to open this pattern in automation editor 双击在自动编辑器中打开此片段 - Open in Automation editor 在自动编辑器（Automation editor）中打开 - Clear 清除 - Reset name 重置名称 - Change name 修改名称 - + %1 Connections + %1个连接 + + + Disconnect "%1" + 断开“%1”的连接 + + Set/clear record 设置/清除录制 - Flip Vertically (Visible) 垂直翻转 (可见) - Flip Horizontally (Visible) 水平翻转 (可见) - - %1 Connections - %1个连接 - - - - Disconnect "%1" - 断开“%1”的连接 - - - Model is already connected to this pattern. 模型已连接到此片段。 @@ -680,7 +567,6 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationTrack - Automation track 自动控制轨道 @@ -688,90 +574,77 @@ Zixing Liu <liushuyu@aosc.xyz> BBEditor - Beat+Bassline Editor 节拍+低音线编辑器 - Play/pause current beat/bassline (Space) 播放/暂停当前节拍/低音线（空格） - Stop playback of current beat/bassline (Space) 停止播放当前节拍/低音线(空格) - Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. 点击这里停止播放当前节拍/低音线。当结束时节拍/低音线会自动循环播放。 - Click here to stop playing of current beat/bassline. 点击这里停止播发当前节拍/低音线。 - - Beat selector - 节拍选择器 - - - - Track and step actions - 音轨和音阶动作 - - - Add beat/bassline 添加节拍/低音线 - Add automation-track 添加自动控制轨道 - Remove steps 移除音阶 - Add steps 添加音阶 - + Beat selector + 节拍选择器 + + + Track and step actions + 音轨和音阶动作 + + Clone Steps 克隆音阶 + + Add sample-track + 添加采样轨道 + BBTCOView - Open in Beat+Bassline-Editor 在节拍+Bassline编辑器中打开 - Reset name 重置名称 - Change name 修改名称 - Change color 改变颜色 - Reset color to default 重置颜色 @@ -779,12 +652,10 @@ Zixing Liu <liushuyu@aosc.xyz> BBTrack - Beat/Bassline %1 节拍/Bassline %1 - Clone of %1 %1 的副本 @@ -792,32 +663,26 @@ Zixing Liu <liushuyu@aosc.xyz> BassBoosterControlDialog - FREQ 频率 - Frequency: 频率： - GAIN 增益 - Gain: 增益： - RATIO 比率 - Ratio: 比率： @@ -825,17 +690,14 @@ Zixing Liu <liushuyu@aosc.xyz> BassBoosterControls - Frequency 频率 - Gain 增益 - Ratio 比率 @@ -843,104 +705,82 @@ Zixing Liu <liushuyu@aosc.xyz> BitcrushControlDialog - IN 输入 - OUT 输出 - - GAIN 增益 - Input Gain: 输入增益: - NOIS 噪音 - Input Noise: 输入噪音: - Output Gain: 输出增益: - CLIP 压限 - Output Clip: 输出压限: - - Rate - + 比特率 - Rate Enabled - Enable samplerate-crushing 启用采样率破坏 - Depth 位深 - Depth Enabled 深度已启用 - Enable bitdepth-crushing 启用位深破坏 - Sample rate: 采样率: - STD STD - Stereo difference: 双声道差异: - Levels 级别 - Levels: 级别: @@ -948,12 +788,10 @@ Zixing Liu <liushuyu@aosc.xyz> CaptionMenu - &Help 帮助(&H) - Help (not available) 帮助（不可用） @@ -961,12 +799,10 @@ Zixing Liu <liushuyu@aosc.xyz> CarlaInstrumentView - Show GUI 显示图形界面 - Click here to show or hide the graphical user interface (GUI) of Carla. 点击此处可以显示或隐藏 Carla 的图形界面。 @@ -974,7 +810,6 @@ Zixing Liu <liushuyu@aosc.xyz> Controller - Controller %1 控制器%1 @@ -982,73 +817,58 @@ Zixing Liu <liushuyu@aosc.xyz> ControllerConnectionDialog - Connection Settings 连接设置 - MIDI CONTROLLER MIDI控制器 - Input channel 输入通道 - CHANNEL 通道 - Input controller 输入控制器 - CONTROLLER 控制器 - - Auto Detect 自动检测 - MIDI-devices to receive MIDI-events from 用来接收 MIDI 事件的MIDI 设备 - USER CONTROLLER 用户控制器 - MAPPING FUNCTION 映射函数 - OK 确定 - Cancel 取消 - LMMS LMMS - Cycle Detected. 检测到环路。 @@ -1056,22 +876,18 @@ Zixing Liu <liushuyu@aosc.xyz> ControllerRackView - Controller Rack 控制器机架 - Add 增加 - Confirm Delete 删除前确认 - Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. 确定要删除吗？此控制器仍处于被连接状态。此操作不可撤销。 @@ -1079,105 +895,93 @@ Zixing Liu <liushuyu@aosc.xyz> ControllerView - Controls 控制器 - Controllers are able to automate the value of a knob, slider, and other controls. 控制器可以自动控制旋钮，滑块和其他控件的值。 - Rename controller 重命名控制器 - Enter the new name for this controller 输入这个控制器的新名称 - - &Remove this plugin - 删除这个插件(&R) + &Remove this controller + 删除此控制器(&R) + + + Re&name this controller + 重命名控制器(&N) + + + LFO + LFO CrossoverEQControlDialog - Band 1/2 Crossover: - Band 2/3 Crossover: - Band 3/4 Crossover: - Band 1 Gain: - Band 2 Gain: - Band 3 Gain: - Band 4 Gain: - Band 1 Mute - Mute Band 1 - Band 2 Mute - Mute Band 2 - Band 3 Mute - Mute Band 3 - Band 4 Mute - Mute Band 4 @@ -1185,27 +989,22 @@ Zixing Liu <liushuyu@aosc.xyz> DelayControls - Delay Samples 延迟采样 - Feedback - + 反馈 - Lfo Frequency Lfo 频率 - Lfo Amount - + Lfo 数量 - Output gain 输出增益 @@ -1213,358 +1012,270 @@ Zixing Liu <liushuyu@aosc.xyz> DelayControlsDialog - - Delay - 延迟 + Lfo Amt + Lfo 数量 - Delay Time - + 延迟时间 - - Regen - + Feedback Amount + 反馈数量 - - Feedback Amount - + Lfo + Lfo - - Rate - + Out Gain + 输出增益 - - - Lfo - + Gain + 增益 - - Lfo Amt - + DELAY + 延迟 - - Out Gain + FDBK + 反馈 + + + RATE - - Gain - 增益 + AMNT + 数量 DualFilterControlDialog - - + Filter 1 enabled + 已启用过滤器 1 + + + Filter 2 enabled + 已启用过滤器 2 + + + Click to enable/disable Filter 1 + 点击启用/禁用过滤器 1 + + + Click to enable/disable Filter 2 + 点击启用/禁用过滤器 2 + + FREQ 频率 - - Cutoff frequency 切除频率 - - RESO - + 共鸣 - - Resonance 共鸣 - - GAIN 增益 - - Gain 增益 - MIX - + 混音 - Mix 混合 + + + DualFilterControls - Filter 1 enabled - 已启用过滤器 1 + 过滤器1 已启用 - - Filter 2 enabled - 已启用过滤器 2 + Filter 1 type + 过滤器 1 类型 - - Click to enable/disable Filter 1 - 点击启用/禁用过滤器 1 - - - - Click to enable/disable Filter 2 - 点击启用/禁用过滤器 2 - - - - DualFilterControls - - - Filter 1 enabled - 过滤器1 已启用 - - - - Filter 1 type - 过滤器 1 类型 - - - Cutoff 1 frequency 滤波器 1 截频 - Q/Resonance 1 滤波器 1 Q值 - Gain 1 增益 1 - Mix 混合 - Filter 2 enabled 已启用过滤器 2 - Filter 2 type 过滤器 1 类型 {2 ?} - Cutoff 2 frequency 滤波器 2 截频 - Q/Resonance 2 滤波器 2 Q值 - Gain 2 增益 2 - - LowPass 低通 - - HiPass 高通 - - BandPass csg 带通 csg - - BandPass czpg 带通 czpg - - Notch 凹口滤波器 - - Allpass 全通 - - Moog Moog - - 2x LowPass 2 个低通串联 - - RC LowPass 12dB RC 低通(12dB) - - RC BandPass 12dB RC 带通(12dB) - - RC HighPass 12dB RC 高通(12dB) - - RC LowPass 24dB RC 低通(24dB) - - RC BandPass 24dB RC 带通(24dB) - - RC HighPass 24dB RC 高通(24dB) - - Vocal Formant Filter 人声移除过滤器 - - 2x Moog 2x Moog - - SV LowPass SV 低通 - - SV BandPass SV 带通 - - SV HighPass SV 高通 - - SV Notch - + SV Notch - - Fast Formant - + 快速共振峰(Formant) - - Tripole - + Tripole Editor - - Transport controls - - - - Play (Space) 播放（空格） - Stop (Space) 停止（空格） - Record 录音 - Record while playing 播放时录音 + + Transport controls + + Effect - Effect enabled 启用效果器 - Wet/Dry mix 干/湿混合 - Gate 门限 - Decay 衰减 @@ -1572,7 +1283,6 @@ Zixing Liu <liushuyu@aosc.xyz> EffectChain - Effects enabled 启用效果器 @@ -1580,12 +1290,10 @@ Zixing Liu <liushuyu@aosc.xyz> EffectRackView - EFFECTS CHAIN 效果器链 - Add effect 增加效果器 @@ -1593,90 +1301,77 @@ Zixing Liu <liushuyu@aosc.xyz> EffectSelectDialog - Add effect 增加效果器 - Name 名称 - + Type + 类型 + + Description 描述 - Author - + 作者 EffectView - Toggles the effect on or off. 打开或关闭效果. - On/Off 开/关 - W/D W/D - Wet Level: 效果度： - The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. 旋转干湿度旋钮以调整原信号与有效果的信号的比例。 - DECAY 衰减 - Time: 时间： - The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. 衰减旋钮控制在插件停止工作前，缓冲区中加入的静音时常。较小的数值会降低CPU占用率但是可能导致延迟或混响产生撕裂。 - GATE 门限 - Gate: 门限： - The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. 门限旋钮设置自动静音时，被认为是静音的信号幅度。 - Controls 控制 - Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. @@ -1693,17 +1388,14 @@ Right clicking will bring up a context menu where you can change the order in wh - Move &up 向上移(&U) - Move &down 向下移(&D) - &Remove this plugin 移除此插件(&R) @@ -1711,72 +1403,58 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoParameters - Predelay 预延迟 - Attack 打进声 - Hold 保持 - Decay 衰减 - Sustain 持续 - Release 释放 - Modulation 调制 - LFO Predelay LFO 预延迟 - LFO Attack LFO 打进声（attack） - LFO speed LFO 速度 - LFO Modulation LFO 调制 - LFO Wave Shape LFO 波形形状 - Freq x 100 频率 x 100 - Modulate Env-Amount 调制所有包络 @@ -1784,783 +1462,610 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoView - - DEL DEL - Predelay: 预延迟: - Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. 使用预延迟旋钮设定此包络的预延迟，较大的值会加长包络开始的时间。 - - ATT - ATT + 打击 - Attack: - 打进声: + 打击声: - Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. 使用起音旋钮设定此包络的起音时间，较大的值会让包络达到起音值的时间增加。为钢琴等乐器选择小值而弦乐选择大值。 - HOLD 持续 - Hold: 持续： - Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. 使用持续旋钮设定此包络的持续时间。较大的值会在它衰减到持续值时，保持包络在起音值更久。 - DEC 衰减 - Decay: 衰减： - Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. 使用衰减旋钮设定此包络的衰减值。较大的值会延长包络从起音值衰减到持续值的时间。为钢琴等乐器选择一个小值。 - SUST 持续 - Sustain: 持续： - Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. 使用持续旋钮设置此包络的持续值，较大的值会增加释放前，包络在此保持的值。 - REL 释音 - Release: 释音： - Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. 使用释音旋钮设定此包络的释音时间，较大值会增加包络衰减到零的时间。为弦乐等乐器选择一个大值。 - - AMT - + 数量 - - Modulation amount: 调制量: - Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. 使用调制量旋钮设置LFO对此包络的调制量，较大的值会对此包络控制的值（如音量或截频）影响更大。 - LFO predelay: LFO 预延迟: - Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - LFO- attack: LFO 打击声 (attack): - Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - SPD - + 速度 - LFO speed: - + LFO 速度: - Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - + 使用此旋钮来调整当前 LFO 的速度，较大的值会使 LFO 振动速度更快，并且你的音频效果也会更快。 - Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - + 使用调制量旋钮设置 LFO 的调制量，较大的值会所选值（如音量或截频）影响更大。 - Click here for a sine-wave. - + 点击这里使用正弦波。 - Click here for a triangle-wave. - + 点击这里使用三角波。 - Click here for a saw-wave for current. - + 点击这里使用锯齿波。 - Click here for a square-wave. - + 点击这里使用方波。 - Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - - Click here for random wave. - - - - FREQ x 100 频率 x 100 - Click here if the frequency of this LFO should be multiplied by 100. - + 如果此 LFO 频率需要乘以 100 倍，请点击这里。 - multiply LFO-frequency by 100 - + 将 LFO 频率扩大 100 倍 - MODULATE ENV-AMOUNT - + 调制包络量 - Click here to make the envelope-amount controlled by this LFO. - + 点击此处使包络数量由此 LFO 控制。 - control envelope-amount by this LFO 控制此 LFO 的包络数量 - ms/LFO: ms/LFO: - Hint 提示 - Drag a sample from somewhere and drop it in this window. 从别处拖动采样到此窗口。 + + Click here for random wave. + 点击这里使用随机波形。 + EqControls - Input gain 输入增益 - Output gain 输出增益 - Low shelf gain - Peak 1 gain - Peak 2 gain - Peak 3 gain - Peak 4 gain - High Shelf gain - HP res - Low Shelf res - Peak 1 BW - Peak 2 BW - Peak 3 BW - Peak 4 BW - High Shelf res - LP res - HP freq - Low Shelf freq - Peak 1 freq - Peak 2 freq - Peak 3 freq - Peak 4 freq - High shelf freq - LP freq - HP active - Low shelf active - Peak 1 active - Peak 2 active - Peak 3 active - Peak 4 active - High shelf active - LP active - LP 12 - LP 24 - LP 48 - HP 12 - HP 24 - HP 48 - low pass type 低通类型 - high pass type 高通类型 - Analyse IN - + 分析输入 - Analyse OUT - + 分析输出 EqControlsDialog - HP - Low Shelf - Peak 1 - Peak 2 - Peak 3 - Peak 4 - High Shelf - LP - In Gain - - - Gain 增益 - Out Gain - + 输出增益 - Bandwidth: 带宽: - - Octave - - - - Resonance : 共鸣: - Frequency: 频率： - lp grp - hp grp - - Frequency - 频率 - - - - - Resonance - 共鸣 - - - - Bandwidth - 带宽 + Octave + EqHandle - Reso: - + 共鸣: - BW: - - Freq: - + 频率: ExportProjectDialog - Export project 导出工程 - Output 输出 - File format: 文件格式： - Samplerate: 采样率： - 44100 Hz 44100 Hz - 48000 Hz 48000 Hz - 88200 Hz 88200 Hz - 96000 Hz 96000 Hz - 192000 Hz 192000 Hz - Bitrate: 码率： - 64 KBit/s 64 KBit/s - 128 KBit/s 128 KBit/s - 160 KBit/s 160 KBit/s - 192 KBit/s 192 KBit/s - 256 KBit/s 256 KBit/s - 320 KBit/s 320 KBit/s - Depth: 位深： - 16 Bit Integer 16 位整形 - 32 Bit Float 32 位浮点型 - Please note that not all of the parameters above apply for all file formats. 请注意上面的参数不一定适用于所有文件格式。 - Quality settings 质量设置 - Interpolation: 补间: - Zero Order Hold 零阶保持 - Sinc Fastest 最快 Sinc 补间 - Sinc Medium (recommended) 中等 Sinc 补间 (推荐) - Sinc Best (very slow!) 最佳 Sinc 补间 (很慢!) - Oversampling (use with care!): 过采样 (请谨慎使用!): - 1x (None) 1x (无) - 2x 2x - 4x 4x - 8x 8x - - Export as loop (remove end silence) - 导出为回环loop（移除结尾的静音） - - - - Export between loop markers - 只导出回环标记中间的部分 - - - Start 开始 - Cancel 取消 - - Could not open file - 无法打开文件 + Export as loop (remove end silence) + 导出为回环loop（移除结尾的静音） - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - 无法打开文件 %1 写入数据。 -请确保你拥有对文件以及存储文件的目录的写权限，然后重试！ + Export between loop markers + 只导出回环标记中间的部分 + + + Could not open file + 无法打开文件 - Export project to %1 导出项目到 %1 - Error 错误 - Error while determining file-encoder device. Please try to choose a different output format. 寻找文件编码设备时出错。请使用另外一种输出格式。 - Rendering: %1% 渲染中:%1% + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + Fader - - Please enter a new value between %1 and %2: 请输入一个介于%1和%2之间的数值： @@ -2568,7 +2073,6 @@ Please make sure you have write-permission to the file and the directory contain FileBrowser - Browser 浏览器 @@ -2576,80 +2080,65 @@ Please make sure you have write-permission to the file and the directory contain FileBrowserTreeWidget - Send to active instrument-track 发送到活跃的乐器轨道 - - Open in new instrument-track/Song Editor - 在新的乐器轨道/歌曲编辑器中打开 - - - Open in new instrument-track/B+B Editor 在新乐器轨道/B+B 编辑器中打开 - Loading sample 加载采样中 - Please wait, loading sample for preview... 请稍候，加载采样中... - + --- Factory files --- + ---软件自带文件--- + + + Open in new instrument-track/Song Editor + 在新的乐器轨道/歌曲编辑器中打开 + + Error 错误 - does not appear to be a valid 并不是一个有效的 - file 文件 - - - --- Factory files --- - ---软件自带文件--- - FlangerControls - Delay Samples 延迟采样 - Lfo Frequency Lfo 频率 - Seconds 秒 - Regen - Noise 噪音 - Invert 反转 @@ -2657,65 +2146,57 @@ Please make sure you have write-permission to the file and the directory contain FlangerControlsDialog - - Delay - 延迟 - - - Delay Time: 延迟时间: - - Lfo Hz - Lfo + Feedback Amount: + 反馈数量: - - Lfo: - Lfo: + White Noise Amount: + 白噪音数量: - - Amt - + DELAY + 延迟 - - Amt: + RATE - - Regen + Rate: - - Feedback Amount: - + AMNT + 数量 - - Noise + Amount: + 数量： + + + FDBK + 反馈 + + + NOISE 噪音 - - White Noise Amount: - 白噪音数量: + Invert + 反转 FxLine - Channel send amount 通道发送的数量 - The FX channel receives input from one or more instrument tracks. It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. @@ -2723,30 +2204,31 @@ In order to route the channel to another channel, select the FX channel and clic You can remove and move FX channels in the context menu, which is accessed by right-clicking the FX channel. - + 效果通道会从一个或多个乐器轨道接收输入。 +它还能被接着接入其他多个效果通道。LMMS 会自动防止无限死循环的发生，并且不会让你连接出一个死循环。 + +如果你想将一个通道连接到另一个通道，选择第一个效果通道并且在你想连接的通道上点击“发送(Send)” 按钮。在发送按钮下面的旋钮将会控制发送到目标通道信号的强度。 + +你可以通过右击效果通道弹出的上下文菜单移动和删除效果通道。 + - Move &left 向左移(&L) - Move &right 向右移(&R) - Rename &channel 重命名通道(&C) - R&emove channel 删除通道(&E) - Remove &unused channels 移除所有未用通道(&U) @@ -2754,14 +2236,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixer - Master 主控 - - - FX %1 FX %1 @@ -2769,51 +2247,33 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixerView - FX-Mixer 效果混合器 - FX Fader %1 FX 衰减器 %1 - Mute 静音 - Mute this FX channel 静音此效果通道 - Solo 独奏 - Solo FX channel 独奏效果通道 - - - Rename FX channel - 重命名效果通道 - - - - Enter the new name for this FX channel - 为此效果通道输入一个新的名称 - FxRoute - - Amount to send from channel %1 to channel %2 从通道 %1 发送到通道 %2 的量 @@ -2821,17 +2281,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrument - Bank 库 - Patch 音色 - Gain 增益 @@ -2839,58 +2296,46 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrumentView - Open other GIG file 打开另外的 GIG 文件 - Click here to open another GIG file 点击这里打开另外一个 GIG 文件 - Choose the patch 选择路径 - Click here to change which patch of the GIG file to use 点击这里选择另一种 GIG 音色 - - Change which instrument of the GIG file is being played 更换正在使用的 GIG 文件中的乐器 - Which GIG file is currently being used 哪一个 GIG 文件正在被使用 - Which patch of the GIG file is currently being used GIG 文件的哪一个音色正在被使用 - Gain 增益 - Factor to multiply samples by - Open GIG file 打开 GIG 文件 - GIG Files (*.gig) GIG 文件 (*.gig) @@ -2898,52 +2343,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri GuiApplication - Working directory 工作目录 - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. LMMS工作目录%1不存在，现在新建一个吗？你可以稍后在 编辑 -> 设置 中更改此设置。 - Preparing UI 正在准备界面 - Preparing song editor 正在准备歌曲编辑器 - Preparing mixer 正在准备混音器 - Preparing controller rack 正在准备控制机架 - Preparing project notes 正在准备工程注释 - Preparing beat/bassline editor 正在准备节拍/低音线编辑器 - Preparing piano roll 正在准备钢琴窗 - Preparing automation editor 正在准备自动编辑器 @@ -2951,737 +2386,650 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentFunctionArpeggio - Arpeggio - + 琶音 - Arpeggio type - + 琶音类型 - Arpeggio range - + 琶音范围 - Arpeggio time - + 琶音时间 - Arpeggio gate - + 琶音门限 - Arpeggio direction - + 琶音方向 - Arpeggio mode - + 琶音模式 - Up 向上 - Down 向下 - Up and down 上和下 - Random 随机 - - Down and up - 下和上 - - - Free 自由 - Sort 排序 - Sync 同步 + + Down and up + 下和上 + + + Skip rate + 跳过率 + + + Miss rate + 丢失率 + + + Cycle steps + + InstrumentFunctionArpeggioView - ARPEGGIO 琶音 - An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - RANGE 范围 - Arpeggio range: - + 琶音范围: - octave(s) - + 八度音 - Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - TIME 时长 - Arpeggio time: - + 琶音时间: - ms 毫秒 - Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - GATE 门限 - Arpeggio gate: - + 琶音门限: - % % - Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - Chord: 和弦： - Direction: 方向： - Mode: 模式： + + SKIP + 跳过 + + + Skip rate: + 跳过率： + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + 丢失 + + + Miss rate: + 丢失率： + + + The miss function will make the arpeggiator miss the intended note. + 丢失功能将会使琶音器故意丢掉你想要其丢掉的音符。 + + + CYCLE + 循环 + + + Cycle notes: + 循环音符: + + + note(s) + 音符 + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + InstrumentFunctionNoteStacking - octave octave - - Major Major - Majb5 Majb5 - minor minor - minb5 minb5 - sus2 sus2 - sus4 sus4 - aug aug - augsus4 augsus4 - tri tri - 6 6 - 6sus4 6sus4 - 6add9 6add9 - m6 m6 - m6add9 m6add9 - 7 7 - 7sus4 7sus4 - 7#5 7#5 - 7b5 7b5 - 7#9 7#9 - 7b9 7b9 - 7#5#9 7#5#9 - 7#5b9 7#5b9 - 7b5b9 7b5b9 - 7add11 7add11 - 7add13 7add13 - 7#11 7#11 - Maj7 Maj7 - Maj7b5 Maj7b5 - Maj7#5 Maj7#5 - Maj7#11 Maj7#11 - Maj7add13 Maj7add13 - m7 m7 - m7b5 m7b5 - m7b9 m7b9 - m7add11 m7add11 - m7add13 m7add13 - m-Maj7 m-Maj7 - m-Maj7add11 m-Maj7add11 - m-Maj7add13 m-Maj7add13 - 9 9 - 9sus4 9sus4 - add9 add9 - 9#5 9#5 - 9b5 9b5 - 9#11 9#11 - 9b13 9b13 - Maj9 Maj9 - Maj9sus4 Maj9sus4 - Maj9#5 Maj9#5 - Maj9#11 Maj9#11 - m9 m9 - madd9 madd9 - m9b5 m9b5 - m9-Maj7 m9-Maj7 - 11 11 - 11b9 11b9 - Maj11 Maj11 - m11 m11 - m-Maj11 m-Maj11 - 13 13 - 13#9 13#9 - 13b9 13b9 - 13b5b9 13b5b9 - Maj13 Maj13 - m13 m13 - m-Maj13 m-Maj13 - Harmonic minor Harmonic minor - Melodic minor Melodic minor - Whole tone - + 全音符 - Diminished Diminished - Major pentatonic Major pentatonic - Minor pentatonic Minor pentatonic - Jap in sen Jap in sen - Major bebop Major bebop - Dominant bebop Dominant bebop - Blues Blues - Arabic Arabic - Enigmatic Enigmatic - Neopolitan Neopolitan - Neopolitan minor Neopolitan minor - Hungarian minor Hungarian minor - Dorian Dorian - Phrygolydian - Lydian Lydian - Mixolydian Mixolydian - Aeolian Aeolian - Locrian Locrian - + Chords + Chords + + + Chord type + Chord type + + + Chord range + Chord range + + Minor Minor - Chromatic Chromatic - Half-Whole Diminished - 5 5 - - Chords - Chords - - - - Chord type - Chord type + Phrygian dominant + - - Chord range - Chord range + Persian + InstrumentFunctionNoteStackingView - - STACKING - 堆叠 - - - - Chord: - 和弦： - - - RANGE 范围 - Chord range: 和弦范围： - octave(s) - + 八度音 - Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. + + STACKING + 堆叠 + + + Chord: + 和弦： + InstrumentMidiIOView - ENABLE MIDI INPUT 启用MIDI输入 - - CHANNEL 通道 - - VELOCITY 力度 - ENABLE MIDI OUTPUT 启用MIDI输出 - PROGRAM 乐器 - - NOTE - 音符 - - - MIDI devices to receive MIDI events from 用于接收 MIDI 事件的 MIDI 设备 - MIDI devices to send MIDI events to 用于发送 MIDI 事件的 MIDI 设备 - + NOTE + 音符 + + CUSTOM BASE VELOCITY 自定义基准力度 - Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - + 设定基于 MIDI 的乐器在 100% 音符力度下的正常化基准值 - BASE VELOCITY 基准力度 @@ -3689,12 +3037,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentMiscView - MASTER PITCH 主音高 - Enables the use of Master Pitch 启用主音高 @@ -3702,221 +3048,177 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentSoundShaping - VOLUME 音量 - Volume 音量 - CUTOFF 切除 - - Cutoff frequency 切除频率 - RESO - + 共鸣 - Resonance 共鸣 - Envelopes/LFOs 压限/低频振荡 - Filter type 过滤器类型 - Q/Resonance - LowPass 低通 - HiPass 高通 - BandPass csg 带通 csg - BandPass czpg 带通 czpg - Notch 凹口滤波器 - Allpass 全通 - Moog Moog - 2x LowPass 2 个低通串联 - RC LowPass 12dB RC 低通(12dB) - RC BandPass 12dB RC 带通(12dB) - RC HighPass 12dB RC 高通(12dB) - RC LowPass 24dB RC 低通(24dB) - RC BandPass 24dB RC 带通(24dB) - RC HighPass 24dB RC 高通(24dB) - Vocal Formant Filter 人声移除过滤器 - 2x Moog 2x Moog - SV LowPass SV 低通 - SV BandPass SV 带通 - SV HighPass SV 高通 - SV Notch - + SV Notch - Fast Formant - + 快速共振峰(Formant) - Tripole - + Tripole InstrumentSoundShapingView - TARGET 目标 - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - FILTER - + 过滤器 - Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - + 你可以在这里选择对此乐器轨道要使用的内建过滤器。如果你想要改变声音的特征的话，过滤器就是不可或缺的工具。 - - FREQ - 频率 - - - - cutoff frequency: - - - - Hz Hz - Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - RESO - + 共鸣 - Resonance: - 共鸣： + 共鸣: - Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - + FREQ + 频率 + + + cutoff frequency: + 切除频率: + + Envelopes, LFOs and filters are not supported by the current instrument. 包络和低频振荡 (LFO) 不被当前乐器支持。 @@ -3924,54 +3226,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrack - - - Default preset - 预置 - - - - With this knob you can set the volume of the opened channel. - 使用此旋钮可以设置开放通道的音量。 - - - - unnamed_track 未命名轨道 - - Base note - 基本音 - - - Volume 音量 - Panning 声相 - Pitch 音高 - - Pitch range - 音域范围 - - - FX channel 效果通道 - + Default preset + 预置 + + + With this knob you can set the volume of the opened channel. + 使用此旋钮可以设置开放通道的音量。 + + + Base note + 基本音 + + + Pitch range + 音域范围 + + Master Pitch 主音高 @@ -3979,52 +3269,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrackView - Volume 音量 - Volume: 音量： - VOL - VOL + 音量 - Panning 声相 - Panning: 声相： - PAN - PAN + 声相 - MIDI MIDI - Input 输入 - Output 输出 - FX %1: %2 效果 %1: %2 @@ -4032,156 +3312,125 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrackWindow - GENERAL SETTINGS 常规设置 - - Use these controls to view and edit the next/previous track in the song editor. - 使用这些控制选项来查看和编辑在歌曲编辑器中的上个/下个轨道。 - - - Instrument volume 乐器音量 - Volume: 音量： - VOL - VOL + 音量 - Panning 声相 - Panning: 声相： - PAN - PAN + 声相 - Pitch 音高 - Pitch: 音高： - cents 音分 cents - PITCH - + 音调 - - Pitch range (semitones) - 音域范围（半音） + FX channel + 效果通道 - - RANGE - 范围 + ENV/LFO + 包络/低振 - - FX channel - 效果通道 + FUNC + 功能 - - FX 效果 - - Save current instrument track settings in a preset file - 保存当前乐器轨道设置到预设文件 + MIDI + MIDI - - Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - 如果你想保存当前乐器轨道设置到预设文件, 请点击这里。稍后你可以在预设浏览器中双击以使用它。 + Save preset + 保存预置 - - SAVE - 保存 + XML preset file (*.xpf) + XML 预设文件 (*.xpf) - - ENV/LFO - 包络/低振 + PLUGIN + 插件 - - FUNC - 功能 + Pitch range (semitones) + 音域范围（半音） - - MIDI - MIDI + RANGE + 范围 - - MISC - 杂项 + Save current instrument track settings in a preset file + 保存当前乐器轨道设置到预设文件 - - Save preset - 保存预置 + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. + 如果你想保存当前乐器轨道设置到预设文件, 请点击这里。稍后你可以在预设浏览器中双击以使用它。 - - XML preset file (*.xpf) - XML 预设文件 (*.xpf) + MISC + 杂项 - - PLUGIN - 插件 + Use these controls to view and edit the next/previous track in the song editor. + 使用这些控制选项来查看和编辑在歌曲编辑器中的上个/下个轨道。 + + + SAVE + 保存 Knob - Set linear 设置为线性 - Set logarithmic 设置为对数 - - Please enter a new value between -96.0 dBV and 6.0 dBV: - 请输入介于96.0 dBV 和 6.0 dBV之间的值： + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + 请输入介于 -96.0 dBFS 和 6.0 dBFS之间的值： - Please enter a new value between %1 and %2: 请输入一个介于%1和%2之间的数值： @@ -4189,7 +3438,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControl - Link channels 关联通道 @@ -4197,12 +3445,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlDialog - Link Channels 连接通道 - Channel 通道 @@ -4210,17 +3456,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlView - Link channels 连接通道 - Value: 值： - Sorry, no help available. 啊哦，这个没有帮助文档。 @@ -4228,7 +3471,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaEffect - Unknown LADSPA plugin %1 requested. 已请求未知 LADSPA 插件 %1. @@ -4236,7 +3478,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LcdSpinBox - Please enter a new value between %1 and %2: 请输入一个介于%1和%2之间的数值： @@ -4244,26 +3485,18 @@ You can remove and move FX channels in the context menu, which is accessed by ri LeftRightNav - - - Previous 上个 - - - Next 下个 - Previous (%1) 上 (%1) - Next (%1) 下 (%1) @@ -4271,179 +3504,146 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoController - LFO Controller LFO 控制器 - Base value 基准值 - Oscillator speed 振动速度 - Oscillator amount - + 振动数量 - Oscillator phase - + 振动相位 - Oscillator waveform 振动波形 - Frequency Multiplier - + 频率加倍器 LfoControllerDialog - LFO - + LFO - LFO Controller LFO 控制器 - BASE 基准 - Base amount: 基础值: - todo - SPD - + 速度 - LFO-speed: - + LFO 速度: - Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - - AMT - - - - Modulation amount: 调制量： - Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - PHS - + 相位 - Phase offset: - + 相位差: - degrees - + 度 - With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Click here for a sine-wave. - + 点击这里使用正弦波。 - Click here for a triangle-wave. - + 点击这里使用三角波。 - Click here for a saw-wave. - + 点击这里使用锯齿波。 - Click here for a square-wave. - + 点击这里使用方波。 - - Click here for a moog saw-wave. - - - - Click here for an exponential wave. - + 点击这里使用指数爆炸波形。 - Click here for white-noise. - + 点击这里使用白噪音。 - Click here for a user-defined shape. Double click to pick a file. + 点击这里使用自定义波形。 +双击选择文件。 + + + Click here for a moog saw-wave. + + AMNT + 数量 + LmmsCore - Generating wavetables 正在生成波形表 - Initializing data structures 正在初始化数据结构 - Opening audio and midi devices 正在启动音频和 MIDI 设备 - Launching mixer threads 生在启动混音器线程 @@ -4451,523 +3651,405 @@ Double click to pick a file. MainWindow - - Configuration file - 配置文件 - - - - Error while parsing configuration file at line %1:%2: %3 - 解析配置文件发生错误（行%1:%2:%3） - - - Could not save config-file 不能保存配置文件 - Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. 不能保存配置文件%1，你可能没有写权限。 请确保你可以写入这个文件并重试。 - - Project recovery - 工程恢复 + &New + 新建(&N) - - There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? - 发现了一个恢复文件。看上去上个会话没有正常结束或者其他的 LMMS 进程已经运行。你想要恢复这个项目吗? + &Open... + 打开(&O)... - - - Recover - 恢复 + &Save + 保存（&S) - - Recover the file. Please don't run multiple instances of LMMS when you do this. - 恢复文件。请不要在恢复文件时运行多个 LMMS 程序。 + Save &As... + 另存为(&A)... - - - Ignore - 忽略 + Import... + 导入... - - Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. - 正常启动 LMMS 但是关闭自动备份来防止备份文件被覆盖。 + E&xport... + 导出(&E)... - - Discard - 丢弃 + &Quit + 退出(&Q) - - Launch a default session and delete the restored files. This is not reversible. - 运行一个新的默认会话并且删除恢复文件。此操作无法撤销。 + &Edit + 编辑(&E) - - Quit - 退出 + Settings + 设置 - - Shut down LMMS with no further action. - 什么也不做并关闭 LMMS。 + &Tools + 工具(&T) - - Exit - 退出 + &Help + 帮助(&H) - - Version %1 - 版本 %1 + Help + 帮助 - - Preparing plugin browser - 正在准备插件浏览器 + What's this? + 这是什么？ - - Preparing file browsers - 正在准备文件浏览器 + About + 关于 - - My Projects - 我的工程 + Create new project + 新建工程 - - My Samples - 我的采样 + Create new project from template + 从模版新建工程 - - My Presets - 我的预设 + Open existing project + 打开已有工程 - - My Home - 我的主目录 + Recently opened projects + 最近打开的工程 - - Root directory - 根目录 + Save current project + 保存当前工程 - - Volumes - 音量 + Export current project + 导出当前工程 - - My Computer - 我的电脑 + Song Editor + 显示/隐藏歌曲编辑器 - - Loading background artwork - 正在加载背景图案 + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. + 点击这个按钮, 你可以显示/隐藏歌曲编辑器。在歌曲编辑器的帮助下, 你可以编辑歌曲播放列表并且设置哪个音轨在哪个时间播放。你还可以在播放列表中直接插入和移动采样(如 RAP 采样)。 - - &File - 文件(&F) + Beat+Bassline Editor + 显示/隐藏节拍+旋律编辑器 - - &New - 新建(&N) + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + 点击此按钮, 你就可以显示或隐藏节拍+低音线编辑器。你可以使用节拍+低音线编辑器来创建节拍, 并且还可以打开、添加、移除通道, 还能剪切、复制、粘贴节拍和低音线样本, 还有更多功能等你探索。 - - New from template - 从模版新建工程 + Piano Roll + 显示/隐藏钢琴窗 - - &Open... - 打开(&O)... + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + 点击这里显示或隐藏钢琴窗。在钢琴窗的帮助下, 你可以很容易地编辑旋律。 - - &Recently Opened Projects - 最近打开的工程(&R) + Automation Editor + 显示/隐藏自动控制编辑器 - - &Save - 保存（&S) + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + 点击这里显示或隐藏自动控制编辑器。在自动控制编辑器的帮助下, 你可以很简单地控制动态数值。 - - Save &As... - 另存为(&A)... + FX Mixer + 显示/隐藏混音器 - - Save as New &Version - 保存为新版本(&V) + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + 点击这里显示或隐藏 FX 混音器。FX 混音器是管理你歌曲中不同音效的强大工具。你可以向不同的通道添加不同的效果。 - - Save as default template - 保存为默认模板 + Project Notes + 显示/隐藏工程注释 - - Import... - 导入... + Click here to show or hide the project notes window. In this window you can put down your project notes. + 点击这里显示或隐藏工程注释窗。在此窗口中你可以写下工程的注释。 - - E&xport... - 导出(&E)... + Controller Rack + 显示/隐藏控制器机架 - - E&xport Tracks... - 导出音轨(&X)... + Untitled + 未标题 - - Export &MIDI... - 导出 MIDI (&M)... + LMMS %1 + LMMS %1 - - &Quit - 退出(&Q) + Project not saved + 工程未保存 - - &Edit - 编辑(&E) + The current project was modified since last saving. Do you want to save it now? + 此工程自上次保存后有了修改，你想保存吗？ + + + Help not available + 帮助不可用 + + + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. + LMMS现在没有可用的帮助 +请访问 http://lmms.sf.net/wiki 了解LMMS的相关文档。 + + + LMMS (*.mmp *.mmpz) + LMMS (*.mmp *.mmpz) + + + Version %1 + 版本 %1 + + + Configuration file + 配置文件 + + + Error while parsing configuration file at line %1:%2: %3 + 解析配置文件发生错误（行%1:%2:%3） + + + Volumes + 音量 - Undo 撤销 - Redo 重做 - - Settings - 设置 + My Projects + 我的工程 - - &View - 视图 (&V) + My Samples + 我的采样 - - &Tools - 工具(&T) + My Presets + 我的预设 - - &Help - 帮助(&H) + My Home + 我的主目录 - - Online Help - 在线帮助 + My Computer + 我的电脑 - - Help - 帮助 + &File + 文件(&F) + + + &Recently Opened Projects + 最近打开的工程(&R) + + + Save as New &Version + 保存为新版本(&V) + + + E&xport Tracks... + 导出音轨(&X)... + + + Online Help + 在线帮助 - What's This? 这是什么? - - About - 关于 + Open Project + 打开工程 - - Create new project - 新建工程 + Save Project + 保存工程 - - Create new project from template - 从模版新建工程 + Project recovery + 工程恢复 - - Open existing project - 打开已有工程 + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + 发现了一个恢复文件。看上去上个会话没有正常结束或者其他的 LMMS 进程已经运行。你想要恢复这个项目吗? + + + Recover + 恢复 + + + Recover the file. Please don't run multiple instances of LMMS when you do this. + 恢复文件。请不要在恢复文件时运行多个 LMMS 程序。 + + + Ignore + 忽略 + + + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + 正常启动 LMMS 但是关闭自动备份来防止备份文件被覆盖。 + + + Discard + 丢弃 + + + Launch a default session and delete the restored files. This is not reversible. + 运行一个新的默认会话并且删除恢复文件。此操作无法撤销。 + + + Preparing plugin browser + 正在准备插件浏览器 + + + Preparing file browsers + 正在准备文件浏览器 + + + Root directory + 根目录 - - Recently opened projects - 最近打开的工程 + Loading background artwork + 正在加载背景图案 - - Save current project - 保存当前工程 + New from template + 从模版新建工程 - - Export current project - 导出当前工程 + Save as default template + 保存为默认模板 - - What's this? - 这是什么？ + &View + 视图 (&V) - Toggle metronome 开启/关闭节拍器 - Show/hide Song-Editor 显示/隐藏歌曲编辑器 - - By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - 点击这个按钮, 你可以显示/隐藏歌曲编辑器。在歌曲编辑器的帮助下, 你可以编辑歌曲播放列表并且设置哪个音轨在哪个时间播放。你还可以在播放列表中直接插入和移动采样(如 RAP 采样)。 - - - Show/hide Beat+Bassline Editor 显示/隐藏节拍+旋律编辑器 - - By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - - - - Show/hide Piano-Roll 显示/隐藏钢琴窗 - - Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - 点击这里显示或隐藏钢琴窗。在钢琴窗的帮助下, 你可以很容易地编辑旋律。 - - - Show/hide Automation Editor 显示/隐藏自动控制编辑器 - - Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - 点击这里显示或隐藏自动控制编辑器。在自动控制编辑器的帮助下, 你可以很简单地控制动态数值。 - - - Show/hide FX Mixer 显示/隐藏混音器 - - Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - 点击这里显示或隐藏 FX 混音器。FX 混音器是管理你歌曲中不同音效的强大工具。你可以向不同的通道添加不同的效果。 - - - Show/hide project notes 显示/隐藏工程注释 - - Click here to show or hide the project notes window. In this window you can put down your project notes. - 点击这里显示或隐藏工程注释窗。在此窗口中你可以写下工程的注释。 - - - Show/hide controller rack 显示/隐藏控制器机架 - - Untitled - 未标题 - - - Recover session. Please save your work! 恢复会话。请保存你的工作! - Automatic backup disabled. Remember to save your work! 自动备份已禁用。记得保存你的作品哟! - - LMMS %1 - LMMS %1 - - - Recovered project not saved 恢复的工程没有保存 - This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? 这个工程已从上一个会话中恢复。它现在没有被保存, 并且如果你不保存, 它将会丢失。你现在想保存它吗? - - Project not saved - 工程未保存 - - - - The current project was modified since last saving. Do you want to save it now? - 此工程自上次保存后有了修改，你想保存吗？ - - - - Open Project - 打开工程 - - - - LMMS (*.mmp *.mmpz) - LMMS (*.mmp *.mmpz) - - - - Save Project - 保存工程 - - - LMMS Project LMMS 工程 - LMMS Project Template LMMS 工程模板 - Overwrite default template? 覆盖默认的模板? - This will overwrite your current default template. 这将会覆盖你的当前默认模板。 - - Help not available - 帮助不可用 - - - - Currently there's no help available in LMMS. -Please visit http://lmms.sf.net/wiki for documentation on LMMS. - LMMS现在没有可用的帮助 -请访问 http://lmms.sf.net/wiki 了解LMMS的相关文档。 - - - - Song Editor - 显示/隐藏歌曲编辑器 - - - - Beat+Bassline Editor - 显示/隐藏节拍+旋律编辑器 - - - - Piano Roll - 显示/隐藏钢琴窗 - - - - Automation Editor - 显示/隐藏自动控制编辑器 - - - - FX Mixer - 显示/隐藏混音器 - - - - Project Notes - 显示/隐藏工程注释 - - - - Controller Rack - 显示/隐藏控制器机架 - - - - Volume as dBV - 以 dBV 显示音量 + Volume as dBFS + 以 dBFS 为单位显示音量 - Smooth scroll 平滑滚动 - Enable note labels in piano roll 在钢琴窗中显示音号 + + Save project template + 保存工程模板 + MeterDialog - - Meter Numerator - + 分子数值 - - Meter Denominator - + 分母数值 - TIME SIG 拍子记号 @@ -4975,115 +4057,107 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MeterModel - Numerator - + 分子 - Denominator - + 分母 MidiController - MIDI Controller MIDI控制器 - unnamed_midi_controller - + 未命名的 MIDI 控制器 MidiImport - - Setup incomplete 设置不完整 - You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. 你还没有在设置(在编辑->设置)中设置默认的 Soundfont。因此在导入此 MIDI 文件后将会没有声音。你需要下载一个通用 MIDI (GM) 的 Soundfont, 并且在设置对话框中选中后再试一次。 - You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. 你在编译 LMMS 时没有加入 SoundFont2 播放器支持, 此播放器默认用于添加导入的 MIDI 文件。因此在 MIDI 文件导入后, 将没有声音。 - Track 轨道 + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK服务崩溃 + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + JACK 音频服务器似乎已经关闭 + + MidiPort - Input channel 输入通道 - Output channel 输出通道 - Input controller 输入控制器 - Output controller 输出控制器 - Fixed input velocity - + 固定输入力度 - Fixed output velocity - - - - - Fixed output note - + 固定输出力度 - Output MIDI program - - - - - Base velocity - 基准力度 + MIDI 输出程序 - Receive MIDI-events 接受 MIDI 事件 - Send MIDI-events 发送 MIDI 事件 + + Fixed output note + 固定输出音符 + + + Base velocity + 基准力度 + MidiSetupWidget - DEVICE 设备 @@ -5091,620 +4165,495 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MonstroInstrument - Osc 1 Volume - Osc 1 Panning - Osc 1 Coarse detune - Osc 1 Fine detune left - Osc 1 Fine detune right - Osc 1 Stereo phase offset - Osc 1 Pulse width - Osc 1 Sync send on rise - Osc 1 Sync send on fall - Osc 2 Volume - Osc 2 Panning - Osc 2 Coarse detune - Osc 2 Fine detune left - Osc 2 Fine detune right - Osc 2 Stereo phase offset - Osc 2 Waveform - Osc 2 Sync Hard - Osc 2 Sync Reverse - Osc 3 Volume - Osc 3 Panning - Osc 3 Coarse detune - Osc 3 Stereo phase offset - Osc 3 Sub-oscillator mix - Osc 3 Waveform 1 - Osc 3 Waveform 2 - Osc 3 Sync Hard - Osc 3 Sync Reverse - LFO 1 Waveform - LFO 1 Attack - LFO 1 Rate - LFO 1 Phase - LFO 2 Waveform - LFO 2 Attack - LFO 2 Rate - LFO 2 Phase - Env 1 Pre-delay - Env 1 Attack - Env 1 Hold - Env 1 Decay - Env 1 Sustain - Env 1 Release - Env 1 Slope - Env 2 Pre-delay - Env 2 Attack - Env 2 Hold - Env 2 Decay - Env 2 Sustain - Env 2 Release - Env 2 Slope - Osc2-3 modulation - Selected view - + 选定的视图 - Vol1-Env1 - Vol1-Env2 - Vol1-LFO1 - Vol1-LFO2 - Vol2-Env1 - Vol2-Env2 - Vol2-LFO1 - Vol2-LFO2 - Vol3-Env1 - Vol3-Env2 - Vol3-LFO1 - Vol3-LFO2 - Phs1-Env1 - Phs1-Env2 - Phs1-LFO1 - Phs1-LFO2 - Phs2-Env1 - Phs2-Env2 - Phs2-LFO1 - Phs2-LFO2 - Phs3-Env1 - Phs3-Env2 - Phs3-LFO1 - Phs3-LFO2 - Pit1-Env1 - Pit1-Env2 - Pit1-LFO1 - Pit1-LFO2 - Pit2-Env1 - Pit2-Env2 - Pit2-LFO1 - Pit2-LFO2 - Pit3-Env1 - Pit3-Env2 - Pit3-LFO1 - Pit3-LFO2 - PW1-Env1 - PW1-Env2 - PW1-LFO1 - PW1-LFO2 - Sub3-Env1 - Sub3-Env2 - Sub3-LFO1 - Sub3-LFO2 - - Sine wave 正弦波 - Bandlimited Triangle wave - Bandlimited Saw wave - Bandlimited Ramp wave - Bandlimited Square wave - Bandlimited Moog saw wave - - Soft square wave - Absolute sine wave - - Exponential wave - + 指数爆炸波形 - White noise - + 白噪音 - Digital Triangle wave - Digital Saw wave - Digital Ramp wave - Digital Square wave - Digital Moog saw wave - Triangle wave 三角波 - Saw wave 锯齿波 - Ramp wave 斜坡波 - Square wave 方波 - Moog saw wave - + Moog 锯齿波 - Abs. sine wave 绝对值正弦波 - Random 随机 - Random smooth - + 随机平滑 MonstroView - Operators view - The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - Matrix view 矩阵视图 - The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. @@ -5713,553 +4662,374 @@ Each modulation target has 4 knobs, one for each modulator. By default the knobs - - - - Volume - 音量 - - - - - - Panning - 声相 + Mix Osc2 with Osc3 + - - - - Coarse detune + Modulate amplitude of Osc3 with Osc2 - - - - semitones - 半音 + Modulate frequency of Osc3 with Osc2 + - - - Finetune left + Modulate phase of Osc3 with Osc2 - - - - - cents + The CRS knob changes the tuning of oscillator 1 in semitone steps. - - - Finetune right + The CRS knob changes the tuning of oscillator 2 in semitone steps. - - - - Stereo phase offset + The CRS knob changes the tuning of oscillator 3 in semitone steps. - - - - - - deg + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - - Pulse width + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - - Send sync on pulse rise + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - - Send sync on pulse fall + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - - Hard sync oscillator 2 + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - - Reverse sync oscillator 2 + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - - Sub-osc mix + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - - Hard sync oscillator 3 - + Choose waveform for oscillator 2. + 为振荡器2选择波形 - - Reverse sync oscillator 3 + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - - - - - Attack - 打进声 + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + - - - Rate + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. - - - Phase + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - - - Pre-delay + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - - - Hold - 保持 + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. + - - - Decay - 衰减 + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + - - - Sustain - 持续 + Select the waveform for LFO 1. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + - - - Release - 释放 + Select the waveform for LFO 2. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + - - - Slope + Attack causes the LFO to come on gradually from the start of the note. - - Mix Osc2 with Osc3 + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - - Modulate amplitude of Osc3 with Osc2 + PHS controls the phase offset of the LFO. - - Modulate frequency of Osc3 with Osc2 + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - - Modulate phase of Osc3 with Osc2 + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - - The CRS knob changes the tuning of oscillator 1 in semitone steps. + HOLD controls how long the envelope stays at peak after the attack phase. - - The CRS knob changes the tuning of oscillator 2 in semitone steps. + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - - The CRS knob changes the tuning of oscillator 3 in semitone steps. + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - - - - - FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - - - - The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - - The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Volume + 音量 - - Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + Panning + 声相 - - Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + Coarse detune - - - Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. + semitones + 半音 + + + Finetune left - - - Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - + cents + 音分 - - Choose waveform for oscillator 2. + Finetune right - - Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + Stereo phase offset - - Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + deg - - The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. + Pulse width - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -Mix mode means no modulation: the outputs of the oscillators are simply mixed together. + Send sync on pulse rise - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. + Send sync on pulse fall - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. + Hard sync oscillator 2 - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + Reverse sync oscillator 2 - - Select the waveform for LFO 1. -"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + Sub-osc mix - - Select the waveform for LFO 2. -"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + Hard sync oscillator 3 - - - Attack causes the LFO to come on gradually from the start of the note. + Reverse sync oscillator 3 - - - Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + Attack + 打进声 - - - PHS controls the phase offset of the LFO. - + Rate + 比特率 - - - PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. + Phase - - - ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - + Pre-delay + 预延迟 - - - HOLD controls how long the envelope stays at peak after the attack phase. - + Hold + 保持 - - - DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + Decay + 衰减 - - - SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + Sustain + 持续 - - - REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + Release + 释放 - - - The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. + Slope - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Modulation amount - + 调制量 MultitapEchoControlDialog - Length 长度 - Step length: 步进长度： - Dry 干声 - Dry Gain: 干声增益： - Stages - Lowpass stages: - Swap inputs - + 互换输入 - Swap left and right input channel for reflections - + 互换左右通道的输入以达到反射效果 NesInstrument - Channel 1 Coarse detune - Channel 1 Volume - + 通道 1 音量 - Channel 1 Envelope length - + 通道 1 包络长度 - Channel 1 Duty cycle - + 通道 1 占空比 - Channel 1 Sweep amount - Channel 1 Sweep rate - Channel 2 Coarse detune - Channel 2 Volume - + 通道 2 音量 - Channel 2 Envelope length - + 通道 2 包络长度 - Channel 2 Duty cycle - + 通道 2 占空比 - Channel 2 Sweep amount - Channel 2 Sweep rate - Channel 3 Coarse detune - Channel 3 Volume - + 通道 3 音量 - Channel 4 Volume - + 通道 4 音量 - Channel 4 Envelope length - + 通道 4 包络长度 - Channel 4 Noise frequency - + 通道 4 噪音频率 - Channel 4 Noise frequency sweep - Master volume 主音量 - Vibrato @@ -6267,155 +5037,114 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator NesInstrumentView - - - - Volume 音量 - - - Coarse detune - - - Envelope length - Enable channel 1 - + 启用通道 1 - Enable envelope 1 - + 启用包络 1 - Enable envelope 1 loop - + 启用包络 1 循环 - Enable sweep 1 - - Sweep amount - - Sweep rate - - 12.5% Duty cycle - + 12.5% 占空比 - - 25% Duty cycle - + 25% 占空比 - - 50% Duty cycle - + 50% 占空比 - - 75% Duty cycle - + 75% 占空比 - Enable channel 2 - + 启用通道 2 - Enable envelope 2 - + 启用包络 2 - Enable envelope 2 loop - + 启用包络 2 循环 - Enable sweep 2 - Enable channel 3 - + 启用通道 3 - Noise Frequency - + 噪音频率 - Frequency sweep - Enable channel 4 - + 启用通道 4 - Enable envelope 4 - + 启用包络 4 - Enable envelope 4 loop - + 启用包络 4 循环 - Quantize noise frequency when using note frequency - + 在使用音符频率时，量化噪音频率 - Use note frequency for noise - + 对噪音使用音符频率 - Noise mode - + 噪音模式 - Master Volume - + 主音量 - Vibrato @@ -6423,103 +5152,81 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator OscillatorObject - - Osc %1 waveform - Osc %1 波形 - - - - Osc %1 harmonic - Osc %1 泛音 - - - - Osc %1 volume Osc %1 音量 - - Osc %1 panning Osc %1 声像 - - - Osc %1 fine detuning left + Osc %1 coarse detuning - - Osc %1 coarse detuning + Osc %1 fine detuning left - Osc %1 fine detuning right - Osc %1 phase-offset - Osc %1 stereo phase-detuning - Osc %1 wave shape - Modulation type %1 - + 调制类型 %1 + + + Osc %1 waveform + Osc %1 波形 + + + Osc %1 harmonic + Osc %1 泛音 PatchesDialog - Qsynth: Channel Preset Qsynth: 通道预设 - Bank selector 音色选择器 - Bank 库 - Program selector - + 乐器选择器 - Patch 音色 - Name 名称 - OK 确定 - Cancel 取消 @@ -6527,57 +5234,46 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatmanView - Open other patch 打开其他音色 - Click here to open another patch-file. Loop and Tune settings are not reset. 点击这里打开另一个音色文件。循环和调音设置不会被重设。 - Loop 循环 - Loop mode 循环模式 - Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. 在这里你可以开关循环模式。如果启用，PatMan 会使用文件中的循环信息。 - Tune 调音 - Tune mode 调音模式 - Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. 这里可以开关调音模式。如果启用，PatMan 会将采样调成和音符一样的频率。 - No file selected 未选择文件 - Open patch file 打开音色文件 - Patch-Files (*.pat) 音色文件 (*.pat) @@ -6585,60 +5281,53 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatternView - - use mouse wheel to set velocity of a step - - - - - double-click to open in Piano Roll - 双击打开钢琴窗 - - - Open in piano-roll 在钢琴窗中打开 - Clear all notes 清除所有音符 - Reset name 重置名称 - Change name 修改名称 - Add steps 添加音阶 - Remove steps 移除音阶 + + use mouse wheel to set velocity of a step + 使用鼠标滚轮设置单个音阶的力度 + + + double-click to open in Piano Roll + 双击打开钢琴窗 + + + Clone Steps + 复制音阶 + PeakController - Peak Controller 峰值控制器 - Peak Controller Bug 峰值控制器 Bug - Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. 在老版本的 LMMS 中, 峰值控制器因为有 bug 而可能没有正确连接。请确保峰值控制器正常连接后再次保存次文件。我们对给你造成的不便深表歉意。 @@ -6646,12 +5335,10 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PeakControllerDialog - PEAK 峰值 - LFO Controller LFO 控制器 @@ -6659,375 +5346,306 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PeakControllerEffectControlDialog - BASE 基准 - Base amount: 基础值: - - AMNT - - - - Modulation amount: 调制量： - + Attack: + 打击声: + + + Release: + 释音： + + + AMNT + 数量 + + MULT - Amount Multiplicator: - ATCK 打击 - - Attack: - 打击声: - - - DCAY 衰减 - - Release: - 释音： - - - - TRES - 阀值 - - - Treshold: 阀值: + + TRSH + + PeakControllerEffectControls - Base value 基准值 - Modulation amount 调制量 - + Mute output + 输出静音 + + Attack 打进声 - Release 释放 - - Treshold - 阀值 - - - - Mute output - 输出静音 - - - Abs Value - Amount Multiplicator + + Treshold + 阀值 + PianoRoll - + Please open a pattern by double-clicking on it! + 双击打开片段！ + + + Last note + 上一个音符 + + + Note lock + 音符锁定 + + Note Velocity 音符音量 - Note Panning 音符声相偏移 - Mark/unmark current semitone 标记/取消标记当前半音 - - Mark/unmark all corresponding octave semitones - - - - Mark current scale - Mark current chord - + 标记当前和弦 - Unmark all 取消标记所有 - - Select all notes on this key - 选中所有相同音调的音符 - - - - Note lock - 音符锁定 - - - - Last note - 上一个音符 - - - No scale - No chord - + 没有和弦 - Velocity: %1% 音量：%1% - Panning: %1% left 声相：%1% 偏左 - Panning: %1% right 声相：%1% 偏右 - Panning: center 声相：居中 - - Please open a pattern by double-clicking on it! - 双击打开片段！ - - - - Please enter a new value between %1 and %2: 请输入一个介于 %1 和 %2 的值： + + Mark/unmark all corresponding octave semitones + 标记/取消标记所有对应的八度音的半音 + + + Select all notes on this key + 选中所有相同音调的音符 + PianoRollWindow - Play/pause current pattern (Space) 播放/暂停当前片段（空格） - Record notes from MIDI-device/channel-piano 从 MIDI 设备/通道钢琴(channel-piano) 录制音符 - Record notes from MIDI-device/channel-piano while playing song or BB track - + 一边从 MIDI 设备/通道钢琴(channel-piano) 录制音符一边播放 - Stop playing of current pattern (Space) 停止当前片段（空格） - Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - + 点击这里播放当前的片段。在编辑时，此功能非常有用。在播放到末尾时，将会自动从头再次播放。 - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - + 点击这里从指定通道的 MIDI 设备或虚拟钢琴录制音符到当前片段。录制时，所有音符都将被添加到此片段，在录制后你就可以自由地编辑它们。 - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - + 点击这里从指定通道的 MIDI 设备或虚拟钢琴录制音符到当前片段。录制时，所有音符都将被添加到此片段，并且你将会听到对应的声音或旋律。 - Click here to stop playback of current pattern. - - - - - Edit actions - 编辑功能 + 点击这里停止播放当前的片段。 - Draw mode (Shift+D) 绘制模式 (Shift+D) - Erase mode (Shift+E) 擦除模式 (Shift+E) - Select mode (Shift+S) 选择模式 （Shift+S） - Detune mode (Shift+T) - + 失谐模式 (Shift+T) - Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - + 点击这里将会启用绘制模式。在这个模式下，你可以增加、移动、加长、缩短音符。在大多数情况下，这是默认的模式。你还可以按 'Shift+D' 激活此模式。如果你想暂时切换到选定模式可以按住 %1 。 - Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. 点击启用擦除模式。此模式下你可以擦除音符。你可以按键盘上的 'Shift+E' 启用此模式。 - Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - + 点击这里将会启用选定模式。在这个模式下你可以选定多个音符。你还可以在绘制模式下按住 %1 来暂时切换到选定模式。 - Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - - Copy paste controls - - - - Cut selected notes (%1+X) 剪切选定音符 (%1+X) - Copy selected notes (%1+C) 复制选定音符 (%1+C) - Paste notes from clipboard (%1+V) 从剪贴板粘贴音符 (%1+V) - Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and the notes from the clipboard will be pasted at the first visible measure. - - - - - Timeline controls - 时间线控制 - - - - Zoom and note controls - 缩放和音符控制 + 点击这里将会把剪切板里面的音符粘贴到第一个可见的小节。 - This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - + 这个选项控制了坐标轴的放大率。在进行某些任务时会很有用。在平常的编辑中，放大率应该根据你的片段中最短的那个音符设定。 - The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - + 'Q' 的意思是量化 (Quantization)，这个控制了网格的大小，音符和控制点的对齐。量化值越小，你就能在钢琴窗中画出更小的音符，或者在自动控制编辑器中画出更精确的控制点。 - This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - + 你可以在此选项中选择新音符的长度。“上一个音符”选项表示 LMMS 将会使用你所编辑的上一个音符的长度 - The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + Edit actions + 编辑功能 + + + Copy paste controls + 复制粘贴控制 + + + Timeline controls + 时间线控制 + + + Zoom and note controls + 缩放和音符控制 + + Piano-Roll - %1 钢琴窗 - %1 - Piano-Roll - no pattern 钢琴窗 - 没有片段 + + Quantize + 量化 + PianoView - Base note 基本音 @@ -7035,24 +5653,20 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator Plugin - Plugin not found 未找到插件 - The plugin "%1" wasn't found or could not be loaded! Reason: "%2" 插件“%1”无法找到或无法载入！ 原因：%2 - Error while loading plugin 载入插件时发生错误 - Failed to load plugin "%1"! 载入插件“%1”失败！ @@ -7060,30 +5674,25 @@ Reason: "%2" PluginBrowser - - Instrument plugins - 乐器插件 - - - Instrument browser 乐器浏览器 - Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. 将乐器插件拖入歌曲编辑器, 节拍低音线编辑器, 或者现有的乐器轨道。 + + Instrument Plugins + + PluginFactory - Plugin not found. 未找到插件。 - LMMS plugin %1 does not have a plugin descriptor named %2! LMMS插件 %1 没有一个插件描述符命名为 %2 @@ -7091,147 +5700,118 @@ Reason: "%2" ProjectNotes - Project notes 工程注释 - Put down your project notes here. 在这里写下你的工程注释。 - Edit Actions 编辑功能 - &Undo 撤销（&U) - %1+Z %1+Z - &Redo 重做(&R) - %1+Y %1+Y - &Copy 复制(&C) - %1+C %1+C - Cu&t 剪切(&T) - %1+X %1+X - &Paste 粘贴(&P) - %1+V %1+V - Format Actions 格式功能 - &Bold 加粗(&B) - %1+B %1+B - &Italic 斜体(&I) - %1+I %1+I - &Underline 下划线(&U) - %1+U %1+U - &Left 左对齐(&L) - %1+L %1+L - C&enter 居中(&E) - %1+E %1+E - &Right 右对齐(&R) - %1+R %1+R - &Justify 匀齐(&J) - %1+J %1+J - &Color... 颜色(&C)... @@ -7239,12 +5819,10 @@ Reason: "%2" ProjectRenderer - WAV-File (*.wav) WAV-文件 (*.wav) - Compressed OGG-File (*.ogg) 压缩的 OGG 文件(*.ogg) @@ -7252,89 +5830,57 @@ Reason: "%2" QWidget - - - Name: 名称： - - Maker: 制作者： - - Copyright: 版权： - - Requires Real Time: 要求实时： - - - - - - Yes 是 - - - - - - No 否 - - Real Time Capable: 是否支持实时： - - In Place Broken: - + 被损坏： - - Channels In: 输入通道： - - Channels Out: 输出通道： - - File: %1 - 文件：%1 - - - File: 文件： + + File: %1 + 文件：%1 + RenameDialog - Rename... 重命名... @@ -7342,90 +5888,73 @@ Reason: "%2" SampleBuffer - Open audio file 打开音频文件 - - All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - 所有音频文件 (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - - - Wave-Files (*.wav) Wave波形文件 (*.wav) - OGG-Files (*.ogg) OGG-文件 (*.ogg) - DrumSynth-Files (*.ds) DrumSynth-文件 (*.ds) - FLAC-Files (*.flac) FLAC-文件 (*.flac) - SPEEX-Files (*.spx) SPEEX-文件 (*.spx) - VOC-Files (*.voc) VOC-文件 (*.voc) - AIFF-Files (*.aif *.aiff) AIFF-文件 (*.aif *.aiff) - AU-Files (*.au) AU-文件 (*.au) - RAW-Files (*.raw) RAW-文件 (*.raw) + + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + 所有音频文件 (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + SampleTCOView - double-click to select sample 双击选择采样 - Delete (middle mousebutton) 删除 (鼠标中键) - Cut 剪切 - Copy 复制 - Paste 粘贴 - Mute/unmute (<%1> + middle click) 静音/取消静音 (<%1> + 鼠标中键) @@ -7433,666 +5962,539 @@ Reason: "%2" SampleTrack - + Sample track + 采样轨道 + + Volume 音量 - Panning 声相 - - - - Sample track - 采样轨道 - SampleTrackView - Track volume 轨道音量 - Channel volume: 通道音量： - VOL - VOL + 音量 - Panning 声相 - Panning: 声相： - PAN - PAN + 声相 SetupDialog - Setup LMMS 设置LMMS - - General settings 常规设置 - BUFFER SIZE 缓冲区大小 - - Reset to default-value 重置为默认值 - MISC 杂项 - Enable tooltips 启用工具提示 - Show restart warning after changing settings 在改变设置后显示重启警告 - - Display volume as dBV - 音量显示为dBV + Display volume as dBFS + 以 dBFS 为单位显示音量 - Compress project files per default 默认压缩项目文件 - One instrument track window mode 单乐器轨道窗口模式 - HQ-mode for output audio-device 对输出设备使用高质量输出 - Compact track buttons 紧凑化轨道图标 - Sync VST plugins to host playback 同步 VST 插件和主机回放 - Enable note labels in piano roll 在钢琴窗中显示音号 - Enable waveform display by default 默认启用波形图 - Keep effects running even without input 在没有输入时也运行音频效果 - Create backup file when saving a project 保存工程时建立备份 - - Reopen last project on start - 启动时打开最近的项目 - - - LANGUAGE 语言 - - Paths 路径 - - Directories - 目录 - - - LMMS working directory LMMS工作目录 - - Themes directory - 主题文件目录 - - - - Background artwork - 背景图片 - - - - FL Studio installation directory - FL Studio安装目录 - - - VST-plugin directory VST插件目录 - - GIG directory - GIG 目录 - - - - SF2 directory - SF2 目录 - - - - LADSPA plugin directories - LADSPA 插件目录 + Background artwork + 背景图片 - STK rawwave directory STK rawwave 目录 - Default Soundfont File 默认 SoundFont 文件 - - Performance settings 性能设置 - - Auto save - 自动保存 - - - - Enable auto save feature - 启用自动保存功能 - - - UI effects vs. performance 界面特效 vs 性能 - Smooth scroll in Song Editor 歌曲编辑器中启用平滑滚动 - Show playback cursor in AudioFileProcessor 在 AudioFileProcessor 中显示回放光标 - - Audio settings 音频设置 - AUDIO INTERFACE 音频接口 - - MIDI settings MIDI设置 - MIDI INTERFACE MIDI接口 - OK 确定 - Cancel 取消 - Restart LMMS 重启LMMS - Please note that most changes won't take effect until you restart LMMS! 请注意很多设置需要重启LMMS才可生效！ - Frames: %1 Latency: %2 ms 帧数: %1 延迟: %2 毫秒 - Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. 在这里，你可以设置 LMMS 所用缓冲区的大小。缓冲区越小，延迟越小，但声音质量和性能可能会受影响。 - Choose LMMS working directory 选择 LMMS 工作目录 - - Choose your GIG directory - 选择 GIG 目录 - - - - Choose your SF2 directory - 选择 SF2 目录 - - - Choose your VST-plugin directory 选择 VST 插件目录 - Choose artwork-theme directory 选择插图目录 - - Choose FL Studio installation directory - 选择 FL Studio 安装目录 - - - Choose LADSPA plugin directory 选择 LADSPA 插件目录 - Choose STK rawwave directory 选择 STK rawwave 目录 - Choose default SoundFont 选择默认的 SoundFont - Choose background artwork 选择背景图片 - + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. + 在这里你可以选择你想要的音频接口。取决于你的系统和编译时的设置, 你可以选择 ALSA, JACK, OSS 等选项。在下面的方框中你可以设置音频接口的控制项目。 + + + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. + 在这里你可以选择你想要的 MIDI 接口。取决于你的系统和编译时的设置, 你可以选择 ALSA, OSS 等选项。在下面的方框中你可以设置 MIDI 接口的控制项目。 + + + Reopen last project on start + 启动时打开最近的项目 + + + Directories + 目录 + + + Themes directory + 主题文件目录 + + + GIG directory + GIG 目录 + + + SF2 directory + SF2 目录 + + + LADSPA plugin directories + LADSPA 插件目录 + + + Auto save + 自动保存 + + + Choose your GIG directory + 选择 GIG 目录 + + + Choose your SF2 directory + 选择 SF2 目录 + + minutes 分钟 - minute 分钟 - - Auto save interval: %1 %2 - 自动保存间隔: %1 %2 + Enable auto-save + 启用自动保存 - - Set the time between automatic backup to %1. -Remember to also save your project manually. - 设置自动备份到 %1 的保存时间间隔。 -不过, 请你还是记得时常手动保存你的项目哟。 + Allow auto-save while playing + 允许在播放时自动保存 - - Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - 在这里你可以选择你想要的音频接口。取决于你的系统和编译时的设置, 你可以选择 ALSA, JACK, OSS 等选项。在下面的方框中你可以设置音频接口的控制项目。 + Disabled + - - Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - 在这里你可以选择你想要的 MIDI 接口。取决于你的系统和编译时的设置, 你可以选择 ALSA, OSS 等选项。在下面的方框中你可以设置 MIDI 接口的控制项目。 + Auto-save interval: %1 + 自动保存间隔：%1 + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + 设置自动保存时间间隔为 %1。 +请您也时常手动保存您的项目。如果您的设备较旧，您可以选择禁用“允许在播放时自动保存”这个选项。 Song - Tempo 节奏 - Master volume 主音量 - Master pitch 主音高 - Project saved 工程已保存 - The project %1 is now saved. 工程 %1 已保存。 - Project NOT saved. 工程 **没有** 保存。 - The project %1 was not saved! 工程%1没有保存！ - Import file 导入文件 - MIDI sequences MIDI 音序器 - - FL Studio projects - FL Studio 工程 - - - Hydrogen projects Hydrogen工程 - All file types 所有类型 - - Empty project 空工程 - - This project is empty so exporting makes no sense. Please put some items into Song Editor first! 这个工程是空的所以就算导出也没有意义，请在歌曲编辑器中加入一点声音吧！ - Select directory for writing exported tracks... 选择写入导出音轨的目录... - - untitled 未标题 - - Select file for project-export... 为工程导出选择文件... - + The following errors occured while loading: + 载入时发生以下错误： + + MIDI File (*.mid) MIDI 文件 (*.mid) - - The following errors occured while loading: - 载入时发生以下错误： + LMMS Error report + LMMS 错误报告 + + + Save project + 保存工程 SongEditor - Could not open file 无法打开文件 - - Could not open file %1. You probably have no permissions to read this file. - Please make sure to have at least read permissions to the file and try again. - 无法打开 %1 。或许没有权限读此文件。 -请确保您拥有对此文件的读权限，然后重试。 - - - Could not write file 无法写入文件 - - Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - 无法打开 %1 写入数据。或许没有权限修改此文件。请确保您拥有对此文件的写权限，然后重试。 + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. + 无法打开 %1 。或许没有权限读此文件。 +请确保您拥有对此文件的读权限，然后重试。 - Error in file 文件错误 - The file %1 seems to contain errors and therefore can't be loaded. 文件 %1 似乎包含错误，无法被加载。 - - Project Version Mismatch - 版本号不匹配 - - - - This %1 was created with LMMS version %2, but version %3 is installed - 这个 %1 是由版本为 %2 的 LMMS 创建的, 但是已安装的 LMMS 版本号为 %3 - - - Tempo 节奏 - TEMPO/BPM 节奏/BPM - tempo of song 歌曲的节奏 - The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - + 歌曲的节拍是以拍每分 (BPM)计算的。如果你想改变你歌曲的节拍, 你就需要改变这个数值。如每个小节有4拍, 那么以 BPM 计算的节拍数就是一分钟内会播放多少个四分之一个小节(或是4分钟内会播放多少个小节)。 - High quality mode 高质量模式 - - Master volume 主音量 - master volume 主音量 - - Master pitch 主音高 - master pitch 主音高 - Value: %1% 值: %1% - Value: %1 semitones 值: %1 半音程 + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + 无法打开 %1 写入数据。或许没有权限修改此文件。请确保您拥有对此文件的写权限，然后重试。 + + + template + 模板 + + + project + 工程文件 + + + Version difference + 版本差异 + + + This %1 was created with LMMS %2. + 这个%1是由 LMMS 版本 %2 创建的。 + SongEditorWindow - Song-Editor 歌曲编辑器 - Play song (Space) 播放歌曲（空格） - Record samples from Audio-device 从音频设备录制样本 - Record samples from Audio-device while playing song or BB track 在播放歌曲或BB轨道时从音频设备录入样本 - Stop song (Space) 停止歌曲（空格） - - Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - 点击这里完整播放歌曲。将从绿色歌曲标记开始播放。在播放的同时可以对它进行移动。 - - - - Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - 点击这里停止播放，歌曲位置标记会跳到歌曲的开头。 - - - - Track actions - 轨道动作 - - - Add beat/bassline 添加节拍/Bassline - Add sample-track 添加采样轨道 - Add automation-track 添加自动控制轨道 - - Edit actions - 编辑动作 - - - Draw mode 绘制模式 - Edit mode (select and move) 编辑模式（选定和移动） - + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. + 点击这里完整播放歌曲。将从绿色歌曲标记开始播放。在播放的同时可以对它进行移动。 + + + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + 点击这里停止播放，歌曲位置标记会跳到歌曲的开头。 + + + Track actions + 轨道动作 + + + Edit actions + 编辑动作 + + Timeline controls 时间线控制 - Zoom controls 缩放控制 @@ -8100,12 +6502,10 @@ Remember to also save your project manually. SpectrumAnalyzerControlDialog - Linear spectrum 线性频谱图 - Linear Y axis 线性 Y 轴 @@ -8113,26 +6513,36 @@ Remember to also save your project manually. SpectrumAnalyzerControls - Linear spectrum 线性频谱图 - Linear Y axis 线性 Y 轴 - Channel mode 通道模式 + + SubWindow + + Close + 关闭 + + + Maximize + 最大化 + + + Restore + 还原 + + TabWidget - - Settings for %1 %1 的设定 @@ -8140,145 +6550,140 @@ Remember to also save your project manually. TempoSyncKnob - - Tempo Sync 节奏同步 - No Sync 无同步 - Eight beats 八拍 - Whole note 全音符 - Half note 二分音符 - Quarter note 四分音符 - 8th note 八分音符 - 16th note 16 分音符 - 32nd note 32 分音符 - Custom... 自定义... - Custom 自定义 - Synced to Eight Beats 同步为八拍 - Synced to Whole Note 同步为全音符 - Synced to Half Note 同步为二分音符 - Synced to Quarter Note 同步为四分音符 - - Synced to 8th Note - 同步为八分音符 + Synced to 8th Note + 同步为八分音符 + + + Synced to 16th Note + 同步为16分音符 + + + Synced to 32nd Note + 同步为32分音符 + + + + TimeDisplayWidget + + click to change time units + 点击改变时间单位 + + + MIN + 分钟 + + + SEC + 秒 + + + MSEC + 毫秒 - - Synced to 16th Note - 同步为16分音符 + BAR + 小节 - - Synced to 32nd Note - 同步为32分音符 + BEAT + 拍 - - - TimeDisplayWidget - - click to change time units - 点击改变时间单位 + TICK + 点 TimeLineWidget - Enable/disable auto-scrolling 启用/禁用自动滚动 - Enable/disable loop-points 启用/禁用循环点 - After stopping go back to begin 停止后前往开头 - After stopping go back to position at which playing was started 停止后前往播放开始的地方 - After stopping keep position 停止后保持位置不变 - - Hint 提示 - Press <%1> to disable magnetic loop points. 按住 <%1> 禁用磁性吸附。 - Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. 按住 <Shift> 移动起始循环点；按住 <%1> 禁用磁性吸附。 @@ -8286,12 +6691,10 @@ Remember to also save your project manually. Track - Mute 静音 - Solo 独奏 @@ -8299,63 +6702,45 @@ Remember to also save your project manually. TrackContainer - - Importing FLP-file... - 正在导入 FLP-文件... - - - - - - Cancel - 取消 - - - - - - Please wait... - 请稍等... - - - - Importing MIDI-file... - 正在导入 MIDI-文件... - - - Couldn't import file 无法导入文件 - Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. 无法找到导入文件 %1 的导入器 你需要使用其他软件将此文件转换成 LMMS 支持的格式。 - Couldn't open file 无法打开文件 - Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! 无法读取文件 %1 请确认你有对该文件及其目录的读取权限后再试! - Loading project... 正在加载工程... + + Cancel + 取消 + + + Please wait... + 请稍等... + + + Importing MIDI-file... + 正在导入 MIDI-文件... + TrackContentObject - Mute 静音 @@ -8363,58 +6748,46 @@ Please make sure you have read-permission to the file and the directory containi TrackContentObjectView - Current position 当前位置 - - Hint 提示 - Press <%1> and drag to make a copy. 按住 <%1> 并拖动以创建副本。 - Current length 当前长度 - Press <%1> for free resizing. 按住 <%1> 自由调整大小。 - %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 到 %5:%6) - Delete (middle mousebutton) 删除 (鼠标中键) - Cut 剪切 - Copy 复制 - Paste 粘贴 - Mute/unmute (<%1> + middle click) 静音/取消静音 (<%1> + 鼠标中键) @@ -8422,243 +6795,193 @@ Please make sure you have read-permission to the file and the directory containi TrackOperationsWidget - Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. 按住 <%1> 的同时拖动移动柄复制并移动此轨道。 - Actions for this track 对此轨道可进行的操作 - Mute 静音 - - Solo 独奏 - Mute this track 静音此轨道 - Clone this track 克隆此轨道 - Remove this track 移除此轨道 - Clear this track 清除此轨道 - FX %1: %2 效果 %1: %2 - - Assign to new FX Channel - - - - Turn all recording on 打开所有录制 - Turn all recording off 关闭所有录制 + + Assign to new FX Channel + 分配到新的效果通道 + TripleOscillatorView - Use phase modulation for modulating oscillator 1 with oscillator 2 - Use amplitude modulation for modulating oscillator 1 with oscillator 2 - Mix output of oscillator 1 & 2 - Synchronize oscillator 1 with oscillator 2 - + 同步振荡器 1 和振荡器 2 - Use frequency modulation for modulating oscillator 1 with oscillator 2 - + 将振荡器 1 的频率调制应用给振荡器 2 - Use phase modulation for modulating oscillator 2 with oscillator 3 - Use amplitude modulation for modulating oscillator 2 with oscillator 3 - Mix output of oscillator 2 & 3 - Synchronize oscillator 2 with oscillator 3 - + 同步振荡器 2 和振荡器 3 - Use frequency modulation for modulating oscillator 2 with oscillator 3 - + 将振荡器 2 的频率调制应用给振荡器 3 - Osc %1 volume: - With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - Osc %1 panning: - With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - Osc %1 coarse detuning: - semitones 半音 - With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - Osc %1 fine detuning left: - - cents 音分 cents - With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Osc %1 fine detuning right: - With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Osc %1 phase-offset: - - degrees - + 度 - With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Osc %1 stereo phase-detuning: - With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - Use a sine-wave for current oscillator. 为当前振荡器使用正弦波。 - Use a triangle-wave for current oscillator. 为当前振荡器使用三角波。 - Use a saw-wave for current oscillator. 为当前振荡器使用锯齿波。 - Use a square-wave for current oscillator. 为当前振荡器使用方波。 - Use a moog-like saw-wave for current oscillator. - Use an exponential wave for current oscillator. - + 为当前振荡器使用指数爆炸波形。 - Use white-noise for current oscillator. 为当前振荡器使用白噪音。 - Use a user-defined waveform for current oscillator. 为当前振荡器使用用户自定波形。 @@ -8666,126 +6989,105 @@ Please make sure you have read-permission to the file and the directory containi VersionedSaveDialog - Increment version number 递增版本号 - Decrement version number 递减版本号 + + already exists. Do you want to replace it? + + VestigeInstrumentView - Open other VST-plugin 打开其他的VST插件 - Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - + 如果你想打开另一个 VST 插件。在点击此按牛后, 将会打开文件选择对话框, 你就可以选择你的 VST 插件文件了。 + + + Show/hide GUI + 显示/隐藏界面 + + + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + 点此显示/隐藏VST插件的界面。 + + + Turn off all notes + 全部静音 + + + Open VST-plugin + 打开VST插件 + + + DLL-files (*.dll) + DLL-文件 (*.dll) + + + EXE-files (*.exe) + EXE-文件 (*.exe) + + + No VST-plugin loaded + 未载入VST插件 - Control VST-plugin from LMMS host 从 LMMS 宿主控制 VST-插件 - Click here, if you want to control VST-plugin from host. - + 如果你想从宿主控制 VST-插件, 请点击这里。 - Open VST-plugin preset 打开 VST-插件预设 - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + 如果你想打开另一个 *.fxp, *.fxb VST 插件预设, 请点击这里。 - Previous (-) 上一个 (-) - - Click here, if you want to switch to another VST-plugin preset program. - + 如果你想切换到另一个 VST 插件预设，请点击这里。 - Save preset 保存预置 - Click here, if you want to save current VST-plugin preset program. 点击这里, 如果你想保存当前 VST-插件预设。 - Next (+) 下一个 (+) - Click here to select presets that are currently loaded in VST. 点击此处选择当前所加载 VST 的预设 - - Show/hide GUI - 显示/隐藏界面 - - - - Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - 点此显示/隐藏VST插件的界面。 - - - - Turn off all notes - 全部静音 - - - - Open VST-plugin - 打开VST插件 - - - - DLL-files (*.dll) - DLL-文件 (*.dll) - - - - EXE-files (*.exe) - EXE-文件 (*.exe) - - - - No VST-plugin loaded - 未载入VST插件 - - - Preset 预置 - by 制造商 - - VST plugin control - VST插件控制 @@ -8793,12 +7095,10 @@ Please make sure you have read-permission to the file and the directory containi VisualizationWidget - click to enable/disable visualization of master-output 点击启用/禁用视觉化主输出 - Click to enable 点击启用 @@ -8806,730 +7106,564 @@ Please make sure you have read-permission to the file and the directory containi VstEffectControlDialog - Show/hide 显示/隐藏 - Control VST-plugin from LMMS host 从 LMMS 宿主控制 VST-插件 - Click here, if you want to control VST-plugin from host. - + 如果你想从 LMMS 宿主控制 VST-插件, 请点击这里。 - Open VST-plugin preset 打开 VST-插件预设 - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - + 如果你想打开另一个 *.fxp, *.fxb VST 插件预设, 请点击这里。 - Previous (-) 上一个 (-) - - Click here, if you want to switch to another VST-plugin preset program. - + 如果你想切换到另一个 VST 插件预设，请点击这里。 - Next (+) 下一个 (+) - Click here to select presets that are currently loaded in VST. - 点击此处选择当前所加载 VST 的预设 + 点击此处选择当前所加载 VST 的预设。 - Save preset 保存预置 - Click here, if you want to save current VST-plugin preset program. 点击这里, 如果你想保存当前 VST-插件预设。 - - Effect by: 音效制作: - &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> - + &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin - - - The VST plugin %1 could not be loaded. - 无法载入VST插件 %1。 + Loading plugin + 载入插件 - Open Preset 打开预置 - - Vst Plugin Preset (*.fxp *.fxb) VST插件预置文件(*.fxp *.fxb) - : default : 默认 - " " - ' ' - Save Preset 保存预置 - .fxp .fxp - .FXP .FXP - .FXB .FXB - .fxb .fxb - - Loading plugin - 载入插件 - - - Please wait while loading VST plugin... 正在载入VST插件，请稍候…… + + The VST plugin %1 could not be loaded. + 无法载入VST插件 %1。 + WatsynInstrument - Volume A1 - + 音量 A1 - Volume A2 - + 音量 A2 - Volume B1 - + 音量 B1 - Volume B2 - + 音量 B2 - Panning A1 - + 声相 A1 - Panning A2 - + 声相 A2 - Panning B1 - + 声相 B1 - Panning B2 - + 声相 B2 - Freq. multiplier A1 - + 频率加倍器 A1 - Freq. multiplier A2 - + 频率加倍器 A2 - Freq. multiplier B1 - + 频率加倍器 B1 - Freq. multiplier B2 - + 频率加倍器 B2 - Left detune A1 - + 左失谐 A1 - Left detune A2 - + 左失谐 A2 - Left detune B1 - + 左失谐 B1 - Left detune B2 - + 左失谐 B2 - Right detune A1 - + 右失谐 A1 - Right detune A2 - + 右失谐 A2 - Right detune B1 - + 右失谐 B1 - Right detune B2 - + 右失谐 B2 - A-B Mix - A-B Mix envelope amount - A-B Mix envelope attack - A-B Mix envelope hold - A-B Mix envelope decay - A1-B2 Crosstalk - A2-A1 modulation - B2-B1 modulation - Selected graph - + 选定的图像 WatsynView - - - - - Volume - 音量 - - - - - - - Panning - 声相 - - - - - - - Freq. multiplier - - - - - - - - Left detune - - - - - - - - - - - - cents - - - - - - - - Right detune - - - - - A-B Mix - - - - - Mix envelope amount - - - - - Mix envelope attack - - - - - Mix envelope hold - - - - - Mix envelope decay - - - - - Crosstalk - - - - Select oscillator A1 - + 选择振荡器 A1 - Select oscillator A2 - + 选择振荡器 A2 - Select oscillator B1 - + 选择振荡器 B1 - Select oscillator B2 - + 选择振荡器 B2 - Mix output of A2 to A1 - Modulate amplitude of A1 with output of A2 - Ring-modulate A1 and A2 - Modulate phase of A1 with output of A2 - Mix output of B2 to B1 - Modulate amplitude of B1 with output of B2 - Ring-modulate B1 and B2 - Modulate phase of B1 with output of B2 - - - - Draw your own waveform here by dragging your mouse on this graph. - + 使用鼠标在此图像上绘制你自己的波形。 - Load waveform - + 加载波形 - Click to load a waveform from a sample file - + 点击从文件加载波形 - Phase left - Click to shift phase by -15 degrees - Phase right - Click to shift phase by +15 degrees - Normalize 标准化 - Click to normalize - + 标准化 - Invert 反转 - Click to invert - - Smooth - 平滑 + Smooth + 平滑 + + + Click to smooth + 平滑化 + + + Sine wave + 正弦波 + + + Click for sine wave + 点击这里使用正弦波。 + + + Triangle wave + 三角波 + + + Click for triangle wave + 点击这里使用三角波。 + + + Click for saw wave + 点击这里使用锯齿波。 + + + Square wave + 方波 + + + Click for square wave + 点击这里使用方波。 + + + Volume + 音量 + + + Panning + 声相 + + + Freq. multiplier + 频率加倍器 + + + Left detune + + + + cents + 音分 - - Click to smooth + Right detune - - Sine wave - 正弦波 - - - - Click for sine wave + A-B Mix - - - Triangle wave - 三角波 + Mix envelope amount + - - Click for triangle wave + Mix envelope attack - - Click for saw wave + Mix envelope hold - - Square wave - 方波 + Mix envelope decay + - - Click for square wave + Crosstalk ZynAddSubFxInstrument - Portamento - + 滑音 - Filter Frequency - Filter Resonance - Bandwidth 带宽 - FM Gain FM 增益 - Resonance Center Frequency - Resonance Bandwidth - Forward MIDI Control Change Events - + 转发 MIDI 控制的变更事件 ZynAddSubFxView - + Show GUI + 显示图形界面 + + + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + 点击这里显示/隐藏 ZynAddSubFX 的图形界面 (GUI) 。 + + Portamento: - + 滑音: - PORT - + 端口 - Filter Frequency: - + 过滤器频率: - FREQ 频率 - Filter Resonance: - RES - Bandwidth: 带宽： - BW - FM Gain: - FM GAIN - Resonance center frequency: - RES CF - Resonance bandwidth: - RES BW - Forward MIDI Control Changes - - - - - Show GUI - 显示图形界面 - - - - Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - + 转发 MIDI 控制变化 audioFileProcessor - Amplify 增益 - Start of sample 采样起始 - End of sample 采样结尾 - - Loopback point - 循环点 - - - Reverse sample 反转采样 - - Loop mode - 循环模式 - - - Stutter - + Loopback point + 循环点 + + + Loop mode + 循环模式 + + Interpolation mode 补间方式 - None 无 - Linear 线性插补 - Sinc 辛格(Sinc)插补 - Sample not found: %1 采样未找到: %1 @@ -9537,7 +7671,6 @@ Please make sure you have read-permission to the file and the directory containi bitInvader - Samplelength 采样长度 @@ -9545,205 +7678,165 @@ Please make sure you have read-permission to the file and the directory containi bitInvaderView - Sample Length 采样长度 - - Draw your own waveform here by dragging your mouse on this graph. - - - - Sine wave 正弦波 - - Click for a sine-wave. - - - - Triangle wave 三角波 - - Click here for a triangle-wave. - - - - Saw wave 锯齿波 - - Click here for a saw-wave. - - - - Square wave 方波 - - Click here for a square-wave. - - - - White noise wave 白噪音 - - Click here for white-noise. - - - - User defined wave 用户自定义波形 - - Click here for a user-defined shape. - - - - Smooth 平滑 - Click here to smooth waveform. 点击这里平滑波形。 - Interpolation 补间 - Normalize 标准化 + + Draw your own waveform here by dragging your mouse on this graph. + 使用鼠标在此图像上绘制你自己的波形。 + + + Click for a sine-wave. + 点击这里使用正弦波。 + + + Click here for a triangle-wave. + 点击这里使用三角波。 + + + Click here for a saw-wave. + 点击这里使用锯齿波。 + + + Click here for a square-wave. + 点击这里使用方波。 + + + Click here for white-noise. + 点击这里使用白噪音。 + + + Click here for a user-defined shape. + 点击这里使用自定义波形。 + dynProcControlDialog - INPUT 输入 - Input gain: 输入增益: - OUTPUT 输出 - Output gain: 输出增益: - ATTACK 打击声 - Peak attack time: - RELEASE - + 释放 - Peak release time: - Reset waveform 重置波形 - Click here to reset the wavegraph back to default - + 点击这里重置波形为默认状态 - Smooth waveform 平滑波形 - Click here to apply smoothing to wavegraph 点击这里来使波形图更为平滑 - Increase wavegraph amplitude by 1dB - Click here to increase wavegraph amplitude by 1dB - + 点击这里将波形增益值增加 1dB - Decrease wavegraph amplitude by 1dB - Click here to decrease wavegraph amplitude by 1dB - + 点击这里将波形增益值减少 1dB - Stereomode Maximum - Process based on the maximum of both stereo channels - Stereomode Average - Process based on the average of both stereo channels - Stereomode Unlinked - Process each stereo channel independently @@ -9751,27 +7844,22 @@ Please make sure you have read-permission to the file and the directory containi dynProcControls - Input gain 输入增益 - Output gain 输出增益 - Attack time - + 打击时间 - Release time - + 释放时间 - Stereo mode 双声道模式 @@ -9779,12 +7867,10 @@ Please make sure you have read-permission to the file and the directory containi fxLineLcdSpinBox - Assign to: 分配给: - New FX Channel 新的效果通道 @@ -9792,7 +7878,6 @@ Please make sure you have read-permission to the file and the directory containi graphModel - Graph 图形 @@ -9800,62 +7885,50 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrument - Start frequency 起始频率 - End frequency 结束频率 - + Gain + 增益 + + Length 长度 - Distortion Start 起始失真度 - Distortion End 结束失真度 - - Gain - 增益 - - - Envelope Slope 包络线倾斜度 - Noise 噪音 - Click 力度 - Frequency Slope 频率倾斜度 - Start from note 从哪个音符开始 - End to note 到哪个音符结束 @@ -9863,52 +7936,42 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrumentView - Start frequency: 起始频率： - End frequency: 结束频率： - - Frequency Slope: - 频率倾斜度： - - - Gain: 增益： - + Frequency Slope: + 频率倾斜度： + + Envelope Length: 包络长度： - Envelope Slope: 包络线倾斜度： - Click: 力度： - Noise: 噪音： - Distortion Start: 起始失真度： - Distortion End: 结束失真度： @@ -9916,37 +7979,26 @@ Please make sure you have read-permission to the file and the directory containi ladspaBrowserView - - Available Effects 可用效果器 - - Unavailable Effects 不可用效果器 - - Instruments 乐器插件 - - Analysis Tools 分析工具 - - Don't know 未知 - This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. @@ -9975,7 +8027,6 @@ Double clicking any of the plugins will bring up information on the ports. - Type: 类型: @@ -9983,12 +8034,10 @@ Double clicking any of the plugins will bring up information on the ports. ladspaDescription - Plugins 插件 - Description 描述 @@ -9996,83 +8045,66 @@ Double clicking any of the plugins will bring up information on the ports. ladspaPortDialog - Ports - + 端口 - Name 名称 - Rate - + 比特率 - Direction 方向 - Type 类型 - Min < Default < Max 最小 < 默认 < 最大 - Logarithmic 对数 - SR Dependent - + 依赖 SR - Audio 音频 - Control 控制 - Input 输入 - Output 输出 - Toggled - + 启用 - Integer 整型 - Float 浮点 - - Yes 是 @@ -10080,57 +8112,46 @@ Double clicking any of the plugins will bring up information on the ports. lb302Synth - VCF Cutoff Frequency - VCF Resonance - VCF Envelope Mod - VCF Envelope Decay - Distortion 失真 - Waveform 波形 - Slide Decay - Slide - Accent - Dead - 24dB/oct Filter @@ -10138,153 +8159,122 @@ Double clicking any of the plugins will bring up information on the ports. lb302SynthView - Cutoff Freq: - Resonance: 共鸣： - Env Mod: - Decay: 衰减： - 303-es-que, 24dB/octave, 3 pole filter - Slide Decay: - DIST: - Saw wave 锯齿波 - Click here for a saw-wave. - + 点击这里使用锯齿波。 - Triangle wave 三角波 - Click here for a triangle-wave. - + 点击这里使用三角波。 - Square wave 方波 - Click here for a square-wave. - + 点击这里使用方波。 - Rounded square wave - + 圆角方波 - Click here for a square-wave with a rounded end. - + 点击这里使用圆角方波。 - Moog wave - Click here for a moog-like wave. - Sine wave 正弦波 - Click for a sine-wave. - + 点击这里使用正弦波。 - - White noise wave 白噪音 - Click here for an exponential wave. - + 点击这里使用指数爆炸波形。 - Click here for white-noise. - + 点击这里使用白噪音。 - Bandlimited saw wave - Click here for bandlimited saw wave. - Bandlimited square wave - Click here for bandlimited square wave. - Bandlimited triangle wave - Click here for bandlimited triangle wave. - Bandlimited moog saw wave - Click here for bandlimited moog saw wave. @@ -10292,548 +8282,418 @@ Double clicking any of the plugins will bring up information on the ports. malletsInstrument - Hardness - Position - + 位置 - Vibrato Gain - Vibrato Freq - Stick Mix - Modulator - + 调制器 - Crossfade - LFO Speed - + LFO 速度 - LFO Depth - + LFO 位深 - ADSR - Pressure - + 压力 - Motion - Speed - + 速度 - Bowed - Spread - Marimba - Vibraphone - Agogo - Wood1 - Reso - Wood2 - Beats - Two Fixed - Clump - Tubular Bells - Uniform Bar - Tuned Bar - Glass - + 玻璃 - Tibetan Bowl - + 藏缽 malletsInstrumentView - Instrument - + 乐器 - Spread - Spread: - - Missing files - - - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - - - - Hardness - Hardness: - Position - + 位置 - Position: - + 位置: - Vib Gain - Vib Gain: - Vib Freq - Vib Freq: - Stick Mix - Stick Mix: - Modulator - + 调制器 - Modulator: - + 调制器: - Crossfade - Crossfade: - LFO Speed - + LFO 速度 - LFO Speed: - + LFO 速度: - LFO Depth - + LFO 位深 - LFO Depth: - + LFO 位深: - ADSR - ADSR: - - Bowed - - - - Pressure - + 压力 - Pressure: - - - - - Motion - + 压力: - - Motion: - - - - Speed - + 速度 - Speed: - + 速度: - - - Vibrato - + Missing files + 文件缺失 - - Vibrato: - + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! + 你的 Stk 程序似乎不是完整的。请确保你在使用此乐器前完整地安装了 Stk 软件包! manageVSTEffectView - - VST parameter control - VST 参数控制 - VST Sync VST 同步 - Click here if you want to synchronize all parameters with VST plugin. 点击这里, 如果你想与 VST 插件同步所有参数。 - - Automated 自动 - Click here if you want to display automated parameters only. - + 如果你想仅显示自动控制参数，请点击这里。 - Close 关闭 - Close VST effect knob-controller window. - + 关闭 VST 效果调整窗口。 manageVestigeInstrumentView - - - VST plugin control - VST插件控制 - VST Sync VST 同步 - Click here if you want to synchronize all parameters with VST plugin. 点击这里, 如果你想与 VST 插件同步所有参数。 - - Automated 自动 - Click here if you want to display automated parameters only. - + 如果你想仅显示自动控制参数，请点击这里。 - Close 关闭 - Close VST plugin knob-controller window. - + 关闭 VST 插件调整窗口。 opl2instrument - Patch 音色 - Op 1 Attack - Op 1 Decay - Op 1 Sustain - Op 1 Release - Op 1 Level - Op 1 Level Scaling - Op 1 Frequency Multiple - Op 1 Feedback - Op 1 Key Scaling Rate - Op 1 Percussive Envelope - Op 1 Tremolo - Op 1 Vibrato - Op 1 Waveform - Op 2 Attack - Op 2 Decay - Op 2 Sustain - Op 2 Release - Op 2 Level - Op 2 Level Scaling - Op 2 Frequency Multiple - Op 2 Key Scaling Rate - Op 2 Percussive Envelope - Op 2 Tremolo - Op 2 Vibrato - Op 2 Waveform - FM - + FM - Vibrato Depth - Tremolo Depth @@ -10841,39 +8701,29 @@ Double clicking any of the plugins will bring up information on the ports. opl2instrumentView - - Attack 打击声 - - Decay 衰减 - - Release 释放 - - Frequency multiplier - + 频率加倍器 organicInstrument - Distortion 失真 - Volume 音量 @@ -10881,63 +8731,50 @@ Double clicking any of the plugins will bring up information on the ports. organicInstrumentView - Distortion: 失真： - - The distortion knob adds distortion to the output of the instrument. - - - - Volume: 音量： - - The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - - - - Randomise 随机 - - The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - - - - - Osc %1 waveform: - Osc %1 volume: - Osc %1 panning: - - Osc %1 stereo detuning + cents + 音分 cents + + + The distortion knob adds distortion to the output of the instrument. - - cents - 音分 cents + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. + + + + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. + + + + Osc %1 stereo detuning + - Osc %1 harmonic: @@ -10945,394 +8782,300 @@ Double clicking any of the plugins will bring up information on the ports. papuInstrument - Sweep time - Sweep direction - Sweep RtShift amount - - Wave Pattern Duty - Channel 1 volume - - - Volume sweep direction - - - Length of each step in sweep - Channel 2 volume - Channel 3 volume - Channel 4 volume - - Shift Register width - - - - Right Output level 右声道输出电平 - Left Output level - Channel 1 to SO2 (Left) - Channel 2 to SO2 (Left) - Channel 3 to SO2 (Left) - Channel 4 to SO2 (Left) - Channel 1 to SO1 (Right) - Channel 2 to SO1 (Right) - Channel 3 to SO1 (Right) - Channel 4 to SO1 (Right) - Treble - + 高音 - Bass 低音 + + Shift Register width + + papuInstrumentView - Sweep Time: - Sweep Time - - The amount of increase or decrease in frequency - - - - Sweep RtShift amount: - Sweep RtShift amount - - The rate at which increase or decrease in frequency occurs - - - - - Wave pattern duty: - Wave Pattern Duty - - - The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - - - - - - Square Channel 1 Volume: - - - - - Square Channel 1 Volume + Square Channel 1 Volume: - - - Length of each step in sweep: - - - Length of each step in sweep - - - - The delay between step change - - - - Wave pattern duty - Square Channel 2 Volume: - - Square Channel 2 Volume - Wave Channel Volume: - + 波形通道音量: - - Wave Channel Volume - + 波形通道音量 - Noise Channel Volume: - + 噪声通道音量: - - Noise Channel Volume - + 噪声通道音量 - SO1 Volume (Right): - SO1 Volume (Right) - SO2 Volume (Left): - SO2 Volume (Left) - Treble: - + 高音： - Treble - + 高音 - Bass: - + 低音： - Bass 低音 - Sweep Direction - - - - - Volume Sweep Direction - Shift Register Width - Channel1 to SO1 (Right) - Channel2 to SO1 (Right) - Channel3 to SO1 (Right) - Channel4 to SO1 (Right) - Channel1 to SO2 (Left) - Channel2 to SO2 (Left) - Channel3 to SO2 (Left) - Channel4 to SO2 (Left) - Wave Pattern - - Draw the wave here + The amount of increase or decrease in frequency + + + + The rate at which increase or decrease in frequency occurs + + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + + + + Square Channel 1 Volume + + + + The delay between step change + + Draw the wave here + 在此处绘制波形 + patchesDialog - Qsynth: Channel Preset Qsynth: 通道预设 - Bank selector 音色选择器 - Bank 库 - Program selector - + 程序节选择器 - Patch 音色 - Name 名称 - OK 确定 - Cancel 取消 @@ -11340,302 +9083,239 @@ Double clicking any of the plugins will bring up information on the ports. pluginBrowser - - A native amplifier plugin - 原生增益插件 + no description + 没有描述 - - Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - 简单地在乐器栏使用采样(比如鼓音源), 同时也提供多种设置 + Incomplete monophonic imitation tb303 + 对单音 TB303 的不完整的模拟器 - - Boost your bass the fast and simple way + Plugin for freely manipulating stereo output - - Customizable wavetable synthesizer - 可自定制的波表合成器 + Plugin for controlling knobs with sound peaks + - - An oversampling bitcrusher + Plugin for enhancing stereo separation of a stereo input file - - Carla Patchbay Instrument - Carla Patchbay 乐器 + List installed LADSPA plugins + 列出已安装的 LADSPA 插件 - - Carla Rack Instrument - Carla Rack 乐器 + GUS-compatible patch instrument + GUS 兼容音色的乐器 - - A 4-band Crossover Equalizer - 一种 四波段交叉均衡器 + Additive Synthesizer for organ-like sounds + - - A native delay plugin - 原生的衰减插件 + Tuneful things to bang on + - - A Dual filter plugin - + VST-host for using VST(i)-plugins within LMMS + LMMS的VST(i)插件宿主 - - plugin for processing dynamics in a flexible way + Vibrating string modeler - - A native eq plugin - 原生的 EQ 插件 + plugin for using arbitrary LADSPA-effects inside LMMS. + 在 LMMS 中使用任意 LADSPA 效果的插件。 - - A native flanger plugin - 一个原生的 镶边 (Flanger) 插件 + Filter for importing MIDI-files into LMMS + 导入 MIDI 文件到 LMMS 的解析器 - - Filter for importing FL Studio projects into LMMS - 将 FL Studio 工程导入 LMMS 的过滤器 + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. + 模拟 MOS6581 和 MOS8580 SID 的模拟器 +这些芯片曾在 Commodore 64 电脑上用过。 - - Player for GIG files - 播放 GIG 文件的播放器 + Player for SoundFont files + 在工程中使用SoundFont - - Filter for importing Hydrogen files into LMMS - 导入 Hydrogen 工程文件到 LMMS 的解析器 + Emulation of GameBoy (TM) APU + GameBoy (TM) APU 模拟器 - - Versatile drum synthesizer - 多功能鼓合成器 + Customizable wavetable synthesizer + 可自定制的波表合成器 - - List installed LADSPA plugins - 列出已安装的 LADSPA 插件 + Embedded ZynAddSubFX + 内置的 ZynAddSubFX - - plugin for using arbitrary LADSPA-effects inside LMMS. - 在 LMMS 中使用任意 LADSPA 效果的插件。 + 2-operator FM Synth + - - Incomplete monophonic imitation tb303 - 对单音 TB303 的不完整的模拟器 + Filter for importing Hydrogen files into LMMS + 导入 Hydrogen 工程文件到 LMMS 的解析器 - - Filter for exporting MIDI-files from LMMS - + LMMS port of sfxr + sfxr 的 LMMS 移植版本 - - Filter for importing MIDI-files into LMMS - + Monstrous 3-oscillator synth with modulation matrix + 带 3 个振荡器和调制矩阵的能发出像怪兽一样声音的合成器 - - Monstrous 3-oscillator synth with modulation matrix - + Three powerful oscillators you can modulate in several ways + 三个可以任你调制的强大振荡器 - - A multitap echo delay plugin - + A native amplifier plugin + 原生增益插件 - - A NES-like synthesizer - 类似于 NES 的合成器 + Carla Rack Instrument + Carla Rack 乐器 - - 2-operator FM Synth - + 4-oscillator modulatable wavetable synth + 有四个振荡器的可调制波表合成器 - - Additive Synthesizer for organ-like sounds + plugin for waveshaping - - Emulation of GameBoy (TM) APU - GameBoy (TM) APU 模拟器 + Boost your bass the fast and simple way + - - GUS-compatible patch instrument - GUS 兼容音色的乐器 + Versatile drum synthesizer + 多功能鼓合成器 - - Plugin for controlling knobs with sound peaks - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track + 简单地在乐器栏使用采样(比如鼓音源), 同时也提供多种设置 - - Player for SoundFont files - 在工程中使用SoundFont + plugin for processing dynamics in a flexible way + - - LMMS port of sfxr - sfxr 的 LMMS 移植版本 + Carla Patchbay Instrument + Carla Patchbay 乐器 - - Emulation of the MOS6581 and MOS8580 SID. -This chip was used in the Commodore 64 computer. - 模拟 MOS6581 和 MOS8580 SID 的模拟器 -这些芯片曾在 Commodore 64 电脑上用过。 + plugin for using arbitrary VST effects inside LMMS. + 在 LMMS 中使用任意 VST 效果的插件。 - Graphical spectrum analyzer plugin 图形频谱分析器插件 - - Plugin for enhancing stereo separation of a stereo input file - + A NES-like synthesizer + 类似于 NES 的合成器 - - Plugin for freely manipulating stereo output - + A native delay plugin + 原生的衰减插件 - - Tuneful things to bang on - + Player for GIG files + 播放 GIG 文件的播放器 - - Three powerful oscillators you can modulate in several ways + A multitap echo delay plugin - - VST-host for using VST(i)-plugins within LMMS - LMMS的VST(i)插件宿主 + A native flanger plugin + 一个原生的 镶边 (Flanger) 插件 - - Vibrating string modeler + An oversampling bitcrusher - - plugin for using arbitrary VST effects inside LMMS. - + A native eq plugin + 原生的 EQ 插件 - - 4-oscillator modulatable wavetable synth - 有四个振荡器的可调制波表合成器 + A 4-band Crossover Equalizer + 一种 四波段交叉均衡器 - - plugin for waveshaping + A Dual filter plugin - - Embedded ZynAddSubFX - 内置的 ZynAddSubFX - - - - no description - 没有描述 + Filter for exporting MIDI-files from LMMS + 从 LMMS 导出 MIDI 文件的生成器 sf2Instrument - Bank 库 - Patch 音色 - Gain 增益 - Reverb 混响 - Reverb Roomsize 混响空间大小 - Reverb Damping 混响阻尼 - Reverb Width 混响宽度 - Reverb Level 混响级别 - Chorus 合唱 - Chorus Lines 合唱声部 - Chorus Level 合唱电平 - Chorus Speed 合唱速度 - Chorus Depth 合唱深度 - A soundfont %1 could not be loaded. 无法载入Soundfont %1。 @@ -11643,92 +9323,74 @@ This chip was used in the Commodore 64 computer. sf2InstrumentView - Open other SoundFont file 打开其他SoundFont文件 - Click here to open another SF2 file 点击此处打开另一个SF2文件 - Choose the patch 选择路径 - Gain 增益 - Apply reverb (if supported) 应用混响（如果支持） - This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. 此按钮会启用混响效果器。可以制作出很酷的效果，但仅对支持的文件有效。 - Reverb Roomsize: 混响空间大小： - Reverb Damping: 混响阻尼： - Reverb Width: 混响宽度： - Reverb Level: 混响级别： - Apply chorus (if supported) 应用合唱 (如果支持) - This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. 此按钮会启用合唱效果器。 - Chorus Lines: 合唱声部: - Chorus Level: 合唱级别: - Chorus Speed: 合唱速度： - Chorus Depth: 合唱深度： - Open SoundFont file 打开SoundFont文件 - SoundFont2 Files (*.sf2) SoundFont2 Files (*.sf2) @@ -11736,7 +9398,6 @@ This chip was used in the Commodore 64 computer. sfxrInstrument - Wave Form 波形 @@ -11744,32 +9405,26 @@ This chip was used in the Commodore 64 computer. sidInstrument - Cutoff 切除 - Resonance 共鸣 - Filter type 过滤器类型 - Voice 3 off 声音 3 关 - Volume 音量 - Chip model 芯片型号 @@ -11777,185 +9432,145 @@ This chip was used in the Commodore 64 computer. sidInstrumentView - Volume: 音量： - Resonance: 共鸣： - - Cutoff frequency: 频谱刀频率： - High-Pass filter 高通滤波器 - Band-Pass filter 带通滤波器 - Low-Pass filter 低通滤波器 - Voice3 Off 声音 3 关 - MOS6581 SID MOS6581 SID - MOS8580 SID MOS8580 SID - - Attack: 打进声: - Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - - Decay: 衰减： - Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - Sustain: 振幅持平： - Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - - Release: 声音消失： - The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - - Pulse Width: - The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - Coarse: - The Coarse detuning allows to detune Voice %1 one octave up or down. - Pulse Wave - + 脉冲波 - Triangle Wave - + 三角波 - SawTooth - + 锯齿波 - Noise 噪音 - Sync 同步 - Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - Ring-Mod - Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - Filtered - When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - Test 测试 - Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. - + 测试, 当此项选中时, 振荡器 %1 将会被归零并锁定, 直到此选项被关闭。 stereoEnhancerControlDialog - WIDE - + 宽度 - Width: 宽度: @@ -11963,7 +9578,6 @@ This chip was used in the Commodore 64 computer. stereoEnhancerControls - Width 宽度 @@ -11971,22 +9585,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControlDialog - Left to Left Vol: 从左到左音量： - Left to Right Vol: 从左到右音量： - Right to Left Vol: 从右到左音量： - Right to Right Vol: 从右到右音量： @@ -11994,22 +9604,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControls - Left to Left 从左到左 - Left to Right 从左到右 - Right to Left 从右到左 - Right to Right 从右到右 @@ -12017,12 +9623,10 @@ This chip was used in the Commodore 64 computer. vestigeInstrument - Loading plugin 载入插件 - Please wait while loading VST-plugin... 请等待VST插件加载完成... @@ -12030,52 +9634,42 @@ This chip was used in the Commodore 64 computer. vibed - String %1 volume - String %1 stiffness - Pick %1 position - Pickup %1 position - Pan %1 声相 %1 - Detune %1 去谐 %1 - Fuzziness %1 模糊度 %1 - Length %1 长度 %1 - Impulse %1 - Octave %1 八度音 %1 @@ -12083,112 +9677,90 @@ This chip was used in the Commodore 64 computer. vibedView - Volume: 音量： - The 'V' knob sets the volume of the selected string. - String stiffness: - The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - Pick position: - The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - Pickup position: - The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - Pan: - + 声相: - The Pan knob determines the location of the selected string in the stereo field. - Detune: 去谐： - The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - Fuzziness: - + 模糊度: - The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - Length: 长度: - The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - Impulse or initial state - The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - Octave - The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - Impulse Editor - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. @@ -12199,7 +9771,6 @@ The 'N' button will normalize the waveform. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. @@ -12214,160 +9785,129 @@ The LED in the lower right corner of the waveform editor determines whether the - Enable waveform 启用波形 - Click here to enable/disable waveform. 点击这里启用/禁用波形。 - String - The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - Sine wave 正弦波 - - Use a sine-wave for current oscillator. - 为当前振荡器使用正弦波。 - - - Triangle wave 三角波 - - Use a triangle-wave for current oscillator. - 为当前振荡器使用三角波。 - - - Saw wave 锯齿波 - - Use a saw-wave for current oscillator. - 为当前振荡器使用锯齿波。 - - - Square wave 方波 - - Use a square-wave for current oscillator. - 为当前振荡器使用方波。 - - - White noise wave 白噪音 - - Use white-noise for current oscillator. - 为当前振荡器使用白噪音。 - - - User defined wave 用户自定义波形 - - Use a user-defined waveform for current oscillator. - 为当前振荡器使用用户自定波形。 - - - Smooth 平滑 - Click here to smooth waveform. 点击这里平滑波形。 - Normalize 标准化 - Click here to normalize waveform. 点击这里标准化波形。 + + Use a sine-wave for current oscillator. + 为当前振荡器使用正弦波。 + + + Use a triangle-wave for current oscillator. + 为当前振荡器使用三角波。 + + + Use a saw-wave for current oscillator. + 为当前振荡器使用锯齿波。 + + + Use a square-wave for current oscillator. + 为当前振荡器使用方波。 + + + Use white-noise for current oscillator. + 为当前振荡器使用白噪音。 + + + Use a user-defined waveform for current oscillator. + 为当前振荡器使用用户自定波形。 + voiceObject - Voice %1 pulse width - Voice %1 attack - Voice %1 decay - Voice %1 sustain - Voice %1 release - Voice %1 coarse detuning - Voice %1 wave shape 声音 %1 波形形状 - Voice %1 sync 声音 %1 同步 - Voice %1 ring modulate - Voice %1 filtered - Voice %1 test 声音 %1 测试 @@ -12375,72 +9915,58 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControlDialog - INPUT 输入 - Input gain: 输入增益: - OUTPUT 输出 - Output gain: 输出增益: - Reset waveform 重置波形 - Click here to reset the wavegraph back to default - + 点击这里重置波形为默认状态 - Smooth waveform 平滑波形 - Click here to apply smoothing to wavegraph 点击这里来使波形图更为平滑 - Increase graph amplitude by 1dB - + 将图像的增益值增加 1dB - Click here to increase wavegraph amplitude by 1dB - + 点击这里将波形增益值增加 1dB - Decrease graph amplitude by 1dB - + 将图像的增益值减少 1dB - Click here to decrease wavegraph amplitude by 1dB - + 点击这里将波形增益值减少 1dB - Clip input 输入压限 - Clip input signal to 0dB 将输入信号限制到 0dB @@ -12448,12 +9974,10 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControls - Input gain 输入增益 - Output gain 输出增益 diff --git a/data/locale/zh_TW.ts b/data/locale/zh_TW.ts index f28132fbade..54b9a39530e 100644 --- a/data/locale/zh_TW.ts +++ b/data/locale/zh_TW.ts @@ -2,66 +2,34 @@ AboutDialog - About LMMS 關於LMMS - - LMMS - LMMS - - - Version %1 (%2/%3, Qt %4, %5) 版本 %1 (%2/%3, Qt %4, %5) - About 關於 - LMMS - easy music production for everyone LMMS - 人人都是作曲家 - - Copyright © %1 - 版權所有 © %1 - - - - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - <html><head/><body><p><a href="http://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.io</span></a></p></body></html> - - - Authors 作者 - - Involved - 參與者 - - - - Contributors ordered by number of commits: - 貢獻者名單（以提交次數排序）： - - - Translation 翻譯 - Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! - 當前語言是中文（中國） + 當前語言是中文（台灣） 翻譯人員： TonyChyi <tonychee1989 at gmail.com> @@ -69,54 +37,66 @@ Min Zhang <zm1990s at gmail.com> Jeff Bai <jeffbaichina at gmail.com> Mingye Wang <arthur2e5@aosc.xyz> Zixing Liu <liushuyu@aosc.xyz> +BrLi <brli at chakraos.org> -若你有興趣提高翻譯質量，請聯繫維護團隊 (https://github.com/AOSC-Dev/translations)、之前的譯者或本項目維護者! +若你有興趣提高翻譯品質，請聯絡維護團隊 (https://github.com/AOSC-Dev/translations)、之前的譯者或本項目維護者！ - License - 許可證 + 授權協議 + + + LMMS + LMMS + + + Involved + 參與者 + + + Contributors ordered by number of commits: + 貢獻者名單（以提交次數排序）： + + + Copyright © %1 + 版權所有 © %1 + + + <html><head/><body><p><a href="https://lmms.io"><span style=" text-decoration: underline; color:#0000ff;">https://lmms.io</span></a></p></body></html> + AmplifierControlDialog - VOL VOL - Volume: 音量： - PAN PAN - Panning: 聲相： - LEFT 左 - Left gain: 左增益： - RIGHT 右 - Right gain: 右增益： @@ -124,22 +104,18 @@ Zixing Liu <liushuyu@aosc.xyz> AmplifierControls - Volume 音量 - Panning 聲相 - Left gain 左增益 - Right gain 右增益 @@ -147,12 +123,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioAlsaSetupWidget - DEVICE - 設備 + 裝置 - CHANNELS 聲道數 @@ -160,98 +134,78 @@ Zixing Liu <liushuyu@aosc.xyz> AudioFileProcessorView - Open other sample - 打開其他採樣 + 開啟其他取樣 - Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. - 如果想打開另一個音頻文件，請點擊這裏。接着會出現文件選擇對話框。諸如環回模式(looping-mode)，起始/結束點，放大值(amplify-value)之類的值不會被重置。因此聽起來會和源採樣有差異。 + 如果想打開另一個音訊檔，請點擊這裡。接著會出現檔案選擇視窗。諸如循環模式 (looping-mode)，起始/結束點，放大率 (amplify-value) 之類的值不會被重置。因此聽起來會和取樣來源有差異。 - Reverse sample - 反轉採樣 + 反轉取樣 - If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. - 如果點擊此按鈕，整個採樣將會被反轉。能用於製作很酷的效果，例如reversed crash. - - - - Disable loop - 禁用循環 + 如果點擊此按鈕，整個取樣將會被反轉。能用於製作很酷的效果，例如 reversed crash. - - This button disables looping. The sample plays only once from start to end. - 點擊此按鈕可以禁止循環播放。 + Amplify: + 放大: - - - Enable loop - 開啓循環 + With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) + 此旋鈕用於調整放大比率。當設爲100% 時採樣不會變化。除此之外，不是放大就是減弱(原始的採樣文件不會被改變) - - This button enables forwards-looping. The sample loops between the end point and the loop point. - 點擊此按鈕後，Forwards-looping 會被打開，採樣將在終止點（End Point）和循環點（Loop Point）之間播放。 + Startpoint: + 起始點: - - This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. - 點擊此按鈕後，Ping-pong-looping 會被打開，採樣將在終止點（End Point）和循環點（Loop Point）之間來回播放。 + Endpoint: + 終點: - Continue sample playback across notes 跨音符繼續播放採樣 - Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) - - Amplify: - 放大: + Disable loop + 停用循環 - - With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) - 此旋鈕用於調整放大比率。當設爲100% 時採樣不會變化。除此之外，不是放大就是減弱(原始的採樣文件不會被改變) + This button disables looping. The sample plays only once from start to end. + 點擊此按鈕可以禁止循環播放。取樣檔案將從頭到尾播放一次。 - - Startpoint: - 起始點: + Enable loop + 啟用循環 - - With this knob you can set the point where AudioFileProcessor should begin playing your sample. - 調節此旋鈕，以告訴 AudioFileProcessor 在哪裏開始播放。 + This button enables forwards-looping. The sample loops between the end point and the loop point. + 點擊此按鈕後，Forwards-looping 會被打開，採樣將在終止點（End Point）和循環點（Loop Point）之間播放。 - - Endpoint: - 終點: + This button enables ping-pong-looping. The sample loops backwards and forwards between the end point and the loop point. + 點擊此按鈕後，Ping-pong-looping 會被打開，採樣將在終止點 (End Point) 和循環點 (Loop Point) 之間來回播放。 + + + With this knob you can set the point where AudioFileProcessor should begin playing your sample. + 調節此旋鈕，以告訴 AudioFileProcessor 在哪裏開始播放。 - With this knob you can set the point where AudioFileProcessor should stop playing your sample. 調節此旋鈕，以告訴 AudioFileProcessor 在哪裏停止播放。 - Loopback point: 循環點： - With this knob you can set the point where the loop starts. 調節此旋鈕，以設置循環開始的地方。 @@ -259,7 +213,6 @@ Zixing Liu <liushuyu@aosc.xyz> AudioFileProcessorWaveView - Sample length: 採樣長度： @@ -267,32 +220,26 @@ Zixing Liu <liushuyu@aosc.xyz> AudioJack - JACK client restarted JACK客戶端已重啓 - LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS由於某些原因與JACK斷開連接，這可能是因爲LMMS的JACK後端重啓導致的，你需要手動重新連接。 - JACK server down JACK服務崩潰 - The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. - JACK服務好像崩潰了而且未能正常啓動，LMMS不能正常工作，你需要保存你的工作然後重啓JACK和LMMS。 + JACK服務好像崩潰了而重開也失敗了，因此LMMS無法繼續執行。你需要儲存你的工作然後重啓JACK和LMMS。 - CLIENT-NAME 客戶端名稱 - CHANNELS 聲道數 @@ -300,12 +247,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioOss::setupWidget - DEVICE 設備 - CHANNELS 聲道數 @@ -313,12 +258,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioPortAudio::setupWidget - BACKEND 後端 - DEVICE 設備 @@ -326,12 +269,10 @@ Zixing Liu <liushuyu@aosc.xyz> AudioPulseAudio::setupWidget - DEVICE 設備 - CHANNELS 聲道數 @@ -339,20 +280,28 @@ Zixing Liu <liushuyu@aosc.xyz> AudioSdl::setupWidget - DEVICE 設備 + + AudioSndio::setupWidget + + DEVICE + 裝置 + + + CHANNELS + 聲道數 + + AudioSoundIo::setupWidget - BACKEND 後端 - DEVICE 設備 @@ -360,75 +309,61 @@ Zixing Liu <liushuyu@aosc.xyz> AutomatableModel - &Reset (%1%2) 重置（%1%2）(&R) - &Copy value (%1%2) 複製值（%1%2）(&C) - &Paste value (%1%2) - 粘貼值（%1%2）(&P) + 貼上值（%1%2）(&P) - Edit song-global automation - 編輯歌曲全局自動控制 - - - - Remove song-global automation - 刪除歌曲全局自動控制 - - - - Remove all linked controls - 刪除所有已連接的控制器 + 編輯歌曲全局的自動控制裝置 - Connected to %1 連接到%1 - Connected to controller 連接到控制器 - Edit connection... 編輯連接... - Remove connection 刪除連接 - Connect to controller... 連接到控制器... + + Remove song-global automation + 刪除歌曲全局的自動控制裝置 + + + Remove all linked controls + 刪除所有已連接的控制器 + AutomationEditor - Please open an automation pattern with the context menu of a control! 請使用控制的上下文菜單打開一個自動控制樣式！ - Values copied 值已複製 - All selected values were copied to the clipboard. 所有選中的值已複製。 @@ -436,177 +371,142 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationEditorWindow - Play/pause current pattern (Space) 播放/暫停當前片段（空格） - Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. 點擊這裏播放片段。編輯時很有用，片段會自動循環播放。 - Stop playing of current pattern (Space) 停止當前片段（空格） - Click here if you want to stop playing of the current pattern. 點擊這裏停止播放片段。 - - Edit actions - 編輯功能 - - - Draw mode (Shift+D) 繪製模式 (Shift+D) - Erase mode (Shift+E) 擦除模式 (Shift+E) - Flip vertically 垂直翻轉 - Flip horizontally 水平翻轉 - Click here and the pattern will be inverted.The points are flipped in the y direction. - + 點擊這裡來翻轉圖形 (pattern)。圖上的點會隨y軸翻轉。 - Click here and the pattern will be reversed. The points are flipped in the x direction. - + 點擊這裡來翻轉圖形 (pattern)。圖上的點會隨x軸翻轉。 - Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. 點擊這裏啓用繪製模式。在此模式下你可以增加或移動單個值。 大部分時間下默認使用此模式。你也可以按鍵盤上的 ‘Shift+D’激活此模式。 - Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. 點擊啓用擦除模式。此模式下你可以擦除單個值。你可以按鍵盤上的 'Shift+E' 啓用此模式。 - - Interpolation controls - 補間控制 - - - Discrete progression - + 區間進程 (Discrete progression) - Linear progression - + 線性進程 (Linear progression) - Cubic Hermite progression - Tension value for spline - A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. - Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. - Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. - Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. - - Tension: - - - - Cut selected values (%1+X) 剪切選定值 (%1+X) - Copy selected values (%1+C) 複製選定值 (%1+C) - Paste values from clipboard (%1+V) - + 從剪貼簿貼上值 (%1+V) - Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. 點擊這裏，選擇的值將會被剪切到剪切板。你可以使用粘貼按鈕將它們粘貼到任意地方，存爲任意片段。 - Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. 點擊這裏，選擇的值將會被複制到剪切板。你可以使用粘貼按鈕將它們粘貼到任意地方，存爲任意片段。 - Click here and the values from the clipboard will be pasted at the first visible measure. 點擊這裏，選擇的值將從剪貼板粘貼到第一個可見的小節。 - + Tension: + + + + Automation Editor - no pattern + 自動控制編輯器 - 沒有片段 + + + Automation Editor - %1 + 自動控制編輯器 - %1 + + + Edit actions + 編輯功能 + + + Interpolation controls + 補間控制 + + Timeline controls 時間線控制 - Zoom controls 縮放控制 - Quantization controls - - Automation Editor - no pattern - 自動控制編輯器 - 沒有片段 - - - - Automation Editor - %1 - 自動控制編輯器 - %1 - - - Model is already connected to this pattern. 模型已連接到此片段。 @@ -614,7 +514,6 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationPattern - Drag a control while pressing <%1> 按住<%1>拖動控制器 @@ -622,57 +521,46 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationPatternView - double-click to open this pattern in automation editor 雙擊在自動編輯器中打開此片段 - Open in Automation editor 在自動編輯器（Automation editor）中打開 - Clear 清除 - Reset name 重置名稱 - Change name 修改名稱 - + %1 Connections + %1個連接 + + + Disconnect "%1" + 斷開“%1”的連接 + + Set/clear record 設置/清除錄製 - Flip Vertically (Visible) 垂直翻轉 (可見) - Flip Horizontally (Visible) 水平翻轉 (可見) - - %1 Connections - %1個連接 - - - - Disconnect "%1" - 斷開“%1”的連接 - - - Model is already connected to this pattern. 模型已連接到此片段。 @@ -680,7 +568,6 @@ Zixing Liu <liushuyu@aosc.xyz> AutomationTrack - Automation track 自動控制軌道 @@ -688,90 +575,77 @@ Zixing Liu <liushuyu@aosc.xyz> BBEditor - Beat+Bassline Editor 節拍+低音線編輯器 - Play/pause current beat/bassline (Space) 播放/暫停當前節拍/低音線（空格） - Stop playback of current beat/bassline (Space) 停止播放當前節拍/低音線(空格) - Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. 點擊這裏停止播放當前節拍/低音線。當結束時節拍/低音線會自動循環播放。 - Click here to stop playing of current beat/bassline. 點擊這裏停止播發當前節拍/低音線。 - - Beat selector - 節拍選擇器 - - - - Track and step actions - - - - Add beat/bassline 添加節拍/低音線 - Add automation-track 添加自動控制軌道 - Remove steps 移除音階 - Add steps 添加音階 - + Beat selector + 節拍選擇器 + + + Track and step actions + + + Clone Steps + + Add sample-track + 新增採樣音軌 + BBTCOView - Open in Beat+Bassline-Editor 在節拍+Bassline編輯器中打開 - Reset name 重置名稱 - Change name 修改名稱 - Change color 改變顏色 - Reset color to default 重置顏色 @@ -779,12 +653,10 @@ Zixing Liu <liushuyu@aosc.xyz> BBTrack - Beat/Bassline %1 節拍/Bassline %1 - Clone of %1 %1 的副本 @@ -792,32 +664,26 @@ Zixing Liu <liushuyu@aosc.xyz> BassBoosterControlDialog - FREQ 頻率 - Frequency: 頻率： - GAIN 增益 - Gain: 增益： - RATIO 比率 - Ratio: 比率： @@ -825,17 +691,14 @@ Zixing Liu <liushuyu@aosc.xyz> BassBoosterControls - Frequency 頻率 - Gain 增益 - Ratio 比率 @@ -843,104 +706,82 @@ Zixing Liu <liushuyu@aosc.xyz> BitcrushControlDialog - IN 輸入 - OUT 輸出 - - GAIN 增益 - Input Gain: 輸入增益: - NOIS - Input Noise: 輸入噪音: - Output Gain: 輸出增益: - CLIP 壓限 - Output Clip: 輸出壓限: - - Rate - Rate Enabled - Enable samplerate-crushing - Depth 位深 - Depth Enabled 深度已啓用 - Enable bitdepth-crushing - Sample rate: 採樣率: - STD STD - Stereo difference: 雙聲道差異: - Levels 級別 - Levels: 級別: @@ -948,12 +789,10 @@ Zixing Liu <liushuyu@aosc.xyz> CaptionMenu - &Help 幫助(&H) - Help (not available) 幫助（不可用） @@ -961,12 +800,10 @@ Zixing Liu <liushuyu@aosc.xyz> CarlaInstrumentView - Show GUI 顯示圖形界面 - Click here to show or hide the graphical user interface (GUI) of Carla. 點擊此處可以顯示或隱藏 Carla 的圖形界面。 @@ -974,7 +811,6 @@ Zixing Liu <liushuyu@aosc.xyz> Controller - Controller %1 控制器%1 @@ -982,73 +818,58 @@ Zixing Liu <liushuyu@aosc.xyz> ControllerConnectionDialog - Connection Settings 連接設置 - MIDI CONTROLLER MIDI控制器 - Input channel 輸入通道 - CHANNEL 通道 - Input controller 輸入控制器 - CONTROLLER 控制器 - - Auto Detect 自動檢測 - MIDI-devices to receive MIDI-events from 用來接收 MIDI 事件的MIDI 設備 - USER CONTROLLER 用戶控制器 - MAPPING FUNCTION 映射函數 - OK 確定 - Cancel 取消 - LMMS LMMS - Cycle Detected. 檢測到環路。 @@ -1056,22 +877,18 @@ Zixing Liu <liushuyu@aosc.xyz> ControllerRackView - Controller Rack 控制器機架 - Add 增加 - Confirm Delete 刪除前確認 - Confirm delete? There are existing connection(s) associated with this controller. There is no way to undo. 確定要刪除嗎？此控制器仍處於被連接狀態。此操作不可撤銷。 @@ -1079,105 +896,93 @@ Zixing Liu <liushuyu@aosc.xyz> ControllerView - Controls 控制器 - Controllers are able to automate the value of a knob, slider, and other controls. 控制器可以自動控制旋鈕，滑塊和其他控件的值。 - Rename controller 重命名控制器 - Enter the new name for this controller 輸入這個控制器的新名稱 - - &Remove this plugin - 刪除這個插件(&R) + &Remove this controller + + + + Re&name this controller + + + + LFO + CrossoverEQControlDialog - Band 1/2 Crossover: - Band 2/3 Crossover: - Band 3/4 Crossover: - Band 1 Gain: - Band 2 Gain: - Band 3 Gain: - Band 4 Gain: - Band 1 Mute - Mute Band 1 - Band 2 Mute - Mute Band 2 - Band 3 Mute - Mute Band 3 - Band 4 Mute - Mute Band 4 @@ -1185,27 +990,22 @@ Zixing Liu <liushuyu@aosc.xyz> DelayControls - Delay Samples - Feedback - Lfo Frequency - Lfo Amount - Output gain 輸出增益 @@ -1213,307 +1013,228 @@ Zixing Liu <liushuyu@aosc.xyz> DelayControlsDialog - - Delay - 延遲 + Lfo Amt + - Delay Time - + 延遲時間 - - Regen + Feedback Amount - - Feedback Amount + Lfo - - Rate + Out Gain - - - Lfo + Gain + 增益 + + + DELAY - - Lfo Amt + FDBK - - Out Gain + RATE - - Gain - 增益 + AMNT + DualFilterControlDialog - - + Filter 1 enabled + 已啓用過濾器 1 + + + Filter 2 enabled + 已啓用過濾器 2 + + + Click to enable/disable Filter 1 + 點擊啓用/禁用過濾器 1 + + + Click to enable/disable Filter 2 + 點擊啓用/禁用過濾器 2 + + FREQ 頻率 - - Cutoff frequency 切除頻率 - - RESO - - Resonance 共鳴 - - GAIN 增益 - - Gain 增益 - MIX - Mix 混合 - - - Filter 1 enabled - 已啓用過濾器 1 - - - - Filter 2 enabled - 已啓用過濾器 2 - - - - Click to enable/disable Filter 1 - 點擊啓用/禁用過濾器 1 - - - - Click to enable/disable Filter 2 - 點擊啓用/禁用過濾器 2 - DualFilterControls - Filter 1 enabled 過濾器1 已啓用 - Filter 1 type 過濾器 1 類型 - Cutoff 1 frequency 濾波器 1 截頻 - Q/Resonance 1 濾波器 1 Q值 - Gain 1 增益 1 - Mix 混合 - Filter 2 enabled 已啓用過濾器 2 - Filter 2 type 過濾器 1 類型 {2 ?} - Cutoff 2 frequency 濾波器 2 截頻 - Q/Resonance 2 濾波器 2 Q值 - Gain 2 增益 2 - - LowPass 低通 - - HiPass 高通 - - BandPass csg 帶通 csg - - BandPass czpg 帶通 czpg - - Notch 凹口濾波器 - - Allpass 全通 - - Moog Moog - - 2x LowPass 2 個低通串聯 - - RC LowPass 12dB RC 低通(12dB) - - RC BandPass 12dB RC 帶通(12dB) - - RC HighPass 12dB RC 高通(12dB) - - RC LowPass 24dB RC 低通(24dB) - - RC BandPass 24dB RC 帶通(24dB) - - RC HighPass 24dB RC 高通(24dB) - - Vocal Formant Filter 人聲移除過濾器 - - 2x Moog - - SV LowPass - - SV BandPass - - SV HighPass - - SV Notch - - Fast Formant - - Tripole @@ -1521,50 +1242,41 @@ Zixing Liu <liushuyu@aosc.xyz> Editor - - Transport controls - - - - Play (Space) 播放（空格） - Stop (Space) 停止（空格） - Record 錄音 - Record while playing 播放時錄音 + + Transport controls + + Effect - Effect enabled 啓用效果器 - Wet/Dry mix 幹/溼混合 - Gate 門限 - Decay 衰減 @@ -1572,7 +1284,6 @@ Zixing Liu <liushuyu@aosc.xyz> EffectChain - Effects enabled 啓用效果器 @@ -1580,12 +1291,10 @@ Zixing Liu <liushuyu@aosc.xyz> EffectRackView - EFFECTS CHAIN 效果器鏈 - Add effect 增加效果器 @@ -1593,22 +1302,22 @@ Zixing Liu <liushuyu@aosc.xyz> EffectSelectDialog - Add effect 增加效果器 - Name 名稱 - + Type + 類型 + + Description 描述 - Author @@ -1616,67 +1325,54 @@ Zixing Liu <liushuyu@aosc.xyz> EffectView - Toggles the effect on or off. 打開或關閉效果. - On/Off 開/關 - W/D W/D - Wet Level: 效果度： - The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. 旋轉幹溼度旋鈕以調整原信號與有效果的信號的比例。 - DECAY 衰減 - Time: 時間： - The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. 衰減旋鈕控制在插件停止工作前，緩衝區中加入的靜音時常。較小的數值會降低CPU佔用率但是可能導致延遲或混響產生撕裂。 - GATE 門限 - Gate: 門限： - The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. 門限旋鈕設置自動靜音時，被認爲是靜音的信號幅度。 - Controls 控制 - Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. @@ -1693,17 +1389,14 @@ Right clicking will bring up a context menu where you can change the order in wh - Move &up 向上移(&U) - Move &down 向下移(&D) - &Remove this plugin 移除此插件(&R) @@ -1711,72 +1404,58 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoParameters - Predelay 預延遲 - Attack 打進聲 - Hold 保持 - Decay 衰減 - Sustain 持續 - Release 釋放 - Modulation 調製 - LFO Predelay LFO 預延遲 - LFO Attack LFO 打進聲（attack） - LFO speed LFO 速度 - LFO Modulation LFO 調製 - LFO Wave Shape LFO 波形形狀 - Freq x 100 頻率 x 100 - Modulate Env-Amount 調製所有包絡 @@ -1784,439 +1463,349 @@ Right clicking will bring up a context menu where you can change the order in wh EnvelopeAndLfoView - - DEL DEL - Predelay: 預延遲: - Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. 使用預延遲旋鈕設定此包絡的預延遲，較大的值會加長包絡開始的時間。 - - ATT ATT - Attack: 打進聲: - Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. 使用起音旋鈕設定此包絡的起音時間，較大的值會讓包絡達到起音值的時間增加。爲鋼琴等樂器選擇小值而絃樂選擇大值。 - HOLD 持續 - Hold: 持續： - Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. 使用持續旋鈕設定此包絡的持續時間。較大的值會在它衰減到持續值時，保持包絡在起音值更久。 - DEC 衰減 - Decay: 衰減： - Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. 使用衰減旋鈕設定此包絡的衰減值。較大的值會延長包絡從起音值衰減到持續值的時間。爲鋼琴等樂器選擇一個小值。 - SUST 持續 - Sustain: 持續： - Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. 使用持續旋鈕設置此包絡的持續值，較大的值會增加釋放前，包絡在此保持的值。 - REL 釋音 - Release: 釋音： - Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. 使用釋音旋鈕設定此包絡的釋音時間，較大值會增加包絡衰減到零的時間。爲絃樂等樂器選擇一個大值。 - - AMT - - Modulation amount: 調製量: - Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. 使用調製量旋鈕設置LFO對此包絡的調製量，較大的值會對此包絡控制的值（如音量或截頻）影響更大。 - LFO predelay: LFO 預延遲: - Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. - LFO- attack: - Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. - SPD - LFO speed: - Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. - Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. - Click here for a sine-wave. - + 點擊這裡使用正弦波。 - Click here for a triangle-wave. - + 點擊這裡使用三角波。 - Click here for a saw-wave for current. - + 點擊這裡使用鋸齒波。 - Click here for a square-wave. - + 點擊這裡使用方形波。 - Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. - + 點擊這裡使用自訂波形。之後請把所用波形的樣本檔案拖到LFO Graph上。 - - Click here for random wave. - - - - FREQ x 100 - + 頻率 x 100 - Click here if the frequency of this LFO should be multiplied by 100. - + 點擊這裡把這個LFO的頻率乘以100。 - multiply LFO-frequency by 100 - MODULATE ENV-AMOUNT - Click here to make the envelope-amount controlled by this LFO. - control envelope-amount by this LFO - ms/LFO: - Hint 提示 - Drag a sample from somewhere and drop it in this window. - + 把樣本檔案拖到這個視窗上放開。 + + + Click here for random wave. + 點擊這裡使用隨機波形。 EqControls - Input gain 輸入增益 - Output gain 輸出增益 - Low shelf gain - Peak 1 gain - Peak 2 gain - Peak 3 gain - Peak 4 gain - High Shelf gain - HP res - Low Shelf res - Peak 1 BW - Peak 2 BW - Peak 3 BW - Peak 4 BW - High Shelf res - LP res - HP freq - Low Shelf freq - Peak 1 freq - Peak 2 freq - Peak 3 freq - Peak 4 freq - High shelf freq - LP freq - HP active - Low shelf active - Peak 1 active - Peak 2 active - Peak 3 active - Peak 4 active - High shelf active - LP active - LP 12 - LP 24 - LP 48 - HP 12 - HP 24 - HP 48 - low pass type - high pass type - Analyse IN - Analyse OUT @@ -2224,124 +1813,85 @@ Right clicking will bring up a context menu where you can change the order in wh EqControlsDialog - HP - Low Shelf - Peak 1 - Peak 2 - Peak 3 - Peak 4 - High Shelf - LP - In Gain - - - Gain 增益 - Out Gain - Bandwidth: - - Octave - - - - Resonance : - Frequency: 頻率： - lp grp - hp grp - - Frequency - 頻率 - - - - - Resonance - 共鳴 - - - - Bandwidth - 帶寬 + Octave + EqHandle - Reso: - BW: - - Freq: @@ -2349,218 +1899,174 @@ Right clicking will bring up a context menu where you can change the order in wh ExportProjectDialog - Export project 導出工程 - Output 輸出 - File format: 文件格式： - Samplerate: 採樣率： - 44100 Hz 44100 Hz - 48000 Hz 48000 Hz - 88200 Hz 88200 Hz - 96000 Hz 96000 Hz - 192000 Hz 192000 Hz - Bitrate: 碼率： - 64 KBit/s 64 KBit/s - 128 KBit/s 128 KBit/s - 160 KBit/s 160 KBit/s - 192 KBit/s 192 KBit/s - 256 KBit/s 256 KBit/s - 320 KBit/s 320 KBit/s - Depth: 位深： - 16 Bit Integer 16 位整形 - 32 Bit Float 32 位浮點型 - Please note that not all of the parameters above apply for all file formats. 請注意上面的參數不一定適用於所有文件格式。 - Quality settings 質量設置 - Interpolation: 補間: - Zero Order Hold 零階保持 - Sinc Fastest 最快 Sinc 補間 - Sinc Medium (recommended) 中等 Sinc 補間 (推薦) - Sinc Best (very slow!) 最佳 Sinc 補間 (很慢!) - Oversampling (use with care!): 過採樣 (請謹慎使用!): - 1x (None) 1x (無) - 2x 2x - 4x 4x - 8x 8x - - Export as loop (remove end silence) - 導出爲迴環loop（移除結尾的靜音） - - - - Export between loop markers - 只導出迴環標記中間的部分 - - - Start 開始 - Cancel 取消 - - Could not open file - 無法打開文件 + Export as loop (remove end silence) + 導出爲迴環loop（移除結尾的靜音） - - Could not open file %1 for writing. -Please make sure you have write-permission to the file and the directory containing the file and try again! - 無法打開文件 %1 寫入數據。 -請確保你擁有對文件以及存儲文件的目錄的寫權限，然後重試！ + Export between loop markers + 只導出迴環標記中間的部分 + + + Could not open file + 無法打開文件 - Export project to %1 導出項目到 %1 - Error 錯誤 - Error while determining file-encoder device. Please try to choose a different output format. 尋找文件編碼設備時出錯。請使用另外一種輸出格式。 - Rendering: %1% 渲染中:%1% + + Could not open file %1 for writing. +Please make sure you have write permission to the file and the directory containing the file and try again! + + Fader - - Please enter a new value between %1 and %2: 請輸入一個介於%1和%2之間的數值： @@ -2568,7 +2074,6 @@ Please make sure you have write-permission to the file and the directory contain FileBrowser - Browser 瀏覽器 @@ -2576,80 +2081,65 @@ Please make sure you have write-permission to the file and the directory contain FileBrowserTreeWidget - Send to active instrument-track 發送到活躍的樂器軌道 - - Open in new instrument-track/Song Editor - 在新的樂器軌道/歌曲編輯器中打開 - - - Open in new instrument-track/B+B Editor 在新樂器軌道/B+B 編輯器中打開 - Loading sample 加載採樣中 - Please wait, loading sample for preview... 請稍候，加載採樣中... - + --- Factory files --- + ---軟件自帶文件--- + + + Open in new instrument-track/Song Editor + 在新的樂器軌道/歌曲編輯器中打開 + + Error 錯誤 - does not appear to be a valid 並不是一個有效的 - file 文件 - - - --- Factory files --- - ---軟件自帶文件--- - FlangerControls - Delay Samples - Lfo Frequency - Seconds 秒 - Regen - Noise 噪音 - Invert 反轉 @@ -2657,65 +2147,57 @@ Please make sure you have write-permission to the file and the directory contain FlangerControlsDialog - - Delay - 延遲 - - - Delay Time: 延遲時間: - - Lfo Hz + Feedback Amount: - - Lfo: + White Noise Amount: + 白噪音數量: + + + DELAY - - Amt + RATE - - Amt: + Rate: - - Regen + AMNT - - Feedback Amount: + Amount: - - Noise - 噪音 + FDBK + - - White Noise Amount: - 白噪音數量: + NOISE + + + + Invert + 反轉 FxLine - Channel send amount 通道發送的數量 - The FX channel receives input from one or more instrument tracks. It in turn can be routed to multiple other FX channels. LMMS automatically takes care of preventing infinite loops for you and doesn't allow making a connection that would result in an infinite loop. @@ -2726,27 +2208,22 @@ You can remove and move FX channels in the context menu, which is accessed by ri - Move &left 向左移(&L) - Move &right 向右移(&R) - Rename &channel 重命名通道(&C) - R&emove channel 刪除通道(&E) - Remove &unused channels 移除所有未用通道(&U) @@ -2754,14 +2231,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixer - Master 主控 - - - FX %1 FX %1 @@ -2769,51 +2242,33 @@ You can remove and move FX channels in the context menu, which is accessed by ri FxMixerView - FX-Mixer 效果混合器 - FX Fader %1 FX 衰減器 %1 - Mute 靜音 - Mute this FX channel 靜音此效果通道 - Solo 獨奏 - Solo FX channel 獨奏效果通道 - - - Rename FX channel - 重命名效果通道 - - - - Enter the new name for this FX channel - 爲此效果通道輸入一個新的名稱 - FxRoute - - Amount to send from channel %1 to channel %2 從通道 %1 發送到通道 %2 的量 @@ -2821,17 +2276,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrument - Bank 庫 - Patch 音色 - Gain 增益 @@ -2839,58 +2291,46 @@ You can remove and move FX channels in the context menu, which is accessed by ri GigInstrumentView - Open other GIG file 打開另外的 GIG 文件 - Click here to open another GIG file 點擊這裏打開另外一個 GIG 文件 - Choose the patch 選擇路徑 - Click here to change which patch of the GIG file to use 點擊這裏選擇另一種 GIG 音色 - - Change which instrument of the GIG file is being played 更換正在使用的 GIG 文件中的樂器 - Which GIG file is currently being used 哪一個 GIG 文件正在被使用 - Which patch of the GIG file is currently being used GIG 文件的哪一個音色正在被使用 - Gain 增益 - Factor to multiply samples by - Open GIG file 打開 GIG 文件 - GIG Files (*.gig) GIG 文件 (*.gig) @@ -2898,52 +2338,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri GuiApplication - Working directory 工作目錄 - The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. LMMS工作目錄%1不存在，現在新建一個嗎？你可以稍後在 編輯 -> 設置 中更改此設置。 - Preparing UI 正在準備界面 - Preparing song editor 正在準備歌曲編輯器 - Preparing mixer 正在準備混音器 - Preparing controller rack 正在準備控制機架 - Preparing project notes 正在準備工程註釋 - Preparing beat/bassline editor 正在準備節拍/低音線編輯器 - Preparing piano roll 正在準備鋼琴窗 - Preparing automation editor 正在準備自動編輯器 @@ -2951,737 +2381,650 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentFunctionArpeggio - Arpeggio - Arpeggio type - Arpeggio range - Arpeggio time - Arpeggio gate - Arpeggio direction - Arpeggio mode - Up 向上 - Down 向下 - Up and down 上和下 - Random 隨機 - - Down and up - 下和上 - - - Free 自由 - Sort 排序 - Sync 同步 + + Down and up + 下和上 + + + Skip rate + + + + Miss rate + + + + Cycle steps + + InstrumentFunctionArpeggioView - ARPEGGIO 琶音 - An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. - RANGE 範圍 - Arpeggio range: - octave(s) - Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. - TIME 時長 - Arpeggio time: - ms 毫秒 - Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. - GATE 門限 - Arpeggio gate: - % % - Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. - Chord: 和絃： - Direction: 方向： - Mode: 模式： + + SKIP + + + + Skip rate: + + + + The skip function will make the arpeggiator pause one step randomly. From its start in full counter clockwise position and no effect it will gradually progress to full amnesia at maximum setting. + + + + MISS + + + + Miss rate: + + + + The miss function will make the arpeggiator miss the intended note. + + + + CYCLE + + + + Cycle notes: + + + + note(s) + + + + Jumps over n steps in the arpeggio and cycles around if we're over the note range. If the total note range is evenly divisible by the number of steps jumped over you will get stuck in a shorter arpeggio or even on one note. + + InstrumentFunctionNoteStacking - octave octave - - Major Major - Majb5 Majb5 - minor minor - minb5 minb5 - sus2 sus2 - sus4 sus4 - aug aug - augsus4 augsus4 - tri tri - 6 6 - 6sus4 6sus4 - 6add9 6add9 - m6 m6 - m6add9 m6add9 - 7 7 - 7sus4 7sus4 - 7#5 7#5 - 7b5 7b5 - 7#9 7#9 - 7b9 7b9 - 7#5#9 7#5#9 - 7#5b9 7#5b9 - 7b5b9 7b5b9 - 7add11 7add11 - 7add13 7add13 - 7#11 7#11 - Maj7 Maj7 - Maj7b5 Maj7b5 - Maj7#5 Maj7#5 - Maj7#11 Maj7#11 - Maj7add13 Maj7add13 - m7 m7 - m7b5 m7b5 - m7b9 m7b9 - m7add11 m7add11 - m7add13 m7add13 - m-Maj7 m-Maj7 - m-Maj7add11 m-Maj7add11 - m-Maj7add13 m-Maj7add13 - 9 9 - 9sus4 9sus4 - add9 add9 - 9#5 9#5 - 9b5 9b5 - 9#11 9#11 - 9b13 9b13 - Maj9 Maj9 - Maj9sus4 Maj9sus4 - Maj9#5 Maj9#5 - Maj9#11 Maj9#11 - m9 m9 - madd9 madd9 - m9b5 m9b5 - m9-Maj7 m9-Maj7 - 11 11 - 11b9 11b9 - Maj11 Maj11 - m11 m11 - m-Maj11 m-Maj11 - 13 13 - 13#9 13#9 - 13b9 13b9 - 13b5b9 13b5b9 - Maj13 Maj13 - m13 m13 - m-Maj13 m-Maj13 - Harmonic minor Harmonic minor - Melodic minor Melodic minor - Whole tone - Diminished Diminished - Major pentatonic Major pentatonic - Minor pentatonic Minor pentatonic - Jap in sen Jap in sen - Major bebop Major bebop - Dominant bebop Dominant bebop - Blues Blues - Arabic Arabic - Enigmatic Enigmatic - Neopolitan Neopolitan - Neopolitan minor Neopolitan minor - Hungarian minor Hungarian minor - Dorian Dorian - Phrygolydian - Lydian Lydian - Mixolydian Mixolydian - Aeolian Aeolian - Locrian Locrian - + Chords + Chords + + + Chord type + Chord type + + + Chord range + Chord range + + Minor Minor - Chromatic Chromatic - Half-Whole Diminished - 5 5 - - Chords - Chords - - - - Chord type - Chord type + Phrygian dominant + - - Chord range - Chord range + Persian + InstrumentFunctionNoteStackingView - - STACKING - 堆疊 - - - - Chord: - 和絃： - - - RANGE 範圍 - Chord range: 和絃範圍： - octave(s) - Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. + + STACKING + 堆疊 + + + Chord: + 和絃： + InstrumentMidiIOView - ENABLE MIDI INPUT 啓用MIDI輸入 - - CHANNEL 通道 - - VELOCITY 力度 - ENABLE MIDI OUTPUT 啓用MIDI輸出 - PROGRAM 樂器 - - NOTE - 音符 - - - MIDI devices to receive MIDI events from 用於接收 MIDI 事件的 MIDI 設備 - MIDI devices to send MIDI events to 用於發送 MIDI 事件的 MIDI 設備 - + NOTE + 音符 + + CUSTOM BASE VELOCITY 自定義基準力度 - Specify the velocity normalization base for MIDI-based instruments at 100% note velocity - BASE VELOCITY 基準力度 @@ -3689,12 +3032,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentMiscView - MASTER PITCH 主音高 - Enables the use of Master Pitch 啓用主音高 @@ -3702,158 +3043,126 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentSoundShaping - VOLUME 音量 - Volume 音量 - CUTOFF 切除 - - Cutoff frequency 切除頻率 - RESO - Resonance 共鳴 - Envelopes/LFOs 壓限/低頻振盪 - Filter type 過濾器類型 - Q/Resonance - LowPass 低通 - HiPass 高通 - BandPass csg 帶通 csg - BandPass czpg 帶通 czpg - Notch 凹口濾波器 - Allpass 全通 - Moog Moog - 2x LowPass 2 個低通串聯 - RC LowPass 12dB RC 低通(12dB) - RC BandPass 12dB RC 帶通(12dB) - RC HighPass 12dB RC 高通(12dB) - RC LowPass 24dB RC 低通(24dB) - RC BandPass 24dB RC 帶通(24dB) - RC HighPass 24dB RC 高通(24dB) - Vocal Formant Filter 人聲移除過濾器 - 2x Moog - SV LowPass - SV BandPass - SV HighPass - SV Notch - Fast Formant - Tripole @@ -3861,62 +3170,50 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentSoundShapingView - TARGET 目標 - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! - FILTER - Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. - - FREQ - 頻率 - - - - cutoff frequency: - - - - Hz Hz - Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... - RESO - Resonance: 共鳴： - Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. - + FREQ + 頻率 + + + cutoff frequency: + + + Envelopes, LFOs and filters are not supported by the current instrument. 包絡和低頻振盪 (LFO) 不被當前樂器支持。 @@ -3924,54 +3221,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrack - - - Default preset - 預置 - - - - With this knob you can set the volume of the opened channel. - 使用此旋鈕可以設置開放通道的音量。 - - - - unnamed_track 未命名軌道 - - Base note - 基本音 - - - Volume 音量 - Panning 聲相 - Pitch 音高 - - Pitch range - 音域範圍 - - - FX channel 效果通道 - + Default preset + 預置 + + + With this knob you can set the volume of the opened channel. + 使用此旋鈕可以設置開放通道的音量。 + + + Base note + 基本音 + + + Pitch range + 音域範圍 + + Master Pitch 主音高 @@ -3979,52 +3264,42 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrackView - Volume 音量 - Volume: 音量： - VOL VOL - Panning 聲相 - Panning: 聲相： - PAN PAN - MIDI MIDI - Input 輸入 - Output 輸出 - FX %1: %2 效果 %1: %2 @@ -4032,156 +3307,125 @@ You can remove and move FX channels in the context menu, which is accessed by ri InstrumentTrackWindow - GENERAL SETTINGS 常規設置 - - Use these controls to view and edit the next/previous track in the song editor. - 使用這些控制選項來查看和編輯在歌曲編輯器中的上個/下個軌道。 - - - Instrument volume 樂器音量 - Volume: 音量： - VOL VOL - Panning 聲相 - Panning: 聲相： - PAN PAN - Pitch 音高 - Pitch: 音高： - cents 音分 cents - PITCH - - Pitch range (semitones) - 音域範圍（半音） + FX channel + 效果通道 - - RANGE - 範圍 + ENV/LFO + 包絡/低振 - - FX channel - 效果通道 + FUNC + 功能 - - FX 效果 - - Save current instrument track settings in a preset file - 保存當前樂器軌道設置到預設文件 + MIDI + MIDI - - Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. - 如果你想保存當前樂器軌道設置到預設文件, 請點擊這裏。稍後你可以在預設瀏覽器中雙擊以使用它。 + Save preset + 保存預置 - - SAVE - 保存 + XML preset file (*.xpf) + XML 預設文件 (*.xpf) - - ENV/LFO - 包絡/低振 + PLUGIN + 插件 - - FUNC - 功能 + Pitch range (semitones) + 音域範圍（半音） - - MIDI - MIDI + RANGE + 範圍 - - MISC - 雜項 + Save current instrument track settings in a preset file + 保存當前樂器軌道設置到預設文件 - - Save preset - 保存預置 + Click here, if you want to save current instrument track settings in a preset file. Later you can load this preset by double-clicking it in the preset-browser. + 如果你想保存當前樂器軌道設置到預設文件, 請點擊這裏。稍後你可以在預設瀏覽器中雙擊以使用它。 - - XML preset file (*.xpf) - XML 預設文件 (*.xpf) + MISC + 雜項 - - PLUGIN - 插件 + Use these controls to view and edit the next/previous track in the song editor. + 使用這些控制選項來查看和編輯在歌曲編輯器中的上個/下個軌道。 + + + SAVE + 保存 Knob - Set linear 設置爲線性 - Set logarithmic 設置爲對數 - - Please enter a new value between -96.0 dBV and 6.0 dBV: - 請輸入介於96.0 dBV 和 6.0 dBV之間的值： + Please enter a new value between -96.0 dBFS and 6.0 dBFS: + - Please enter a new value between %1 and %2: 請輸入一個介於%1和%2之間的數值： @@ -4189,7 +3433,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControl - Link channels 關聯通道 @@ -4197,12 +3440,10 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlDialog - Link Channels 連接通道 - Channel 通道 @@ -4210,17 +3451,14 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaControlView - Link channels 連接通道 - Value: 值： - Sorry, no help available. 啊哦，這個沒有幫助文檔。 @@ -4228,7 +3466,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LadspaEffect - Unknown LADSPA plugin %1 requested. 已請求未知 LADSPA 插件 %1. @@ -4236,7 +3473,6 @@ You can remove and move FX channels in the context menu, which is accessed by ri LcdSpinBox - Please enter a new value between %1 and %2: 請輸入一個介於%1和%2之間的數值： @@ -4244,26 +3480,18 @@ You can remove and move FX channels in the context menu, which is accessed by ri LeftRightNav - - - Previous 上個 - - - Next 下個 - Previous (%1) 上 (%1) - Next (%1) 下 (%1) @@ -4271,37 +3499,30 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoController - LFO Controller LFO 控制器 - Base value 基準值 - Oscillator speed 振動速度 - Oscillator amount - Oscillator phase - Oscillator waveform 振動波形 - Frequency Multiplier @@ -4309,141 +3530,114 @@ You can remove and move FX channels in the context menu, which is accessed by ri LfoControllerDialog - LFO - LFO Controller LFO 控制器 - BASE 基準 - Base amount: 基礎值: - todo - SPD - LFO-speed: - Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. - - AMT - - - - Modulation amount: 調製量： - Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. - PHS - Phase offset: - degrees - With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Click here for a sine-wave. - + 點擊這裡使用正弦波。 - Click here for a triangle-wave. - + 點擊這裡使用三角波。 - Click here for a saw-wave. - Click here for a square-wave. - - - - - Click here for a moog saw-wave. - + 點擊這裡使用方形波。 - Click here for an exponential wave. - Click here for white-noise. - Click here for a user-defined shape. Double click to pick a file. + + Click here for a moog saw-wave. + + + + AMNT + + LmmsCore - Generating wavetables 正在生成波形表 - Initializing data structures 正在初始化數據結構 - Opening audio and midi devices 正在啓動音頻和 MIDI 設備 - Launching mixer threads 生在啓動混音器線程 @@ -4451,523 +3645,405 @@ Double click to pick a file. MainWindow - - Configuration file - 配置文件 - - - - Error while parsing configuration file at line %1:%2: %3 - 解析配置文件發生錯誤（行%1:%2:%3） - - - Could not save config-file 不能保存配置文件 - Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. 不能保存配置文件%1，你可能沒有寫權限。 請確保你可以寫入這個文件並重試。 - - Project recovery - 工程恢復 - - - - There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? - 發現了一個恢復文件。看上去上個會話沒有正常結束或者其他的 LMMS 進程已經運行。你想要恢復這個項目嗎? - - - - - Recover - 恢復 + &New + 新建(&N) - - Recover the file. Please don't run multiple instances of LMMS when you do this. - 恢復文件。請不要在恢復文件時運行多個 LMMS 程序。 + &Open... + 打開(&O)... - - - Ignore - 忽略 + &Save + 保存（&S) - - Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. - 正常啓動 LMMS 但是關閉自動備份來防止備份文件被覆蓋。 + Save &As... + 另存爲(&A)... - - Discard - 丟棄 + Import... + 導入... - - Launch a default session and delete the restored files. This is not reversible. - 運行一個新的默認會話並且刪除恢復文件。此操作無法撤銷。 + E&xport... + 導出(&E)... - - Quit - 退出 + &Quit + 退出(&Q) - - Shut down LMMS with no further action. - 什麼也不做並關閉 LMMS。 + &Edit + 編輯(&E) - - Exit - 退出 + Settings + 設置 - - Version %1 - 版本 %1 + &Tools + 工具(&T) - - Preparing plugin browser - 正在準備插件瀏覽器 + &Help + 幫助(&H) - - Preparing file browsers - 正在準備文件瀏覽器 + Help + 幫助 - - My Projects - 我的工程 + What's this? + 這是什麼？ - - My Samples - 我的採樣 + About + 關於 - - My Presets - 我的預設 + Create new project + 新建工程 - - My Home - 我的主目錄 + Create new project from template + 從模版新建工程 - - Root directory - 根目錄 + Open existing project + 打開已有工程 - - Volumes - 音量 + Recently opened projects + 最近打開的工程 - - My Computer - 我的電腦 + Save current project + 保存當前工程 - - Loading background artwork - 正在加載背景圖案 + Export current project + 導出當前工程 - - &File - 文件(&F) + Song Editor + 顯示/隱藏歌曲編輯器 - - &New - 新建(&N) + By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. + 點擊這個按鈕, 你可以顯示/隱藏歌曲編輯器。在歌曲編輯器的幫助下, 你可以編輯歌曲播放列表並且設置哪個音軌在哪個時間播放。你還可以在播放列表中直接插入和移動採樣(如 RAP 採樣)。 - - New from template - 從模版新建工程 + Beat+Bassline Editor + 顯示/隱藏節拍+旋律編輯器 - - &Open... - 打開(&O)... + By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. + - - &Recently Opened Projects - 最近打開的工程(&R) + Piano Roll + 顯示/隱藏鋼琴窗 - - &Save - 保存（&S) + Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. + 點擊這裏顯示或隱藏鋼琴窗。在鋼琴窗的幫助下, 你可以很容易地編輯旋律。 - - Save &As... - 另存爲(&A)... + Automation Editor + 顯示/隱藏自動控制編輯器 - - Save as New &Version - 保存爲新版本(&V) + Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. + 點擊這裏顯示或隱藏自動控制編輯器。在自動控制編輯器的幫助下, 你可以很簡單地控制動態數值。 - - Save as default template - 保存爲默認模板 + FX Mixer + 顯示/隱藏混音器 - - Import... - 導入... + Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. + 點擊這裏顯示或隱藏 FX 混音器。FX 混音器是管理你歌曲中不同音效的強大工具。你可以向不同的通道添加不同的效果。 - - E&xport... - 導出(&E)... + Project Notes + 顯示/隱藏工程註釋 - - E&xport Tracks... - 導出音軌(&X)... + Click here to show or hide the project notes window. In this window you can put down your project notes. + 點擊這裏顯示或隱藏工程註釋窗。在此窗口中你可以寫下工程的註釋。 - - Export &MIDI... - 導出 MIDI (&M)... + Controller Rack + 顯示/隱藏控制器機架 - - &Quit - 退出(&Q) + Untitled + 未標題 - - &Edit - 編輯(&E) + LMMS %1 + LMMS %1 - - Undo - 撤銷 + Project not saved + 工程未保存 - - Redo - 重做 + The current project was modified since last saving. Do you want to save it now? + 此工程自上次保存後有了修改，你想保存嗎？ - - Settings - 設置 + Help not available + 幫助不可用 - - &View - 視圖 (&V) + Currently there's no help available in LMMS. +Please visit http://lmms.sf.net/wiki for documentation on LMMS. + LMMS現在沒有可用的幫助 +請訪問 http://lmms.sf.net/wiki 瞭解LMMS的相關文檔。 - - &Tools - 工具(&T) + LMMS (*.mmp *.mmpz) + LMMS (*.mmp *.mmpz) - - &Help - 幫助(&H) + Version %1 + 版本 %1 - - Online Help - 在線幫助 + Configuration file + 配置文件 - - Help - 幫助 + Error while parsing configuration file at line %1:%2: %3 + 解析配置文件發生錯誤（行%1:%2:%3） - - What's This? - 這是什麼? + Volumes + 音量 - - About - 關於 + Undo + 撤銷 - - Create new project - 新建工程 + Redo + 重做 - - Create new project from template - 從模版新建工程 + My Projects + 我的工程 - - Open existing project - 打開已有工程 + My Samples + 我的採樣 - - Recently opened projects - 最近打開的工程 + My Presets + 我的預設 - - Save current project - 保存當前工程 + My Home + 我的主目錄 - - Export current project - 導出當前工程 + My Computer + 我的電腦 - - What's this? - 這是什麼？ + &File + 文件(&F) - - Toggle metronome - 開啓/關閉節拍器 + &Recently Opened Projects + 最近打開的工程(&R) - - Show/hide Song-Editor - 顯示/隱藏歌曲編輯器 + Save as New &Version + 保存爲新版本(&V) - - By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. - 點擊這個按鈕, 你可以顯示/隱藏歌曲編輯器。在歌曲編輯器的幫助下, 你可以編輯歌曲播放列表並且設置哪個音軌在哪個時間播放。你還可以在播放列表中直接插入和移動採樣(如 RAP 採樣)。 + E&xport Tracks... + 導出音軌(&X)... - - Show/hide Beat+Bassline Editor - 顯示/隱藏節拍+旋律編輯器 + Online Help + 在線幫助 - - By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. - + What's This? + 這是什麼? - - Show/hide Piano-Roll - 顯示/隱藏鋼琴窗 + Open Project + 打開工程 - - Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. - 點擊這裏顯示或隱藏鋼琴窗。在鋼琴窗的幫助下, 你可以很容易地編輯旋律。 + Save Project + 保存工程 - - Show/hide Automation Editor - 顯示/隱藏自動控制編輯器 + Project recovery + 工程恢復 - - Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. - 點擊這裏顯示或隱藏自動控制編輯器。在自動控制編輯器的幫助下, 你可以很簡單地控制動態數值。 + There is a recovery file present. It looks like the last session did not end properly or another instance of LMMS is already running. Do you want to recover the project of this session? + 發現了一個恢復文件。看上去上個會話沒有正常結束或者其他的 LMMS 進程已經運行。你想要恢復這個項目嗎? - - Show/hide FX Mixer - 顯示/隱藏混音器 + Recover + 恢復 - - Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. - 點擊這裏顯示或隱藏 FX 混音器。FX 混音器是管理你歌曲中不同音效的強大工具。你可以向不同的通道添加不同的效果。 + Recover the file. Please don't run multiple instances of LMMS when you do this. + 恢復文件。請不要在恢復文件時運行多個 LMMS 程序。 - - Show/hide project notes - 顯示/隱藏工程註釋 + Ignore + 忽略 - - Click here to show or hide the project notes window. In this window you can put down your project notes. - 點擊這裏顯示或隱藏工程註釋窗。在此窗口中你可以寫下工程的註釋。 + Launch LMMS as usual but with automatic backup disabled to prevent the present recover file from being overwritten. + 正常啓動 LMMS 但是關閉自動備份來防止備份文件被覆蓋。 - - Show/hide controller rack - 顯示/隱藏控制器機架 + Discard + 丟棄 - - Untitled - 未標題 + Launch a default session and delete the restored files. This is not reversible. + 運行一個新的默認會話並且刪除恢復文件。此操作無法撤銷。 - - Recover session. Please save your work! - 恢復會話。請保存你的工作! + Preparing plugin browser + 正在準備插件瀏覽器 - - Automatic backup disabled. Remember to save your work! - 自動備份已禁用。記得保存你的作品喲! + Preparing file browsers + 正在準備文件瀏覽器 - - LMMS %1 - LMMS %1 + Root directory + 根目錄 - - Recovered project not saved - 恢復的工程沒有保存 + Loading background artwork + 正在加載背景圖案 - - This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? - 這個工程已從上一個會話中恢復。它現在沒有被保存, 並且如果你不保存, 它將會丟失。你現在想保存它嗎? + New from template + 從模版新建工程 - - Project not saved - 工程未保存 + Save as default template + 保存爲默認模板 - - The current project was modified since last saving. Do you want to save it now? - 此工程自上次保存後有了修改，你想保存嗎？ + &View + 視圖 (&V) - - Open Project - 打開工程 + Toggle metronome + 開啓/關閉節拍器 - - LMMS (*.mmp *.mmpz) - LMMS (*.mmp *.mmpz) + Show/hide Song-Editor + 顯示/隱藏歌曲編輯器 - - Save Project - 保存工程 + Show/hide Beat+Bassline Editor + 顯示/隱藏節拍+旋律編輯器 - - LMMS Project - LMMS 工程 + Show/hide Piano-Roll + 顯示/隱藏鋼琴窗 - - LMMS Project Template - LMMS 工程模板 + Show/hide Automation Editor + 顯示/隱藏自動控制編輯器 - - Overwrite default template? - 覆蓋默認的模板? + Show/hide FX Mixer + 顯示/隱藏混音器 - - This will overwrite your current default template. - 這將會覆蓋你的當前默認模板。 + Show/hide project notes + 顯示/隱藏工程註釋 - - Help not available - 幫助不可用 + Show/hide controller rack + 顯示/隱藏控制器機架 - - Currently there's no help available in LMMS. -Please visit http://lmms.sf.net/wiki for documentation on LMMS. - LMMS現在沒有可用的幫助 -請訪問 http://lmms.sf.net/wiki 瞭解LMMS的相關文檔。 + Recover session. Please save your work! + 恢復會話。請保存你的工作! - - Song Editor - 顯示/隱藏歌曲編輯器 + Automatic backup disabled. Remember to save your work! + 自動備份已禁用。記得保存你的作品喲! - - Beat+Bassline Editor - 顯示/隱藏節拍+旋律編輯器 + Recovered project not saved + 恢復的工程沒有保存 - - Piano Roll - 顯示/隱藏鋼琴窗 + This project was recovered from the previous session. It is currently unsaved and will be lost if you don't save it. Do you want to save it now? + 這個工程已從上一個會話中恢復。它現在沒有被保存, 並且如果你不保存, 它將會丟失。你現在想保存它嗎? - - Automation Editor - 顯示/隱藏自動控制編輯器 + LMMS Project + LMMS 工程 - - FX Mixer - 顯示/隱藏混音器 + LMMS Project Template + LMMS 工程模板 - - Project Notes - 顯示/隱藏工程註釋 + Overwrite default template? + 覆蓋默認的模板? - - Controller Rack - 顯示/隱藏控制器機架 + This will overwrite your current default template. + 這將會覆蓋你的當前默認模板。 - - Volume as dBV - 以 dBV 顯示音量 + Volume as dBFS + - Smooth scroll 平滑滾動 - Enable note labels in piano roll 在鋼琴窗中顯示音號 + + Save project template + + MeterDialog - - Meter Numerator - - Meter Denominator - TIME SIG 拍子記號 @@ -4975,12 +4051,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MeterModel - Numerator - Denominator @@ -4988,12 +4062,10 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MidiController - MIDI Controller MIDI控制器 - unnamed_midi_controller @@ -5001,89 +4073,85 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MidiImport - - Setup incomplete 設置不完整 - You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. 你還沒有在設置(在編輯->設置)中設置默認的 Soundfont。因此在導入此 MIDI 文件後將會沒有聲音。你需要下載一個通用 MIDI (GM) 的 Soundfont, 並且在設置對話框中選中後再試一次。 - You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. 你在編譯 LMMS 時沒有加入 SoundFont2 播放器支持, 此播放器默認用於添加導入的 MIDI 文件。因此在 MIDI 文件導入後, 將沒有聲音。 - Track 軌道 + + MidiJack + + JACK server down + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (title) + JACK服務崩潰 + + + The JACK server seems to be shuted down. + When JACK(JACK Audio Connection Kit) disconnects, it will show the following message (dialog message) + + + MidiPort - Input channel 輸入通道 - Output channel 輸出通道 - Input controller 輸入控制器 - Output controller 輸出控制器 - Fixed input velocity - Fixed output velocity - - Fixed output note - - - - Output MIDI program - - Base velocity - 基準力度 - - - Receive MIDI-events 接受 MIDI 事件 - Send MIDI-events 發送 MIDI 事件 + + Fixed output note + + + + Base velocity + 基準力度 + MidiSetupWidget - DEVICE 設備 @@ -5091,595 +4159,474 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MonstroInstrument - Osc 1 Volume - Osc 1 Panning - Osc 1 Coarse detune - Osc 1 Fine detune left - Osc 1 Fine detune right - Osc 1 Stereo phase offset - Osc 1 Pulse width - Osc 1 Sync send on rise - Osc 1 Sync send on fall - Osc 2 Volume - Osc 2 Panning - Osc 2 Coarse detune - Osc 2 Fine detune left - Osc 2 Fine detune right - Osc 2 Stereo phase offset - Osc 2 Waveform - Osc 2 Sync Hard - Osc 2 Sync Reverse - Osc 3 Volume - Osc 3 Panning - Osc 3 Coarse detune - Osc 3 Stereo phase offset - Osc 3 Sub-oscillator mix - Osc 3 Waveform 1 - Osc 3 Waveform 2 - Osc 3 Sync Hard - Osc 3 Sync Reverse - LFO 1 Waveform - LFO 1 Attack - LFO 1 Rate - LFO 1 Phase - LFO 2 Waveform - LFO 2 Attack - LFO 2 Rate - LFO 2 Phase - Env 1 Pre-delay - Env 1 Attack - Env 1 Hold - Env 1 Decay - Env 1 Sustain - Env 1 Release - Env 1 Slope - Env 2 Pre-delay - Env 2 Attack - Env 2 Hold - Env 2 Decay - Env 2 Sustain - Env 2 Release - Env 2 Slope - Osc2-3 modulation - Selected view - Vol1-Env1 - Vol1-Env2 - Vol1-LFO1 - Vol1-LFO2 - Vol2-Env1 - Vol2-Env2 - Vol2-LFO1 - Vol2-LFO2 - Vol3-Env1 - Vol3-Env2 - Vol3-LFO1 - Vol3-LFO2 - Phs1-Env1 - Phs1-Env2 - Phs1-LFO1 - Phs1-LFO2 - Phs2-Env1 - Phs2-Env2 - Phs2-LFO1 - Phs2-LFO2 - Phs3-Env1 - Phs3-Env2 - Phs3-LFO1 - Phs3-LFO2 - Pit1-Env1 - Pit1-Env2 - Pit1-LFO1 - Pit1-LFO2 - Pit2-Env1 - Pit2-Env2 - Pit2-LFO1 - Pit2-LFO2 - Pit3-Env1 - Pit3-Env2 - Pit3-LFO1 - Pit3-LFO2 - PW1-Env1 - PW1-Env2 - PW1-LFO1 - PW1-LFO2 - Sub3-Env1 - Sub3-Env2 - Sub3-LFO1 - Sub3-LFO2 - - Sine wave 正弦波 - Bandlimited Triangle wave - Bandlimited Saw wave - Bandlimited Ramp wave - Bandlimited Square wave - Bandlimited Moog saw wave - - Soft square wave - Absolute sine wave - - Exponential wave - White noise - Digital Triangle wave - Digital Saw wave - Digital Ramp wave - Digital Square wave - Digital Moog saw wave - Triangle wave 三角波 - Saw wave 鋸齒波 - Ramp wave - Square wave 方波 - Moog saw wave - Abs. sine wave - Random 隨機 - Random smooth @@ -5687,24 +4634,20 @@ Please visit http://lmms.sf.net/wiki for documentation on LMMS. MonstroView - Operators view - The Operators view contains all the operators. These include both audible operators (oscillators) and inaudible operators, or modulators: Low-frequency oscillators and Envelopes. Knobs and other widgets in the Operators view have their own what's this -texts, so you can get more specific help for them that way. - Matrix view 矩陣視圖 - The Matrix view contains the modulation matrix. Here you can define the modulation relationships between the various operators: Each audible operator (oscillators 1-3) has 3-4 properties that can be modulated by any of the modulators. Using more modulations consumes more CPU power. The view is divided to modulation targets, grouped by the target oscillator. Available targets are volume, pitch, phase, pulse width and sub-osc ratio. Note: some targets are specific to one oscillator only. @@ -5713,407 +4656,256 @@ Each modulation target has 4 knobs, one for each modulator. By default the knobs - - - - Volume - 音量 + Mix Osc2 with Osc3 + - - - - Panning - 聲相 + Modulate amplitude of Osc3 with Osc2 + - - - - Coarse detune + Modulate frequency of Osc3 with Osc2 - - - - semitones - 半音 + Modulate phase of Osc3 with Osc2 + - - - Finetune left + The CRS knob changes the tuning of oscillator 1 in semitone steps. - - - - - cents + The CRS knob changes the tuning of oscillator 2 in semitone steps. - - - Finetune right + The CRS knob changes the tuning of oscillator 3 in semitone steps. - - - - Stereo phase offset + FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. - - - - - - deg + The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - - Pulse width + The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - - Send sync on pulse rise + Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - - Send sync on pulse fall + Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - - Hard sync oscillator 2 + Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. - - Reverse sync oscillator 2 + Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. - - Sub-osc mix + Choose waveform for oscillator 2. - - Hard sync oscillator 3 + Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - - Reverse sync oscillator 3 + Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. - - - - - Attack - 打進聲 + The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. + - - - Rate + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +Mix mode means no modulation: the outputs of the oscillators are simply mixed together. - - - Phase + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. - - - Pre-delay + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. - - - Hold - 保持 + In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. + +PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + - - - Decay - 衰減 + Select the waveform for LFO 1. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + - - - Sustain - 持續 + Select the waveform for LFO 2. +"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + - - - Release - 釋放 + Attack causes the LFO to come on gradually from the start of the note. + - - - Slope + Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - - Mix Osc2 with Osc3 + PHS controls the phase offset of the LFO. - - Modulate amplitude of Osc3 with Osc2 + PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. - - Modulate frequency of Osc3 with Osc2 + ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. - - Modulate phase of Osc3 with Osc2 + HOLD controls how long the envelope stays at peak after the attack phase. - - The CRS knob changes the tuning of oscillator 1 in semitone steps. + DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - - The CRS knob changes the tuning of oscillator 2 in semitone steps. + SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - - The CRS knob changes the tuning of oscillator 3 in semitone steps. + REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - - - - - FTL and FTR change the finetuning of the oscillator for left and right channels respectively. These can add stereo-detuning to the oscillator which widens the stereo image and causes an illusion of space. + The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. - - - - The SPO knob modifies the difference in phase between left and right channels. Higher difference creates a wider stereo image. - + Volume + 音量 - - The PW knob controls the pulse width, also known as duty cycle, of oscillator 1. Oscillator 1 is a digital pulse wave oscillator, it doesn't produce bandlimited output, which means that you can use it as an audible oscillator but it will cause aliasing. You can also use it as an inaudible source of a sync signal, which can be used to synchronize oscillators 2 and 3. - + Panning + 聲相 - - Send Sync on Rise: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from low to high, ie. when the amplitude changes from -1 to 1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. + Coarse detune - - Send Sync on Fall: When enabled, the Sync signal is sent every time the state of oscillator 1 changes from high to low, ie. when the amplitude changes from 1 to -1. Oscillator 1's pitch, phase and pulse width may affect the timing of syncs, but its volume has no effect on them. Sync signals are sent independently for both left and right channels. - + semitones + 半音 - - - Hard sync: Every time the oscillator receives a sync signal from oscillator 1, its phase is reset to 0 + whatever its phase offset is. + Finetune left - - - Reverse sync: Every time the oscillator receives a sync signal from oscillator 1, the amplitude of the oscillator gets inverted. + cents - - Choose waveform for oscillator 2. + Finetune right - - Choose waveform for oscillator 3's first sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + Stereo phase offset - - Choose waveform for oscillator 3's second sub-osc. Oscillator 3 can smoothly interpolate between two different waveforms. + deg - - The SUB knob changes the mixing ratio of the two sub-oscs of oscillator 3. Each sub-osc can be set to produce a different waveform, and oscillator 3 can smoothly interpolate between them. All incoming modulations to oscillator 3 are applied to both sub-oscs/waveforms in the exact same way. + Pulse width - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -Mix mode means no modulation: the outputs of the oscillators are simply mixed together. + Send sync on pulse rise - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -AM means amplitude modulation: Oscillator 3's amplitude (volume) is modulated by oscillator 2. + Send sync on pulse fall - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -FM means frequency modulation: Oscillator 3's frequency (pitch) is modulated by oscillator 2. The frequency modulation is implemented as phase modulation, which gives a more stable overall pitch than "pure" frequency modulation. + Hard sync oscillator 2 - - In addition to dedicated modulators, Monstro allows oscillator 3 to be modulated by the output of oscillator 2. - -PM means phase modulation: Oscillator 3's phase is modulated by oscillator 2. It differs from frequency modulation in that the phase changes are not cumulative. + Reverse sync oscillator 2 - - Select the waveform for LFO 1. -"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + Sub-osc mix - - Select the waveform for LFO 2. -"Random" and "Random smooth" are special waveforms: they produce random output, where the rate of the LFO controls how often the state of the LFO changes. The smooth version interpolates between these states with cosine interpolation. These random modes can be used to give "life" to your presets - add some of that analog unpredictability... + Hard sync oscillator 3 - - - Attack causes the LFO to come on gradually from the start of the note. + Reverse sync oscillator 3 - - - Rate sets the speed of the LFO, measured in milliseconds per cycle. Can be synced to tempo. - + Attack + 打進聲 - - - PHS controls the phase offset of the LFO. + Rate - - - PRE, or pre-delay, delays the start of the envelope from the start of the note. 0 means no delay. + Phase - - - ATT, or attack, controls how fast the envelope ramps up at start, measured in milliseconds. A value of 0 means instant. + Pre-delay - - - HOLD controls how long the envelope stays at peak after the attack phase. - + Hold + 保持 - - - DEC, or decay, controls how fast the envelope falls off from its peak, measured in milliseconds it would take to go from peak to zero. The actual decay may be shorter if sustain is used. - + Decay + 衰減 - - - SUS, or sustain, controls the sustain level of the envelope. The decay phase will not go below this level as long as the note is held. - + Sustain + 持續 - - - REL, or release, controls how long the release is for the note, measured in how long it would take to fall from peak to zero. Actual release may be shorter, depending on at what phase the note is released. - + Release + 釋放 - - - The slope knob controls the curve or shape of the envelope. A value of 0 creates straight rises and falls. Negative values create curves that start slowly, peak quickly and fall of slowly again. Positive values create curves that start and end quickly, and stay longer near the peaks. + Slope - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Modulation amount 調製量 @@ -6121,42 +4913,34 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator MultitapEchoControlDialog - Length 長度 - Step length: 步進長度： - Dry 幹聲 - Dry Gain: 幹聲增益： - Stages - Lowpass stages: - Swap inputs - Swap left and right input channel for reflections @@ -6164,102 +4948,82 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator NesInstrument - Channel 1 Coarse detune - Channel 1 Volume - Channel 1 Envelope length - Channel 1 Duty cycle - Channel 1 Sweep amount - Channel 1 Sweep rate - Channel 2 Coarse detune - Channel 2 Volume - Channel 2 Envelope length - Channel 2 Duty cycle - Channel 2 Sweep amount - Channel 2 Sweep rate - Channel 3 Coarse detune - Channel 3 Volume - Channel 4 Volume - Channel 4 Envelope length - Channel 4 Noise frequency - Channel 4 Noise frequency sweep - Master volume 主音量 - Vibrato @@ -6267,155 +5031,114 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator NesInstrumentView - - - - Volume 音量 - - - Coarse detune - - - Envelope length - Enable channel 1 - Enable envelope 1 - Enable envelope 1 loop - Enable sweep 1 - - Sweep amount - - Sweep rate - - 12.5% Duty cycle - - 25% Duty cycle - - 50% Duty cycle - - 75% Duty cycle - Enable channel 2 - Enable envelope 2 - Enable envelope 2 loop - Enable sweep 2 - Enable channel 3 - Noise Frequency - Frequency sweep - Enable channel 4 - Enable envelope 4 - Enable envelope 4 loop - Quantize noise frequency when using note frequency - Use note frequency for noise - Noise mode - Master Volume - + 主音量 - Vibrato @@ -6423,103 +5146,81 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator OscillatorObject - - Osc %1 waveform - Osc %1 波形 - - - - Osc %1 harmonic - - - - - Osc %1 volume Osc %1 音量 - - Osc %1 panning Osc %1 聲像 - - - Osc %1 fine detuning left + Osc %1 coarse detuning - - Osc %1 coarse detuning + Osc %1 fine detuning left - Osc %1 fine detuning right - Osc %1 phase-offset - Osc %1 stereo phase-detuning - Osc %1 wave shape - Modulation type %1 + + Osc %1 waveform + Osc %1 波形 + + + Osc %1 harmonic + + PatchesDialog - Qsynth: Channel Preset Qsynth: 通道預設 - Bank selector 音色選擇器 - Bank 庫 - Program selector - Patch 音色 - Name 名稱 - OK 確定 - Cancel 取消 @@ -6527,57 +5228,46 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatmanView - Open other patch 打開其他音色 - Click here to open another patch-file. Loop and Tune settings are not reset. 點擊這裏打開另一個音色文件。循環和調音設置不會被重設。 - Loop 循環 - Loop mode 循環模式 - Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. 在這裏你可以開關循環模式。如果啓用，PatMan 會使用文件中的循環信息。 - Tune 調音 - Tune mode 調音模式 - Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. 這裏可以開關調音模式。如果啓用，PatMan 會將採樣調成和音符一樣的頻率。 - No file selected 未選擇文件 - Open patch file 打開音色文件 - Patch-Files (*.pat) 音色文件 (*.pat) @@ -6585,60 +5275,53 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PatternView - - use mouse wheel to set velocity of a step - - - - - double-click to open in Piano Roll - - - - Open in piano-roll 在鋼琴窗中打開 - Clear all notes 清除所有音符 - Reset name 重置名稱 - Change name 修改名稱 - Add steps 添加音階 - Remove steps 移除音階 + + use mouse wheel to set velocity of a step + + + + double-click to open in Piano Roll + + + + Clone Steps + + PeakController - Peak Controller 峯值控制器 - Peak Controller Bug 峯值控制器 Bug - Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. 在老版本的 LMMS 中, 峯值控制器因爲有 bug 而可能沒有正確連接。請確保峯值控制器正常連接後再次保存次文件。我們對給你造成的不便深表歉意。 @@ -6646,12 +5329,10 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PeakControllerDialog - PEAK - LFO Controller LFO 控制器 @@ -6659,375 +5340,306 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator PeakControllerEffectControlDialog - BASE 基準 - Base amount: 基礎值: - - AMNT - - - - Modulation amount: 調製量： - + Attack: + 打擊聲: + + + Release: + 釋音： + + + AMNT + + + MULT - Amount Multiplicator: - ATCK 打擊 - - Attack: - 打擊聲: - - - DCAY - - Release: - 釋音： - - - - TRES + Treshold: - - Treshold: + TRSH PeakControllerEffectControls - Base value 基準值 - Modulation amount 調製量 - + Mute output + 輸出靜音 + + Attack 打進聲 - Release 釋放 - - Treshold - 閥值 - - - - Mute output - 輸出靜音 - - - Abs Value - Amount Multiplicator + + Treshold + 閥值 + PianoRoll - + Please open a pattern by double-clicking on it! + 雙擊打開片段！ + + + Last note + 上一個音符 + + + Note lock + 音符鎖定 + + Note Velocity 音符音量 - Note Panning 音符聲相偏移 - Mark/unmark current semitone 標記/取消標記當前半音 - - Mark/unmark all corresponding octave semitones - - - - Mark current scale - Mark current chord - Unmark all 取消標記所有 - - Select all notes on this key - 選中所有相同音調的音符 - - - - Note lock - 音符鎖定 - - - - Last note - 上一個音符 - - - No scale - No chord - Velocity: %1% 音量：%1% - Panning: %1% left 聲相：%1% 偏左 - Panning: %1% right 聲相：%1% 偏右 - Panning: center 聲相：居中 - - Please open a pattern by double-clicking on it! - 雙擊打開片段！ - - - - Please enter a new value between %1 and %2: 請輸入一個介於 %1 和 %2 的值： + + Mark/unmark all corresponding octave semitones + + + + Select all notes on this key + 選中所有相同音調的音符 + PianoRollWindow - Play/pause current pattern (Space) 播放/暫停當前片段（空格） - Record notes from MIDI-device/channel-piano 從 MIDI 設備/通道鋼琴(channel-piano) 錄製音符 - Record notes from MIDI-device/channel-piano while playing song or BB track - Stop playing of current pattern (Space) 停止當前片段（空格） - Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. - Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. - Click here to stop playback of current pattern. - - Edit actions - 編輯功能 - - - Draw mode (Shift+D) 繪製模式 (Shift+D) - Erase mode (Shift+E) 擦除模式 (Shift+E) - Select mode (Shift+S) 選擇模式 （Shift+S） - Detune mode (Shift+T) - Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold %1 to temporarily go into select mode. - Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. 點擊啓用擦除模式。此模式下你可以擦除音符。你可以按鍵盤上的 'Shift+E' 啓用此模式。 - Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold %1 in draw mode to temporarily use select mode. - Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. - - Copy paste controls - - - - Cut selected notes (%1+X) 剪切選定音符 (%1+X) - Copy selected notes (%1+C) 複製選定音符 (%1+C) - Paste notes from clipboard (%1+V) 從剪貼板粘貼音符 (%1+V) - Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. - Click here and the notes from the clipboard will be pasted at the first visible measure. - - Timeline controls - 時間線控制 - - - - Zoom and note controls - - - - This controls the magnification of an axis. It can be helpful to choose magnification for a specific task. For ordinary editing, the magnification should be fitted to your smallest notes. - The 'Q' stands for quantization, and controls the grid size notes and control points snap to. With smaller quantization values, you can draw shorter notes in Piano Roll, and more exact control points in the Automation Editor. - This lets you select the length of new notes. 'Last Note' means that LMMS will use the note length of the note you last edited - The feature is directly connected to the context-menu on the virtual keyboard, to the left in Piano Roll. After you have chosen the scale you want in this drop-down menu, you can right click on a desired key in the virtual keyboard, and then choose 'Mark current Scale'. LMMS will highlight all notes that belongs to the chosen scale, and in the key you have selected! - Let you select a chord which LMMS then can draw or highlight.You can find the most common chords in this drop-down menu. After you have selected a chord, click anywhere to place the chord, and right click on the virtual keyboard to open context menu and highlight the chord. To return to single note placement, you need to choose 'No chord' in this drop-down menu. - + Edit actions + 編輯功能 + + + Copy paste controls + + + + Timeline controls + 時間線控制 + + + Zoom and note controls + + + Piano-Roll - %1 鋼琴窗 - %1 - Piano-Roll - no pattern 鋼琴窗 - 沒有片段 + + Quantize + + PianoView - Base note 基本音 @@ -7035,24 +5647,20 @@ PM means phase modulation: Oscillator 3's phase is modulated by oscillator Plugin - Plugin not found 未找到插件 - The plugin "%1" wasn't found or could not be loaded! Reason: "%2" 插件“%1”無法找到或無法載入！ 原因：%2 - Error while loading plugin 載入插件時發生錯誤 - Failed to load plugin "%1"! 載入插件“%1”失敗！ @@ -7060,30 +5668,25 @@ Reason: "%2" PluginBrowser - - Instrument plugins - 樂器插件 - - - Instrument browser 樂器瀏覽器 - Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. 將樂器插件拖入歌曲編輯器, 節拍低音線編輯器, 或者現有的樂器軌道。 + + Instrument Plugins + + PluginFactory - Plugin not found. 未找到插件。 - LMMS plugin %1 does not have a plugin descriptor named %2! @@ -7091,147 +5694,118 @@ Reason: "%2" ProjectNotes - Project notes 工程註釋 - Put down your project notes here. 在這裏寫下你的工程註釋。 - Edit Actions 編輯功能 - &Undo 撤銷（&U) - %1+Z %1+Z - &Redo 重做(&R) - %1+Y %1+Y - &Copy 複製(&C) - %1+C %1+C - Cu&t 剪切(&T) - %1+X %1+X - &Paste 粘貼(&P) - %1+V %1+V - Format Actions 格式功能 - &Bold 加粗(&B) - %1+B %1+B - &Italic 斜體(&I) - %1+I %1+I - &Underline 下劃線(&U) - %1+U %1+U - &Left 左對齊(&L) - %1+L %1+L - C&enter 居中(&E) - %1+E %1+E - &Right 右對齊(&R) - %1+R %1+R - &Justify 勻齊(&J) - %1+J %1+J - &Color... 顏色(&C)... @@ -7239,12 +5813,10 @@ Reason: "%2" ProjectRenderer - WAV-File (*.wav) WAV-文件 (*.wav) - Compressed OGG-File (*.ogg) 壓縮的 OGG 文件(*.ogg) @@ -7252,89 +5824,57 @@ Reason: "%2" QWidget - - - Name: 名稱： - - Maker: 製作者： - - Copyright: 版權： - - Requires Real Time: 要求實時： - - - - - - Yes 是 - - - - - - No 否 - - Real Time Capable: 是否支持實時： - - In Place Broken: - - Channels In: 輸入通道： - - Channels Out: 輸出通道： - - File: %1 - 文件：%1 - - - File: 文件： + + File: %1 + 文件：%1 + RenameDialog - Rename... 重命名... @@ -7342,90 +5882,73 @@ Reason: "%2" SampleBuffer - Open audio file 打開音頻文件 - - All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - 所有音頻文件 (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) - - - Wave-Files (*.wav) Wave波形文件 (*.wav) - OGG-Files (*.ogg) OGG-文件 (*.ogg) - DrumSynth-Files (*.ds) DrumSynth-文件 (*.ds) - FLAC-Files (*.flac) FLAC-文件 (*.flac) - SPEEX-Files (*.spx) SPEEX-文件 (*.spx) - VOC-Files (*.voc) VOC-文件 (*.voc) - AIFF-Files (*.aif *.aiff) AIFF-文件 (*.aif *.aiff) - AU-Files (*.au) AU-文件 (*.au) - RAW-Files (*.raw) RAW-文件 (*.raw) + + All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + 所有音頻文件 (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw) + SampleTCOView - double-click to select sample 雙擊選擇採樣 - Delete (middle mousebutton) 刪除 (鼠標中鍵) - Cut 剪切 - Copy 複製 - Paste 粘貼 - Mute/unmute (<%1> + middle click) 靜音/取消靜音 (<%1> + 鼠標中鍵) @@ -7433,51 +5956,41 @@ Reason: "%2" SampleTrack - + Sample track + 採樣軌道 + + Volume 音量 - Panning 聲相 - - - - Sample track - 採樣軌道 - SampleTrackView - Track volume 軌道音量 - Channel volume: 通道音量： - VOL VOL - Panning 聲相 - Panning: 聲相： - PAN PAN @@ -7485,614 +5998,496 @@ Reason: "%2" SetupDialog - Setup LMMS 設置LMMS - - General settings 常規設置 - BUFFER SIZE 緩衝區大小 - - Reset to default-value 重置爲默認值 - MISC 雜項 - Enable tooltips 啓用工具提示 - Show restart warning after changing settings 在改變設置後顯示重啓警告 - - Display volume as dBV - 音量顯示爲dBV + Display volume as dBFS + - Compress project files per default 默認壓縮項目文件 - One instrument track window mode 單樂器軌道窗口模式 - HQ-mode for output audio-device 對輸出設備使用高質量輸出 - Compact track buttons 緊湊化軌道圖標 - Sync VST plugins to host playback 同步 VST 插件和主機回放 - Enable note labels in piano roll 在鋼琴窗中顯示音號 - Enable waveform display by default 默認啓用波形圖 - Keep effects running even without input 在沒有輸入時也運行音頻效果 - Create backup file when saving a project 保存工程時建立備份 - - Reopen last project on start - 啓動時打開最近的項目 - - - LANGUAGE 語言 - - Paths 路徑 - - Directories - 目錄 - - - LMMS working directory LMMS工作目錄 - - Themes directory - 主題文件目錄 - - - - Background artwork - 背景圖片 - - - - FL Studio installation directory - FL Studio安裝目錄 - - - VST-plugin directory VST插件目錄 - - GIG directory - GIG 目錄 - - - - SF2 directory - SF2 目錄 - - - - LADSPA plugin directories - LADSPA 插件目錄 + Background artwork + 背景圖片 - STK rawwave directory STK rawwave 目錄 - Default Soundfont File 默認 SoundFont 文件 - - Performance settings 性能設置 - - Auto save - 自動保存 - - - - Enable auto save feature - 啓用自動保存功能 - - - UI effects vs. performance 界面特效 vs 性能 - Smooth scroll in Song Editor 歌曲編輯器中啓用平滑滾動 - Show playback cursor in AudioFileProcessor 在 AudioFileProcessor 中顯示回放光標 - - Audio settings 音頻設置 - AUDIO INTERFACE 音頻接口 - - MIDI settings MIDI設置 - MIDI INTERFACE MIDI接口 - OK 確定 - Cancel 取消 - Restart LMMS 重啓LMMS - Please note that most changes won't take effect until you restart LMMS! 請注意很多設置需要重啓LMMS纔可生效！ - Frames: %1 Latency: %2 ms 幀數: %1 延遲: %2 毫秒 - - Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. - 在這裏，你可以設置 LMMS 所用緩衝區的大小。緩衝區越小，延遲越小，但聲音質量和性能可能會受影響。 + Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. + 在這裏，你可以設置 LMMS 所用緩衝區的大小。緩衝區越小，延遲越小，但聲音質量和性能可能會受影響。 + + + Choose LMMS working directory + 選擇 LMMS 工作目錄 + + + Choose your VST-plugin directory + 選擇 VST 插件目錄 + + + Choose artwork-theme directory + 選擇插圖目錄 + + + Choose LADSPA plugin directory + 選擇 LADSPA 插件目錄 + + + Choose STK rawwave directory + 選擇 STK rawwave 目錄 + + + Choose default SoundFont + 選擇默認的 SoundFont + + + Choose background artwork + 選擇背景圖片 + + + Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. + 在這裏你可以選擇你想要的音頻接口。取決於你的系統和編譯時的設置, 你可以選擇 ALSA, JACK, OSS 等選項。在下面的方框中你可以設置音頻接口的控制項目。 - - Choose LMMS working directory - 選擇 LMMS 工作目錄 + Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. + 在這裏你可以選擇你想要的 MIDI 接口。取決於你的系統和編譯時的設置, 你可以選擇 ALSA, OSS 等選項。在下面的方框中你可以設置 MIDI 接口的控制項目。 - - Choose your GIG directory - 選擇 GIG 目錄 + Reopen last project on start + 啓動時打開最近的項目 - - Choose your SF2 directory - 選擇 SF2 目錄 + Directories + 目錄 - - Choose your VST-plugin directory - 選擇 VST 插件目錄 + Themes directory + 主題文件目錄 - - Choose artwork-theme directory - 選擇插圖目錄 + GIG directory + GIG 目錄 - - Choose FL Studio installation directory - 選擇 FL Studio 安裝目錄 + SF2 directory + SF2 目錄 - - Choose LADSPA plugin directory - 選擇 LADSPA 插件目錄 + LADSPA plugin directories + LADSPA 插件目錄 - - Choose STK rawwave directory - 選擇 STK rawwave 目錄 + Auto save + 自動保存 - - Choose default SoundFont - 選擇默認的 SoundFont + Choose your GIG directory + 選擇 GIG 目錄 - - Choose background artwork - 選擇背景圖片 + Choose your SF2 directory + 選擇 SF2 目錄 - minutes 分鐘 - minute 分鐘 - - Auto save interval: %1 %2 - 自動保存間隔: %1 %2 + Enable auto-save + - - Set the time between automatic backup to %1. -Remember to also save your project manually. - 設置自動備份到 %1 的保存時間間隔。 -不過, 請你還是記得時常手動保存你的項目喲。 + Allow auto-save while playing + - - Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. - 在這裏你可以選擇你想要的音頻接口。取決於你的系統和編譯時的設置, 你可以選擇 ALSA, JACK, OSS 等選項。在下面的方框中你可以設置音頻接口的控制項目。 + Disabled + - - Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. - 在這裏你可以選擇你想要的 MIDI 接口。取決於你的系統和編譯時的設置, 你可以選擇 ALSA, OSS 等選項。在下面的方框中你可以設置 MIDI 接口的控制項目。 + Auto-save interval: %1 + + + + Set the time between automatic backup to %1. +Remember to also save your project manually. You can choose to disable saving while playing, something some older systems find difficult. + Song - Tempo 節奏 - Master volume 主音量 - Master pitch 主音高 - Project saved 工程已保存 - The project %1 is now saved. 工程 %1 已保存。 - Project NOT saved. 工程 **沒有** 保存。 - The project %1 was not saved! 工程%1沒有保存！ - Import file 導入文件 - MIDI sequences MIDI 音序器 - - FL Studio projects - FL Studio 工程 - - - Hydrogen projects Hydrogen工程 - All file types 所有類型 - - Empty project 空工程 - - This project is empty so exporting makes no sense. Please put some items into Song Editor first! 這個工程是空的所以就算導出也沒有意義，請在歌曲編輯器中加入一點聲音吧！ - Select directory for writing exported tracks... 選擇寫入導出音軌的目錄... - - untitled 未標題 - - Select file for project-export... 爲工程導出選擇文件... - + The following errors occured while loading: + 載入時發生以下錯誤： + + MIDI File (*.mid) MIDI 文件 (*.mid) - - The following errors occured while loading: - 載入時發生以下錯誤： + LMMS Error report + LMMS錯誤報告 + + + Save project + SongEditor - Could not open file 無法打開文件 - - Could not open file %1. You probably have no permissions to read this file. - Please make sure to have at least read permissions to the file and try again. - 無法打開 %1 。或許沒有權限讀此文件。 -請確保您擁有對此文件的讀權限，然後重試。 - - - Could not write file 無法寫入文件 - - Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. - 無法打開 %1 寫入數據。或許沒有權限修改此文件。請確保您擁有對此文件的寫權限，然後重試。 + Could not open file %1. You probably have no permissions to read this file. + Please make sure to have at least read permissions to the file and try again. + 無法打開 %1 。或許沒有權限讀此文件。 +請確保您擁有對此文件的讀權限，然後重試。 - Error in file 文件錯誤 - The file %1 seems to contain errors and therefore can't be loaded. 文件 %1 似乎包含錯誤，無法被加載。 - - Project Version Mismatch - 版本號不匹配 - - - - This %1 was created with LMMS version %2, but version %3 is installed - 這個 %1 是由版本爲 %2 的 LMMS 創建的, 但是已安裝的 LMMS 版本號爲 %3 - - - Tempo 節奏 - TEMPO/BPM 節奏/BPM - tempo of song 歌曲的節奏 - The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). - High quality mode 高質量模式 - - Master volume 主音量 - master volume 主音量 - - Master pitch 主音高 - master pitch 主音高 - Value: %1% 值: %1% - Value: %1 semitones 值: %1 半音程 + + Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. + 無法打開 %1 寫入數據。或許沒有權限修改此文件。請確保您擁有對此文件的寫權限，然後重試。 + + + template + + + + project + + + + Version difference + + + + This %1 was created with LMMS %2. + + SongEditorWindow - Song-Editor 歌曲編輯器 - Play song (Space) 播放歌曲（空格） - Record samples from Audio-device 從音頻設備錄製樣本 - Record samples from Audio-device while playing song or BB track 在播放歌曲或BB軌道時從音頻設備錄入樣本 - Stop song (Space) 停止歌曲（空格） - - Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. - 點擊這裏完整播放歌曲。將從綠色歌曲標記開始播放。在播放的同時可以對它進行移動。 - - - - Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. - 點擊這裏停止播放，歌曲位置標記會跳到歌曲的開頭。 - - - - Track actions - 軌道動作 - - - Add beat/bassline 添加節拍/Bassline - Add sample-track 添加採樣軌道 - Add automation-track 添加自動控制軌道 - - Edit actions - 編輯動作 - - - Draw mode 繪製模式 - Edit mode (select and move) 編輯模式（選定和移動） - + Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. + 點擊這裏完整播放歌曲。將從綠色歌曲標記開始播放。在播放的同時可以對它進行移動。 + + + Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. + 點擊這裏停止播放，歌曲位置標記會跳到歌曲的開頭。 + + + Track actions + 軌道動作 + + + Edit actions + 編輯動作 + + Timeline controls 時間線控制 - Zoom controls 縮放控制 @@ -8100,12 +6495,10 @@ Remember to also save your project manually. SpectrumAnalyzerControlDialog - Linear spectrum 線性頻譜圖 - Linear Y axis 線性 Y 軸 @@ -8113,26 +6506,36 @@ Remember to also save your project manually. SpectrumAnalyzerControls - Linear spectrum 線性頻譜圖 - Linear Y axis 線性 Y 軸 - Channel mode 通道模式 + + SubWindow + + Close + + + + Maximize + + + + Restore + + + TabWidget - - Settings for %1 %1 的設定 @@ -8140,93 +6543,74 @@ Remember to also save your project manually. TempoSyncKnob - - Tempo Sync - No Sync 無同步 - Eight beats - Whole note - Half note - Quarter note - 8th note - 16th note - 32nd note - Custom... - Custom - Synced to Eight Beats - Synced to Whole Note - Synced to Half Note - Synced to Quarter Note - Synced to 8th Note - Synced to 16th Note - Synced to 32nd Note @@ -8234,51 +6618,65 @@ Remember to also save your project manually. TimeDisplayWidget - click to change time units 點擊改變時間單位 + + MIN + + + + SEC + + + + MSEC + + + + BAR + + + + BEAT + + + + TICK + + TimeLineWidget - Enable/disable auto-scrolling 啓用/禁用自動滾動 - Enable/disable loop-points 啓用/禁用循環點 - After stopping go back to begin 停止後前往開頭 - After stopping go back to position at which playing was started 停止後前往播放開始的地方 - After stopping keep position 停止後保持位置不變 - - Hint 提示 - Press <%1> to disable magnetic loop points. 按住 <%1> 禁用磁性吸附。 - Hold <Shift> to move the begin loop point; Press <%1> to disable magnetic loop points. 按住 <Shift> 移動起始循環點；按住 <%1> 禁用磁性吸附。 @@ -8286,12 +6684,10 @@ Remember to also save your project manually. Track - Mute 靜音 - Solo 獨奏 @@ -8299,63 +6695,45 @@ Remember to also save your project manually. TrackContainer - - Importing FLP-file... - 正在導入 FLP-文件... - - - - - - Cancel - 取消 - - - - - - Please wait... - 請稍等... - - - - Importing MIDI-file... - 正在導入 MIDI-文件... - - - Couldn't import file 無法導入文件 - Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. 無法找到導入文件 %1 的導入器 你需要使用其他軟件將此文件轉換成 LMMS 支持的格式。 - Couldn't open file 無法打開文件 - Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! 無法讀取文件 %1 請確認你有對該文件及其目錄的讀取權限後再試! - Loading project... 正在加載工程... + + Cancel + 取消 + + + Please wait... + 請稍等... + + + Importing MIDI-file... + 正在導入 MIDI-文件... + TrackContentObject - Mute 靜音 @@ -8363,58 +6741,46 @@ Please make sure you have read-permission to the file and the directory containi TrackContentObjectView - Current position 當前位置 - - Hint 提示 - Press <%1> and drag to make a copy. 按住 <%1> 並拖動以創建副本。 - Current length 當前長度 - Press <%1> for free resizing. 按住 <%1> 自由調整大小。 - %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 到 %5:%6) - Delete (middle mousebutton) 刪除 (鼠標中鍵) - Cut 剪切 - Copy 複製 - Paste 粘貼 - Mute/unmute (<%1> + middle click) 靜音/取消靜音 (<%1> + 鼠標中鍵) @@ -8422,243 +6788,193 @@ Please make sure you have read-permission to the file and the directory containi TrackOperationsWidget - Press <%1> while clicking on move-grip to begin a new drag'n'drop-action. - Actions for this track - Mute 靜音 - - Solo 獨奏 - Mute this track - Clone this track - Remove this track - Clear this track - FX %1: %2 效果 %1: %2 - - Assign to new FX Channel + Turn all recording on - - Turn all recording on + Turn all recording off - - Turn all recording off + Assign to new FX Channel TripleOscillatorView - Use phase modulation for modulating oscillator 1 with oscillator 2 - Use amplitude modulation for modulating oscillator 1 with oscillator 2 - Mix output of oscillator 1 & 2 - Synchronize oscillator 1 with oscillator 2 - Use frequency modulation for modulating oscillator 1 with oscillator 2 - Use phase modulation for modulating oscillator 2 with oscillator 3 - Use amplitude modulation for modulating oscillator 2 with oscillator 3 - Mix output of oscillator 2 & 3 - Synchronize oscillator 2 with oscillator 3 - Use frequency modulation for modulating oscillator 2 with oscillator 3 - Osc %1 volume: - With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. - Osc %1 panning: - With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. - Osc %1 coarse detuning: - semitones - With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 24 semitones (2 octaves) up and down. This is useful for creating sounds with a chord. - Osc %1 fine detuning left: - - cents 音分 cents - With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Osc %1 fine detuning right: - With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. - Osc %1 phase-offset: - - degrees - With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. - Osc %1 stereo phase-detuning: - With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. - Use a sine-wave for current oscillator. 爲當前振盪器使用正弦波。 - Use a triangle-wave for current oscillator. 爲當前振盪器使用三角波。 - Use a saw-wave for current oscillator. 爲當前振盪器使用鋸齒波。 - Use a square-wave for current oscillator. 爲當前振盪器使用方波。 - Use a moog-like saw-wave for current oscillator. - Use an exponential wave for current oscillator. - Use white-noise for current oscillator. 爲當前振盪器使用白噪音。 - Use a user-defined waveform for current oscillator. 爲當前振盪器使用用戶自定波形。 @@ -8666,126 +6982,105 @@ Please make sure you have read-permission to the file and the directory containi VersionedSaveDialog - Increment version number 遞增版本號 - Decrement version number 遞減版本號 + + already exists. Do you want to replace it? + + VestigeInstrumentView - Open other VST-plugin 打開其他的VST插件 - Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. - + Show/hide GUI + 顯示/隱藏界面 + + + Click here to show or hide the graphical user interface (GUI) of your VST-plugin. + 點此顯示/隱藏VST插件的界面。 + + + Turn off all notes + 全部靜音 + + + Open VST-plugin + 打開VST插件 + + + DLL-files (*.dll) + DLL-文件 (*.dll) + + + EXE-files (*.exe) + EXE-文件 (*.exe) + + + No VST-plugin loaded + 未載入VST插件 + + Control VST-plugin from LMMS host 從 LMMS 宿主控制 VST-插件 - Click here, if you want to control VST-plugin from host. - Open VST-plugin preset 打開 VST-插件預設 - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - Previous (-) 上一個 (-) - - Click here, if you want to switch to another VST-plugin preset program. - Save preset 保存預置 - Click here, if you want to save current VST-plugin preset program. 點擊這裏, 如果你想保存當前 VST-插件預設。 - Next (+) 下一個 (+) - Click here to select presets that are currently loaded in VST. - - Show/hide GUI - 顯示/隱藏界面 - - - - Click here to show or hide the graphical user interface (GUI) of your VST-plugin. - 點此顯示/隱藏VST插件的界面。 - - - - Turn off all notes - 全部靜音 - - - - Open VST-plugin - 打開VST插件 - - - - DLL-files (*.dll) - DLL-文件 (*.dll) - - - - EXE-files (*.exe) - EXE-文件 (*.exe) - - - - No VST-plugin loaded - 未載入VST插件 - - - Preset 預置 - by - - VST plugin control - VST插件控制 @@ -8793,12 +7088,10 @@ Please make sure you have read-permission to the file and the directory containi VisualizationWidget - click to enable/disable visualization of master-output 點擊啓用/禁用視覺化主輸出 - Click to enable 點擊啓用 @@ -8806,69 +7099,54 @@ Please make sure you have read-permission to the file and the directory containi VstEffectControlDialog - Show/hide 顯示/隱藏 - Control VST-plugin from LMMS host 從 LMMS 宿主控制 VST-插件 - Click here, if you want to control VST-plugin from host. - Open VST-plugin preset 打開 VST-插件預設 - Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. - Previous (-) 上一個 (-) - - Click here, if you want to switch to another VST-plugin preset program. - Next (+) 下一個 (+) - Click here to select presets that are currently loaded in VST. - Save preset 保存預置 - Click here, if you want to save current VST-plugin preset program. 點擊這裏, 如果你想保存當前 VST-插件預設。 - - Effect by: - &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> @@ -8876,217 +7154,173 @@ Please make sure you have read-permission to the file and the directory containi VstPlugin - - - The VST plugin %1 could not be loaded. - 無法載入VST插件 %1。 + Loading plugin + 載入插件 - Open Preset 打開預置 - - Vst Plugin Preset (*.fxp *.fxb) VST插件預置文件(*.fxp *.fxb) - : default : 默認 - " " - ' ' - Save Preset 保存預置 - .fxp .fxp - .FXP .FXP - .FXB .FXB - .fxb .fxb - - Loading plugin - 載入插件 - - - Please wait while loading VST plugin... 正在載入VST插件，請稍候…… + + The VST plugin %1 could not be loaded. + 無法載入VST插件 %1。 + WatsynInstrument - Volume A1 - Volume A2 - Volume B1 - Volume B2 - Panning A1 - Panning A2 - Panning B1 - Panning B2 - Freq. multiplier A1 - Freq. multiplier A2 - Freq. multiplier B1 - Freq. multiplier B2 - Left detune A1 - Left detune A2 - Left detune B1 - Left detune B2 - Right detune A1 - Right detune A2 - Right detune B1 - Right detune B2 - A-B Mix - A-B Mix envelope amount - A-B Mix envelope attack - A-B Mix envelope hold - A-B Mix envelope decay - A1-B2 Crosstalk - A2-A1 modulation - B2-B1 modulation - Selected graph @@ -9094,291 +7328,213 @@ Please make sure you have read-permission to the file and the directory containi WatsynView - - - - - Volume - 音量 - - - - - - - Panning - 聲相 - - - - - - - Freq. multiplier - - - - - - - - Left detune - - - - - - - - - - - - cents - - - - - - - - Right detune - - - - - A-B Mix - - - - - Mix envelope amount - - - - - Mix envelope attack - - - - - Mix envelope hold - - - - - Mix envelope decay - - - - - Crosstalk - - - - Select oscillator A1 - Select oscillator A2 - Select oscillator B1 - Select oscillator B2 - Mix output of A2 to A1 - Modulate amplitude of A1 with output of A2 - Ring-modulate A1 and A2 - Modulate phase of A1 with output of A2 - Mix output of B2 to B1 - Modulate amplitude of B1 with output of B2 - Ring-modulate B1 and B2 - Modulate phase of B1 with output of B2 - - - - Draw your own waveform here by dragging your mouse on this graph. - Load waveform - + 載入波形 - Click to load a waveform from a sample file - Phase left - Click to shift phase by -15 degrees - Phase right - Click to shift phase by +15 degrees - Normalize 標準化 - Click to normalize - Invert 反轉 - Click to invert - Smooth 平滑 - Click to smooth - Sine wave 正弦波 - Click for sine wave - - Triangle wave 三角波 - Click for triangle wave - Click for saw wave - Square wave 方波 - Click for square wave + + Volume + 音量 + + + Panning + 聲相 + + + Freq. multiplier + + + + Left detune + + + + cents + + + + Right detune + + + + A-B Mix + + + + Mix envelope amount + + + + Mix envelope attack + + + + Mix envelope hold + + + + Mix envelope decay + + + + Crosstalk + + ZynAddSubFxInstrument - Portamento - Filter Frequency - Filter Resonance - Bandwidth 帶寬 - FM Gain FM 增益 - Resonance Center Frequency - Resonance Bandwidth - Forward MIDI Control Change Events @@ -9386,150 +7542,121 @@ Please make sure you have read-permission to the file and the directory containi ZynAddSubFxView - + Show GUI + 顯示圖形界面 + + + Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. + + + Portamento: - PORT - Filter Frequency: - FREQ 頻率 - Filter Resonance: - RES - Bandwidth: 帶寬： - BW - FM Gain: - FM GAIN - Resonance center frequency: - RES CF - Resonance bandwidth: - RES BW - Forward MIDI Control Changes - - - Show GUI - 顯示圖形界面 - - - - Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. - - audioFileProcessor - Amplify 增益 - Start of sample 採樣起始 - End of sample 採樣結尾 - - Loopback point - 循環點 - - - Reverse sample 反轉採樣 - - Loop mode - 循環模式 - - - Stutter - + Loopback point + 循環點 + + + Loop mode + 循環模式 + + Interpolation mode 補間方式 - None 無 - Linear 線性插補 - Sinc 辛格(Sinc)插補 - Sample not found: %1 採樣未找到: %1 @@ -9537,7 +7664,6 @@ Please make sure you have read-permission to the file and the directory containi bitInvader - Samplelength 採樣長度 @@ -9545,205 +7671,165 @@ Please make sure you have read-permission to the file and the directory containi bitInvaderView - Sample Length 採樣長度 - - Draw your own waveform here by dragging your mouse on this graph. - - - - Sine wave 正弦波 - - Click for a sine-wave. - - - - Triangle wave 三角波 - - Click here for a triangle-wave. - - - - Saw wave 鋸齒波 - - Click here for a saw-wave. - - - - Square wave 方波 - - Click here for a square-wave. - - - - White noise wave 白噪音 - - Click here for white-noise. - - - - User defined wave 用戶自定義波形 - - Click here for a user-defined shape. - - - - Smooth 平滑 - Click here to smooth waveform. 點擊這裏平滑波形。 - Interpolation - Normalize 標準化 + + Draw your own waveform here by dragging your mouse on this graph. + + + + Click for a sine-wave. + + + + Click here for a triangle-wave. + 點擊這裡使用三角波。 + + + Click here for a saw-wave. + + + + Click here for a square-wave. + 點擊這裡使用方形波。 + + + Click here for white-noise. + + + + Click here for a user-defined shape. + + dynProcControlDialog - INPUT 輸入 - Input gain: 輸入增益: - OUTPUT 輸出 - Output gain: 輸出增益: - ATTACK - Peak attack time: - RELEASE - Peak release time: - Reset waveform 重置波形 - Click here to reset the wavegraph back to default - Smooth waveform 平滑波形 - Click here to apply smoothing to wavegraph 點擊這裏來使波形圖更爲平滑 - Increase wavegraph amplitude by 1dB - Click here to increase wavegraph amplitude by 1dB - Decrease wavegraph amplitude by 1dB - Click here to decrease wavegraph amplitude by 1dB - Stereomode Maximum - Process based on the maximum of both stereo channels - Stereomode Average - Process based on the average of both stereo channels - Stereomode Unlinked - Process each stereo channel independently @@ -9751,27 +7837,22 @@ Please make sure you have read-permission to the file and the directory containi dynProcControls - Input gain 輸入增益 - Output gain 輸出增益 - Attack time - Release time - Stereo mode @@ -9779,12 +7860,10 @@ Please make sure you have read-permission to the file and the directory containi fxLineLcdSpinBox - Assign to: 分配給: - New FX Channel 新的效果通道 @@ -9792,7 +7871,6 @@ Please make sure you have read-permission to the file and the directory containi graphModel - Graph 圖形 @@ -9800,62 +7878,50 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrument - Start frequency 起始頻率 - End frequency 結束頻率 - + Gain + 增益 + + Length 長度 - Distortion Start 起始失真度 - Distortion End 結束失真度 - - Gain - 增益 - - - Envelope Slope 包絡線傾斜度 - Noise 噪音 - Click 力度 - Frequency Slope 頻率傾斜度 - Start from note 從哪個音符開始 - End to note 到哪個音符結束 @@ -9863,52 +7929,42 @@ Please make sure you have read-permission to the file and the directory containi kickerInstrumentView - Start frequency: 起始頻率： - End frequency: 結束頻率： - - Frequency Slope: - 頻率傾斜度： - - - Gain: 增益： - + Frequency Slope: + 頻率傾斜度： + + Envelope Length: 包絡長度： - Envelope Slope: 包絡線傾斜度： - Click: 力度： - Noise: 噪音： - Distortion Start: 起始失真度： - Distortion End: 結束失真度： @@ -9916,37 +7972,26 @@ Please make sure you have read-permission to the file and the directory containi ladspaBrowserView - - Available Effects 可用效果器 - - Unavailable Effects 不可用效果器 - - Instruments 樂器插件 - - Analysis Tools 分析工具 - - Don't know 未知 - This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. @@ -9975,7 +8020,6 @@ Double clicking any of the plugins will bring up information on the ports. - Type: 類型: @@ -9983,12 +8027,10 @@ Double clicking any of the plugins will bring up information on the ports. ladspaDescription - Plugins 插件 - Description 描述 @@ -9996,83 +8038,66 @@ Double clicking any of the plugins will bring up information on the ports. ladspaPortDialog - Ports - Name 名稱 - Rate - Direction 方向 - Type 類型 - Min < Default < Max 最小 < 默認 < 最大 - Logarithmic 對數 - SR Dependent - Audio 音頻 - Control 控制 - Input 輸入 - Output 輸出 - Toggled - Integer 整型 - Float 浮點 - - Yes 是 @@ -10080,57 +8105,46 @@ Double clicking any of the plugins will bring up information on the ports. lb302Synth - VCF Cutoff Frequency - VCF Resonance - VCF Envelope Mod - VCF Envelope Decay - Distortion 失真 - Waveform 波形 - Slide Decay - Slide - Accent - Dead - 24dB/oct Filter @@ -10138,153 +8152,122 @@ Double clicking any of the plugins will bring up information on the ports. lb302SynthView - Cutoff Freq: - Resonance: 共鳴： - Env Mod: - Decay: 衰減： - 303-es-que, 24dB/octave, 3 pole filter - Slide Decay: - DIST: - Saw wave 鋸齒波 - Click here for a saw-wave. - Triangle wave 三角波 - Click here for a triangle-wave. - + 點擊這裡使用三角波。 - Square wave 方波 - Click here for a square-wave. - + 點擊這裡使用方形波。 - Rounded square wave - Click here for a square-wave with a rounded end. - Moog wave - Click here for a moog-like wave. - Sine wave 正弦波 - Click for a sine-wave. - - White noise wave 白噪音 - Click here for an exponential wave. - Click here for white-noise. - Bandlimited saw wave - Click here for bandlimited saw wave. - Bandlimited square wave - Click here for bandlimited square wave. - Bandlimited triangle wave - Click here for bandlimited triangle wave. - Bandlimited moog saw wave - Click here for bandlimited moog saw wave. @@ -10292,147 +8275,118 @@ Double clicking any of the plugins will bring up information on the ports. malletsInstrument - Hardness - Position - Vibrato Gain - Vibrato Freq - Stick Mix - Modulator - Crossfade - LFO Speed - LFO Depth - ADSR - Pressure - Motion - Speed - Bowed - Spread - Marimba - Vibraphone - Agogo - Wood1 - Reso - Wood2 - Beats - Two Fixed - Clump - Tubular Bells - Uniform Bar - Tuned Bar - Glass - Tibetan Bowl @@ -10440,212 +8394,149 @@ Double clicking any of the plugins will bring up information on the ports. malletsInstrumentView - Instrument - Spread - Spread: - - Missing files - - - - - Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! - - - - Hardness - Hardness: - Position - Position: - Vib Gain - Vib Gain: - Vib Freq - Vib Freq: - Stick Mix - Stick Mix: - Modulator - Modulator: - Crossfade - Crossfade: - LFO Speed - LFO Speed: - LFO Depth - LFO Depth: - ADSR - ADSR: - - Bowed - - - - Pressure - Pressure: - - Motion - - - - - Motion: - - - - Speed - Speed: - - - Vibrato + Missing files - - Vibrato: + Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! manageVSTEffectView - - VST parameter control - VST 參數控制 - VST Sync VST 同步 - Click here if you want to synchronize all parameters with VST plugin. 點擊這裏, 如果你想與 VST 插件同步所有參數。 - - Automated 自動 - Click here if you want to display automated parameters only. - Close 關閉 - Close VST effect knob-controller window. @@ -10653,39 +8544,30 @@ Double clicking any of the plugins will bring up information on the ports. manageVestigeInstrumentView - - - VST plugin control - VST插件控制 - VST Sync VST 同步 - Click here if you want to synchronize all parameters with VST plugin. 點擊這裏, 如果你想與 VST 插件同步所有參數。 - - Automated 自動 - Click here if you want to display automated parameters only. - Close 關閉 - Close VST plugin knob-controller window. @@ -10693,147 +8575,118 @@ Double clicking any of the plugins will bring up information on the ports. opl2instrument - Patch 音色 - Op 1 Attack - Op 1 Decay - Op 1 Sustain - Op 1 Release - Op 1 Level - Op 1 Level Scaling - Op 1 Frequency Multiple - Op 1 Feedback - Op 1 Key Scaling Rate - Op 1 Percussive Envelope - Op 1 Tremolo - Op 1 Vibrato - Op 1 Waveform - Op 2 Attack - Op 2 Decay - Op 2 Sustain - Op 2 Release - Op 2 Level - Op 2 Level Scaling - Op 2 Frequency Multiple - Op 2 Key Scaling Rate - Op 2 Percussive Envelope - Op 2 Tremolo - Op 2 Vibrato - Op 2 Waveform - FM - Vibrato Depth - Tremolo Depth @@ -10841,26 +8694,18 @@ Double clicking any of the plugins will bring up information on the ports. opl2instrumentView - - Attack 打進聲 - - Decay 衰減 - - Release 釋放 - - Frequency multiplier @@ -10868,12 +8713,10 @@ Double clicking any of the plugins will bring up information on the ports. organicInstrument - Distortion 失真 - Volume 音量 @@ -10881,63 +8724,50 @@ Double clicking any of the plugins will bring up information on the ports. organicInstrumentView - Distortion: 失真： - - The distortion knob adds distortion to the output of the instrument. - - - - Volume: 音量： - - The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. + Randomise + 隨機 + + + Osc %1 waveform: - - Randomise - 隨機 + Osc %1 volume: + - - The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. + Osc %1 panning: - - - Osc %1 waveform: + cents + 音分 cents + + + The distortion knob adds distortion to the output of the instrument. - - Osc %1 volume: + The volume knob controls the volume of the output of the instrument. It is cumulative with the instrument window's volume control. - - Osc %1 panning: + The randomize button randomizes all knobs except the harmonics,main volume and distortion knobs. - Osc %1 stereo detuning - - cents - 音分 cents - - - Osc %1 harmonic: @@ -10945,351 +8775,265 @@ Double clicking any of the plugins will bring up information on the ports. papuInstrument - Sweep time - Sweep direction - Sweep RtShift amount - - Wave Pattern Duty - Channel 1 volume - - - Volume sweep direction - - - Length of each step in sweep - Channel 2 volume - Channel 3 volume - Channel 4 volume - - Shift Register width - - - - Right Output level 右聲道輸出電平 - Left Output level - Channel 1 to SO2 (Left) - Channel 2 to SO2 (Left) - Channel 3 to SO2 (Left) - Channel 4 to SO2 (Left) - Channel 1 to SO1 (Right) - Channel 2 to SO1 (Right) - Channel 3 to SO1 (Right) - Channel 4 to SO1 (Right) - Treble - Bass 低音 + + Shift Register width + + papuInstrumentView - Sweep Time: - Sweep Time - - The amount of increase or decrease in frequency - - - - Sweep RtShift amount: - Sweep RtShift amount - - The rate at which increase or decrease in frequency occurs - - - - - Wave pattern duty: - Wave Pattern Duty - - - The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. - - - - - Square Channel 1 Volume: - - Square Channel 1 Volume - - - - - - Length of each step in sweep: - - - Length of each step in sweep - - - - The delay between step change - - - - Wave pattern duty - Square Channel 2 Volume: - - Square Channel 2 Volume - Wave Channel Volume: - - Wave Channel Volume - Noise Channel Volume: - - Noise Channel Volume - SO1 Volume (Right): - SO1 Volume (Right) - SO2 Volume (Left): - SO2 Volume (Left) - Treble: - Treble - Bass: - Bass 低音 - Sweep Direction - - - - - Volume Sweep Direction - Shift Register Width - Channel1 to SO1 (Right) - Channel2 to SO1 (Right) - Channel3 to SO1 (Right) - Channel4 to SO1 (Right) - Channel1 to SO2 (Left) - Channel2 to SO2 (Left) - Channel3 to SO2 (Left) - Channel4 to SO2 (Left) - Wave Pattern - + The amount of increase or decrease in frequency + + + + The rate at which increase or decrease in frequency occurs + + + + The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. + + + + Square Channel 1 Volume + + + + The delay between step change + + + Draw the wave here @@ -11297,42 +9041,34 @@ Double clicking any of the plugins will bring up information on the ports. patchesDialog - Qsynth: Channel Preset Qsynth: 通道預設 - Bank selector 音色選擇器 - Bank 庫 - Program selector - Patch 音色 - Name 名稱 - OK 確定 - Cancel 取消 @@ -11340,302 +9076,239 @@ Double clicking any of the plugins will bring up information on the ports. pluginBrowser - - A native amplifier plugin - 原生增益插件 + no description + 沒有描述 - - Simple sampler with various settings for using samples (e.g. drums) in an instrument-track - 簡單地在樂器欄使用採樣(比如鼓音源), 同時也提供多種設置 + Incomplete monophonic imitation tb303 + - - Boost your bass the fast and simple way + Plugin for freely manipulating stereo output - - Customizable wavetable synthesizer - 可自定製的波表合成器 + Plugin for controlling knobs with sound peaks + - - An oversampling bitcrusher + Plugin for enhancing stereo separation of a stereo input file - - Carla Patchbay Instrument - Carla Patchbay 樂器 + List installed LADSPA plugins + 列出已安裝的 LADSPA 插件 - - Carla Rack Instrument - Carla Rack 樂器 + GUS-compatible patch instrument + GUS 兼容音色的樂器 - - A 4-band Crossover Equalizer + Additive Synthesizer for organ-like sounds - - A native delay plugin - 原生的衰減插件 - - - - A Dual filter plugin + Tuneful things to bang on - - plugin for processing dynamics in a flexible way - + VST-host for using VST(i)-plugins within LMMS + LMMS的VST(i)插件宿主 - - A native eq plugin - 原生的 EQ 插件 + Vibrating string modeler + - - A native flanger plugin - 一個原生的 鑲邊 (Flanger) 插件 + plugin for using arbitrary LADSPA-effects inside LMMS. + 在 LMMS 中使用任意 LADSPA 效果的插件。 - - Filter for importing FL Studio projects into LMMS - 將 FL Studio 工程導入 LMMS 的過濾器 + Filter for importing MIDI-files into LMMS + - - Player for GIG files - 播放 GIG 文件的播放器 + Emulation of the MOS6581 and MOS8580 SID. +This chip was used in the Commodore 64 computer. + 模擬 MOS6581 和 MOS8580 SID 的模擬器 +這些芯片曾在 Commodore 64 電腦上用過。 - - Filter for importing Hydrogen files into LMMS - 導入 Hydrogen 工程文件到 LMMS 的解析器 + Player for SoundFont files + 在工程中使用SoundFont - - Versatile drum synthesizer - 多功能鼓合成器 + Emulation of GameBoy (TM) APU + GameBoy (TM) APU 模擬器 - - List installed LADSPA plugins - 列出已安裝的 LADSPA 插件 + Customizable wavetable synthesizer + 可自定製的波表合成器 - - plugin for using arbitrary LADSPA-effects inside LMMS. - 在 LMMS 中使用任意 LADSPA 效果的插件。 + Embedded ZynAddSubFX + 內置的 ZynAddSubFX - - Incomplete monophonic imitation tb303 + 2-operator FM Synth - - Filter for exporting MIDI-files from LMMS - + Filter for importing Hydrogen files into LMMS + 導入 Hydrogen 工程文件到 LMMS 的解析器 - - Filter for importing MIDI-files into LMMS - + LMMS port of sfxr + sfxr 的 LMMS 移植版本 - Monstrous 3-oscillator synth with modulation matrix - - A multitap echo delay plugin + Three powerful oscillators you can modulate in several ways - - A NES-like synthesizer - 類似於 NES 的合成器 + A native amplifier plugin + 原生增益插件 - - 2-operator FM Synth + Carla Rack Instrument + Carla Rack 樂器 + + + 4-oscillator modulatable wavetable synth - - Additive Synthesizer for organ-like sounds + plugin for waveshaping - - Emulation of GameBoy (TM) APU - GameBoy (TM) APU 模擬器 + Boost your bass the fast and simple way + - - GUS-compatible patch instrument - GUS 兼容音色的樂器 + Versatile drum synthesizer + 多功能鼓合成器 - - Plugin for controlling knobs with sound peaks - + Simple sampler with various settings for using samples (e.g. drums) in an instrument-track + 簡單地在樂器欄使用採樣(比如鼓音源), 同時也提供多種設置 - - Player for SoundFont files - 在工程中使用SoundFont + plugin for processing dynamics in a flexible way + - - LMMS port of sfxr - sfxr 的 LMMS 移植版本 + Carla Patchbay Instrument + Carla Patchbay 樂器 - - Emulation of the MOS6581 and MOS8580 SID. -This chip was used in the Commodore 64 computer. - 模擬 MOS6581 和 MOS8580 SID 的模擬器 -這些芯片曾在 Commodore 64 電腦上用過。 + plugin for using arbitrary VST effects inside LMMS. + - Graphical spectrum analyzer plugin 圖形頻譜分析器插件 - - Plugin for enhancing stereo separation of a stereo input file - + A NES-like synthesizer + 類似於 NES 的合成器 - - Plugin for freely manipulating stereo output - + A native delay plugin + 原生的衰減插件 - - Tuneful things to bang on - + Player for GIG files + 播放 GIG 文件的播放器 - - Three powerful oscillators you can modulate in several ways + A multitap echo delay plugin - - VST-host for using VST(i)-plugins within LMMS - LMMS的VST(i)插件宿主 + A native flanger plugin + 一個原生的 鑲邊 (Flanger) 插件 - - Vibrating string modeler + An oversampling bitcrusher - - plugin for using arbitrary VST effects inside LMMS. - + A native eq plugin + 原生的 EQ 插件 - - 4-oscillator modulatable wavetable synth + A 4-band Crossover Equalizer - - plugin for waveshaping + A Dual filter plugin - - Embedded ZynAddSubFX - 內置的 ZynAddSubFX - - - - no description - 沒有描述 + Filter for exporting MIDI-files from LMMS + sf2Instrument - Bank 庫 - Patch 音色 - Gain 增益 - Reverb 混響 - Reverb Roomsize 混響空間大小 - Reverb Damping 混響阻尼 - Reverb Width 混響寬度 - Reverb Level 混響級別 - Chorus 合唱 - Chorus Lines 合唱聲部 - Chorus Level 合唱電平 - Chorus Speed 合唱速度 - Chorus Depth 合唱深度 - A soundfont %1 could not be loaded. 無法載入Soundfont %1。 @@ -11643,92 +9316,74 @@ This chip was used in the Commodore 64 computer. sf2InstrumentView - Open other SoundFont file 打開其他SoundFont文件 - Click here to open another SF2 file 點擊此處打開另一個SF2文件 - Choose the patch 選擇路徑 - Gain 增益 - Apply reverb (if supported) 應用混響（如果支持） - This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. 此按鈕會啓用混響效果器。可以製作出很酷的效果，但僅對支持的文件有效。 - Reverb Roomsize: 混響空間大小： - Reverb Damping: 混響阻尼： - Reverb Width: 混響寬度： - Reverb Level: 混響級別： - Apply chorus (if supported) 應用合唱 (如果支持) - This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. 此按鈕會啓用合唱效果器。 - Chorus Lines: 合唱聲部: - Chorus Level: 合唱級別: - Chorus Speed: 合唱速度： - Chorus Depth: 合唱深度： - Open SoundFont file 打開SoundFont文件 - SoundFont2 Files (*.sf2) SoundFont2 Files (*.sf2) @@ -11736,7 +9391,6 @@ This chip was used in the Commodore 64 computer. sfxrInstrument - Wave Form 波形 @@ -11744,32 +9398,26 @@ This chip was used in the Commodore 64 computer. sidInstrument - Cutoff 切除 - Resonance 共鳴 - Filter type 過濾器類型 - Voice 3 off 聲音 3 關 - Volume 音量 - Chip model 芯片型號 @@ -11777,172 +9425,134 @@ This chip was used in the Commodore 64 computer. sidInstrumentView - Volume: 音量： - Resonance: 共鳴： - - Cutoff frequency: 頻譜刀頻率： - High-Pass filter 高通濾波器 - Band-Pass filter 帶通濾波器 - Low-Pass filter 低通濾波器 - Voice3 Off 聲音 3 關 - MOS6581 SID MOS6581 SID - MOS8580 SID MOS8580 SID - - Attack: 打進聲: - Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. - - Decay: 衰減： - Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. - Sustain: 振幅持平： - Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. - - Release: 聲音消失： - The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. - - Pulse Width: - The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. - Coarse: - The Coarse detuning allows to detune Voice %1 one octave up or down. - Pulse Wave - Triangle Wave - SawTooth - Noise 噪音 - Sync 同步 - Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. - Ring-Mod - Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. - Filtered - When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. - Test 測試 - Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. @@ -11950,12 +9560,10 @@ This chip was used in the Commodore 64 computer. stereoEnhancerControlDialog - WIDE - Width: 寬度: @@ -11963,7 +9571,6 @@ This chip was used in the Commodore 64 computer. stereoEnhancerControls - Width 寬度 @@ -11971,22 +9578,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControlDialog - Left to Left Vol: 從左到左音量： - Left to Right Vol: 從左到右音量： - Right to Left Vol: 從右到左音量： - Right to Right Vol: 從右到右音量： @@ -11994,22 +9597,18 @@ This chip was used in the Commodore 64 computer. stereoMatrixControls - Left to Left 從左到左 - Left to Right 從左到右 - Right to Left 從右到左 - Right to Right 從右到右 @@ -12017,12 +9616,10 @@ This chip was used in the Commodore 64 computer. vestigeInstrument - Loading plugin 載入插件 - Please wait while loading VST-plugin... 請等待VST插件加載完成... @@ -12030,52 +9627,42 @@ This chip was used in the Commodore 64 computer. vibed - String %1 volume - String %1 stiffness - Pick %1 position - Pickup %1 position - Pan %1 聲相 %1 - Detune %1 去諧 %1 - Fuzziness %1 模糊度 %1 - Length %1 長度 %1 - Impulse %1 - Octave %1 八度音 %1 @@ -12083,112 +9670,90 @@ This chip was used in the Commodore 64 computer. vibedView - Volume: 音量： - The 'V' knob sets the volume of the selected string. - String stiffness: - The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. - Pick position: - The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. - Pickup position: - The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. - Pan: - The Pan knob determines the location of the selected string in the stereo field. - Detune: 去諧： - The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. - Fuzziness: - The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. - Length: 長度: - The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. - Impulse or initial state - The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. - Octave - The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. - Impulse Editor - The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. @@ -12199,7 +9764,6 @@ The 'N' button will normalize the waveform. - Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. @@ -12214,160 +9778,129 @@ The LED in the lower right corner of the waveform editor determines whether the - Enable waveform 啓用波形 - Click here to enable/disable waveform. 點擊這裏啓用/禁用波形。 - String - The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. - Sine wave 正弦波 - - Use a sine-wave for current oscillator. - 爲當前振盪器使用正弦波。 - - - Triangle wave 三角波 - - Use a triangle-wave for current oscillator. - 爲當前振盪器使用三角波。 - - - Saw wave 鋸齒波 - - Use a saw-wave for current oscillator. - 爲當前振盪器使用鋸齒波。 - - - Square wave 方波 - - Use a square-wave for current oscillator. - 爲當前振盪器使用方波。 - - - White noise wave 白噪音 - - Use white-noise for current oscillator. - 爲當前振盪器使用白噪音。 - - - User defined wave 用戶自定義波形 - - Use a user-defined waveform for current oscillator. - 爲當前振盪器使用用戶自定波形。 - - - Smooth 平滑 - Click here to smooth waveform. 點擊這裏平滑波形。 - Normalize 標準化 - Click here to normalize waveform. 點擊這裏標準化波形。 + + Use a sine-wave for current oscillator. + 爲當前振盪器使用正弦波。 + + + Use a triangle-wave for current oscillator. + 爲當前振盪器使用三角波。 + + + Use a saw-wave for current oscillator. + 爲當前振盪器使用鋸齒波。 + + + Use a square-wave for current oscillator. + 爲當前振盪器使用方波。 + + + Use white-noise for current oscillator. + 爲當前振盪器使用白噪音。 + + + Use a user-defined waveform for current oscillator. + 爲當前振盪器使用用戶自定波形。 + voiceObject - Voice %1 pulse width - Voice %1 attack - Voice %1 decay - Voice %1 sustain - Voice %1 release - Voice %1 coarse detuning - Voice %1 wave shape 聲音 %1 波形形狀 - Voice %1 sync 聲音 %1 同步 - Voice %1 ring modulate - Voice %1 filtered - Voice %1 test 聲音 %1 測試 @@ -12375,72 +9908,58 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControlDialog - INPUT 輸入 - Input gain: 輸入增益: - OUTPUT 輸出 - Output gain: 輸出增益: - Reset waveform 重置波形 - Click here to reset the wavegraph back to default - Smooth waveform 平滑波形 - Click here to apply smoothing to wavegraph 點擊這裏來使波形圖更爲平滑 - Increase graph amplitude by 1dB - Click here to increase wavegraph amplitude by 1dB - Decrease graph amplitude by 1dB - Click here to decrease wavegraph amplitude by 1dB - Clip input 輸入壓限 - Clip input signal to 0dB 將輸入信號限制到 0dB @@ -12448,12 +9967,10 @@ The LED in the lower right corner of the waveform editor determines whether the waveShaperControls - Input gain 輸入增益 - Output gain 輸出增益